Inevitable
Somewhere in Forster—was it Aspects of the Novel?—
there's something to the effect of,
How can I tell what I think till I see what I say?
I've always meant to check the quote, but I'm half afraid
it won't be there, or if it is, that I got it all wrong,
and I pretty much like it the way it is—
I pull it out and toss it onto the table like one of those
really brightly colored chips that only get thrown into the pot
after the hand has gotten out of control and someone wants
to say something a bit more heady than, I'll see you,
and raise you, but that's what he always says, it's inevitable.
In fact, it is inevitable, the word, inevitable,
that has bought me down this road in the first place,
that made me remember Forster, and whether or not
something is inevitable—now, this is the leap—like, say,
the week I just spent in Illinois with a married woman,
who for a long time has been burning
like one of those sad wildfires they have had
all summer long out West, that gets bigger and hotter,
and spreads, it seems, forever, and while this one burned,
I kept telling myself that it was inevitable
that we would end up in the same town somewhere
at the same time, and inevitable, too, that after a few days
one or both of us would allow our ambiguity
about what was going on to get the best of us,
and we both would walk off sad and hurt,
when really it was not us who had a right
to sad and hurt, her husband and children having
a much better claim, and in the interest of terribly clarity,
of unrelenting truth, it is necessary here to interject
the word guilt, and while some people,
those who buy into religion, for example, who touch
finger to finger with the Hand of Heaven,
all herb and clay-tinted oil, on a stone ceiling,
will use Eve's apple to explain how all this is inevitable,
part of some great master plan. I wonder;
or was it simply another test, an opportunity to
do the right thing, and perhaps we failed, and I am not
even sure about that, but I know that she and I feel guilty,
and while I thought it was inevitability
I was talking about here, it was something else entirely,
and I guess old Forster was right, even if he didn't say it.
Anonymous submission.
poem by Louis McKee

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A Murmur in the Trees—to note
416
A Murmur in the Trees—to note—
Not loud enough—for Wind—
A Star—not far enough to seek—
Nor near enough—to find—
A long—long Yellow—on the Lawn—
A Hubbub—as of feet—
Not audible—as Ours—to Us—
But dapperer—More Sweet—
A Hurrying Home of little Men
To Houses unperceived—
All this—and more—if I should tell—
Would never be believed—
Of Robins in the Trundle bed
How many I espy
Whose Nightgowns could not hide the Wings—
Although I heard them try—
But then I promised ne'er to tell—
How could I break My Word?
So go your Way—and I'll go Mine—
No fear you'll miss the Road.
poem by Emily Dickinson

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The Court is far away
235
The Court is far away—
No Umpire—have I—
My Sovereign is offended—
To gain his grace—I'd die!
I'll seek his royal feet—
I'll say—Remember—King—
Thou shalt—thyself—one day—a Child—
Implore a larger—thing—
That Empire—is of Czars—
As small—they say—as I—
Grant me—that day—the royalty—
To intercede—for Thee—
poem by Emily Dickinson

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Again—his voice is at the door
663
Again—his voice is at the door—
I feel the old Degree—
I hear him ask the servant
For such an one—as me—
I take a flower—as I go—
My face to justify—
He never saw me—in this life—
I might surprise his eye!
I cross the Hall with mingled steps—
I—silent—pass the door—
I look on all this world contains—
Just his face—nothing more!
We talk in careless—and it toss—
A kind of plummet strain—
Each—sounding—shyly& mdash;
Just—how—deep—
The other's one—had been—
We walk—I leave my Dog—at home—
A tender—thoughtful Moon—
Goes with us—just a little way—
And—then—we are alone—
Alone—if Angels are "alone"—
First time they try the sky!
Alone—if those "veiled faces"—be—
We cannot count—on High!
I'd give—to live that hour—again—
The purple—in my Vein—
But He must count the drops—himself—
My price for every stain!
poem by Emily Dickinson

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Twas a long Parting—but the time
625
'Twas a long Parting—but the time
For Interview—had Come—
Before the Judgment Seat of God—
The last—and second time
These Fleshless Lovers met—
A Heaven in a Gaze—
A Heaven of Heavens—the Privilege
Of one another's Eyes—
No Lifetime—on Them—
Appareled as the new
Unborn—except They had beheld—
Born infiniter—now—
Was Bridal—e'er like This?
A Paradise—the Host—
And Cherubim—and Seraphim—
The unobtrusive Guest—
poem by Emily Dickinson

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A solemn thing—it was—I said
271
A solemn thing—it was—I said—
A woman—white—to be—
And wear—if God should count me fit—
Her blameless mystery—
A hallowed thing—to drop a life
Into the purple well—
Too plummetless—that it return—
Eternity—until—
I pondered how the bliss would look—
And would it feel as big—
When I could take it in my hand—
As hovering—seen—through fog—
And then—the size of this "small" life—
The Sages—call it small—
Swelled—like Horizons—in my vest—
And I sneered—softly—"small"!
poem by Emily Dickinson

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To know just how He suffered—would be dear
622
To know just how He suffered—would be dear—
To know if any Human eyes were near
To whom He could entrust His wavering gaze—
Until it settle broad—on Paradise—
To know if He was patient—part content—
Was Dying as He thought—or different—
Was it a pleasant Day to die—
And did the Sunshine face his way—
What was His furthest mind—Of Home—or God—
Or what the Distant say—
At news that He ceased Human Nature
Such a Day—
And Wishes—Had He Any—
Just His Sigh—Accented—
Had been legible—to Me—
And was He Confident until
Ill fluttered out—in Everlasting Well—
And if He spoke—What name was Best—
What last
What One broke off with
At the Drowsiest—
Was He afraid—or tranquil—
Might He know
How Conscious Consciousness—could grow—
Till Love that was—and Love too best to be—
Meet—and the Junction be Eternity
poem by Emily Dickinson

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The Winters are so short
403
The Winters are so short—
I'm hardly justified
In sending all the Birds away—
And moving into Pod—
Myself—for scarcely settled—
The Phoebes have begun—
And then—it's time to strike my Tent—
And open House—again—
It's mostly, interruptions—
My Summer—is despoiled—
Because there was a Winter—once—
And al the Cattle—starved—
And so there was a Deluge—
And swept the World away—
But Ararat's a Legend—now—
And no one credits Noah—
poem by Emily Dickinson

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I think just how my shape will rise
237
I think just how my shape will rise—
When I shall be "forgiven"—
Till Hair—and Eyes—and timid Head—
Are out of sight—in Heaven—
I think just how my lips will weigh—
With shapeless—quivering—prayer—
That you—so late—"Consider" me—
The "Sparrow" of your Care—
I mind me that of Anguish—sent—
Some drifts were moved away—
Before my simple bosom—broke—
And why not this—if they?
And so I con that thing—"forgiven"—
Until& mdash;delirious—borne—
By my long bright—and longer—trust—
I drop my Heart—unshriven!
poem by Emily Dickinson

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I meant to have but modest needs
476
I meant to have but modest needs—
Such as Content—and Heaven—
Within my income—these could lie
And Life and I—keep even—
But since the last—included both—
It would suffice my Prayer
But just for One—to stipulate—
And Grace would grant the Pair—
And so—upon this wise—I prayed—
Great Spirit—Give to me
A Heaven not so large as Yours,
But large enough—for me—
A Smile suffused Jehovah's face—
The Cherubim—withdrew—
Grave Saints stole out to look at me—
And showed their dimples—too—
I left the Place, with all my might—
I threw my Prayer away—
The Quiet Ages picked it up—
And Judgment—twinkled—too—
Tat one so honest—be extant—
It take the Tale for true—
That "Whatsoever Ye shall ask—
Itself be given You"—
But I, grown shrewder—scan the Skies
With a suspicious Air—
As Children—swindled for the first
All Swindlers—be—infer—
poem by Emily Dickinson

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You know that Portrait in the Moon
504
You know that Portrait in the Moon—
So tell me who 'tis like—
The very Brow—the stooping eyes—
A fog for—Say—Whose Sake?
The very Pattern of the Cheek—
It varies—in the Chin—
But—Ishmael—since we met—'tis long—
And fashions—intervene—
When Moon's at full—'Tis Thou—I say—
My lips just hold the name—
When crescent—Thou art worn—I note—
But—there—the Golden Same—
And when—Some Night—Bold—slashing Clouds
Cut Thee away from Me—
That's easier—than the other film
That glazes Holiday—
poem by Emily Dickinson

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Forever at His side to walk
246
Forever at His side to walk—
The smaller of the two!
Brain of His Brain—
Blood of His Blood—
Two lives—One Being—now—
Forever of His fate to taste—
If grief—the largest part—
If joy—to put my piece away
For that beloved Heart—
All life—to know each other—
Whom we can never learn—
And bye and bye—a Change—
Called Heaven—
Rapt Neighborhoods of Men—
Just finding out—what puzzled us—
Without the lexicon!
poem by Emily Dickinson

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It troubled me as once I was
600
It troubled me as once I was—
For I was once a Child—
Concluding how an Atom—fell—
And yet the Heavens—held—
The Heavens weighed the most—by far—
Yet Blue—and solid—stood—
Without a Bolt—that I could prove—
Would Giants—understand?
Life set me larger—problems—
Some I shall keep—to solve
Till Algebra is easier—
Or simpler proved—above—
Then—too&m dash;be comprehended—
What sorer—puzzled me—
Why Heaven did not break away—
And tumble—Blue—on me—
poem by Emily Dickinson

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The name—of it—is "Autumn"
656
The name—of it—is "Autumn"—
The hue—of it—is Blood—
An Artery—upon the Hill—
A Vein—along the Road—
Great Globules—in the Alleys—
And Oh, the Shower of Stain—
When Winds—upset the Basin—
And spill the Scarlet Rain—
It sprinkles Bonnets—far below—
It gathers ruddy Pools—
Then—eddies like a Rose—away—
Upon Vermilion Wheels—
poem by Emily Dickinson

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Her—"last Poems"
312
Her—"last Poems"—
Poets—ended—
Silver—perished—with her Tongue—
Not on Record—bubbled other,
Flute—or Woman—
So divine—
Not unto its Summer—Morning
Robin—uttered Half the Tune—
Gushed too free for the Adoring—
From the Anglo-Florentine—
Late—the Praise—
'Tis dull—conferring
On the Head too High to Crown—
Diadem—or Ducal Showing—
Be its Grave—sufficient sign—
Nought—that We—No Poet's Kinsman—
Suffocate—with easy woe—
What, and if, Ourself a Bridegroom—
Put Her down—in Italy?
poem by Emily Dickinson

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Behind Me—dips Eternity
721
Behind Me—dips Eternity—
Before Me—Immortality—
Myself—the Term between—
Death but the Drift of Eastern Gray,
Dissolving into Dawn away,
Before the West begin—
'Tis Kingdoms—afterward—they say—
In perfect—pauseless Monarchy—
Whose Prince—is Son of None—
Himself—His Dateless Dynasty—
Himself—Himself diversify—
In Duplicate divine—
'Tis Miracle before Me—then—
'Tis Miracle behind—between—
A Crescent in the Sea—
With Midnight to the North of Her—
And Midnight to the South of Her—
And Maelstrom—in the Sky—
poem by Emily Dickinson

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The World—stands—solemner—to me
493
The World—stands—solemner—to me—
Since I was wed—to Him—
A modesty befits the soul
That bears another's—name—
A doubt—if it be fair—indeed—
To wear that perfect—pearl—
The Man—upon the Woman—binds—
To clasp her soul—for all—
A prayer, that it more angel—prove—
A whiter Gift—within—
To that munificence, that chose—
So unadorned—a Queen—
A Gratitude—that such be true—
It had esteemed the Dream—
Too beautiful—for Shape to prove—
Or posture—to redeem!
poem by Emily Dickinson

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What if I say I shall not wait!
277
What if I say I shall not wait!
What if I burst the fleshly Gate—
And pass escaped—to thee!
What if I file this Mortal—off—
See where it hurt me—That's enough—
And wade in Liberty!
They cannot take me—any more!
Dungeons can call—and Guns implore
Unmeaning—now—to me—
As laughter—was—an hour ago—
Or Laces—or a Travelling Show—
Or who died—yesterday!
poem by Emily Dickinson

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The Angle of a Landscape
375
The Angle of a Landscape—
That every time I wake—
Between my Curtain and the Wall
Upon an ample Crack—
Like a Venetian—waiting—
Accosts my open eye—
Is just a Bough of Apples—
Held slanting, in the Sky—
The Pattern of a Chimney—
The Forehead of a Hill—
Sometimes—a Vane's Forefinger—
But that's—Occasional—
The Seasons—shift—my Picture—
Upon my Emerald Bough,
I wake—to find no—Emeralds—
Then—Diamonds&m dash;which the Snow
From Polar Caskets—fetched me—
The Chimney—and the Hill—
And just the Steeple's finger—
These—never stir at all—
poem by Emily Dickinson

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The Love a Life can show Below
673
The Love a Life can show Below
Is but a filament, I know,
Of that diviner thing
That faints upon the face of Noon—
And smites the Tinder in the Sun—
And hinders Gabriel's Wing—
'Tis this—in Music—hints and sways—
And far abroad on Summer days—
Distils uncertain pain—
'Tis this enamors in the East—
And tints the Transit in the West
With harrowing Iodine—
'Tis this—invites—appalls—endows&mda sh;
Flits—glimmers—proves—di ssolves—
Returns—suggests—co nvicts—enchants—
Then—flings in Paradise—
poem by Emily Dickinson

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It feels a shame to be Alive
444
It feels a shame to be Alive—
When Men so brave—are dead—
One envies the Distinguished Dust—
Permitted—such a Head—
The Stone—that tells defending Whom
This Spartan put away
What little of Him we—possessed
In Pawn for Liberty—
The price is great—Sublimely paid—
Do we deserve—a Thing—
That lives—like Dollars—must be piled
Before we may obtain?
Are we that wait—sufficient worth—
That such Enormous Pearl
As life—dissolved be—for Us—
In Battle's—horrid Bowl?
It may be—a Renown to live—
I think the Man who die—
Those unsustained—Saviors—
Present Divinity—
poem by Emily Dickinson

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