En.Citatepedia^®.ro

A Mindful Breath

High up on a mountain top
Waiting for the shoe to drop
Lookin' for the wisdom guy
To get the scoop before I die

What's the meaning of this story?
How can I partake in glory?
To which religion should I cling?
Which hymns to give my voice to sing?

High up on a mountain top
High up on a mountain top

Perhaps it doesn't really matter
All the jargon and the clatter
With each group shouting "follow us! "
I sometimes wonder "what's the fuss? "

When constant noise brings on a frown
I try to turn the volume down
In quietness I start to hear
A still small voice that's always near

The voice reminds me of the key
To step aside and simply be
Awareness will provide the chance
To take part in a different dance

Take part in a different dance
Take part in a different dance

The focus is not up, but in
There is no crown out there to win
No teams nor cries of victory
Just quiet calls to simply be

The invitation now is mine
To dwell in stillness any time
To let the clatter go on by
And take a breath before I die

Take a breath before I die
Take a breath before I die
Take a breath.................!

poem by Mark Bratlie
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The livid lightnings flashed in the clouds

The livid lightnings flashed in the clouds;
The leaden thunders crashed.
A worshipper raised his arm.
"Hearken! Hearken! The voice of God!"

"Not so," said a man.
"The voice of God whispers in the heart
So softly
That the soul pauses,
Making no noise,
And strives for these melodies,
Distant, sighing, like faintest breath,
And all the being is still to hear."

poem by Stephen Crane
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You're right—

234

You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—

'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!

And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—

poem by Emily Dickinson
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The Gift

She paces
By his side
On a quiet street,
Leafy and wide.
The evening air is balmy
And a golden half moon
Of August
Hangs high
In the sky.

"How beautiful is the Moon",
She says,
"Brighter than in June.
"A pity it is not full tonight".

"You know",
He tells her smiling,
"This thing may sound
Really puzzling,
But,
The part missing
From the Moon,
Is actually hidden
In a lagoon.
Nevertheless,
I offer it to you as a gift,
Before the scene
Would alter and shift,
And for good measure,
Fortune and luck,
I will pluck
For you
The other half, too,
So that you will possess
And own quite soon
The complete moon".

"Oh, no", she says,
"I don't want the moon,
Neither half,
Nor the whole of it,
I don't want it soon
Nor in next June.
Not even a small part.
Just give me, instead,
Your uncut heart".

poem by Paul Hartal
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The Subalterns

I

"Poor wanderer," said the leaden sky,
"I fain would lighten thee,
But there are laws in force on high
Which say it must not be."

II

--"I would not freeze thee, shorn one," cried
The North, "knew I but how
To warm my breath, to slack my stride;
But I am ruled as thou."

III

--"To-morrow I attack thee, wight,"
Said Sickness. "Yet I swear
I bear thy little ark no spite,
But am bid enter there."

IV

--"Come hither, Son," I heard Death say;
"I did not will a grave
Should end thy pilgrimage to-day,
But I, too, am a slave!"

V

We smiled upon each other then,
And life to me had less
Of that fell look it wore ere when
They owned their passiveness.

poem by Thomas Hardy
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The New Knighthood

Who gives him the Bath?
"I," said the wet,
Rank-Jungle-sweat,
"I'll give him the Bath!"

Who'll sing the psalms?
"We," said the Palms.
"Ere the hot wind becalms,
"We'll sing the psalms."

Who lays on the sword ?
"I," said the Sun,
Before he has done,
"I'll lay on the sword."

"Who fastens his belt?
"I," said Short-Rations,
" I know all the fashions
"Of tightening a belt!"

Who gives him his spur?
"I," said his Chief,
Exacting and brief,
"I'll give him the spur."

Who'll shake his hand?
"I," said the Fever,
"And I'm no deceiver,
"I'll shake his hand."

Who brings him the wine?
"I," said Quinine,
"It's a habit of mine.
"I'11 come with his wine."

Who'll put him to proof?
"I," said All Earth.
"Whatever he's worth,
"I'll put to the proof."

Who'll choose him for Knight?
"I," said his Mother,
"Before any other,
"My very own Knight."

And after this fashion, adventure to seek,
Sir Galahad was made--as it might be last week!

poem by Rudyard Kipling
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The Voice of Truth - A Short Story

"I cannot love her! , yelled the man.
"And why is that? ", the soft voice questioned.
"She will never change. ", the man exclaimed,
"She yells at me, scolds me and does not respect me."
"I can see how you cannot love her.", replied the voice.
The man loosened up. "You understand? ", he asked.
"Of course I understand" the voice confirmed,
"How can you possibly love a woman like that, "
"When you are expecting so much of her? "
Puzzled, the man listened to the voice further.
"You cannot love and expect at the same time.
You can either love her, or expect from her
You see, the purpose of love is to give.
It is my gift to you, to be given to another.
As is her love for you.
You choose who the gift is given to and who it is not.
You cannot expect her to give you her love.
That is a demand.
All you have the ability to do,
Is to give her yours.
The balance you seek is very unbalanced.
Patience, kindness, grace and mercy are all gifts you can give.
If you are expectant of them, they are no longer a gift.
They become a right, an entitlement or an obligation.
The gift of one's love is not a right, but a privilege.
As are all privileges, if abused, they will be taken away.'
A tear rolled down the man's face.
"My heart has been so full of myself, I had no room in it for her." The man sobbed.
"I can see how that works."
The man seeing the err of his ways, realized his love was not true.
He returned to his wife with a new love.
A love not defined by himself,
But as defined by the voice of truth.

poem by Ryan Lee Morris
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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

poem by Michael Drayton
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A Child's Nightmare

Through long nursery nights he stood
By my bed unwearying,
Loomed gigantic, formless, queer,
Purring in my haunted ear
That same hideous nightmare thing,
Talking, as he lapped my blood,
In a voice cruel and flat,
Saying for ever, "Cat! ... Cat! ... Cat!..."

That one word was all he said,
That one word through all my sleep,
In monotonous mock despair.
Nonsense may be light as air,
But there's Nonsense that can keep
Horror bristling round the head,
When a voice cruel and flat
Says for ever, "Cat! ... Cat! ... Cat!..."

He had faded, he was gone
Years ago with Nursery Land,
When he leapt on me again
From the clank of a night train,
Overpowered me foot and head,
Lapped my blood, while on and on
The old voice cruel and flat
Says for ever, "Cat! ... Cat! ... Cat!..."

Morphia drowsed, again I lay
In a crater by High Wood:
He was there with straddling legs,
Staring eyes as big as eggs,
Purring as he lapped my blood,
His black bulk darkening the day,
With a voice cruel and flat,
"Cat! ... Cat! ... Cat! ... Cat!..." he said, "Cat! ... Cat!..."

When I'm shot through heart and head,
And there's no choice but to die,
The last word I'll hear, no doubt,
Won't be "Charge!" or "Bomb them out!"
Nor the stretcher-bearer's cry,
"Let that body be, he's dead!"
But a voice cruel and flat
Saying for ever, "Cat! ... Cat! ... Cat!"

poem by Robert Graves
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The Mountain Sprite

In yonder valley there dwelt, alone,
A youth, whose moments had calmly flown,
'Till spells came o'er him, and, day and night,
He was haunted and watch'd by a Mountain Sprite.

As once, by moonlight, he wander'd o'er
The golden sands of that Island shore,
A foot-print sparkled before his sight --
'Twas the fairy foot of the Mountain Sprite!

Beside a fountain, one sunny day,
As bending over the stream he lay,
There peep'd down o'er him two eyes of light,
And he saw in that mirror the Mountain Sprite.

He turn'd, but, lo, like a startled bird,
That spirit fled! -- and the youth but heard
Sweet music, such as marks the flight
Of some bird of song, from the Mountain Sprite.

One night, still haunted by that bright look,
The boy, bewilder'd, his pencil took.
And, guided only by memory's light,
Drew the once-seen form of the Mountain Sprite.

"Oh thou, who lovest the shadow," cried
A voice, low whispering by his side,
"Now turn and see," -- here the youth's delight
Seal'd the rosy lips of the Mountain Sprite.

"Of all the Spirits of land and sea,"
Then rapt he murmur'd, "there's none like thee,
And oft, oh oft, may thy foot thus light
In this lonely bower, sweet Mountain Sprite!"

poem by Thomas Moore
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The Australian Slanguage

"Tis the everyday Australian
Has a language of his own,
Has a language, or a slanguage,
Which can simply stand alone.
And a "dickon pitch to kid us"
Is a synonym for "lie",
And to "nark it" means to stop it,
And to "nit it" means to fly.

And a bosom friend's a "cobber,"
And a horse a "prad" or "moke,"
While a casual acquaintance
Is a "joker" or a "bloke."
And his lady-love's his "donah"
or his "clinah" or his "tart"
Or his "little bit o' muslin,"
As it used to be his "bart."

And his naming of the coinage
Is a mystery to some,
With his "quid" and "half-a-caser"
And his "deener" and his "scrum".
And a "tin-back" is a party
Who's remarkable for luck,
And his food is called his "tucker"
Or his "panem" or his "chuck".

A policeman is a "johnny"
Or a "copman" or a "trap",
And a thing obtained on credit
Is invariably "strap".
A conviction"s known as "trouble",
And a gaol is called a "jug",
And a sharper is a "spieler"
And a simpleton's a "tug".

If he hits a man in fighting
That is what he calls a "plug",
If he borrows money from you
He will say he "bit your lug."
And to "shake it" is to steal it,
And to "strike it" is to beg;
And a jest is "poking borac",
And a jester "pulls your leg".

Things are "cronk" when they go wrongly
In the language of the "push",
But when things go as he wants 'em
He declares it is "all cush".
When he's bright he's got a "napper",
And he's "ratty" when he's daft,
And when looking for employment
He is "out o' blooming graft".

And his clothes he calls his "clobber"
Or his "togs", but what of that
When a "castor" or a "kady"
Is the name he gives his hat!
And our undiluted English
Is a fad to which we cling,
But the great Australian slanguage
Is a truly awful thing!

poem by William Thomas Goodge
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Little Guy

I know this little guy, he stands, oh so, about knee high.

He's got the cutest dimples on his cheery face,

Got a smile that lights up the whole place.

He's got the knack for chatter, he invites himself if you won't:

"I'll have that muesli bar please cause my brother don't."

Suppose to have a nap, and in the a tragic voice he confides,

"I was crying the whole time." Ok, please don't make me cry.

Apparently being bounced on the trampoline is hilarious,

But all I can think of is how dangerous.

Not enough sleep is constantly plaguing me,

But he don't care if in bed he's suppose to be.

In the middle of a rousing game of hide-and-seek,

He'll curl up and go to sleep.

Wish I could do just that, and live a bit more like him,

So unaware of all the dangers and troubles surrounding,

Spend a bit more time enjoying the little things

Get the chance to take them all in.

"Can I have a drink? " he toddles up the sink.

"Why of course, here's your drink."

Watch his little legs carry him off to some new adventure,

"You can't catch me! " wait, "I gotcha! "

You're running out of time, little guy,

If only you could stay knee-high.

poem by Joses Tirtabudi
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Another Acrostic ( In the style of Father William )

"Are you deaf, Father William!" the young man said,
"Did you hear what I told you just now?
"Excuse me for shouting! Don't waggle your head
"Like a blundering, sleepy old cow!
"A little maid dwelling in Wallington Town,
"Is my friend, so I beg to remark:
"Do you think she'd be pleased if a book were sent down
"Entitled 'The Hunt of the Snark?'"

"Pack it up in brown paper!" the old man cried,
"And seal it with olive-and-dove.
"I command you to do it!" he added with pride,
"Nor forget, my good fellow to send her beside
"Easter Greetings, and give her my love."

poem by Lewis Carroll
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What is—

215

What is—"Paradise"—
Who live there—
Are they "Farmers"—
Do they "hoe"—
Do they know that this is "Amherst"—
And that I—am coming—too—

Do they wear "new shoes"—in "Eden"—
Is it always pleasant—there—
Won't they scold us—when we're homesick—
Or tell God—how cross we are—

You are sure there's such a person
As "a Father"—in the sky—
So if I get lost—there—ever—
Or do what the Nurse calls "die"—
I shan't walk the "Jasper"—barefoot—
Ransomed folks—won't laugh at me—
Maybe—"Eden" a'n't so lonesome
As New England used to be!

poem by Emily Dickinson
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Sweet Echo Dell

"Three there were that left my cot;
Two are here, and one is not;
Why does Willie linger? Say, can you tell?"

"He was weary by the way;
When we came he could but stay
In the shady grove at Sweet Echo Dell."

Echo Dell! (Echo Dell!) Echo Dell! (Echo Dell!)
It was there we softly said "Farewell!" ("Farewell!")
And the towering granite crest
Nobly guards his place rest,
Near the lovely lake of Sweet Echo Dell.

"Is he laden well with gold?
Does he bring me wealth untold?
Why then does he linger? Say can you tell?"

"All his treasures are above;
All he sent you was his love,
With a whispered prayer from Sweet Echo Dell."

Coming homeward, does he sing
Like a lark upon the wing?
Why then does he linger? Say, can you tell?"

Naught is heard but rippling waves,
Warbling birds, and shouting braves;
Silent is his voice in Sweet Echo Dell."

"Is he coming by-and-by?
May I bless him ere I die?
Why then does he linger? Say, can you tell?"

"Mirrored in that mountain lake,
Heaven is near, and he will wake
Never elsewhere than in Sweet Echo Dell."

"Would you crush my only joy?
Surely I shall meet my boy;
When then does he linger? Say, can you tell?"

"Never will his weary feet
Travel more, yet may soon meet
When your soul floats over Sweet Echo Dell."

poem by Henry Clay Work
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Arcturus

"Arcturus" is his other name—
I'd rather call him "Star."
It's very mean of Science
To go and interfere!

I slew a worm the other day—
A "Savant" passing by
Murmured "Resurgam"—"Centipede"!
&q uot;Oh Lord—how frail are we"!

I pull a flower from the woods—
A monster with a glass
Computes the stamens in a breath—
And has her in a "class"!

Whereas I took the Butterfly
Aforetime in my hat—
He sits erect in "Cabinets"—
The Clover bells forgot.

What once was "Heaven"
Is "Zenith" now—
Where I proposed to go
When Time's brief masquerade was done
Is mapped and charted too.

What if the poles should frisk about
And stand upon their heads!
I hope I'm ready for "the worst"—
Whatever prank betides!

Perhaps the "Kingdom of Heaven's" changed—
I hope the "Children" there Won't be "new fashioned" when I come—
And laugh at me—and stare—

I hope the Father in the skies
Will lift his little girl—
Old fashioned—naught—everything—
Over the stile of "Pearl."

poem by Emily Dickinson
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Our Captain's Last Words

Where the foremost flag was flying,
Pierce'd by manny a shot and shell,
Where the bravest men were dying,
There our gallant captain fell.
"Boys! you follow now another;
Follow till the foe shall yield;"
Then he whisper'd, "Tell my mother
Stephen died upon the field."
"Mother!"
"Moth er!"
"Stephen died upon the field."

Through the battle they bore him,
But his words were growing wild;
Heeding not the scenes before him,
Stephen was once more a child.
"Ah, she comes! there is no other
Speaks my name with such a joy;
Press me to your bosom, mother,
Call my still your darling joy."
"Mother!"
"Mother !"
"Call my still your darling joy."

Men who were not used to weeping,
Turn'd aside to hide a tear,
When they saw the pallor creeping,
That assured them death was near.
Kindly as he were a brother,
Strangers caught his parting breath,
Laden with the mumur "mother"
Last upon his lips in death.
"Mother!"
"Mother!&qu ot;
Last upon his lips in death.

poem by Henry Clay Work
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The Dress-Maker

A CLOISTERED nun had a lover
Dwelling in the neighb'ring town;
Both racked their brains to discover
How they best their love might crown.
The swain to pass the convent-door!--
No easy matter!--Thus they swore,
And wished it light.--I ne'er knew a nun
In such a pass to be outdone:--
In woman's clothes the youth must dress,
And gain admission. I confess
The ruse has oft been tried before,
But it succeeded as of yore.
Together in a close barred cell
The lovers were, and sewed all day,
Nor heeded how time flew away.--
"What's that I hear? Refection bell!
"'Tis time to part. Adieu!--Farewell!--
"How's this?" exclaimed the abbess, "why
"The last at table?"--"Madam, I
"Have had my dress-maker."--"The rent
"On which you've both been so intent
"Is hard to stop, for the whole day
"To sew and mend, you made her stay;
"Much work indeed you've had to do!
"--Madam, 't would last the whole night through,
"When in our task we find enjoyment
"There is no end of the employment."

poem by La Fontaine
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What we worship guides our thirst...

Only he God can charge or judge
The ink, that pores-out its blood.
That algae-spore" of each, dreams-drudge,
That made its way—out; from the crud.

"Only he who's skipped, between the stone-
Rocks of the alternant—current
Knows where each" lost breath, lays sewn.
All are archaic, indulgent.

"What we worship guides our thirst...
The mountain pastures, the glassy-glade.
The foot-pounding-city-streets, cloudburst:
Life's passing" promenade.

poem by Mark Heathcote
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The Scorcher and the Howling Swell

The Scorcher and the Howling Swell were riding through the land;
They wept like anything to see the hills on every hand;
"If these were only levelled down," they said, "it would be grand."

"If every bloke that rides a bike put in a half-a-crown,
Do you suppose," the Scorcher said, "that that would cut them down?"
"I doubt it," said the Howling Swell, and frowned a doleful frown.

"Oh, ladies, come and ride with us," the Scorcher did entreat,
"A little ride across the park and down the smoothest street,
And you will have a chance to show your very dainty feet."

The Scorcher rode up all the hills, as if the same were flat;
"It's very rude," the ladies said, "to ride as fast as that;
For all of us are out of breath - and some of us are fat."

"Cheer up, cheer up, my ladies gay," the Howling Swell replied;
"Behold a tea-shop by the way, with Globe Brand Tea inside;
And all who drink the Globe Brand Tea up any hill can ride."

And every lady in the band revived on Globe Brand Tea,
That Atcherley and Dawson sell in George Street, near the Quay,
And Howling Swells and Scorchers both proclaim its purity.

poem by Andrew Barton Paterson
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Deaf House Agent

That deaf old man
With his hand to his ear--
His hand to hi head stood out like a shell,
Horny and hollow. He said, "I can't hear,"
He muttered, "Don't shout,
I can hear very well!"

He mumbled, "I can't catch a word;
I can't follow."
Then Jack with a voice like a Protestant bell
Roared--"Particulars! Farmhouse! At 10 quid a year!"
"I dunno wot place you are talking about."
Said the deaf old man.
Said Jack, "What the Hell!"
But the deaf old man took a pin from his desk, picked
a piece of wool the size of a hen's egg from his ear,
had a good look at it, decided in its favour and re-
placed it in the aforementioned organ.

poem by Katherine Mansfield
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