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To The Right Honourable The Lady Sarah Cowper.

Let me the Honour soon obtain,
For which I long have hop'd in vain;
Since I, alas! am now confin'd,
Your Visit would be doubly kind.

What Sorrows have I not to fear,
Ty'd to the Bed of Sickness here?
When all that's human, quits the Place,
And Winter shews his horrid Face;
Whilst Desolation proudly stalks
Along the dull, deserted Walks.
Methinks the Skies already lour;
Loud, from the Hills, the Torrents pour;
The Shops are shut; the Days are dark;
And scarce a Dog is left to bark.
O, shield me from the dreadful Storms,
Which my distemper'd Fancy forms!

The thoughtless Fair the Toilet prize,
There practise Smiles, and point their Eyes:
But Cowper, negligent of Art,
Chose, early wise, the better Part.
Yet from your Mind some Moments spare;
The Stranger be a--while your Care,
Who now beneath Affliction bends,
Far from her Country, and her Friends.
Come, and my anxious Heart relieve:
For in your Presence who could grieve?

poem by Mary Barber
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Written For A Gentlewoman In Distress, To Her Grace Adelida, Dutchess Of Shrewsbury.

Might I inquire the Reasons of my Fate,
Or with my Maker dare expostulate;
Did I, in prosp'rous Days, despise the Poor,
Or drive the friendless Stranger from my Door?
Was not my Soul pour'd out for the Distress'd?
Did I not vindicate the Poor oppress'd?
Did not the Orphan's Cry with me prevail?
Did I not weep the Woes I could not heal?
Why then, Thou gracious, Thou all--pow'rful God,
Why do I feel th' Oppressor's Iron Rod?
Why thus the Scorners cruel Taunts endure,
Who basely fret the Wounds, they will not cure?
O Thou, whose Mercy does to All extend,
Say, shall my Sorrows never, never, end?
Let not my Tears for ever, fruitless, flow;
Commiserate a Wretch, o'erwhelm'd with Woe;
No longer let Distress my Bosom tear:
O shield me from the Horrors of Despair!

Forgive me, Madam, that I thus impart
The Throbs, the Anguish, of a breaking Heart.
Oft, when my weary'd Eyes can weep no more,
To sooth my Woes, I read your Letters o'er.
Goodness, and Wit, and Humour, there I find;
And view with Joy those Pictures of your Mind;
With Pleasure on the lov'd Resemblance gaze,
Till peaceful Slumbers on my Eye--lids seize.
Then, then, Imagination glads my Sight
With transient Images of past Delight;
My aking Heart of ev'ry Care beguiles;
Then Talbot lives, and Adelida smiles.

Delightful Forms! why will you fleet away,
And leave me to the Terrors of the Day?
In vain from Reason I expect Relief;
For sad Reflection doubles ev'ry Grief.
Some of my Friends in Death's cold Arms I see;
Others, tho, living, yet are dead to me?
Of Friends, and Children both, I am bereft,
And soon must lose the only Blessing left;
A Husband form'd for Tenderness and Truth,
The lov'd, the kind Companion of my Youth;
With him, thro' various Storms of Fate I pass'd;
Relentless Fate!--And must we part at last?
O King of Terrors, I invoke thy Pow'r;
Oh! stand between me and that dreadful Hour;
From that sad Hour thy wretched Suppliant save;
Oh! shield me from it!--Hide me in the Grave!

poem by Mary Barber
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Faces In The Street

They lie, the men who tell us in a loud decisive tone
That want is here a stranger, and that misery's unknown;
For where the nearest suburb and the city proper meet
My window-sill is level with the faces in the street --
Drifting past, drifting past,
To the beat of weary feet --
While I sorrow for the owners of those faces in the street.

And cause I have to sorrow, in a land so young and fair,
To see upon those faces stamped the marks of Want and Care;
I look in vain for traces of the fresh and fair and sweet
In sallow, sunken faces that are drifting through the street --
Drifting on, drifting on,
To the scrape of restless feet;
I can sorrow for the owners of the faces in the street.

In hours before the dawning dims the starlight in the sky
The wan and weary faces first begin to trickle by,
Increasing as the moments hurry on with morning feet,
Till like a pallid river flow the faces in the street --
Flowing in, flowing in,
To the beat of hurried feet --
Ah! I sorrow for the owners of those faces in the street.

The human river dwindles when 'tis past the hour of eight,
Its waves go flowing faster in the fear of being late;
But slowly drag the moments, whilst beneath the dust and heat
The city grinds the owners of the faces in the street --
Grinding body, grinding soul,
Yielding scarce enough to eat --
Oh! I sorrow for the owners of the faces in the street.

And then the only faces till the sun is sinking down
Are those of outside toilers and the idlers of the town,
Save here and there a face that seems a stranger in the street,
Tells of the city's unemployed upon his weary beat --
Drifting round, drifting round,
To the tread of listless feet --
Ah! My heart aches for the owner of that sad face in the street.

And when the hours on lagging feet have slowly dragged away,
And sickly yellow gaslights rise to mock the going day,
Then flowing past my window like a tide in its retreat,
Again I see the pallid stream of faces in the street --
Ebbing out, ebbing out,
To the drag of tired feet,
While my heart is aching dumbly for the faces in the street.

And now all blurred and smirched with vice the day's sad pages end,
For while the short `large hours' toward the longer `small hours' trend,
With smiles that mock the wearer, and with words that half entreat,
Delilah pleads for custom at the corner of the street --
Sinking down, sinking down,
Battered wreck by tempests beat --
A dreadful, thankless trade is hers, that Woman of the Street.

But, ah! to dreader things than these our fair young city comes,
For in its heart are growing thick the filthy dens and slums,
Where human forms shall rot away in sties for swine unmeet,
And ghostly faces shall be seen unfit for any street --
Rotting out, rotting out,
For the lack of air and meat --
In dens of vice and horror that are hidden from the street.

I wonder would the apathy of wealthy men endure
Were all their windows level with the faces of the Poor?
Ah! Mammon's slaves, your knees shall knock, your hearts in terror beat,
When God demands a reason for the sorrows of the street,
The wrong things and the bad things
And the sad things that we meet
In the filthy lane and alley, and the cruel, heartless street.

I left the dreadful corner where the steps are never still,
And sought another window overlooking gorge and hill;
But when the night came dreary with the driving rain and sleet,
They haunted me -- the shadows of those faces in the street,
Flitting by, flitting by,
Flitting by with noiseless feet,
And with cheeks but little paler than the real ones in the street.

Once I cried: `Oh, God Almighty! if Thy might doth still endure,
Now show me in a vision for the wrongs of Earth a cure.'
And, lo! with shops all shuttered I beheld a city's street,
And in the warning distance heard the tramp of many feet,
Coming near, coming near,
To a drum's dull distant beat,
And soon I saw the army that was marching down the street.

Then, like a swollen river that has broken bank and wall,
The human flood came pouring with the red flags over all,
And kindled eyes all blazing bright with revolution's heat,
And flashing swords reflecting rigid faces in the street.
Pouring on, pouring on,
To a drum's loud threatening beat,
And the war-hymns and the cheering of the people in the street.

And so it must be while the world goes rolling round its course,
The warning pen shall write in vain, the warning voice grow hoarse,
But not until a city feels Red Revolution's feet
Shall its sad people miss awhile the terrors of the street --
The dreadful everlasting strife
For scarcely clothes and meat
In that pent track of living death -- the city's cruel street.

poem by Henry Lawson
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A Ballad Maker

ONCE I loved a maiden fair,
Over the hills and jar away,
Lands she had and lovers to spare,
Over the hills and far away.
And I was stooped and troubled sore,
And my face was pale, and the coat I wore
Was thin as my supper the night before
Over the hills and far away.

Once I passed in the Autumn late,
Over the hills and jar away,
Her bawn and barn and painted gate,
Over the hills and jar away.
She was leaning there in the twilight space,
Sweet sorrow was on her fair young face,
And her wistful eyes were away from the place,
Over the hills and jar away.

Maybe she thought as she watched me come,
Over the hills and jar away,
With my awkward stride and my face so glum,
Over the hills and jar away.
Spite of his stoop, he still is young,
They say he goes the Shee among,
Ballads he makes; I've heard them sung
Over the hills and jar away.

She gave me good-night in gentle wise,
Over the hills and jar away,
Shyly lifting to mine, dark eyes,
Over the hills and jar away.
What could I do but stop and speak,
And she no longer proud, but meek?
She plucked me a rose like her wild-rose cheek-
Over the hills and jar away.

To-morrow Mavourneen a sleeveen weds,
Over the hills and jar away,
With corn in haggard and cattle in sheds,
Over the hills and jar away.
And I who have lost her, the dear, the rare-
Well, I got me this ballad to sing at the fair,
Twill bring enough money to drown my care,
Over the hills and jar away.

poem by Padraic Colum
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Stanzas To A Lady, On Leaving England

'Tis done---and shivering in the gale
The bark unfurls her snowy sail;
And whistling o'er the bending mast,
Loud sings on high the fresh'ning blast;
And I must from this land be gone,
Because I cannot love but one.

But could I be what I have been,
And could I see what I have seen---
Could I repose upon the breast
Which once my warmest wishes blest---
I should not seek another zone,
Because I cannot love but one.

'Tis long since I beheld that eye
Which gave me bliss or misery;
And I have striven, but in vain,
Never to think of it again:
For though I fly from Albion,
I still can only love but one.

As some lone bird, without a mate,
My weary heart is desolate;
I look around, and cannot trace
One friendly smile or welcome face,
And ev'n in crowds am still alone,
Because I cannot love but one.

And I will cross the whitening foam,
And I will seek a foreign home;
Till I forget a false fair face,
I ne'er shall find a resting-place;
My own dark thoughts I cannot shun,
But ever love, and love but one.

The poorest, veriest wretch on earth
Still finds some hospitable hearth,
Where Friendship's or Love's softer glow
May smile in joy or soothe in woe;
But friend or leman I have none,'
Because I cannot love but one.

I go---but wheresoe'er I flee
There's not an eye will weep for me;
There's not a kind congenial heart,
Where I can claim the meanest part;
Nor thou, who hast my hopes undone,
Wilt sigh, although I love but one.

To think of every early scene,
Of what we are, and what we've been,
Would whelm some softer hearts with woe---
But mine, alas! has stood the blow;
Yet still beats on as it begun,
And never truly loves but one.

And who that dear lov'd one may be,
Is not for vulgar eyes to see;
And why that early love was cross'd,
Thou know'st the best, I feel the most;
But few that dwell beneath the sun
Have loved so long, and loved but one.

I've tried another's fetters too,
With charms perchance as fair to view;
And I would fain have loved as well,
But some unconquerable spell
Forbade my bleeding breast to own
A kindred care for aught but one.

'Twould soothe to take one lingering view,
And bless thee in my last adieu;
Yet wish I not those eyes to weep
For him that wanders o'er the deep;
His home, his hope, his youth are gone,
Yet still he loves, and loves but one.

poem by Byron
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Life's Progress

How gayly is at first begun
Our Life's uncertain Race!
Whilst yet that sprightly Morning Sun,
With which we just set out to run
Enlightens all the Place.

How smiling the World's Prospect lies
How tempting to go through !
Not Canaan to the Prophet's Eyes,
From Pisgah with a sweet Surprize,
Did more inviting shew.

How promising's the Book of Fate,
Till thoroughly understood!
Whilst partial Hopes such Lots create,
As may the youthful Fancy treat
With all that's Great and Good.

How soft the first Ideas prove,
Which wander through our Minds!
How full the Joys, how free the Love,
Which do's that early Season move;
As Flow'rs the Western Winds!

Our Sighs are then but Vernal Air;
But April–drops our Tears,
Which swiftly passing, all grows Fair,
Whilst Beauty compensates our Care,
And Youth each Vapour clears.

But oh! too soon, alas, we climb;
Scarce feeling we ascend
The gently rising Hill of Time,
From whence with Grief we see that Prime,
And all its Sweetness end.

The Die now cast, our Station known,
Fond Expectation past;
The Thorns, which former Days had sown,
To Crops of late Repentance grown,
Thro' which we toil at last.

Whilst ev'ry Care's a driving Harm,
That helps to bear us down;
Which faded Smiles no more can charm,
But ev'ry Tear's a Winter-Storm,
And ev'ry Look's a Frown.

Till with succeeding Ills opprest,
For Joys we hop'd to find;
By Age too, rumpl'd and undrest,
We gladly sinking down to rest,
Leave following Crouds behind.

poem by Anne Kingsmill Finch
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Oh! Lisa With These Lovely Eyes

Lisa with the dark brown eyes
So please tell my soul to sympathize,
We shall cry forever in overcast skies
Lisa with the dark brown eyes,

Lisa with the dark brown eyes
Heartbroken heart spoken, not taken back
To change a mind so is lifes dream
Lisa with the dark brown eyed

Lisa with the dark brown eyes
That blends your butter scotch face insight
Smiles which brings sparkles to my mind
Lisa with the dark brown eyes

Lisa with the dark brown eyes
Many pre thoughts of your strays hypnotize
French, African, English culture dies
Lisa with the dark brown eyes

Lisa with the dark brown eyes
She dabbles her life in fiction trash
her soul with curious follies
Lisa with the dark brown eyes

Lisa with the dark brown eyes
Loneliness, has come far a sad. sad day
Emptiness in your mind and heart pay
Lisa with the dark brown eyes

Lisa with the dark, dark, brown eyes
You walk the world in beauty forgotten
They speak about you something forbidden
Lisa with the dark, dark, brown eyes

Lisa with the dark, dark, brown eyes
Your body your mind so whole same so
Your gave birth and I wish I could understand, understand
Lisa with the dark dark raven eyes

Lisa with the dark dark brown eyes
Curiosity is so special time flies, my sighs
Persuaded a fool to be wise, so wise how wise
Lisa with the dark dark brown eyes.

poem by Klayne Mario Burton
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Yule Fever (With apologies to the King's Minstrel)

I must go down to the shops again, to the crowded shops go I
And all I have is a long list of the gifts that I must buy,
And a few bob in the old kick and a mere spot of credit;
For he'll trust me, so the boss said, but I hate the way he said it.

I must go down to the shops again, for the call of Christmastide
Is a stern call and a hard call that may not be denied.
And all I ask is a fair choice at reasonable prices
And a hard heart for bland blokes with blandishing devices.

I must go down to the shops again. There's gifts for Mum and Dad
And Jim's gift and Joe's gift and toy for Peter's lad.
Then all I want are gloves for Clare? And June? I'll send her roses,
And - who's next? The list says - I've lost it! Holy Moses!

But I must go down to the shops again, to the shops and the milling crowd
On a hot day and a fierce day when the skies know ne'er a cloud;
And all I ask is a fair spin 'mid the masses overheating
And the loud bawl of the bored babe, and the toy drums beating.

I must go down to the shops again, for I would be counted still
With the kind ./.. of the free hand in this season of goodwill;
And all I ask is a stout heart to carry on undaunted
While we scour town for the salt-pot that we know Aunt Annie wanted.

I must go down to the shops again, for they'll ply me, sure as fate
With the pink tie and the puce sock, and I must reciprocate.
But all I ask is a long seat when the weary trek is finished
And enough left for the Yule feast ere the bank-roll be dimished.

poem by Clarence Michael James Stanislaus Dennis
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On The Promotion Of Edward Thurlow, Esq. To The Lord High Chancellorship Of England

Round Thurlow's head in early youth,
And in his sportive days,
Fair science poured the light of truth,
And genius shed his rays.

See! with united wonder, cried
The experienced and the sage,
Ambition in a boy supplied
With all the skill of age.

Discernment, eloquence, and grace
Proclaim him born to sway
The balance in the highest place,
And bear the palm away.

The praise bestowed was just and wise;
He sprang impetuous forth,
Secure of conquest, where the prize
Attends the superior worth.

So the best courser on the plain
Ere yet he starts is known,
And does but at the goal obtain
What all had deemed his own.

poem by William Cowper
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Olney Hymn 55: The Heart Healed And Changed By Mercy

Sin enslaved me many years,
And led me bound and blind;
Till at length a thousand fears
Came swarming o'er my mind.
'Where,' said I, in deep distress,
'Will these sinful pleasures end?
How shall I secure my peace
And make the Lord my friend?'

Friends and ministers said much
The gospel to enforce;
But my blindness still was such,
I chose a legal course:
Much I fasted, watch'd, and strove,
Scarce would shew my face abroad,
Fear'd almost to speak or move,
A stranger still to God.

Thus afraid to trust His grace,
Long time did I rebel;
Till despairing of my case,
Down at His feet I fell:
Then my stubborn heart He broke,
And subdued me to His sway;
By a simple word He spoke,
'Thy sins are done away.'

poem by William Cowper
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Lines On The Place De La Concorde At Paris,

Originally called the Place de Louis Seize,--next the Place de la
Revolution, where the perpetual guillotine stood.

PROUD Seine, along thy winding tide
Fair smiles yon plain expanding wide,
And, deckt with art and nature's pride,
Seems formed for jocund revelry.

Scene, formed the eye of taste to please!
There splendid domes attention seize,
There, proudly towering, spreading trees
Arise in beauteous rivalry:....

But there's a place amidst that plain
Which bids its beauties beam in vain;
Which wakes the inmost soul to pain,
And prompts the throb of agony.

That place by day, lo! numbers fly,
And, shuddering, start to see it nigh;
Who there at midnight breathe the sigh
Of faithful, suffering, loyalty.

While, blending with those loyal sighs,
Oft times the patriot's murmurs rise,
Who thither, hid by darkness, flies,
To mourn the sons of liberty.

Lo! as amidst that plain I stray,
Methinks strange sadness shrouds the day,
And clothed in slaughter's red array
Appears the scene of gayety.

For once that spot was dark with blood,
There death's destroying engine stood,
There streamed, alas! the vital flood
Of all that graced humanity.

Ah! since this fair domain ye chose,
Dread ruffians, for your murderous blows,
Could not the smiling scene unclose
Your hearts to love and charity!

No....horrid contrast! on that scene
The murderer reared his poniard keen;
There proudly stalked with hideous mien
The blood-stained sons of anarchy.

Nor, Gallia, shall thy varied mirth,
Thy store of all that graces earth,
Ere give a kind oblivion birth
To thy recorded cruelty.

In all thy pomp of charms and power,
Earth can, alas! forget no more
The awful guilt that stains thy shore
With dies of sanguine tyranny,

Than they who see blue lightnings beam
Can ere forget, though fair they seem,
That danger lurks in every gleam,
And death's appalling agency.

poem by Amelia Opie
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On the Place de la Concorde

[Originally called the Place de Louis Seize,--next the Place de la
Revolution, where the perpetual guillotine stood.]

Proud Seine, along thy winding tide
Fair smiles yon plain expanding wide,
And, deckt with art and nature's pride,
Seems formed for jocund revelry.