South Country
After the whey-faced anonymity
Of river-gums and scribbly-gums and bush,
After the rubbing and the hit of brush,
You come to the South Country
As if the argument of trees were done,
The doubts and quarrelling, the plots and pains,
All ended by these clear and gliding planes
Like an abrupt solution.
And over the flat earth of empty farms
The monstrous continent of air floats back
Coloured with rotting sunlight and the black,
Bruised flesh of thunderstorms:
Air arched, enormous, pounding the bony ridge,
Ditches and hutches, with a drench of light,
So huge, from such infinities of height,
You walk on the sky's beach
While even the dwindled hills are small and bare,
As if, rebellious, buried, pitiful,
Something below pushed up a knob of skull,
Feeling its way to air.
poem by Kenneth Slessor
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Related quotes
Beautiful Yuroke Red River Gum
For Northlands Secondary College Mobile Rebel School
Sometimes the red river gums rustled
in the beginning of colonization when
Wurundjeri
Bunnerong
Wathauring
and other Kulin nations
sang and danced
and
laughed
aloud
Not too long and there are
fewer red river gums, the
Yarra Yarra tribe’s blood becomes
the river’s rich red clay
There are maybe two red river gums
a scarred tree which overlooks the
Melbourne Cricket Ground the
survivors of genocide watch
and camp out, live, breathe in various
parks ’round Fitzroy and down
town
cosmopolitan
St Kilda
And some of us mob have graduated
from Koori Kollij, Preston TAFE,
the Melbin Yewni
Red river gums are replaced
by plane trees from England
and still
the survivors
watch.
poem by Lisa Bellear
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Skeleton Flat
HERE’S never a bough to be tossed in the breeze,
For it’s long since the forest was green;
And round all the trunks of the naked white trees
The marks of the death-ring are seen.
The solemn-faced bear, who had looked on the blacks
From his home with the ’possum and cat,
Blinked anxiously down when the death-dealing axe
Was ring-barking Skeleton Flat.
And, strange to be seen in the evergreen south,
The gums for ten summers have stood,
And dried in the terrible furnace of drouth,
Till harder than flint is the wood.
Now tall grows the grass at the roots of the trees,
But a beautiful forest it cost;
And the heart of the splitter is sad when he sees
And thinks of the timber that’s lost.
Here flies, through a sky that is glazed, the black crow,
And the eagle goes circling around,
Or evilly sits on a branch that is low,
With his gleaming black eye on the ground.
And loudly the jackasses chuckle in mirth,
When a comrade flies upward, until
Like a fragment of thread, in its height from the earth,
Is the writhing brown snake in his bill.
O fit for the place are the curlews that wail
On the banks of a distant lagoon,
Or round by the swamps that are shallow and pale
In the light of the nights of the moon;
When glist’ning and white are the frost-covered trees
That dead for ten summers have stood;
And the stranger, benighted, might fancy he sees
The skeleton wraith of a wood.
poem by Henry Lawson
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Table Bay (Cavatina Sequence)
(after Matthew Arnold)
The sea lies flat like a huge lake tonight
but for the spray
that is endlessly sweeping in and out
on the white bay,
some couples walk on the beach
on holiday;
holding their hands under a yellow moon,
some bright beacons and stars will be out soon.
In the distance Table Mountain rises
its huge old bulk,
is gigantic black and flat against the sky
like a ship's hulk
where it marks the African continent;
sails of yachts sulk
as they lie limp in the windless great harbour
while tranquil people are home from labour.
Lights gleam far away at sea, are passing,
with a long lost
feeling of the great endlessness; as waves
fling, churn and toss
the hopes, fears and happiness of nations;
the great-great cost
of ending impoverishment, the ills
of vast centuries as destiny wills.
At a time faith and the will to be great,
did flow to sea,
like rivers in torrents that did rush in;
people were free
from the wars on the great black continent,
no destiny
could harass the nations, the pyramids,
that any living it now does forbid.
Like waves endlessly crushing on the beach,
and never spent
drawing back again, rushing to and thro
the sheer moment
between us has something that is lasting;
evanescent,
with some joys in our mutual discourse
life also flows to its ultimate course.
[Reference: 'Dover Beach' by Matthew Arnold.]
poem by Gert Strydom
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In The South Western Grampians
In the South Western Grampians of Victoria the Summer hills are brown
And from Casterton to Hamilton the roadway winds up and down
The creeks are barely flowing the roadside drains are dry
And the sun is brightly shining in the clear afternoon sky.
In the South Western Grampians the weather mostly fine
And many days of warm weather and beautiful sun shine
An undulating Countryside and hardly any green
With so few groves and woodlands and few trees to be seen.
Through the South Western Grampians one may travel far and wide
But one won't see many houses in that brown old Countryside
A farming population and few people one see
In the South Western Grampians far Inland from the sea.
On the hills of the South Western Grampians there once were many trees
Where the Indigenous tribes in the Dreamtime lived and had their Coroborees
But now open to the weather those old hills look brown and bare
And the only sound the buzzing of the bush flies in the warm Summer air.
poem by Francis Duggan
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The Journey
Snake River Country
I now remembered slowly how I came,
I, sometime living, sometime with a name,
Creeping by iron ways across the bare
Wastes of Wyoming, turning in despair,
Changing and turning, till the fall of night,
Then throbbing motionless with iron might.
Four days and nights! Small stations by the way,
Sunk far past midnight! Nothing one can say
Names the compassion they stir in the heart.
Obscure men shift and cry, and we depart.
And I remembered with the early sun
That foul-mouthed barber back in Pendleton,
The sprawling streets, the icy station bench,
The Round-up pennants, the latrinal stench.
These towns are cold by day, the flesh of vice
Raw and decisive, and the will precise;
At night the turbulence of drink and mud,
Blue glare of gas, the dances dripping blood,
Fists thudding murder in the shadowy air,
Exhausted whores, sunk to a changeless stare.
Alive in empty fact alone, extreme,
They make each fact a mortuary dream.
Once when the train paused in an empty place,
I met the unmoved landscape face to face;
Smoothing abysses that no stream could slake,
Deep in its black gulch crept the heavy Snake,
The sound diffused, and so intently firm,
It seemed the silence, having change nor term.
Beyond the river, gray volcanic stone
In rolling hills: the river moved alone.
And when we started, charged with mass, and slow,
We hung against it in an awful flow.
Thus I proceeded until early night,
And, when I read the station’s name aright,
Descended—at the bidding of a word!
I slept the night out where the thought occurred,
Then rose to view the dwelling where I lay.
Outside, the bare land stretching far away;
The frame house, new, fortuitous, and bright,
Pointing the presence of the morning light;
A train’s far screaming, clean as shining steel
Planing the distance for the gliding heel.
Through shrinking frost, autumnal grass uncurled,
In naked sunlight, on a naked world.
poem by Yvor Winters
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Serene
Calmness of the pale blue light,
An empty boat in line of sight.
Floats gently in the breezeless air,
Reflections of trees lay bare
Mirror finish, Cool blue waters,
Yellow, Brown, Black boat colors.
Serene feeling the longer I stare.
Do you receive what I share?
Pitiful
as I recall when my stomach turned
and I was hiding away from myself
away from you
like nothing but something was terribly wrong
and I admit that I was only waiting for the right time (right time)
right moment for you to look away
though you never did I pretended for a while
so I could walk where I don't belong
I remember every word you said
come back in time come back
and I remember I was too beaten
pitiful so pitiful
but I know as they hammered those nails
into your beautiful hands
your eyes they tried to search for mine
but I look away
now your eyes are the only thing that can save me
I'm still afraid of them piercin'
you break into my prison
just pretended for a while
my soul is sad and I walk away
I remember every word you said
come back in time come back
and I remember I was too beaten
pitiful so pitiful
pitiful
pitiful
pitiful
pitiful
so pitiful
and I remember every word you said
but this time I won't look away
and I remember every word you said
and this time I won't look away
and I remember every word you said
come back in time come back
and I remember I was so beaten
pitiful so pitiful
and I remember every word you said (pitiful)
come back in time come back (pitiful)
and I remember I was too beaten (pitiful)
pitiful so pitiful
song performed by by Blindside from Silence
Submitted by Lucian Velea
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The farmer and his wife (Sestina)
A girl was lying down flat on her back
with a straw hat at eye height over hair,
she was sun-struck, curling and fair
with a rain cloud ominous and black
drifting in a blue sky and a small track
meandering past and it needed some repair.
Some of your makeup is in need of repair,
there’s a guitar bag slung over your back
where you walk pass the girl at the dirt track
with the strong wind frizzling through your hair
and the sky is already turning black
but the evening up to now is fair.
Slowly you walk past the local fair
with some of the stalls needing repair,
the guitar you are carrying is black
and you walk straight on, do not look back
at the whistles of some men with long hair
while home you take a narrow long track.
Watching our horses on the racetrack
you are really sexy and very fair,
our horses do parade with shining hair
you notice that the stands need some repair
and I am standing somewhat at your back
while you are dressed prettily in black.
The highway is like a ribbon that is black
where it meets the old overgrown farm track,
there are huge blue-gum trees some way back
and you agree that the price of the Lucerne is fair
where some cows graze at the pen, needing repair,
swishing with tails to drive flies from their hair.
I pull my fingers slowly through my hair
and there are streaks of grey in the black,
but the cattle are only doing fair
while my love is coming with the field’s track
that must constantly be kept in repair
and I hear her singing over my back.
There were torn out hair a long time back,
when I met my darling and she was fair,
at a fight at a track, I was in need of repair.
poem by Gert Strydom
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Progress
THEY’VE builded wooden timber tracks,
And a trolly with screaming brakes
Noses into the secret bush,
Into the birdless brooding bush,
And the tall old gums it takes.
And down in the sunny valley,
The snorting saw screams slow;
O bush that nursed my people,
O bush that cursed my people,
That flayed and made my people,
I weep to watch you go
poem by Frank Wilmot
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View From The Top Of Black Comb
THIS Height a ministering Angel might select:
For from the summit of BLACK COMB (dread name
Derived from clouds and storms!) the amplest range
Of unobstructed prospect may be seen
That British ground commands:--low dusky tracts,
Where Trent is nursed, far southward! Cambrian hills
To the south-west, a multitudinous show;
And, in a line of eye-sight linked with these,
The hoary peaks of Scotland that give birth
To Tiviot's stream, to Annan, Tweed, and Clyde:--
Crowding the quarter whence the sun comes forth
Gigantic mountains rough with crags; beneath,
Right at the imperial station's western base
Main ocean, breaking audibly, and stretched
Far into silent regions blue and pale;--
And visibly engirding Mona's Isle
That, as we left the plain, before our sight
Stood like a lofty mount, uplifting slowly
(Above the convex of the watery globe)
Into clear view the cultured fields that streak
Her habitable shores, but now appears
A dwindled object, and submits to lie
At the spectator's feet.--Yon azure ridge,
Is it a perishable cloud? Or there
Do we behold the line of Erin's coast?
Land sometimes by the roving shepherdswain
(Like the bright confines of another world)
Not doubtfully perceived.--Look homeward now!
In depth, in height, in circuit, how serene
The spectacle, how pure!--Of Nature's works,
In earth, and air, and earth-embracing sea,
A revelation infinite it seems;
Display august of man's inheritance,
Of Britain's calm felicity and power!
poem by William Wordsworth
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Cant Run But
I cant run but
I can walk much faster than this
Cant run but
I cant run but
I can walk much faster than this
Cant run but
A cooling system
Burns out in the ukraine
Trees and umbrellas
Protect us from the new rain
Armies of engineers
To analyze the soil
The food we contemplate
The water that we boil
I cant run but
I can walk much faster than this
Cant run but
I cant run but
I can walk much faster than this
Cant run but
Oo-we oo-we
I had a dream about us
In the bottles and the bones of the night
I felt a pain in my shoulder blade
Like a pencil point? a love bite?
A couple was rubbing against us
Rubbing and doing that new dance
The man was wearing a jacket and jeans
The woman was laughing in advance
I cant run but
I can walk much faster than this
Cant run but
I cant run but
I can walk much faster than this
Cant run but
A winding river
Gets wound around a heart. pull it
Tighter and tighter
Until the muddy waters part
Down by the river bank
A blues band arrives
The music suffers
The music business thrives
I cant run but
I can walk much faster than this
Cant run but
I cant run but
I can walk much faster than this
Cant run but
Oo-we oo-we
song performed by by Paul Simon
Submitted by Lucian Velea
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Amazon Queen
Pounding hellishly the rain has no business destroying me,
My journey is never to end.
Pounding continuously is the water of a scientific kind,
The one we call acid-rain.
Pounding relentlessly are the drops that collect and form floods,
We are too worried of them.
Pounding on us is the liquid I call a storming rain-fall,
In the Amazon rain-forest, where the long river is also.
Pounding on us is the humidity derived from the weather
That never ceases in its changes and profits only.
Pounding heavily and beating the branches is the windy-rain
That lives among the Jungle, that lifts the river
And makes it briefly breath.
Pounding the earth are the Amazonians and their Queen,
Biggest warriors of the undergrowth and canopies,
Huger in conflict than the mercenaries of a war itself.
Pounding on us is the Queen of the Amazon,
The River-Mighty,
The Bleeding-Woman,
A Woman that is Queen and aims to expell us.
We stop and stare to find our heads being shot at from all sides,
Front, Back, Left and Right Flank. We have no chance, and they are
Pounding us with arrows of a different kind -
Poisoned Arrows!
One has hit my ribs and cracked one perfectly,
The other has landed in my neck!
Alas Amazon Queen, your nature is hidden now.
I lay under the trees with the pounding of the rain, in peace.
poem by Naveed Akram
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The Ancient Hills Of Toora
The ancient hills of Toora are looking brown today
Yet they were lush and rather green when last I passed this way
But that was last September when the nesting birds did sing
And every where looked greener in the early days of Spring.
To those ancient hills of Toora the Seasons come and go
And where once were thousands of gum trees only a few gums grow
And the Aboriginals who lived and hunted on those hills are not around today
Time brings with it great changes and it's always been that way.
The ancient hills of Toora as old as father time
And they were millions of years old when Christ was in his prime
The oldest human on Planet Earth perhaps fifteen years with five score
But the ancient hills of Toora will exist forever more.
The ancient hills of Toora overlooking Toora Town
From the long and warm dry Summer have never looked so brown
But I recall last September decked in their wildering flowers
Those ancient hills of Toora lush and green after Spring showers.
poem by Francis Duggan
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Brothers Under The Bridges
Saigon, it was all gone
The same coke machines as the streets I grew on
Down in a mesquite canyon, come walking along the ridge
Me and the brothers under the bridge
Campsites an hours walk from the nearest road or town
Theres too much brush in camp for the chp choppers to touch down
Aint lookin for nothin , I just want to live
Me and the brothers under the bridge
Come the santa anas and man that dry brush would light
Jimmy devon got burned up in his own campfire one winter night
We buried his body in the white stone high up on the ridge
Me and the brothers under the bridge
I had enough of the town oh and the straight life
Aint careful you end up on the wrong end of someones knife
Now I want no trouble and I aint got none to give
Me and the brothers under the bridge
Well I shipped home back in 72
And you know you were just a beautiul light in your moms dark eyes of
Blue
I stepped out on the tarmac, we were just kids
Me and the brothers under the bridge
Come veterans day I sat on the stand in my dress blues
I held your mothers hand, and they passed with the red, white and
Blue
One minute youre right there, and somethin slips.............
song performed by by Bruce Springsteen
Submitted by Lucian Velea
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Mildura
Where the sunlight, burning down,
Lights her luscious orange groves,
Lights the river and the town;
Where the placid Murray roves;
Where each shining summer gives
Life to loveliness serene;
Here the tropic lady lives
'Mid her almost tropic scene.
Palm trees spreading to the sun,
Dusk of lemon, sheen of vine;
Vitamin and vigour won
And imprisoned, till the wine,
Gushing from the purple grape
In the press, allows again
Golden sunlight to escape
These the dower of her domain.
Gay and glad and vigorous,
Winning wealth from summertime,
Glorious gifts she gleans for us
Dwellers in a colder clime;
Conjuring from her kindly earth
Golden fruits to give men joy
Well this lady knows the worth
Of her Arcadian employ.
Tropic lady! Well she knows
Whence her brave abundance comes.
Wealth, where her broad river flows,
Bordered by its spreading gums;
Comes with waters winding down
From the cold lands of the east,
Suffering her sun-kissed town
To spread for us a kingly feast.
poem by Clarence Michael James Stanislaus Dennis
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In Summer
How plain and height
With dewdrops are bright!
How pearls have crown'd
The plants all around!
How sighs the breeze
Thro' thicket and trees!
How loudly in the sun's clear rays
The sweet birds carol forth their lays!
But, ah! above,
Where saw I my love,
Within her room,
Small, mantled in gloom,
Enclosed around,
Where sunlight was drown'd,
How little there was earth to me,
With all its beauteous majesty!
poem by Johann Wolfgang von Goethe
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Thistle-down
Beyond a ridge of pine with russet tips
The west lifts to the sun her longing lips,
Her blushes stain with gold and garnet dye
The shore, the river and the wide far sky;
Like floods of wine the waters filter through
The reeds that brush our indolent canoe.
I beach the bow where sands in shadows lie;
You hold my hand a space, then speak good-bye.
Upwinds your pathway through the yellow plumes
Of goldenrod, profuse in August blooms,
And o'er its tossing sprays you toss a kiss;
A moment more, and I see only this--
The idle paddle you so lately held,
The empty bow your pliant wrist propelled,
Some thistles purpling into violet,
Their blossoms with a thousand thorns afret,
And like a cobweb, shadowy and grey,
Far floats their down--far drifts my dream away.
poem by Emily Pauline Johnson
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Heading South
Orbison/dees
I want to talk to folks back home again, to walk along a lonely country lane
To spend some time with that woman of mine, heading south, heading south
Things look bright and I feel alright yeah Im heading south
Heading south to see the sun go down on camp fire light,to join the singing at night
Heading south to cotton rows and honeysuckle bloom
Under the cumberland moon heading south, heading south
Give me room to travel on my way to a place where dreams all fade away
Where the river flows and tobacco grows heading south heading south
Cause the sun is hot and people love a lot yeah Im heading south
Heading south to see the sun go down on camp fire light, to join the singing at night
Heading south to cotton rows and honeysuckle bloom under the cumberland moon
Heading south, heading south
song performed by by Roy Orbison
Submitted by Lucian Velea
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Listen...
There is a knocking in the skull,
An endless silent shout
Of something beating on a wall,
And crying, “Let me out!”
That solitary prisoner
Will never hear reply.
No comrade in eternity
Can hear the frantic cry.
No heart can share the terror
That haunts his monstrous dark.
The light that filters through the chinks
No other eye can mark.
When flesh is linked with eager flesh,
And words run warm and full,
I think that he is loneliest then,
The captive in the skull.
Caught in a mesh of living veins,
In cell of padded bone,
He loneliest is when he pretends
That he is not alone.
We’d free the incarcerate race of man
That such a doom endures
Could only you unlock my skull,
Or I creep into yours.
poem by Ogden Nash
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Nude Beach Ahead
Whirlwind lifting shapeless seas
Frosted
Crashing
In hot breeze
Search about
A sight be found
Bare, raw flesh
Nudity
Sandpiper shifting shells for food
Millions
Billions
On top it stood
Search about
A bug be found
Bare, bug flesh
And good
Nude, beach combing, swinging free
Jesus
Please
I looked back to see
Search about
Virgin eyes look down
Bare, raw flesh
Nudity
Escape behind eyelids blushing red
Seconds
Minutes
Hurry by all these
Search about
Can isolation be found
No, just a sigh
Nude Beach Ahead!
poem by Barbara Attaway
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