Jonathan Swift

The Progress of Poetry

The Farmer's Goose, who in the Stubble,
Has fed without Restraint, or Trouble;
Grown fat with Corn and Sitting still,
Can scarce get o'er the Barn-Door Sill:
And hardly waddles forth, to cool
Her Belly in the neighb'ring Pool:
Nor loudly cackles at the Door;
For Cackling shews the Goose is poor.

But when she must be turn'd to graze,
And round the barren Common strays,
Hard Exercise, and harder Fare
Soon make my Dame grow lank and spare:
Her Body light, she tries her Wings,
And scorns the Ground, and upward springs,
While all the Parish, as she flies,
Hear Sounds harmonious from the Skies.

Such is the Poet, fresh in Pay,
(The third Night's Profits of his Play;)
His Morning-Draughts 'till Noon can swill,
Among his Brethren of the Quill:
With good Roast Beef his Belly full,
Grown lazy, foggy, fat, and dull:
Deep sunk in Plenty, and Delight,
What Poet e'er could take his Flight?
Or stuff'd with Phlegm up to the Throat,
What Poet e'er could sing a Note?
Nor Pegasus could bear the Load,
Along the high celestial Road;
The Steed, oppress'd, would break his Girth,
To raise the Lumber from the Earth.

But, view him in another Scene,
When all his Drink is Hippocrene,
His Money spent, his Patrons fail,
His Credit out for Cheese and Ale;
His Two-Year's Coat so smooth and bare,
Through ev'ry Thread it lets in Air;
With hungry Meals his Body pin'd,
His Guts and Belly full of Wind;
And, like a Jockey for a Race,
His Flesh brought down to Flying-Case:
Now his exalted Spirit loaths
Incumbrances of Food and Cloaths;
And up he rises like a Vapour,
Supported high on Wings of Paper;
He singing flies, and flying sings,
While from below all Grub-street rings.

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Back and Side go Bare

Back and side go bare, go bare,
Both foot and hand go cold;
But, belly, God send thee good ale enough,
Whether it be new or old.

I cannot eat but little meat,
My stomach is not good;
But sure I think that I can drink
With him that wears a hood.
Though I go bare, take ye no care,
I am nothing a-cold;
I stuff my skin so full within
Of jolly good ale and old.
Back and side go bare, go bare,
Both foot and hand go cold;
But, belly, God send thee good ale enough,
Whether it be new or old.

I love no roast but a nutbrown toast,
And a crab laid in the fire;
A little bread shall do me stead,
Much bread I not desire.
No frost nor snow, no wind, I trow,
Can hurt me if I would,
I am so wrapt, and throughly lapt
Of jolly good ale and old.
Back and side go bare, go bare,
Both foot and hand go cold;
But, belly, God send thee good ale enough,
Whether it be new or old.

And Tib my wife, that as her life
Loveth well good ale to seek,
Full oft drinks she, till ye may see
The tears run down her cheek.
Then doth she troll to me the bowl,
Even as a maltworm should;
And saith,"Sweetheart, I took my part
Of this jolly good ale and old."
Back and side go bare, go bare,
Both foot and hand go cold;
But, belly, God send thee good ale enough,
Whether it be new or old.

Now let them drink, till they nod and wink,
Even as good fellows should do;
They shall not miss to have the bliss
Good ale doth bring men to.
And all poor souls that have scoured bowls,
Or have them lustily troll'd,
God save the lives of them and their wives,
Whether they be young or old.
Back and side go bare, go bare,
Both foot and hand go cold;
But, belly, God send thee good ale enough,
Whether it be new or old.

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Jolly Good Ale and Old

Back and side go bare, go bare,
Both foot and hand go cold;
But, belly, God send thee good ale enough,
Whether it be new or old.

I cannot eat but little meat,
My stomach is not good;
But sure I think that I can drink
With him that wears a hood.
Though I go bare, take ye no care,
I am nothing a-cold;
I stuff my skin so full within
Of jolly good ale and old.
Back and side go bare, go bare,
Both foot and hand go cold;
But, belly, God send thee good ale enough,
Whether it be new or old.

I love no roast but a nutbrown toast,
And a crab laid in the fire;
A little bread shall do me stead,
Much bread I not desire.
No frost nor snow, no wind, I trow,
Can hurt me if I would,
I am so wrapt, and throughly lapt
Of jolly good ale and old.
Back and side go bare, go bare,
Both foot and hand go cold;
But, belly, God send thee good ale enough,
Whether it be new or old.

And Tib my wife, that as her life
Loveth well good ale to seek,
Full oft drinks she, till ye may see
The tears run down her cheek.
Then doth she troll to me the bowl,
Even as a maltworm should;
And saith,"Sweetheart, I took my part
Of this jolly good ale and old."
Back and side go bare, go bare,
Both foot and hand go cold;
But, belly, God send thee good ale enough,
Whether it be new or old.

Now let them drink, till they nod and wink,
Even as good fellows should do;
They shall not miss to have the bliss
Good ale doth bring men to.
And all poor souls that have scoured bowls,
Or have them lustily troll'd,
God save the lives of them and their wives,
Whether they be young or old.
Back and side go bare, go bare,
Both foot and hand go cold;
But, belly, God send thee good ale enough,
Whether it be new or old.

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Jonathan Swift

A Receipt To Restore Stella’s Youth. 1724-5

The Scottish hinds, too poor to house
In frosty nights their starving cows,
While not a blade of grass or hay
Appears from Michaelmas to May,
Must let their cattle range in vain
For food along the barren plain:
Meagre and lank with fasting grown,
And nothing left but skin and bone;
Exposed to want, and wind, and weather,
They just keep life and soul together,
Till summer showers and evening's dew
Again the verdant glebe renew;
And, as the vegetables rise,
The famish'd cow her want supplies;
Without an ounce of last year's flesh;
Whate'er she gains is young and fresh;
Grows plump and round, and full of mettle,
As rising from Medea's kettle.
With youth and beauty to enchant
Europa's counterfeit gallant.
Why, Stella, should you knit your brow,
If I compare you to a cow?
'Tis just the case; for you have fasted
So long, till all your flesh is wasted;
And must against the warmer days
Be sent to Quilca down to graze;
Where mirth, and exercise, and air,
Will soon your appetite repair:
The nutriment will from within,
Round all your body, plump your skin;
Will agitate the lazy flood,
And fill your veins with sprightly blood.
Nor flesh nor blood will be the same
Nor aught of Stella but the name:
For what was ever understood,
By human kind, but flesh and blood?
And if your flesh and blood be new,
You'll be no more the former you;
But for a blooming nymph will pass,
Just fifteen, coming summer's grass,
Your jetty locks with garlands crown'd:
While all the squires for nine miles round,
Attended by a brace of curs,
With jockey boots and silver spurs,
No less than justices o' quorum,
Their cow-boys bearing cloaks before 'em,
Shall leave deciding broken pates,
To kiss your steps at Quilca gates.
But, lest you should my skill disgrace,
Come back before you're out of case;
For if to Michaelmas you stay,
The new-born flesh will melt away;
The 'squires in scorn will fly the house
For better game, and look for grouse;
But here, before the frost can mar it,
We'll make it firm with beef and claret.

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A Poem Of Syntax

A poet and his bird, his dog, his cat and his tree
A poet and the bird in the tree
A poet and his dog in the tree
A poet and his dog in the tree and the wind and the cloud
The bird in the tree, the dog in the tree, the cat in the tree,
The bird in the tree, the dog on the tree, the cat under the tree,
The bird on the tree, the bird in a tree, a bird in a tree, a bird in the tree,
And the wind and the cloud and the poet and his dog and his cat and the tree

The dog chases the cat the cat chases the bird
And they all arrive in that tree
Where the poet is sitting under that tree
The poet takes the dog and the cat was envious
And the bird looks at them in silence
The silence looks at the poet in the eye
Of the cat and the bird flies away
The poet and the dog is the poem of friendship
The cat and the dog is the poem of the endless natural quarrels
And the bird that flies away against the cat and the dog and the poet and the tree
And flies against the wind that the bird is now fighting
And the clouds that seem so blue and blue

The bird that actually flies away
Is actually me
I was not the poet with the dog

I am not the tree I am not the wind I am not the cloud I am not the poet there who had a dog as friend and I was not the quarrelsome thing from the blue and out of the blue

I am the bird with wings and I always fly away to places
Against the wind to places where I can be as always be the bird with wings in silence

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Pegasus

(olivia newton-john)
There you were in my dream
Flying high just for me
Oh pegasus oh pegasus
White and strong soft and warm
Youve been in my mind so long
Oh pegasus oh pegasus
Where do you come from?
Where have you been?
Where will you go oh?
Ill call for you whenever I need you
Will you take me on your back and fly away?
Will you teach me why Im here and lead the way?
Oh pegasus
Spread your wings Ill climb on
Well explore the stars youre from
Oh pegasus oh pegasus
Youre a myth born of light
Sent to heal my world tonight
Oh pegasus oh pegasus
There you were in my dream
Flying high just for me
Oh pegasus oh pegasus
White and strong soft and warm
Youve been in my mind so long
Oh pegasus oh pegasus
Through all time youll live on
A gift to earth from dark till dawn
Oh pegasus oh pegasus
Creation of magic you live in my heart
Your spirit will guide me though were dimensions apart
There you were in my dream
Flying high just for me
Oh pegasus oh pegasus
Through all time youll live on
A gift to earth from dark till dawn
Oh pegasus
(repeats)

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John Dryden

Epilogue to The Husband His Own Cuckold

Like some raw sophister that mounts the pulpit,
So trembles a young poet at a full pit.
Unused to crowds, the parson quakes for fear,
And wonders how the devil he durst come there;
Wanting three talents needful for the place,
Some beard, some learning, and some little grace.
Nor is the puny poet void of care;
For authors, such as our new authors are,
Have not much learning, nor much wit to spare;
And as for grace, to tell the truth, there's scarce one,
But has as little as the very parson:
Both say, they preach and write for your instruction;
But 'tis for a third day, and for induction.
The difference is, that though you like the play,
The poet's gain is ne'er beyond his day;
But with the parson 'tis another case,
He, without holiness, may rise to grace;
The poet has one disadvantage more,
That if his play be dull, he's damned all o'er,
Not only a damn'd blockhead, but damn'd poor.
But dulness well becomes the sable garment;
I warrant that ne'er spoiled a priest's preferment;
Wit's not his business, and as wit now goes,
Sirs, 'tis not so much yours as you suppose,
For you like nothing now but nauseous beaux.
You laugh not, gallants, as by proof appears,
At what his beauship says, but what he wears;
So 'tis your eyes are tickled, not your ears.
The tailor and the furrier find the stuff,
The wit lies in the dress, and monstrous muff.
The truth on 't is, the payment of the pit
Is like for like, clipt money for clipt wit.
You cannot from our absent author hope,
He should equip the stage with such a fop.
Fools change in England, and new fools arise;
For, though the immortal species never dies,
Yet every year new maggots make new flies.
But where he lives abroad, he scarce can find
One fool, for million that he left behind.

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Rumi

What Hidden Sweetness Is There

217

What hidden sweetness there is in this emptiness of the belly!
Man is surely like a lute, no more and no less;
For if, for instance, the belly of the lute becomes full, no
lament high or low will arise from that full lute.
If your brain and belly are on fire through fasting, because of
the fire every moment a lament will arise from your breast.
Every moment you will burn a thousand veils by that fire; you
will mount a hundred steps with zeal and endeavor.
Become empty of belly, and weep entreatingly like the reed
pipe; become empty of belly, and tell secrets with the reed pen.
If your belly is full at the time of concourse, it will bring Satan
in place of your reason, an idol in place of the Kaaba.
When you keep the fast, good habits gather together before
you like slaves and servants and retinue.
Keep the fast, for that is Solomon’s ring; give not the ring to
the div, destroy not your kingdom.
Even if your kingdom has gone from your head and your army
has fled, your army will rise up, pennants flying above them.
The table arrived from heaven to the tents of the fast, by the
intervention of the prayers of Jesus, son of Mary.
In the fast, be expectant of the table of bounty, for the table of
bounty is better than the broth of cabbages.

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The Cravin' Raven

The raven searches for food to consume.
He flies high and low,
Yet none does he find.
He thinks this is not a very good sign.

Soon, food at last, and this the meatless kind.
He has watched from afar and knows
This food is left each day on the step;
Not in the garden for humans to grow.

Swooping down to inspect this food
The milkman is gone making this a stop.
This is a treat beyond compare.
Everyday, the man makes a drop.

The raven pecks, inspects, and thinks
“The bottle is hard; my beak must not break.”
Maybe here, there, the search goes on!
Frustration and turmoil is all this creates!

More pecking he does, more frustrated he is;
This insaneness makes a bird lose his mind.
“There has to be a way.
What must I do to reach the food that is inside? ”

He pecks all around and discovers the top
The lid on the bottle is paper-like thin.
His beak will go through this fine cover,
And the treasure inside he definitely wins.

Each day he returns with knife, fork and spoon.
Taking part in this feast, a rare delicacy.
“No more searching for food must I do,
Now I can drink to fill my small belly.”

Generously, he invites friends to the feast
They will enjoy this food he is savin’.
I must not be a pig and eat all for myself.
I’ll invite friends to savor this food I’m cravin.’

The man of the house becomes aware of his loss
Loudly proclaiming no more food, and all-out war
To quote a phrase from the poet, Edgar Alan Poe
Nevermore……..Nevermore……….Nevermore!

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Pegasus

(clarke / hicks / nash)
Follow me, follow, see what you see.
Ill take somewhere where youve never been.
High on a mountain, deep down in the sea,
To faraway lands, you can travel with me.
Im pegasus, the flying horse.
Im pegasus, the flying horse.
Ride on my back and hold onto my wings
Ill take you by night to a time-leaping dream.
Time has no value where were going to
People are happy; there, theyre never blue.
Chorus
This can only happen to you
If you keep our secret.
Dont tell anyone about our magic horse.
You can go where you want, I can take you anywhere.
Because Im pegasus, the flying horse.
Im pegasus, the flying horse.
Chorus
Verse 1
Chorus
Im pegasus, the flying horse.

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Belly rub

Belly rub,
belly rub,
begs my dog.
Gonna catch that freesby,
then bring it right back to you.
Belly rub,
belly rub,
begs my dog.
if you feed me steak, ill jump in
the pool.
Belly rub,
belly rub,
begs my dog.
if you let me sleep in your bed,
ill protect you from demons and
ghost.

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For My Dog Amber Who Died A Year Ago

Belly rub,
belly rub,
begs my dog.
Gonna catch that freesby,
then bring it right back to you.
Belly rub,
belly rub,
begs my dog.
if you feed me steak, ill jump in
the pool.
Belly rub,
belly rub,
begs my dog.
if you let me sleep in your bed,
ill protect you from demons and
ghost.

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The Bear and the Hare

The bear is always bare. I have never seen a bear who was not bare. Or does he or she wear a coat of hair? Where does he or she go to buy a coat of hair so that he or she won't be a bare bear? Coats cost money. Bare bears have no money.

But bears eat honey. Even bare bears eat honey. And this bear had a honey who wanted a coat of hair. So when she said to her honey, 'Honey, I want a coat of hair, but I have no money.', her honey replied, 'Honey, I have no money to buy a coat of hair. But I do have honey. Maybe I can sell my honey for money.' So he sold his honey for money so that his honey could have some money to buy a coat of hair and not be a bare bear.

This bear had a friend who was a hare. This hare has hair. Is he bare? He is not a bare bear but a hare and hares have hair. But he is a funny bunny and likes a sunny spot even when it is hot because he like to have fun in the sun. But this funny bunny could not find a sunny spot to go to have fun in the sun until one day a fair came to town.

The bear and hare of course went to the fair. What a pair! The fair was quite far so the bare bear and the hare with the hair decided to ride the street car. To ride the street car, they had to pay a fare. I say that was quite an affair - to see the bare bear and the hair paying for their fare. The bare bear had no pockets in which to carry any fare. The funny bunny had no honey to sell to get some money to pay the fare so that he could go to the fair. The fare cost ten cents. But that makes no sense. It isn't fair to make a bear who is bare and has no pockets to hold a fare or a funny bunny who has no honey to get money to pay a fare to go to the fair.

Subsequently, the bare bear barely got on the street car after the funny bunny hopped on, the bare bear and the hair were there sitting in chairs riding in the street car to the fair without paying any fare. Along the way they saw a mare. They did not care about the mare. They wanted to get to the fair. Have you every seen a bare bear sitting in a chair? I once saw a bare bear sitting in a chair at a fair but he wasn't bare.

To get into the fair the bare bear and the hair had to pay another fare. And still the bare bear had no money to pay any fare to get into the fair. And the funny bunny had no money to pay any fare to get into the fair. So what did they do? How did they get into the fair? As I said, I saw the bare bear sitting in a chair at the fair but he wasn't bare.

Tell me if this is a poem. Thanks.

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Morning Sunshine

This poet is so seductive
This poet is now strange to me
This poet is so bold
This little girl doesn't want to see

The little girl has known this poet
ever since
But the little girl is already
tired of this poet
She just wants to play.
Not any passing minute
She hasn't have
any word of
allegory
metonymy and
simile
Take me away from this poet yet
the little girl must empty first
the words of this poet
Before she is free to play
in the morning sunshine
and go away from this busy poet

Do you think I'm too young to see?
Do you agree?

This poet won't let me
play out in the middle of the rain
This poet won't let me
see the afternoon sway
This poet won't let me
see the morning gay
Let me see the Morning Sunshine
Let me see!
But this poet
Won't let me

I'll just watch t.v
and sing
her poetry

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Elizabeth Barrett Browning

The Seraph and Poet

THE seraph sings before the manifest
God-One, and in the burning of the Seven,
And with the full life of consummate
Heaving beneath him like a mother's
Warm with her first-born's slumber in that
The poet sings upon the earth grave-riven,
Before the naughty world, soon self-forgiven
For wronging him,--and in the darkness prest
From his own soul by worldly weights.
Even so,
Sing, seraph with the glory ! heaven is high;
Sing, poet with the sorrow ! earth is low:
The universe's inward voices cry
' Amen ' to either song of joy and woe:
Sing, seraph,--poet,--sing on equally !

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Broken Wings (Lyrics)

No body known’s who I truly am,
I’ve never felt this way before,
Why do things turn out wrong?
With the way of this open door,

My broken wings were in my back,
Till I let them extract,
I’m flying through the air,
With my hair everywhere,

Why do people have to know?
What do they have to say?
Why can’t they leave me alone?
From now till the end,

My broken wings were in my back,
Till I let them extract,
I’m flying through the air,
With my hair everywhere,

Why do I live like this?
It’s like the world don’t exist,
I and you were we at,
It’s like the day is a fact,

My broken wings were in my back,
Till I let them extract,
I’m flying through the air,
With my hair everywhere,

No body known’s who I truly am,
What do people have to say?
Why do they hide from me?
Are they scared of what they see?


My broken wings were in my back,
Till I let them extract,
I’m flying through the air,
With my hair everywhere,

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The Poet Is....

the poet is a vase,
collecting tears like rainwater,
with a tiny hole in the bottom,
connecting to the ground.
the poet is a prism,
seperating colors from black and white,
then drawing black and white from colors,
dissolving and evolving.
the poet is an illusion,
that looks and smells like home,
redefining distance by closeness,
finding the familiar in a stranger.
the poet is an orphan,
a messenger, and a thief.
bringing you a lit candle,
and stealing your heart for a stand.
the poet is a carpenter,
building from scraps of wood.
using time rusted nails,
and an eye for dreams.
the poet is a healer,
and the moment you forgot,
on the way to remembering,
who you really are.
the poet is a bridge,
borrowed wings, and a cross.
a simple fire tended by no one,
and ears left behind by god.
the poet is a body,
grown tired in it's dying.
and the small winged creature without name,
waiting to follow the wind!

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Before a Poetry Reading

'Poet! Poet! Poet! Poet! '
I'm feeling nervous but I mustn't show it!

'Poet! Poet! Poet! Poet! '
I hope to heaven that I won't blow it!

'Poet! Poet! Poet! Poet! '
I mustn't reveal that I'm a second-rate poet!
I'm only a rhymer, but they don't know it!
If you've got no talent you'll have to grow it!

'Poet! Poet! Poet! Poet! '

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Between My Horse's Wings

Is this real, or is this fantasy?
The wind rushing forcefully
Through my long dark hair
The feel of the cool air
Beneath the horse’s wings

Is this real, or is this fantasy
The muscles work powerfully
To drive us into the night
The stars wink like little lights
Above the horse’s wings

Is this real, or is this fantasy?
As I ride over the ocean and sea
My muscles tense as I hold
My skin red from the windy cold
Flowing past the horse’s wings

Is this real, or is this fantasy?
I revel in this dangerous ecstasy
A silvery mane blows in my face
Blown back, by the wind we race
Born on by the horse’s wings

Is this real, or is this fantasy?
As we fly through the air swiftly
My face is lifted toward the sky
Arms outstretched, wind rushing by
The beating of the horse’s wings

Is this real, or is this fantasy?
Faster and faster, we seem to fly
The wind tugging at my body
As I look to the heavenly bodies
Shining on the horse’s wings

Is this real, or is this fantasy?
My horse flies gracefully
Over the fields and streams
Are these things only my dreams?
Sitting between the horse’s wings

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The hungry belly and the full belly do not walk the same road.

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Time Is Not Our Cage (Gabry Ponte Power Cut)

We are flying
and we're flying high till the end
We are men without an age
Time is not out cage
and forever we go on
We are flying
and we're flying high till the end
We are men without an age
Time is not out cage
Born to be forever young
Children of eternity
Always searching for a faster race
Defeating what time wants to be
There's no king
In this place
Like a star that belongs to the sky
And the times are our names in your mind
Our souls are the wings as we fly
Against time
We are flying
and we're flying high till the end
We are men without an age
Time is not out cage
and forever we go on
We are flying
and we're flying high till the end
We are men without an age
Time is not out cage
Born to be forever young
Just like an old song that's playing a tune
That revives what seems lost in the past
With dignity fighting for whom
In a way
Wants to last
Like a friendship of 10 years ago
That is frozen inside of a picture
That tomorrow can cancel and go
Against time
We are flying
and we're flying high till the end
We are men without an age
Time is not out cage
and forever we go on
We are flying
and we're flying high till the end
We are men without an age
Time is not out cage
born to be forever young
Free as a soul is
Far beyond all the boundries of time
Its you mark that lives on
We are flying
and we're flying high till the end
We are men without an age
Time is not out cage
and forever we go on
We are flying
and we're flying high till the end
We are men without an age
Time is not out cage
born to be forever young

song performed by by Eiffel 65Report problemRelated quotes
Submitted by Lucian Velea
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