That the Soul May Wax Plump
My dumpy little mother on the undertaker's slab
had a mannequin's grace. From chin to foot
the sheet outlined her, thin and tall. Her face
uptilted, bloodless, smooth, had a long smile.
Her head rested on a block under her nape,
her neck was long, her hair waved, upswept. But later,
at "the viewing," sunk in the casket in pink tulle,
an expensive present that might spoil, dressed
in Eden's green apron, organdy bonnet on,
she shrank, grew short again, and yellow. Who
put the gold-rimmed glasses on her shut face, who
laid her left hand with the wedding ring on
her stomach that really didn't seem to be there
under the fake lace?
Mother's work before she died was self-purification,
a regimen of near starvation, to be worthy to go
to Our Father, Whom she confused (or, more aptly, fused)
with our father, in Heaven long since. She believed
in evacuation, an often and fierce purgation,
meant to teach the body to be hollow, that the soul
may wax plump. At the moment of her death, the wind
rushed out from all her pipes at once. Throat and rectum
sang together, a galvanic spasm, hiss of ecstasy.
Then, a flat collapse. Legs and arms flung wide,
like that female Spanish saint slung by the ankles
to a cross, her mouth stayed open in a dark O. So,
her vigorous soul whizzed free. On the undertaker's slab, she
lay youthful, cool, triumphant, with a long smile.
poem by May Swenson
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Related quotes
The Oldest Drama
"It fell on a day, that he went out to his father to the reapers.
And he said unto his father, My head, my head. And he said to a lad,
Carry him to his mother. And . . . he sat on her knees till noon,
and then died. And she went up, and laid him on the bed. . . .
And shut the door upon him and went out."
Immortal story that no mother's heart
Ev'n yet can read, nor feel the biting pain
That rent her soul! Immortal not by art
Which makes a long past sorrow sting again
Like grief of yesterday: but since it said
In simplest word the truth which all may see,
Where any mother sobs above her dead
And plays anew the silent tragedy.
poem by John McCrae
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Long neck is beautiful.
Long neck is beautiful.
It is indicative
Of long limbs, long fingers,
Long nose, long chin,
Long waist, long loins
Long shins and long toes.
Altogether tall is beautiful.
The best way to show
The neck longer than it is
Is tug up the hair on head
So as to bare the nape.
25.06.2006
poem by Rm. Shanmugam Chettiar
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A Nativity
1914-18
The Babe was laid in the Manger
Between the gentle kine --
All safe from cold and danger --
"But it was not so with mine,
(With mine! With mine!)
"Is it well with the child, is it well?"
The waiting mother prayed.
"For I know not how he fell,
And I know not where he is laid."
A Star stood forth in Heaven;
The Watchers ran to see
The Sign of the Promise given --
"But there comes no sign to me.
(To me! To me!)
"My child died in the dark.
Is it well with the child, is it well?
There was none to tend him or mark,
And I know not how he fell."
The Cross was raised on high;
The Mother grieved beside --
"But the Mother saw Him die
And took Him when He died.
(He died! He died!)
"Seemly and undefiled
His burial-place was made --
Is it well, is it well with the child?
For I know not where he is laid."
On the dawning of Easter Day
Comes Mary Magdalene;
But the Stone was rolled away,
And the Body was not within --
(Within! Within!)
"Ah, who will answer my word?
The broken mother prayed.
"They have taken away my Lord,
And I know not where He is laid."
. . . . .
"The Star stands forth in Heaven.
The watchers watch in vain
For Sign of the Promise given
Of peace on Earth again --
(Again! Again!)
"But I know for Whom he fell" --
The steadfast mother smiled,
"Is it well with the child -- is it well?
It is well -- it is well with the child!"
poem by Rudyard Kipling
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Authorship
You say that father write a lot of books, but what he write I don't
understand.
He was reading to you all the evening, but could you really
make out what he meant?
What nice stores, mother, you can tell us! Why can't father
write like that, I wonder?
Did he never hear from his own mother stories of giants and
fairies and princesses?
Has he forgotten them all?
Often when he gets late for his bath you have to and call him
an hundred times.
You wait and keep his dishes warm for him, but he goes on
writing and forgets.
Father always plays at making books.
If ever I go to play in father's room, you come and call me,
"What a naughty child!"
If I make the slightest noise you say, "Don't you see that
father's at his work?"
What's the fun of always writing and writing?
When I take up father's pen or pencil and write upon his book
just as he does,-a,b,c,d,e,f,g,h,i,-why do you get cross with me
then, mother?
You never say a word when father writes.
When my father wastes such heaps of paper, mother, you don't
seem to mind at all.
But if I take only one sheet to take a boat with, you say,
"Child, how troublesome you are!"
What do you think of father's spoiling sheets and sheets of
paper with black marks all over both sides?
poem by Rabindranath Tagore
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The Gift Of The Sea
The dead child lay in the shroud,
And the widow watched beside;
And her mother slept, and the Channel swept
The gale in the teeth of the tide.
But the mother laughed at all.
"I have lost my man in the sea,
And the child is dead. Be still," she said,
"What more can ye do to me?"
The widow watched the dead,
And the candle guttered low,
And she tried to sing the Passing Song
That bids the poor soul go.
And "Mary take you now," she sang,
"That lay against my heart."
And "Mary smooth your crib to-night,"
But she could not say "Depart."
Then came a cry from the sea,
But the sea-rime blinded the glass,
And "Heard ye nothing, mother?" she said,
"'Tis the child that waits to pass."
And the nodding mother sighed.
"'Tis a lambing ewe in the whin,
For why should the christened soul cry out
That never knew of sin?"
"O feet I have held in my hand,
O hands at my heart to catch,
How should they know the road to go,
And how should they lift the latch?"
They laid a sheet to the door,
With the little quilt atop,
That it might not hurt from the cold or the dirt,
But the crying would not stop.
The widow lifted the latch
And strained her eyes to see,
And opened the door on the bitter shore
To let the soul go free.
There was neither glimmer nor ghost,
There was neither spirit nor spark,
And "Heard ye nothing, mother?" she said,
"'Tis crying for me in the dark."
And the nodding mother sighed:
"'Tis sorrow makes ye dull;
Have ye yet to learn the cry of the tern,
Or the wail of the wind-blown gull?"
"The terns are blown inland,
The gray gull follows the plough.
'Twas never a bird, the voice I heard,
O mother, I hear it now!"
"Lie still, dear lamb, lie still;
The child is passed from harm,
'Tis the ache in your breast that broke your rest,
And the feel of an empty arm."
She put her mother aside,
"In Mary's name let be!
For the peace of my soul I must go," she said,
And she went to the calling sea.
In the heel of the wind-bit pier,
Where the twisted weed was piled,
She came to the life she had missed by an hour,
For she came to a little child.
She laid it into her breast,
And back to her mother she came,
But it would not feed and it would not heed,
Though she gave it her own child's name.
And the dead child dripped on her breast,
And her own in the shroud lay stark;
And "God forgive us, mother," she said,
"We let it die in the dark!"
poem by Rudyard Kipling
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To My Mother
Because I feel that, in the Heavens above,
The angels, whispering to one another,
Can find, among their burning terms of love,
None so devotional as that of "Mother,"
Therefore by that dear name I long have called you-
You who are more than mother unto me,
And fill my heart of hearts, where Death installed you
In setting my Virginia's spirit free.
My mother- my own mother, who died early,
Was but the mother of myself; but you
Are mother to the one I loved so dearly,
And thus are dearer than the mother I knew
By that infinity with which my wife
Was dearer to my soul than its soul-life.
poem by Edgar Allan Poe
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The night wind
Have you ever heard the wind go "Yooooo"?
'T is a pitiful sound to hear!
It seems to chill you through and through
With a strange and speechless fear.
'T is the voice of the night that broods outside
When folk should be asleep,
And many and many's the time I've cried
To the darkness brooding far and wide
Over the land and the deep:
Whom do you want, O lonely night,
That you wail the long hours through?"
And the night would say in its ghostly way:
"Yoooooooo!
Yoooooooo!
Yoooooooo!"
My mother told me long ago
(When I was a little tad)
That when the night went wailing so,
Somebody had been bad;
And then, when I was snug in bed,
Whither I had been sent,
With the blankets pulled up round my head,
I'd think of what my mother'd said,
And wonder what boy she meant!
And "Who's been bad to-day?" I'd ask
Of the wind that hoarsely blew,
And the voice would say in its meaningful way:
"Yoooooooo!
Yoooooooo!
Yoooooooo!"
That this was true I must allow -
You'll not believe it, though!
Yes, though I'm quite a model now,
I was not always so.
And if you doubt what things I say,
Suppose you make the test;
Suppose, when you've been bad some day
And up to bed are sent away
From mother and the rest -
Suppose you ask, "Who has been bad?"
And then you'll hear what's true;
For the wind will moan in its ruefulest tone:
"Yoooooooo!
Yoooooooo!
Yoooooooo!"
poem by Eugene Field
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Cornish Lullaby
Out on the mountain over the town,
All night long, all night long,
The trolls go up and the trolls go down,
Bearing their packs and crooning a song;
And this is the song the hill-folk croon,
As they trudge in the light of the misty moon,--
This is ever their dolorous tune:
"Gold, gold! ever more gold,--
Bright red gold for dearie!"
Deep in the hill the yeoman delves
All night long, all night long;
None but the peering, furtive elves
See his toil and hear his song;
Merrily ever the cavern rings
As merrily ever his pick he swings,
And merrily ever this song he sings:
"Gold, gold! ever more gold,--
Bright red gold for dearie!"
Mother is rocking thy lowly bed
All night long, all night long,
Happy to smooth thy curly head
And to hold thy hand and to sing her song;
'T is not of the hill-folk, dwarfed and old,
Nor the song of the yeoman, stanch and bold,
And the burden it beareth is not of gold;
But it's "Love, love!--nothing but love,--
Mother's love for dearie!"
poem by Eugene Field
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Over The Range
Little bush maiden, wondering-eyed,
Playing alone in the creek-bed dry,
In the small green flat on every side
Walled in by the Moonbi ranges high;
Tell me the tale of your lonely life
'Mid the great grey forests that know no change.
"I never have left my home," she said,
"I have never been over the Moonbi Range.
"Father and mother are long since dead,
And I live with granny in yon wee place."
"Where are your father and mother?" I said.
She puzzled awhile with thoughtful face,
Then a light came into the shy brown face,
And she smiled, for she thought the question strange
On a thing so certain -- "When people die
They go to the country over the range."
"And what is this country like, my lass?"
"There are blossoming trees and pretty flowers
And shining creeks where the golden grass
Is fresh and sweet from the summer showers.
They never need work, nor want, nor weep;
No troubles can come their hearts to estrange.
Some summer night I shall fall asleep,
And wake in the country over the range."
Child, you are wise in your simple trust,
For the wisest man knows no more than you.
Ashes to ashes, and dust to dust:
Our views by a range are bounded too;
But we know that God hath this gift in store,
That, when we come to the final change,
We shall meet with our loved ones gone before
To the beautiful country over the range.
poem by Andrew Barton Paterson
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Psalm 27 part 2
v.8,9,13,14
C. M.
Prayer and hope.
Soon as I heard my Father say,
"Ye children, seek my grace,"
My heart replied without delay,
"I'll seek my Father's face."
Let not thy face be hid from me,
Nor frown my soul away;
God of my life, I fly to thee
In a distressing day.
Should friends and kindred near and dear
Leave me to want or die,
My God would make my life his care,
And all my need supply.
My fainting flesh had died with grief
Had not my soul believed,
To see thy grace provide relief;
Nor was my hope deceived.
Wait on the Lord, ye trembling saints,
And keep your courage up;
He'll raise your spirit when it faints,
And far exceed your hope.
poem by Isaac Watts
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The Slave Dealer
From ocean's wave a Wanderer came,
With visage tanned and dun:
His Mother, when he told his name,
Scarce knew her long-lost son;
So altered was his face and frame
By the ill course he had run.
There was hot fever in his blood,
And dark thoughts in his brain;
And oh! to turn his heart to good
That Mother strove in vain,
For fierce and fearful was his mood,
Racked by remorse and pain.
And if, at times, a gleam more mild
Would o'er his features stray,
When knelt the Widow near her Child,
And he tried with her to pray,
It lasted not for visions wild
Still scared good thoughts away.
"There's blood upon my hands!" he said,
"Which water cannot wash;
It was not shed where warriors bled
It dropped from the gory lash,
As I whirled it o'er and o'er my head,
And with each stroke left a gash.
"With every stroke I left a gash,
While Negro blood sprang high;
And now all ocean cannot wash
My soul from murder's dye;
Nor e'en thy prayer, dear Mother, quash
That Woman's wild death-cry!
"Her cry is ever in my ear,
And it will not let me pray;
Her look I see her voice I hear
As when in death she lay,
And said, 'With me thou must appear
On God's great Judgment-day!'"
"Now, Christ from frenzy keep my son!"
The woeful Widow cried;
"Such murder foul thou ne'er hast done
Some fiend thy soul belied!"
" Nay, Mother! the Avenging One
Was witness when she died!
"The writhing wretch with furious heel
I crushed no mortal nigh;
But that same hour her dread appeal
Was registered on high;
And now with God I have to deal,
And dare not meet His eye!"
poem by Thomas Pringle
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Domestic Scene
The meal was o'er, the lamp was lit,
The family sat in its glow;
The Mother never ceased to knit,
The Daughter never slacked to sew;
The Father read his evening news,
The Son was playing solitaire:
If peace a happy home could choose
I'm sure you'd swear that it was there.
BUT
The Mother:
"Ah me! this hard lump in my breast . . .
Old Doctor Brown I went to see;
Because it don't give me no rest,
He fears it may malignant be.
To operate it might be well,
And keep the evil of awhile;
But oh the folks I dare not tell,
And so I sit and knit and smile."
The Father:
"The mortgage on the house is due,
My bank account is overdrawn;
I'm at my wits end what to do -
I've plunged, but now my hope is gone.
For coverage my brokers call,
But I'm so deeply in the red . . .
If ever I should lose my all,
I'll put a bullet in my head."
The Daughter:
"To smile I do the best I can,
But it's so hard to act up gay.
My lover is a married man,
And now his child is on the way.
My plight I cannot long conceal,
And though I bear their bitter blame,
Unto my dears I must reveal
My sin, my sorrow and my shame."
The Son:
"Being a teller in a Bank
I'd no right in a blackjack game.
But for my ruin I must thank
My folly for a floozie dame.
To face the Manager I quail;
If he should check my cash I'm sunk . . .
Before they throw me into gaol
I guess I'd better do a bunk."
So sat they in the Winter eve
In sweet serenity becalmed,
So peaceful you could scarce believe
They shared the torments of the damned . . .
Yet there the Mother smiles and knits;
The Daughter sews white underwear;
The Father reads and smokes and spits,
While Sonny Boy plays solitaire.
poem by Robert William Service
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Remembering Childhood
by accident you come across
an old picture
you recognize the face of your father
beside your mother
with his gun on the side of his body
as reservist of the army
you look closely
your mother pouts
and she is holding on to her
white skirt
you father's right hand grips
his gun
while the left holds on to
the chair just behind your
mother's neck
there is a baby being held
by your mother
it is sleeping and it looks
like you
your father does not like
you and you know it from the very start
you know how to pretend
till he died
poem by Ric S. Bastasa
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Roses and Rue
Could we dig up this long-buried treasure,
Were it worth the pleasure,
We never could learn love's song,
We are parted too long
Could the passionate past that is fled
Call back its dead,
Could we live it all over again,
Were it worth the pain!
I remember we used to meet
By an ivied seat,
And you warbled each pretty word
With the air of a bird;
And your voice had a quaver in it,
Just like a linnet,
And shook, as the blackbird's throat
With its last big note;
And your eyes, they were green and grey
Like an April day,
But lit into amethyst
When I stooped and kissed;
And your mouth, it would never smile
For a long, long while,
Then it rippled all over with laughter
Five minutes after.
You were always afraid of a shower,
Just like a flower:
I remember you started and ran
When the rain began.
I remember I never could catch you,
For no one could match you,
You had wonderful, luminous, fleet,
Little wings to your feet.
I remember your hair - did I tie it?
For it always ran riot -
Like a tangled sunbeam of gold:
These things are old.
I remember so well the room,
And the lilac bloom
That beat at the dripping pane
In the warm June rain;
And the colour of your gown,
It was amber-brown,
And two yellow satin bows
From the shoulders rose.
And the handkerchief of French lace
Which you held to your face-
Had a small tear left a stain?
Or was it the rain?
On your hand as it waved adieu
There were veins of blue;
In your voice as it said good-bye
Was a petulant cry,
"You have only wasted your life."
(Ah, that was the knife!)
When I rushed through the garden gate
It was all too late.
Could we live it over again,
Were it worth the pain,
Could the passionate past that is fled
Call back its dead!
Well, if my heart must break,
Dear love, for your sake,
It will break in music, I know,
Poets' hearts break so.
But strange that I was not told
That the brain can hold
In a tiny ivory cell
God's heaven and hell.
poem by Oscar Wilde
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Sister Helen
"Why did you melt your waxen man
Sister Helen?
To-day is the third since you began."
"The time was long, yet the time ran,
Little brother."
(O Mother, Mary Mother,
Three days to-day, between Hell and Heaven!)
"But if you have done your work aright,
Sister Helen,
You'll let me play, for you said I might."
"Be very still in your play to-night,
Little brother."
(O Mother, Mary Mother,
Third night, to-night, between Hell and Heaven!)
"You said it must melt ere vesper-bell,
Sister Helen;
If now it be molten, all is well."
"Even so,--nay, peace! you cannot tell,
Little brother."
(O Mother, Mary Mother,
O what is this, between Hell and Heaven?)
"Oh the waxen knave was plump to-day,
Sister Helen;
How like dead folk he has dropp'd away!"
"Nay now, of the dead what can you say,
Little brother?"
(O Mother, Mary Mother,
What of the dead, between Hell and Heaven?)
"See, see, the sunken pile of wood,
Sister Helen,
Shines through the thinn'd wax red as blood!"
"Nay now, when look'd you yet on blood,
Little brother?"
(O Mother, Mary Mother,
How pale she is, between Hell and Heaven!)
"Now close your eyes, for they're sick and sore,
Sister Helen,
And I'll play without the gallery door."
"Aye, let me rest,--I'll lie on the floor,
Little brother."
(O Mother, Mary Mother,
What rest to-night, between Hell and Heaven?)
"Here high up in the balcony,
Sister Helen,
The moon flies face to face with me."
"Aye, look and say whatever you see,
Little brother."
(O Mother, Mary Mother,
What sight to-night, between Hell and Heaven?)
"Outside it's merry in the wind's wake,
Sister Helen;
In the shaken trees the chill stars shake."
"Hush, heard you a horse-tread as you spake,
Little brother?"
(O Mother, Mary Mother,
What sound to-night, between Hell and Heaven?)
"I hear a horse-tread, and I see,
Sister Helen,
Three horsemen that ride terribly."
"Little brother, whence come the three,
Little brother?"
(O Mother, Mary Mother,
Whence should they come, between Hell and Heaven?)
"They come by the hill-verge from Boyne Bar,
Sister Helen,
And one draws nigh, but two are afar."
"Look, look, do you know them who they are,
Little brother?"
(O Mother, Mary Mother,
Who should they be, between Hell and Heaven?)
"Oh, it's Keith of Eastholm rides so fast,
Sister Helen,
For I know the white mane on the blast."
"The hour has come, has come at last,
Little brother!"
(O Mother, Mary Mother,
Her hour at last, between Hell and Heaven!)
"He has made a sign and called Halloo!
Sister Helen,
And he says that he would speak with you."
"Oh tell him I fear the frozen dew,
Little brother."
(O Mother, Mary Mother,
Why laughs she thus, between Hell and Heaven?)
"The wind is loud, but I hear him cry,
Sister Helen,
That Keith of Ewern's like to die."
"And he and thou, and thou and I,
Little brother."
(O Mother, Mary Mother,
And they and we, between Hell and Heaven!)
"Three days ago, on his marriage-morn,
Sister Helen,
He sicken'd, and lies since then forlorn."
"For bridegroom's side is the bride a thorn,
Little brother?"
(O Mother, Mary Mother,
Cold bridal cheer, between Hell and Heaven!)
"Three days and nights he has lain abed,
Sister Helen,
And he prays in torment to be dead."
"The thing may chance, if he have pray'd,
Little brother!"
(O Mother, Mary Mother,
If he have pray'd, between Hell and Heaven!)
"But he has not ceas'd to cry to-day,
Sister Helen,
That you should take your curse away."
"My prayer was heard,--he need but pray,
Little brother!"
(O Mother, Mary Mother,
Shall God not hear, between Hell and Heaven?)
"But he says, till you take back your ban,
Sister Helen,
His soul would pass, yet never can."
"Nay then, shall I slay a living man,
Little brother?"
(O Mother, Mary Mother,
A living soul, between Hell and Heaven!)
"But he calls for ever on your name,
Sister Helen,
And says that he melts before a flame."
"My heart for his pleasure far'd the same,
Little brother."
(O Mother, Mary Mother,
Fire at the heart, between Hell and Heaven!)
"Here's Keith of Westholm riding fast,
Sister Helen,
For I know the white plume on the blast."
"The hour, the sweet hour I forecast,
Little brother!"
(O Mother, Mary Mother,
Is the hour sweet, between Hell and Heaven?)
"He stops to speak, and he stills his horse,
Sister Helen;
But his words are drown'd in the wind's course."
"Nay hear, nay hear, you must hear perforce,
Little brother!" .
(O Mother, Mary Mother,
What word now heard, between Hell and Heaven?)
"Oh he says that Keith of Ewern's cry,
Sister Helen,
Is ever to see you ere he die."
"In all that his soul sees, there am I
Little brother!"
(O Mother, Mary Mother,
The soul's one sight, between Hell and Heaven!)
"He sends a ring and a broken coin,
Sister Helen,
And bids you mind the banks of Boyne."
"What else he broke will he ever join,
Little brother?"
(O Mother, Mary Mother,
No, never join'd, between Hell and Heaven!)
"He yields you these and craves full fain,
Sister Helen,
You pardon him in his mortal pain."
"What else he took will he give again,
Little brother?"
(O Mother, Mary Mother,
Not twice to give, between Hell and Heaven!)
"He calls your name in an agony,
Sister Helen,
That even dead Love must weep to see."
"Hate, born of Love, is blind as he,
Little brother!"
(O Mother, Mary Mother,
Love turn'd to hate, between Hell and Heaven!)
"Oh it's Keith of Keith now that rides fast,
Sister Helen,
For I know the white hair on the blast."
"The short short hour will soon be past,
Little brother!"
(O Mother, Mary Mother,
Will soon be past, between Hell and Heaven!)
"He looks at me and he tries to speak,
Sister Helen,
But oh! his voice is sad and weak!"
"What here should the mighty Baron seek,
Little brother?"
(O Mother, Mary Mother,
Is this the end, between Hell and Heaven?)
"Oh his son still cries, if you forgive,
Sister Helen,
The body dies but the soul shall live."
"Fire shall forgive me as I forgive,
Little brother!"
(O Mother, Mary Mother,
As she forgives, between Hell and Heaven!)
"Oh he prays you, as his heart would rive,
Sister Helen,
To save his dear son's soul alive."
"Fire cannot slay it, it shall thrive,
Little brother!"
(O Mother, Mary Mother,
Alas, alas, between Hell and Heaven!)
"He cries to you, kneeling in the road,
Sister Helen,
To go with him for the love of God!"
"The way is long to his son's abode,
Little brother."
(O Mother, Mary Mother,
The way is long, between Hell and Heaven!)
"A lady's here, by a dark steed brought,
Sister Helen,
So darkly clad, I saw her not."
"See her now or never see aught,
Little brother!"
(O Mother, Mary Mother,
What more to see, between Hell and Heaven?)
"Her hood falls back, and the moon shines fair,
Sister Helen,
On the Lady of Ewern's golden hair."
"Blest hour of my power and her despair,
Little brother!"
(O Mother, Mary Mother,
Hour blest and bann'd, between Hell and Heaven!)
"Pale, pale her cheeks, that in pride did glow,
Sister Helen,
'Neath the bridal-wreath three days ago."
"One morn for pride and three days for woe,
Little brother!"
(O Mother, Mary Mother,
Three days, three nights, between Hell and Heaven!)
"Her clasp'd hands stretch from her bending head,
Sister Helen;
With the loud wind's wail her sobs are wed."
"What wedding-strains hath her bridal-bed,
Little brother?"
(O Mother, Mary Mother,
What strain but death's, between Hell and Heaven?)
"She may not speak, she sinks in a swoon,
Sister Helen,--
She lifts her lips and gasps on the moon."
"Oh! might I but hear her soul's blithe tune,
Little brother!"
(O Mother, Mary Mother,
Her woe's dumb cry, between Hell and Heaven!)
"They've caught her to Westholm's saddle-bow,
Sister Helen,
And her moonlit hair gleams white in its flow."
"Let it turn whiter than winter snow,
Little brother!"
(O Mother, Mary Mother,
Woe-wither'd gold, between Hell and Heaven!)
"O Sister Helen, you heard the bell,
Sister Helen!
More loud than the vesper-chime it fell."
"No vesper-chime, but a dying knell,
Little brother!"
(O Mother, Mary Mother,
His dying knell, between Hell and Heaven!)
"Alas! but I fear the heavy sound,
Sister Helen;
Is it in the sky or in the ground?"
"Say, have they turn'd their horses round,
Little brother?"
(O Mother, Mary Mother,
What would she more, between Hell and Heaven?)
"They have rais'd the old man from his knee,
Sister Helen,
And they ride in silence hastily."
"More fast the naked soul doth flee,
Little brother!"
(O Mother, Mary Mother,
The naked soul, between Hell and Heaven!)
"Flank to flank are the three steeds gone,
Sister Helen,
But the lady's dark steed goes alone."
"And lonely her bridegroom's soul hath flown,
Little brother."
(O Mother, Mary Mother,
The lonely ghost, between Hell and Heaven!)
"Oh the wind is sad in the iron chill,
Sister Helen,
And weary sad they look by the hill."
"But he and I are sadder still,
Little brother!"
(O Mother, Mary Mother,
Most sad of all, between Hell and Heaven!)
"See, see, the wax has dropp'd from its place,
Sister Helen,
And the flames are winning up apace!"
"Yet here they burn but for a space,
Little brother! "
(O Mother, Mary Mother,
Here for a space, between Hell and Heaven!)
"Ah! what white thing at the door has cross'd,
Sister Helen?
Ah! what is this that sighs in the frost?"
"A soul that's lost as mine is lost,
Little brother!"
(O Mother, Mary Mother,
Lost, lost, all lost, between Hell and Heaven!)
poem by Dante Gabriel Rossetti
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A Boy's Trials
When I was but a little lad
One thing I could not bear,
It was to stand at mother's knee
And have her comb my hair.
They didn't keep boys' hair as short
As it's kept now-a-days,
And mine was always tangled up
In twenty different ways.
I'd twist my mouth and grit my teeth,
And say it wasn't fair-
It was a trial, and no mistake,
When mother combed my hair.
She'd brush and brush each stubborn curl
That grew upon my pate,
And with her scissors nip and clip
To make the edges straight.
Then smooth it down until it shone,
While I would grin and bear,
And feel a martyr through and through,
When mother combed my hair.
She'd take my round chin in her hand
And hold it there the while
She made the parting carefully,
Then tell me with a smile:
'Don't push your cap down on your curls
And spoil my work and care;
He is a pretty little lad
When mother combs his hair.'
I'd hurry out and rumple up
That mop of hair so thick-
A vandal, I, for she had worked
So hard to make it slick-
And wish I were a grown-up man
So nobody would dare
To put a washrag in my ears,
Or comb my tangled hair.
Heigho! now that I'm bald and gray,
Methinks I would be glad
To have her smooth my brow and cheeks,
And whisper, 'Mother's lad!'
A longing for the care-free days
Doth take me unaware;
To stand, a boy, at mother's knee
And have her comb my hair.
poem by Jean Blewett
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To be lean is beauty.
The thin long plait over long nape,
The long jaw matching with low chin,
The lean arms in sleeveless blouse,
The cylindrical waist baring navel,
How beautifully you are lank!
No matter you have no breasts to name.
No matter I have seen your face
In a stone through distance only.
The lean are my favorite.
I was born of fatty mother.
18.03.2001, Pmdi
poem by Rm. Shanmugam Chettiar
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Father there you Are(For my dad)
Father it's been a long time,
Since I was baby which I cannot count on my ten fingers,
Cradle my mother's arms,
My eyes closed yet to see my father,
Father running around,
Now I can talk and walk,
Those years later,
Father where are you?
Seeing my mother,
Saying I love thy father,
Which I do,
My love will forever be true,
Now as I grow older once again,
I ask myself,
Father where are you?
Inside my life I see a tunnel,
Running through that tunnel I hear a voice,
Do I go or should I stay?
Trusting my gut I do,
A smile on my face,
Father there you are!
poem by Qeeony Luv
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What is—
215
What is—"Paradise"—
Who live there—
Are they "Farmers"—
Do they "hoe"—
Do they know that this is "Amherst"—
And that I—am coming—too—
Do they wear "new shoes"—in "Eden"—
Is it always pleasant—there—
Won't they scold us—when we're homesick—
Or tell God—how cross we are—
You are sure there's such a person
As "a Father"—in the sky—
So if I get lost—there—ever—
Or do what the Nurse calls "die"—
I shan't walk the "Jasper"—barefoot—
Ransomed folks—won't laugh at me—
Maybe—"Eden" a'n't so lonesome
As New England used to be!
poem by Emily Dickinson
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At The Time When Mother Left For Ozamis
i remember now
it was at that time when mother packed her clothes
and left my father for good
back in the little village where mother
was raised by grandmother
as a naive girl
keeping things to herself.
she dwells in a house of silence.
it was at that time when father said
that he loves her very much
that losing her would mean his death
but mother was no longer in the house
where we grew.
and of course, mother did not really believe him.
she died ahead of him, and he got drunk everyday, and
he put her picture on top of his chest and he cried all night long
staring at her face, black and white, her hair her mouth.
he died a year after and he was buried just beside her pantheon.
i still wonder if mother would believe him.
the silence is overwhelming. no one sweeps the heaps of leaves
and no wind is strong enough to clean the mounds filled with thick grass.
come summer time, i see white daisies blooming, and a black butterfly
hovers to stop a while. I watch closely this new turn of events.
it is like poetry. Some metaphors. Symbols, and hints. Love's mouth
wanting to say all over again, what the heart has constantly hidden.
poem by Ric S. Bastasa
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