Stella At Wood Park, A House Of Charles Ford, Esq., Near Dublin
Don Carlos, in a merry spight,
Did Stella to his house invite:
He entertain'd her half a year
With generous wines and costly cheer.
Don Carlos made her chief director,
That she might o'er the servants hector.
In half a week the dame grew nice,
Got all things at the highest price:
Now at the table head she sits,
Presented with the nicest bits:
She look'd on partridges with scorn,
Except they tasted of the corn:
A haunch of ven'son made her sweat,
Unless it had the right fumette.
Don Carlos earnestly would beg,
'Dear Madam, try this pigeon's leg;'
Was happy, when he could prevail
To make her only touch a quail.
Through candle-light she view'd the wine,
To see that ev'ry glass was fine.
At last, grown prouder than the devil
With feeding high, and treatment civil,
Don Carlos now began to find
His malice work as he design'd.
The winter sky began to frown:
Poor Stella must pack off to town;
From purling streams and fountains bubbling,
To Liffey's stinking tide in Dublin:
From wholesome exercise and air
To sossing in an easy-chair:
From stomach sharp, and hearty feeding,
To piddle like a lady breeding:
From ruling there the household singly.
To be directed here by Dingley:
From every day a lordly banquet,
To half a joint, and God be thank it:
From every meal Pontac in plenty,
To half a pint one day in twenty:
From Ford attending at her call,
To visits of Archdeacon Wall:
From Ford, who thinks of nothing mean,
To the poor doings of the Dean:
From growing richer with good cheer,
To running out by starving here.
But now arrives the dismal day;
She must return to Ormond Quay.
The coachman stopt; she look'd, and swore
The rascal had mistook the door:
At coming in, you saw her stoop;
The entry brush'd against her hoop:
Each moment rising in her airs,
She curst the narrow winding stairs:
Began a thousand faults to spy;
The ceiling hardly six feet high;
The smutty wainscot full of cracks:
And half the chairs with broken backs:
Her quarter's out at Lady-day;
She vows she will no longer stay
In lodgings like a poor Grisette,
While there are houses to be let.
Howe'er, to keep her spirits up,
She sent for company to sup:
When all the while you might remark,
She strove in vain to ape Wood Park.
Two bottles call'd for, (half her store,
The cupboard could contain but four
A supper worthy of herself,
Five nothings in five plates of delf.
Thus for a week the farce went on;
When, all her country savings gone,
She fell into her former scene,
Small beer, a herring, and the Dean.
Thus far in jest: though now, I fear,
You think my jesting too severe;
But poets, when a hint is new,
Regard not whether false or true:
Yet raillery gives no offence,
Where truth has not the least pretence;
Nor can be more securely placed
Than on a nymph of Stella's taste.
I must confess your wine and vittle
I was too hard upon a little:
Your table neat, your linen fine;
And, though in miniature, you shine:
Yet, when you sigh to leave Wood Park,
The scene, the welcome, and the spark,
To languish in this odious town,
And pull your haughty stomach down,
We think you quite mistake the case,
The virtue lies not in the place:
For though my raillery were true,
A cottage is Wood Park with you.
poem by Jonathan Swift
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Related quotes
Stella’s Birth-Day. 1724-5
As when a beauteous nymph decays,
We say she's past her dancing days;
So poets lose their feet by time,
And can no longer dance in rhyme.
Your annual bard had rather chose
To celebrate your birth in prose:
Yet merry folks, who want by chance
A pair to make a country dance,
Call the old housekeeper, and get her
To fill a place for want of better:
While Sheridan is off the hooks,
And friend Delany at his books,
That Stella may avoid disgrace,
Once more the Dean supplies their place.
Beauty and wit, too sad a truth!
Have always been confined to youth;
The god of wit and beauty's queen,
He twenty-one and she fifteen,
No poet ever sweetly sung,
Unless he were, like Phoebus, young;
Nor ever nymph inspired to rhyme,
Unless, like Venus, in her prime.
At fifty-six, if this be true,
Am I a poet fit for you?
Or, at the age of forty-three,
Are you a subject fit for me?
Adieu! bright wit, and radiant eyes!
You must be grave and I be wise.
Our fate in vain we would oppose:
But I'll be still your friend in prose:
Esteem and friendship to express,
Will not require poetic dress;
And if the Muse deny her aid
To have them sung, they may be said.
But, Stella, say, what evil tongue
Reports you are no longer young;
That Time sits with his scythe to mow
Where erst sat Cupid with his bow;
That half your locks are turn'd to gray?
I'll ne'er believe a word they say.
'Tis true, but let it not be known,
My eyes are somewhat dimmish grown;
For nature, always in the right,
To your decays adapts my sight;
And wrinkles undistinguished pass,
For I'm ashamed to use a glass:
And till I see them with these eyes,
Whoever says you have them, lies.
No length of time can make you quit
Honour and virtue, sense and wit;
Thus you may still be young to me,
While I can better hear than see.
O ne'er may Fortune show her spite,
To make me deaf, and mend my sight!
poem by Jonathan Swift
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Half The World
Words by neil peart, music by geddy lee and alex lifeson
Half the world hates
What half the world does every day
Half the world waits
While half gets on with it anyway
Half the world lives
Half the world makes
Half the world gives
While the other half takes
Half the world is
Half the world was
Half the world thinks
While the other half does
Half the world talks
With half a mind on what they say
Half the world walks
With half a mind to run away
Half the world lies
Half the world learns
Half the world flies
As half the world turns
Half the world cries
Half the world laughs
Half the world tries
To be the other half
Half of us divided like a torn-up photograph half of us are
Trying to reach the other half
Half the world cares
While half the world is wasting the day
Half the world shares
While half the world is stealing away
song performed by by Rush
Submitted by Lucian Velea
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Half The World
Half the world lives,
Half the world makes,
Half the world gives
While the other half takes.
Half the world hates,
Half the world runs away,
Half the world's late,
Half the world praises the day.
Half the world is,
Half the world was,
Half the world thinks,
Half the world does.
Half the world lies,
Half the world burns,
Half the world cries
While the other half turns.
Half the world cares,
Half the world weeps,
Half the world shares,
Half the world keeps.
Half the world sings,
Half the world laughs,
Half the world brings,
Half the world tries to be the other half.
End.
Stella’s Birth-Day.1719-20
All travellers at first incline
Where'er they see the fairest sign
And if they find the chambers neat,
And like the liquor and the meat,
Will call again, and recommend
The Angel Inn to every friend.
And though the painting grows decay'd,
The house will never lose its trade:
Nay, though the treach'rous tapster, Thomas,
Hangs a new Angel two doors from us,
As fine as daubers' hands can make it,
In hopes that strangers may mistake it,
We think it both a shame and sin
To quit the true old Angel Inn.
Now this is Stella's case in fact,
An angel's face a little crack'd.
(Could poets or could painters fix
How angels look at thirty-six
This drew us in at first to find
In such a form an angel's mind;
And every virtue now supplies
The fainting rays of Stella's eyes.
See, at her levee crowding swains,
Whom Stella freely entertains
With breeding, humour, wit, and sense,
And puts them to so small expense;
Their minds so plentifully fills,
And makes such reasonable bills,
So little gets for what she gives,
We really wonder how she lives!
And had her stock been less, no doubt
She must have long ago run out.
Then, who can think we'll quit the place,
When Doll hangs out a newer face?
Nail'd to her window full in sight
All Christian people to invite.
Or stop and light at Chloe's head,
With scraps and leavings to be fed?
Then, Chloe, still go on to prate
Of thirty-six and thirty-eight;
Pursue your trade of scandal-picking,
Your hints that Stella is no chicken;
Your innuendoes, when you tell us,
That Stella loves to talk with fellows:
But let me warn you to believe
A truth, for which your soul should grieve;
That should you live to see the day,
When Stella's locks must all be gray,
When age must print a furrow'd trace
On every feature of her face;
Though you, and all your senseless tribe,
Could Art, or Time, or Nature bribe,
To make you look like Beauty's Queen,
And hold for ever at fifteen;
No bloom of youth can ever blind
The cracks and wrinkles of your mind:
All men of sense will pass your door,
And crowd to Stella's at four-score.
poem by Jonathan Swift
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Stella’s Birth-Day: A Great Bottle Of Wine, Long Buried, Being That Day Dug Up. 1722-3
Resolv'd my annual verse to pay,
By duty bound, on Stella's day,
Furnish'd with paper, pens, and ink,
I gravely sat me down to think:
I bit my nails, and scratch'd my head,
But found my wit and fancy fled:
Or if, with more than usual pain,
A thought came slowly from my brain,
It cost me Lord knows how much time
To shape it into sense and rhyme:
And, what was yet a greater curse,
Long thinking made my fancy worse.
Forsaken by th'inspiring Nine,
I waited at Apollo's shrine:
I told him what the world would say,
If Stella were unsung to-day:
How I should hide my head for shame,
When both the Jacks and Robin came;
How Ford would frown, how Jim would leer,
How Sheridan the rogue would sneer,
And swear it does not always follow,
That semel'n anno ridet Apollo.
I have assur'd them twenty times,
That Phoebus help'd me in my rhymes;
Phoebus inspired me from above,
And he and I were hand and glove.
But, finding me so dull and dry since,
They'll call it all poetic license;
And when I brag of aid divine,
Think Eusden's right as good as mine.
Nor do I ask for Stella's sake;
'Tis my own credit lies at stake:
And Stella will be sung, while I
Can only be a stander by.
Apollo, having thought a little,
Return'd this answer to a tittle.
Though you should live like old Methusalem,
I furnish hints and you shall use all 'em,
You yearly sing as she grows old,
You'd leave her virtues half untold.
But, to say truth, such dulness reigns,
Through the whole set of Irish deans,
I'm daily stunn'd with such a medley,
Dean White, Dean Daniel, and Dean Smedley,
That, let what dean soever come,
My orders are, I'm not at home;
And if your voice had not been loud,
You must have pass'd among the crowd.
But now, your danger to prevent,
You must apply to Mrs. Brent;
For she, as priestess, knows the rites
Wherein the god of earth delights.
First, nine ways looking, let her stand
With an old poker in her hand;
Let her describe a circle round
In Saunders' cellar on the ground:
A spade let prudent Archy hold,
And with discretion dig the mould.
Let Stella look with watchful eye,
Rebecca, Ford, and Grattans by.
Behold the bottle, where it lies
With neck elated toward the skies!
The god of winds and god of fire
Did to its wondrous birth conspire;
And Bacchus for the poet's use
Pour'd in a strong inspiring juice.
See! as you raise it from its tomb,
It drags behind a spacious womb,
And in the spacious womb contains
A sov'reign med'cine for the brains.
You'll find it soon, if fate consents;
If not, a thousand Mrs. Brents,
Ten thousand Archys, arm'd with spades,
May dig in vain to Pluto's shades.
From thence a plenteous draught infuse,
And boldly then invoke the Muse;
But first let Robert on his knees
With caution drain it from the lees;
The Muse will at your call appear,
With Stella's praise to crown the year.
poem by Jonathan Swift
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Stella's Birthday March 13, 1719
Stella this day is thirty-four,
(We shan't dispute a year or more:)
However, Stella, be not troubled,
Although thy size and years are doubled,
Since first I saw thee at sixteen,
The brightest virgin on the green;
So little is thy form declin'd;
Made up so largely in thy mind.
Oh, would it please the gods to split
Thy beauty, size, and years, and wit;
No age could furnish out a pair
Of nymphs so graceful, wise, and fair;
With half the lustre of your eyes,
With half your wit, your years, and size.
And then, before it grew too late,
How should I beg of gentle Fate,
(That either nymph might have her swain,)
To split my worship too in twain.
poem by Jonathan Swift
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On Stella's Birth-Day, 1719
Stella this Day is thirty four,
(We shan't dispute a Year or more)
However Stella, be not troubled,
Although thy Size and Years are doubled,
Since first I saw Thee at Sixteen
The brightest Virgin on the Green,
So little is thy Form declin'd
Made up so largely in thy Mind.
Oh, woud it please the Gods to split
Thy Beauty, Size, and Years, and Wit,
No Age could furnish out a Pair
Of Nymphs so graceful, Wise and fair
With half the Lustre of your Eyes,
With half your Wit, your Years and Size:
And then before it grew too late,
How should I beg of gentle Fate,
(That either Nymph might have her Swain,)
To split my Worship too in twain.
poem by Jonathan Swift
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Waving My Arms In The Air/never Lied To You
Waving my arms in the air
Love, my love, got no care
No care, no, no, pressing my feet to the ground
Stand up right where you stand
Call to you and what do you do
Laying back in a chair?
She's so high on the air
She's so high on the air
Half and half, half and half
All you have to do to call
Is hold her hand, stand a while
And then smile and we'll understand
Yes we do - yes, yes we do!
Oh what a girl i've got too!
Oh what a girl i've got too!
With her slinky look she held her tie to her hair
(and i) could see everywhere
No-one in the land, no-one
No-one in the land, no-one
But it rains on saturday - cats and dogs in the way
Stormy day, hey, hey
And you shouldn't try to be
What you can't be
And you shouldn't try to be
What you can't be
Call to you and what do you do
There will be shoulders pressing in the hall
And i won't know if you're here at all
There will be wine and drinking in the yard
There won't be anybody very hard
There will be lots of things that we can do
And all and more will be for you
Everything i knew i tried with you
But everything to you was never easy
So i went ahead around my world
I saw the things you do arriving by your side
To see you looking too
But i know this. i know, i never lied to you
It's been just like you're gone
For just one day for so long!
It's been so hard to bear with you not there
But though i think of you, the things you do
When i'm with you, to be with you,
To be alone...can only think:
"why i am here? what's meant to be?
song performed by by Pink Floyd
Submitted by Lucian Velea
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A glimpse
a glimpse
the half opened door
some would say
a half closed door
it all depends on the
state of mind you are in
well half closed for pessismist
and half opened for optimist
half opened or half closed door
so long as it is open
and not close
a good exercise for the mind
of a story teller, novelist, a film maker
a glimpse at the half closed door
the mind is thrown open
like the kick you would give
a half opened door
so that you and pet cat could
glide through easily
the stories that start coming out
from a glimpse at the half opened door
agatha's murdered corpse lying behind
a stalker, a ghost in the corridor of the mind
from the glimpse of the half closed door
a million possibilities, ideas pouring forth
half closed door, half opened door
whichever way you may say
it is an opened door
a million stories, ideas, possibilities
knock at the door of my mind
a glimpse of the half closed, half opened door
my half closed half opened eyes
open themselves to my ever curious mind
boundless as the universe
inspired by
A Glimpse
A GLIMPSE, through an interstice caught,
Of a crowd of workmen and drivers in a bar-room, around the stove,
late of a winter night-And I unremark'd seated in a corner;
Of a youth who loves me, and whom I love, silently approaching, and
seating himself near, that he may hold me by the hand;
A long while, amid the noises of coming and going-of drinking and
oath and smutty jest,
There we two, content, happy in being together, speaking little,
perhaps not a word.
Walt Whitman
poem by John Tiong Chunghoo
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The Progress Of Marriage
Aetatis suae fifty-two,
A rich Divine began to woo
A handsome young imperious girl,
Nearly related to an Earl.
Her parents and her friends consent,
The couple to the temple went.
They first invite the Cyprian Queen,
’Twas answered, she would not be seen;
The Graces next, and all the Muses
Were bid in form, but sent excuses.
Juno attended at the porch,
With farthing candle for a torch,
While Mistress Iris held her train,
The faded bow distilling rain.
Then Hebe came and took her place,
But showed no more than half her face.
What’er these dire forebodings meant,
In mirth the wedding-day was spent;
The wedding-day, you take me right,
I promise nothing for the night.
The bridegroom, dressed to make a figure,
Assumes an artificial vigour,
A flourished night-cap on to grace
His ruddy, wrinkled, smirking face,
Like the faint red upon a pippin,
Half withered by a winter’s keeping.
And thus set out, this happy pair,
The Swain is rich, the Nymph is fair;
But, which I gladly would forget,
The Swain is old, the Nymph coquette;
Both from the goal together start,
Scarce run a step before they part;
No common ligament that binds
The various textures of their minds,
Their thoughts and actions, hopes and fears,
Less corresponding than their years.
Her spouse desires his coffee soon,
She rises to her tea at noon.
While he goes out to cheapen books,
She at the glass consults her looks
While Betty’s buzzing in her ear,
Lord, what a dress these Parsons wear!
So odd a choice how could she make?
Wished him a Colonel for her sake.
Then, on her fingers ends, she counts
Exact to what his age amounts;
The Dean, she heard her Uncle say,
Is fifty, if he be a day;
His ruddy cheeks are no disguise;
You see the crows-feet round his eyes.
At one she rambles to the shops,
To cheapen tea, and talk with fops;
Or calls a council of her maids
And tradesmen, to compare brocades.
Her weighty morning business o’er,
Sits down to dinner just at four;
Minds nothing that is done or said,
Her evening work so fills her head.
The Dean, who used to dine at one,
Is mawkish, and his stomach gone;
In thread-bare gown, would scarce a louse hold,
Looks like the chaplain of the household,
Beholds her from the chaplain’s place
In French brocades and Flanders lace;
He wonders what employs her brain;
But never asks, or asks in vain;
His mind is full of other cares,
And in the sneaking parson’s airs
Computes, that half a parish dues
Will hardly find his wife in shoes.
Can’st thou imagine, dull Divine,
’Twill gain her love to make her fine?
Hath she no other wants beside?
You raise desire as well as pride,
Enticing coxcombs to adore,
And teach her to despise thee more.
If in her coach she’ll condescend
To place him at the hinder end,
Her hoop is hoist above his nose,
His odious gown would soil her clothes,
And drops him at the church, to pray,
While she drives on to see the play.
He like an orderly Divine
Comes home a quarter after nine,
And meets her hasting to the Ball:
Her chairmen push him from the wall;
He enters in, and walks up stairs,
And calls the family to prayers,
Then goes alone to take his rest
In bed, where he can spare her best.
At five the footmen make a din,
Her Ladyship is just come in;
The Masquerade began at two,
She stole away with much ado,
And shall be chid this afternoon
For leaving company so soon;
She’ll say, and she may truly say’t,
She can’t abide to stay out late.
But now, though scarce a twelvemonth married
His Lady has twelve times miscarried;
The cause, alas, is quickly guessed,
The Town has whispered round the jest;
Think on some remedy in time,
You find His Reverence past his prime,
Already dwindled to a lath;
No other way but try the Bath.
For Venus rising from the ocean,
Infused a strong prolific potion,
That mixed with Achelaus’ spring,
The hornéd flood, as poets sing,
Who, with an English Beauty smitten,
Ran underground from Greece to Britain,
The genial Virtue with him brought,
And gave the Nymph a plenteous draught;
Then fled, and left his Horn behind
For husbands past their youth to find;
The Nymph who still with passion burned
Was to a boiling fountain turned,
Where childless wives crowd every morn
To drink in Achelaus’ Horn;
And here the father often gains
That title by another’s pains.
Hither, though much against his grain,
The Dean has carried Lady Jane;
He for a while would not consent,
But vowed his money all was spent;
His money spent! a clownish reason!
And must My Lady slip her Season?
The Doctor with a double fee,
Was bribed to make the Dean agree.
Here all diversions of the place
Are proper in my Lady’s case
With which she patiently complies,
Merely because her friends advise;
His money and her time employs
In music, raffling-rooms, and toys,
Or in the Cross Bath seeks an heir,
Since others oft have found one there;
Where if the Dean by chance appears,
It shames his cassock and his years;
He keeps his distance in the gallery
’Till banished by some coxcomb’s raillery,
For ’twould his character expose
To bathe among the belles and beaux.
So have I seen within a pen,
Young ducklings fostered by a hen;
But when let out, they run and muddle,
As instinct leads them, in a puddle;
The sober hen, not born to swim,
With mournful note clucks round the brim.
The Dean, with all his best endeavour,
Gets not an heir, but gets a fever;
A victim to the last essays
Of vigor in declining days,
He dies, and leaves his mourning mate
(What could he less?) his whole estate.
The widow goes through all her forms;
New lovers now will come in swarms.
Oh, may I see her soon dispensing
Her favours to some broken Ensign!
Him let her marry for his face,
And only coat of tarnished lace;
To turn her naked out of doors,
And spend her jointure on his whores:
But for a parting present leave her
A rooted pox to last for ever.
poem by Jonathan Swift
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The Poor Man's Christmas
Mistletoe hang from the ceiling
And somehow it gets me to feeling
That the Season of Christmas is here
A time of enjoyment and cheer.
At Christmas most people feel fine
And generally have a good time
On turkey and pudding they dine
And wash it all down with red wine.
The old man spends Christmas alone
A cold, dreary shack for a home
His sole comfort on Christmas Night
A solitary candle-light.
In Christmas there isn't much cheer
If you haven't the price of a beer
With scarce little money to spend
And no one you can call a friend.
Christmas bring this man no joy
It always seem to pass him by
To this man each day is the same
He care not if Christmas never came.
This poor man unhealthy and weak
Has to live on one hundred and eighty dollars a week
Has to struggle for to make ends meet
To buy shoes, clothes and enough food for to eat.
He looks to the coming New Year
In hopeless dejection and fear,
Fear that the harsh Winter cold
Will take toll on one frail and old.
poem by Francis Duggan
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Half Way Up
Ive seen it going around when you get bad news
Thinking that you found a darker shade of blues
Looking for the light and its a long way back
You know without a fight youre gonna fade to black
Never was a man that ever felt this way
One who couldnt live to see another day
Hard times seem to have the corner on you
But you can rise from the ashes too
When Im on my knees and everything has gotten me beat
And even I believe Im never gonna find my feet
Two ways you can go you can ask anybody around
One mans half way up is another mans half way down
Now you may decide its a losing game
Even in your stride youre gonna call it lame
Getting one leg up when its said and done
Is the hardest part no matter how you run
If you can walk away from a crash and burn
Youll appreciate every step you earn
And if you feel the ground is gaining on you
Youre already bound to take a different view
When Im on my knees and everything has gotten me beat
And even I believe Im never gonna find my feet
Two ways you can go you can ask anybody around
One mans half way up is another mans half way down
One mans ceiling is another mans floor
One mans wall could be another mans door
One mans smile is another mans frown
And there are miles of half way up or half way down
song performed by by Clint Black
Submitted by Lucian Velea
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Bec’s Birth-Day Nov. 8, 1726
This day, dear Bec, is thy nativity;
Had Fate a luckier one, she'd give it ye.
She chose a thread of greatest length,
And doubly twisted it for strength:
Nor will be able with her shears
To cut it off these forty years.
Then who says care will kill a cat?
Rebecca shows they're out in that.
For she, though overrun with care,
Continues healthy, fat, and fair.
As, if the gout should seize the head,
Doctors pronounce the patient dead;
But, if they can, by all their arts,
Eject it to the extremest parts,
They give the sick man joy, and praise
The gout that will prolong his days.
Rebecca thus I gladly greet,
Who drives her cares to hands and feet:
For, though philosophers maintain
The limbs are guided by the brain,
Quite contrary Rebecca's led;
Her hands and feet conduct her head;
By arbitrary power convey her,
She ne'er considers why or where:
Her hands may meddle, feet may wander,
Her head is but a mere by-stander:
And all her bustling but supplies
The part of wholesome exercise.
Thus nature has resolved to pay her
The cat's nine lives, and eke the care.
Long may she live, and help her friends
Whene'er it suits her private ends;
Domestic business never mind
Till coffee has her stomach lined;
But, when her breakfast gives her courage,
Then think on Stella's chicken porridge:
I mean when Tigerhas been served,
Or else poor Stella may be starved.
May Bec have many an evening nap,
With Tiger slabbering in her lap;
But always take a special care
She does not overset the chair;
Still be she curious, never hearken
To any speech but Tiger's barking!
And when she's in another scene,
Stella long dead, but first the Dean,
May fortune and her coffee get her
Companions that will please her better!
Whole afternoons will sit beside her,
Nor for neglects or blunders chide her.
A goodly set as can be found
Of hearty gossips prating round;
Fresh from a wedding or a christening,
To teach her ears the art of listening,
And please her more to hear them tattle,
Than the Dean storm, or Stella rattle.
Late be her death, one gentle nod,
When Hermes, waiting with his rod,
Shall to Elysian fields invite her,
Where there will be no cares to fright her!
poem by Jonathan Swift
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Sonnet 106: Oh Absent Presence
Oh absent presence, Stella is not here;
False flattering Hope, that with so fair a face
Bare me in hand, that in this orphan place,
Stella, I say my Stella, should appear:
What sayest thou now? Where is that dainty cheer
Thou toldst mine eyes should help their famish'd case?
But thou art gone, now that self felt disgrace
Doth make me most to wish my comfort near.
But here I do store of fair ladies meet,
Who may with charm of conversation sweet
Make in my heavy mold new thought to grow:
Sure they prevail as much with me as he
That bade his friend, but then new maim'd, to be
Merry with him, and not think of his woe.
poem by Philip Sidney
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Guitarra Portuguesa
in the cafe
Carlos Paredes held the Portuguese
guitar – walnut wood – the body
of Lisbon – with twelve strings
his fingers emulated rain
across the room a woman began
dancing –
the fingerpicking and figueto
described her movements –
the underwater sway
of sea grass –
I was submerged
her figure haunted every glass
of water or wine
her shadow drifted through the welter
of candlelight
on the adobe walls
after the final chord
floated across the room
and Carlos Peredes put his guitar down
I breathed in deeply
the steam of baked salmon
buttery spinach and garlic bread –
the music had entered everything
I placed a grape between my teeth
tasted the dark surge of juices
when I realized I could no longer see
the dancer
I wondered if she had disappeared
inside of me
poem by Michael Spring
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What's The Use Of Getting Sober
Dv = deep voice, sv = squeaky voice
Dv: boy, you listen to your old pappy
Sv: yeah, pappy
Dv: and stop drinking so much
Sv: i'm-i'm ain't been doing so much drinking, pappy
Dv: shut up, boy! you drink all day and you drink all night and you know, son, that that ain't right
Sv: oh pappy, you just give me a chance. i, i can, i . . .
Dv: shut up, boy! boy, you're lookin' thin as a twig
Sv: i know that . . .
Dv: look likes your dear old pappy - about to blow your wig
Sv: oh i'm gonna blow my wig, pappy
What's the use of getting sober
When you're gonna get drunk again
Oh sam done something fine
When he bought that good whiskey, beer and wine
I love my whiskey and i love my gin
Every time you see me i'm in my sin
So what's the use of getting sober
When you're gonna get drunk again
Dv:
I went out last night about half past one
Thought i'd whoop it up a little and have some fun
I got me a half pint about half past two
Mmm, mmm, the way i was feeling you know what i wanna do
Got me a pint about half past four
Felt so good, went out and got me some more
Got me a quart about half past five
Boy, that was so nice didn't know if i was dead or alive
So what's the use of getting sober if you're gonna get drunk again
Oh sam done something fine
When he bought that good whiskey, beer and wine
I love my whiskey and i love my gin
Every time you see me i'm in my sin
So what's the use of getting sober
When you're gonna get drunk again
Well i've been thinking
But i keep drinking
I guess i'm 'bout lose my mind
song performed by by Joe Jackson
Submitted by Lucian Velea
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A Gentleman
'He has robbed two clubs. The judge at Salisbury
Can't give him more than he undoubtedly
Deserves. The scoundrel! Look at his photograph!
A lady-killer! Hanging's too good by half
For such as he.' So said the stranger, one
With crimes yet undiscovered or undone.
But at the inn the Gipsy dame began:
'Now he was what I call a gentleman.
He went along with Carrie, and when she
Had a baby he paid up so readily
His half a crown. Just like him. A crown'd have been
More like him. For I never knew him mean.
Oh! but he was such a nice gentleman. Oh!
Last time we met he said if me and Joe
Was anywhere near we must be sure and call.
He put his arms around our Amos all
As if he were his own son. I pray God
Save him from justice! Nicer man never trod.'
poem by Edward Thomas
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What's The Use Of Getting Sober (When You're Gonna Get Drunk Again)
(words and music by Bubsy Meyers)
[DV = dark voice, SV = squeaky voice]
DV: Boy, you listen to your old Pappy
SV: Yeah, Pappy
DV: And stop drinking so much
SV: I'm-I'm ain't been doing so much drinking, Pappy
DV: Shut up, boy! You drink all day
and you drink all night
and you know, son, that that ain't right
SV: Oh Pappy, you just give me a chance. I, I can, I...
DV: Shut up, boy!
Boy, you're lookin' thin as a twig
SV: I know that...
DV: Look likes your dear old Pappy - about to blow your wig
SV: Oh I'm gonna blow my wig, Pappy
What's the use of getting sober
When you're gonna get drunk again
Oh Sam done something fine
When he bought that good whiskey, beer and wine
I love my whiskey and I love my gin
Every time you see me I'm in my sin
So what's the use of getting sober
When you're gonna get drunk again
DV: I went out last night about half past one
Thought I'd whoop it up a little and have some fun
I got me a half pint about half past two
Mmm, mmm, the way I was feeling you know what I wanna do
Got me a pint about half past four
Felt so good, went out and got me some more
Got me a quart about half past five
Boy, that was so nice didn't know if I was dead or alive
So what's the use of getting sober
If you're gonna get drunk again
Oh Sam done something fine
When he bought that good whiskey, beer and wine
I love my whiskey and I love my gin
Every time you see me I'm in my sin
So what's the use of getting sober
When you're gonna get drunk again
Well I've been thinking
But I keep drinking
I guess I'm 'bout lose my mind
(C) Leeds Music Ltd.
song performed by by Joe Jackson
Submitted by Lucian Velea
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Belts
There was a row in Silver Street that's near to Dublin Quay,
Between an Irish regiment an' English cavalree;
It started at Revelly an' it lasted on till dark:
The first man dropped at Harrison's, the last forninst the Park.
For it was: -- "Belts, belts, belts, an' that's one for you!"
An' it was "Belts, belts, belts, an' that's done for you!"
O buckle an' tongue
Was the song that we sung
From Harrison's down to the Park!
There was a row in Silver Street -- the regiments was out,
They called us "Delhi Rebels", an' we answered "Threes about!"
That drew them like a hornet's nest -- we met them good an' large,
The English at the double an' the Irish at the charge.
Then it was: -- "Belts . . .
There was a row in Silver Street -- an' I was in it too;
We passed the time o' day, an' then the belts went whirraru!
I misremember what occurred, but subsequint the storm
A ~Freeman's Journal Supplemint~ was all my uniform.
O it was: -- "Belts . . .
There was a row in Silver Street -- they sent the Polis there,
The English were too drunk to know, the Irish didn't care;
But when they grew impertinint we simultaneous rose,
Till half o' them was Liffey mud an' half was tatthered clo'es.
For it was: -- "Belts . . .
There was a row in Silver Street -- it might ha' raged till now,
But some one drew his side-arm clear, an' nobody knew how;
'Twas Hogan took the point an' dropped; we saw the red blood run:
An' so we all was murderers that started out in fun.
While it was: -- "Belts . . .
There was a row in Silver Street -- but that put down the shine,
Wid each man whisperin' to his next: "'Twas never work o' mine!"
We went away like beaten dogs, an' down the street we bore him,
The poor dumb corpse that couldn't tell the bhoys were sorry for him.
When it was: -- "Belts . . .
There was a row in Silver Street -- it isn't over yet,
For half of us are under guard wid punishments to get;
'Tis all a merricle to me as in the Clink I lie:
There was a row in Silver Street -- begod, I wonder why!
But it was: -- "Belts, belts, belts, an' that's one for you!"
An' it was "Belts, belts, belts, an' that's done for you!"
O buckle an' tongue
Was the song that we sung
From Harrison's down to the Park!
poem by Rudyard Kipling
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Marmion: a Christmas Poem
Heap on more wood! the wind is chill;
But let it whistle as it will,
We'll keep our Christmas merry still.
Each age has deem'd the new-born year
The fittest time for festal cheer:
Even, heathen yet, the savage Dane
At Iol more deep the mead did drain;
High on the beach his galleys drew,
And feasted all his pirate crew;
Then in his low and pine-built hall
Where shields and axes deck'd the wall
They gorged upon the half-dress'd steer;
Caroused in seas of sable beer;
While round, in brutal jest, were thrown
The half-gnaw'd rib, and marrow-bone:
Or listen?d all, in grim delight,
While Scalds yell'd out the joys of fight.
Then forth, in frenzy, would they hie,
While wildly loose their red locks fly,
And dancing round the blazing pile,
They make such barbarous mirth the while,
As best might to the mind recall
The boisterous joys of Odin's hall.
And well our Christian sires of old
Loved when the year its course had roll'd,
And brought blithe Christmas back again,
With all his hospitable train.
Domestic and religious rite
Gave honour to the holy night;
On Christmas Eve the bells were rung;
On Christmas Eve the mass was sung:
That only night in all the year,
Saw the stoled priest the chalice rear.
The damsel donn'd her kirtle sheen;
The hall was dress'd with holly green;
Forth to the wood did merry-men go,
To gather in the mistletoe.
Then open'd wide the Baron's hall
To vassal, tenant, serf and all;
Power laid his rod of rule aside
And Ceremony doff'd his pride.
The heir, with roses in his shoes,
That night might village partner choose;
The Lord, underogating, share
The vulgar game of 'post and pair'.
All hail'd, with uncontroll'd delight,
And general voice, the happy night,
That to the cottage, as the crown,
Brought tidings of salvation down.
The fire, with well-dried logs supplied,
Went roaring up the chimney wide;
The huge hall-table's oaken face,
Scrubb'd till it shone, the day to grace,
Bore then upon its massive board
No mark to part the squire and lord.
Then was brought in the lusty brawn,
By old blue-coated serving-man;
Then the grim boar's head frown'd on high,
Crested with bays and rosemary.
Well can the green-garb'd ranger tell,
How, when, and where, the monster fell;
What dogs before his death to tore,
And all the baiting of the boar.
The wassel round, in good brown bowls,
Garnish'd with ribbons, blithely trowls.
There the huge sirloin reek'd; hard by
Plum-porridge stood, and Christmas pie;
Nor fail'd old Scotland to produce,
At such high tide, her savoury goose.
Then came the merry makers in,
And carols roar'd with blithesome din;
If unmelodious was the song,
It was a hearty note, and strong.
Who lists may in their mumming see
Traces of ancient mystery;
White shirts supplied the masquerade,
And smutted cheeks the visors made;
But, O! what maskers, richly dight,
Can boast of bosoms half so light!
England was merry England, when
Old Christmas brought his sports again.
'Twas Christmas broach'd the mightiest ale;
'Twas Christmas told the merriest tale;
A Christmas gambol oft could cheer
The poor man's heart through half the year.
poem by Sir Walter Scott
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