The Little Fauns To Proserpine
BROWNER than the hazel-husk, swifter than the wind,
Though you turn from heath and hill, we are hard behind,
Singing, 'Ere the sorrows rise, ere the gates unclose
Bind above your wistful eyes the memory of a rose.'
Dark Iacchus pipes the kine shivering from the whin,
Wraps him in a she-goat's fell above the panther skin.
Now we husk the corn for bread, turn the mill for hire,
Hoof by hoof and head by head about the herdsman's fire.
Ai, Adonis, where he gleams, slender and at rest,
One has built a roof of dreams where the white doves nest.
Ere they bring the wine-dark bowl, ere the gates unbar,
Take, O take within your soul the shadow of a star.
Now the vintage feast is done, now the melons glow
Gold along the raftered thatch beneath a thread of snow.
Dian's bugle bids the dawn sweep the upland clear,
Where we snared the silken fawn, where we ran the deer.
Through the dark reeds wet with rain, past the singing foam
Went the light-foot Mysian maids, calling Hylas home.
Syrinx felt the silver spell fold her at her need.
Hear, ere yet you say farewell, the wind along the reed.
Golden as the earliest leaf loosened from the spray,
Grave Alcestis drank of grief for her lord's delay.
Ere you choose the bitter part, learn the changeless wrong,
Bind above your breaking heart the echo of a song.
Now the chestnut burrs are down; aspen-shaws are pale;
Now across the plunging reef reels the last red sail.
Ere the wild, black horses cry, ere the night has birth,
Take, ere yet you say good-bye, the love of all the earth.
poem by Marjorie Lowry Christie Pickthall
Submitted by Poetry Lover
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Related quotes
Piper At The Gates Of Dawn
Piper at the gates of dawn
The coolness of the riverbank, and the whispering of the reeds
Daybreak is not so very far away
Enchanted and spellbound, in the silence they lingered
And rowed the boat as the light grew steadily strong
And the birds were silent, as they listened for the heavenly music
And the river played the song
The wind in the willows and the piper at the gates of dawn
The wind in the willows and the piper at the gates of dawn
The song dream happened and the cloven hoofed piper
Played in that holy ground where they felt the awe and wonder
And they all were unafraid of the great God pan
And the wind in the willows and the piper at the gates of dawn
The wind in the willows and the piper at the gates of dawn
When the vision vanished they heard a choir of birds singing
In the heavenly silence between the trance and the reeds
And they stood upon the lawn and listened to the silence
Of the wind in the willows and the piper at the gates of dawn
The wind in the willows and the piper at the gates of dawn
The wind in the willows and the piper at the gates of dawn
Its the wind in the willows and the piper at the gates of dawn
The wind in the willows and the piper at the gates of dawn
The wind in the willows and the piper at the gates of dawn
song performed by by Van Morrison
Submitted by Lucian Velea
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Jasper’s Song
WHO goes down through the slim green sallows,
Soon, so soon ?
Dawn is hard on the heels of the moon,
But never a lily the day-star knows
Is white, so white as the one who goes
Armed and shod, when the hyacinths darken.
Then hark, O harken !
And rouse the moths from the deep rose-mallows,
Call the wild hares down from the fallows,
Gather the silk of the young sea-poppies,
The bloom of the thistle, the bells of the foam;
Bind them all with a brown owl's feather,
Snare the winds in a golden tether,
Chase the clouds from the gipsy's weather, and follow, O follow, the white spring home.
Who goes past with the wind that chilled us,
Late, so late ?
Fortune leans on the farmer's gate,
Watching the round sun low in the south,
With a plume in his cap and a rose at his mouth.
But O, for the folk who were free and merry
There's never so much as a red rose-berry.
But old earth's warm as the wine that filled us,
And the fox and the little gray mouse skull build us
Walls of the sweet green gloom of the cedar,
A roof of bracken, a curtain of whin;
One more rouse ere the bowl reposes
Low in the dust of our lost red roses,
One more song ere the cold night closes, and welcome, O welcome the dark death in !
poem by Marjorie Lowry Christie Pickthall
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With The Wind
'Twas when the wind was blowing from the billow-breaking sea,
The grey and stormy sea, I heard her calling me,
And in the woods and on the ways where leaves were whirling down,
And weeds were rustling brown,
I caught a glimpse of face and feet, a glimmer of her gown.
And there between the forest and a strip of wandering sea,
Of dark and dreaming sea, I heard her laugh at me;
And, oh! her voice was bugle-wild as are the wind and rain,
And drew my heart again
With all the lures of all the past and joy more keen than pain.
Upon a fir-dark hilltop by the sunset-jewelled sea,
The old and wrinkled sea, she shook her hair at me,
And I caught a misty shimmer of her frosty gown and veil,
And her hand waved rosy pale,
And my heart was fain to follow her upon the old-time trail.
Within a ferny hollow by the mermaid-calling sea,
The far and foaming sea, she turned her face to me:
Again I saw her beauty; and again she held me fast,
As she'd held me in the past,
And let her wild heart beat to mine as beats the autumn blast.
Beside a rib of wreckage by the tempest-haunted sea,
The sad and severing sea, she bade good-bye to me:
Oh, paler than the foam her face, and wilder than the night,
When not a star gives light,
And rain and wind and winter sweep like harpies from the height.
Oh, she who joined her gipsy joy to sorrow of the sea,
The gaunt and ghostly sea, will come again to me:
When Autumn leads the wild-fowl home and lights, like wandering gleams,
The camp-fires of her dreams,
Again my heart shall hear her call upon the gale that streams.
poem by Madison Julius Cawein
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Three Island Songs
AFTER the wind in the wood,
Peace, and the night.
After the bond and the brood,
Flight.
After the height and the hush
Where the wild hawk swings,
Heart of the earth-loving thrush
Shaken with wings.
After the bloom and the leaf
Rain on the nest.
After the splendour and grief,
Rest.
After the hills and the far
Glories and gleams,
Cloud, and the dawn of a star,
And dreams.
------------------------------------- -------------------------------------------
O, THE gray rocks of the islands and the hemlock green above them,
The foam beneath the wild rose bloom, the star above the shoal.
When I am old and weary I'll wake my heart to love them,
For the blue ways of the islands are wound about my soul.
[Page 66]
Here in the early even when the young gray dew is falling,
And the king-heron seeks his mate beyond the loneliest wild,
Still your heart in the twilight, and you'll hear the river calling
Through all her outmost islands to seek her lastborn child.
------------------------------------- -------------------------------------------
I SAT among the green leaves, and heard the nuts falling,
The broad red butterflies were gold against the sun,
But in between the silence and the sweet birds calling
The nuts fell one by one.
Why should they fall and the year but half over ?
Why should sorrow seek me and I so young and kind ?
The leaf is on the bough and the dew is on the clover,
But the green nuts are falling in the wind.
O, I gave my lips away and all my soul behind them.
Why should trouble follow and the quick tears start ?
The little birds may love and fly with only God to mind them,
But the green nuts are falling on my heart.
poem by Marjorie Lowry Christie Pickthall
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The King's Daughter
WE WERE ten maidens in the green corn,
Small red leaves in the mill-water:
Fairer maidens never were born,
Apples of gold for the king’s daughter.
We were ten maidens by a well-head,
Small white birds in the mill-water:
Sweeter maidens never were wed,
Rings of red for the king’s daughter.
The first to spin, the second to sing,
Seeds of wheat in the mill-water;
The third may was a goodly thing,
White bread and brown for the king’s daughter.
The fourth to sew and the fifth to play,
Fair green weed in the mill-water;
The sixth may was a goodly may,
White wine and red for the king’s daughter.
The seventh to woo, the eighth to wed,
Fair thin reeds in the mill-water;
The ninth had gold work on her head,
Honey in the comb for the king’s daughter.
The ninth had gold work round her hair,
Fallen flowers in the mill-water;
The tenth may was goodly and fair,
Golden gloves for the king’s daughter.
We were ten maidens in a field green,
Fallen fruit in the mill-water;
Fairer maidens never have been,
Golden sleeves for the king’s daughter.
By there comes the king’s young son,
A little wind in the mill-water;
“Out of ten maidens ye’ll grant me one,”
A crown of red for the king’s daughter.
“Out of ten mays ye’ll give me the best,”
A little rain in the mill-water;
A bed of yellow straw for all the rest,
A bed of gold for the king’s daughter.
He’s ta’en out the goodliest,
Rain that rains in the mill-water;
A comb of yellow shell for all the rest,
A comb of gold for the king’s daughter.
He’s made her bed to the goodliest,
Wind and hail in the mill-water;
A grass girdle for all the rest,
A girdle of arms for the king’s daughter.
He’s set his heart to the goodliest,
Snow that snows in the mill-water;
Nine little kisses for all the rest,
An hundredfold for the king’s daughter.
He’s ta’en his leave at the goodliest,
Broken boats in the mill-water;
Golden gifts for all the rest,
Sorrow of heart for the king’s daughter.
“Ye’ll make a grave for my fair body,”
Running rain in the mill-water;
“And ye’ll streek my brother at the side of me,”
The pains of hell for the king’s daughter.
poem by Algernon Charles Swinburne
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The Maids Of Elfin-Mere
When the spinning-room was here
Came Three Damsels, clothed in white,
With their spindles every night;
One and Two and three fair Maidens,
Spinning to a pulsing cadence,
Singing songs of Elfin-Mere;
Till the eleventh hour was toll'd,
Then departed through the wold.
Years ago, and years ago;
And the tall reeds sigh as the wind doth blow.
Three white Lilies, calm and clear,
And they were loved by every one;
Most of all, the Pastor's Son,
Listening to their gentle singing,
Felt his heart go from him, clinging
Round these Maids of Elfin-Mere.
Sued each night to make them stay,
Sadden'd when they went away.
Years ago, and years ago;
And the tall reeds sigh as the wind doth blow.
Hands that shook with love and fear
Dared put back the village clock,-
Flew the spindle, turn'd the rock,
Flow'd the song with subtle rounding,
Till the false 'eleven' was sounding;
Then these Maids of Elfin-Mere
Swiftly, softly, left the room,
Like three doves on snowy plume.
Years ago, and years ago;
And the tall reeds sigh as the wind doth blow.
One that night who wander'd near
Heard lamentings by the shore,
Saw at dawn three stains of gore
In the waters fade and dwindle.
Never more with song and spindle
Saw we Maids of Elfin-Mere,
The Pastor's Son did pine and die;
Because true love should never lie.
Years ago, and years ago;
And the tall reeds sigh as the wind doth blow.
poem by William Allingham
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Late Loved--Well Loved
He stood beside her in the dawn
(And she his Dawn and she his Spring),
From her bright palm she fed her fawn,
Her swift eyes chased the swallow's wing:
Her restless lips, smile-haunted, cast
Shrill silver calls to hound and dove:
Her young locks wove them with the blast.
To the flush'd, azure shrine above,
The light boughs o'er her golden head
Toss'd em'rald arm and blossom palm.
The perfume of their prayer was spread
On the sweet wind in breath of balm.
'Dawn of my heart,' he said, 'O child,
Knit thy pure eyes a space with mine:
O chrystal, child eyes, undefiled,
Let fair love leap from mine to thine!'
'The Dawn is young,' she smiled and said,
'Too young for Love's dear joy and woe;
Too young to crown her careless head
With his ripe roses. Let me go--
Unquestion'd for a longer space,
Perchance, when day is at the flood,
In thy true palm I'll gladly place
Love's flower in its rounding bud.
But now the day is all too young,
The Dawn and I are playmates still.'
She slipped the blossomed boughs among,
He strode beyond the violet hill.
Again they stand (Imperial noon
Lays her red sceptre on the earth),
Where golden hangings make a gloom,
And far off lutes sing dreamy mirth.
The peacocks cry to lily cloud,
From the white gloss of balustrade:
Tall urns of gold the gloom make proud,
Tall statues whitely strike the shade,
And pulse in the dim quivering light
Until, most Galatea-wise--
Each looks from base of malachite
With mystic life in limbs and eyes.
Her robe, (a golden wave that rose,
And burst, and clung as water clings
To her long curves) about her flows.
Each jewel on her white breast sings
Its silent song of sun and fire.
No wheeling swallows smite the skies
And upward draw the faint desire,
Weaving its myst'ry in her eyes.
In the white kisses of the tips
Of her long fingers lies a rose,
Snow-pale beside her curving lips,
Red by her snowy breast it glows.
'Noon of my soul,' he says, 'behold!
The day is ripe, the rose full blown,
Love stands in panoply of gold,
To Jovian height and strength now grown,
No infant he, a king he stands,
And pleads with thee for love again.'
'Ah, yes!' she says, 'in known lands,
He kings it--lord of subtlest pain;
The moon is full, the rose is fair--
Too fair! 'tis neither white nor red:
'I know the rose that love should wear,
Must redden as the heart had bled!
The moon is mellow bright, and I
Am happy in its perfect glow.
The slanting sun the rose may dye--
But for the sweet noon--let me go.'
She parted--shimm'ring thro' the shade,
Bent the fair splendour of her head:
'Would the rich noon were past,' he said,
Would the pale rose were flush'd to red!'
Again. The noon is past and night
Binds on his brow the blood red Mars--
Down dusky vineyards dies the fight,
And blazing hamlets slay the stars.
Shriek the shrill shells: the heated throats
Of thunderous cannon burst--and high
Scales the fierce joy of bugle notes:
The flame-dimm'd splendours of the sky.
He, dying, lies beside his blade:
Clear smiling as a warrior blest
With victory smiles, thro' sinister shade
Gleams the White Cross upon her breast.
'Soul of my soul, or is it night
Or is it dawn or is it day?
I see no more nor dark nor light,
I hear no more the distant fray.'
''Tis Dawn,' she whispers: 'Dawn at last!
Bright flush'd with love's immortal glow
For me as thee, all earth is past!
Late loved--well loved, now let us go!'
poem by Isabella Valancy Crawford
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The Camp of Souls
1 My white canoe, like the silvery air
2 O'er the River of Death that darkly rolls
3 When the moons of the world are round and fair,
4 I paddle back from the 'Camp of Souls.'
5 When the wishton-wish in the low swamp grieves
6 Come the dark plumes of red 'Singing Leaves.'
7 Two hundred times have the moons of spring
8 Rolled over the bright bay's azure breath
9 Since they decked me with plumes of an eagle's wing,
10 And painted my face with the 'paint of death,'
11 And from their pipes o'er my corpse there broke
12 The solemn rings of the blue 'last smoke.'
13 Two hundred times have the wintry moons
14 Wrapped the dead earth in a blanket white;
15 Two hundred times have the wild sky loons
16 Shrieked in the flush of the golden light
17 Of the first sweet dawn, when the summer weaves
18 Her dusky wigwam of perfect leaves.
19 Two hundred moons of the falling leaf
20 Since they laid my bow in my dead right hand
21 And chanted above me the 'song of grief'
22 As I took my way to the spirit land;
23 Yet when the swallow the blue air cleaves
24 Come the dark plumes of red 'Singing Leaves.'
25 White are the wigwams in that far camp,
26 And the star-eyed deer on the plains are found;
27 No bitter marshes or tangled swamp
28 In the Manitou's happy hunting-ground!
29 And the moon of summer forever rolls
30 Above the red men in their 'Camp of Souls.'
31 Blue are its lakes as the wild dove's breast,
32 And their murmurs soft as her gentle note;
33 As the calm, large stars in the deep sky rest,
34 The yellow lilies upon them float;
35 And canoes, like flakes of the silvery snow,
36 Thro' the tall, rustling rice-beds come and go.
37 Green are its forests; no warrior wind
38 Rushes on war trail the dusk grove through,
39 With leaf-scalps of tall trees mourning behind;
40 But South Wind, heart friend of Great Manitou,
41 When ferns and leaves with cool dews are wet,
42 Bows flowery breaths from his red calumet.
43 Never upon them the white frosts lie,
44 Nor glow their green boughs with the 'paint of death';
45 Manitou smiles in the crystal sky,
46 Close breathing above them His life-strong breath;
47 And He speaks no more in fierce thunder sound,
48 So near is His happy hunting-ground.
49 Yet often I love, in my white canoe,
50 To come to the forests and camps of earth:
51 'Twas there death's black arrow pierced me through;
52 'Twas there my red-browed mother gave me birth;
53 There I, in the light of a young man's dawn,
54 Won the lily heart of dusk 'Springing Fawn.'
55 And love is a cord woven out of life,
56 And dyed in the red of the living heart;
57 And time is the hunter's rusty knife,
58 That cannot cut the red strands apart:
59 And I sail from the spirit shore to scan
60 Where the weaving of that strong cord began.
61 But I may not come with a giftless hand,
62 So richly I pile, in my white canoe,
63 Flowers that bloom in the spirit land,
64 Immortal smiles of Great Manitou.
65 When I paddle back to the shores of earth
66 I scatter them over the white man's hearth.
67 For love is the breath of the soul set free;
68 So I cross the river that darkly rolls,
69 That my spirit may whisper soft to thee
70 Of thine who wait in the 'Camp of Souls.'
71 When the bright day laughs, or the wan night grieves,
72 Come the dusky plumes of red 'Singing Leaves.'
poem by Isabella Valancy Crawford
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It's Forth Across The Roaring Foam
IT'S forth across the roaring foam, and on towards the west,
It's many a lonely league from home, o'er many a mountain crest,
From where the dogs of Scotland call the sheep around the fold,
To where the flags are flying beside the Gates of Gold.
Where all the deep-sea galleons ride that come to bring the corn,
Where falls the fog at eventide and blows the breeze at morn;
It's there that I was sick and sad, alone and poor and cold,
In yon distressful city beside the Gates of Gold.
I slept as one that nothing knows; but far along my way,
Before the morning God rose and planned the coming day;
Afar before me forth he went, as through the sands of old,
And chose the friends to help me beside the Gates of Gold.
I have been near, I have been far, my back's been at the wall,
Yet aye and ever shone the star to guide me through it all:
The love of God, the help of man, they both shall make me bold
Against the gates of darkness as beside the Gates of Gold.
poem by Robert Louis Stevenson
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Lines written in the Belief that the Ancient Roman Festival of the Dead was called Ambarvalia
Swings the way still by hollow and hill,
And all the world's a song;
'She's far,' it sings me, 'but fair,' it rings me,
'Quiet,' it laughs, 'and strong!'
Oh! spite of the miles and years between us,
Spite of your chosen part,
I do remember; and I go
With laughter in my heart.
So above the little folk that know not,
Out of the white hill-town,
High up I clamber; and I remember;
And watch the day go down.
Gold is my heart, and the world's golden,
And one peak tipped with light;
And the air lies still about the hill
With the first fear of night;
Till mystery down the soundless valley
Thunders, and dark is here;
And the wind blows, and the light goes,
And the night is full of fear,
And I know, one night, on some far height,
In the tongue I never knew,
I yet shall hear the tidings clear
From them that were friends of you.
They'll call the news from hill to hill,
Dark and uncomforted,
Earth and sky and the winds; and I
Shall know that you are dead.
I shall not hear your trentals,
Nor eat your arval bread;
For the kin of you will surely do
Their duty by the dead.
Their little dull greasy eyes will water;
They'll paw you, and gulp afresh.
They'll sniffle and weep, and their thoughts will creep
Like flies on the cold flesh.
They will put pence on your grey eyes,
Bind up your fallen chin,
And lay you straight, the fools that loved you
Because they were your kin.
They will praise all the bad about you,
And hush the good away,
And wonder how they'll do without you,
And then they'll go away.
But quieter than one sleeping,
And stranger than of old,
You will not stir for weeping,
You will not mind the cold;
But through the night the lips will laugh not,
The hands will be in place,
And at length the hair be lying still
About the quiet face.
With snuffle and sniff and handkerchief,
And dim and decorous mirth,
With ham and sherry, they'll meet to bury
The lordliest lass of earth.
The little dead hearts will tramp ungrieving
Behind lone-riding you,
The heart so high, the heart so living,
Heart that they never knew.
I shall not hear your trentals,
Nor eat your arval bread,
Nor with smug breath tell lies of death
To the unanswering dead.
With snuffle and sniff and handkerchief,
The folk who loved you not
Will bury you, and go wondering
Back home. And you will rot.
But laughing and half-way up to heaven,
With wind and hill and star,
I yet shall keep, before I sleep,
Your Ambarvalia.
poem by Rupert Brooke
Submitted by Veronica Serbanoiu
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Dyes Cast
Each night
As he drops his head
To the deep dream
Of the dark bed,
A shape beckons him
Wellaway
From the starlight
And the dim day.
A mare
Black as a spade, calls
From the dark hill
As the wind falls,
The reeds mutter
The night is black
As he leaps blind
To the mare’s back.
Then like the roar
Of an ill wind
Or a black flame
From the devil’s kiln,
The mare speeds
To the night’s work
By the old mill
And the dark Kirk.
Shapes flutter
And leap alight
Before they sputter
And, out of sight
Disport and mutter
Of black arts
To see the mare
And the rider pass.
Hour on hour
He clings to scenes
Of dark images,
Wild dreams
And chance friends
From the dead past
In the grim haunts
Of dyes cast.
His face burns
And tears stream
In the long night
Of the dark dream,
He clings grim
To the mare’s back
For his soul’s sake
And a long lack.
The day brinks
At night’s mist;
‘There may be nothing
More than this, ’
The mare fades
From his wide eyes –
But the thoughts bide,
And the old lies.
‘There may be nothing
More than this! ’
And his mind seeks
The mare, the mist;
‘There may be nought
But the dead past,
And the dark haunts
Of dyes cast.’
27 December 1978
poem by David Lewis Paget
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A New Madrigal To An Old Melody
(It is supposed that Shadow-of-a-Leaf uses the word 'clear' in a
more ancient sense of 'beautiful.')
As along a dark pine-bough, in slender white mystery
The moon lay to listen, above the thick fern,
In a deep dreaming wood that is older than history
I heard a lad sing, and I stilled me to learn;
So rarely he lilted his long-forgot litany,--
_Fall, April; fall, April, in dew on our dearth!
Bring balm, and bring poppy, bring deep sleepy dittany
For Marian, our clear May, so long laid in earth._
Then I drew back the branches. I saw him that chanted it.
I saw his fool's bauble. I knew his old grief.
I knew that old greenwood and the shadow that haunted it,--
My fool, my lost jester, my _Shadow-of-a-Leaf_!
And 'why,' I said, 'why, all this while, have you left me so
Luckless in melody, lonely in mirth?'
'Oh, why,' he sang, 'why has this world then bereft me so
Soon of my Marian, so long laid in earth?
'In the years that are gone,' he said, 'love was more fortunate.
Grief was our minstrel of things that endure.
Now, ashes and dust and this world grow importunate.
Time has no sorrow that time cannot cure.
Once, we could lose, and the loss was worth cherishing.
Now, we may win, but, O, where is the worth?
Memory and true love,' he whispered, 'are perishing,
With Marian, our clear May, so long laid in earth.'
'Ah, no!' I said, 'no! Since we grieve for our grief again,
Touch the old strings! Let us try the old stave!
And memory may wake, like my _Shadow-of-a-Leaf_ again,
Singing of hope, in the dark, by a grave.'
So we sang it together--that long-forgot litany:--
_Fall, April; fall, April; bring new grief to birth.
Bring wild herb of grace, and bring deep healing dittany,
For Marian, our clear May, so long laid in earth._
poem by Alfred Noyes
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On the Bay
When the salt wave laps on the long, dim shore,
And frets the reef with its windy sallies,
And the dawn's white light is threading once more
The purple firs in the landward valleys,
While yet the arms of the wide gray sea
Are cradling the sunrise that is to be,
The fisherman's boat, through the mist afar,
Has sailed in the wake of the morning star.
The wind in his cordage and canvas sings
Its old glad song of strength and endeavor,
And up from the heart of the ocean rings
A call of courage and cheer forever;
Toil and danger and stress may wait
Beyond the arch of the morning's gate,
But he knows that behind him, upon the shore,
A true heart prays for him evermore.
When a young moon floats in the hollow sky,
Like a fairy shallop, all pale and golden,
And over the rocks that are grim and high,
The lamp of the light-house aloft is holden;
When the bay is like to a lucent cup
With glamor and glory and glow filled up,
In the track of the sunset, across the foam,
The fisherman's boat comes sailing home.
The wind is singing a low, sweet song
Of a rest well won and a toil well over,
And there on the shore shines clear and strong
The star of the homelight to guide the rover:
And deep unto deep may call and wail
But the fisherman laughs as he furls his sail,
For the bar is passed and the reef is dim
And a true heart is waiting to welcome him!
poem by Lucy Maud Montgomery
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The Bridegroom Of Cana
'There was a marriage in Cana of Galilee. . . . And both Jesus was called, and His disciples, to the marriage.'
VEIL thine eyes, O belovéd, my spouse,
Turn them away,
Lest in their light my life withdrawn
Dies as a star, as a star in the day,
As a dream in the dawn.
Slenderly hang the olive leaves
Sighing apart;
The rose and silver doves in the eaves
With a murmur of music bind our house.
Honey and wine in thy words are stored,
Thy lips are bright as the edge of a sword
That hath found my heart,
That hath found my heart.
Sweet, I have waked from a dream of thee,–
And of Him.
He who came when the songs were done.
From the net of thy smiles my heart went free
And the golden lure of thy love grew dim.
I turned to them asking, 'Who is He,
Royal and sad, who comes to the feast
And sits Him down in the place of the least?'
And they said, 'He is Jesus, the carpenter's son.'
Hear how my harp on a single string
Murmurs of love.
Down in the fields the thrushes sing
And the lark is lost in the light above,
Lost in the infinite, glowing whole,
As I in thy soul,
As I in thy soul.
Love, I am fain for thy glowing grace
As the pool for the star, as the rain for the rill.
Turn to me, trust to me, mirror me
As the star in the pool, as the cloud in the sea.
Love, I looked awhile in His face
And was still.
The shaft of the dawn strikes clear and sharp;
Hush, my harp.
Hush my harp, for the day is begun,
And the lifting, shimmering flight of the swallow
Breaks in a curve on the brink of morn,
Over the sycamores, over the corn,
Cling to me, cleave to me, prison me
As the mote in the flame, as the shell in the sea,
For the winds of the dawn say, 'Follow, follow
Jesus Bar-Joseph, the carpenter's son.'
poem by Marjorie Lowry Christie Pickthall
Submitted by Poetry Lover
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Gale
Outside the mirrors, the dark, it fell.
The day seems squeezing the head into a sleepy dead.
The seagulls are swirling, at the approaching rain,
the leafs with their yellow faces, angry rustling
in the wind blowing away.
It is dark as night, clouds flowing in the sky, like black kites,
fading away in the murky air
The wet lamps, light the flooding oaks,
The day is wearing raining coat
shivering white and pale
by the winter raging gale.
poem by Luca Menin
Submitted by Poetry Lover
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To A Cat
STATELY, kindly, lordly friend,
Condescend
Here to sit by me, and turn
Glorious eyes that smile and burn,
Golden eyes, love's lustrous meed,
On the golden page I read.
All your wondrous wealth of hair,
Dark and fair,
Silken-shaggy, soft and bright
As the clouds and beams of night,
Pays my reverent hand's caress
Back with friendlier gentleness.
Dogs may fawn on all and some
As they come;
You, a friend of loftier mind,
Answer friends alone in kind.
Just your foot upon my hand
Softly bids it understand.
Morning round this silent sweet
Garden-seat
Sheds its wealth of gathering light,
Thrills the gradual clouds with might,
Changes woodland, orchard, heath,
Lawn, and garden there beneath.
Fair and dim they gleamed below:
Now they glow
Deep as even your sunbright eyes,
Fair as even the wakening skies.
Can it not or can it be
Now that you give thanks to see ?
May not you rejoice as I,
Seeing the sky
Change to heaven revealed, and bid
Earth reveal the heaven it hid
All night long from stars and moon,
Now the sun sets all in tune?
What within you wakes with day
Who can say?
All too little may we tell,
Friends who like each other well,
What might haply, if we might,
Bid us read our lives aright.
Wild on woodland ways your sires
Flashed like fires;
Fair as flame and fierce and fleet
As with wings on wingless feet
Shone and sprang your mother, free,
Bright and brave as wind or sea.
Free and proud and glad as they,
Here to-day
Rests or roams their radiant child,
Vanquished not, but reconciled,
Free from curb of aught above
Save the lovely curb of love.
Love through dreams of souls divine
Fain would shine
Round a dawn whose light and song
Then should right our mutual wrong---
Speak, and seal the love-lit law
Sweet Assisi's seer foresaw.
Dreams were theirs; yet haply may
Dawn a day
When such friends and fellows born,
Seeing our earth as fair at morn,
May for wiser love's sake see
More of heaven's deep heart than we.
poem by Algernon Charles Swinburne
Submitted by Poetry Lover
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The Pool
COME with me, follow me, swift as a moth,
Ere the wood-doves waken.
Lift the long leaves and look down, look down
Where the light is shaken,
Amber and brown,
On the woven ivory roots of the reed,
On a floating flower and a weft of weed
And a feather of froth.
Here in the night all wonders are,
Lapped in the lift of the ripple's swing,–
A silver shell and a shaken star,
And a white moth's wing.
Here the young moon when the mists unclose
Swims like the bud of a golden rose.
I would live like an elf where the wild grapes cling,
I would chase the thrush
From the red rose-berries.
All the day long I would laugh and swing
With the black choke-cherries.
I would shake the bees from the milkweed blooms,
And cool, O cool,
Night after night I would leap in the pool,
And sleep with the fish in the roots of the rush.
Clear, O clear my dreams should be made
Of emerald light and amber shade,
Of silver shallows and golden glooms.
Sweet, O sweet my dreams should be
As the dark, sweet water enfolding me
Safe as a blind shell under the sea.
poem by Marjorie Lowry Christie Pickthall
Submitted by Poetry Lover
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Feast Of The Assumption
Dark! Dark! Dark!
The sun is set; the day is dead:
Thy Feast has fled;
My eyes are wet with tears unshed;
I bow my head;
Where the star-fringed shadows softly sway
I bend my knee,
And, like a homesick child, I pray,
Mary, to thee.
Dark! Dark! Dark!
And, all the day -- since white-robed priest
In farthest East,
In dawn's first ray -- began the Feast,
I -- I the least --
Thy least, and last, and lowest child,
I called on thee!
Virgin! didst hear? my words were wild;
Didst think of me?
Dark! Dark! Dark!
Alas! and no! The angels bright,
With wings as white
As a dream of snow in love and light,
Flashed on thy sight;
They shone like stars around thee, Queen!
I knelt afar --
A shadow only dims the scene
Where shines a star!
Dark! Dark! Dark!
And all day long, beyond the sky,
Sweet, pure, and high,
The angel's song swept sounding by
Triumphantly;
And when such music filled thy ear,
Rose round thy throne,
How could I hope that thou wouldst hear
My far, faint moan?
Dark! Dark! Dark!
And all day long, where altars stand,
Or poor or grand,
A countless throng from every land,
With lifted hand,
Winged hymns to thee from sorrow's vale
In glad acclaim;
How couldst thou hear my lone lips wail
Thy sweet, pure name?
Dark! Dark! Dark!
Alas! and no! Thou didst not hear
Nor bend thy ear,
To prayer of woe as mine so drear;
For hearts more dear
Hid me from hearing and from sight
This bright Feast-day;
Wilt hear me, Mother, if in its night
I kneel and pray?
Dark! Dark! Dark!
The sun is set, the day is dead;
Thy Feast hath fled;
My eyes are wet with the tears I shed;
I bow my head;
Angels and altars hailed thee, Queen,
All day; ah! be
To-night what thou hast ever been --
A mother to me!
Dark! Dark! Dark!
Thy queenly crown in angels' sight
Is fair and bright;
Ah! lay it down; for, oh! to-night
Its jeweled light
Shines not as the tender love-light shines,
O Mary! mild,
In the mother's eyes, whose pure heart pines
For poor, lost child!
Dark! Dark! Dark!
Sceptre in hand, thou dost hold sway
Fore'er and aye
In angel-land; but, fair Queen! pray
Lay it away.
Let thy sceptre wave in the realms above
Where angels are;
But, Mother! fold in thine arms of love
Thy child afar!
Dark! Dark! Dark!
Mary, I call! Wilt hear the prayer
My poor lips dare?
Yea! be to all a Queen most fair,
Crown, sceptre, bear!
But look on me with a mother's eyes
From heaven's bliss;
And waft to me from the starry skies
A mother's kiss!
Dark! Dark! Dark!
The sun is set; the day is dead;
Her Feast has fled;
Can she forget the sweet blood shed,
The last words said
That evening -- 'Woman! behold thy Son!
Oh! priceless right,
Of all His children! The last, least one,
Is heard to-night.
poem by Abram Joseph Ryan
Submitted by Poetry Lover
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Fairies On The Sea Shore. By Howard
FIRST FAIRY.
MY home and haunt are in every leaf,
Whose life is a summer day, bright and brief,--
I live in the depths of the tulip's bower,
I wear a wreath of the cistus flower,
I drink the dew of the blue harebell,
I know the breath of the violet well,--
The white and the azure violet;
But I know not which is the sweetest yet,--
I have kiss'd the cheek of the rose;
I have watch'd the lily unclose,
My silver mine is the almond tree,
Who will come dwell with flower and me?
CHORUS OF FAIRIES.
Dance we our round, 'tis a summer night,
And our steps are led by the glow-worms' light.
SECOND FAIRY.
My dwelling is in the serpentine
Of the rainbow's colour'd line,--
See how its rose and amber clings
To the many hues of my radiant wings;
Mine is the step that bids the earth
Give to the iris flower its birth,
And mine the golden cup to hide,
Where the last faint hue of the rainbow died.
Search the depths of an Indian mine,
Where are the colours to match with mine?
CHORUS.
Dance we round, for the gale is bringing
Songs the summer rose is singing.
THIRD FAIRY.
I float on the breath of a minstrel's lute,
Or the wandering sounds of a distant flute,
Linger I over the tones that swell
From the pink-vein'd chords of an ocean-shell;
I love the sky-lark's morning hymn,
Or the nightingale heard at the twilight dim,
The echo, the fountain's melody,--
These, oh! these are the spells for me!
CHORUS.
Hail to the summer night of June;
See! yonder has risen our ladye moon.
FOURTH SPIRIT.
My palace is in the coral cave
Set with spars by the ocean wave;
Would ye have gems, then seek them there,--
There found I the pearls that bind my hair.
I and the wind together can roam
Over the green waves and their white foam,--
See, I have got this silver shell,
Mark how my breath will its smallness swell,
For the Nautilus is my boat
In which I over the waters float,--
The moon is shining over the sea,
Who is there will come sail with me?
CHORUS OF FAIRIES.
Our noontide sleep is on leaf and flower,
Our revels are held in a moonlit hour,--
What is there sweet, what is there fair,
And we are not the dwellers there?
Dance we round, for the morning light,
Will put us and our glow-worm lamps to flight!
poem by Letitia Elizabeth Landon
Submitted by Poetry Lover
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An Old Colonist's Reverie
Dustily over the highway pipes the loud nor'-wester at morn,
Wind and the rising sun, and waving tussock and corn;
It brings to me days gone by when first in my ears it rang,
The wind is the voice of my home, and I think of the songs it sang
When, fresh from the desk and ledger, I crossed the long leagues of sea
'The old worn world is gone and the new bright world is free.'
The wide, wild pastures of old are fading and passing away,
All over the plain are the homes of the men who have come to stay
I sigh for the good old days in the station whare again;
But the good new days are better
I would not be heard to complain;
It is only the wind that cries with tears in its voice to me
Of the dead men low in the mould who came with me over the sea.
Some of them down in the city under the marble are laid,
Some on the bare hillside in the mound by the lone tree shade,
And some in the forest deeps of the west in their silence lie,
With the dark pine curtain above shutting out the blue of the sky.
And many have passed from my sight, whither I never shall know,
Swept away in the rushing river or caught in the mountain snow;
All the old hands are gone who came with me over the sea,
But the land that we made our own is the same bright land to me.
There are dreams in the gold of the kowhai, and when ratas are breaking in bloom
I can hear the rich murmur of voices in the deeps of the fern-shadowed gloom.
Old memory may bring me her treasures from the land of the blossoms of May,
But to me the hill daisies are dearer and the gorse on the river bed grey;
While the mists on the high hilltops curling, the dawn-haunted
haze of the sea,
To my fancy are bridal veils lifting from the face of the land of the free.
The speargrass and cabbage trees yonder, the honey-belled flax in its bloom,
The dark of the bush on the sidings, the snow-crested mountains that loom
Golden and grey in the sunlight, far up in the cloud-fringed blue,
Are the threads with old memory weaving and the line of my life
running through;
And the wind of the morning calling has ever a song for me
Of hope for the land of the dawning in the golden years to be.
poem by David McKee Wright
Submitted by Poetry Lover
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