Galatea Encore

As though the mercury's under its tongue, it won't
talk. As though with the mercury in its sphincter,
immobile, by a leaf-coated pond
a statue stands white like a blight of winter.
After such snow, there is nothing indeed: the ins
and outs of centuries, pestered heather.
That's what coming full circle means -
when your countenance starts to resemble weather,
when Pygmalion's vanished. And you are free
to cloud your folds, to bare the navel.
Future at last! That is, bleached debris
of a glacier amid the five-lettered "never."
Hence the routine of a goddess, nee
alabaster, that lets roving pupils gorge on
the heart of color and the temperature of the knee.
That's what it looks like inside a virgin.

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Again Endorsing the Lady

Horace: Book II, Elegy 2

"Liber eram et vacuo meditabar vivere lecto--"


I was free. I thought that I had entered
Love's Antarctic Zone.
"A truce to sentiment," I said. "My nights
shall be my own."
But Love had double-crossed me. How can
Beauty be so fair?
The grace of her, the face of her--and oh,
her yellow hair!

And oh, the wondrous walk of her! So doth
a goddess glide.
Jove's sister--ay, or Pallas--hath no statelier
a stride.
Fair as Iscomache herself, the Lapithanian
maid;
Or Brimo where at Mercury's side her virgin
form she laid.

Surrender now, ye goddesses whom erst the
shepherd spied!
Upon the heights of Ida lay your vestitures
aside!
And though she reach the countless years of
the Cumæan Sibyl,
May never, never Age at those delightful
features nibble!

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Just A Kiss

Hold me close
So close.
My bosom
Heaves breathlessly
Hard
Against the thuds of your heart.
The nape of my neck,
Immobile,
For your grip
Holds it
A cage of feathers,
Tight…
and locked lie
our gazes,
your breath
mirroring mine.
My lips swollen,
Bruised,
Your taste a bitter sweet
Lingering in my mouth
Way past the moonless night.
Your tongue igniting
The deepest of my desires
And in cold fire
Burns "you" and "me"
Into ashes of" us".
My nape,
Still immobile,
In that feather grip
Of your hands
And all you asked for was
Just
"A kiss."

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Mercury Blues

(robert l geddins/kc douglas)
Well if I had money
Tell you what Id do
Id go downtown and buy a mercury or two
Crazy bout a mercury
Lord Im crazy bout a mercury
Im gonna buy me a mercury
And cruise it up and down the road
Well the girl I love
I stole her from a friend
He got lucky, stole her back again
She heard he had a mercury
Lord shes crazy bout a mercury
Im gonna buy me a mercury
And cruise it up and down the road
Well hey now mama
You look so fine
Ridin round in your mercury 49
Crazy bout a mercury
Lord Im crazy bout a mercury
Im gonna buy me a mercury
And cruise it up and down the road
Well my baby went out
She didnt stay long
Bought herself a mercury, come a cruisin home
Shes crazy bout a mercury
Yeah shes crazy bout a mercury
And cruise it up and down the road
Well if I had money
I tell you what Id do
Id go downtown and buy me a mercury or two
Crazy bout a mercury
Im gonna buy me a mercury
And cruise it up and down the road

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Emily Dickinson

What is—

215

What is—"Paradise"—
Who live there—
Are they "Farmers"—
Do they "hoe"—
Do they know that this is "Amherst"—
And that I—am coming—too—

Do they wear "new shoes"—in "Eden"—
Is it always pleasant—there—
Won't they scold us—when we're homesick—
Or tell God—how cross we are—

You are sure there's such a person
As "a Father"—in the sky—
So if I get lost—there—ever—
Or do what the Nurse calls "die"—
I shan't walk the "Jasper"—barefoot—
Ransomed folks—won't laugh at me—
Maybe—"Eden" a'n't so lonesome
As New England used to be!

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

poem by Michael DraytonReport problemRelated quotes
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Mercury Blues

If I had money
Tell you what I'd do
I'd go downtown
Buy a Mercury or two
I'm crazy 'bout a Mercury
Ohh I'm crazy 'bout a Mercury
I'm gonna buy me a Mercury
Cruise it up and down the road
Well, I had me a girl
Stole her from a friend
Friend got lucky
Stole her back again
Cause she thought he had a Mercury
Ohh she thought he had a Mercury
I'm gonna buy me a Mercury
Cruise it up and down the road
CMON!!
[instrumental break - 6 measures]
Well, hey now mama
Lookin' so fine
Cruisin' round
In your Mercury 69
I'm crazy 'bout a Mercury
Ooo, I'm crazy 'bout a Mercury
I'm gonna buy me a Mercury
Cruise it up and down the road
My girl went out
Didn't stay long
Bought herself a Mercury
And Cruised it on home
Cause she know I have a Mercury
Ohh she know I have a Mercury
I'm gonna buy me a Mercury
Cruise it up and down the road
[instrumental break - 12 measures]
Well, hey now mama
Lookin' so fine
Cruisin' round
In your Mercury 69
I'm crazy 'bout a Mercury
Ooo, I'm crazy 'bout a Mercury
I'm gonna buy me a Mercury
Cruise it up and down the road
I'm gonna buy me a Mercury
Cruise it up and down the road
I'm gonna buy me a Mercury
Cruise it up and down
I'm going out
I'm gonna get me a real job
And I'm gonna buy me some
MERCURY!! Yeah

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Rabindranath Tagore

The Gardener XXVI: What Comes From Your Willing Hands

"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."

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Commandeering

Our hero was a Tommy with a conscience free from care,
And such an open countenance that when he breathed the air
He mopped up all the atmosphere -- so little went to spare
You could hardly say he breathed, he "commandeered" it.
For nowadays you'll notice when a man is "on the make",
And other people's property is anxious for to take,
We never use such words as "steal", or "collar", "pinch", or "shake".
No, the fashion is to say we "commandeered" it.

And our simple-minded hero used to grumble at his lot,
Said he, "This commandeerin's just a little bit too hot,
A fellow has to carry every blooming thing he's got;
Whatever he puts down they'll commandeer it."

So after much anxiety our simple-minded elf
He thought he'd do a little commandeering for himself,
And the first thing that he'd noticed was a bottle on a shelf
In a cottage, so he thought he'd commandeer it.

"What ho!" says he, "a bottle, and, by George, it's full of beer,
And no commanding officer to come and interfere.
Here's my own blooming health," says he, "I'm on the commandeer."
And without another word he commandeered it.

On his subsequent proceedings we must draw a little veil,
For the Boers had left some sheep dip in that bottle labelled "Ale";
But the doctor said he's shift it -- if all other methods fail,
We must use the stomach pump and commandeer it.

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White-Mercury

Where is my white-mercury?
For you stole my mercury last night with your love,
And your ways led you away like a thief,
But your love was so sweet.
Nice and soft but your acts led you away so soon!
And your continuous abortion is noted all over,
But do think about the consequences in the future.

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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

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The Spring

(After Rilke)


Spring has returned! Everything has returned!
The earth, just like a schoolgirl, memorizes
Poems, so many poems. ... Look, she has learned
So many famous poems, she has earned so many prizes!

Teacher was strict. We delighted in the white
Of the old man's beard, bright like the snow's:
Now we may ask which names are wrong, or right
For "blue," for "apple," for "ripe." She knows, she knows!

Lucky earth, let out of school, now you must play
Hide-and-seek with all the children every day:
You must hide that we may seek you: we will! We will!

The happiest child will hold you. She knows all the things
You taught her: the word for "hope," and for "believe,"
Are still upon her tongue. She sings and sings and sings.

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Realization

I smiled with skeptic mocking where they told me you were dead,
You of the airy laughter and lightly twinkling feet;
"They tell a dream that haunted a chill gray dawn," I said,
"Death could not touch or claim a thing so vivid and so sweet!"

I looked upon you coffined amid your virgin flowers,
But even that white silence could bring me no belief:
"She lies in maiden sleep," I said. "and in the youngling hours
Her sealed dark eyes will open to scorn our foolish grief."

But when I went at moonrise to our ancient trysting place. . . . .
And, oh, the wind was keening in the fir-boughs overhead! . . . .
And you came never to me with your little gypsy face,
Your lips and hands of welcome, I knew that you were dead!

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Emily Dickinson

You're right—

234

You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—

'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!

And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—

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Wet

Not guilty, yer Honor . . . An' givin' me reasons,
I'd like for to plead this ‘ere change in the seasons,
Plus one flamin' goat with a terrible silly
Great grin on ‘is map wot ‘ud drive a man dilly

‘E lobs in me shop an' - "Is this enough rain for yeh?"
Honest yer Honor, I'd like to explain for yeh,
‘Twas n't ‘is tone, or ‘is talk of the weather
And ‘twas n't ‘is grin; but the whole lot together.

"This enough rain for yeh?" Stands there inquirin',
As if this ‘ere rain's the one thing I'm desirin'.
"Wet, ain't it?" ‘e grins, with ‘is mackintosh leakin'
All over me carpit . . . it's justice I'm seekin'

Plain justice, yer Honor. I wonder I'm sober.
You know ‘ow it poured thro' the whole of October,
Then floods in November - an' this ‘eathen image
Sez, "Rain enough for yeh?" That started the scrimmage.

"Wet, ain't it?" ‘e sez. Can a man claim I wrongs ‘im
Right there in me shop, when I ups an' I dongs ‘im?
For I done al me cash - as ‘e well must remember,
The coot - in this ‘ere ice-cream joint last September.

Yes, ice-cream, yer Honor. Cool drinks - then this weather
An' ‘im, an' ‘is talk, an' ‘is grin all together
Well - a man can stand so much. I ain't prone to fightin',
But, if a fine must be, well, make it a light ‘un.

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Little Guy

I know this little guy, he stands, oh so, about knee high.

He's got the cutest dimples on his cheery face,

Got a smile that lights up the whole place.

He's got the knack for chatter, he invites himself if you won't:

"I'll have that muesli bar please cause my brother don't."

Suppose to have a nap, and in the a tragic voice he confides,

"I was crying the whole time." Ok, please don't make me cry.

Apparently being bounced on the trampoline is hilarious,

But all I can think of is how dangerous.

Not enough sleep is constantly plaguing me,

But he don't care if in bed he's suppose to be.

In the middle of a rousing game of hide-and-seek,

He'll curl up and go to sleep.

Wish I could do just that, and live a bit more like him,

So unaware of all the dangers and troubles surrounding,

Spend a bit more time enjoying the little things

Get the chance to take them all in.

"Can I have a drink? " he toddles up the sink.

"Why of course, here's your drink."

Watch his little legs carry him off to some new adventure,

"You can't catch me! " wait, "I gotcha! "

You're running out of time, little guy,

If only you could stay knee-high.

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The Australian Slanguage

"Tis the everyday Australian
Has a language of his own,
Has a language, or a slanguage,
Which can simply stand alone.
And a "dickon pitch to kid us"
Is a synonym for "lie",
And to "nark it" means to stop it,
And to "nit it" means to fly.

And a bosom friend's a "cobber,"
And a horse a "prad" or "moke,"
While a casual acquaintance
Is a "joker" or a "bloke."
And his lady-love's his "donah"
or his "clinah" or his "tart"
Or his "little bit o' muslin,"
As it used to be his "bart."

And his naming of the coinage
Is a mystery to some,
With his "quid" and "half-a-caser"
And his "deener" and his "scrum".
And a "tin-back" is a party
Who's remarkable for luck,
And his food is called his "tucker"
Or his "panem" or his "chuck".

A policeman is a "johnny"
Or a "copman" or a "trap",
And a thing obtained on credit
Is invariably "strap".
A conviction"s known as "trouble",
And a gaol is called a "jug",
And a sharper is a "spieler"
And a simpleton's a "tug".

If he hits a man in fighting
That is what he calls a "plug",
If he borrows money from you
He will say he "bit your lug."
And to "shake it" is to steal it,
And to "strike it" is to beg;
And a jest is "poking borac",
And a jester "pulls your leg".

Things are "cronk" when they go wrongly
In the language of the "push",
But when things go as he wants 'em
He declares it is "all cush".
When he's bright he's got a "napper",
And he's "ratty" when he's daft,
And when looking for employment
He is "out o' blooming graft".

And his clothes he calls his "clobber"
Or his "togs", but what of that
When a "castor" or a "kady"
Is the name he gives his hat!
And our undiluted English
Is a fad to which we cling,
But the great Australian slanguage
Is a truly awful thing!

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Abelard and Heloïse

["There are so many things I want to talk to you about." Abelard probably said to Heloïse, "but how can I when I can only think about kissing you?" --KATHARINE LANE in the Evening Mail.]

Said Abelard to Heloïse:
"Your tresses blowing in the breeze
Enchant my soul; your cheek allures;
I never knew such lips as yours."

Said Heloïse to Abelard:
"I know that it is cruel, hard,
To make you fold your yearning arms
And think of things besides my charms."

Said Abelard to Heloïse:
"Pray, lets discuss the Portuguese;
Their status in the League of Nations.
. . . . Come, slip me seven osculations.
"The Fourteen Points," said Heloïse,
"Are pure Woodrovian fallacies."
Said Abelard: "Ten times fourteen
The points you have, O beaucoup queen!"

"Lay off," said Heloïse, "all that stuff.
I've heard the same old thing enough."
"But," answered Abelard, "your lips
Put all my thoughts into eclipse."

"O Abelard," said Heloïse,
"Don't take so many liberties."
"I do it but to show regard."

And Heloïse told her chum that night
That Abelard was Awful Bright;
And--thus is drawn the cosmic plan--
She loved an Intellectual Man.

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Us Two

Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.

"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.

"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.

"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.

"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."

So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.

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Emily Dickinson

If the foolish, call them "flowers"

168

If the foolish, call them "flowers"—
Need the wiser, tell?
If the Savants "Classify" them
It is just as well!

Those who read the "Revelations"
Must not criticize
Those who read the same Edition—
With beclouded Eyes!

Could we stand with that Old "Moses"—
"Canaan" denied—
Scan like him, the stately landscape
On the other side—

Doubtless, we should deem superfluous
Many Sciences,
Not pursued by learned Angels
In scholastic skies!

Low amid that glad Belles lettres
Grant that we may stand,
Stars, amid profound Galaxies—
At that grand "Right hand"!

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Lewis Carroll

My Fairy

I have a fairy by my side
Which says I must not sleep,
When once in pain I loudly cried
It said "You must not weep"
If, full of mirth, I smile and grin,
It says "You must not laugh"
When once I wished to drink some gin
It said "You must not quaff".

When once a meal I wished to taste
It said "You must not bite"
When to the wars I went in haste
It said "You must not fight".

"What may I do?" at length I cried,
Tired of the painful task.
The fairy quietly replied,
And said "You must not ask".

Moral: "You mustn't."

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