Intended With Love
I've made so many errors and typos in my work,
To leave uncorrected.
They've become looked upon,
As clarifying those suspicious about this...
That I am not perfect.
And...
If I should correct those errors and typos,
The attention intended to give the message...
A comprehensive clarity,
Gives one then an opportunity...
To see something more between the lines,
Not there as had been intended.
This writing business,
Becomes more theraputic than one can believe.
Self analysis AND with feedback?
It just seems convenient to leave typos where they are,
And errors in language useage alone.
I find this procedure more effective.
It gives the reader a chance to bestow empathy.
Believing what is observed is unintended.
However...
The writer knows typos like fingers and toes.
If there are many as it is to be noticed.
And,
It is...
Intended,
With love.
poem by Lawrence S. Pertillar
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Related quotes
Errors
there will be always errors
my errors
not yours, even your errors
shall be mine
for there will always be errors
that is too normal
for our lifetime
too short to be erroneous
but always real
too real to be touched
too exciting
to be always noticed
and too numb to be affected
by their
hypocrisies
you too? oh my, why?
don't you like to be the most normal
bird with only two wings
to fly?
how can you use a third wing?
to see with the third eye
aren't you funny to see
on this third
excess?
come, let us feast on these errors
drink these glasses of errors
be filled and vomit with errors
defecate these errors
and be empty again
after having learned so much
to become the
newest genius in this town
of errors.
poem by Ric S. Bastasa
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Content
If clarity of content,
Has a purpose to propose...
Why is the mind confined and stopped,
To ponder upon 'typos'?
As a writer it will happen,
When thoughts are racing fast!
Sharing compositions to proof read,
Can be a pain in the...
Posterior!
And I wouldn't have chosen 'posterior'
To get my point across!
But there are some,
Who believe cussing is dumb...
And when it is seen,
The subject matter of content
Is entirely lost!
Minds like these,
Are looking for dotted (i's) ...
And crossed (t's) !
poem by Lawrence S. Pertillar
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Did You Understand It?
You've written something with several typographical errors.
And I question the correctness of your language usage.
Plus it had been written in mixed tenses.
I read it more than once.
And after the third reading it finally dawned on me,
You may have done this intentionally.
'Did you understand it?
What it was I tried to do? '
I'm not sure.
'How would you critique it? '
I don't know if I can.
'And you read it three times? '
At least.
'Why should I bother to correct it?
If 'you' read something I wrote...
THREE times?
And you have never expressed any interest before?
In anything I've ever done?
Why should I correct it?
This is the first time you and I have communicated,
In years.
Who knew...
All it took was a few errors,
To get you to give me what I have been wanting.
Here...
Read this! '
Your first and third lines rhyme.
But the rest of it...
Well,
I think this is a bunch of garbage.
'Thank you.
And all this time,
You had me believing...
You didn't care.'
poem by Lawrence S. Pertillar
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Many Incidents Intended
Many incidents intended,
Has evidence as incentive.
But no one pays attention...
Or listens to what's being said,
To what is being mentioned.
These speeding times leave minds behind.
Many incidents intended,
Has evidence as incentive.
But no one pays attention...
Or listens to what's being said,
To what is being mentioned.
These speeding times leave minds behind.
These speeding times leave minds behind.
Many incidents intended.
But no one pays attention...
Or listens to what's being said,
To what is being mentioned.
Many incidents intended.
Many incidents intended.
But no one pays attention...
Or listens to what's being said,
To what is being mentioned.
Many incidents intended.
Many incidents intended.
Many incidents intended.
These speeding times leave minds behind.
Many incidents intended.
Many incidents intended.
Many incidents intended.
poem by Lawrence S. Pertillar
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Low-key
Titles worn by some,
To them become as significant as the air one breathes.
It is as if a validation has been achieved.
And what they do has merit and can be believed.
But as for me...
I prefer not to wear my titles at all.
I have too many!
And then to do so hints of a certain pretentiousness.
You know what I mean?
I choose to remain low-key.
Although I do 'update' my résumé.
And make sure my 'bio' has no typos!
I want to represent the common man as best as I can.
poem by Lawrence S. Pertillar
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Showing Warmth Is Not a Myth
'Rumors about me being,
Obnoxious, rude and tempermental...
Have been over exaggerated.
When I talk over someone...
I'm helping them maintain their enthusiasm,
For communication.
And the bonding that comes from the honesty...
Of such rare an beneficial times.
When these moments come to award us.'
Wonderful!
I like the way you have written this!
Let me read it over a few more times...
To get the feel and 'tone' of it!
I should be able to add some sincerety!
Oh...
Look over the one you wrote for me,
Entitled, 'Showing Warmth Is Not a Myth'.
That one went right over my head.
There are too many typos!
It has to be perfect.
Especially if you expect me to display any of it!
poem by Lawrence S. Pertillar
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Not Let Time Be Wasted
I intended to,
But I didn't...
Finish what I started yesterday.
I intended to,
But I didn't...
Promise myself I would stop procrastinating.
And...
I was almost there,
Until an excuse got in my way.
I intended to,
But I didn't...
Take that walk,
So to others I could say...
What it is 'they' should do,
To not let time be wasted...
With a getting nothing done,
If something to do was intended.
poem by Lawrence S. Pertillar
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To Correct An Error
an error is an error
and errors exist for the main reason that
they are meant to be corrected
it takes the eyes of the loving person
to correct the errors
of his beloved
gently and
carefully away from the mob
and the crowd that love
the mockery
of errors corrected in the middle
of the public halls
inside a closed door
i hold your hand
caress your face
and your hair
and kiss you and then tell you
you taste like a rotten apple.
poem by Ric S. Bastasa
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The Printer's Error
Fellow compositors
and pressworkers!
I, Chief Printer
Frank Steinman,
having worked fifty-
seven years at my trade,
and served five years
as president
of the Holliston
Printer's Council,
being of sound mind
though near death,
leave this testimonial
concerning the nature
of printers' errors.
First: I hold that all books
and all printed
matter have
errors, obvious or no,
and that these are their
most significant moments,
not to be tampered with
by the vanity and folly
of ignorant, academic
textual editors.
Second: I hold that there are
three types of errors, in ascending
order of importance:
One: chance errors
of the printer's trembling hand
not to be corrected incautiously
by foolish professors
and other such rabble
because trembling is part
of divine creation itself.
Two: silent, cool sabotage
by the printer,
the manual laborer
whose protests
have at times taken this
historical form,
covert interferences
not to be corrected
censoriously by the hand
of the second and far
more ignorant saboteur,
the textual editor.
Three: errors
from the touch of God,
divine and often
obscure corrections
of whole books by
nearly unnoticed changes
of single letters
sometimes meaningful but
about which the less said
by preemptive commentary
the better.
Third: I hold that all three
sorts of error,
errors by chance,
errors by workers' protest,
and errors by
God's touch,
are in practice the
same and indistinguishable.
Therefore I,
Frank Steinman,
typographer
for thirty-seven years,
and cooperative Master
of the Holliston Guild
eight years,
being of sound mind and body
though near death
urge the abolition
of all editorial work
whatsoever
and manumission
from all textual editing
to leave what was
as it was, and
as it became,
except insofar as editing
is itself an error, and
therefore also divine.
poem by Aaron Fogel
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Fundamental of Liar Chapter LVIII: Intention
Can I ugly cry like that when it intended to be lie
Can I easily talk like that when it intended to be lie
Can I bark mad like that when it intended to be lie
Or will I set my poker face to smooth my intention to lie?
poem by Maria Sudibyo
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Typographical Errors
Typographical errors,
I try to avoid.
Some I leave,
To create their own noise.
And something suspected,
To be out of place...
Usually gets more attention,
Than something correct...
One wishes to say.
And there are times it takes me,
All day to imperfect what is correct.
Especially if I want to emphasize,
My own perfection has defects.
I know! I know, that's hard to believe...
That I would take 'all' day to imperfect what is correct.
poem by Lawrence S. Pertillar
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The Hardheaded Man
because i am hardheaded
i do not look back,
i have learned from the woman
who turned into salt
and look at what i have done upon myself
i grow errors
i glance at each of them
i shrug my shoulder and then walk away,
or move on as they want to say
i want to live a life that does nothing with what has been
erroneously done
leave them as they are
for me to see that i am not perfect
that others may learn to approximate to the maximum the reality
about mistakes which if left uncorrected
shall ultimately symbolize
who we really are... the perfect example
of human imperfection
God's ally, God's beloved
since it is from us that God also sees
who He really is.
poem by Ric S. Bastasa
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Poetry Is Sexy
Poetry is sexy
Its lyrics aim to please
Poetry is sexy
Engaging in its tease
Poetry is sexy
It radiates with verb
Poetry is sexy
Every idyllic word
Poetry is sexy
Refined for purity
Poetry is sexy
Stripped of subtlety
Poetry is sexy
When read between the lines
Poetry is sexy
Laced with frilly rhymes
Poetry is sexy
Both singular and plural
Poetry is sexy
Every exclamatory swirl
Poetry is sexy
Grammatically raw
Poetry is sexy
Even typos and all
Poetry is sexy
Consummated publicly
Poetry is sexy
When performed properly
Poetry is sexy
Irrespective of its font
Poetry is sexy
Fashioned any way you want
poem by Brian Dorn
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The Perfect Poem
Fledgling poets often make a wide variety of mistakes,
And it’s nice to have these brought to your attention.
People enjoy writing poetry, as at the end of the day,
They end up, with a product of their own invention.
If you’re writing a poem to enter into a competition,
Don’t be tempted to use coloured ink or fancy fonts;
Along with the use of images, they detract from the poem,
And this is not what any reader, especially a judge, wants.
The title of your masterpiece is very important indeed;
It needs to really grab the reader’s eye and attention.
People don’t always realise how important a catchy title is,
But, it is a valid point which really is worth a mention.
The body of text, needs to be broken into bite size verses,
So as it’s attractive to the reader’s roving and selective eye.
If a poem looks forbidding, and uninviting on the printed page,
Many a reader is likely to just gloss over it, and pass it on by.
The wording of a poem should sound as natural as can be:
Phrases shouldn’t be inverted in order to satisfy a rhyme.
The use of inversion is not considered to be skilful writing,
But, it is used by many writers of poetry, time after time.
The lines of a poem, especially those ones which rhyme,
Give or take a syllable, should be roughly of equal length.
If a poem has a really good strong, rhythmic pulse to it,
It really does give it so much more balance and strength.
Readers are much less likely to choose to read a poem,
If it is really confusing, or if it is just weirdly obscure.
Too many ideas and themes packed into one piece alone,
Is another problem which readers hate to have to endure.
You shouldn’t tell the reader too much or too little –
It needs to be just the right amount of information.
They need the chance to find their own way into a poem,
Leaving room for their own imagination, and interpretation.
Certain subjects are covered time and time again,
And so there’s not really anything very new to say;
If you do choose to write about a popular subject,
You need to present it in a totally fresh and new way.
If you follow the above useful advice and guidelines,
Your chances of winning a competition should increase.
Correct any spelling and grammatical errors you may have,
Then, you should end up with pretty much the perfect piece.
poem by Angela Wybrow
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Urceus Exit
Triolet
I INTENDED an Ode,
And it turn'd to a Sonnet
It began a la mode,
I intended an Ode;
But Rose cross'd the road
In her latest new bonnet;
I intended an Ode;
And it turn'd to a Sonnet.
poem by Henry Austin Dobson
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In his errors a man is true to type. Observe the errors and you will know the man.
Your performance depends on your people. Select the best, train them and back them. When errors occur, give sharper guidance. If errors persist or if the fit feels wrong, help them move on. The country cannot afford amateur hour in the White House.
quote by Donald Rumsfeld
Submitted by Lucian Velea
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Not Reversible
Not all memories are happy ones
when they come to call.
Some are seeped in sadness
with things we wish we’d done.
Some errors are not reversible
as they are locked in the past
where we are not allowed to go
and surface every so often
to haunt us now and then.
Mistakes we made in love and life
with scars we claimed from them.
Some errors are not reversible
no matter how hard we try.
31 March 2009
poem by David Harris
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Darwin himself, in his day, was unable to fight free of the theoretical errors of which he was guilty. It was the classics of Marxism that revealed those errors and pointed them out.
quote by Trofim Lysenko
Submitted by Lucian Velea
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Each generation writes off earlier errors as the result of bad thinking, of less able minds--and then confidently embarks on making fresh errors of its own.
Michael Crichton in Prey
Submitted by Lucian Velea
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