Sonnet On The Sonnets On The Sonnet
Some sonnets upon sonnets poets write
Offering examples of their skill,
Need neither censure nor false praise to fill
New chapter, verse, in ego's copyright.
Encapsulation through a structure tight
Turns a neat phrase avoiding overkill,
Or temperature tests, unbiased will
Nature, Man, describes in terms polite.
Sense and/or sensitivity, insight
Ordered, bordered, mission may fulfill,
New bark on old folds sundry thoughts that spill,
Netting beauty, spelling out delight.
Emotions through control find freedom which
Triumph over prose prosaic [p]itch.
poem by Jonathan Robin

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Emphasis - Does Prose Satisfy?
Do rhyme and structure strangle sense,
Or emphasize emotions which
Eclectic rhythms render rich?
Stress reinforces verse, intense
Pleasure may be felt, with scents
Recalled from seasons past. Why stitch
On prose per prose that joy, its switch
So seldom magic supplements.
Excessive style is sterile, whence
Some seem to say that those who ditch
A long tradition feel the itch
To sense in rhyme mime or pretence.
It could be this misrepresents
So much which should be shared, keyed pitch.
Facts dry may well define a rose,
Yet can its scent pour through poor prose?
poem by Jonathan Robin

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0187: 1580 - Ish
Round 1580 - so some scholars write -
the finest poets of England sought accord
on what fine form of verse might most delight,
and render fullest homage to our Lord.
They found iambics, in a five-foot line
tuned best with English speech to native ears:
more simple, steady, musical in mind
than Racine's stately tread of French hexameters.
The thoughts sublime which these our poets teach
-Sidney's sonnets, Shakespeare's poems and plays -
enter our ears in childhood, shape our speech,
and tune our hearts to hear, and speak, God's ways;
in still and silent rapture there to find
the music of that other world: God's mind.
poem by Michael Shepherd

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I used to write sonnets and various things, and moved from there into writing prose, which, incidentally, is a lot more interesting than poetry, including the rhythms of prose.
quote by Shelby Foote

Submitted by Lucian Velea
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Poets
What on earth do you call a collection of poets?
A verse a rhyme a stanza or sonnets?
Perhaps it is best not to seek out this noun
And just to be grateful there are poets around.
poem by David Keig

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When I was an undergraduate I had very badly annotated editions of Shakespeare's sonnets, all of which left out the important fact that will has a sexual sense in Shakespeare's sonnets.
Complementary viewpoints for friend Chandra
Philosophy and poetry
are not completely different.
Each represents a way to see
What is not always evident.
Philosophers and poets try
to understand the universe.
The answers which they can supply.
Expressed in turgid prose or verse.
Philosophers can be abstruse
and difficult to understand
Because of how they phrase their views.
I don’t dismiss them out of hand.
I much prefer the poets verse
To endless reams of complex prose.
I do not think I am perverse
Simplicity I must suppose.
Is really what appeals to me.
the poets seek to entertain
and yet express with clarity.
Philosophers try to explain.
Their reasoning in great detail.
They just succeed in boring me
Their efforts are to no avail
I will admit quite openly
I simply cannot spare the time
To plough through densely written prose.
But I find poetry sublime
I like the way it ebbs and flows.
The insight that a poet shows
can entertain and educate.
Philosophers try to impose
their views, discouraging debate.
Which does not sit too well with me.
Folks can’t stand being patronised
and will rebel instinctively.
A fact that poets recognise.
They are content to share their thoughts.
With anyone who chooses to
read the verses they have wrought.
Which may express a different view
To that of the philosophers.
You draw your own conclusions
and choose which version you prefer.
Perhaps your own opinions.
Philosophy and poetry
Are both legitimate attempts
To explain some mystery
By folks of different temperaments.
22/08/2009
http: // blog.myspace.com/poeticpiers
poem by Ivor Or Ivor.e Hogg

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(V – 2010) The Poet’s Nature
Reflecting Nature’s various hues
Poets write colourfully.
Echoing Nature’s innate songs
Poets write musically.
Learning from Nature’s righteous laws
Poets write more sensibly.
Drawing from Nature’s spotless love
Poets write more humanely.
Living with Nature’s poetic life
Poets write living poetry.
Sonnet XLII: Some Men There Be
Some men there be which like my method well
And much commend the strangeness of my vein;
Some say I have a passing pleasing strain;
Some say that im my humor I excel;
Some, who not kindly relish my conceit,
They say, as poets do, I use to feign,
And in bare words paint out my passion's pain.
Thus sundry men their sundry words repeat;
I pass not, I, how men affected be,
Nor who commends or discommends my verse;
It pleaseth me, if I my woes rehearse,
And in my lines if she my love may see.
Only my comfort still consists in this,
Writing her praise I cannot write amiss.
poem by Michael Drayton

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There is poetry even in prose, in all the great prose which is not merely utilitarian or didactic: there exist poets who write in prose or at least in more or less apparent prose; millions of poets write verses which have no connection with poetry.
quote by Eugenio Montale

Submitted by Lucian Velea
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Mixing with love
I will not think of sun and moon,
but would want as season boom,
all fruits on tree appear in loom
Sit with thought in single room,
I may think of me and ugliness,
not to attempt to remove loneliness,
think of ways to attain oneness,
Is all because of your goodness,
Why I praise nature and not find?
Your natural beauty I never mind,
You are with quality so kind,
For all my successes, you are behind,
I think not of your beauty outer,
fears grips me more with sudden ouster,
destiny in you and hold you as master,
life may move with speed and faster,
You are perfect and need no praise,
beauty in you makes position raise,
so not to think of you is not the case,
but to walk with you is difficult to pace,
I may win with smooth sail,
Though different tracks of rail,
Never to confine as inmates of jail,
Not do I need to jump out the bail,
You are beauty with marvelous skill,
Force way out with iron strong will,
Never leave space but make it fill,
This is difference in beauty with zeal,
I am lucky to have you on side,
Thoughts not narrow and angle wide,
Emotions aside but matter confide,
Not mixing love with any more side,
poem by Hasmukh Amathalal

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Preachers Turn To Poetry
preachers turn to poetry
which is a most natural thing to do
since most revelations are in verse;
preachers, like the wily snake in Paradise,
look for cunning new ways: and so they turn to poetry sites
and take on the roles of poets
and disguise sermons in verse
and Stalin-style Revelations of Guilt and Sin
and Fearful Humility as poems;
and in Ppreachers turn to poetry
which is a most natural thing to do
since most revelations are in verse;
preachers, like the wily snake in Paradise,
look for cunning new ways: and so they turn to poetry sites
and take on the roles of poets
and disguise sermons in verse
and Stalin-style Revelations of Guilt and Sin
and Fearful Humility as poems;
and in Paradise these will sit as Poet Laureates
winning Eternal Fame
churning out Infinite Praise in standard and approved stock and phrase;
and poets who talk about being human
and the beauty of the morning
and who so cannot make The Big Wizard smile
these wretched poets will bark doggerel in Hell...
poem by Raj Arumugam

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Sonnet- Sonnet Needs Rhymes
Can you a Sonnet write without its rhyme?
Now people want the modern verse that's free;
As ideas get stuck and cramped with time,
A Sonnet's like leafless branches of tree!
A Sonnet's great for men who rhyme too well;
Its beauty lives in metre, rhythm, rhyme;
Yet, it can never run into 'pel-mel';
The sonneteer can write in any clime.
Why abhor rhymes and not a Sonnet write?
Each genre has its rules to comply with;
Why sleep all day and stay awake all night?
Rhyme-play is done by Kindergarden kith!
Why ridicule something you can't do well,
Much things are done by practice, Sonnets tell.
poem by John Celes

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Sonnet 21
So is it not with me as with that Muse,
Stirred by a painted beauty to his verse,
Who heaven itself for ornament doth use
And every fair with his fair doth rehearse,
Making a couplement of proud compare
With sun and moon, with earth and sea's rich gems,
With April's first-born flowers, and all things rare,
That heaven's air in this huge rondure hems.
O! let me, true in love, but truly write,
And then believe me, my love is as fair
As any mother's child, though not so bright
As those gold candles fixed in heaven's air:
Let them say more that like of hearsay well;
I will not praise that purpose not to sell.
poem by William Shakespeare from Sonnets (1609)

Submitted by Dan Costinaş
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Poems and Poetry
I sat staring
At my blank writing pad,
With pen in my hand.
It was a poetry workshop,
We were told
To try different structural forms:
Epigram, Sonnets, Limericks,
Lyrics, which could be set to music.
But I admit, I just
Can’t write on demand.
Is it a mental block
Which I can’t unlock?
It becomes difficult
For me to make a start.
As I just write from the heart.
But I don’t argue
These are Classical forms,
Which require skill
To write within the confines
Of prescribed norms:
Meter and syllable count.
It does lift
The work from plebian
And adds spunk
To stimulate readers mind,
As I find
When I read works of Shakespeare
And others of his kind.
poem by Mamta Agarwal

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Sonnet: Poetry versus Prose
Some write their poetry almost like prose;
The two are not diff’rent in any way?
How can a thorn ever become a rose?
The grain is grain; the hay remains but hay!
But some write prose with emotions afilled;
Or add some verses in-between the lines;
One can’t become the other, howev’r skilled;
How can the noon be dawn although sun shines?
The functions poems do, prose can never,
Where right words placed, give music and rhythm;
But of the two, the poet’s cleverer;
His work is shorter, neater, and more trim.
All praise the bard; his glory’s forever!
For prose can’t stand the test of time ever!
6-25-2002 by Dr John Celes
poem by John Celes

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Who to blame for writers block?
Risen up from his cold dark tomb
the malevolent poet is alive again
his evil master has given him power
to confuse poets and bring them pain.
He's invisible to the poets eye
and he doesn't make a sound
his mission is to bring writers block
to all poets everywhere around.
The unaware poet stares at a blank screen
unable to create one single verse
the satanic force takes over his mind
his thoughts go from bad to worse.
The romantic poet thinks about death
his thoughts no longer on love and light
he wants to write about misery and war
and things that go bump in the night.
So the next time you can't write a poem
and your sitting there full of despair
you now know it's not you who's at fault
but it's the evil poet and he's over there!
poem by Kevin Halls

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Everyday I Write The Book
Don't tell me you don't know what love is
When you're old enough to know better
WHEN YOU FIND STRANGE HANDS IN YOUR SWEATER
When your dreamboat turns out to be a footnote
I'm a man with a mission in two or three editions
And I'm giving you a longing look
Everyday, everyday, everyday I write the book
Chapter One we didn't really get along
Chapter Two I think I fell in love with you
You said you'd stand by me in the middle of Chapter Three
But you were up to your old tricks in Chapters Four, Five and Six
The way you walk
The way you talk, and try to kiss me, and laugh
In four or five paragraphs
All your compliments and your cutting remarks
Are captured here in my quotation marks
Don't tell me you don't know the difference
Between a lover and a fighter
With my pen and my electric typewriter
Even in a perfect world where everyone was equal
I'd still own the film rights and be working on the sequel
song performed by by Elvis Costello

Submitted by Lucian Velea
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To my Friend Mr. John Fletcher, upon his Faithful Sheperdess
I know too well, that, no more than the man,
That travels through the burning desarts, can,
When he is beaten with the raging sun,
Half-smother'd with the dust, have power to run
From a cool river, which himself doth find,
Ere he be slaked; no more can he, whose mind
Joys in the Muses hold from that delight,
When Nature and his full thoughts bid him write.
Yet wish I those, whom I for friends have known,
To sing their thoughts to no ears but their own.
Why should the man, whose wit ne'er had a stain,
Upon the public stage present his vein,
And make a thousand men in judgment sit,
To call in question his undoubted wit,
Scarce two of which can understand the laws
Which they should judge by, nor the, party's cause?
Among the rout, there is not one that hath
In his own censure an explicit faith;
One company, knowing they judgment lack,
Ground their belief onthe next man in black;
Others, on him that makes signs, and is mute;
Some like, as he does in the fairest suit;
He, as his mistress doth; and she, by chance;
Nor want there those, who, as the boy doth dance
Between the acts, will censure the whole play;
Some like if the wax-lights be new that day;
But multitudes there are, whose judgment goes
Headlong according to the actors' clothes.
For this, these public things and I agree
So ill, that, but to do a right to thee,
I had not been persuaded to have hurl'd
These few ill-spoken lines into the world;
Both to be read and censured of by those
Whose very reading makes verse senseless prose;
Such as must spend above an hour to spell
A challenge on a post, to know it well.
But since it was thy hap to throw away
Much wit, for which the people did not pay,
Because they saw it not, I not dislike
This second publication, which may strike
Their conisciences, to see the thing they scorn'd,
To he with so much wit and art adorn'd.
Besides, one 'vantage more in this I see,
Your censurers must have the quality
Of reading, which I am afraid is more
Than half your shrewdest judges had before.
poem by Francis Beaumont

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A matter of opinion.
Some people say I am perverse
because I choose to write in verse.
The kind of stories I compose.
They think I ought to write in prose.
They have the right to I suppose.
But I won’t do as they propose.
I much prefer to write in verse
Because I think there’s nothing worse
Than badly written boring prose.
That is the reason why I chose.
To concentrate on rhyming verse.
I see no reason to reverse.
My original decision
to conform to your opinion.
I do not choose to write in prose
I am convinced that I would lose.
My rhyming capability
reducing my ability.
To write my words spontaneously.
I don’t expect you to agree.
Although I am compelled to write.
You’re free to exercise your right
To read or not as you choose to.
Though I confess I hope you do.
I know I can’t please everyone.
That is something that can’t be done
By any writer though they try
A truth no writer can deny.
Your comments are of interest
they spur me on to do my best.
We can agree to disagree
on which is best quite easily.
A poet must choose poetry.
But other writers are quite free.
to share their thoughts written in prose
Because they choose to I suppose.
If you should doubt my competence.
I will not choose to take offence.
You are entitled to your view
Please remember I am too
Sunday,02 May 2010
http: // blog.myspace.com/poeticpiers
poem by Ivor Or Ivor.e Hogg

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Writing Poetry
Some people write poetry
to fulfil their dream,
others write it as a personal diary.
While yet more write to protest.
Some write sonnets
for unfrequented love.
Some bring laughter
to sad faces somewhere,
while others dwell on memories
that they would like to share.
Some write of love, while
others write of God.
Write as you will on anything,
but the main point is that you write,
and give joy to all that will read.
poem by David Harris

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