Katherine Mansfield

The Town Between the Hills

The further the little girl leaped and ran,
The further she longed to be;
The white, white fields of jonquil flowers
Danced up as high as her knee
And flashed and sparkled before her eyes
Until she could hardly see.
So into the wood went she.

It was quiet in the wood,
It was solemn and grave;
A sound like a wave
Sighed in the tree-tops
And then sighed no more.
But she was brave,
And the sky showed through
A bird's-egg blue,
And she saw
A tiny path that was running away
Over the hills to--who can say?
She ran, too.
But then the path broke,
Then the path ended
And wouldn't be mended.

A little old man
Sat on the edge,
Hugging the hedge.
He had a fire
And two eggs in a pan
And a paper poke
Of pepper and salt;
So she came to a halt
To watch and admire:
Cunning and nimble was he!
"May I help, if I can, little old man?"
"Bravo!" he said,
"You may dine with me.
I've two old eggs
From two white hens
and a loaf from a kind ladie:
Some fresh nutmegs,
Some cutlet ends
In pink and white paper frills:
And--I've--got
A little hot-pot
From the town between the hills."

He nodded his head
And made her a sign
To sit under the spray
Of a trailing vine.

But when the little girl joined her hands
And said the grace she had learned to say,
The little old man gave two dreadful squeals
And she just saw the flash of his smoking heels
As he tumbled, tumbled,
With his two old eggs
From two white hens,
His loaf from a kind ladie,
The fresh nutmegs,
The cutlet-ends
In the pink and white paper frills.
And away rumbled
The little hot-pot,
So much too hot,
From the ton between the hills.

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Katherine Mansfield

Night-Scented Stock

White, white in the milky night
The moon danced over a tree.
"Wouldn't it be lovely to swim in the lake!"
Someone whispered to me.

"Oh, do-do-do!" cooed someone else,
And clasped her hands to her chin.
"I should so love to see the white bodies--
All the white bodies jump in!"

The big dark house hid secretly
Behind the magnolia and the spreading pear-tree;
But there was a sound of music--music rippled and ran
Like a lady laughing behind her fan,
Laughing and mocking and running away...
"Come into the garden--it's as light as day!"

"I can't dance to that Hungarian stuff,
The rhythm in it is not passionate enough,"
Said somebody. "I absolutely refuse...."
But he took off his socks and his shoes
And round he spun. "It's like Hungarian fruit dishes
Hard and bright--a mechanical blue!"
His white feet flicked in the grass like fishes...
Someone cried: "I want to dance, too!"

But one with a queer Russian ballet head
Curled up on a blue wooden bench instead.
And another, shadowy--shadowy and tall--
Walked in the shadow of the dark house wall,
Someone beside her. It shone in the gloom,
His round grey hat, like a wet mushroom.

"Don't you think perhaps..." piped someone's flute.
"How sweet the flowers smell!" I heard the other say.
Somebody picked a wet, wet pink,
Smelled it and threw it away.
"Is the moon a virgin or is she a harlot?"
Asked somebody. Nobody would tell.
The faces and the hands moved in a pattern
As the music rose and fell,
In a dancing, mysterious, moon-bright pattern
Like flowers nodding under the sea...

The music stopped and there was nothing left of them
But the moon dancing over the tree.

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Henry Van Dyke

A Scrap of Paper

"Will you go to war just for a scrap of paper?" -- Question
of the German Chancellor to the British Ambassador,
August 5, 1914.


A mocking question! Britain's answer came
Swift as the light and searching as the flame.

"Yes, for a scrap of paper we will fight
Till our last breath, and God defend the right!

"A scrap of paper where a name is set
Is strong as duty's pledge and honor's debt.

"A scrap of paper holds for man and wife
The sacrament of love, the bond of life.

"A scrap of paper may be Holy Writ
With God's eternal word to hallow it.

"A scrap of paper binds us both to stand
Defenders of a neutral neighbor land.

"By God, by faith, by honor, yes! We fight
To keep our name upon that paper white."

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Lewis Carroll

Another Acrostic ( In the style of Father William )

"Are you deaf, Father William!" the young man said,
"Did you hear what I told you just now?
"Excuse me for shouting! Don't waggle your head
"Like a blundering, sleepy old cow!
"A little maid dwelling in Wallington Town,
"Is my friend, so I beg to remark:
"Do you think she'd be pleased if a book were sent down
"Entitled 'The Hunt of the Snark?'"


"Pack it up in brown paper!" the old man cried,
"And seal it with olive-and-dove.
"I command you to do it!" he added with pride,
"Nor forget, my good fellow to send her beside
"Easter Greetings, and give her my love."

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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The Suicide's Grave

On a tree by a river a little tomtit
Sang "Willow, titwillow, titwillow!"
And I said to him, "Dicky-bird, why do you sit
Singing 'Willow, titwillow, titwillow'?
Is it weakness of intellect, birdie?" I cried,
"Or a rather tough worm in your little inside?"
With a shake of his poor little head he replied,
"Oh, willow, titwillow, titwillow!"

He slapped at his chest, as he sat on that bough,
Singing "Willow, titwillow, titwillow!"
And a cold perspiration bespangled his brow,
Oh, willow, titwillow, titwillow!
He sobbed and he sighed, and a gurgle he gave,
Then he threw himself into the billowy wave,
And an echo arose from the suicide's grave -
"Oh, willow, titwillow, titwillow!"

Now I feel just as sure as I'm sure that my name
Isn't Willow, titwillow, titwillow,
That 'twas blighted affection that made him exclaim,
"Oh, willow, titwillow, titwillow!"
And if you remain callous and obdurate, I
Shall perish as he did, and you will know why,
Though I probably shall not exclaim as I die,
"Oh, willow, titwillow, titwillow!"

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Emily Dickinson

You're right—

234

You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—

'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!

And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—

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Emily Dickinson

It can't be "Summer"!

221

It can't be "Summer"!
That—got through!
It's early—yet—for "Spring"!
There's that long town of White—to cross—
Before the Blackbirds sing!
It can't be "Dying"!
It's too Rouge—
The Dead shall go in White—
So Sunset shuts my question down
With Cuffs of Chrysolite!

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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

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Lewis Carroll

You Are Old Father William

"You are old, father William," the young man said,
"And your hair has become very white;
And yet you incessantly stand on your head --
Do you think, at your age, it is right?

"In my youth," father William replied to his son,
"I feared it might injure the brain;
But, now that I'm perfectly sure I have none,
Why, I do it again and again."

"You are old," said the youth, "as I mentioned before,
And you have grown most uncommonly fat;
Yet you turned a back-somersault in at the door --
Pray what is the reason for that?"

"In my youth," said the sage, as he shook his grey locks,
"I kept all my limbs very supple
By the use of this ointment -- one shilling a box --
Allow me to sell you a couple?"

"You are old," said the youth, "and your jaws are too weak
For anything tougher than suet;
Yet you finished the goose, with the bones and the beak --
Pray, how did you mange to do it?"

"In my youth," said his fater, "I took to the law,
And argued each case with my wife;
And the muscular strength, which it gave to my jaw,
Has lasted the rest of my life."

"You are old," said the youth, "one would hardly suppose
That your eye was as steady as every;
Yet you balanced an eel on the tend of your nose --
What made you so awfully clever?"

"I have answered three questions, and that is enough,"
Said his father. "Don't give yourself airs!
Do you think I can listen all day to such stuff?

Be off, or I'll kick you down stairs.

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Rudyard Kipling

Soldier, Soldier

"Soldier, soldier come from the wars,
Why don't you march with my true love?"
"We're fresh from off the ship an' 'e's maybe give the slip,
An' you'd best go look for a new love."
New love! True love!
Best go look for a new love,
The dead they cannot rise, an' you'd better dry your eyes,
An' you'd best go look for a new love.

"Soldier, soldier come from the wars,
What did you see o' my true love?"
"I seed 'im serve the Queen in a suit o' rifle-green,
An' you'd best go look for a new love."

"Soldier, soldier come from the wars,
Did ye see no more o' my true love?"
"I seed 'im runnin' by when the shots begun to fly --
But you'd best go look for a new love."

"Soldier, soldier come from the wars,
Did aught take 'arm to my true love?"
"I couldn't see the fight, for the smoke it lay so white --
An' you'd best go look for a new love."

"Soldier, soldier come from the wars,
I'll up an' tend to my true love!"
"'E's lying on the dead with a bullet through 'is 'ead,
An' you'd best go look for a new love."

"Soldier, soldier come from the wars,
I'll down an' die with my true love!"
"The pit we dug'll 'ide 'im an' the twenty men beside 'im --
An' you'd best go look for a new love."

"Soldier, soldier come from the wars,
Do you bring no sign from my true love?"
"I bring a lock of 'air that 'e allus used to wear,
An' you'd best go look for a new love."

"Soldier, soldier come from the wars,
O then I know it's true I've lost my true love!"
"An' I tell you truth again -- when you've lost the feel o' pain
You'd best take me for your true love."
True love! New love!
Best take 'im for a new love,
The dead they cannot rise, an' you'd better dry your eyes,
An' you'd best take 'im for your true love.

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There was one I met upon the road

There was one I met upon the road
Who looked at me with kind eyes.
He said, "Show me of your wares."
And this I did,
Holding forth one.
He said, "It is a sin."
Then held I forth another;
He said, "It is a sin."
Then held I forth another;
He said, "It is a sin."
And so to the end;
Always he said, "It is a sin."
And, finally, I cried out,
"But I have none other."
Then did he look at me
With kinder eyes.
"Poor soul!" he said.

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Under the Pines

"LIFE is sad," says the wind in the pines
To the still soul listening,
While the pale, pale day declines
Like a white bird on the wing.
"Life is sad," says the quiet earth
5
Under the churchyard wall,
Where the spring flowers have their birth
And the autumn leaflets fall.
"Life is sad," say the daisies that blow there
And stretch out their heads to the sun;
10
"Life is sad," say the poor hearts that go there
To weep when the day's work is done.
"Life is sad," from below, from on high,
From forest and meadow and tree,
From the clouds that drift over the sky
15
And the days that die into the sea.
Then up and be brave with thy sorrow,
Like a man with his face to the blast;
Not from hope of the joys of to-morrow,
Nor rest when the warfare is past;
20

But strong that weak souls may grow strong,
That men may take heart by the way,
Till the heavens break forth with the song
That will herald eternal day.

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Emily Dickinson

What is—

215

What is—"Paradise"—
Who live there—
Are they "Farmers"—
Do they "hoe"—
Do they know that this is "Amherst"—
And that I—am coming—too—

Do they wear "new shoes"—in "Eden"—
Is it always pleasant—there—
Won't they scold us—when we're homesick—
Or tell God—how cross we are—

You are sure there's such a person
As "a Father"—in the sky—
So if I get lost—there—ever—
Or do what the Nurse calls "die"—
I shan't walk the "Jasper"—barefoot—
Ransomed folks—won't laugh at me—
Maybe—"Eden" a'n't so lonesome
As New England used to be!

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Bjørnstjerne Bjørnson

Nils Finn

Now little Nils Finn had away to go;
The skis were too loose at both heel and toe.
--"That's too bad!" rumbled yonder.

Then little Nils Finn in the snow set his feet:
"You ugliest troll, you shall never me cheat!"
--"Hee-ho-ha!" rumbled yonder.

Nils Finn with his staff beat the snow till it blew
"Your trollship, now saw you how hapless it flew?"
--"Hit-li-hu!" rumbled yonder.

Nils Finn pushed one ski farther forward with might;
The other held fast,--he reeled left and right.
--"Pull it up!" rumbled yonder.

Nils' tears wet the snow, while he kicked and he struck;
The more that he kicked there, the deeper he stuck.
--"That was good!" rumbled yonder.

The birch-trees, they danced, and the pine-trees said "Hoo!"
They more were than one,--were a hundred and two.
--"Know your way?" rumbled yonder.

A laugh shook the ridge till it made the snow fly;
But Nils clenched his fists and he swore 't was a lie.
--"Now beware!" rumbled yonder.

The snow-field yawned wide, and the heavens came low;
Nils thought 't was now time for him also to go.
--"Is he gone?" rumbled yonder.--

Two skis in the snow looked about everywhere,
But saw nothing much; for there was nothing there.
--"Where is Nils?" rumbled yonder.

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Rabindranath Tagore

The Gardener XXVI: What Comes From Your Willing Hands

"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."

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Lewis Carroll

Madrigal

(To Miss May Forshall.)


HE shouts amain, he shouts again,
(Her brother, fierce, as bluff King Hal),
"I tell you flat, I shall do that!"
She softly whispers " 'May' for 'shall'!"
He wistful sighed one eventide
(Her friend, that made this Madrigal),
"And shall I kiss you, pretty Miss!"
Smiling she answered " 'May' for 'shall'!"

With eager eyes my reader cries,
"Your friend must be indeed a val-
-uable child, so sweet, so mild!
What do you call her?" "May For shall."

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Us Two

Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.

"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.

"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.

"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.

"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."

So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.

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Zeroing In

"I am a landscape," he said.
"a landscape and a person walking in that landscape.
There are daunting cliffs there,
And plains glad in their way
of brown monotony. But especially
there are sinkholes, places
of sudden terror, of small circumference
and malevolent depths."
"I know," she said. "When I set forth
to walk in myself, as it might be
on a fine afternoon, forgetting,
sooner or later I come to where sedge
and clumps of white flowers, rue perhaps,
mark the bogland, and I know
there are quagmires there that can pull you
down, and sink you in bubbling mud."
"We had an old dog," he told her, "when I was a boy,
a good dog, friendly. But there was an injured spot
on his head, if you happened
just to touch it he'd jump up yelping
and bite you. He bit a young child,
they had to take him down to the vet's and destroy him."
"No one knows where it is," she said,
"and even by accident no one touches it.
It's inside my landscape, and only I, making my way
preoccupied through my life, crossing my hills,
sleeping on green moss of my own woods,
I myself without warning touch it,
and leap up at myself -"
"- or flinch back
just in time."
     &nbs p;         ;      "Yes, we learn that.
It's not a terror, it's pain we're talking about:
those places in us, like your dog's bruised head,
that are bruised forever, that time
never assuages, never."

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A Song Of Comfort

"Sleep, weary ones, while ye may --
Sleep, oh, sleep!"
Eugene Field.

Thro' May time blossoms, with whisper low,
The soft wind sang to the dead below:
"Think not with regret on the Springtime's song
And the task ye left while your hands were strong.
The song would have ceased when the Spring was past,
And the task that was joyous be weary at last."

To the winter sky when the nights were long
The tree-tops tossed with a ceaseless song:
"Do ye think with regret on the sunny days
And the path ye left, with its untrod ways?
The sun might sink in a storm cloud's frown
And the path grow rough when the night came down."

In the grey twilight of the autumn eves,
It sighed as it sang through the dying leaves:
"Ye think with regret that the world was bright,
That your path was short and your task was light;
The path, though short, was perhaps the best
And the toil was sweet, that it led to rest."

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Katherine Mansfield

Sea

The Sea called--I lay on the rocks and said:
"I am come."
She mocked and showed her teeth,
Stretching out her long green arms.
"Go away!" she thundered.
"Then tell me what I am to do," I begged.
"If I leave you, you will not be silent,
But cry my name in the cities
And wistfully entreat me in the plains and forests;
All else I forsake to come to you--what must I do?"
"Never have I uttered your name," snarled the Sea.
"There is no more of me in your body
Than the little salt tears you are frightened of shedding.
What can you know of my love on your brown rock
pillow....
Come closer."

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