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The Massacre of the Bards

The sunlight from the sky is swept,
But, over Snowdon's summit kept,
One brand of cloud yet burns,
By ghostly hands far out of sight,
Held, glowing, in the even-light,
As Fate still keeps the weapon bright
That lingers and returns.

- - - - - -

O day of slaughter! Day of woe!
But once, a thousand years ago,
Such day has Britain seen;
When blushed her hoary hills with shame
At Mona's sacrifice of flame;
While shrieks from out the burning came
Across the strait between.

Death-helping day! That couldst not find
One weeping cloud to hide behind!
Cursed day whose light was given
For search-mate to the Saxon sword
Through coverts that our rocks afford,
While Edward's godless minions poured
The blood of the unshriven!

- - - - - -

Ill fare we when the trees are rent,
Whose friendly shelter erst was lent
In sun, and wind, and rain.
Ill fare we when the thunder-shocks
Let loose the torrents from their rocks,
To sweep away the mountain-flocks,
And flood the standing grain.

But where the forest-giants groan,
By winds that waste the woods o'erthrown,
New saplings blithely spring!
Sank herd and harvest 'neath the tide?
There's bleating on the mountain-side;
O'er cornfields, ere the dew has dried
To-morrow's lark shall sing!

Sore sighs the land when she has need
The dragon-jaws of war to feed
With those who love her best;
And long shall Cambria's tears be shed
For him who late her armies led,
Llewellyn, whose dissevered head
The Saxon crowned in jest!

Yet, in their stead whose blood is spilt,
Newcomers seize the sword's warm hilt,
Or o'er it reach the ground!
Llewellyn! every night-watch drear
With grief for thee, brings morning near;
That morn when Arthur shall appear,
Once more our leader crowned!

But when the blood of bards is poured,
Who gathers their forgotten hoard
From memories sealed by fate?
What daring songster e'er shall soar
For us to Heaven's death-guarded door,
And tell thereafter of the store
That glimmers through the grate?

When Famine's empty hand is filled,
When years the shattered oaks rebuild,
Shall heroes spring again,
Brave spirits of the past to greet
Who rise at minstrel-summons sweet,
When bards the olden tales repeat
Of Britain's mighty slain?

Nay, by the harps our fathers heard
No more shall Britain's heart be stirred,
Lost is the ancient lore!
Spent is the breath of song, that fanned
Freedom's low fires! The bard's light hand,
Whose beckoning brought the martial band,
Shall seek the strings no more!

poem by Mary Hannay Foott
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The Bended Bow

There was heard the sound of a coming foe,
There was sent through Britain a bended Bow,
And a voice was pour'd on the free winds far,
As the land rose up at the sign of war.

'Heard ye not the battle-horn?
-Reaper! leave thy golden corn!
Leave it for the birds of Heaven,
Swords must flash, and spears be riven!
Leave it for the winds to shed-
Arm! ere Britain's turf grow red!'

And the reaper arm'd, like a freeman's son,
And the bended Bow and the voice pass'd on.

'Hunter! leave the mountain-chase!
Take the falchion from its place!
Let the wolf go free to-day,
Leave him for a nobler prey!
Let the deer ungall'd sweep by,-
Arm thee! Britain's foes are nigh!'

And the hunter arm'd ere the chase was done,
And the bended Bow and the voice pass'd on.

'Chieftain! quit the joyous feast!
Stay not till the song hath ceas'd:
Though the mead be foaming bright,
Though the fires give ruddy light,
Leave the hearth and leave the hall-
Arm thee! Britain's foes must fall.'

And the chieftain arm'd, and the horn was blown,
And the bended Bow and the voice pass'd on.

'Prince! thy father's deeds are told,
In the bower and in the hold!
Where the goatherd's lay is sung,
Where the minstrel's harp is strung!
-Foes are on thy native sea-
Give our bards a tale of thee!'

And the prince came arm'd, like a leader's son,
And the bended Bow and the voice pass'd on.

'Mother! stay thou not thy boy!
He must learn the battle's joy.
Sister! bring the sword and spear,
Give thy brother words of cheer!
Maiden! bid thy lover part,
Britain calls the strong in heart!'

And the bended Bow and the voice pass'd on,
And the bards made song for a battle won.

poem by Felicia Dorothea Hemans
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Cymru

Dim in the mist of ages, seeking a resting-place,
Broke on the shores of Britain the wave of an Aryan race.
Clear thro’ the mist of ages, ere ever the White Christ came,
Songs of the Cymric singers have chanted the Brython fame.
Dark with the fate of nations, and swift as a broadspear hurled,
The breath of the God of Battles swept o’er the western world.
Where are the old-time peoples, men of the war-like front,
From the surge of the wild Atlantic to the shores of the Hellespont?
Come and gone like the breezes, ebbed and flowed like the tide
Race and feature and language are lost in that vortex wide!
Rich is thy soil, O Cymru, drenched with thy heroes’ blood,
Where ’mid the changeful æons changeless thy people stood!
Land of the birch and buckthorn, home of the hoary oak,
Where the songs of Llywarch linger, and the words that Merlin spoke!
Land of the tarn and torrent, where broods by the rock-bound springs
The spirit of stern Cunedda, the first of the Brython Kings!
Land of the mellow marshes, deep valley, and barren scar,
Sweet with the dreams of Cadoc, and the lore of Howel Dda!
Where upon dark Pymlimmon the snowy cloudwreaths rest!
Where wild Demetia’s forelands spurn the billows from her breast!
Comes to the heart that loves thee, under the changeful skies,
Rich with a rhythmic measure the surge of the centuries—
Days when the Cymric armies, marching in thousands strong,
Followed the fierce Aneurin, chanting his battle-song—
Deeds of a desperate valour that turned thro’ the wavering years
The thrust of the Roman pila, the rush of the Saxon spears,
The charge of the Norman barons, met by the stern reply
Of a land that had taught the Caesars whether her sons could die.

Men of the blood of Meuric, of Maelgwn, the leonine,
Who smile at the Saxon hierarchs, who laugh at the Norman line,
Who are sprung from the loins of hunters who followed the mighty Hu
Wherever the broad-spear glittered, wherever the battle grew—
Kin of the warrior-princes who sank in the bloody tide
That raged on the field at Hexham where brave Cadwallon died—
Forget not the land that bore you! Be true to the breath that fills
The heart of her singing valleys, the heights of her storm-crowned hills!
The soul of the nation stirreth yet as it did of old
When the helm of the great Pendragon flamed o’er his torque of gold!

The myths of the Greek and Roman dim in the Eastward grew,
And o’er the realms of Asia the banner of Islam blew—
High in the halls of honour, bright on the scroll of fame,
Deep in the hearts of heroes, is written great Arthur’s name.
A star on the heights of morning, clear in the pearl of dawn,
It carried the White Christ’s message wherever a sword was drawn;
It flashed on the heathen darkness, it nursed with its golden ray
The strength of the early Churches that grew under David’s sway.
Ill shall the oak have blossomed and warped shall its branches be,
When Britain forgets to honour the dawn of her chivalry!

Wherever grows Britain’s glory, wherever her power is felt,
’Tis won by the fire that flushes the blood of the restless Celt—
Scottish, or Welsh, or Irish, whatever the branches be,
The Gael and the Brython together are stems of the self-same tree—
In song, in battle, in council, by land or by stormy tide,
They move in the van of progress wherever her realms are wide.
The seed of the self-same people still dwell by the Cambrian shore;
The tramp of the Roman legions is heard on the hills no more.
Saxon and Dane and Norman, the spirit you could not quell,
Deem not it died in darkness when the last Llewelyn fell!

Hemmed and harried and fettered, ever it rose anew!
’Twas first ’neath the Cambrian Tudors the greatness of England grew!
Now, torque, and lance, and tarian, hang high in the castle hall:
The bay of the Cymric war-hound is mute ’neath the Roman wall,
The voice of the Seer is silent in dim vast forest aisles,
By grove and haunted streamlet no white procession files.
Past are the days of prowess, the fame of the strong right hand;
But the hearts of the Cambrian peasants still cleave to the motherland.
Still, with the stern persistence that kept them a race apart,
They live for a Nation’s glory, they toil for a Nation’s art.

True to a high ideal, never to falter nor swerve,
The fire of a strong endeavour glows thro’ their calm reserve.
Still to the living Present the power of the Past can reach:
The spring of a Nation’s culture wells thro’ their pensive speech.
Burns, and rises, and surges, thro’ class and order and sect,
The thirst for a wider knowledge, the passion of intellect—
From the fenlands of Tremadoc to where Severn’s waters fall,
The many are one with the purpose, the purpose is one with all!

Far from the Cambrian mountains, far from the Tivyside,
Or Penmaenmawr uplifted above the foaming tide—
Where the stars above calm Gwynant watch while the waters sleep,
Or where Conwy darts its arrow by Degannwy’s rocky steep—
Far from that gloomy chasm where the weirs with thundershake,
And the rocks of dark Llyn Idwal frown o’er the darker lake—
Far from the Mercian Marches, where the rivers keep their tryst,
Or where the corn is waving down the vale of sweet Llanrwst—
Wherever their fate may lead them, wherever their footsteps fare,
The soul of the Cambrian people is free as their mountain air.
However our days may darken, our dreams of that land shall be,
As the glint of a sunbeam shining at dawn on a wintry sea!

poem by George Essex Evans
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Stand Fast!

Stand fast, Great Britain!
Together England, Scotland, Ireland stand
One in the faith that makes a mighty land,
True to the bond you gave and will not break
And fearless in the fight for conscience' sake!
Against the Giant Robber clad in steel,
With blood of trampled Belgium on his heel,
Striding through France to strike you down at last,
Britain, stand fast !

Stand fast, brave land!
The Huns are thundering toward the citadel;
They prate of Culture but their path is Hell;
Their light is darkness, and the bloody sword
They wield and worship is their only Lord.
O land where reason stands secure on right,
O land where freedom is the source of light,
Against the mailed Barbarians' deadly blast,
Britain, stand fast!

Stand fast, dear land!
Thou island mother of a world-wide race,
Whose children speak thy tongue and love thy face,
Their hearts and hopes are with thee in the strife,
Their hands will break the sword that seeks thy life;
Fight on until the Teuton madness cease;
Fight bravely on, until the word of peace
Is spoken in the English tongue at last,
Britain, stand fast!

poem by Henry Van Dyke
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The Bards, To The Soldiers Of Caractacus

VALIANT sons of freedom's land,
Ardent, firm, devoted band,
Rise, at honor's thrilling call:
Warriors, arm! shall Britain fall?
Rush, battle-steed,
Bleed, soldiers! bleed,
For Britain's throne, for glory's meed!

Heroes! to the combat fly,
Proud to struggle, blest to die;
Go! should death your efforts crown,
Mount the pinions of renown;
Go! tell our sires,
Their daring fires,
Glow in our lofty souls, till life expires!

Tell them, ne'er shall Britain yield,
Whilst a hand the sword can wield!
Tell them, we the strife maintain,
Tell them, we defy the chain!
In heart the same,
In patriot-flame
We emulate their brightest fame!

Shades of sainted chiefs! be near,
Frown on Albion's lifted spear!
Point the falchion, guide the car,
Flaming through the ranks of war!
Rise on the field,
With sword and shield,
To British eyes in forms of light reveal'd!

Spark of freedom, blaze on high!
Wilt thou quiver? shalt thou die?
Never, never! holy fire!
Mount, irradiate! beam, aspire!

Our foes consume,
Our swords illume,
And chase the dark horizon's gloom!

Shall the Roman arms invade
Mona's dark and hallow'd shade?
By the dread, mysterious wand,
Waving in the Druid's hand;
By ev'ry rite,
Of Mona's night,
Arm, warriors! arm, in sacred cause unite!

Honor! while thy bands disdain,
Slav'ry's dark, debasing chain;
Britain! while thy sons are free,
Dauntless, faithful, firm, for thee;
Mona! while at thy command,
Ardent, bold, sublime, they stand;
Proud foes in vain,
Prepare the chain,
For Albion unsubdu'd shall reign!

Lo! we see a flame divine
Blaze o'er Mona's awful shrine;
Lo! we hear a voice proclaim,
'Albion, thine, immortal fame!'
Arise, ye brave,
To bleed, to save,
Tho' proud in pomp, yon Roman eagles wave!

Cæsar, come! in ten-fold mail,
Will thine arms like ours avail?
Cæsar! let thy falchions blaze,
Will they dim fair Freedom's rays?
Cæsar! boast thy wide control,
Canst thou chain th' aspiring soul?
What steel can bind,
The soaring mind,
Free as the light, the wave, the wind?

poem by Felicia Dorothea Hemans
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On Seeing An Officer's Widow Distracted

O wretch! hath Madness cur'd thy dire Despair?
Yes--All thy Sorrows now are light as Air:
No more you mourn your once lov'd Husband's Fate,
Who bravely perish'd for a thankless State.
For rolling Years thy Piety prevail'd;
At length, quite sunk--thy Hope, thy Patience fail'd:
Distracted now you tread on Life's last Stage,
Nor feel the Weight of Poverty and Age:
How blest in this, compar'd with those, whose Lot
Dooms them to Miseries, by you forgot!

Now, wild as Winds, you from your Off--spring fly,
Or fright them from you with distracted Eye;
Rove thro' the Streets; or sing, devoid of Care,
With ratter'd Garments, and dishevell'd Hair;
By hooting Boys to higher Phrenzy fir'd,
At length you fink, by cruel Treatment tir'd,
Sink into Sleep, an Emblem of the Dead,
A Stone thy Pillow, the cold Earth thy Bed.

O tell it not; let none the Story hear,
Lest Britain's Martial Sons should learn to fear:
And when they next the hostile Wall attack,
Feel the Heart fail, the lifted Arm grow slack;
And pausing cry--Tho' Death we scorn to dread,
Our Orphan Off--spring, must they pine for Bread?
See their lov'd Mothers into Prisons thrown;
And, unreliev'd, in iron Bondage groan?

BRITAIN, for this impending Ruin dread;
Their Woes call loud for Vengeance on thy Head:
Nor wonder, if Disasters wait your Fleets;
Nor wonder at Complainings in your Streets:
Be timely wise; arrest th' uplifted Hand,
Ere Pestilence or Famine sweep the Land.

poem by Mary Barber
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The Combat. By Etty

THEY fled,--for there was for the brave
Left only a dishonour'd grave.
The day was lost; and his red hand
Was now upon a broken brand,
The foes were in his native town,
The gates were forced, the walls were down,
The burning city lit the sky,--
What had he then to do but fly;
Fly to the mountain-rock, where yet
Revenge might strike, or peace forget!

They fled,--for she was by his side,
Life's last and loveliest link, his bride,--
Friends, fame, hope, freedom, all were gone,
Or linger'd only with that one.
They hasten'd by the lonely way
That through the winding forest lay,
Hearth, home, tower, temple, blazed behind,
And shout and shriek came on the wind;
And twice the warrior turn'd again
And cursed the arm that now in vain,
Wounded and faint, essay'd to grasp
The sword that trembled in its clasp.

At last they reach'd a secret shade
Which seem'd as for their safety made;
And there they paused, for the warm tide
Burst in red gushes from his side,
And hung the drops on brow and cheek,
And his gasp'd breath came thick and weak.
She took her long dark hair, and bound
The cool moss on each gaping wound,
And in her closed-up hands she brought
The water which his hot lip sought,--
And anxious gazed upon his eye,
As asking, shall we live or die?
Almost as if she thought his breath
Had power o'er his own life and death.

But, hark!--'tis not the wind deceives,
There is a step among the leaves:
Her blood runs cold, her heart beats high,
It is their fiercest enemy;
He of the charm'd and deadly steel,
Whose stroke was never known to heal,--
He of the sword sworn not to spare,--
She flung her down in her despair!

The dying chief sprang to his knee,
And the staunch'd wounds well'd fearfully;
But his gash'd arm, what is it now?
Livid his lip, and black his brow,
While over him the slayer stood,
As if he almost scorn'd the blood
That cost so little to be won,--
He strikes,--the work of death is done!

poem by Letitia Elizabeth Landon
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The Winds

I.

Ye winds, ye unseen currents of the air,
Softly ye played a few brief hours ago;
Ye bore the murmuring bee; ye tossed the hair
O'er maiden cheeks, that took a fresher glow;
Ye rolled the round white cloud through depths of blue;
Ye shook from shaded flowers the lingering dew;
Before you the catalpa's blossoms flew,
Light blossoms, dropping on the grass like snow.

II.

How are ye changed! Ye take the cataract's sound;
Ye take the whirlpool's fury and its might;
The mountain shudders as ye sweep the ground;
The valley woods lie prone beneath your flight.
The clouds before you shoot like eagles past;
The homes of men are rocking in your blast;
Ye lift the roofs like autumn leaves, and cast,
Skyward, the whirling fragments out of sight.

III.

The weary fowls of heaven make wing in vain,
To escape your wrath; ye seize and dash them dead.
Against the earth ye drive the roaring rain;
The harvest-field becomes a river's bed;
And torrents tumble from the hills around,
Plains turn to lakes, and villages are drowned,
And wailing voices, midst the tempest's sound,
Rise, as the rushing waters swell and spread.

IV.

Ye dart upon the deep, and straight is heard
A wilder roar, and men grow pale, and pray;
Ye fling its floods around you, as a bird
Flings o'er his shivering plumes the fountain's spray.
See! to the breaking mast the sailor clings;
Ye scoop the ocean to its briny springs,
And take the mountain billow on your wings,
And pile the wreck of navies round the bay.

V.

Why rage ye thus?--no strife for liberty
Has made you mad; no tyrant, strong through fear,
Has chained your pinions till ye wrenched them free,
And rushed into the unmeasured atmosphere;
For ye were born in freedom where ye blow;
Free o'er the mighty deep to come and go;
Earth's solemn woods were yours, her wastes of snow,
Her isles where summer blossoms all the year.

VI.

O ye wild winds! a mightier Power than yours
In chains upon the shore of Europe lies;
The sceptred throng, whose fetters he endures,
Watch his mute throes with terror in their eyes:
And armed warriors all around him stand,
And, as he struggles, tighten every band,
And lift the heavy spear, with threatening hand,
To pierce the victim, should he strive to rise.

VII.

Yet oh, when that wronged Spirit of our race
Shall break, as soon he must, his long-worn chains,
And leap in freedom from his prison-place,
Lord of his ancient hills and fruitful plains,
Let him not rise, like these mad winds of air,
To waste the loveliness that time could spare,
To fill the earth with wo, and blot her fair
Unconscious breast with blood from human veins.

VIII.

But may he like the spring-time come abroad,
Who crumbles winter's gyves with gentle might,
When in the genial breeze, the breath of God,
Come spouting up the unsealed springs to light;
Flowers start from their dark prisons at his feet,
The woods, long dumb, awake to hymnings sweet,
And morn and eve, whose glimmerings almost meet,
Crowd back to narrow bounds the ancient night.

poem by William Cullen Bryant
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On The Star Of 'The Legion Of Honour' (From The French)

Star of the brave!--whose beam hath shed
Such glory o'er the quick and dead ­
Thou radiant and adored deceit!
Which millions rush'd in arms to greet,
Wild meteor of immortal birth;
Why rise in Heaven to set on Earth?

Souls of slain heroes form'd thy rays;
Eternity flash'd through thy blaze;
The music of thy martial sphere
Was fame on high and honour here;
And thy light broke on human eyes,
Like a volcano of the skies.

Like lava roll'd thy stream of blood,
And swept down empires with its flood;
Earth rock'd beneath thee to her base,
As thou didst lighten through all space;
And the shorn Sun grew dim in air,
And set while thou wert dwelling there.

Before thee rose, and with thee grew,
A rainbow of the loveliest hue
Of three bright colours, each divine,
And fit for that celestial sign;
For Freedom's hand had blended them,
Like tints in an immortal gem.

One tint was of the sunbeam's dyes;
One, the blue depth of Seraph's eyes;
One the pure Spirit's veil of white
Had robed in radiance of its light:
The three so mingled did beseem
The texture of a heavenly dream.

Star of the brave! thy ray is pale,
And darkness must again prevail!
But, oh thou Rainbow of the free!
Our tears and blood must flow for thee.
When thy bright promise fades away,
Our life is but a load of clay.

And Freedom hallows with her tread
The silent cities of the dead;
For beautiful in death are they
Who proudly fall in her array;
And soon, oh Goddess! may we be
For evermore with them or thee!

poem by Byron
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Choriambics

Love, what ailed thee to leave life that was made lovely, we thought, with love?
What sweet visions of sleep lured thee away, down from the light above?

What strange faces of dreams, voices that called, hands that were raised to wave,
Lured or led thee, alas, out of the sun, down to the sunless grave?

Ah, thy luminous eyes! once was their light fed with the fire of day;
Now their shadowy lids cover them close, hush them and hide away.

Ah, thy snow-coloured hands! once were they chains, mighty to bind me fast;
Now no blood in them burns, mindless of love, senseless of passion past.

Ah, thy beautiful hair! so was it once braided for me, for me;
Now for death is it crowned, only for death, lover and lord of thee.

Sweet, the kisses of death set on thy lips, colder are they than mine;
Colder surely than past kisses that love poured for thy lips as wine.

Lov'st thou death? is his face fairer than love's, brighter to look upon?
Seest thou light in his eyes, light by which love's pales and is overshone?

Lo the roses of death, grey as the dust, chiller of leaf than snow!
Why let fall from thy hand love's that were thine, roses that loved thee so?

Large red lilies of love, sceptral and tall, lovely for eyes to see;
Thornless blossom of love, full of the sun, fruits that were reared for thee.

Now death's poppies alone circle thy hair, girdle thy breasts as white;
Bloodless blossoms of death, leaves that have sprung never against the light.

Nay then, sleep if thou wilt; love is content; what should he do to weep?
Sweet was love to thee once; now in thine eyes sweeter than love is sleep.

poem by Algernon Charles Swinburne
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The Death Of Carthullin

ARGUMENT.

Cuthullin, after the arms of Fingal had expelled Swaran from Ireland, continued to manage the affairs of that kingdom as the guardian of Cormac the young king. In the third year of Cuthullin's administration, Torlath, the son of Cantela, rebelled in Connaught: and advanced to Temora to dethrone Cormac. Cuthullin marched against him, came up with him at the lake of Lego, and totally defeated his forces. Torlath fell in battle by Cuthullin's hand; but as he too eagerly pressed on the enemy, he was mortally wounded. The affairs of Cormac, though for some time supported by Nathos, as mentioned in the preceding poem, fell into confusion at the death of Cuthullin. Cormac himself was slain by the rebel Cairbar; and the re-establishment of the royal family of Ireland, by Fingal, furnishes the subject of the epic poem of Temora.

Is the wind on the shield of Fingal? Or is the voice of past times in my hall? Sing on, sweet voice! for thou art pleasant. Thou carriest away my night with joy. Sing on, O Bragéla, daughter of car-borne Sorglan!

"It is the white wave of the rock, and not Cuthullin's sails. Often do the mists deceive me for the ship of my love! when they rise round some ghost, and spread their gray skirts on the wind. Why dost thou delay thy coming, son of the generous Semo? Four times has autumn returned with its winds, and raised the seas of Togorma, since thou hast been in the roar of battles, and Bragéla distant far! Hills of the isle of mist! when will ye answer to his hounds? But ye are dark in your clouds. Sad Bragéla calls in vain! Night comes rolling down. The face of ocean falls. The heath-cock's head is beneath his wing. The hind sleeps with the hart of the desert. They shall rise with morning's light, and feed by the mossy stream. But my tears return with the sun. My sighs come on with the night. When wilt thou come in thine arms, O chief of Erin's wars?"

Pleasant is thy voice in Ossian's ear, daughter of car-borne Sorglan! But retire to the hall of shells, to the beam of the burning oak. Attend to the murmur of the sea: it rolls at Dunscäi's walls: let sleep descend on thy blue eyes. Let the hero arise in thy dreams!

Cuthullin sits at Lego's lake, at the dark rolling of waters. Night is around the hero. His thousands spread on the heath. A hundred oaks burn in the midst. The feast of shells is smoking wide. Carril strikes the harp beneath a tree. His gray locks glitter in the beam. The rustling blast of night is near, and lifts his aged hair. His song is of the blue Togorma, and of its chief, Cuthullin's friend! "Why art thou absent, Connal, in the days of the gloomy storm? The chiefs of the south have convened against the car-borne Cormac. The winds detain thy sails. Thy blue waters roll around thee. But Cormac is not alone. The son of Semo fights his wars! Semo's son his battles fights! the terror of the stranger! He that is like the vapor of death, slowly borne by sultry winds. The sun reddens in its presence; the people fall around."

Such was the song of Carril, when a son of the foe appeared. He threw down his pointless spear. He spoke the words of Torlath; Torlath chief of heroes, from Lego's sable surge! He that led his thousands to battle, against car-borne Cormac. Cormac, who was distant far, in Temora's echoing halls: he learned to bend the bow of his fathers; and to lift the spear. Nor long didst thou lift the spear, mildly-shining beam of youth! death stands dim behind thee, like the darkened half of the moon behind its growing light. Cuthullin rose before the bard, that came from generous Torlath. He offered him the shell of joy. He honored the son of songs. "Sweet voice of Lego!" he said, "what are the words of Torlath? Comes he to our feast or battle, the car-borne son of Cantela?"

"He comes to thy battle," replied the bard, "to the sounding strife of spears. When morning is gray on Lego, Torlath will fight on the plain. Wilt thou meet him, in thine arms, king of the isle of mist? Terrible is the spear of Torlath! it is a meteor of night. He lifts it, and the people fall! death sits in the lightning of his sword!" — "Do I fear," replied Cuthullin, "the spear of car-borne Torlath? He is brave as a thousand heroes: but my soul delights in war! The sword rests not by the side of Cuthullin, bard of the times of old! Morning shall meet me on the plain, and gleam on the blue arms of Semo's son. But sit thou on the heath, O bard, and let us hear thy voice. Partake of the joyful shell: and hear the songs of Temora!"

"This is no time," replied the bard, "to hear the song of joy: when the mighty are to meet in battle, like the strength of the waves of Lego. Why art thou so dark, Slimora! with all thy silent woods? No star trembles on thy top. No moonbeam on thy side. But the meteors of death are there: the gray watery forms of ghosts. Why art thou dark, Slimora! why thy silent woods?" He retired, in the sound of his song. Carril joined his voice. The music was like the memory of joys that are past, pleasant and mournful to the soul. The ghosts of departed bards heard on Slimora's side. Soft sounds spread along the wood. The silent valleys of night rejoice. So when he sits in the silence of the day, in the valley of his breeze, the humming of the mountain bee comes to Ossian's ear: the gale drowns it in its course: but the pleasant sound returns again! Slant looks the sun on the field! gradual grows the shade of the hill!

"Raise," said Cuthullin to his hundred bards, "the song of the noble Fingal: that song which he hears at night, when the dreams of his rest descend; when the bards strike the distant harp, and the faint light gleams on Selma's walls. Or let the grief of Lara rise: the sighs of the mother of Calmar, when he was sought, in vain, on his hills; when she beheld his bow in the hall. Carril, place the shield of Caithbat on that branch. Let the spear of Cuthullin be near; that the sound of my battle may rise, with the gray beam of the east."

The hero leaned on his father's shield: the song of Lara rose! The hundred bards were distant far: Carril alone is near the chief. The words of the song were his: the sound of his harp was mournful.

"Alcletha with the aged locks! mother of car-borne Calmar! why dost thou look towards the desert, to behold the return of thy son? These are not his heroes, dark on the heath: nor is that the voice of Calmar. It is but the distant grove, Alcletha! but the roar of the mountain-wind — [Alcletha speaks] 'Who bounds over Lara's stream, sister of the noble Calmar? Does not Alcletha behold his spear? But her eyes are dim! Is it not the son of Matha, daughter of my love?'

"'It is but an aged oak, Alcletha!' replied the lovely weeping Alona. 'It is but an oak, Alcletha, bent over Lara's stream. But who comes along the plain? sorrow is in his speed. He lifts high the spear of Calmar. Alcletha, it is covered with blood!' —

"[Alcletha speaks] 'But it is covered with the blood of foes, sister of car-borne Calmar! His spear never returned unstained with blood: nor his bow from the strife of the mighty. The battle is consumed in his presence: he is a flame of death, Alona! — Youth of the mournful speed! where is the son of Alcletha! Does he return with his fame, in the midst of his echoing shields? Thou art dark and silent! Calmar is then no more! Tell me not, warrior, how he fell. I must not hear of his wound!' Why dost thou look towards the desert, mother of low-laid Calmar?"

Such was the song of Carril, when Cuthullin lay on his shield. The bards rested on their harps. Sleep fell softly around. The son of Semo was awake alone. His soul fixed on war. The burning oaks began to decay. Faint red light is spread around. A feeble voice is heard! The ghost of Calmar came! He stalked dimly along the beam. Dark is the wound in his side. His hair is disordered and loose. Joy sits pale on his face. He seems to invite Cuthullin to his cave.

"Son of the cloudy night!" said the rising chief of Erin; "why dost thou bend thy dark eyes on me, ghost of the noble Calmar? wouldst thou frighten me, O Matha's son! from the battles of Cormac? Thy hand was not feeble in war: neither was thy voice for peace. How art thou changed, chief of Lara! if thou now dost advise to fly! But, Calmar, I never fled. I never feared the ghosts of night. Small is their knowledge, weak their hands; their dwelling is in the wind. But my soul grows in danger, and rejoices in the noise of steel. Retire thou to thy cave. Thou art not Calmar's ghost. He delighted in battle. His arm was like the thunder of heaven! He retired in his blast with joy, for he had heard the voice of his praise."

The faint beam of the morning rose. The sound of Caithbat's buckler spread. Green Erin's warriors convened, like the roar of many streams. The horn of war is heard over Lego. The mighty Torlath came! "Why dost thou come with thy thousands, Cuthullin," said the chief of Lego." I know the strength of thy arm. Thy soul is an unextinguished fire. Why fight we not on the plain, and let our hosts behold our deeds? Let them behold us like roaring waves, that tumble round a rock; the mariners hasten away, and look on their strife with fear."

"Thou risest like the sun, on my soul, replied the son of Semo. Thine arm is mighty, O Torlath! and worthy of my wrath. Retire, ye men of Ullin, to Slimora's shady side. Behold the chief of Erin, in the day of his fame. Carril, tell to mighty Connal, if Cuthullin must fall, tell him I accused the winds, which roar on Togorma's waves. Never was he absent in battle, when the strife of my fame arose. Let his sword be before Cormac, like the beam of heaven. Let his counsel sound in Temora, in the day of danger!"

He rushed, in the sound of his arms, like the terrible spirit of Loda, when he comes, in the roar of a thousand storms, and scatters battles from his eyes. He sits on a cloud over Lochlin's seas. His mighty hand is on his sword. Winds lift his flaming locks! The waning moon half lights his dreadful face. His features blended in darkness arise to view. So terrible was Cuthullin in the day of his fame. Torlath fell by his hand. Lego's heroes mourned. They gather around the chief, like the clouds of the desert. A thousand swords rose at once; a thousand arrows flew; but he stood like a rock in the midst of a roaring sea. They fell around. He strode in blood. Dark Slimora echoed wide. The sons of Ullin came on. The battle spread over Lego. The chief of Erin overcame. He returned over the field with his fame. But pale he returned! The joy of his face was dark. He rolled his eyes in silence. The sword hung, unsheathed, in his hand. His spear bent at every step!

"Carril," said the chief in secret, "the strength of Cuthullin fails. My days are with the years that are past. No morning of mine shall arise. They shall seek me at Temora, but I shall not be found. Cormac will weep in his hall, and say, Where is Erin's chief? But my name is renowned! my fame in the song of bards. The youth will say, in secret, O let me die as Cuthullin died! Renown clothed him like a robe. The light of his fame is great. — Draw the arrow from my side. Lay Cuthullin beneath that oak. Place the shield of Caithbat near, that they may behold me amidst the arms of my fathers!"

"And is the son of Semo fallen?" said Carril with a sigh." Mournful are Tura's walls. Sorrow dwells at Dunscäi. Thy spouse is left alone in her youth. The son of thy love is alone! He shall come to Bragéla and ask her why she weeps! He shalt lift his eyes to the wall, and see his father's sword. Whose sword is that? he will say. The soul of his mother is sad. Who is that, like the hart of the desert, in the murmur of his course? His eyes look wildly round in search of his friend. Connal, son of Colgar, where hast thou been, when the mighty fell? Did the seas of Togorma roll around thee? Was the wind of the south in thy sails? The mighty have fallen in battle, and thou wast not there. Let none tell it in Selma, nor in Morven's woody land. Fingal will be sad, and the sons of the desert mourn!"

By the dark-rolling waves of Lego they raised the hero's tomb. Luath, at a distance, lies. The song of bards rose over the dead.

Blest be thy soul, son of Semo! Thou wert mighty in battle. Thy strength was like the strength of a stream; thy speed like the eagle's wing. Thy path in battle was terrible: the steps of death were behind thy sword. Blest be thy soul, son of Semo, car-borne chief of Dunscäi! Thou hast not fallen by the sword of the mighty, neither was thy blood on the spear of the brave. The arrow came, like the sting of death in a blast: nor did the feeble hand, which drew the bow, perceive it. Peace to thy soul, in thy cave, chief of the isle of mist!

"The mighty are dispersed at Temora; there is none in Cormac's hall. The king mourns in his youth. He does not behold thy return. The sound of thy shield is ceased: his foes are gathering round. Soft be thy rest in thy cave, chief of Erin's wars! Bragéla will not hope for thy return, or see thy sails in ocean's foam. Her steps are not on the shore: nor her ear open to the voice of thy rowers. She sits in the hall of shells. She sees the arms of him that is no more. Thine eyes are full of tears, daughter of car-borne Sorglan! Blest be thy soul in death, O chief of shady Tura!"

poem by James Macpherson
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The Songs of Selma

ARGUMENTAddress to the evening star:

An apostrophe to Fingal and his times. Minonasings before the king the song of the unfortunate Colma; and the bards exhibit other specimens of their poetical talents; according to an annual custom established by the monarchs of the ancient Caledonians.

STAR of descending night! fair is thy light in the west! thou that liftest thy unshorn head from thy cloud: thy steps are stately on thy hill. What dost thou behold in the plain? The stormy winds are laid. The murmur of the torrent comes from afar. Roaring waves climb the distant rock. The flies of evening are on their feeble wings: the hum of their course is in the field. What dost thou behold, fair light? But thou dost smile and depart. The waves come with joy around thee: they bathe thy lovely hair. Farewell, thou silent beam! Let the light of Ossian's soul arise!

And it does arise in its strength! I behold my departed friends. Their gathering is on Lora, as in the days of other years. Fingal comes like a watery column of mist! his heroes are around: and see the bards of song, gray-haired Ullin! Stately Ryno! Alpin with the tuneful voice! the soft complaint of Minona! How are ye changed, my friends, since the days of Selma's feast! when we contended, like gales of spring, as they fly along the hill, and bend by turns the feebly whistling grass.

Minona came forth in her beauty: with downcast look and tearful eye. Her hair flew slowly on the blast, that rushed unfrequent from the hill. The souls of the heroes were sad when she raised the tuneful voice. Often had they seen the grave of Salgar, the dark dwelling of white-bosomed Colma. Colma left alone on the hill, with all her voice of song! Salgar promised to come: but the night descended around. Hear the voice of Colma, when she sat alone on the hill.

Colma. It is night, I am alone, forlorn on the hill of storms. The wind is heard on the mountain. The torrent pours down the rock. No hut receives me from the rain; forlorn on the hill of winds!

Rise, moon! from behind thy clouds. Stars of the night, arise! Lead me, some light, to the place where my love rests from the chase alone! his bow near him, unstrung: his dogs panting around him. But here I must sit alone, by the rock of the mossy stream. The stream and the wind roar aloud. I hear not the voice of my love! Why delays my Salgar, why the chief of the hill, his promise? here is the rock, and here the tree! here is the roaring stream! Thou didst promise with night to be here. Ah! whither is my Salgar gone? With thee, I would fly from my father; with thee, from my brother of pride. Our race have long been foes; we are not foes, O Salgar!

Cease a little while, O wind! stream, be thou silent awhile! let my voice be heard around. Let my wanderer hear me! Salgar! it is Colma who calls. Here is the tree, and the rock. Salgar, my love! I am here. Why delayest thou thy coming? Lo! the calm moon comes forth. The flood is bright in the vale. The rocks are gray on the steep, I see him not on the brow. His dogs come not before him, with tidings of his near approach. Here I must sit alone!

Who lie on the heath beside me? Are they my love and my brother? Speak to me, O my friends! To Colma they give no reply. Speak to me; I am alone! My soul is tormented with fears! Ah! they are dead! Their swords are red from the fight. O my brother! my brother! why hast thou slain my Salgar? why, O Salgar! hast thou slain my brother? Dear were ye both to me! what shalt I say in your praise? Thou wert fair on the hill among thousands! he was terrible in fight. Speak to me; hear my voice; hear me, song of my love! They are silent; silent for ever! Cold, cold, are their breasts of clay! Oh! from the rock on the hill, from the top of the windy steep, speak, ye ghosts of the dead! speak, I will not be afraid! Whither are ye gone to rest? In what cave of the hill shall I find the departed? No feeble voice is on the gale: no answer half-drowned in the storm!

I sit in my grief; I wait for morning in my tears! Rear the tomb, ye friends of the dead. Close it not till Colma come. My life flies away like a dream: why should I stay behind? Here shall I rest with my friends, by the stream of the sounding rock. When night comes on the hilt; when the loud winds arise; my ghost shall stand in the blast, and mourn the death of my friends. The hunter shall hear from his booth. he shall fear but love my voice! For sweet shall my voice be for my friends: pleasant were her friends to Colma!

Such was thy song, Minona, softly-blushing daughter of Torman. Our tears descended for Colma, and our souls were sad! Ullin came with his harp! he gave the song of Alpin. The voice of Alpin was pleasant: the soul of Ryno was a beam of fire! But they had rested in the narrow house: their voice had ceased in Selma. Ullin had returned, one day, from the chase, before the heroes fell. He heard their strife on the hilt; their song was soft but sad! They mourned the fall of Morar, first of mortal men! His soul was like the soul of Fingal: his sword like the sword of Oscar. But he fell, and his father mourned: his sister's eyes were full of tears. Minona's eyes were full of tears, the sister of car-borne Morar. She retired from the song of Ullin, like the moon in the west, when she foresees the shower, and hides her fair head in a cloud. I touched the harp with Ullin; the song of mourning rose!

Ryno. The wind and the rain are past; calm is the noon of day. The clouds are divided in heaven. Over the green hills flies the inconstant sun. Red through the stony vale comes down the stream of the hill. Sweet are thy murmurs, O stream! but more sweet is the voice I hear. It is the voice of Alpin, the son of song, mourning for the dead! Bent is his head of age; red his tearful eye. Alpin, thou son of song, why alone on the silent hill? why complainest thou, as a blast in the wood; as a wave on the lonely shore?

Alpin. My tears, O Ryno! are for the dead; my voice for those that have passed away. Tall thou art on the hill; fair among the sons of the vale. But thou shalt fall like Morar; the mourner shall sit on thy tomb. The hills shall know thee no more; thy bow shall in thy hall unstrung.

Thou wert swift, O Morar! as a roe on the desert; terrible as a meteor of fire. Thy wrath was as the storm. Thy sword in battle, as lightning in the field. Thy voice was a stream after rain; like thunder on distant hills. Many fell by thy arm; they were consumed in the flames of thy wrath. But when thou didst return from war, how peaceful was thy brow! Thy face was like the sun after rain; like the moon in the silence of night; calm as the breast of the lake when the loud wind is laid.

Narrow is thy dwelling now! Dark the place of thine abode! With three steps I compass thy grave. O thou who wast so great before! Four stones, with their heads of moss, are the only memorial of thee. A tree with scarce a leaf, long grass, which whistles in the wind, mark to the hunter's eye the grave of the mighty Morar. Morar! thou art low indeed. Thou hast no mother to mourn thee; no maid with her tears of love. Dead is she that brought thee forth. Fallen is the daughter of Morglan.

Who on his staff is this? who is this whose head is white with age; whose eyes are red with tears? who quakes at every step? It is thy father, O Morar! the father of no son but thee. He heard of thy fame in war; he heard of foes dispersed. He heard of Morar's renown; why did he not hear of his wound? Weep, thou father of Morar! weep; but thy son heareth thee not. Deep is the sleep of the dead; low their pillow of dust. No more shall he hear thy voice; no more awake at thy call. When shall it be morn in the grave, to bid the slumberer awake Farewell, thou bravest of men! thou conqueror in the field! but the field shall see thee no more; nor the dark wood be lightened with the splendor of thy steel. Thou hast left no son. The song shall preserve thy name. Future times shall hear of thee; they shall hear of the fallen Morar.

The grief of all arose, but most the bursting sigh of Armin. He remembers the death of his son, who fell in the days of his youth. Carmor was near the hero, the chief of the echoing Galmal. Why burst the sigh of Armin? he said. Is there a cause to mourn? The song comes, with its music, to melt and please the soul. It is like soft mist, that, rising from a lake, pours on the silent vale; the green flowers are filled with dew, but the sun returns in his strength, and the mist is gone. Why art thou sad, O Armin, chief of sea-surrounded Gorma?

Sad I am! nor small is my cause of wo. Carmor, thou hast lost no son; thou hast lost no daughter of beauty. Colgar the valiant lives; and Annira, fairest maid. The boughs of thy house ascend, O Carmor! but Armin is the last of his race. Dark is thy bed, O Daura! deep thy sleep in the tomb! When shalt thou awake with thy songs? with all thy voice of music?

Arise, winds of autumn, arise; blow along the heath! streams of the mountains, roar! roar, tempests, in the groves of my oaks! walk through broken clouds, O moon! show thy pale face, at intervals! bring to my mind the night, when all my children fell; when Arindal the mighty fell! when Daura the lovely failed! Daura, my daughter! thou wert fair; fair as the moon on Fura , white as the driven snow; sweet as the breathing gale. Arindal, thy bow was strong. Thy spear was swift on the field. Thy look was like mist on the wave: thy shield, a red cloud in a storm. Armar, renowned in war, came, and sought Daura's love. He was not long refused: fair was the hope of their friends!

Erath, son of Odgal, repined: his brother had been slain by Armar. He came disguised like a son of the sea: fair was his skiff on the wave; white his locks of age; calm his serious brow. Fairest of women, he said, lovely daughter of Armin! a rock not distant in the sea bears a tree on its side: red shines the fruit afar! There Armar waits for Daura. I come to carry his love! She went; she called on Armar. Nought answered, but the son of the rock. Armar, my love! my love! why tormentest thou me with fear! hear, son of Arnart, hear: it is Daura who calleth thee! Erath the traitor fled laughing to the land. She lifted up her voice; she called for her brother and for her father. Arindal! Armin! none to relieve your Daura!

Her voice came over the sea. Arindal my son descended from the hill; rough in the spoils of the chase. His arrows rattled by his side; his bow was in his hand; five dark-gray dogs attended his steps. He saw fierce Erath on the shore: he seized and bound him to an oak. Thick wind the thongs of the hide around his limbs: he loads the winds with his groans . Arindal ascends the deep in his boat, to bring Daura to land. Armar came in his wrath, and let fly the gray-feathered shaft. It sunk, it sunk in thy heart, O Arindal, my son! for Erath the traitor thou diest. The oar is stopped at once; he panted on the rock and expired. What is thy grief, O Daura, when round thy feet is poured thy brother's blood! The boat is broke in twain. Armar plunges into the sea, to rescue his Daura, or die. Sudden a blast from a hill came over the waves. He sunk, and he rose no more.

Alone on the sea-beat rock, my daughter was heard to complain. Frequent and loud were her cries. What could her father do? All night I stood on the shore. I saw her by the faint beam of the moon. All night I heard her cries. Loud was the wind; the rain beat hard on the hill. Before morning appeared her voice was weak. it died away, like the evening breeze among the grass of the rocks. Spent with grief, she expired; and left thee, Armin, alone. Gone is my strength in war! fallen my pride among women! When the storms aloft arise; when the north lifts the wave on high! I sit by the sounding shore, and look on the fatal rock. Often by the setting moon, I see the ghosts of my children. Half viewless, they walk in mournful conference together. Will none of you speak in pity. They do not regard their father. I am sad, O Carmor, nor small is my cause of wo.

Such were the words of the bards in the days of song: when the king heard the music of harps, the tales of other times! The chiefs gathered from all their hills, and heard the lovely sound. They praised the voice of Cona; the first among a thousand bards! But age is now on my tongue; my soul has failed: I hear, at times, the ghosts of bards, and learn their pleasant Song. But memory fails on my mind. I hear the call of years; they say, as they pass along, Why does Ossian sing? Soon shall he lie in the narrow house, and no bard shall raise his fame! Roll on, ye dark-brown years; ye bring no joy on your course! Let the tomb open to Ossian, for his strength has failed. The sons of song are gone to rest. My voice remains, like a blast, that roars, lonely, on a sea-surrounded rock, after the winds are laid. The dark moss whistles there; the distant mariner sees the waving trees!

By "the son of the rock," the poet means the echoing back of the human voice from a rock.

Ossian is sometimes poetically called "the voice of Cona".

*

poem by James Macpherson
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A Brother Of The Battuti

Shed, sinful flesh, these tears of blood,
For all thy vileness all too few;
Wash out, O holy healing flood,
The sins that always in God's view
Stand as a mountain day and night,
A mountain growing up from hell;
Smite, deluge of my torments, smite
Upon the burrowing base, and swell
Up, upward to the very brow.
Shall God no mercy have for me
When thou art shaken, even thou,
Hurled down and cast into the sea?
No mercy? Yea, doth God require
These cruel pangs, and all in vain
To save me from the flaming fire?
Shall all my blood pour forth like rain,
Nor fructify the barren sod,
Nor cleanse my scarlet sins like wool,
Nor turn the burning wrath of God?
Lo, all these years my hours are full
Of sorer suffering than of old
His martyrs bore, that triumphed still,
Gained grace, and heard the harps of gold,
And saw the city on the hill.
I have not tasted flesh, nor fed
On dainty fare, nor known the touch
Of joyous wine, nor bitten bread,
Save mouldy, and of that not much,
Sour crusts, with water old and stale,
And herbs and roots; no rest I take
Save when these vile limbs faint and fail,
But roaming all the night awake
I think on my exceeding sin.
God knows I take no rest at all,
Who haply, resting not, shall win
The final goal before I fall.
Yea, and not these alone; yea, these
Might all men do for heaven; but I,
In suns that scorch, in moons that freeze,
About my shuddering shoulders ply
This biting scourge of knotted cord,
And shout to feel the blood run down.
Wilt thou not think on this, dear Lord?
Yea, when the jewels of thy crown
Thou countest up remembering,
Wilt thou not, Lord, remember this,-
That is not, Lord, a little thing,-
And let me see thy heaven of bliss?
O Lord, my Love, my Life, my Love,
I swoon in ecstasy divine;
Take, take my blood and drink thereof,
A drink-offering of costly wine
Poured out into a sacred cup;
Take, take my blood poured freely out
And drain the winepress' fruitage up.
O Lord, I parch with burning drought,
I, whom the streams may not refresh;
Give me, my Lord, my Love, give me
Thy spirit, as I give my flesh
A living sacrifice to thee.

poem by Arthur Symons
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The Head Of Bran The Blest

I

When the Head of Bran
Was firm on British shoulders,
God made a man!
Cried all beholders.

Steel could not resist
The weight his arm would rattle;
He, with naked fist,
Has brain'd a knight in battle.

He marched on the foe,
And never counted numbers;
Foreign widows know
The hosts he sent to slumbers.

As a street you scan,
That's towered by the steeple,
So the Head of Bran
Rose o'er his people.

II

'Death's my neighbour,'
Quoth Bran the Blest;
'Christian labour
Brings Christian rest.
From the trunk sever
The Head of Bran,
That which never
Has bent to man!
'That which never
To men has bowed
Shall live ever
To shame the shroud:
Shall live ever
To face the foe;
Sever it, sever,
And with one blow.

'Be it written,
That all I wrought
Was for Britain,
In deed and thought:
Be it written,
That while I die,
Glory to Britain!
Is my last cry.

'Glory to Britain!
Death echoes me round.
Glory to Britain!
The world shall resound.
Glory to Britain!
In ruin and fall,
Glory to Britain!
Is heard over all.'

III

Burn, Sun, down the sea!
Bran lies low with thee.

Burst, Morn, from the main!
Bran so shall rise again.

Blow, Wind, from the field!
Bran's Head is the Briton's shield.

Beam, Star, in the West!
Bright burns the Head of Bran the Blest.

IV

Crimson-footed, like the stork,
From great ruts of slaughter,
Warriors of the Golden Torque
Cross the lifting water.
Princes seven, enchaining hands,
Bear the live head homeward.
Lo! it speaks, and still commands:
Gazing out far foamward.

Fiery words of lightning sense
Down the hollows thunder;
Forest hostels know not whence
Comes the speech, and wonder.
City-Castles, on the steep,
Where the faithful Seven
House at midnight, hear, in sleep,
Laughter under heaven.

Lilies, swimming on the mere,
In the castle shadow,
Under draw their heads, and Fear
Walks the misty meadow.
Tremble not! it is not Death
Pledging dark espousal:
'Tis the Head of endless breath,
Challenging carousal!

Brim the horn! a health is drunk,
Now, that shall keep going:
Life is but the pebble sunk;
Deeds, the circle growing!
Fill, and pledge the Head of Bran!
While his lead they follow,
Long shall heads in Britain plan
Speech Death cannot swallow!

poem by George Meredith
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The War Of Caros

Caros is probably the noted usurper Carausius, by birth a Menapran, who assumed the purple in the year 284; and, seizing on Britain, defeated the emperor Maximinian Herculius in several naval engagements, which gives propriety to his being called in this poem "the king of ships." He repaired Agricola's wall, in order to obstruct the incursions of the Caledonians, and when he was employed in that work, it appears he was attacked by a party under the command of Oscar the son of' Ossian. This battle is the foundation of the present poem, which is addressed to Malvina, the daughter of Toscar.

Bring, daughter of Toscar, bring the harp! the light of the song rises in Ossian's soul! It is like the field, when darkness covers the hills around, and the shadow grows slowly on the plain of the sun. I behold my son, O Malvina! near the mossy rock of Crona. But it is the mist of the desert, tinged with the beam of the west! Lovely is the mist that assumes the form of Oscar! turn from it, ye winds, when ye roar on the side of Ardven!

Who comes towards my son, with the murmur of a song? His staff is in his hand, his gray hair loose on the wind. Surly joy lightens his face. He often looks back to Caros. It is Ryno of songs, he that went to view the foe. "What does Caros, king of ships?" said the son of the now mournful Ossian: "spreads he the wings of his pride, bard of the times of old?" "He spreads them, Oscar," replied the bard," but it is behind his gathered heap. He looks over his stones with fear. He beholds thee terrible, as the ghost of night, that rolls the waves to his ships!"

"Go, thou first of my bards!" says Oscar, "take the spear of Fingal. Fix a flame on its point. Shake it to the winds of heaven. Bid him in songs, to advance, and leave the rolling of his wave. Tell to Caros that I long for battle; that my bow is weary of the chase of Cona. Tell him the mighty are not here; and that my arm is young."

He went with the murmur of songs. Oscar reared his voice on high. It reached his heroes on Ardven, like the noise of a cave, when the sea of Togorma rolls before it, and its trees meet the roaring winds. They gather round my son like the streams of the hill; when, after rain, they roll in the pride of their course. Ryno came to the mighty Caros. He struck his flaming spear. Come to the battle of Oscar. O thou that sittest on the rolling waves! Fingal is distant far; he hears the songs of bards in Morven: the wind of his hall is in his hair. His terrible spear is at his side; his shield that is like the darkened moon Come to the battle of Oscar; the hero is alone.

He came not over the streamy Carun. The bard returned with his song. Gray night grows dim on Crona. The feast of shells is spread. A hundred oaks burn to the wind; faint light gleams over the heath. The ghosts of Ardven pass through the beam, and show their dim and distant forms. Comala is half unseen on her meteor; Hidallan is sullen and dim, like the darkened moon behind the mist of night.

" Why art thou sad?" said Ryno; for he alone beheld the chief. "Why art thou sad, Hidallan! hast thou not received thy fame? The songs of Ossian have been heard , thy ghost has brightened in wind, when thou didst bend from thy cloud to hear the song of Morven's bard!"—-" And do thine eyes," said Oscar, " behold the chief, like the dim meteor of night? Say, Ryno, say, how fell Hidallan, the renowned in the days of my fathers! His name remains on the rocks of Cona. I have often seen the streams of his hills!"

Fingal, replied the bard, drove Hidallan from his wars. The king's soul was sad for Comala, and his eyes could not behold the chief. Lonely, sad, along the heath he slowly moved, with silent steps. His arms hung disordered on his side. His hair flies loose from his brow. The tear is in his downcast eyes; a sigh half silent in his breast! Three days he strayed unseen, alone, before he came to Lamor's halls: the mossy halls of his fathers, at the stream of Balva. There Lamor sat alone beneath a tree; for he had sent his people with Hidallan to war. The stream ran at his feet; his gray head rested on his staff. Sightless are his aged eyes. He hums the song of other times. The noise of Hidallan's feet came to his ear: he knew the tread of his son.

"Is the son of Lamor returned; or is it the sound of his ghost? Hast thou fallen on the banks of Carun, son of the aged Lamor? Or, if I hear the sound of Hidallan's feet, where are the mighty in the war? where are my people, Hidallan! that were wont to return with their echoing shields? Have they fallen on the banks of Carun?"

"No," replied the sighing youth, "the people of Lamor live. They are renowned in war, my father! but Hidallan is renowned no more. I must sit alone on the banks of Balva, when the roar of the battle grows."

" But thy fathers never sat alone," replied the rising pride of Lamor. "They never sat alone on the banks of Balva, when the roar of battle rose. Dost thou not behold that tomb? My eyes discern it not; there rests the noble Garmállon, who never fled from war! Come, thou renowned in battle, he says, come to thy father's tomb. How am I renowned, Garmállon? my son has fled from war!"

"King of the streamy Balva!" said Hidallan with a sigh, "why dost thou torment my soul? Lamor, I never fled. Fingal was sad for Comala; he denied his wars to Hidallan. Go to the gray streams of thy land, he said; moulder like a leafless oak, which the winds have bent over Balva, never more to grow."

"And must I hear," Lamor replied, "the lonely tread of Hidallan's feet? When thousands are renowned in battle, shall he bend over my gray streams? Spirit of the noble Garmállon! carry Lamor to his place; his eyes are dark, his soul is sad, his son has lost his fame."

"Where," said the youth, " shall I search for fames to gladden the soul of Lamor? From whence shall return with renown, that the sound of my arms may be pleasant in his ear? If I go to the chase of hinds, my name will not be heard. Lamor will not feel my dogs with his hands, glad at my arrival from the hill. He will not inquire of his mountains, or of the dark-brown deer of his deserts!"

"I must fall," said Lamor, "like a leafless oak: it grew on a rock! it was overturned by the winds! My ghost will be seen on my hills, mournful for my young Hidallan. Will not ye, ye mists, as ye rise, hide him from my sight! My son, go to Lamor's ball: there the arms of our fathers hang. Bring the sword of Garmállon: he took it from a foe!"

He went and brought the sword with all its studded thongs. He gave it to his father. The gray-haired hero felt the point with his hand.

"My son, lead me to Garmállon's tomb: it rises beside that rustling tree. The long grass is withered; I hear the breezes whistling there. A little fountain murmurs near, and sends its waters to Balva. There let me rest; it is noon: the sun is on our fields!"

He led him to Garmállon's tomb. Lamor pierced the side of his son. They sleep together: their ancient halls moulder away. Ghosts are seen there at noon: the valley is silent, and the people shun the place of Lamor.

"Mournful is thy tale," said Oscar, "son of the times of old! My soul sighs for Hidallan; he fell in the days of his youth. He flies on the blast of the desert: his wandering is in a foreign land. Sons of the echoing Morven! draw near to the foes of Fingal. Send the night away in songs; watch the strength of Caros. Oscar goes to the people of other times; to the shades of silent Ardven, where his fathers sit dim in their clouds, and behold the future war. And art thou there, Hidallan, like a half-extinguished meteor? Come to my sight, in thy sorrow, chief of the winding Balva!"

The heroes move with their songs. Oscar slowly ascends the hill. The meteors of night set on the heath before him. A distant torrent faintly roars. Unfrequent blasts rush through aged oaks. The half enlightened moon sinks dim and red behind her hill. Feeble Voices are heard on the heath. Oscar drew his sword! " Come," said the hero, " O ye ghosts of my fathers! ye that fought against the kings of the world! Tell the deeds of future times; and your converse in our caves, when you talk together, and behold your sons in the fields of the brave!"

Trenmo came from his hill at the voice of his mighty son. A cloud, like the steed of the stranger, supported his airy limbs. His robe is of the mist of Lano, that brings death to the people. His sword is a green meteor, half-extinguished. His face is without form, and dark. He sighed thrice over the hero; thrice the winds of night roared around! Many were his words to Oscar; but they only came by halves to our ears; they were dark as the tales of other times, before the light of the song arose. He slowly vanished, like a mist that melts on the sunny hill. it was then, O daughter of Toscar! my son began first to be sad. He foresaw the fall of his race. At times he was thoughtful and dark, like the sun when he carries a cloud on his face, but again he looks forth from his darkness on the green hills of Cona.

Oscar passed the night among his fathers: gray morning met him on Carun's banks. A green vale surrounded a tomb which arose in the times of old. Little hills lift their heads at a distance, and stretch their old trees to the wind. The warriors of Caros sat there, for they had passed the stream by night. They appeared like the trunks of aged pines, to the pale light of the morning. Oscar stood at the tomb, and raised thrice his terrible voice. The rocking hills echoed around; the starting roes bounded away: and the trembling ghosts of the dead fled, shrieking on their clouds. So terrible was the voice of my son, when he called his friends!

A thousand spears arose around; the people of Caros rose. Why, daughter of Toscar, why that tear? My son, though alone, is brave. Oscar is like a beam of the sky; he turns around, and the people fall. his hand is the arm of a ghost, when he stretches it from a cloud; the rest of his thin form is unseen; but the people die in the vale! My son beheld the approach of the foe; he stood in the silent darkness of his strength. " Am I alone," said Oscar, " in the midst of a thousand foes? Many a spear is there! many a darkly-rolling eye. Shall I fly to Ardven? But did my fathers ever fly? The mark of their arm is in a thousand battles. Oscar too shall be renowned. Come, ye dim ghosts of my fathers, and behold my deeds in war! I may fall; but I will be renowned like the race of the echoing Morven." He stood, growing in his place, like a flood in a narrow vale! The battle came, but they fell: bloody was the sword of Oscar!

The noise reached his people at Crona; they came like a hundred streams. The warriors of Caros fled; Oscar remained like a rock left by the ebbing sea. Now dark and deep, with all his steeds, Caros rolled his might along: the little streams are lost in his course: the earth is rocking round. Battle spreads from wing to wing; ten thousand swords gleam at once in the sky. But why should Ossian sing of battles? For never more shall my steel shine in war. I remember the days of my youth with grief, when I feel the weakness of my arm. Happy are they who fell in their youth, in the midst of their renown! They have not beheld the tombs of their friends, or failed to bend the bow of their strength. Happy art thou, O Oscar, in the midst of thy rushing blast! Thou often goest to the fields of thy fame, where Caros fled from thy lifted sword!

Darkness comes on my soul, O fair daughter of Toscar! I behold not the form of my son at Carun, nor the figure of Oscar on Crona. The rustling winds have carried him far away, and the heart of his father is sad. But lead me, O Malvina! to the sound of my woods, to the roar of my mountain streams. Let the chase be heard on Cona: let me think on the days of other years. And bring me the harp, O maid! that I may touch it when the light of my soul shall arise. Be thou near to learn the song; future times shall hear of me! The sons of the feeble hereafter will lift the voice of Cona; and looking up to the rocks, say, "Here Ossian dwelt." They shall admire the chiefs of old, the race that are no more, while we ride on our clouds, Malvina! on the wings of the roaring winds. Our voices shall be heard at times in the desert; we shall sing on the breeze of the rock!

poem by James Macpherson
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Itylus

Swallow, my sister, O sister swallow,
How can thine heart be full of the spring?
A thousand summers are over and dead.
What hast thou found in the spring to follow?
What hast thou found in thine heart to sing?
What wilt thou do when the summer is shed?

O swallow, sister, O fair swift swallow,
Why wilt thou fly after spring to the south,
The soft south whither thine heart is set?
Shall not the grief of the old time follow?
Shall not the song thereof cleave to thy mouth?
Hast thou forgotten ere I forget?

Sister, my sister, O fleet sweet swallow,
Thy way is long to the sun and the south;
But I, fulfilled of my heart's desire,
Shedding my song upon height, upon hollow,
From tawny body and sweet small mouth
Feed the heart of the night with fire.

I the nightingale all spring through,
O swallow, sister, O changing swallow,
All spring through till the spring be done,
Clothed with the light of the night on the dew,
Sing, while the hours and the wild birds follow,
Take flight and follow and find the sun.

Sister, my sister, O soft light swallow,
Though all things feast in the spring's guest-chamber,
How hast thou heart to be glad thereof yet?
For where thou fliest I shall not follow,
Till life forget and death remember,
Till thou remember and I forget.

Swallow, my sister, O singing swallow,
I know not how thou hast heart to sing.
Hast thou the heart? is it all past over?
Thy lord the summer is good to follow,
And fair the feet of thy lover the spring:
But what wilt thou say to the spring thy lover?

O swallow, sister, O fleeting swallow,
My heart in me is a molten ember
And over my head the waves have met.
But thou wouldst tarry or I would follow
Could I forget or thou remember,
Couldst thou remember and I forget.

O sweet stray sister, O shifting swallow,
The heart's division divideth us.
Thy heart is light as a leaf of a tree;
But mine goes forth among sea-gulfs hollow
To the place of the slaying of Itylus,
The feast of Daulis, the Thracian sea.

O swallow, sister, O rapid swallow,
I pray thee sing not a little space.
Are not the roofs and the lintels wet?
The woven web that was plain to follow,
The small slain body, the flower-like face,
Can I remember if thou forget?

O sister, sister, thy first-begotten!
The hands that cling and the feet that follow,
The voice of the child's blood crying yet
Who hath remembered me? who hath forgotten?
Thou hast forgotten, O summer swallow,
But the world shall end when I forget.

poem by Algernon Charles Swinburne
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The Man Who Saw

The master weavers at the enchanted loom
Of Legend, weaving long ago those tales
Through which there wanders the grey thread of truth,
Lost in the gorgeous arras of romance,
Tell how King Vortigern resolved to build
A Tower of Safety, 'mid the solitudes
That are the hem of the great druid robe
Of Snowdon, Mount of Eagles. So each day
The builders laboured, marrying stone to stone;
But ever in the night an adversary
Invisible as malevolent cancelled those
Cold nuptials, and with impish wanton rage
Shattered the walls. And thither, from beyond
That congress of grave mountains, met like seers
And bards august, though in a rivalry
Of silence rather than of song—from where
The vales are not so tranced with awe, nor yet
So far below the hill tops as to feel
Aching estrangement,—fortune one day brought
A youth whoso very brow was a command.
His name of Merlin had not clambered then
To fearsome greatness, like a dusty star;
Yet ev'n thus early his subduing eyes
Seemed to have known all things in life but tears;
And standing where wrecked hopes bestrewed the ground,
He said to them whose toil was shards and dust:
'Search underneath. your tower's foundations; there
Are the Unbuilders, busy while you build;
The Undoers are there.' And every man obeyed.
And digging deep, they found a hollow abysm,
Where waters gnawed the ribs of the Earth, and sapped
Her sinews, till her frame tottered infirm ;
'Where also monsters heaved their tumid bulk
In ancient ambush, and with tremors vast
Palsied those ramparts as they yearned to rise;'
Blind dragon shapes, of blindest, darkness born,
That save in darkness could not live an hour,
And, touched by Light, made their dull moan, and died.

Such is the tale, which one, who chronicled
Old shadowy wars in sanctuaries of peace,
Found amid crumbled pomps, the hushed domain
Of mildew, and the empire of the moth,
Nigh on eight hundred years ago. And now,
Out of that land where Snowdon night by night
Receives the confidences of lonesome stars,
And where Carnarvon's ruthless battlements
Magnificently oppress the daunted tide,
There comes—no fabled Merlin, son of mist,
And brother to the twilight, but a man
Who in a time terrifically real
Is real as the time; formed for the time;'
Not. much .beholden to the munificent Past,
In mind or spirit but frankly of this hour
No faggot of perfections, angel or saint,
Created faultless and intolerable;
No meeting-place of all the heavenlinesses;
But eminently a. man to stir and spur
Men, to afflict them with benign alarm,
Harass their sluggish and uneager blood,
Till, like himself, they are hungry for the goal;
A man with something of the cragginess
Of his own mountains, something of the force
That goads to their loud leap the mountain streams.

And he too comes to bid the builders probe
Deep underneath the Tower of Safety, lest
A pit lie cavernous and covert there,
A long baulked, ravening emptiness, a grave
That famishes for its expected food.
Nay, in his hands he takes the delver's spade,
Lays bare the hollow, o'er which to build at all
Were to build woe and ruin, and 'stablishes
A mightier tower, bastioned so broad and firm,
In life, in manhood, and in womanhood,
Founded upon so massy a human rock,
And with such living bulwarks against them
Who first poured death from where the lark strews bliss,
That when, at last, ours shall be Triumph, though
Triumph perhaps too weary to rejoice,
Save with a mournful jubilation—when
Hate shall reel back from these embattled walls,
And having spent so long its hurtling bolts
With such' poor thrift, shall stand before the star?
Bankrupt of thunder—then indeed shall Time
Add yet another name to those the world
Salutes with an obeisance of the soul:
The name of him, the man of Celtic blood,
Whom Powers Unknown, in a divine caprice,
Chose and did make their instrument, wherewith
To save the Saxon: the man all eye and hand,
The man who saw, and grasped, and gripped, and held.
Then shall each morrow with its yesterday
Vie, in the honour of nobly honouring him,
Who found us blindfold by the slippery .verge
Of fathomless perdition and haled us back.
And poets shall dawn in pearl and gold of speech,
Crowning his deed with not less homage, here
On English ground, than yonder whence he rose:
Yonder where crash the cataracts through the chasms,
And unto the dark tempests the dark hills
Offer their stubborn sides all gered, but keep
A heart invincible and impregnable;
While with long arm and piercing spear the sea
Thrusts far into the valleys, that of old
Heard the twin raptures of the harp and sword,
The heroic strife, and the heroic strings,
Amid the battling torrents, and beneath
The happier peaks, that, without strife, prevail.

poem by William Watson
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For Britain Only

We blasted Glasgow
Invaded France
Assaulted Sweden
Took down our pants
And lovely England
My little kitten
Deliriously
Black widow Bitten
For Britain only
Only for Britain, yeah
For Britain only
Only for Britain
Jumped on the concord
Ain't much for sittin'
I told my boys, now
No public spiting
No bar room fighting
No bad head splitting
Behave yourself 'cause we're, we're back in Britain
For Britain only
Only for Britain
Cost six years of time and space
It took so long to change his face
To redesign his streamline face
Now strong and sleek but still no taste
Guilty
I'm guilty
Won't go to Hungary
Iran is out
Welcome to Moscow, huh
I have my doubts
Can't get near Libya
That boy's insane
Let's head for London
Where we can scream again
For Britain only
Only for Britain, yeah
For Britain only
Only for Britain
For Britain only

song performed by by Alice Cooper
Submitted by Lucian Velea
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To Constantia, Singing

I.
Thus to be lost and thus to sink and die,
Perchance were death indeed!—Constantia, turn!
In thy dark eyes a power like light doth lie,
Even though the sounds which were thy voice, which burn
Between thy lips, are laid to sleep;
Within thy breath, and on thy hair, like odour, it is yet,
And from thy touch like fire doth leap.
Even while I write, my burning cheeks are wet.
Alas, that the torn heart can bleed, but not forget!

II.
A breathless awe, like the swift change
Unseen, but felt in youthful slumbers,
Wild, sweet, but uncommunicably strange,
Thou breathest now in fast ascending numbers.
The cope of heaven seems rent and cloven
By the enchantment of thy strain,
And on my shoulders wings are woven,
To follow its sublime career
Beyond the mighty moons that wane
Upon the verge of Nature's utmost sphere,
Till the world’s shadowy walls are past and disappear.

III.
Her voice is hovering o’er my soul—it lingers
O’ershadowing it with soft and lulling wings,
The blood and life within those snowy fingers
Teach witchcraft to the instrumental strings.
My brain is wild, my breath comes quick--
The blood is listening in my frame,
And thronging shadows, fast and thick,
Fall on my overflowing eyes;
My heart is quivering like a flame;
As morning dew, that in the sunbeam dies,
I am dissolved in these consuming ecstasies.

IV.
I have no life, Constantia, now, but thee,
Whilst, like the world-surrounding air, thy song
Flows on, and fills all things with melody.--
Now is thy voice a tempest swift and strong,
On which, like one in trance upborne,
Secure o'er rocks and waves I sweep,
Rejoicing like a cloud of morn.
Now 'tis the breath of summer night,
Which when the starry waters sleep,
Round western isles, with incense-blossoms bright,
Lingering, suspends my soul in its voluptuous flight.

poem by Percy Bysshe Shelley
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Christmas Antiphones

I -- In Church

Thou whose birth on earth
Angels sang to men,
While thy stars made mirth,
Saviour, at thy birth,
This day born again;

As this night was bright
With thy cradle-ray,
Very light of light,
Turn the wild world's night
To thy perfect day.

God whose feet made sweet
Those wild ways they trod,
From thy fragrant feet
Staining field and street
With the blood of God;

God whose breast is rest
In the time of strife,
In thy secret breast
Sheltering souls opprest
From the heat of life;

God whose eyes are skies
Love-lit as with spheres
By the lights that rise
To thy watching eyes,
Orbed lights of tears;

God whose heart hath part
In all grief that is,
Was not man's the dart
That went through thine heart,
And the wound not his?

Where the pale souls wail,
Held in bonds of death,
Where all spirits quail,
Came thy Godhead pale
Still from human breath -

Pale from life and strife,
Wan with manhood, came
Forth of mortal life,
Pierced as with a knife,
Scarred as with a flame.

Thou the Word and Lord
In all time and space
Heard, beheld, adored,
With all ages poured
Forth before thy face,

Lord, what worth in earth
Drew thee down to die?
What therein was worth,
Lord, thy death and birth?
What beneath thy sky?

Light above all love
By thy love was lit,
And brought down the Dove
Feathered from above
With the wings of it.

From the height of night,
Was not thine the star
That led forth with might
By no worldly light
Wise men from afar?

Yet the wise men's eyes
Saw thee not more clear
Than they saw thee rise
Who in shepherd's guise
Drew as poor men near.

Yet thy poor endure,
And are with us yet;
Be thy name a sure
Refuge for thy poor
Whom men's eyes forget.

Thou whose ways we praised,
Clear alike and dark,
Keep our works and ways
This and all thy days
Safe inside thine ark.

Who shall keep thy sheep,
Lord, and lose not one?
Who save one shall keep,
Lest the shepherds sleep?
Who beside the Son?

From the grave-deep wave,
From the sword and flame,
Thou, even thou, shalt save
Souls of king and slave
Only by thy Name.

Light not born with morn
Or her fires above,
Jesus virgin-born,
Held of men in scorn,
Turn their scorn to love.

Thou whose face gives grace
As the sun's doth heat,
Let thy sunbright face
Lighten time and space
Here beneath thy feet.

Bid our peace increase,
Thou that madest morn;
Bid oppressions cease;
Bid the night be peace;
Bid the day be born.

II--OUTSIDE CHURCH

We whose days and ways
All the night makes dark,
What day shall we praise
Of these weary days
That our life-drops mark?

We whose mind is blind,
Fed with hope of nought;
Wastes of worn mankind,
Without heart or mind,
Without meat or thought;

We with strife of life
Worn till all life cease,
Want, a whetted knife,
Sharpening strife on strife,
How should we love peace?

Ye whose meat is sweet
And your wine-cup red,
Us beneath your feet
Hunger grinds as wheat,
Grinds to make you bread.

Ye whose night is bright
With soft rest and heat,
Clothed like day with light,
Us the naked night
Slays from street to street.

Hath your God no rod,
That ye tread so light?
Man on us as God,
God as man hath trod,
Trod us down with might.

We that one by one
Bleed from either's rod.
What for us hath done
Man beneath the sun,
What for us hath God?

We whose blood is food
Given your wealth to feed,
From the Christless rood
Red with no God's blood,
But with man's indeed;

How shall we that see
Nightlong overhead
Life, the flowerless tree,
Nailed whereon as we
Were our fathers dead -

We whose ear can hear,
Not whose tongue can name,
Famine, ignorance, fear,
Bleeding tear by tear
Year by year of shame,

Till the dry life die
Out of bloodless breast,
Out of beamless eye,
Out of mouths that cry
Till death feed with rest -

How shall we as ye,
Though ye bid us, pray?
Though ye call, can we
Hear you call, or see,
Though ye show us day?

We whose name is shame,
We whose souls walk bare,
Shall we call the same
God as ye by name,
Teach our lips your prayer?

God, forgive and give,
For His sake who died?
Nay, for ours who live,
How shall we forgive
Thee, then, on our side?

We whose right to light
Heaven's high noon denies,
Whom the blind beams smite
That for you shine bright,
And but burn our eyes,

With what dreams of beams
Shall we build up day,
At what sourceless streams
Seek to drink in dreams
Ere they pass away?

In what street shall meet,
At what market-place,
Your feet and our feet,
With one goal to greet,
Having run one race?

What one hope shall ope
For us all as one
One same horoscope,
Where the soul sees hope
That outburns the sun?

At what shrine what wine,
At what board what bread,
Salt as blood or brine,
Shall we share in sign
How we poor were fed?

In what hour what power
Shall we pray for morn,
If your perfect hour,
When all day bears flower,
Not for us is born?

III--BEYOND CHURCH

Ye that weep in sleep,
Souls and bodies bound,
Ye that all night keep
Watch for change, and weep
That no change is found;

Ye that cry and die,
And the world goes on
Without ear or eye,
And the days go by
Till all days are gone;

Man shall do for you,
Men the sons of man,
What no God would do
That they sought unto
While the blind years ran.

Brotherhood of good,
Equal laws and rights,
Freedom, whose sweet food
Feeds the multitude
All their days and nights

With the bread full-fed
Of her body blest
And the soul's wine shed
From her table spread
Where the world is guest,

Mingling me and thee,
When like light of eyes
Flashed through thee and me
Truth shall make us free,
Liberty make wise;

These are they whom day
Follows and gives light
Whence they see to slay
Night, and burn away
All the seed of night.

What of thine and mine,
What of want and wealth,
When one faith is wine
For my heart and thine
And one draught is health?

For no sect elect
Is the soul's wine poured
And her table decked;
Whom should man reject
From man's common board?

Gods refuse and choose,
Grudge and sell and spare;
None shall man refuse,
None of all men lose,
None leave out of care.

No man's might of sight
Knows that hour before;
No man's hand hath might
To put back that light
For one hour the more.

Not though all men call,
Kneeling with void hands,
Shall they see light fall
Till it come for all
Tribes of men and lands.

No desire brings fire
Down from heaven by prayer,
Though man's vain desire
Hang faith's wind-struck lyre
Out in tuneless air.

One hath breath and saith
What the tune shall be -
Time, who puts his breath
Into life and death,
Into earth and sea.

To and fro years flow,
Fill their tides and ebb,
As his fingers go
Weaving to and fro
One unfinished web.

All the range of change
Hath its bounds therein,
All the lives that range
All the byways strange
Named of death or sin.

Star from far to star
Speaks, and white moons wake,
Watchful from afar
What the night's ways are
For the morning's sake.

Many names and flames
Pass and flash and fall,
Night-begotten names,
And the night reclaims,
As she bare them, all.

But the sun is one,
And the sun's name Right;
And when light is none
Saving of the sun,
All men shall have light.

All shall see and be
Parcel of the morn;
Ay, though blind were we,
None shall choose but see
When that day is born.

poem by Algernon Charles Swinburne
Submitted by Poetry Lover
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My Native Land!

WHERE is the minstrel's native land?
Where the flames of light and feeling glow;
Where the flowers are wreathed for beauty's brow;
Where the bounding heart swells strong and high,
With holy hopes which may not die--
There is my native land!

What is that bright land's music name?
Ere it bent its neck to a foreign yoke,
It was called the land of the broad strong oak--
The land of the free--the German land--
But her sons lie slain by the stranger's hand,
And she weeps sad tears of shame.

Why does the minstrel's country weep?
That the hurricane's rage hath bowed the pride
Of those who should stem the rising tide;
That her princes quail--and that none will hear
Her holy words of might and fear--
Therefore my land must weep!

To whom does the minstrel's country call?
It calls to the silent heavenly powers,
With despair, as the thunder darkly lowers,
For its freedom--for those who should break its chain--
For the hand that never strikes in vain--
To these doth my country call!

For what does the minstrel's country sigh?
That the bloodhound may hunt beyond the bound
Of the soil which brave hearts make holy ground;
That the serf may cease; and our sons be free,
Or those who have borne them, cease to be--
For this does my country sigh!

And still doth the minstrel's country hope?
Her hope is firm, for her cause is good--
That her brave will rise, and her true in blood;
And that God the avenger, our fathers' God,
Will mark the tears that bedew her sod--
Such is my country's hope!

poem by Caroline Elizabeth Sarah Norton
Submitted by Poetry Lover
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