Sonnet -- The Mariner

THE SEA-BEAT MARINER, whose watchful eye
Full many a boist'rous night hath wak'd to weep;
When the keen blast descending from the sky,
Snatch'd his warm tear-drop from the rav'nous deep.

Drench'd by the chilling rain, his dreary hour
Creeps slowly onward to the dawn of day;
Till burning PHOEBUS darting thro' the show'r,
Warms with his golden beam the frothy spray:

With lightning's swiftness he ascends the mast,
And cries, "another tedious night is o'er;"
He spreads the swelling sail, he sees at last
His darling MISTRESS, and his NATIVE SHORE;
The restless wand'rer then forgets past pain,
Steals a fond kiss, and BRAVES HIS FATE AGAIN.

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The Last Buccaneer

The winds were yelling, the waves were swelling,
The sky was black and drear,
When the crew with eyes of flame brought the ship without a name
Alongside the last Buccaneer.

"Whence flies your sloop full sail before so fierce a gale,
When all others drive bare on the seas?
Say, come ye from the shore of the holy Salvador,
Or the gulf of the rich Caribbees?"

"From a shore no search hath found, from a gulf no line can sound,
Without rudder or needle we steer;
Above, below, our bark, dies the sea-fowl and the shark,
As we fly by the last Buccaneer.

"To-night there shall be heard on the rocks of Cape de Verde,
A loud crash, and a louder roar;
And to-morrow shall the deep, with a heavy moaning, sweep
The corpses and wreck to the shore."

The stately ship of Clyde securely now may ride,
In the breath of the citron shades;
And Severn's towering mast securely now flies fast,
Through the sea of the balmy Trades.

From St Jago's wealthy port, from Havannah's royal fort,
The seaman goes forth without fear;
For since that stormy night not a mortal hath had sight
Of the flag of the last Buccaneer.

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Rabindranath Tagore

The Recall

The night was dark when she went away, and the slept.
The night is dark now, and I call for her, "Come back, my
darling; the world is asleep; and no one would know, if you came
for a moment while stars are gazing at stars."
She went away when the trees were in bud and the spring was
young.
Now the flowers are in high bloom and I call, "Come back, my
darling. The children gather and scatter flowers in reckless sport.
And if you come and take one little blossom no one will miss it."
Those that used to play are playing still, so spendthrift is
life.
I listen to their chatter and call, "Come back, my darling,
for mother's heart is full to the brim with love, and if you come
to snatch only one little kiss from her no one will grudge it."

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Absence

WHEN from the craggy mountain's pathless steep,
Whose flinty brow hangs o'er the raging sea,
My wand'ring eye beholds the foamy deep,
I mark the restless surge­and think of THEE.
The curling waves, the passing breezes move,
Changing and treach'rous as the breath of LOVE;
The "sad similitude" awakes my smart,
And thy dear image twines about my heart.

When at the sober hour of sinking day,
Exhausted Nature steals to soft repose,
When the hush'd linnet slumbers on the spray,
And scarce a ZEPHYR fans the drooping ROSE;
I glance o'er scenes of bliss to friendship dear,
And at the fond remembrance drop a tear;
Nor can the balmy incense soothe my smart,
Still cureless sorrow preys upon my heart.

When the loud gambols of the village throng,
Drown the lorn murmurs of the ring-dove's throat;
I think I hear thy fascinating song,
Join the melodious minstrel's tuneful note­
My list'ning ear soon tells me ­'tis not THEE,
Nor THY lov'd song­nor THY soft minstrelsy;
In vain I turn away to hide my smart,
Thy dulcet numbers vibrate in my heart.

When with the Sylvan train I seek the grove,
Where MAY'S soft breath diffuses incense round,
Where VENUS smiles serene, and sportive LOVE
With thornless ROSES spreads the fairy ground;
The voice of pleasure dies upon mine ear,
My conscious bosom sighs­THOU ART NOT HERE !
Soft tears of fond regret reveal its smart,
And sorrow, restless sorrow, chills my heart.

When at my matin pray'rs I prostrate kneel,
And Court RELIGION's aid to soothe my woe,
The meek-ey'd saint who pities what I feel,
Forbids the sigh to heave, the tear to flow;
For ah ! no vulgar passion fills my mind,
Calm REASON's hand illumes the flame refin'd,
ALL the pure feelings FRIENDSHIP can impart,
Live in the centre of my aching heart.

When at the still and solemn hour of night,
I press my lonely couch to find repose;
Joyless I watch the pale moon's chilling light,
Where thro' the mould'ring tow'r the north-wind blows;
My fev'rish lids no balmy slumbers own,
Still my sad bosom beats for thee alone:
Nor shall its aching fibres cease to smart,
'Till DEATH's cold SPELL is twin'd about my HEART.

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Weep On, Weep On

Weep on, weep on, your hour is past,
Your dreams of pride are o'er;
The fatal chain is round you cast,
And you are men no more.
In vain the hero's heart hath bled;
The sage's tongue hath warn'd in vain;
Oh, Freedom! once thy flame hath fled,
It never lights again!

Weep on -- perhaps in after days,
They'll learn to love your name,
When many a deed may wake in praise
That long hath slept in blame.
And when they tread the ruin'd isle,
Where rest, at length, the lord and slave,
They'll wondering ask, how hands so vile
Could conquer hearts so brave?

"'Twas fate," they'll say, "a wayward fate
Your web of discord wove;
And while your tyrants join'd in hate,
You never join'd in love.
But hearts fell off that ought to twine,
And man profaned what God had given;
Till some were heard to curse the shrine
Where others knelt in heaven!"

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Sonnet XLII: Oh! Canst Thou Bear

Oh! can'st thou bear to see this faded frame,
Deform'd and mangled by the rocky deep?
Wilt thou remember, and forbear to weep,
My fatal fondness, and my peerless fame?
Soon o'er this heart, now warm with passion's flame,
The howling winds and foamy waves shall sweep;
Those eyes be ever clos'd in death's cold sleep,
And all of Sappho perish, but her name!
Yet, if the Fates suspend their barb'rous ire,
If days less mournful, Heav'n designs for me!
If rocks grow kind, and winds and waves conspire,
To bear me softly on the swelling sea;
To Phoebus only will I tune my Lyre,
"What suits with Sappho, Phoebus suits with thee!"

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Henry Van Dyke

Doors of Daring

The mountains that enfold the vale
With walls of granite, steep and high,
Invite the fearless foot to scale
Their stairway toward the sky.

The restless, deep, dividing sea
That flows and foams from shore to shore,
Calls to its sunburned chivalry,
"Push out, set sail, explore!"

And all the bars at which we fret,
That seem to prison and control,
Are but the doors of daring, set
Ajar before the soul.

Say not, "Too poor," but freely give;
Sigh not, "Too weak," but boldly try,
You never can begin to live
Until you dare to die.

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Rabindranath Tagore

Clouds and Waves

Mother, the folk who live up in the clouds call out to me-
"We play from the time we wake till the day ends.
We play with the golden dawn, we play with the silver moon."
I ask, "But how am I to get up to you ?"
They answer, "Come to the edge of the earth, lift up your
hands to the sky, and you will be taken up into the clouds."
"My mother is waiting for me at home, "I say, "How can I leave
her and come?"
Then they smile and float away.
But I know a nicer game than that, mother.
I shall be the cloud and you the moon.
I shall cover you with both my hands, and our house-top will
be the blue sky.
The folk who live in the waves call out to me-
"We sing from morning till night; on and on we travel and know
not where we pass."
I ask, "But how am I to join you?"
They tell me, "Come to the edge of the shore and stand with
your eyes tight shut, and you will be carried out upon the waves."
I say, "My mother always wants me at home in the everything-
how can I leave her and go?"
They smile, dance and pass by.
But I know a better game than that.
I will be the waves and you will be a strange shore.
I shall roll on and on and on, and break upon your lap with
laughter.
And no one in the world will know where we both are.

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A Domestic Tragedy

Clorinda met me on the way
As I came from the train;
Her face was anything but gay,
In fact, suggested pain.
"Oh hubby, hubby dear!" she cried,
"I've awful news to tell. . . ."
"What is it, darling?" I replied;
"Your mother -- is she well?"

"Oh no! oh no! it is not that,
It's something else," she wailed,
My heart was beating pit-a-pat,
My ruddy visage paled.
Like lightning flash in heaven's dome
The fear within me woke:
"Don't say," I cried, "our little home
Has all gone up in smoke!"

She shook her head. Oh, swift I clasped
And held her to my breast;
"The children! Tell me quick," I gasped,
"Believe me, it is best."
Then, then she spoke; 'mid sobs I caught
These words of woe divine:
"It's coo-coo-cook has gone and bought
A new hat just like mine."

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Ode to the Nightingale

SWEET BIRD OF SORROW! ­why complain
In such soft melody of Song,
That ECHO, am'rous of thy Strain,
The ling'ring cadence doth prolong?
Ah! tell me, tell me, why,
Thy dulcet Notes ascend the sky.
Or on the filmy vapours glide
Along the misty moutain's side?
And wherefore dost Thou love to dwell,
In the dark wood and moss-grown cell,
Beside the willow-margin'd stream­
Why dost Thou court wan Cynthia's beam?
Sweet Songstress­if thy wayward fate
Hath robb'd Thee of thy bosom's mate,
Oh, think not thy heart-piercing moan
Evap'rates on the breezy air,
Or that the plaintive Song of Care
Steals from THY Widow'd Breast alone.
Oft have I heard thy mournful Tale,
On the high Cliff, that o'er the Vale
Hangs its dark brow, whose awful shade
Spreads a deep gloom along the glade:
Led by its sound, I've wander'd far,
Till crimson evening's flaming Star
On Heav'n's vast dome refulgent hung,
And round ethereal vapours flung;
And oft I've sought th'HYGEIAN MAID,
In rosy dimply smiles array'd,
Till forc'd with every HOPE to part,
Resistless Pain subdued my Heart.

Oh then, far o'er the restless deep
Forlorn my poignant pangs I bore,
Alone in foreign realms to weep,
Where ENVY's voice could taunt no more.
I hop'd, by mingling with the gay,
To snatch the veil of Grief away;
To break Affliction's pond'rous chain;
VAIN was the Hope­in vain I sought
The placid hour of careless thought,
Where Fashion wing'd her light career,
And sportive Pleasure danc'd along,
Oft have I shunn'd the blithsome throng,
To hide th'involuntary tear,
For e'en where rapt'rous transports glow,
From the full Heart the conscious tear will flow,
When to my downy couch remov'd,
FANCY recall'd my wearied mind
To scenes of FRIENDSHIP left behind,
Scenes still regretted, still belov'd!
Ah, then I felt the pangs of Grief,
Grasp my warm Heart, and mock relief;
My burning lids Sleep's balm defied,
And on my fev'rish lip imperfect murmurs died.

Restless and sad­I sought once more
A calm retreat on BRITAIN's shore;
Deceitful HOPE, e'en there I found
That soothing FRIENDSHIP's specious name
Was but a short-liv'd empty sound,
And LOVE a false delusive flame.

Then come, Sweet BIRD, and with thy strain,
Steal from my breast the thorn of pain;
Blest solace of my lonely hours,
In craggy caves and silent bow'rs,
When HAPPY Mortals seek repose,
By Night's pale lamp we'll chaunt our woes,
And, as her chilling tears diffuse
O'er the white thorn their silv'ry dews,
I'll with the lucid boughts entwine
A weeping Wreath, which round my Head
Shall by the waning Cresent shine,
And light us to our leafy bed,­
But ah! nor leafy beds nor bow'rs
Fring'd with soft MAY's enamell'd flow'rs,
Nor pearly leaves, nor Cynthia's beams,
Nor smiling Pleasure's shad'wy dreams,
Sweet BIRD, not e'en THY melting Strains
Can calm the Heart, where TYRANT SORROW REIGNS.

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Lewis Carroll

My Fairy

I have a fairy by my side
Which says I must not sleep,
When once in pain I loudly cried
It said "You must not weep"
If, full of mirth, I smile and grin,
It says "You must not laugh"
When once I wished to drink some gin
It said "You must not quaff".

When once a meal I wished to taste
It said "You must not bite"
When to the wars I went in haste
It said "You must not fight".

"What may I do?" at length I cried,
Tired of the painful task.
The fairy quietly replied,
And said "You must not ask".

Moral: "You mustn't."

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Results Ridiculous

("Humourists have amused themselves by translating famous sonnets into free verse. A result no less ridiculous would have been obtained if somebody had re-written a passage from 'Paradise Lost' as a rondeau." --George Soule in the New Republic)

"PARADISE LOST"

Sing, Heavenly Muse, in lines that flow
More smoothly than the wandering Po,
Of man's descending from the height
Of Heaven itself, the blue, the bright,
To Hell's unutterable throe.

Of sin original and the woe
That fell upon us here below
From man's pomonic primal bite--
Sing, Heavenly Muse!

Of summer sun, of winter snow, Of future days, of long ago,
Of morning and "the shades of night,"
Of woman, "my ever new delight,"
Go to it, Muse, and put us Joe--
Sing, Heavenly Muse!

* * * * *

"THE RIME OF THE ANCIENT MARINER"

THE wedding guest sat on a stone,
He could not chose but hear
The mariner. They were there alone.
The wedding guest sat on a stone.
"I'll read you something of my own,"
Declared that mariner.
The wedding guest sat on a stone--
He could not chose but hear.

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Louise Driscoll

Harbury

All the men of Harbury go down to the sea in ships,
The wind upon their faces, the salt upon their lips.

The little boys of Harbury when they are laid to sleep,
Dream of masts and cabins and the wonders of the deep.

The women-folk of Harbury have eyes like the sea,
Wide with watching wonder, deep with mystery.

I met a woman: "Beyond the bar," she said,
"Beyond the shallow water where the green lines spread,

"Out beyond the sand-bar and the white spray,
My three sons wait for the Judgment Day."

I saw an old man who goes to sea no more,
Watch from morn till evening down on the shore.

"The sea's a hard mistress," the old man said;
"The sea is always hungry and never full fed.

"The sea had my father and took my son from me --
Sometimes I think I see them, walking on the sea!

"I'd like to be in Harbury on the Judgment Day,
When the word is spoken and the sea is wiped away,

"And all the drowned fisher boys, with sea-weed in their hair,
Rise and walk to Harbury to greet the women there.

"I'd like to be in Harbury to see the souls arise,
Son and mother hand in hand, lovers with glad eyes.

"I think there would be many who would turn and look with me,
Hoping for another glimpse of the cruel sea!

"They tell me that in Paradise the fields are green and still,
With pleasant flowers everywhere that all may take who will,

"And four great rivers flowing from out the Throne of God
That no one ever drowns in and souls may cross dry-shod.

"I think among those wonders there will be men like me,
Who miss the old salt danger of the singing sea.

"For in my heart, like some old shell, inland, safe and dry,
Any one who harks will still hear the sea cry."

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Alfred Lord Tennyson

Mariana In The South

With one black shadow at its feet,
The house thro' all the level shines,
Close-latticed to the brooding heat,
And silent in its dusty vines:
A faint-blue ridge upon the right,
An empty river-bed before,
And shallows on a distant shore,
In glaring sand and inlets bright.
But "Aye Mary," made she moan,
And "Aye Mary," night and morn,
And "Ah," she sang, "to be all alone,
To live forgotten, and love forlorn."

She, as her carol sadder grew,
From brow and bosom slowly down
Thro' rosy taper fingers drew
Her streaming curls of deepest brown
To left and right, and made appear,
Still-lighted in a secret shrine,
Her melancholy eyes divine,
The home of woe without a tear.
And "Aye Mary," was her moan,
"Madonna, sad is night and morn;"
And "Ah," she sang, "to be all alone,
To live forgotten, and love forlorn."

Till all the crimson changed, and past
Into deep orange o'er the sea,
Low on her knees herself she cast,
Before Our Lady murmur'd she:
Complaining, "Mother, give me grace
To help me of my weary load."
And on the liquid mirror glow'd
The clear perfection of her face.
"Is this the form," she made her moan,
"That won his praises night and morn?"
And "Ah," she said, "but I wake alone,
I sleep forgotten, I wake forlorn."

Nor bird would sing, nor lamb would bleat,
Nor any cloud would cross the vault,
But day increased from heat to heat,
On stony drought and steaming salt;
Till now at noon she slept again,
And seem'd knee-deep in mountain grass,
And heard her native breezes pass,
And runlets babbling down the glen.
She breathed in sleep a lower moan,
And murmuring, as at night and morn
She thought, "My spirit is here alone,
Walks forgotten, and is forlorn."

Dreaming, she knew it was a dream:
She felt he was and was not there.
She woke: the babble of the stream
Fell, and, without, the steady glare
Shrank one sick willow sere and small.
The river-bed was dusty-white;
And all the furnace of the light
Struck up against the blinding wall.
She whisper'd, with a stifled moan
More inward than at night or morn,
"Sweet Mother, let me not here alone
Live forgotten and die forlorn."

And, rising, from her bosom drew
Old letters, breathing of her worth,
For "Love", they said, "must needs be true,
To what is loveliest upon earth."
An image seem'd to pass the door,
To look at her with slight, and say,
"But now thy beauty flows away,
So be alone for evermore."
"O cruel heart," she changed her tone,
"And cruel love, whose end is scorn,
Is this the end to be left alone,
To live forgotten, and die forlorn?"

But sometimes in the falling day
An image seem'd to pass the door,
To look into her eyes and say,
"But thou shalt be alone no more."
And flaming downward over all
From heat to heat the day decreased,
And slowly rounded to the east
The one black shadow from the wall.
"The day to night," she made her moan,
"The day to night, the night to morn,
And day and night I am left alone
To live forgotten, and love forlorn."

At eve a dry cicala sung,
There came a sound as of the sea;
Backward the lattice-blind she flung,
And lean'd upon the balcony.
There all in spaces rosy-bright
Large Hesper glitter'd on her tears,
And deepening thro' the silent spheres
Heaven over Heaven rose the night.
And weeping then she made her moan,
"The night comes on that knows not morn,
When I shall cease to be all alone,
To live forgotten, and love forlorn."

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Rabindranath Tagore

The End

It is time for me to go, mother; I am going.
When in the paling darkness of the lonely dawn you stretch out
your arms for your baby in the bed, I shall say, "Baby is not
here!"-mother, I am going.
I shall become a delicate draught of air and caress you and
I shall be ripples in the water when you bathe, and kiss you and
kiss you again.
In the gusty night when the rain patters on the leaves you
will hear my whisper in your bed, and my laughter will flash with
the lightning through the open window into your room.
If you lie awake, thinking of your baby till late into the
night, I shall sing to you from the stars, "Sleep, mother, sleep."
One the straying moonbeams I shall steal over your bed, and
lie upon your bosom while you sleep.
I shall become a dream, and through the little opening of your
eyelids I shall slip into the depths of your sleep; and when you
wake up and look round startled, like a twinkling firefly I shall
flit out into the darkness.
When, on the great festival of puja, the neighbours' children
come and play about the house, I shall melt into the music of the
flute and throb in your heart all day.
Dear auntie will come with puja-presents and will ask,"Where
is our baby, sister?" Mother, you will tell her softly, "He is in
the pupils of my eyes, he is in my body and in my soul."

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Life

"What is this world?­thy school, O misery!
"Our only lesson is to learn to suffer."

- YOUNG.


LOVE, thou sportive fickle boy,
Source of anguish, child of joy,
Ever wounding­ever smiling,
Soothing still, and still beguiling;
What are all thy boasted treasures,
Tender sorrows, transient pleasures?
Anxious hopes, and jealous fears,
LAUGHING HOURS, and MOURNING YEARS.

What is FRIENDSHIP'S soothing name?
But a shad'wy, vap'rish flame;
Fancy's balm for ev'ry wound,
Ever sought, but rarely found;
What is BEAUTY ? but a flow'r,
Blooming, fading in an hour;
Deck'd with brightest tints at morn,
At twilight with'ring on a thorn;
Like the gentle Rose of spring,
Chill'd by ev'ry zephyr's wing,
Ah! how soon its colour flies,
Blushes, trembles, falls, and dies.

What is YOUTH ? a smiling sorrow,
Blithe to day, and sad to-morrow;
Never fix'd, for ever ranging,
Laughing, weeping, doating, changing;
Wild, capricious, giddy, vain,
Cloy'd with pleasure, nurs'd with pain;
AGE steals on with wint'ry face,
Ev'ry rapt'rous Hope to chase;
Like a wither'd, sapless tree,
Bow'd to chilling Fate's decree;
Strip'd of all its foliage gay,
Drooping at the close of day;
What of tedious Life remains?
Keen regrets and cureless pains;
Till DEATH appears, a welcome friend,
To bid the scene of sorrow end.

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On a Wet Day

As I walked thinking through a little grove,
Some girls that gathered flowers came passing me,
Saying -- "Look here! look there!" delightedly.
"O here it is!" "What's that?" "A lily? love!"
"And there are violets!"
"Farther for roses! O the lovely pets!
The darling beauties! O the nasty thorn!
Look here, my hand's all torn!"
"What's that that jumps?" "O don't! It's a grasshopper!"
"Come, run! come, run!
Here's bluebells!" "O what fun!"
"Not that way! Stop her!"
"Yes! this way!" Pluck them then!"
"O, I've found mushrooms! O look here!" "O, I'm
Quite sure that farther on we'll get wild thyme."

"O, we shall stay too long; it's going to rain;
There's lightning; O! there's thunder!"
"O shan't we hear the vesper bell? I wonder."
"Why, it's not nones, you silly little thing!
And don't you hear the nightingales that sing --
Fly away, O die away?"
"O, I hear something; hush!"
"Why, where? what is it then?" "Ah! in that bush."
So every girl here knocks it, shakes and shocks it:
Till with the stir they make
Out scurries a great snake.
"O Lord! O me! Alack! Ah me! Alack!"
They scream, and then all run and scream again,
And then in heavy drops comes down the rain.

Each running at the other in a fright,
Each trying to get before the other, and crying,
And flying, and stumbling, tumbling, wrong or right; --
One sets her knee
There where her foot should be;
One has her hands and dress
All smothered up with mud in a fine mess;
And one gets trampled on by two or three.
What's gathered is let fall
About the wood, and not picked up at all.
The wreaths of flowers are scattered on the ground,
And still as, screaming, hustling, without rest,
They run this way and that and round and round,
She thinks herself in luck who runs the best.

I stood quite still to have a perfect view,
And never noticed till I got wet through.

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Djolan

Soft was the night, the eve how airy,
When through the big, fat dictionary
I wandered on in careless ease,
And read the a's, b's, c's and d's!

But stop! What is this form I see,
Beginning with a hump-backed d?
I pause! I gasp! I falter there!
It is the djolan, I declare!

It is the djolan, wond'rous word!
The Buceros plicatus bird!
Ne'er, ne'er before had I the bliss
To meet a djolly word like this!

'Twas djust before my dinner hour --
Well, let the djuicy djoint go sour!
Djoyful I read. I djust must see
What this strange djolan word may be!

Ah! ha! It is a noun! A noun!
(A ''name word" as we say in town)
"E. Ind. The native name of the
Year bird." These are the words I see.

"A hornbill with a white tail and --"
The big book trembles in my hand --
"-- plicated membrane at the base --"
Ah, well-a-day! If that's the case!

"-- base of the beak, inhabiting --"
Oh! dictionary, wond'rous thing!
"-- the Sunda Islands ----" Where would we
Without our dictionary be?

"-- Malacca, e-t-c." That's all!
I let the dictionary fall.
I am replete. All is explained.
Knowledge (it's power) is what I've gained!

Soft was the night, the eve how airy,
I read no more the dictionary,
But Oh! and Oh! my heart was stirred
To learn the djolan was a bird!


Submitted by John Martin

poem by Ellis Parker ButlerReport problemRelated quotes
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The Fitzroy Blacksmith

Under the spreading deficit,
The Fitzroy Smithy stands;
The smith, a spendthrift man is he,
With too much on his hands;
But the muscles of his brawny jaw
Are strong as iron bands.
Pay out, pay put, from morn till night,
You can hear the sovereigns go;
Or you'll hear him singing "Old Folks at Home",
In a deep bass voice and slow,
Like a bullfrog down in the village well
When the evening sun is low.

The Australian going "home" for loans
Looks in at the open door;
He loves to see the imported plant,
And to hear the furnace roar,
And to watch the private firms smash up
Like chaff on the threshing-floor.

Toiling, rejoicing, borrowing,
Onward through life he goes;
Each morning sees some scheme begun
That never sees its close.
Something unpaid for, someone done,
Has earned a night's repose.

poem by Andrew Barton PatersonReport problemRelated quotes
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The Cloud Confines

The day is dark and the night
To him that would search their heart;
No lips of cloud that will part
Nor morning song in the light:
Only, gazing alone,
To him wild shadows are shown,
Deep under deep unknown
And height above unknown height.
Still we say as we go,--
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."

The Past is over and fled;
Nam'd new, we name it the old;
Thereof some tale hath been told,
But no word comes from the dead;
Whether at all they be,
Or whether as bond or free,
Or whether they too were we,
Or by what spell they have sped.
Still we say as we go,--
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."

What of the heart of hate
That beats in thy breast, O Time?--
Red strife from the furthest prime,
And anguish of fierce debate;
War that shatters her slain,
And peace that grinds them as grain,
And eyes fix'd ever in vain
On the pitiless eyes of Fate.
Still we say as we go,--
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."

What of the heart of love
That bleeds in thy breast, O Man?--
Thy kisses snatch'd 'neath the ban
Of fangs that mock them above;
Thy bells prolong'd unto knells,
Thy hope that a breath dispels,
Thy bitter forlorn farewells
And the empty echoes thereof?
Still we say as we go,--
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."

The sky leans dumb on the sea,
Aweary with all its wings;
And oh! the song the sea sings
Is dark everlastingly.
Our past is clean forgot,
Our present is and is not,
Our future's a seal'd seedplot,
And what betwixt them are we?--
We who say as we go,--
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."

poem by Dante Gabriel RossettiReport problemRelated quotes
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Come Out with Me

There's sun on the river and sun on the hill . . .
You can hear the sea if you stand quite still!
There's eight new puppies at Roundabout Farm-
And I saw an old sailor with only one arm!

But everyone says, "Run along!"
(Run along, run along!)
All of them say, "Run along! I'm busy as can be."
Every one says, "Run along,
There's a little darling!"
If I'm a little darling, why don't they run with me?

There's wind on the river and wind on the hill . . .
There's a dark dead water-wheel under the mill!
I saw a fly which had just been drowned-
And I know where a rabbit goes into the ground!

But everyone says, "Run along!"
(Run along, run along!)
All of them say, "Yes, dear," and never notice me.
Every one says, "Run along,
There's a little darling!"
If I'm a little darling, why won't they come and see?

poem by Alan Alexander MilneReport problemRelated quotes
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