
Tristram And Iseult
I
TRISTRAM
Tristram. Is she not come? The messenger was sure—
Prop me upon the pillows once again—
Raise me, my page! this cannot long endure.
—Christ, what a night! how the sleet whips the pane!
What lights will those out to the northward be?
The Page. The lanterns of the fishing-boats at sea.
Tristram. Soft—who is that, stands by the dying fire?
The Page. Iseult.
Tristram. Ah! not the Iseult I desire.
What Knight is this so weak and pale,
Though the locks are yet brown on his noble head,
Propt on pillows in his bed,
Gazing seaward for the light
Of some ship that fights the gale
On this wild December night?
Over the sick man's feet is spread
A dark green forest-dress;
A gold harp leans against the bed,
Ruddy in the fire's light.
I know him by his harp of gold,
Famous in Arthur's court of old;
I know him by his forest-dress—
The peerless hunter, harper, knight,
Tristram of Lyoness.
What Lady is this, whose silk attire
Gleams so rich in the light of the fire?
The ringlets on her shoulders lying
In their flitting lustre vying
With the clasp of burnish'd gold
Which her heavy robe doth hold.
Her looks are mild, her fingers slight
As the driven snow are white;
But her cheeks are sunk and pale.
Is it that the bleak sea-gale
Beating from the Atlantic sea
On this coast of Brittany,
Nips too keenly the sweet flower?
Is it that a deep fatigue
Hath come on her, a chilly fear,
Passing all her youthful hour
Spinning with her maidens here,
Listlessly through the window-bars
Gazing seawards many a league,
From her lonely shore-built tower,
While the knights are at the wars?
Or, perhaps, has her young heart
Felt already some deeper smart,
Of those that in secret the heart-strings rive,
Leaving her sunk and pale, though fair?
Who is this snowdrop by the sea?—
I know her by her mildness rare,
Her snow-white hands, her golden hair;
I know her by her rich silk dress,
And her fragile loveliness—
The sweetest Christian soul alive,
Iseult of Brittany.
Iseult of Brittany?—but where
Is that other Iseult fair,
That proud, first Iseult, Cornwall's queen?
She, whom Tristram's ship of yore
From Ireland to Cornwall bore,
To Tyntagel, to the side
Of King Marc, to be his bride?
She who, as they voyaged, quaff'd
With Tristram that spiced magic draught,
Which since then for ever rolls
Through their blood, and binds their souls,
Working love, but working teen?—.
There were two Iseults who did sway
Each her hour of Tristram's day;
But one possess'd his waning time,
The other his resplendent prime.
Behold her here, the patient flower,
Who possess'd his darker hour!
Iseult of the Snow-White Hand
Watches pale by Tristram's bed.
She is here who had his gloom,
Where art thou who hadst his bloom?
One such kiss as those of yore
Might thy dying knight restore!
Does the love-draught work no more?
Art thou cold, or false, or dead,
Iseult of Ireland?
Loud howls the wind, sharp patters the rain,
And the knight sinks back on his pillows again.
He is weak with fever and pain;
And his spirit is not clear.
Hark! he mutters in his sleep,
As he wanders far from here,
Changes place and time of year,
And his closéd eye doth sweep
O'er some fair unwintry sea,
Not this fierce Atlantic deep,
While he mutters brokenly:—
Tristram. The calm sea shines, loose hang the vessel's sails;
Before us are the sweet green fields of Wales,
And overhead the cloudless sky of May.—
'Ah, would I were in those green fields at play,
Not pent on ship-board this delicious day!
Tristram, I pray thee, of thy courtesy,
Reach me my golden phial stands by thee,
But pledge me in it first for courtesy.'—
Ha! dost thou start? are thy lips blanch'd like mine?
Child, 'tis no true draught this, 'tis poison'd wine!
Iseult!…
Ah, sweet angels, let him dream!
Keep his eyelids! let him seem
Not this fever-wasted wight
Thinn'd and paled before his time,
But the brilliant youthful knight
In the glory of his prime,
Sitting in the gilded barge,
At thy side, thou lovely charge,
Bending gaily o'er thy hand,
Iseult of Ireland!
And she too, that princess fair,
If her bloom be now less rare,
Let her have her youth again—
Let her be as she was then!
Let her have her proud dark eyes,
And her petulant quick replies—
Let her sweep her dazzling hand
With its gesture of command,
And shake back her raven hair
With the old imperious air!
As of old, so let her be,
That first Iseult, princess bright,
Chatting with her youthful knight
As he steers her o'er the sea,
Quitting at her father's will
The green isle where she was bred,
And her bower in Ireland,
For the surge-beat Cornish strand
Where the prince whom she must wed
Dwells on loud Tyntagel's hill,
High above the sounding sea.
And that potion rare her mother
Gave her, that her future lord,
Gave her, that King Marc and she,
Might drink it on their marriage-day,
And for ever love each other—
Let her, as she sits on board,
Ah, sweet saints, unwittingly!
See it shine, and take it up,
And to Tristram laughing say:
'Sir Tristram, of thy courtesy,
Pledge me in my golden cup!'
Let them drink it—let their hands
Tremble, and their cheeks be flame,
As they feel the fatal bands
Of a love they dare not name,
With a wild delicious pain,
Twine about their hearts again!
Let the early summer be
Once more round them, and the sea
Blue, and o'er its mirror kind
Let the breath of the May-wind,
Wandering through their drooping sails,
Die on the green fields of Wales!
Let a dream like this restore
What his eye must see no more!
Tristram. Chill blows the wind, the pleasaunce-walks are drear—
Madcap, what jest was this, to meet me here?
Were feet like those made for so wild a way?
The southern winter-parlour, by my fay,
Had been the likeliest trysting-place to-day!
'Tristram!—nay, nay—thou must not take my hand!—
Tristram!—sweet love!—we are betray'd—out-plann'd.
Fly—save thyself—save me!—I dare not stay.'—
One last kiss first!—''Tis vain—to horse—away!'
Ah! sweet saints, his dream doth move
Faster surely than it should,
From the fever in his blood!
All the spring-time of his love
Is already gone and past,
And instead thereof is seen
Its winter, which endureth still—
Tyntagel on its surge-beat hill,
The pleasaunce-walks, the weeping queen,
The flying leaves, the straining blast,
And that long, wild kiss—their last.
And this rough December-night,
And his burning fever-pain,
Mingle with his hurrying dream,
Till they rule it, till he seem
The press'd fugitive again,
The love-desperate banish'd knight
With a fire in his brain
Flying o'er the stormy main.
—Whither does he wander now?
Haply in his dreams the wind
Wafts him here, and lets him find
The lovely orphan child again
In her castle by the coast;
The youngest, fairest chatelaine,
Whom this realm of France can boast,
Our snowdrop by the Atlantic sea,
Iseult of Brittany.
And—for through the haggard air,
The stain'd arms, the matted hair
Of that stranger-knight ill-starr'd,
There gleam'd something, which recall'd
The Tristram who in better days
Was Launcelot's guest at Joyous Gard—
Welcomed here, and here install'd,
Tended of his fever here,
Haply he seems again to move
His young guardian's heart with love
In his exiled loneliness,
In his stately, deep distress,
Without a word, without a tear.
—Ah! 'tis well he should retrace
His tranquil life in this lone place;
His gentle bearing at the side
Of his timid youthful bride;
His long rambles by the shore
On winter-evenings, when the roar
Of the near waves came, sadly grand,
Through the dark, up the drown'd sand,
Or his endless reveries
In the woods, where the gleams play
On the grass under the trees,
Passing the long summer's day
Idle as a mossy stone
In the forest-depths alone,
The chase neglected, and his hound
Couch'd beside him on the ground.
—Ah! what trouble's on his brow?
Hither let him wander now;
Hither, to the quiet hours
Pass'd among these heaths of ours.
By the grey Atlantic sea;
Hours, if not of ecstasy,
From violent anguish surely free!
Tristram. All red with blood the whirling river flows,
The wide plain rings, the dazed air throbs with blows.
Upon us are the chivalry of Rome—
Their spears are down, their steeds are bathed in foam.
'Up, Tristram, up,' men cry, 'thou moonstruck knight!
What foul fiend rides thee? On into the fight!'
—Above the din her voice is in my ears;
I see her form glide through the crossing spears.—
Iseult!…
Ah! he wanders forth again;
We cannot keep him; now, as then,
There's a secret in his breast
Which will never let him rest.
These musing fits in the green wood
They cloud the brain, they dull the blood!
—His sword is sharp, his horse is good;
Beyond the mountains will he see
The famous towns of Italy,
And label with the blessed sign
The heathen Saxons on the Rhine.
At Arthur's side he fights once more
With the Roman Emperor.
There's many a gay knight where he goes
Will help him to forget his care;
The march, the leaguer, Heaven's blithe air,
The neighing steeds, the ringing blows—
Sick pining comes not where these are.
Ah! what boots it, that the jest
Lightens every other brow,
What, that every other breast
Dances as the trumpets blow,
If one's own heart beats not light
On the waves of the toss'd fight,
If oneself cannot get free
From the clog of misery?
Thy lovely youthful wife grows pale
Watching by the salt sea-tide
With her children at her side
For the gleam of thy white sail.
Home, Tristram, to thy halls again!
To our lonely sea complain,
To our forests tell thy pain!
Tristram. All round the forest sweeps off, black in shade,
But it is moonlight in the open glade;
And in the bottom of the glade shine clear
The forest-chapel and the fountain near.
—I think, I have a fever in my blood;
Come, let me leave the shadow of this wood,
Ride down, and bathe my hot brow in the flood.
—Mild shines the cold spring in the moon's clear light;
God! 'tis her face plays in the waters bright.
'Fair love,' she says, 'canst thou forget so soon,
At this soft hour under this sweet moon?'—
Iseult!…
Ah, poor soul! if this be so,
Only death can balm thy woe.
The solitudes of the green wood
Had no medicine for thy mood;
The rushing battle clear'd thy blood
As little as did solitude.
—Ah! his eyelids slowly break
Their hot seals, and let him wake;
What new change shall we now see?
A happier? Worse it cannot be.
Tristram. Is my page here? Come, turn me to the fire!
Upon the window-panes the moon shines bright;
The wind is down—but she'll not come to-night.
Ah no! she is asleep in Cornwall now,
Far hence; her dreams are fair—smooth is her brow
Of me she recks not, nor my vain desire.
—I have had dreams, I have had dreams, my page,
Would take a score years from a strong man's age;
And with a blood like mine, will leave, I fear,
Scant leisure for a second messenger.
—My princess, art thou there? Sweet, do not wait!
To bed, and sleep! my fever is gone by;
To-night my page shall keep me company.
Where do the children sleep? kiss them for me!
Poor child, thou art almost as pale as I;
This comes of nursing long and watching late.
To bed—good night!
She left the gleam-lit fireplace,
She came to the bed-side;
She took his hands in hers—her tears
Down on his wasted fingers rain'd.
She raised her eyes upon his face—
Not with a look of wounded pride,
A look as if the heart complained—
Her look was like a sad embrace;
The gaze of one who can divine
A grief, and sympathise.
Sweet flower! thy children's eyes
Are not more innocent than thine.
But they sleep in shelter'd rest,
Like helpless birds in the warm nest,
On the castle's southern side;
Where feebly comes the mournful roar
Of buffeting wind and surging tide
Through many a room and corridor.
—Full on their window the moon's ray
Makes their chamber as bright as day.
It shines upon the blank white walls,
And on the snowy pillow falls,
And on two angel-heads doth play
Turn'd to each other—the eyes closed,
The lashes on the cheeks reposed.
Round each sweet brow the cap close-set
Hardly lets peep the golden hair;
Through the soft-open'd lips the air
Scarcely moves the coverlet.
One little wandering arm is thrown
At random on the counterpane,
And often the fingers close in haste
As if their baby-owner chased
The butterflies again.
This stir they have, and this alone;
But else they are so still!
—Ah, tired madcaps! you lie still;
But were you at the window now,
To look forth on the fairy sight
Of your illumined haunts by night,
To see the park-glades where you play
Far lovelier than they are by day,
To see the sparkle on the eaves,
And upon every giant-bough
Of those old oaks, whose wet red leaves
Are jewell'd with bright drops of rain—
How would your voices run again!
And far beyond the sparkling trees
Of the castle-park one sees
The bare heaths spreading, clear as day,
Moor behind moor, far, far away,
Into the heart of Brittany.
And here and there, lock'd by the land,
Long inlets of smooth glittering sea,
And many a stretch of watery sand
All shining in the white moon-beams—
But you see fairer in your dreams!
What voices are these on the clear night-air?
What lights in the court—what steps on the stair?
II
ISEULT OF IRELAND
Tristram. Raise the light, my page! that I may see her.—
Thou art come at last, then, haughty Queen!
Long I've waited, long I've fought my fever;
Late thou comest, cruel thou hast been.
Iseult. Blame me not, poor sufferer! that I tarried;
Bound I was, I could not break the band.
Chide not with the past, but feel the present!
I am here—we meet—I hold thy hand.
Tristram. Thou art come, indeed—thou hast rejoin'd me;
Thou hast dared it—but too late to save.
Fear not now that men should tax thine honour!
I am dying: build—(thou may'st)—my grave!
Iseult. Tristram, ah, for love of Heaven, speak kindly!
What, I hear these bitter words from thee?
Sick with grief I am, and faint with travel—
Take my hand—dear Tristram, look on me!
Tristram. I forgot, thou comest from thy voyage—
Yes, the spray is on thy cloak and hair.
But thy dark eyes are not dimm'd, proud Iseult!
And thy beauty never was more fair.
Iseult. Ah, harsh flatterer! let alone my beauty!
I, like thee, have left my youth afar.
Take my hand, and touch these wasted fingers—
See my cheek and lips, how white they are!
Tristram. Thou art paler—but thy sweet charm, Iseult!
Would not fade with the dull years away.
Ah, how fair thou standest in the moonlight!
I forgive thee, Iseult!—thou wilt stay?
Iseult. Fear me not, I will be always with thee;
I will watch thee, tend thee, soothe thy pain;
Sing thee tales of true, long-parted lovers,
Join'd at evening of their days again.
Tristram. No, thou shalt not speak! I should be finding
Something alter'd in thy courtly tone.
Sit—sit by me! I will think, we've lived so
In the green wood, all our lives, alone.
Iseult. Alter'd, Tristram? Not in courts, believe me,
Love like mine is alter'd in the breast;
Courtly life is light and cannot reach it—
Ah! it lives, because so deep-suppress'd!
What, thou think'st men speak in courtly chambers
Words by which the wretched are consoled?
What, thou think'st this aching brow was cooler,
Circled, Tristram, by a band of gold?
Royal state with Marc, my deep-wrong'd husband—
That was bliss to make my sorrows flee!
Silken courtiers whispering honied nothings—
Those were friends to make me false to thee!
Ah, on which, if both our lots were balanced,
Was indeed the heaviest burden thrown—
Thee, a pining exile in thy forest,
Me, a smiling queen upon my throne?
Vain and strange debate, where both have suffer'd,
Both have pass'd a youth consumed and sad,
Both have brought their anxious day to evening,
And have now short space for being glad!
Join'd we are henceforth; nor will thy people,
Nor thy younger Iseult take it ill,
That a former rival shares her office,
When she sees her humbled, pale, and still.
I, a faded watcher by thy pillow,
I, a statue on thy chapel-floor,
Pour'd in prayer before the Virgin-Mother,
Rouse no anger, make no rivals more.
She will cry: 'Is this the foe I dreaded?
This his idol? this that royal bride?
Ah, an hour of health would purge his eyesight!
Stay, pale queen! for ever by my side.'
Hush, no words! that smile, I see, forgives me.
I am now thy nurse, I bid thee sleep.
Close thine eyes—this flooding moonlight blinds them!—
Nay, all's well again! thou must not weep.
Tristram. I am happy! yet I feel, there's something
Swells my heart, and takes my breath away.
Through a mist I see thee; near—come nearer!
Bend—bend down!—I yet have much to say.
Iseult. Heaven! his head sinks back upon the pillow—
Tristram! Tristram! let thy heart not fail!
Call on God and on the holy angels!
What, love, courage!—Christ! he is so pale.
Tristram. Hush, 'tis vain, I feel my end approaching!
This is what my mother said should be,
When the fierce pains took her in the forest,
The deep draughts of death, in bearing me.
'Son,' she said, 'thy name shall be of sorrow;
Tristram art thou call'd for my death's sake.'
So she said, and died in the drear forest.
Grief since then his home with me doth make.
I am dying.—Start not, nor look wildly!
Me, thy living friend, thou canst not save.
But, since living we were ununited,
Go not far, O Iseult! from my grave.
Close mine eyes, then seek the princess Iseult;
Speak her fair, she is of royal blood!
Say, I will'd so, that thou stay beside me—
She will grant it; she is kind and good.
Now to sail the seas of death I leave thee—
One last kiss upon the living shore!
Iseult. Tristram!—Tristram!—stay—receive me with thee!
Iseult leaves thee, Tristram! never more.
You see them clear—the moon shines bright.
Slow, slow and softly, where she stood,
She sinks upon the ground;—her hood
Has fallen back; her arms outspread
Still hold her lover's hand; her head
Is bow'd, half-buried, on the bed.
O'er the blanch'd sheet her raven hair
Lies in disorder'd streams; and there,
Strung like white stars, the pearls still are,
And the golden bracelets, heavy and rare,
Flash on her white arms still.
The very same which yesternight
Flash'd in the silver sconces' light,
When the feast was gay and the laughter loud
In Tyntagel's palace proud.
But then they deck'd a restless ghost
With hot-flush'd cheeks and brilliant eyes,
And quivering lips on which the tide
Of courtly speech abruptly died,
And a glance which over the crowded floor,
The dancers, and the festive host,
Flew ever to the door.
That the knights eyed her in surprise,
And the dames whispered scoffingly:
'Her moods, good lack, they pass like showers!
But yesternight and she would be
As pale and still as wither'd flowers,
And now to-night she laughs and speaks
And has a colour in her cheeks;
Christ keep us from such fantasy!'—
Yes, now the longing is o'erpast,
Which, dogg'd by fear and fought by shame,
Shook her weak bosom day and night,
Consumed her beauty like a flame,
And dimm'd it like the desert-blast.
And though the bed-clothes hide her face,
Yet were it lifted to the light,
The sweet expression of her brow
Would charm the gazer, till his thought
Erased the ravages of time,
Fill'd up the hollow cheek, and brought
A freshness back as of her prime—
So healing is her quiet now.
So perfectly the lines express
A tranquil, settled loveliness,
Her younger rival's purest grace.
The air of the December-night
Steals coldly around the chamber bright,
Where those lifeless lovers be;
Swinging with it, in the light
Flaps the ghostlike tapestry.
And on the arras wrought you see
A stately Huntsman, clad in green,
And round him a fresh forest-scene.
On that clear forest-knoll he stays,
With his pack round him, and delays.
He stares and stares, with troubled face,
At this huge, gleam-lit fireplace,
At that bright, iron-figured door,
And those blown rushes on the floor.
He gazes down into the room
With heated cheeks and flurried air,
And to himself he seems to say:
'What place is this, and who are they?
Who is that kneeling Lady fair?
And on his pillows that pale Knight
Who seems of marble on a tomb?
How comes it here, this chamber bright,
Through whose mullion'd windows clear
The castle-court all wet with rain,
The drawbridge and the moat appear,
And then the beach, and, mark'd with spray,
The sunken reefs, and far away
The unquiet bright Atlantic plain?
—What, has some glamour made me sleep,
And sent me with my dogs to sweep,
By night, with boisterous bugle-peal,
Through some old, sea-side, knightly hall,
Not in the free green wood at all?
That Knight's asleep, and at her prayer
That Lady by the bed doth kneel—
Then hush, thou boisterous bugle-peal!'
—The wild boar rustles in his lair;
The fierce hounds snuff the tainted air;
But lord and hounds keep rooted there.
Cheer, cheer thy dogs into the brake,
O Hunter! and without a fear
Thy golden-tassell'd bugle blow,
And through the glades thy pastime take—
For thou wilt rouse no sleepers here!
For these thou seest are unmoved;
Cold, cold as those who lived and loved
A thousand years ago.
III
ISEULT OF BRITTANY
A year had flown, and o'er the sea away,
In Cornwall, Tristram and Queen Iseult lay;
In King Marc's chapel, in Tyntagel old—
There in a ship they bore those lovers cold.
The young surviving Iseult, one bright day,
Had wander'd forth. Her children were at play
In a green circular hollow in the heath
Which borders the sea-shore—a country path
Creeps over it from the till'd fields behind.
The hollow's grassy banks are soft-inclined,
And to one standing on them, far and near
The lone unbroken view spreads bright and clear
Over the waste. This cirque of open ground
Is light and green; the heather, which all round
Creeps thickly, grows not here; but the pale grass
Is strewn with rocks, and many a shiver'd mass
Of vein'd white-gleaming quartz, and here and there
Dotted with holly-trees and juniper.
In the smooth centre of the opening stood
Three hollies side by side, and made a screen,
Warm with the winter-sun, of burnish'd green
With scarlet berries gemm'd, the fell-fare's food.
Under the glittering hollies Iseult stands,
Watching her children play; their little hands
Are busy gathering spars of quartz, and streams
Of stagshorn for their hats; anon, with screams
Of mad delight they drop their spoils, and bound
Among the holly-clumps and broken ground,
Racing full speed, and startling in their rush
The fell-fares and the speckled missel-thrush
Out of their glossy coverts;—but when now
Their cheeks were flush'd, and over each hot brow,
Under the feather'd hats of the sweet pair,
In blinding masses shower'd the golden hair—
Then Iseult call'd them to her, and the three
Cluster'd under the holly-screen, and she
Told them an old-world Breton history.
Warm in their mantles wrapt the three stood there,
Under the hollies, in the clear still air—
Mantles with those rich furs deep glistering
Which Venice ships do from swart Egypt bring.
Long they stay'd still—then, pacing at their ease,
Moved up and down under the glossy trees.
But still, as they pursued their warm dry road,
From Iseult's lips the unbroken story flow'd,
And still the children listen'd, their blue eyes
Fix'd on their mother's face in wide surprise;
Nor did their looks stray once to the sea-side,
Nor to the brown heaths round them, bright and wide,
Nor to the snow, which, though 'twas all away
From the open heath, still by the hedgerows lay,
Nor to the shining sea-fowl, that with screams
Bore up from where the bright Atlantic gleams,
Swooping to landward; nor to where, quite clear,
The fell-fares settled on the thickets near.
And they would still have listen'd, till dark night
Came keen and chill down on the heather bright;
But, when the red glow on the sea grew cold,
And the grey turrets of the castle old
Look'd sternly through the frosty evening-air,
Then Iseult took by the hand those children fair,
And brought her tale to an end, and found the path,
And led them home over the darkening heath.
And is she happy? Does she see unmoved
The days in which she might have lived and loved
Slip without bringing bliss slowly away,
One after one, to-morrow like to-day?
Joy has not found her yet, nor ever will—
Is it this thought which, makes her mien so still,
Her features so fatigued, her eyes, though sweet,
So sunk, so rarely lifted save to meet
Her children's? She moves slow; her voice alone
Hath yet an infantine and silver tone,
But even that comes languidly; in truth,
She seems one dying in a mask of youth.
And now she will go home, and softly lay
Her laughing children in their beds, and play
Awhile with them before they sleep; and then
She'll light her silver lamp, which fishermen
Dragging their nets through the rough waves, afar,
Along this iron coast, know like a star,
And take her broidery-frame, and there she'll sit
Hour after hour, her gold curls sweeping it;
Lifting her soft-bent head only to mind
Her children, or to listen to the wind.
And when the clock peals midnight, she will move
Her work away, and let her fingers rove
Across the shaggy brows of Tristram's hound
Who lies, guarding her feet, along the ground;
Or else she will fall musing, her blue eyes
Fixt, her slight hands clasp'd on her lap; then rise,
And at her prie-dieu kneel, until she have told
Her rosary-beads of ebony tipp'd with gold,
Then to her soft sleep—and to-morrow'll be
To-day's exact repeated effigy.
Yes, it is lonely for her in her hall.
The children, and the grey-hair'd seneschal,
Her women, and Sir Tristram's aged hound,
Are there the sole companions to be found.
But these she loves; and noiser life than this
She would find ill to bear, weak as she is.
She has her children, too, and night and day
Is with them; and the wide heaths where they play,
The hollies, and the cliff, and the sea-shore,
The sand, the sea-birds, and the distant sails,
These are to her dear as to them; the tales
With which this day the children she beguiled
She gleaned from Breton grandames, when a child,
In every hut along this sea-coast wild.
She herself loves them still, and, when they are told,
Can forget all to hear them, as of old.
Dear saints, it is not sorrow, as I hear,
Not suffering, which shuts up eye and ear
To all that has delighted them before,
And lets us be what we were once no more.
No, we may suffer deeply, yet retain
Power to be moved and soothed, for all our pain,
By what of old pleased us, and will again.
No, 'tis the gradual furnace of the world,
In whose hot air our spirits are upcurl'd
Until they crumble, or else grow like steel—
Which kills in us the bloom, the youth, the spring—
Which leaves the fierce necessity to feel,
But takes away the power—this can avail,
By drying up our joy in everything,
To make our former pleasures all seem stale.
This, or some tyrannous single thought, some fit
Of passion, which subdues our souls to it,
Till for its sake alone we live and move—
Call it ambition, or remorse, or love—
This too can change us wholly, and make seem
All which we did before, shadow and dream.
And yet, I swear, it angers me to see
How this fool passion gulls men potently;
Being, in truth, but a diseased unrest,
And an unnatural overheat at best.
How they are full of languor and distress
Not having it; which when they do possess,
They straightway are burnt up with fume and care,
And spend their lives in posting here and there
Where this plague drives them; and have little ease,
Are furious with themselves, and hard to please.
Like that bold Cæsar, the famed Roman wight,
Who wept at reading of a Grecian knight
Who made a name at younger years than he;
Or that renown'd mirror of chivalry,
Prince Alexander, Philip's peerless son,
Who carried the great war from Macedon
Into the Soudan's realm, and thundered on
To die at thirty-five in Babylon.
What tale did Iseult to the children say,
Under the hollies, that bright-winter's day?
She told them of the fairy-haunted land
Away the other side of Brittany,
Beyond the heaths, edged by the lonely sea;
Of the deep forest-glades of Broce-liande,
Through whose green boughs the golden sunshine creeps
Where Merlin by the enchanted thorn-tree sleeps.
For here he came with the fay Vivian,
One April, when the warm days first began.
He was on foot, and that false fay, his friend,
On her white palfrey; here he met his end,
In these lone sylvan glades, that April-day.
This tale of Merlin and the lovely fay
Was the one Iseult chose, and she brought clear
Before the children's fancy him and her.
Blowing between the stems, the forest-air
Had loosen'd the brown locks of Vivian's hair,
Which play'd on her flush'd cheek, and her blue eyes
Sparkled with mocking glee and exercise.
Her palfrey's flanks were mired and bathed in sweat,
For they had travell'd far and not stopp'd yet.
A brier in that tangled wilderness
Had scored her white right hand, which she allows
To rest ungloved on her green riding-dress;
The other warded off the drooping boughs.
But still she chatted on, with her blue eyes
Fix'd full on Merlin's face, her stately prize.
Her 'haviour had the morning's fresh clear grace,
The spirit of the woods was in her face.
She look'd so witching fair, that learned wight
Forgot his craft, and his best wits took flight;
And he grew fond, and eager to obey
His mistress, use her empire as she may.
They came to where the brushwood ceased, and day
Peer'd 'twixt the stems; and the ground broke away,
In a sloped sward down to a brawling brook;
And up as high as where they stood to look
On the brook's farther side was clear, but then
The underwood and trees began again.
This open glen was studded thick with thorns
Then white with blossom; and you saw the horns,
Through last year's fern, of the shy fallow-deer
Who come at noon down to the water here.
You saw the bright-eyed squirrels dart along
Under the thorns on the green sward; and strong
The blackbird whistled from the dingles near,
And the weird chipping of the woodpecker
Rang lonelily and sharp; the sky was fair,
And a fresh breath of spring stirr'd everywhere.
Merlin and Vivian stopp'd on the slope's brow,
To gaze on the light sea of leaf and bough
Which glistering plays all round them, lone and mild.
As if to itself the quiet forest smiled.
Upon the brow-top grew a thorn, and here
The grass was dry and moss'd, and you saw clear
Across the hollow; white anemones
Starr'd the cool turf, and clumps of primroses
Ran out from the dark underwood behind.
No fairer resting-place a man could find.
'Here let us halt,' said Merlin then; and she
Nodded, and tied her palfrey to a tree.
They sate them down together, and a sleep
Fell upon Merlin, more like death, so deep.
Her finger on her lips, then Vivian rose
And from her brown-lock'd head the wimple throws,
And takes it in her hand, and waves it over
The blossom'd thorn-tree and her sleeping lover.
Nine times she waved the fluttering wimple round,
And made a little plot of magic ground.
And in that daised circle, as men say,
Is Merlin prisoner till the judgment-day;
But she herself whither she will can rove—
For she was passing weary of his love.
poem by Matthew Arnold

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Feast Of The Assumption
Dark! Dark! Dark!
The sun is set; the day is dead:
Thy Feast has fled;
My eyes are wet with tears unshed;
I bow my head;
Where the star-fringed shadows softly sway
I bend my knee,
And, like a homesick child, I pray,
Mary, to thee.
Dark! Dark! Dark!
And, all the day -- since white-robed priest
In farthest East,
In dawn's first ray -- began the Feast,
I -- I the least --
Thy least, and last, and lowest child,
I called on thee!
Virgin! didst hear? my words were wild;
Didst think of me?
Dark! Dark! Dark!
Alas! and no! The angels bright,
With wings as white
As a dream of snow in love and light,
Flashed on thy sight;
They shone like stars around thee, Queen!
I knelt afar --
A shadow only dims the scene
Where shines a star!
Dark! Dark! Dark!
And all day long, beyond the sky,
Sweet, pure, and high,
The angel's song swept sounding by
Triumphantly;
And when such music filled thy ear,
Rose round thy throne,
How could I hope that thou wouldst hear
My far, faint moan?
Dark! Dark! Dark!
And all day long, where altars stand,
Or poor or grand,
A countless throng from every land,
With lifted hand,
Winged hymns to thee from sorrow's vale
In glad acclaim;
How couldst thou hear my lone lips wail
Thy sweet, pure name?
Dark! Dark! Dark!
Alas! and no! Thou didst not hear
Nor bend thy ear,
To prayer of woe as mine so drear;
For hearts more dear
Hid me from hearing and from sight
This bright Feast-day;
Wilt hear me, Mother, if in its night
I kneel and pray?
Dark! Dark! Dark!
The sun is set, the day is dead;
Thy Feast hath fled;
My eyes are wet with the tears I shed;
I bow my head;
Angels and altars hailed thee, Queen,
All day; ah! be
To-night what thou hast ever been --
A mother to me!
Dark! Dark! Dark!
Thy queenly crown in angels' sight
Is fair and bright;
Ah! lay it down; for, oh! to-night
Its jeweled light
Shines not as the tender love-light shines,
O Mary! mild,
In the mother's eyes, whose pure heart pines
For poor, lost child!
Dark! Dark! Dark!
Sceptre in hand, thou dost hold sway
Fore'er and aye
In angel-land; but, fair Queen! pray
Lay it away.
Let thy sceptre wave in the realms above
Where angels are;
But, Mother! fold in thine arms of love
Thy child afar!
Dark! Dark! Dark!
Mary, I call! Wilt hear the prayer
My poor lips dare?
Yea! be to all a Queen most fair,
Crown, sceptre, bear!
But look on me with a mother's eyes
From heaven's bliss;
And waft to me from the starry skies
A mother's kiss!
Dark! Dark! Dark!
The sun is set; the day is dead;
Her Feast has fled;
Can she forget the sweet blood shed,
The last words said
That evening -- 'Woman! behold thy Son!
Oh! priceless right,
Of all His children! The last, least one,
Is heard to-night.
poem by Abram Joseph Ryan

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King Arthur's Tomb
Hot August noon: already on that day
Since sunrise through the Wiltshire downs, most sad
Of mouth and eye, he had gone leagues of way;
Ay and by night, till whether good or bad
He was, he knew not, though he knew perchance
That he was Launcelot, the bravest knight
Of all who since the world was, have borne lance,
Or swung their swords in wrong cause or in right.
Nay, he knew nothing now, except that where
The Glastonbury gilded towers shine,
A lady dwelt, whose name was Guenevere;
This he knew also; that some fingers twine,
Not only in a man's hair, even his heart,
(Making him good or bad I mean,) but in his life,
Skies, earth, men's looks and deeds, all that has part,
Not being ourselves, in that half-sleep, half-strife,
(Strange sleep, strange strife,) that men call living; so
Was Launcelot most glad when the moon rose,
Because it brought new memories of her. "Lo,
Between the trees a large moon, the wind lows
"Not loud, but as a cow begins to low,
Wishing for strength to make the herdsman hear:
The ripe corn gathereth dew; yea, long ago,
In the old garden life, my Guenevere
"Loved to sit still among the flowers, till night
Had quite come on, hair loosen'd, for she said,
Smiling like heaven, that its fairness might
Draw up the wind sooner to cool her head.
"Now while I ride how quick the moon gets small,
As it did then: I tell myself a tale
That will not last beyond the whitewashed wall,
Thoughts of some joust must help me through the vale,
"Keep this till after: How Sir Gareth ran
A good course that day under my Queen's eyes,
And how she sway'd laughing at Dinadan.
No. Back again, the other thoughts will rise,
"And yet I think so fast 'twill end right soon:
Verily then I think, that Guenevere,
Made sad by dew and wind, and tree-barred moon,
Did love me more than ever, was more dear
"To me than ever, she would let me lie
And kiss her feet, or, if I sat behind,
Would drop her hand and arm most tenderly,
And touch my mouth. And she would let me wind
"Her hair around my neck, so that it fell
Upon my red robe, strange in the twilight
With many unnamed colours, till the bell
Of her mouth on my cheek sent a delight
"Through all my ways of being; like the stroke
Wherewith God threw all men upon the face
When he took Enoch, and when Enoch woke
With a changed body in the happy place.
"Once, I remember, as I sat beside,
She turn'd a little, and laid back her head,
And slept upon my breast; I almost died
In those night-watches with my love and dread.
"There lily-like she bow'd her head and slept,
And I breathed low, and did not dare to move,
But sat and quiver'd inwardly, thoughts crept,
And frighten'd me with pulses of my Love.
"The stars shone out above the doubtful green
Of her bodice, in the green sky overhead;
Pale in the green sky were the stars I ween,
Because the moon shone like a star she shed
"When she dwelt up in heaven a while ago,
And ruled all things but God: the night went on,
The wind grew cold, and the white moon grew low,
One hand had fallen down, and now lay on
"My cold stiff palm; there were no colours then
For near an hour, and I fell asleep
In spite of all my striving, even when
I held her whose name-letters make me leap.
"I did not sleep long, feeling that in sleep
I did some loved one wrong, so that the sun
Had only just arisen from the deep
Still land of colours, when before me one
"Stood whom I knew, but scarcely dared to touch,
She seemed to have changed so in the night;
Moreover she held scarlet lilies, such
As Maiden Margaret bears upon the light
"Of the great church walls, natheless did I walk
Through the fresh wet woods, and the wheat that morn,
Touching her hair and hand and mouth, and talk
Of love we held, nigh hid among the corn.
"Back to the palace, ere the sun grew high,
We went, and in a cool green room all day
I gazed upon the arras giddily,
Where the wind set the silken kings a-sway.
"I could not hold her hand, or see her face;
For which may God forgive me! but I think,
Howsoever, that she was not in that place."
These memories Launcelot was quick to drink;
And when these fell, some paces past the wall,
There rose yet others, but they wearied more,
And tasted not so sweet; they did not fall
So soon, but vaguely wrenched his strained heart sore
In shadowy slipping from his grasp: these gone,
A longing followed; if he might but touch
That Guenevere at once! Still night, the lone
Grey horse's head before him vex'd him much,
In steady nodding over the grey road:
Still night, and night, and night, and emptied heart
Of any stories; what a dismal load
Time grew at last, yea, when the night did part,
And let the sun flame over all, still there
The horse's grey ears turn'd this way and that,
And still he watch'd them twitching in the glare
Of the morning sun, behind them still he sat,
Quite wearied out with all the wretched night,
Until about the dustiest of the day,
On the last down's brow he drew his rein in sight
Of the Glastonbury roofs that choke the way.
And he was now quite giddy as before,
When she slept by him, tired out, and her hair
Was mingled with the rushes on the floor,
And he, being tired too, was scarce aware
Of her presence; yet as he sat and gazed,
A shiver ran throughout him, and his breath
Came slower, he seem'd suddenly amazed,
As though he had not heard of Arthur's death.
This for a moment only, presently
He rode on giddy still, until he reach'd
A place of apple-trees, by the thorn-tree
Wherefrom St. Joseph in the days past preached.
Dazed there he laid his head upon a tomb,
Not knowing it was Arthur's, at which sight
One of her maidens told her, "He is come,"
And she went forth to meet him; yet a blight
Had settled on her, all her robes were black,
With a long white veil only; she went slow,
As one walks to be slain, her eyes did lack
Half her old glory, yea, alas! the glow
Had left her face and hands; this was because
As she lay last night on her purple bed,
Wishing for morning, grudging every pause
Of the palace clocks, until that Launcelot's head
Should lie on her breast, with all her golden hair
Each side: when suddenly the thing grew drear,
In morning twilight, when the grey downs bare
Grew into lumps of sin to Guenevere.
At first she said no word, but lay quite still,
Only her mouth was open, and her eyes
Gazed wretchedly about from hill to hill;
As though she asked, not with so much surprise
As tired disgust, what made them stand up there
So cold and grey. After, a spasm took
Her face, and all her frame, she caught her hair,
All her hair, in both hands, terribly she shook,
And rose till she was sitting in the bed,
Set her teeth hard, and shut her eyes and seem'd
As though she would have torn it from her head,
Natheless she dropp'd it, lay down, as she deem'd
It matter'd not whatever she might do:
O Lord Christ! pity on her ghastly face!
Those dismal hours while the cloudless blue
Drew the sun higher: He did give her grace;
Because at last she rose up from her bed,
And put her raiment on, and knelt before
The blessed rood, and with her dry lips said,
Muttering the words against the marble floor:
"Unless you pardon, what shall I do, Lord,
But go to hell? and there see day by day
Foul deed on deed, hear foulest word on word,
For ever and ever, such as on the way
"To Camelot I heard once from a churl,
That curled me up upon my jennet's neck
With bitter shame; how then, Lord, should I curl
For ages and for ages? dost thou reck
"That I am beautiful, Lord, even as you
And your dear mother? why did I forget
You were so beautiful, and good, and true,
That you loved me so, Guenevere? O yet
"If even I go to hell, I cannot choose
But love you, Christ, yea, though I cannot keep
From loving Launcelot; O Christ! must I lose
My own heart's love? see, though I cannot weep,
"Yet am I very sorry for my sin;
Moreover, Christ, I cannot bear that hell,
I am most fain to love you, and to win
A place in heaven some time: I cannot tell:
"Speak to me, Christ! I kiss, kiss, kiss your feet;
Ah! now I weep!" The maid said, "By the tomb
He waiteth for you, lady," coming fleet,
Not knowing what woe filled up all the room.
So Guenevere rose and went to meet him there,
He did not hear her coming, as he lay
On Arthur's head, till some of her long hair
Brush'd on the new-cut stone: "Well done! to pray
"For Arthur, my dear Lord, the greatest king
That ever lived." "Guenevere! Guenevere!
Do you not know me, are you gone mad? fling
Your arms and hair about me, lest I fear
"You are not Guenevere, but some other thing."
"Pray you forgive me, fair lord Launcelot!
I am not mad, but I am sick; they cling,
God's curses, unto such as I am; not
"Ever again shall we twine arms and lips."
"Yea, she is mad: thy heavy law, O Lord,
Is very tight about her now, and grips
Her poor heart, so that no right word
"Can reach her mouth; so, Lord, forgive her now,
That she not knowing what she does, being mad,
Kills me in this way: Guenevere, bend low
And kiss me once! for God's love kiss me! sad
"Though your face is, you look much kinder now;
Yea once, once for the last time kiss me, lest I die."
"Christ! my hot lips are very near his brow,
Help me to save his soul! Yea, verily,
"Across my husband's head, fair Launcelot!
Fair serpent mark'd with V upon the head!
This thing we did while yet he was alive,
Why not, O twisting knight, now he is dead?
"Yea, shake! shake now and shiver! if you can
Remember anything for agony,
Pray you remember how when the wind ran
One cool spring evening through fair aspen-tree,
"And elm and oak about the palace there
The king came back from battle, and I stood
To meet him, with my ladies, on the stair,
My face made beautiful with my young blood."
"Will she lie now, Lord God?" "Remember too,
Wrung heart, how first before the knights there came
A royal bier, hung round with green and blue,
About it shone great tapers with sick flame.
"And thereupon Lucius, the Emperor,
Lay royal-robed, but stone-cold now and dead,
Not able to hold sword or sceptre more,
But not quite grim; because his cloven head
"Bore no marks now of Launcelot's bitter sword,
Being by embalmers deftly solder'd up;
So still it seem'd the face of a great lord,
Being mended as a craftsman mends a cup.
"Also the heralds sung rejoicingly
To their long trumpets; 'Fallen under shield,
Here lieth Lucius, King of Italy,
Slain by Lord Launcelot in open field.'
"Thereat the people shouted: 'Launcelot!'
And through the spears I saw you drawing nigh,
You and Lord Arthur: nay, I saw you not,
But rather Arthur, God would not let die,
"I hoped, these many years; he should grow great,
And in his great arms still encircle me,
Kissing my face, half blinded with the heat
Of king's love for the queen I used to be.
"Launcelot, Launcelot, why did he take your hand,
When he had kissed me in his kingly way?
Saying: 'This is the knight whom all the land
Calls Arthur's banner, sword, and shield to-day;
"'Cherish him, love.' Why did your long lips cleave
In such strange way unto my fingers then?
So eagerly glad to kiss, so loath to leave
When you rose up? Why among helmed men
"Could I always tell you by your long strong arms,
And sway like an angel's in your saddle there?
Why sicken'd I so often with alarms
Over the tilt-yard? Why were you more fair
"Than aspens in the autumn at their best?
Why did you fill all lands with your great fame,
So that Breuse even, as he rode, fear'd lest
At turning of the way your shield should flame?
"Was it nought then, my agony and strife?
When as day passed by day, year after year,
I found I could not live a righteous life!
Didst ever think queens held their truth for dear?
"O, but your lips say: 'Yea, but she was cold
Sometimes, always uncertain as the spring;
When I was sad she would be overbold,
Longing for kisses. When war-bells did ring,
"'The back-toll'd bells of noisy Camelot.'"
"Now, Lord God, listen! listen, Guenevere,
Though I am weak just now, I think there's not
A man who dares to say: 'You hated her,
"'And left her moaning while you fought your fill
In the daisied meadows!' lo you her thin hand,
That on the carven stone can not keep still,
Because she loves me against God's command,
"Has often been quite wet with tear on tear,
Tears Launcelot keeps somewhere, surely not
In his own heart, perhaps in Heaven, where
He will not be these ages." "Launcelot!
"Loud lips, wrung heart! I say when the bells rang,
The noisy back-toll'd bells of Camelot,
There were two spots on earth, the thrushes sang
In the lonely gardens where my love was not,
"Where I was almost weeping; I dared not
Weep quite in those days, lest one maid should say,
In tittering whispers: 'Where is Launcelot
To wipe with some kerchief those tears away?'
"Another answer sharply with brows knit,
And warning hand up, scarcely lower though:
'You speak too loud, see you, she heareth it,
This tigress fair has claws, as I well know,
"'As Launcelot knows too, the poor knight! well-a-day!
Why met he not with Iseult from the West,
Or better still, Iseult of Brittany?
Perchance indeed quite ladyless were best.'
"Alas, my maids, you loved not overmuch
Queen Guenevere, uncertain as sunshine
In March; forgive me! for my sin being such,
About my whole life, all my deeds did twine,
"Made me quite wicked; as I found out then,
I think; in the lonely palace where each morn
We went, my maids and I, to say prayers when
They sang mass in the chapel on the lawn.
"And every morn I scarce could pray at all,
For Launcelot's red-golden hair would play,
Instead of sunlight, on the painted wall,
Mingled with dreams of what the priest did say;
"Grim curses out of Peter and of Paul;
Judging of strange sins in Leviticus;
Another sort of writing on the wall,
Scored deep across the painted heads of us.
"Christ sitting with the woman at the well,
And Mary Magdalen repenting there,
Her dimmed eyes scorch'd and red at sight of hell
So hardly 'scaped, no gold light on her hair.
"And if the priest said anything that seemed
To touch upon the sin they said we did,
(This in their teeth) they looked as if they deem'd
That I was spying what thoughts might be hid
"Under green-cover'd bosoms, heaving quick
Beneath quick thoughts; while they grew red with shame,
And gazed down at their feet: while I felt sick,
And almost shriek'd if one should call my name.
"The thrushes sang in the lone garden there:
But where you were the birds were scared I trow:
Clanging of arms about pavilions fair,
Mixed with the knights' laughs; there, as I well know,
"Rode Launcelot, the king of all the band,
And scowling Gauwaine, like the night in day,
And handsome Gareth, with his great white hand
Curl'd round the helm-crest, ere he join'd the fray;
"And merry Dinadan with sharp dark face,
All true knights loved to see; and in the fight
Great Tristram, and though helmed you could trace
In all his bearing the frank noble knight;
"And by him Palomydes, helmet off,
He fought, his face brush'd by his hair,
Red heavy swinging hair; he fear'd a scoff
So overmuch, though what true knight would dare
"To mock that face, fretted with useless care,
And bitter useless striving after love?
O Palomydes, with much honour bear
Beast Glatysaunt upon your shield, above
"Your helm that hides the swinging of your hair,
And think of Iseult, as your sword drives through
Much mail and plate: O God, let me be there
A little time, as I was long ago!
"Because stout Gareth lets his spear fall low,
Gauwaine and Launcelot, and Dinadan
Are helm'd and waiting; let the trumpets go!
Bend over, ladies, to see all you can!
"Clench teeth, dames, yea, clasp hands, for Gareth's spear
Throws Kay from out his saddle, like a stone
From a castle-window when the foe draws near:
'Iseult!' Sir Dinadan rolleth overthrown.
"'Iseult!' again: the pieces of each spear
Fly fathoms up, and both the great steeds reel;
'Tristram for Iseult!' 'Iseult!' and 'Guenevere!'
The ladies' names bite verily like steel.
"They bite: bite me, Lord God! I shall go mad,
Or else die kissing him, he is so pale,
He thinks me mad already, O bad! bad!
Let me lie down a little while and wail."
"No longer so, rise up, I pray you, love,
And slay me really, then we shall be heal'd,
Perchance, in the aftertime by God above."
"Banner of Arthur, with black-bended shield
"Sinister-wise across the fair gold ground!
Here let me tell you what a knight you are,
O sword and shield of Arthur! you are found
A crooked sword, I think, that leaves a scar
"On the bearer's arm, so be he thinks it straight,
Twisted Malay's crease beautiful blue-grey,
Poison'd with sweet fruit; as he found too late,
My husband Arthur, on some bitter day!
"O sickle cutting hemlock the day long!
That the husbandman across his shoulder hangs,
And, going homeward about evensong,
Dies the next morning, struck through by the fangs!
"Banner, and sword, and shield, you dare not die,
Lest you meet Arthur in the other world,
And, knowing who you are, he pass you by,
Taking short turns that he may watch you curl'd,
"Body and face and limbs in agony,
Lest he weep presently and go away,
Saying: 'I loved him once,' with a sad sigh,
Now I have slain him, Lord, let me go too, I pray.
[Launcelot falls.]
"Alas! alas! I know not what to do,
If I run fast it is perchance that I
May fall and stun myself, much better so,
Never, never again! not even when I die."
[LAUNCELOT, on awaking.]
"I stretch'd my hands towards her and fell down,
How long I lay in swoon I cannot tell:
My head and hands were bleeding from the stone,
When I rose up, also I heard a bell."
poem by William Morris

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The Child’s Dream
Buried in childhood’s cloudless dreams, a fair-haired nursling lay,
A soft smile hovered round the lips as if still oped to pray;
And then a vision came to him, of beauty, strange and mild,
Such as may only fill the dreams of a pure sinless child.
Stood by his couch an angel fair, with radiant, glitt’ring wings
Of hues as bright as the living gems the fount to Heaven flings;
With loving smile he bent above the fair child cradled there,
While sounds of sweet seraphic power stole o’er the fragrant air.
“Child, list to me,” he softly said, “on mission high I’m here:
Sent by that Glorious One to whom Heav’n bows in loving fear;
I seek thee now, whilst thou art still on the threshold of earth’s strife,
To speak of what thou knowest not yet, this new and wond’rous life.
“Dost cling to it? dost find this earth a fair and lovely one?
Dost love its bright-dyed birds and flowers, its radiant golden sun?
I come to bid thee leave it all—to turn from its bright bloom,
And, having closed thine eyes in death, descend into the tomb.
“Thou shudderest, child! with restless gaze from me thou turn’st away;
’Mid summer flowers and singing birds wouldst thou remain to play;
Thou still wouldst bask in the dear light of thy fond father’s smile,
And on thy mother’s doating heart would linger yet awhile.
“’Tis well, sweet child, I blame thee not, but in spheres far away
Are blossoms lovelier far than those which tempt thee here to stay;
And if the love of parents fond with joy thy heart doth fill,
In those bright distant realms is One who loves thee better still!
“That One for thee in suffering lived—for thy sake, too, he died;
Oh! like the ocean is His love, as deep, my child, as wide.
Leave, then, this earth ere hideous sin thy spotless brow shall dim—
One struggling breath, one parting pang, and then thou’lt be with Him!”
A smile lit up the sleeper’s face, but soon it softly fled,
The rose leaf cheeks and lips grew wan—could it be the child was dead?
Yes, dead—and spared the ills of life, and in bright bliss above
The pure soul nestles in the light of God’s unbounded Love.
poem by Rosanna Eleanor Leprohon

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In The Night
Where art thou, thou lost face,
Which, yet a little while, wert making mirth
At these new years which seemed too sad to be?
Where art thou fled which for a minute's space
Shut out the world and wert my world to me?
And now a corner of this idle Earth,
A broken shadow by the day forgot,
Is wide enough to be thy hiding place,
And thou art shrunk away and needest not
The darkness of this night to cover thee.
Where art thou hidden? In the boundless air
My hands go forth to thee, and search and feel
As through the universe. I hold the night
Caught in my arms, and yet thou art not there.
Where art thou? What if I should strike a light
So suddenly that thou couldst never steal
Back to thy shadows? What if I should find
Thee standing close to me with all thy hair
Trailing about me and thine eyes grown blind
With looking at me vainly through the night?
There are three rings upon thy hand to--night,
One with a sapphire stone, and one there is
Coiled like a snake, and one on which my name
Is written in strange gems. By this dim light
I cannot read if it be writ the same.
See, I have worn no other ring but this!
Why dost thou look at it with eyes estranged?
Is it not thine?--Ah, God! Thou readest right!
And it is changed, and thou and I are changed,
And I have written there another name.
Oh happiness, how has it slipped away!
We, who once lived and held it in our hand!
What is the rest that these new years can bring?
Did we not love it in our love's to--day,
And pleasure which was so divine a thing,
The sweetest and most strange to understand?
And that is why it left regret behind,
As though a wild bird suddenly should stay
A moment at our side and we should find
When we looked up that it had taken wing.
And thou, hast thou forgotten how to love?
Hast thou no kissing in thy lips? Thy tongue,
Has it no secret whisper for my ear?
I have been watching thee to see thee move
A little closer to my side in fear
Of the long night. Oh, there is room among
The pillows for thy head if thou wouldst sleep!
And thou art cold, and I would wrap my love
To my warm breast and so my vigil keep
And be alone with darkness and with her.
Thou standest with thy hand upon my heart,
As once thou used to stand, to feel it beat.
Doth it beat calmer now than in those days?
Thy foolish finger--tips will leave a smart,
If they so press upon my side. Thy gaze
Is burning me. Oh speak a word and cheat
This darkness into pain, if pain must be,
And wake me back to sorrow with a start,
For I am weary of the night and thee
And thy strange silence and thy stranger face.
Canst thou not speak? Thy tale was but begun.
How can I answer thee a tale untold?
Whisper it quick before the morning break.
How loud thou weepest! Listen, there is one
Dreaming beside me who must not awake.
Close in my ear !--Ah! child, thy lips are cold,
Because thou art forsaken.--Misery!
Is there not room enough beneath the sun
For her, and thee, and me?
poem by Wilfrid Scawen Blunt

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The Ballad Of The White Lady
SIR GEOFFREY met the white lady
Upon his marriage morn,
Her eyes were blue as cornflowers are,
Her hair was gold like corn.
Sir Geoffrey gave the white lady
A posy of roses seven,
'You are the fairest May,' said he,
'That ever strayed from Heaven.'
Sir Geoffrey by the white lady
Was lured away to shame,
For seven long years of prayers and tears
No tidings of him came.
Then she who should have been his bride
A mighty oath she swore,
'For seven long years I have wept and prayed,
Now I will pray no more.
'Since God and all the saints of Heaven
Bring not my lord to me,
I will go down myself to hell
And bring him back,' said she.
She crept to the white lady's bower,
The taper's flame was dim,
And there Sir Geoffrey lay asleep,
And the white witch sat by him.
Her arm was laid across his neck,
Her gold hair on his face,
And there was silence in the room
As in a burial-place.
And there were gems and carven cups,
And 'broidered bridal gear--
'Whose bridal is this?' the lady said,
'And what knight have ye here?'
'The good knight here ye know full well,
He was your lord, I trow,
But I have taken him from your side,
And I am his lady now.
'This seven year with right good cheer
We twain our bridal keep,
So take for your mate another knight
And let my dear lord sleep.'
Then up and spake Sir Geoffrey's bride,
'What bridal cheer is this?
I would think scorn to have the lips
Who could not have the kiss!
'I would think scorn to take the half
Who could not have the whole;
I would think scorn to steal the body
Who could not take the soul!
'For, though ye hold his body fast
This seven weary year,
His soul walks ever at my side
And whispers in my ear.
'I would think scorn to hold in sleep
What, if it waked, would flee,
So let his body join his soul
And both fare forth with me;
'For I have learned a spell more strong
Than yours that laid him low,
And I will speak it for his sake
Because I love him so!'
The white lady threw back her hair,
Her eyes began to shine--
'His soul is thine these seven years?--
To-night it shall be mine!
'I have been brave to hold him here
While seven long years befell,
Rather than let a bridal be
Whose seed should flower in hell.
'I have not looked into his eyes
Nor joined my lips to his,
For fear his soul should spring to flame
And shrivel at my kiss.
'I have been brave to watch his sleep
While the long hours come and go,
To hold the body without the soul,
Because I love him so.
'But since his soul this seven year
Has sat by thee,' she said,
'His body and soul to-night shall lie
Upon my golden bed.
'Thou hast no need to speak the spell
That thou hast learned,' said she,
'For I will wake him from his sleep
And take his soul from thee.'
She stooped above him where he lay,
She laid her lips on his;
He stirred, he spake: 'These seven long years
I have waited for thy kiss.
'My soul has hung upon thy lips
And trembled at thy breath,
Thou hast given me life in a cup to drink,
As God will give me death.
'Why didst thou fear to kill my soul
Which only lives for thee?
Thou hast put seven wasted years,
O love, 'twixt thee and me.'
poem by Edith Nesbit

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The Fairy's Promise
Poet.
Beautiful silver-winged spirits of good,
That hide in the leaves of the loneliest wood;
Green-kirtled fairies whom none may see
But the soul that hath passion for Poesie.
Brownies and kelpies and fays and elves
Who keep the moon to your own little selves;
Ye whose light revel and quick-tripping round
Bend the white daisy-buds down to the ground:
The moon may be high and the night may be clear,
But leave them and list to a poet's prayer.
Fairy.
Mortal, speak on! we have loved thee long,
Thou hast told of our revels in sweetest song;
And only, alas! by the faith of men
Hold we our lives in the grassy glen.
Thou hast never plucked daisy or heather-bell
From the emerald braes where the fairies dwell;
Thou didst never fright from her leafy nest
The bird that the Fairies love ever the best,
But hast turned thy foot aside silently
When her round black eye fell fearful on thee;
Thou hast never torn fishes with cruel hooks
From the pleasant ripple of summer brooks;
So we love thee well, and will list to thy prayer,
Though the moon may be up, and the night may be clear.
Poet.
White-footed Fairy-Queen, close by the sea,
Like a beautiful child at her father's knee,
There sitteth a city beneath a hill
Where a lady is living apart and still;
Lovely and gentle and wise is she,
I love her most truly and faithfully;
Better than all that the world may hold,
Better than honour and life and gold.
I would thou shouldst watch her by day and by night,
That her beautiful eyes may be ever bright.
Fairy.
How shall we know her, that we may keep
Watch of her waking, and ward of her sleep?
Poet.
Look for a lady whose glossy hair
Borders a forehead most frank and fair;
Eyes that are full of a heavenly light
Like sister stars in the front of night;
Lips curving red like the crimson fold
Of a half-shut rose in the early cold,
Which never with singing or speech were stirred,
But the singing and speech was the sweetest heard;
Busy white fingers, slender and small,
Little feet lost in her garments' fall.
Graces like these and a thousand above
Shall guide thee in seeking the lady I love.
Fairy.
What name weareth she? tell us it true;
Whisper it low to the fairy crew.
Poet.
Read it, sweet Queen, on my beating heart,
Graven so deep, it can never part;
This shall be sign of the lady ye seek,
Say to her 'Janet' and she shall speak.
Fairy.
Fifty and four of my valiant fays
Shall watch in her walks through the weariest days;
Fifty and four in their liveries white
Have charge of her dreams in the dreariest night.
And the spirit that doth not his bidding well
Shall pine for the year in a dark nut shell.
Poet.
And may two of the truest at either ear
Whisper his name who hath sent them there!
Fairy.
Ay! and the fleetest shall come on the wind
Bringing thee news of thy lady's mind;
Rest thee well, lover! be quiet and calm;
Thy lady is charmed with the Fairies' charm.
poem by Edwin Arnold

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The Child's Last Sleep
Thou sleepest but when wilt thou wake, fair child?
When the fawn awakes in the forest wild?
When the lark's wing mounts with the breeze of morn?
When the first rich breath of the rose is born?
Lovely thou sleepest, yet something lies
Too deep and still on thy soft-seal'd eyes,
Mournful, tho' sweet, is thy rest to see
When will the hour of thy rising be?
Not when the fawn wakes, not when the lark
On the crimson cloud of the morn floats dark
Grief with vain passionate tears hath wet
The hair, shedding gleams from thy pale brow yet;
Love with sad kisses, unfelt, hath press'd
Thy meek dropt eyelids and quiet breast;
And the glad spring, calling out bird and bee,
Shall colour all blossoms, fair child! but thee.
Thou'rt gone from us, bright one! that thou shouldst die,
And life be left to the butterfly!
Thou'rt gone, as a dew-drop is swept from the bough
Oh! for the world where thy home is now!
How may we love but in doubt and fear,
How may we anchor our fond hearts here;
How should e'en joy but a trembler be,
Beautiful dust! when we look on thee?
poem by Felicia Dorothea Hemans

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The King Of Denmark's Sons
In Denmark gone is many a year,
So fair upriseth the rim of the sun,
Two sons of Gorm the King there were,
So grey is the sea when day is done.
Both these were gotten in lawful bed
Of Thyrre Denmark’s Surety-head.
Fair was Knut of face and limb
As the breast of the Queen that suckled him.
But Harald was hot of hand and heart
As lips of lovers ere they part.
Knut sat at home in all men’s love,
But over the seas must Harald rove.
And for every deed by Harald won,
Gorm laid more love on Knut alone.
On a high-tide spake the King in hall,
“Old I grow as the leaves that fall.
“Knut shall reign when I am dead,
So shall the land have peace and aid.
“But many a ship shall Harald have,
For I deem the sea well wrought for his grave.”
Then none spake save the King again,
“If Knut die all my days be vain.
“And whoso the tale of his death shall tell,
Hath spoken a word to gain him hell.
“Lo here a doom I will not break,”
So fair upriseth the rim of the sun.
“For life or death or any man’s sake,”
So grey is the sea when the day is done.
O merry days in the summer-tide!
So fair upriseth the rim of the sun.
When the ships sail fair and the young men ride.
So grey is the sea when day is done.
Now Harald has got him east away,
And each morrow of fight was a gainful day.
But Knut is to his fosterer gone
To deal in deeds of peace alone.
So wear the days, and well it is
Such lovely lords should dwell in bliss.
O merry in the winter-tide
When men to Yule-feast wend them wide.
And here lieth Knut in the Lima-firth
When the lift is low o’er the Danish earth.
“Tell me now, Shipmaster mine,
What are yon torches there that shine?”
“Lord, no torches may these be
But golden prows across the sea.
“For over there the sun shines now
And the gold worms gape from every prow.”
The sun and the wind came down o’er the sea,
“Tell them over how many they be!”
“Ten I tell with shield-hung sides.
Nought but a fool his death abides.”
“Ten thou tellest, and we be three,
Good need that we do manfully.
“Good fellows, grip the shield and spear,
For Harald my brother draweth near.
“Well breakfast we when night is done,
And Valhall’s cock crows up the sun.”
Up spoke Harald in wrathful case:
“I would have word with this waxen face!
“What wilt thou pay, thou hucksterer,
That I let thee live another year?
“For oath that thou wilt never reign
Will I let thee live a year or twain.”
“Kisses and love shalt thou have of me
If yet my liegeman thou wilt be.
“But stroke of sword, and dint of axe,
Or ere thou makest my face as wax.”
As thick the arrows fell around
As fall sere leaves on autumn ground.
In many a cheek the red did wane
No maid might ever kiss again.
“Lay me aboard,” Lord Harald said,
“The winter day will soon be dead!
“Lay me aboard the bastard’s ship,
And see to it lest your grapnels slip!”
Then some they knelt and some they drowned,
And some lay dead Lord Knut around.
“Look here at the wax-white corpse of him,
As fair as the Queen in face and limb!
“Make now for the shore, for the moon is bright,
And I would be home ere the end of night.
“Two sons last night had Thyrre the Queen,
So fair upriseth the rim of the sun.
And both she may lack ere the woods wax green,”
So grey is the sea when day is done.
A little before the morning tide,
So fair upriseth the rim of the sun,
Queen Thyrre looked out of her window-side,
So grey is the sea when day is done.
“O men-at-arms, what men be ye?”
“Harald thy son come over the sea.”
“Why is thy face so pale, my son?”
“It may be red or day is done.”
“O evil words of an evil hour!
Come, sweet son, to thy mother’s bower!”
None from the Queen’s bower went that day
Till dark night over the meadows lay.
None thenceforth heard wail or cry
Till the King’s feast was waxen high.
Then into the hall Lord Harald came
When the great wax lights were all aflame.
“What tidings, son, dost thou bear to me?
Speak out before I drink with thee.”
“Tidings small for a seafarer.
Two falcons in the sea-cliff’s were;
“And one was white and one was grey
And they fell to battle on a day;
“They fought in the sun, they fought in the wind,
No boot the white fowl’s wounds to bind.
“They fought in the wind, they fought in the sun,
And the white fowl died when the play was done.”
“Small tidings these to bear o’er the sea!
Good hap that nothing worser they be!
“Small tidings for a travelled man!
Drink with me, son, whiles yet ye can!
“Drink with me ere thy day and mine,
So fair upriseth the rim of the sun,
Be nought but a tale told over the wine.”
So grey is the sea when day is done.
Now fareth the King with his men to sleep,
So fair upriseth the rim of the sun,
And dim the maids from the Queen’s bower creep,
So grey is the sea when day is done.
And in the hall is little light,
And there standeth the Queen with cheeks full white.
And soft the feet of women fall
From end to end of the King’s great hall.
These bear the gold-wrought cloths away,
And in other wise the hall array;
Till all is black that hath been gold
So heavy a tale there must be told.
The morrow men looked on King Gorm and said
“Hath he dreamed a dream or beheld the dead?
“Why is he sad who should be gay?
Why are the old man’s lips so grey?”
Slow paced the King adown the hall,
Nor looked aside to either wall,
Till in high-seat there he sat him down,
And deadly old men deemed him grown.
“O Queen, what thrall’s hands durst do this,
To strip my hall of mirth and bliss?”
“No thrall’s hands in the hangings were,
No thrall’s hands made the tenters bare.
“King’s daughters’ hands have done the deed,
The hands of Denmark’s Surety-head.”
“Nought betters the deed thy word unsaid.
Tell me that Knut my son is dead!”
She said: “The doom on thee, O King!
For thine own lips have said the thing.”
Men looked to see the King arise,
The death of men within his eyes.
Men looked to see his bitter sword
That once cleared ships from board to board.
But in the hall no sword gleamed wide,
His hand fell down along his side.
No red there came into his cheek,
He fell aback as one made weak.
His wan cheek brushed the high-seat’s side,
And in the noon of day he died.
So lieth King Gorm beneath the grass,
But from mouth to mouth this tale did pass.
And Harald reigned and went his way,
So fair upriseth the rim of the sun.
And still is the story told to-day,
So grey is the sea when day is done.
poem by William Morris

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Sir Galahad, a Christmas Mystery
It is the longest night in all the year,
Near on the day when the Lord Christ was born;
Six hours ago I came and sat down here,
And ponder'd sadly, wearied and forlorn.
The winter wind that pass'd the chapel door,
Sang out a moody tune, that went right well
With mine own thoughts: I look'd down on the floor,
Between my feet, until I heard a bell
Sound a long way off through the forest deep,
And toll on steadily; a drowsiness
Came on me, so that I fell half asleep,
As I sat there not moving: less and less
I saw the melted snow that hung in beads
Upon my steel-shoes; less and less I saw
Between the tiles the bunches of small weeds:
Heartless and stupid, with no touch of awe
Upon me, half-shut eyes upon the ground,
I thought: O Galahad! the days go by,
Stop and cast up now that which you have found,
So sorely you have wrought and painfully.
Night after night your horse treads down alone
The sere damp fern, night after night you sit
Holding the bridle like a man of stone,
Dismal, unfriended: what thing comes of it?
And what if Palomydes also ride,
And over many a mountain and bare heath
Follow the questing beast with none beside?
Is he not able still to hold his breath
With thoughts of Iseult? doth he not grow pale
With weary striving, to seem best of all
To her, "as she is best," he saith? to fail
Is nothing to him, he can never fall.
For unto such a man love-sorrow is
So dear a thing unto his constant heart,
That even if he never win one kiss,
Or touch from Iseult, it will never part.
And he will never know her to be worse
Than in his happiest dreams he thinks she is:
Good knight, and faithful, you have 'scaped the curse
In wonderful-wise; you have great store of bliss.
Yea, what if Father Launcelot ride out,
Can he not think of Guenevere's arms, round
Warm and lithe, about his neck, and shout
Till all the place grows joyful with the sound?
And when he lists can often see her face,
And think, "Next month I kiss you, or next week,
And still you think of me": therefore the place
Grows very pleasant, whatsoever he seek.
But me, who ride alone, some carle shall find
Dead in my arms in the half-melted snow,
When all unkindly with the shifting wind,
The thaw comes on at Candlemas: I know
Indeed that they will say: "This Galahad
If he had lived had been a right good knight;
Ah! poor chaste body!" but they will be glad,
Not most alone, but all, when in their sight
That very evening in their scarlet sleeves
The gay-dress'd minstrels sing; no maid will talk
Of sitting on my tomb, until the leaves,
Grown big upon the bushes of the walk,
East of the Palace-pleasaunce, make it hard
To see the minster therefrom: well-a-day!
Before the trees by autumn were well bared,
I saw a damozel with gentle play,
Within that very walk say last farewell
To her dear knight, just riding out to find
(Why should I choke to say it?) the Sangreal,
And their last kisses sunk into my mind,
Yea, for she stood lean'd forward on his breast,
Rather, scarce stood; the back of one dear hand,
That it might well be kiss'd, she held and press'd
Against his lips; long time they stood there, fann'd
By gentle gusts of quiet frosty wind,
Till Mador de la porte a-going by,
And my own horsehoofs roused them; they untwined,
And parted like a dream. In this way I,
With sleepy face bent to the chapel floor,
Kept musing half asleep, till suddenly
A sharp bell rang from close beside the door,
And I leapt up when something pass'd me by,
Shrill ringing going with it, still half blind
I stagger'd after, a great sense of awe
At every step kept gathering on my mind,
Thereat I have no marvel, for I saw
One sitting on the altar as a throne,
Whose face no man could say he did not know,
And though the bell still rang, he sat alone,
With raiment half blood-red, half white as snow.
Right so I fell upon the floor and knelt,
Not as one kneels in church when mass is said,
But in a heap, quite nerveless, for I felt
The first time what a thing was perfect dread.
But mightily the gentle voice came down:
"Rise up, and look and listen, Galahad,
Good knight of God, for you will see no frown
Upon my face; I come to make you glad.
"For that you say that you are all alone,
I will be with you always, and fear not
You are uncared for, though no maiden moan
Above your empty tomb; for Launcelot,
"He in good time shall be my servant too,
Meantime, take note whose sword first made him knight,
And who has loved him alway, yea, and who
Still trusts him alway, though in all men's sight,
"He is just what you know, O Galahad,
This love is happy even as you say,
But would you for a little time be glad,
To make ME sorry long, day after day?
"Her warm arms round his neck half throttle ME,
The hot love-tears burn deep like spots of lead,
Yea, and the years pass quick: right dismally
Will Launcelot at one time hang his head;
"Yea, old and shrivell'd he shall win my love.
Poor Palomydes fretting out his soul!
Not always is he able, son, to move
His love, and do it honour: needs must roll
"The proudest destrier sometimes in the dust,
And then 'tis weary work; he strives beside
Seem better than he is, so that his trust
Is always on what chances may betide;
"And so he wears away, my servant, too,
When all these things are gone, and wretchedly
He sits and longs to moan for Iseult, who
Is no care now to Palomydes: see,
"O good son, Galahad, upon this day,
Now even, all these things are on your side,
But these you fight not for; look up, I say,
And see how I can love you, for no pride
"Closes your eyes, no vain lust keeps them down.
See now you have ME always; following
That holy vision, Galahad, go on,
Until at last you come to ME to sing
"In Heaven always, and to walk around
The garden where I am." He ceased, my face
And wretched body fell upon the ground;
And when I look'd again, the holy place
Was empty; but right so the bell again
Came to the chapel-door, there entered
Two angels first, in white, without a stain,
And scarlet wings, then, after them, a bed
Four ladies bore, and set it down beneath
The very altar-step, and while for fear
I scarcely dared to move or draw my breath,
Those holy ladies gently came a-near,
And quite unarm'd me, saying: "Galahad,
Rest here awhile and sleep, and take no thought
Of any other thing than being glad;
Hither the Sangreal will be shortly brought,
"Yet must you sleep the while it stayeth here."
Right so they went away, and I, being weary,
Slept long and dream'd of Heaven: the bell comes near,
I doubt it grows to morning. Miserere!
[Enter Two Angels in white, with scarlet wings; also, Four Ladies in gowns of red and green; also an Angel, bearing in his hands a surcoat of white, with a red cross.]
AN ANGEL
O servant of the high God, Galahad!
Rise and be arm'd: the Sangreal is gone forth
Through the great forest, and you must be had
Unto the sea that lieth on the north:
There shall you find the wondrous ship wherein
The spindles of King Solomon are laid,
And the sword that no man draweth without sin,
But if he be most pure: and there is stay'd,
Hard by, Sir Launcelot, whom you will meet
In some short space upon that ship: first, though,
Will come here presently that lady sweet,
Sister of Percival, whom you well know,
And with her Bors and Percival: stand now,
These ladies will to arm you.
[FIRST LADY, putting on the hauberk]
Galahad,
That I may stand so close beneath your brow,
Margaret of Antioch, am glad.
[SECOND LADY, girding him with the sword.]
That I may stand and touch you with my hand,
O Galahad, I, Cecily, am glad.
[THIRD LADY, buckling on the spurs.]
That I may kneel while up above you stand,
And gaze at me, O holy Galahad,
I, Lucy, am most glad.
[FOURTH LADY, putting on the basnet.]
O gentle knight,
That you bow down to us in reverence,
We are most glad, I, Katherine, with delight
Must needs fall trembling.
[ANGEL, putting on the crossed surcoat.]
Galahad, we go hence,
For here, amid the straying of the snow,
Come Percival's sister, Bors, and Percival.
[The Four Ladies carry out the bed, and all go but Galahad.]
GALAHAD.
How still and quiet everything seems now:
They come, too, for I hear the horsehoofs fall.
[Enter Sir Bors, Sir Percival and his Sister.]
Fair friends and gentle lady, God you save!
A many marvels have been here to-night;
Tell me what news of Launcelot you have,
And has God's body ever been in sight?
SIR BORS.
Why, as for seeing that same holy thing,
As we were riding slowly side by side,
An hour ago, we heard a sweet voice sing,
And through the bare twigs saw a great light glide,
With many-colour'd raiment, but far off;
And so pass'd quickly: from the court nought good;
Poor merry Dinadan, that with jape and scoff
Kept us all merry, in a little wood
Was found all hack'd and dead: Sir Lionel
And Gauwaine have come back from the great quest,
Just merely shamed; and Lauvaine, who loved well
Your father Launcelot, at the king's behest
Went out to seek him, but was almost slain,
Perhaps is dead now; everywhere
The knights come foil'd from the great quest, in vain;
In vain they struggle for the vision fair.
poem by William Morris

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O'Donohue's Mistress
Of all the fair months, that round the sun
In light-link'd dance their circles run,
Sweet May, shine thou for me;
For still, when thy earliest beams arise,
That youth, who beneath the blue lake lies,
Sweet May, returns to me.
Of all the bright haunts, where daylight leaves
Its lingering smile on golden eves,
Fair lake, thou'rt dearest to me;
For when the last April sun grows dim
Thy Naiads prepare his steed for him
Who dwells, bright lake, in thee.
Of all the proud steeds that ever bore
Young plumed Chiefs on sea or shore,
White Steed, most joy to thee;
Who still, with the first young glance of spring,
From under that glorious lake dost bring
My love, my chief, to me.
While, white as the sail some bark unfurls,
When newly launch'd, thy long mane curls,
Fair Steed, as white and free;
And spirits, from all the lake's deep bowers,
Glide o'er the blue wave scattering flowers,
Around my love and thee.
Of all the sweet deaths that maidens die,
Whose lovers beneath the cold wave lie,
Most sweet that death will be,
Which, under the next May evening's light,
When thou and thy steed are lost to sight,
Dear love, I'll die for thee.
poem by Thomas Moore

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Ulla, Or The Adjuration
'Thou'rt gone!–thou'rt slumb'ring low,
With the sounding seas above thee;
It is but a restless wo,
But a haunting dream to love thee!
Thrice the glad swan has sung,
To greet the spring-time hours,
Since thine oar at parting flung
The white spray up in showers.
There's a shadow of the grave on thy hearth and round thy home;
Come to me from the ocean's dead!–thou'rt surely of them–come!'
'Twas Ulla's voice–alone she stood
In the Iceland summer night,
Far gazing o'er a glassy flood,
From a dark rock's beetling height.
'I know thou hast thy bed
Where the sea-weed's coil hath bound thee;
The storm sweeps o'er thy head,
But the depths are hush'd around thee.
What wind shall point the way
To the chambers where thou'rt lying?
Come to me thence, and say
If thou thought'st on me in dying?
I will not shrink to see thee with a bloodless lip and cheek–
Come to me from the ocean's dead!–thou'rt surely of them–speak!'
She listen'd–'twas the wind's low moan,
'Twas the ripple of the wave,
'Twas the wakening osprey's cry alone,
As it started from its cave.
'I know each fearful spell
Of the ancient Runic lay,
Whose mutter'd words compel
The tempest to obey.
But I adjure not thee
By magic sign or song,
My voice shall stir the sea
By love,–the deep, the strong!
By the might of woman's tears, by the passion of her sighs,
Come to me from the ocean's dead!–by the vows we pledg'd–arise!'
Again she gazed with an eager glance,
Wandering and wildly bright;–
She saw but the sparkling waters dance
To the arrowy northern light.
'By the slow and struggling death
Of hope that loath'd to part,
By the fierce and withering breath
Of despair on youth's high heart;
By the weight of gloom which clings
To the mantle of the night,
By the heavy dawn which brings
Nought lovely to the sight,
By all that from my weary soul thou hast wrung of grief and fear,
Come to me from the ocean's dead–awake, arise, appear!'
Was it her yearning spirit's dream,
Or did a pale form rise,
And o'er the hush'd wave glide and gleam,
With bright, still, mournful eyes?
'Have the depths heard?–they have!
My voice prevails–thou'rt there,
Dim from thy watery grave,
Oh! thou that wert so fair!
Yet take me to thy rest!
There dwells no fear with love;
Let me slumber on thy breast,
While the billow rolls above!
Where the long-lost things lie hid, where the bright ones have their home,
We will sleep among the ocean's dead–stay for me, stay!–I come!'
There was a sullen plunge below,
A flashing on the main,
And the wave shut o'er that wild heart's wo,
Shut,–and grew still again.
poem by Felicia Dorothea Hemans

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The Last Wish
Go to the forest-shade,
Seek thou the well-known glade,
Where, heavy with sweet dew, the violets lie,
Gleaming thro' moss-tufts deep,
Like dark eyes fill'd with sleep,
And bath'd in hues of summer's midnight sky.
Bring me their buds, to shed
Around my dying bed,
A breath of May, and of the wood's repose;
For I in sooth depart,
With a reluctant heart,
That fain would linger where the bright sun glows.
Fain would I stay with thee–
Alas! this may not be;
Yet bring me still the gifts of happier hours!
Go where the fountain's breast
Catches in glassy rest
The dim green light that pours thro' laurel bowers.
I know how softly bright,
Steep'd in that tender light,
The water-lilies tremble there ev'n now;
Go to the pure stream's edge,
And from its whisp'ring sedge,
Bring me those flowers to cool my fever'd brow!
Then, as in Hope's young days,
Track thou the antique maze
Of the rich garden to its grassy mound;
There is a lone white rose,
Shedding, in sudden snows,
Its faint leaves o'er the emerald turf around.
Well know'st thou that fair tree–
A murmur of the bee
Dwells ever in the honey'd lime above;
Bring me one pearly flower
Of all its clustering shower–
For on that spot we first reveal'd our love.
Gather one woodbine bough,
Then, from the lattice low
Of the bower'd cottage which I bade thee mark,
When by the hamlet last,
Thro' dim wood-lanes we pass'd,
While dews were glancing to the glowworm's spark.
Haste! to my pillow bear
Those fragrant things and fair;
My hand no more may bind them up at eve,
Yet shall their odour soft
One bright dream round me waft
Of life, youth, summer,–all that I must leave!
And oh! if thou wouldst ask
Wherefore thy steps I task,
The grove, the stream, the hamlet-vale to trace;
'Tis that some thought of me,
When I am gone, may be
The spirit bound to each familiar place.
I bid mine image dwell,
(Oh! break not thou the spell!)
In the deep wood and by the fountain-side;
Thou must not, my belov'd!
Rove where we two have rov'd,
Forgetting her that in her spring-time died!
poem by Felicia Dorothea Hemans

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A Night In June
Lady! in this night of June
Fair like thee and holy,
Art thou gazing at the moon
That is rising slowly?
I am gazing on her now:
Something tells me, so art thou.
Night hath been when thou and I
Side by side were sitting,
Watching o'er the moonlit sky
Fleecy cloudlets flitting.
Close our hands were linkèd then;
When will they be linked again?
What to me the starlight still,
Or the moonbeams' splendour,
If I do not feel the thrill
Of thy fingers slender?
Summer nights in vain are clear,
If thy footstep be not near.
Roses slumbering in their sheaths
O'er my threshold clamber,
And the honeysuckle wreathes
Its translucent amber
Round the gables of my home:
How is it thou dost not come?
If thou camest, rose on rose
From its sleep would waken;
From each flower and leaf that blows
Spices would be shaken;
Floating down from star and tree,
Dreamy perfumes welcome thee.
I would lead thee where the leaves
In the moon-rays glisten;
And, where shadows fall in sheaves,
We would lean and listen
For the song of that sweet bird
That in April nights is heard.
And when weary lids would close,
And thy head was drooping,
Then, like dew that steeps the rose,
O'er thy languor stooping,
I would, till I woke a sigh,
Kiss thy sweet lips silently.
I would give thee all I own,
All thou hast would borrow;
I from thee would keep alone
Fear and doubt and sorrow.
All of tender that is mine,
Should most tenderly be thine.
Moonlight! into other skies,
I beseech thee wander.
Cruel, thus to mock mine eyes,
Idle, thus to squander
Love's own light on this dark spot;-
For my lady cometh not!
poem by Alfred Austin

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To My Cousin
Come out with me into the moonlight, coz!
Fling by that page of romance—the hot breath
Of the dim taper, ill befits an eve
So beautiful as this—I know there is
A deep bewildering interest in that tale;
For the low drooping head, the parted lip,
The feverish glow that brightens cheek and eye,
And the light finger press'd upon the page,
As if that volume were the magic link
That bound thee to illusion—all proclaim
The spell that hath enchain'd thee. Yet come out,
And I will show thee full as bright a page,
And one where thou may'st read as wild a tale
Of love and chivalry, as that from which
My voice hath won thee.—Is it not, sweet coz,
A most delicious night? and how could I
Gaze upward on that moon, and thou not here—
Our arms entwining thus—and the light touch
Of those soft fingers resting upon mine,
That I may feel their gentle pressure tell
Thy voiceless feelings—when I turn to say
“How very beautiful!”—It is a night
For Poetry—and the low breeze comes by
As 't were a holy whisper, sent to quell
The spirit's fever.—We will fling aside
Like a dull robe the thought of present things,
And wrap ourselves in dreams.
And yet 't is not
A scene like that we gazed on when yon moon
Last moved, so empress-like, across the sky—
Nay, thou rememberest—I know it well
By the curl'd lip turn'd towards me with a smile
Of recollected pleasure: yet again
Look towards yon concave: other eyes than ours
Are gazing on that orb, and kindly lips
Perchance are naming us.
Did we not say
Yon planet should be written, like a book,
With cherish'd memories?—and when the hour
Of her arising came, that we would think
On those from whom we parted?—Look, Annette!
Couldst thou not fancy that a friendly eye
Was smiling on thee from the distant sphere?
Nay, laugh not, cousin,—'t was a silly thought!—
But who would fetter fancy's wildest wing
Upon a night like this? The very light
That falls around us hath a dreamy spell,
And gives the scene a dim unreal shade,
Like a forgotten thought come back again.
It is most beautiful! yet on the heart
The sense of pleasure presses, with a weight
That half hath started tears—'t is strange that even
Our happiness should be so link'd with pain!
And beauty—perfect beauty—only wake
The knowledge that our spirits are too weak,
To feel it in its full deep blessedness!
Didst never wish to be an angel, coz?
That thou might understand the pencilling
Writ on the sunset sky—and send abroad
A soul unfetter'd on a night like this!
Well, let us wander on—did I not say
I knew a history of the olden time,
That I would tell to thee?—we should have been
Beneath our grape-vine bower—thou know'st it, love,
And I thine own true knight to sing thee,
While thou didst touch the lute—
But 't is not so—
And while I tell the tale of which I spake,
If I can win from thee one gentle sigh,
I will not ask for music!—
'T was a night
Moon-lit, and calm, and beautiful,—like this;
Music was swelling out, upon the breeze,
From a gay festive hall—and starry lamps
Flung out their perfumed splendour upon brows
Of alabaster whiteness, and dark hair
Enwreathed with dazzling gems: light forms went by
Graceful and fairy-like, amid the dance,
Beside a nation's chivalry—and songs
Melted away in liquid melody
From rosy lips, and the gay laugh broke forth;
Or, when the ancient minstrel breathed some tale
Of love and sadness, gentle tears fell forth
From eyes that shone more lovely through their mist
But there was one, had stolen from that scene
Of smiles and joyousness, to where the moon
Look'd downward, silently, through jasmine leaves,
And the low night-breeze kiss'd the drooping bells
Of the sweet clematis.
And there she stood—
Her head bent slightly back, and the long fringe
Of her dark melancholy eye raised up
And laid against her brow, as if her soul
Were lifted in that long deep glance to Heaven!
Her cheek was pale—so pale, that its faint tinge
Of lingering carmine scarce sufficed to tell
That the slight form, round which the white robes fell
So gracefully, was not in very deed
A sculptor's form of beauty—her dark hair
Was carelessly thrown backward, and her hand
Twisted among its tresses, look'd as 't were
A wandering moon-beam—'t was so delicate!
A deeper sadness gather'd on the brow,
The queenly brow, of that young worshipper,
Until it droop'd upon her breast, and tears
Came crowding to her eyelids. Could it be
That grief had paled a cheek so beautiful?
That gush of tears went by—and she raised up
Her forehead to the breeze, and touch'd the lute,
That lay beside her, to a mournful strain,
The while she sung to it:—
“This faded cheek, this faded cheek,
Pale lip and alter'd brow,
Are all the outward signs that speak
The love I bear thee now.
I name thee not amid the halls,
Where mirthful glances shine;
But not one tear in secret falls,
That is not truly thine.
“They told me, that the vows we spake
Were soon forgot by thee;
But though my heart, perchance, may break,
'T will ne'er be false to thee.
Nor would'st thou, dearest, all so soon
That one deep vow forget,
The first, the last, the only one,
That told our hearts had met.
”They told me thou wast false, that pride
Might dry my burning tears,
When I should learn that thou hadst died
Amid thine early years.
They did not know how deeply dear
Was every thought of thee,
More fondly, truly, cherish'd here,
Than living love could be.”
The strain was hush'd—A rustle midst the leaves
Hath caught the maiden's ear, and a low voice
Whisper'd the name of “Eva!” Could it be
That the dark grave had given up its dead?
Or was that breath a summons from the land
Of parted spirits? But a moment more,
And her own knight was kneeling at her feet—
Her head fell on his bosom—hours past on,
And when the gray dawn made a pause amid
The mirth of their gay revelling, they came
To seek that absent one,—and both were there,
Silent and motionless as they had sunk,
When the first shock was over—one in death,
And one in cold despair!
poem by Elizabeth Margaret Chandler from Poetical Works (1836)

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Dead-Maid's-Pool
Oh water, water-water deep and still,
In this hollow of the hill,
Thou helenge well o'er which the long reeds lean,
Here a stream and there a stream,
And thou so still, between,
Thro' thy coloured dream,
Thro' the drownèd face
Of this lone leafy place,
Down, down, so deep and chill,
I see the pebbles gleam!
Ash-tree, ash-tree,
Bending o'er the well,
Why there thou bendest,
Kind hearts can tell.
'Tis that the pool is deep,
'Tis that-a single leap,
And the pool closes:
And in the solitude
Of this wild mountain wood,
None, none, would hear her cry,
From this bank where she stood
To that peak in the sky
Where the cloud dozes.
Ash-tree, ash-tree,
That art so sweet and good,
If any creeping thing
Among the summer games in the wild roses
Fall from its airy swing,
(While all its pigmy kind
Watch from some imminent rose-leaf half uncurled)-
I know thou hast it full in mind
(While yet the drowning minim lives,
And blots the shining water where it strives),
To touch it with a finger soft and kind,
As when the gentle sun, ere day is hot,
Feels for a little shadow in a grot,
And gives it to the shades behind the world.
And oh! if some poor fool
Should seek the fatal pool,
Thine arms-ah, yes! I know
For this thou watchest days, and months, and years,
For this dost bend beside
The lone and lorn well-side,
The guardian angel of the doom below,
Content if, once an age, thy helping hand
May lift repentant madness to the land:
Content to hear the cry
Of living love from lips that would have died:
To seem awhile endowed
With all thy limbs did save,
And in that voice they drew out of the grave,
To feel thy dumb desire for once released aloud,
And all thy muffled century
Repaid in one wild hour of sobs, and smiles, and tears.
Aye, aye, I envy thee,
Pitiful ash-tree!
Water, water-water deep and still,
In the hollow of the hill,
Water, water, well I wot,
Thro' the weary hours,
Well I wot thee lying there,
As fair as false, as false as fair.
The crows they fly o'er,
The small birds flit about,
The stream it ripples in, the stream it ripples out,
But what eye ever knew
A rinkle wimple thee?
And what eye shall see
A rinkle wimple thee
Evermore?
Thro' thy gauds and mocks,
All thy thin enchantment thro'-
The green delusion of thy bowers,
The cold flush of thy feignèd flowers,
All the treacherous state
Of fair things small and great,
That are and are not,
Well I wot thee shining there,
As fair as false, as false as fair.
Thro' the liquid rocks,
Thro' the watery trees,
Thro' the grass that never grew,
Thro' a face God never made,
Thro' the frequent gain and loss
Of the cold cold shine and shade,
Thro' the subtle fern and moss,
Thro' the humless, hiveless bees,
Round the ghosts of buds asleep,
Thro' the disembodied rose,
Waving, waving in the deep,
Where never wind blows,
I look down, and see far down,
In clear depths that do nothing hide,
Green in green, and brown in brown,
The long fish turn and glide!
Ash-tree, ash-tree,
Bending o'er the water-
Ash-tree, ash-tree,
Hadst thou a daughter?
Ash-tree, ash-tree, let me draw near,
Ash-tree, ash-tree, a word in thine ear!
Thou art wizen and white, ash-tree;
Other trees have gone on,
Have gathered and grown,
Have bourgeoned and borne:
Thou hast wasted and worn.
Thy knots are all eyes;
Every knot a dumb eye,
That has seen a sight
And heard a cry.
Thy leaves are dry:
The summer has not gone by,
But they're withered and dead,
Like locks round a head
That is bald with a secret sin,
That is scorched by a hell within.
Thy skin
Is withered and wan,
Like a guilty man:
It was thin,
Aye, silken and thin,
It is houghed
And ploughed,
Like a murderer's skin.
Thou hast no shoots nor wands,
All thy arms turn to the deep,
All thy twigs are crooked,
Twined and twisted,
Fingered and fisted,
Like one who had looked
On wringing hands
'Till his hands were wrung in his sleep.
Pardon my doubt of thee,
What is this
In the very groove
Of thy right arm?
There is not a snake
So yellow and red,
There is not a toad
So sappy and dread!
It doth not move,
It doth not hiss-
Ash-tree-for God's sake-
Hast thou known
What hath not been said
And the summer sun
Cannot keep it warm,
And the living wood
Cannot shut it down!
And it grows out of thee
And will be told,
Bloody as blood,
And yellow as gold!
Ash-tree, ash-tree,
That once wert so green!
Ash-tree, ash-tree!
What hast thou seen?
Was I a mother-nay or aye?
Am I childless-aye nor nay?
Ash-tree, ash-tree,
Bending o'er the water!
Ash-tree, ash-tree,
Give me my daughter!
Curse the water,
Curse thee,
Ash-tree,
Bending o'er the water!
Leaf on the tree,
Flower on the stem,
Curse thee,
And curse them!
Trunk and shoot,
Herb and weed,
Bud and fruit,
Blossom and seed,
Above and below,
About and about,
Inside and out,
Grown and to grow,
Curse you all,
Great and small,
That cannot give back my daughter!
But if there were any,
Among so many,
Any small thing that did lie sweet for her,
Any newt or marish-worm that, shrinking
Under the pillow of the water weed,
Left her a cleaner bed,
Any least leaves that fell with little plashes,
And sinking, sinking,
Sank soft and slow, and settled on her lashes,
And did what was so meet for her,
Them I do not curse.
See, see up the glen,
The evening sun agen!
It falls upon the water,
It falls upon the grass,
Thro' the birches, thro' the firs,
Thro' the alders, catching gold,
Thro' the bracken and the brier,
Goes the evening fire
To the bush-linnet's nest.
There between us and the west,
Dost thou see the angels pass?
Thro' the air, with streaming hair,
The golden angels pass?
Hold, hold! for mercy, hold!
I know thee! ah, I know thee!
I know thou wilt not pass me so-
The gray old woman is ready to go.
Call me to thee, call me to thee,
My daughter! oh, my daughter!
poem by Sydney Thompson Dobell

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The Crusader's Return
Rest pilgrim, rest!-thou'rt from the Syrian land,
Thou'rt from the wild and wondrous east, I know
By the long-withered palm-branch in thy hand,
And by the darkness of thy sunburnt brow.
Alas! the bright, the beautiful, who part,
So full of hope, for that far country's bourne!
Alas! the weary and the chang'd in heart,
And dimm'd in aspect, who like thee return!
Thou'rt faint-stay, rest thee from thy toils at last,
Through the high chesnuts lightly plays the breeze,
The stars gleam out, the Ave hour is pass'd,
The sailor's hymn hath died along the seas.
Thou 'rt faint and worn-hear'st thou the fountain welling
By the grey pillars of yon ruin'd shrine?
Seest thou the dewy grapes, before thee swelling?
-He that hath left me train'd that loaded vine!
He was a child when thus the bower he wove,
(Oh! hath a day fled since his childhood's time?)
That I might sit and hear the sound I love,
Beneath its shade-the convent's vesper-chime.
And sit thou there!-for he was gentle ever;
With his glad voice he would have welcomed thee,
And brought fresh fruits to cool thy parch'd lips' fever-
-There in his place thou 'rt resting-where is he?
If I could hear that laughing voice again,
But once again!-how oft it wanders by,
In the still hours, like some remember'd strain,
Troubling the heart with its wild melody!
-Thou hast seen much, tired pilgrim! hast thou seen
In that far land, the chosen land of yore,
A youth-my Guido-with the fiery mien,
And the dark eye of this Italian shore?
The dark, clear, lightning eye!-on Heaven and earth
It smiled-as if man were not dust-it smiled!
The very air seem'd kindling with his mirth,
And I-my heart grew young before my child!
My blessed child!-I had but him-yet he
Fill'd all my home ev'n with o'erflowing joy,
Sweet laughter, and wild song, and footstep free-
-Where is he now?-my pride, my flower, my boy!
His sunny childhood melted from my sight,
Like a spring dew-drop-then his forehead wore
A prouder look-his eye a keener light-
-I knew these woods might be his world no more!
He loved me-but he left me!-thus they go,
Whom we have rear'd, watch'd, bless'd, too much adored!
He heard the trumpet of the red-cross blow,
And bounded from me, with his father's sword!
Thou weep'st-I tremble-thou hast seen the slain
Pressing a bloody turf; the young and fair,
With their pale beauty strewing o'er the plain
Where hosts have met-speak! answer!-was he there?
Oh! hath his smile departed?-Could the grave
Shut o'er those bursts of bright and tameless glee?
-No! I shall yet behold his dark locks wave-
That look gives hope-I knew it could not be!
Still weep'st thou, wanderer?-some fond mother's glance
O'er thee too brooded in thine early years-
Think'st thou of her, whose gentle eye, perchance,
Bath'd all thy faded hair with parting tears?
Speak, for thy tears disturb me!-what art thou?
Why dost thou hide thy face, yet weeping on?
Look up!-oh! is it-that wan cheek and brow!-
Is it-alas! yet joy!-my son, my son!
poem by Felicia Dorothea Hemans

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Sweet Stay-at-Home
Sweet Stay-at-Home, sweet Well-content,
Thou knowest of no strange continent;
Thou hast not felt thy bosom keep
A gentle motion with the deep;
Thou hast not sailed in Indian seas,
Where scent comes forth in every breeze.
Thou hast not seen the rich grape grow
For miles, as far as eyes can go:
Thou hast not seen a summer's night
When maids could sew by a worm's light;
Nor the North Sea in spring send out
Bright hues that like birds flit about
In solid cages of white ice --
Sweet Stay-at-Home, sweet Love-one-place,
Thou hast not seen black fingers pick
White cotton when the bloom is thick,
Nor heard black throats in harmony;
Nor hast thou sat on stones that lie
Flat on the earth, that once did rise
To hide proud kings from common eyes.
Thou hast not seen plains full of bloom
Where green things had such little room
They pleased the eye like fairer flowers --
Sweet Stay-at-Home, all these long hours.
Sweet Well-content, sweet Love-one-place,
Sweet, simple maid, bless thy dear face;
For thou hast made more homely stuff
Nurture thy gentle self enough;
I love thee for a heart that's kind --
Not for the knowledge in thy mind.
poem by William Henry Davies

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Love's Reward
It was a knight of the southern land
Rode forth upon the way
When the birds sang sweet on either hand
About the middle of the May.
But when he came to the lily-close,
Thereby so fair a maiden stood,
That neither the lily nor the rose
Seemed any longer fair nor good.
“All hail, thou rose and lily-bough!
What dost thou weeping here,
For the days of May are sweet enow,
And the nights of May are dear?”
“Well may I weep and make my moan,
Who am bond and captive here;
Well may I weep who lie alone,
Though May be waxen dear.”
“And is there none shall ransom thee;
Mayst thou no borrow find?”
“Nay, what man may my borrow be,
When all my wealth is left behind?
“Perchance some ring is left with thee,
Some belt that did thy body bind?”
“Nay, no man may my borrow be,
My rings and belt are left behind.”
“The shoes that the May-blooms kissed on thee
Might yet be things to some men’s mind.”
“Nay, no man may my borrow be,
My golden shoes are left behind.”
“The milk-white sark that covered thee
A dear-bought token some should find.”
“Nay, no man may my borrow be,
My silken sark is left behind.”
“The kiss of thy mouth and the love of thee
Better than world’s wealth should I find.”
“Nay, thou mayst not my borrow be,
For all my love is left behind.
“A year agone come Midsummer-night
I woke by the Northern sea;
I lay and dreamed of my delight
Till love no more would let me be.
“Seaward I went by night and cloud
To hear the white swans sing;
But though they sang both clear and loud,
I hearkened a sweeter thing.
“O sweet and sweet as none may tell
Was the speech so close ’twixt lip and lip:
But fast, unseen, the black oars fell
That drave to shore the rover’s ship.
“My love lay bloody on the strand
Ere stars were waxen wan:
Naught lacketh graves the Northern land
If to-day it lack a lovelier man.
“I sat and wept beside the mast
When the stars were gone away.
Naught lacketh the Northland joy gone past
If it lack the night and day.”
“Is there no place in any land
Where thou wouldst rather be than here?”
“Yea, a lone grave on a cold sea-strand
My heart for a little holdeth dear.”
“Of all the deeds that women do
Is there none shall bring thee some delight?”
“To lie down and die where lay we two
Upon Midsummer night.”
“I will bring thee there where thou wouldst be,
A borrow shalt thou find.”
“Wherewith shall I reward it thee
For wealth and good-hap left behind?”
“A kiss from lips that love not me,
A good-night somewhat kind;
A narrow house to share with thee
When we leave the world behind.”
They have taken ship and sailed away
Across the Southland main;
They have sailed by hills were green and gay,
A land of goods and gain.
They have sailed by sea-cliffs stark and white
And hillsides fair enow;
They have sailed by lands of little night
Where great the groves did grow.
They have sailed by islands in the sea
That the clouds lay thick about;
And into a main where few ships be
Amidst of dread, and doubt.
With broken mast and battered side
They drave amidst the tempest’s heart;
But why should death to these betide
Whom love did hold so well apart?
The flood it drave them toward the strand,
The ebb it drew them fro;
The swallowing seas that tore the land
Cast them ashore and let them go.
“Is this the land? is this the land,
Where life and I must part a-twain?”
“Yea, this is e’en the sea-washed strand
That made me yoke-fellow of pain.
“The strand is this, the sea is this,
The grey bent and the mountains grey;
But no mound here his grave-mound is;
Where have they borne my love away?”
“What man is this with shield and spear
Comes riding down the bent to us?
A goodly man forsooth he were
But for his visage piteous.”
“Ghost of my love, so kind of yore,
Art thou not somewhat gladder grown
To feel my feet upon this shore?
O love, thou shalt not long be lone.”
“Ghost of my love, each day I come
To see where God first wrought us wrong:
Now kind thou com’st to call me home,
Be sure I shall not tarry long.”
“Come here, my love; come here for rest,
So sore as my body longs for thee!
My heart shall beat against thy breast
As arms of thine shall comfort me.”
“Love, let thy lips depart no more
From those same eyes they once did kiss,
The very bosom wounded sore
When sorrow clave the heart of bliss!”
O was it day, or was it night,
As there they told their love again?
The high-tide of the sun’s delight,
Or whirl of wind and drift of rain?
“Speak sweet, my love, of how it fell,
And how thou cam’st across the sea,
And what kind heart hath served thee well,
And who thy borrow there might be?”
Naught but the wind and sea made moan
As hastily she turned her round;
From light clouds wept the morn alone,
Not the dead corpse upon the ground.
“O look, my love, for here is he
Who once of all the world was kind,
And led my sad heart o’er the sea!
And now must he be left behind.”
She kissed his lips that yet did smile,
She kissed his eyes that were not sad:
“O thou who sorrow didst beguile,
And now wouldst have me wholly glad!
“A little gift is this,” she said,
“Thou once hadst deemed great gift enow;
Yet surely shalt thou rest thine head
Where I one day shall lie alow.
“There shalt thou wake to think of me,
And by thy face my face shall find;
And I shall then thy borrow be
When all the world is left behind.”
poem by William Morris

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Juana
The night-wind shook the tapestry round an ancient palace-room,
And torches, as it rose and fell, waved thro' the gorgeous gloom,
And o'er a shadowy regal couch threw fitful gleams and red,
Where a woman with long raven hair sat watching by the dead.
Pale shone the features of the dead, yet glorious still to see,
Like a hunter or a chief struck down while his heart and step were free;
No shroud he wore, no robe of death, but there majestic lay,
Proudly and sadly glittering in royalty's array.
But she that with the dark hair watch'd by the cold slumberer's side,
On her wan cheek no beauty dwelt, and in her garb no pride;
Only her full impassion'd eyes as o'er that clay she bent,
A wildness and a tenderness in strange resplendence blent.
And as the swift thoughts cross'd her soul, like shadows of a cloud,
Amidst the silent room of death, the dreamer spoke aloud;
She spoke to him who could not hear, and cried, 'Thou yet wilt wake,
And learn my watchings and my tears, belov'd one! for thy sake.
'They told me this was death, but well I knew it could not be;
Fairest and stateliest of the earth! who spoke of death for thee?
They would have wrapp'd the funeral shroud thy gallant form around,
But I forbade–and there thou art, a monarch, robed and crown'd!
'With all thy bright locks gleaming still, their coronal beneath,
And thy brow so proudly beautiful–who said that this was death?
Silence hath been upon thy lips, and stillness round thee long,
But the hopeful spirit in my breast is all undimm'd and strong.
'I know thou hast not loved me yet; I am not fair like thee,
The very glance of whose clear eye threw round a light of glee!
A frail and drooping form is mine–a cold unsmiling cheek,–
Oh! I have but a woman's heart, wherewith thy heart to seek.
'But when thou wak'st, my prince, my lord! and hear'st how I have kept
A lonely vigil by thy side, and o'er thee pray'd and wept;
How in one long, deep dream of thee my nights and days have past,
Surely that humble, patient love must win back love at last!
'And thou wilt smile–my own, my own, shall be the sunny smile,
Which brightly fell, and joyously, on all but me erewhile!
No more in vain affection's thirst my weary soul shall pine–
Oh! years of hope deferr'd were paid by one fond glance of thine!
'Thou'lt meet me with that radiant look when thou com'st from the chase,
For me, for me, in festal halls it shall kindle o'er thy face!
Thou'lt reck no more tho' beauty's gift mine aspect may not bless;
In thy kind eyes this deep, deep love, shall give me loveliness.
'But wake! my heart within me burns, yet once more to rejoice
In the sound to which it ever leap'd, the music of thy voice:
Awake! I sit in solitude, that thy first look and tone,
And the gladness of thine opening eyes, may all be mine alone.'
In the still chambers of the dust, thus pour'd forth day by day,
The passion of that loving dream from a troubled soul found way,
Until the shadows of the grave had swept o'er every grace,
Left midst the awfulness of death on the princely form and face.
And slowly broke the fearful truth upon the watcher's breast,
And they bore away the royal dead with requiems to his rest,
With banners and with knightly plumes all waving in the wind,–
But a woman's broken heart was left in its lone despair behind.
poem by Felicia Dorothea Hemans

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Verses To A Child
O raise those eyes to me again
And smile again so joyously,
And fear not, love; it was not pain
Nor grief that drew these tears from me;
Beloved child, thou canst not tell
The thoughts that in my bosom dwell
Whene'er I look on thee!
Thou knowest not that a glance of thine
Can bring back long departed years
And that thy blue eyes' magic shine
Can overflow my own with tears,
And that each feature soft and fair
And every curl of golden hair,
Some sweet remembrance bears.
Just then thou didst recall to me
A distant long forgotten scene,
One smile, and one sweet word from thee
Dispelled the years that rolled between;
I was a little child again,
And every after joy and pain
Seemed never to have been.
Tall forest trees waved over me,
To hide me from the heat of day,
And by my side a child like thee
Among the summer flowerets lay.
He was thy sire, thou merry child.
Like thee he spoke, like thee he smiled,
Like thee he used to play.
O those were calm and happy days,
We loved each other fondly then;
But human love too soon decays,
And ours can never bloom again.
I never thought to see the day
When Florian's friendship would decay
Like those of colder men.
Now, Flora, thou hast but begun
To sail on life's deceitful sea,
O do not err as I have done,
For I have trusted foolishly;
The faith of every friend I loved
I never doubted till I proved
Their heart's inconstancy.
'Tis mournful to look back upon
Those long departed joys and cares,
But I will weep since thou alone
Art witness to my streaming tears.
This lingering love will not depart,
I cannot banish from my heart
The friend of childish years.
But though thy father loves me not,
Yet I shall still be loved by thee,
And though I am by him forgot,
Say wilt thou not remember me!
I will not cause thy heart to ache;
For thy regretted father's sake
I'll love and cherish thee.
poem by Anne Brontë

Submitted by Veronica Serbanoiu
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