Rudyard Kipling Parody - Writers' Real Mirror Reflection Reel
With inside out, and out, surprised, inside!
When penning verse whose end may, too, begin it,
When rhyming reel with real can coincide
Yours is the world and everything that’s in it
If you can write without cash motivation,
Self-righteousness avoiding like the plague,
Create consensus round an innovation
Embraced by all without appearing vague.
If you can scan, span logic to emotion
Set constant course from vested interests clear,
If you can ban all untoward commotion,
While conscience clings to all that it holds dear,
If rhymes may improvise, spurn prose redrafted,
Communication keyed to catalyze,
You'll find to your surprise that you have rafted
On stream it seems when wit reverse dream tries
----
On stream it seems when wit reverse dream tries
You'll find to your surprise that you have rafted
Communication keyed to catalyze,
If rhyme may improvise, spurn prose redrafted
While conscience clings to all that it holds dear.
If you can ban all untoward commotion,
Set constant course from vested interests clear.
If you can scan span logic to emotion
Embraced by all without appearing vague,
Create consensus round an innovation,
Self-righteousness avoiding like the plague,
If you can write without cash motivation,
Your's is the world and everything that’s in it
When rhyming reel with real can coincide
When penning verse whose end may, too, begin it,
With inside out, and out, surprised, inside!
poem by Jonathan Robin

Submitted by Poetry Lover
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Related quotes
IF - A Writers’ Guild Gild Guile Guide
If you can form and not make norms your master,
conformity, performance formal, flame.
If you inform, share, [fl]airing, flow far faster,
yet let not copyright bind tight to shame.
If you treat critic’s inconstructive blaster
with humour, beat him at his game’s lame claim,
take not to hea[r]t his tumour, bandage, plaster
half-heartedly, pretend [s]he never came.
If you can couple energy creative
well in advance of others in your field,
without confusing nominative, dative,
rei[g]n arguments through cogency revealed
in context, in a manner innovative,
code palimpsests from all but sage concealed,
If trust in self is never compensative
reaction used when you refused to yield.
If you can link great ends with small beginnings,
and yet not brag, nor tag each copy sold,
If dialogue’s more vital than piled winnings,
to trim the quill where will won’t be short-sold,
If, ignorance ignored, your story’s spinnings
creates a p[l]ot no Potter has outsold,
yet you can fi[e]nd the flaw, from fresh beginnings
return to steer to clear horizons, bold.
If you can write without cash motivation,
self-righteousness avoiding like the plague,
create consensus round an innovation
embraced by all without appearing vague,
If you can span from logic to emotion
set constant course from vested interests clear,
If you can ban all untoward commotion,
while conscience clings to all that it holds dear,
If you can set the good within you flowing
without the itch to pitch beyond kitsch brink,
If you can give the nod and wink while knowing
that mental states aren’t always in the pink,
If you use inner kinks to keep on growing
without denying others’ right to think,
If you continue for tomorrow sowing
refusing using methods now that stink.
If you can lead lead soldiers Caxton crafted
without kowtow before cold compromise,
If neither editor nor public shafted
the output that your inner soul supplies,
If you can improvise, provide redrafted
communication keyed to catalyze,
you’ll find to your surprise that you have rafted
on stream 'twill seem alone your own dream buys.
poem by Jonathan Robin

Submitted by Poetry Lover
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If You can Keep your Cheese - after Rudyard Kipling
If you can keep your cheese while few about you
are holding onto theirs', all envy ease.
If none can get your goat nor cow could doubt you
your scent which, heaven sent, can tell true bries
from gorgonzola, parmesan without you
planning for house mouse contingencies,
or short supply where larder rats may scout to
grind, compromise the tasty rind most please.
If by a whisker cheshire follows trout to
provide fit end for sweet delicacies,
or cheddar meat meal follows leaves no gout to
blur enjoyment, taste buds' harmonies.
If desert heat no threat presents, no pout too
in winter's cold where lizard's blood would freeze,
If neither flood nor drought can mar, throughout you
may triumph over blue mould colonies.
If all kowtow, if none would ever flout you
remembering to bow before ‘big cheese'...
if hole in one you score in club you clout to
take golden trophy - competition flees.
If all above's accomplished taste devout, true,
while others fail to prove their expertise,
your's is the world, which elsewhere's up the spout, few
can make their time your rhyme's real_I_tease!
IF - A Writers' Guild Gild Guile Guide
If you can form and not make norms your master,
conformity, performance formal, flame.
If you inform, share, [fl]airing, flow far faster,
yet let not copyright bind tight to shame.
If you treat critic's inconstructive blaster
with humour, beat him at his game's lame claim,
take not to hea[r]t his tumour, bandage, plaster
half-heartedly, pretend [s]he never came.
If you can couple energy creative
well in advance of others in your field,
without confusing nominative, dative,
rei[g]n arguments through cogency revealed
in context, in a manner innovative,
code palimpsests from all but s[t]age concealed,
If trust in self is never compensative
reaction used when you refused to yield.
If you can link great ends with small beginnings,
and yet not brag, nor tag each copy sold,
If dialogue's more vital than piled winnings,
to trim the quill where will won't be short-sold,
If, ignorance ignored, your story's spinnings
creates a pot no Potter has outsold,
yet you can fi[e]nd the flaw, to fresh beginnings
return to steer towards horizons bold.
If you can write without cash motivation,
self-righteousness avoiding like the plague,
create consensus round an innovation
embraced by all without appearing vague,
If you can span from logic to emotion
set constant course from vested interests clear,
If you can ban all untoward commotion,
while conscience clings to all that it holds dear,
If you can set the good within you flowing
without the itch to pitch beyond kitsch brink,
If you can give the nod and wink while knowing
that mental states aren't always in the pink,
If you use inner kinks to keep on growing
without denying others' right to think,
If you continue for tomorrow sowing
refusing using methods now that stink.
If you can lead lead soldiers Caxton crafted
without kowtow before cold compromise,
If neither editor nor public shafted
the output that your inner soul supplies,
If you can improvise, provide redrafted
communication keyed to catalyze,
you'll find to your surprise that you have rafted
alone on conscious stream your just dream buys.
Writers' Real Mirror Reflection Reel
With inside out, and out, surprised, inside,
When penning verse whose end may, too, begin it,
When rhyming reel with real can coincide
Your's is the world and everything that's in it.
If you can write without cash motivation,
Self-righteousness avoiding like the plague,
Create consensus round an innovation
Embraced by all without appearing vague.
If you can scan, span logic to emotion
Set constant course from vested interests clear,
If you can ban all untoward commotion,
While conscience clings to all that it holds dear,
If rhymes may improvise, spurn prose redrafted,
Communication key to catalyze,
You'll find to your surprise that you have rafted
On stream it seems when wit reverse dream tries.
On stream it seems when wit reverse dream tries
You'll find to your surprise that you have rafted
Communication key to catalyze.
If rhyme may improvise, spurn prose redrafted
While conscience clings to all that it holds dear,
If you can ban all untoward commotion,
Set constant course from vested interests clear.
If you can scan span logic to emotion
Embraced by all without appearing vague,
Create consensus round an innovation,
Self-righteousness avoiding like the plague,
If you can write without cash motivation,
Your's is the world and everything that's in it
When rhyming reel with real can coincide
When penning verse whose end may, too, begin it,
With inside out, and out, surprised, inside!
Cropped Apologies to Rudyard Kipling
If you can keep your crops when all the nation
rails, vain assailing creepy crawly bugs,
If you can thrive when most lives' reputation
is knocked for skittles, stumped by snails and slugs,
If you can sow, show though you stay surrounded
by failing harvests sere upon the stem,
where hopes unfounded, speculations grounded,
face farmers who through jealousy condemn.
If greenhouse gases can't delay your planting,
with fallow Brussels' edicts all ignored,
If CO² you compensate by chanting
an incantation to the heavens poured.
If snail trails slip upon your sensor networks,
if nano tech protects your fields' high yield
which on the Futures markets harvests net perks
that from the tax collector stay concealed.
If you can fight Monsanto's sterile sowing,
deny blight warnings, nor fear climate change,
if cash in hand exceeds debts most's greed's owing,
if you're the early bird with worms in range,
If you free farm through seasons, thank your maker
from man's pollution, safe solution find,
yours is the race, you, ace, may need pacemaker
for luck can turn, earn bridges burned behind.
Advice to an Applicant
If you can back your boss and keep on smiling,
while toning down his brash absurdities,
if, having watched the man manhandle filing,
you rearrange the folders pretty please,
if coy and charming, beautiful, beguiling,
anticipating all contingencies,
you manage new accounts, contacts redialling,
correct crass spelling, cover vagaries...
If you can keep your head while he's resiling,
evolve successful counter-strategies,
if ‘mum's the word', discrete, ignoring tyling,
from busy-bodies safe when he agrees.
If you can spend your time in reconciling
his intellectual inanities,
never upset his fragile ego, heiling
whene'er he feels the need, or profits sneeze...
If Windows easy comes, while modem dialing
to DSL migration's not a tease,
if firewall free from viruses hostiling
you clean can keep, recalling password keys,
if the above you show him recompiling
the data lost when he lacks expertise, -
yet know your place as cypher, never riling,
remembering to bow before ‘big cheese'...
If you can stand him publicly reviling
your good ideas, then claim them his with ease,
can watch while rival's ruin he's compiling
so coldly that a lizard's blood would freeze.
If when betrayed by his ambitious wiling
you triumph through innate abilities,
ignoring basic scheming, baser guiling,
you seize the precious point he never sees! ...
If you won't blush when, rash, he'll rush, exiling
your intuitions as freak fantasies,
but confidently while free-time he's whiling,
circumvent his incapacities.
Surpassing him in brains, tact, versatiling,
you never strive to swap your salaries,
but both feet on the ground, still patient, smiling,
can counteract his incoherencies...
If you are sure his image needs restyling,
select the suits that suit down to the tees,
if you are ever ready camomiling,
or sprinkling sugar, creaming, coffee, teas,
if you can trick his wayward infantiling
and censure not his immaturities,
ignore his clumsy tries at fond defling,
yet fondled, tactful, rise from off his knees...
If you take three degrees while reconciling
your private life to further Ph.D.'s,
if you can children bear without work piling
and keep them free from trouble and disease,
if you can spring his quick promotion - vile thing -
and play the game of happy families...
Your's is the job, the rest's cosmetic styling,
Oh prized princess and pride of... secret'ries!
A l'assistante de l'Indirection
Si tu peux supporter de voir tes dossiers
démolis sans souffler mot et puis reclasser,
si tu sais appuyer partout ton PDG
sans sceptique rester quant à ses qualités...
Si tu souris, beauté, sans être emmerdante,
si vive mais jamais surprise, impatiente,
le soutenant quand des contresens fous l'enchantent,
ses lubies supporter sans paroles tranchantes...
Si tu sais sans délais t'adapter au progrès,
les autres anticiper, sans jamais hésiter,
bien le préparer avec de bons conseils,
des envieux protéger ton patron hébété...
Très expérimentée, mais sans prendre de l'age,
compréhensive aider avec ses rattrapages
sans pourtant mériter accéder aux voyages
‘d'études' et aux congrès, - ces minables volages!
Si tu sais lui montrer se servir du clavier,
aux réseaux si primés vite se connecter,
de l'Internet cliquer sur l'intranet branché,
son PC débugger sans jamais se broncher...
Si sa peur du souris, du clic-clic, du mulot
tu peux sans interdits dépasser au boulot,
à ses flagrants délits trouver tout ce qu'il faut,
si tu ses buts poursuis en soufflant le bon mot...
Si tu sais compenser l'orthographe qu'il perd,
scanner, penser, noter, téléphoner, tout faire,
son planning programmer, sans être trop mémère,
le soutenir, si gaie, quand son coeur désespère...
Si tu peux accoucher à l'heure du dîner,
tes enfants élever tous en bonne santé,
ton patron remplacer - ronronnant au soleil -
sans pour autant rêver qu'on t'accorde sa paye.
Si tu sors d'H.E.C. sans prétendre à la gloire,
Sciences Po, c'est fait, sans en faire une histoire,
ou Enarque tu es, faisant dans ton pouvoir
le tout pour manier les re(i) nes du Pouvoir.
Lors mieux qu'homme d'affaires, ou chef de cabinet
mieux que tous ces experts si souvent égarés,
tu seras à tout faire une bonne rêvée,
mieux que mère, sacrée ASSISTANTE tu es!
If
If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or, being lied about, don't deal in lies,
Or, being hated, don't give way to hating,
And yet don't look too good, nor talk too wise;
If you can dream - and not make dreams your master;
If you can think - and not make thoughts your aim;
If you can meet with triumph and disaster
And treat those two imposters just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to broken,
And stoop and build 'em up with wornout tools;
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breath a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: 'Hold on';
If you can talk with crowds and keep your virtue,
Or walk with kings - nor lose the common touch;
If neither foes nor loving friends can hurt you;
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run -
Yours is the Earth and everything that's in it,
And - which is more - you'll be a Man my son!
Rudyard Kipling 1865_1936
Biff! The same father to the same son, now grown up.
If you can keep your job when all about you
Are losing theirs (by cutting down of screw) :
If you can keep yourself - for, make no doubt you
Won't get allowance, just for you to blue.
If you can make a heap by all your winnings
Risked on outsiders backed at Kempton Park,
Don't think that you will always get your innings
And kiss your boss's daughter in the dark.
If you should risk promotion, aught should tempt ye,
Eyeing the safe when all the staff have gone,
And, jemmying it open, find it empty,
And hear the watchman growl to you, ‘Hold on! '
If you should fill the unforgiving ‘minutes'
With names of all the people you have ‘done, '
Yours is the gaol, and everything that's in ti,
And, what is more, you'll get six months, my son.
Rachel Ferguson Nymphs and Satires 1932
A London Sparrow's IF
If you c'n keep alive when li'l bleeders
Come arter t' wi' catapults an' stones;
If you c'n grow up unpertickler feeders,
An' live on rugidge, crumbs, an' ‘addock bones;
If you c'n nest up in the bloomin' gutters,
An' dodge the blinkin' tabby on the tiles;
Nip under wheels an' never git the flutters,
Wear brahn an' no bright-coloured fevver-styles;
If you ain't blown b'nippers (Cor, I'd skin ‘me!) :
Stop y'r shells nah, warm-like, under me;
Yous is the eggs an' everyfink ‘at's in ‘em -
An' when they ‘atch, yor be cock-sparrers, see?
J A LINDON
If You can Keep Your Man
If You can Keep Your Man when all about you
Are losing theirs and blaming it on you,
Avert a break-up when he starts to doubt you,
Without behaving like a tart or shrew;
If you can bake a cake or change a nappy,
Although you've got a good Redbrick degree,
And yet can say you're reasonably happy
When other graduate wives dropp in for tea;
If you can lose yourself in ‘To the Lighthouse',
Yet, changing books, seek first the Thriller shelf,
If you can laugh at Mrs. Mary Whitehouse,
But sometimes wince at Wednesday Plays yourself;
If you stand up for Women's Liberation,
Think sex equality long overdue,
Yet purr when men evince consideration
And in a bus or train stand up for you;
If you can be a protest march frequenter,
But sometimes think the marchers a bit queer,
Yet, spite of everything, stay left of centre,
Oh, well, who knows? You may be right, my dear.
Stanley Sharpless
If You Can Crush
If you can crush, when all your chums are cribbing,
The urge that beckons you to do the same;
Can keep your tongue from telling tales or fibbing,
And can, when others err, take all the blame.
If you can nurse a crush on dear Miss Withers,
Yet bully off with just one silent tear;
Be resolute when even Matron dithers,
And weld the House together with a cheer.
If you can foil the fiendish Russian spy-ring,
Who've ‘got a hold' upon the Head (the swine!)
And by example selfless and inspiring,
Can make those ghastly Juniors toe the line.
If you while staying virgo quite intacta,
Can scoff at those who label you a prude;
And, when you leave, can know you've never slacked or
(Except to Ma'moiselle) been flip or rude.
If you can scale such pinnacles of virtue
And earn your teachers' praises as ‘a brick',
The truth, dear girl, (I do so hate to hurt you) -
The simple truth, dear Daphne, is you're thick!
Martin Fagg
IF
If you can stand the Quest and all her antics
When all around you turn somersaults upon her deck;
And go aloft when no one has told you
And not fall down and break your blooming neck;
If you can work like Wild and also like Wuzzles
Spend a convivial night with some old bean,
And then come down and meet the Boss at breakfast
And never breathe a word of where you've been.
If you can fill the port and starboard bunkers
With fourteen tons of coal; and call it fun;
Yours is the ship and everything that's in it
And you're a marvel; not a man my son.
Ernest H Shackleton
(28 July 2007)
poem by Jonathan Robin

Submitted by Poetry Lover
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A matter of opinion.
Some people say I am perverse
because I choose to write in verse.
The kind of stories I compose.
They think I ought to write in prose.
They have the right to I suppose.
But I won’t do as they propose.
I much prefer to write in verse
Because I think there’s nothing worse
Than badly written boring prose.
That is the reason why I chose.
To concentrate on rhyming verse.
I see no reason to reverse.
My original decision
to conform to your opinion.
I do not choose to write in prose
I am convinced that I would lose.
My rhyming capability
reducing my ability.
To write my words spontaneously.
I don’t expect you to agree.
Although I am compelled to write.
You’re free to exercise your right
To read or not as you choose to.
Though I confess I hope you do.
I know I can’t please everyone.
That is something that can’t be done
By any writer though they try
A truth no writer can deny.
Your comments are of interest
they spur me on to do my best.
We can agree to disagree
on which is best quite easily.
A poet must choose poetry.
But other writers are quite free.
to share their thoughts written in prose
Because they choose to I suppose.
If you should doubt my competence.
I will not choose to take offence.
You are entitled to your view
Please remember I am too
Sunday,02 May 2010
http: // blog.myspace.com/poeticpiers
poem by Ivor Or Ivor.e Hogg

Submitted by Poetry Lover
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I can EMIT TIME
'I Can! ' EMIT TIME
Kindly Refer to Notes
.
.
This retourne shows how Time bright glows,
Inspiring plan Life offers man,
Maintains red rose, sustains verse, prose,
Egg, chicken, span, - ensure ‘I can! ’
TIME’s sum’s not dumb, repeating drum
Inspiring plan Life offers man,
May link ‘become’ through rule of thumb
EMIT true scan light once began.
The heart that sows is star that glows
In tune reel ran fed through rhyme’s fan,
Maintains red rose, sustains verse, prose,
Ends in well ran, begins “I can! ”
Time’s reel ebbs, flows, all comes and goes,
In caravan reversing scan
Much magic flows, touch insight knows,
Egg, chicken, span, - ensure ‘I can! ’
.
Egg, chicken, span, - ensure ‘I can! ’
Much magic flows, touch insight knows,
In caravan reversing scan, -
Time’s reel ebbs, flows, all comes and goes.
Ends in well ran, begins “I can! ”
Maintains red rose, sustains verse, prose,
In tune reel ran fed through rhyme’s fan, -
The heart that sows is star that glows.
EMIT true scan: light, once began,
May link, ‘become’ through rule of thumb,
Inspiring plan Life offers man.
TIME’s sum’s not dumb, repeating drum.
Egg, chicken, span, - ensure ‘I can! ’
Maintains red rose, sustains verse, prose,
Inspiring plan Life offers man.
This retourne shows how Time bright glows.
_________________________________
How Time bright glows This retourne shows.
Life offers man Inspiring plan,
sustains verse, prose, Maintains red rose.
Ensure ‘I can! ’ Egg, chicken, span.
Repeating drum, TIME’s sum’s not dumb,
Life offers man Inspiring plan
through rule of thumb, May link ‘become’,
light once began, EMIT true scan.
Is star that glows The heart that sows?
Fed through rhyme’s fan, In tune reel ran
sustains verse, prose, Maintains red rose,
begins “I can! ” Ends in well ran,
all comes and goes, Time’s reel ebbs, flows.
reversing scan In caravan, -
touch insight knows Much magic flows
Ensure ‘I can! ’ Egg, chicken, span.
Ensure ‘I can! ’ Egg, chicken, span,
touch insight knows. Much magic flows
reversing scan In caravan, -
all comes and goes, Time’s reel ebbs, flows.
Begins “I can! ” Ends in well ran,
sustains verse, prose, Maintains red rose
fed through rhyme’s fan, In tune reel ran -
is star that glows The heart that sows?
Light, once began, EMIT true scan
through rule of thumb. May link, ‘become’!
Life offers man Inspiring plan.
Repeating drum, TIME’s sum’s not dumb
Ensure ‘I can! ’ Egg, chicken, span
sustains verse, prose, Maintains red rose,
Life offers man Inspiring plan.
How Time bright glows This retourne shows.
© Jonathan Robin acrostic mirror retourne 3 February 2007
_______________
Author notes
Although this is shown as a double mirrored retourne the poem has been framed so as to alternate each and every line within any given stanza... although only in four cases can the acrostic palindrome EMIT TIME run throughout.
The Mirror effect enables the poem to be read top down TIME or bottom up EMIT - The Retourne is of course only mirrored in the mirror if one reads bottom up.
This offers a possibility of 4 x 4 x 12 x 64 combinations
poem by Jonathan Robin

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Song Of A Rhyming Man
I love the sound of rhyming words like Dan will rhyme with Ann
And I could never be a poet just call me rhyming man
This modern verse too much for me it's way above my head
Though modern poets are now the rage and Rhyme is with the dead.
I love the sound of rhyming words, I love the verse that rhyme
To blank or free or non rhyme verse prefer it every time
And there's many who will disagree and most will say I'm wrong
But give me ballad or rhyme verse or good old rhyming song.
You may say I am limited and with you most will agree
That I'm not into modern verse of twenty first century
But I've been an old style rhyming man since nineteen seventy three
And I am in my sixties now and there's no changing me.
I love the sound of rhyming words like Dan will rhyme with Ann
And I could never be a poet just call me rhyming man
And I am guilty of no sin and I can't see no crime
In liking sound of rhyming verse and loving words that rhyme
poem by Francis Duggan

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The Girl Inside
the girl inside has a fear,
of what the girl inside holds so dear,
far from reality, but always in dream,
the girl inside is screaming althought it may not seem,
it grows louder and louder everyday,
just wondering why the feeling just wouldnt stay,
the girl inside more then ever wants to run,
just wanting to tell everyone that she is done,
the girl inside feels sick all over,
in her head she feels so drunk,
she just cant seem to shake this phunk,
the girl inside just wants to die,
even when the girl out side wond dare to cry,
the girl inside has a fear,
of what the girl inside holds so dear,
but the girl outside just wont let it near! ! !
poem by Michelle Guza

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Inside Out
Inside out, ooh you got me inside out
Oh inside out, oh inside out
Now everybody keeps on telling me how to be
And everybody tells me do what they say
Oh Ill help myself its up to me and no-one else
But till Im ready just keep out of my way
Inside out, ooh you got me inside out
Oh inside out, oh inside out
Now everybodys got me running round, up and down
And here I am going out of my mind
But I wont lose sight of all the, the things Im looking for
Theyre coming to me and Im taking whats mine
Inside out, ooh you got me inside out
Oh inside out, oh inside out
Ill play the game
Well make the same mistakes
Its all the same
If we can give and take
Hold on, hold on, ooh
Hold on, hold on, ooh
Inside out, ooh you got me inside out
Oh inside out, oh inside out
All of my life Ive been searching and hanging on
Turning a corner, never know what Id find
But now Im back again like I never went away
Ooh let me in Im through with wasting my time
Inside out, ooh you got me inside out
Oh inside out, oh inside out
Oh inside out, ooh you got me inside out
Oh inside out, oh inside out
song performed by by Phil Collins

Submitted by Lucian Velea
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To Find The World
to find the world
is to find your world
that is it, this is what is
it all about
it is about you and the world
you finally find
at first in your fingertips
spinning and then
inside your heart
you spinning
inside your world
the world spins
finally inside you
and you and the world
you finally find
become one
to find the world
your world
finds you and you are
not surprised anymore
the awe and wonder
inside your heart
where now
the world lives
in peace
you and your world
in harmony
like body and soul
sleeping together
in twilight
poem by Ric S. Bastasa

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Verses From God
I’m just the pen; God is the ink, Who fills me as I write and think,
And God’s ink never runs dry, as it flows from His Spirit on high.
Penning verse that never ends, as He talks to a world of friends,
As I go to God in prayer, He pens down each blessing and care.
In a trial God helps me through, He pens verse to share with you,
And the blessing He brings my way, as He helps me, day to day.
As I write every word and line, I do not claim the verses as mine,
For as the pen to page is pressed, it is my heart that is blessed.
Blessing seem to come my way, as He helps me, in what to say,
To illustrate to all those who read, that Jesus is The Lord indeed.
His Words just seem to flow, not knowing where His idea will go,
But His point He makes every time, as God speaks on each line.
He draws from deep inside, my heart, where His Scriptures hide,
Always used at the proper place, to pen down a verse of Grace.
And as the page begins to fill, it is not my poem, but God’s will,
That fills lines with His Word, which some who read, never heard.
It’s God above who fills my pen, with words for the eyes of men,
By means of only poetic verse, to claim victory, over sin’s curse.
The page is filled by God above, with true examples of His Love,
Penning Truth for men to see, He’s a God who loves you and me.
(Copyright ©08/2007)
What Sanctity...? ...
T he dawn is part of pattern webs which spin
O ut from the past and not from future fate,
A nd may Time mime, itself anticipate?
C an far horizons scan the span within?
T he wind won’t carry inkling whispers in
O pen echo unfurled in single trait.
R esponse to whom? to what? When? Early? Late?
N ew strength unveiled, by star signs sent to bait
O ne Cause or one Effect, - to end? begin?
T he story feeds from song or need to sing?
O ne’s need to heed the lied, lead on, create
U rgent vistas which can compensate
DRE aded hole inside inside’s dammed spring,
AMA zing grace to help face everything?
poem by Jonathan Robin

Submitted by Poetry Lover
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The Power Of One
Life can be a challenge
Life can seem impossible
Its never easy when so much is on the line
But you can make a difference
With courage you can set things right
The gift to dream
And make dreams real
Is yours and mine
CHORUS
The power of one begins with believing
It starts in the heart
Then flows through the soul
And changes the world
Imagine how life will be
When we stand in unity
Each of us holds the key
To the power of one
Each of us is chosen
There's a mission just for you
Just look inside and be surprised
What you can do
CHORUS
Then one by one
We can make the world
A much better place
The power of one begins with believing
It starts in the heart
And flows through the soul
And changes the world
Imagine how life will be
When we stand in unity
Each of us holds the key
Its inside of you and me
Each of us holds the key
To the power of one
song performed by by Donna Summer

Submitted by Lucian Velea
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Bond is not constant.
Interests create involvement.
Involvements create interests.
Interests tiring, involvements die.
Involvements straining, interests die.
The bond is not constant.
06.10.2006
poem by Rm. Shanmugam Chettiar

Submitted by Poetry Lover
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Poet's Thirst
Why do I thirst to pen a verse?
Would prose not do as well?
The rhyme is music to my ears
and the lyrical swell
can never be found in prose
and so I say to those.
'Write your story in novel form
or fictionalize your book.
I will pen my verse instead
and capture you with my hook.'
poem by Edwina Reizer

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Am I a Mirror
Tin men poets
Write without heart
Create rhyming irrelevance
Pretending it's art
Average Joe
With ode to the mundane
Blinkered to all insight
Never knowing pain
Great listeners
Have little to say
Clumsy with their words
They just bore you away
Ego eccentrics
Pleading, look at me
Delusions of talent
Nothing there to see
Hypocritical poetasters
Preaching to save your soul
Vanity’s a sin
Yet self promotions still their goal
Robotic writers
Empty inside
Invisible to the real world
Within their words they hide
poem by by unknown author

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Emphasis - Does Prose Satisfy?
Do rhyme and structure strangle sense,
Or emphasize emotions which
Eclectic rhythms render rich?
Stress reinforces verse, intense
Pleasure may be felt, with scents
Recalled from seasons past. Why stitch
On prose per prose that joy, its switch
So seldom magic supplements.
Excessive style is sterile, whence
Some seem to say that those who ditch
A long tradition feel the itch
To sense in rhyme mime or pretence.
It could be this misrepresents
So much which should be shared, keyed pitch.
Facts dry may well define a rose,
Yet can its scent pour through poor prose?
poem by Jonathan Robin

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Hello Again
Hello again, my dear bestest friend.
Oh where oh where do I begin.
We are living in a time of pretenders.
Wanna be defenders.
Players and instigators.
Haters and complainers.
Just to fit in.
Hello again my dearest friend.
Oh where oh where do begin.
Being so forthright in such hard times.
Is where I find my clarity and deveristy.
Yes I'm fine. I just got a lot on my mind.
I'm facing a great adversary.
Give me another bloody marry.
So much manipulation of such a tiny constellation.
Its my world please don't.
Its my world please you shouldn't.
You'll ruin it all.
Hello again my dearest friend.
Where oh where do I begin.
So many fond memories that lead to strange eventualities.
Surprise surprise.
The sky has been compromised.
By a blood red sun rise.
Oh how it hurts the eyes.
Images of suicide.
It swallows the whole divide.
A loss of so much pride.
As a little of you dies inside.
Hello hello my dearest friend.
poem by Ace Of Black Hearts

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When I have nothing to write [Când n-am ce scrie]
Why are you surprised by me?
I'm a writer, you can see,
And when people ask me why,
To kill boredom, I reply.
Novels, chronicles, critique,
For these all I have technique:
Give me issues and then pay,
I make stories right away.
And for sure, it's no big deal...
Some ideas I can steal
Or some pattern improvise
And I'm like Apollo's guys.
Then the world is old of days,
You can write about its ways!
Style and grammar? Do not freak,
They're for people poor and weak.
Foam on top the sea of mind,
I won't keep my thoughts confined,
Which are limpid, smart and hot,
For a comma or a dot!
Got the subject? I compose:
With the spade I pile the prose.
But the topics lack sometimes,
That is why I'm making rhymes.
poem by Alexandru Vlahuţă, translated by Octavian Cocoş

Submitted by anonym
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But is it
Right down within the depths of me
there lies a vein of poetry
Wherein I find when I have leisure
words which are my greatest treasure.
Words with which I can fashion verse
some silken smooth and some perverse
Each one is chosen carefully
then put together artfully.
I find them raw and unrefined
then with the power of my mind.
I create intricate designs
of words that some idea defines.
A poet is an artisan
who follows carefully a plan
that’s handed down from days of yore.
Which many men have used before.
To create formal poetry
to demonstrate their artistry.
Perchance I sometimes get it right
in verses which I choose to write.
I can imagine nothing worse
for those of us who write in verse
Than poetry which does not scan
and lacks all structure, has no plan.
Just words which incoherently
are juxtaposed haphazardly
. Which critics now suppose to be
the future form of poetry.
22-Feb-08
poem by Ivor Or Ivor.e Hogg

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Free Verse or Prose
Sadly, to me
This thing they call Prose
Is naught but just talk,
And often verbose;
I think it's too easy
And honestly, I'm
Just wanting to say
I much prefer rhyme.
And almost the same is the
Form called Free Verse,
It isn't for me, I'm not keen,
And what's worse:
Explaining the differences
Should be a breeze,
But even amongst the 'experts'
No one agrees.
Now I'm no academic
But I won't be fooled
By the 'cleverer' people,
By the so-called, 'well-schooled';
I favour good rhyming
O'er Free Verse or Prose,
And I'm calling to mind now
The Emperor's New Clothes.
poem by John Carter Brown

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You're An Ocean
Written by tony scalzo
Verse
Can you make it easier for me to understand,
How you're holding my heart, in your trembling hands...
Eyes that rise to meet me half way up among the stars,
You may be from venus but i'm definitely not from mars
Chorus
You're an ocean, you're an ocean
Settle down, settle down,
What's the commotion,
I'm an island, but you're an ocean,
It's a stormy sea of love and emotion,
You've got me suspended motionless in time
Verse
Make the warm winds circle round my head just like you do,
If i could do it, i'd be doing it to you,
I believe i'd buy whatever you would sell to me,
Nothing in my life ever came with a guarantee,
Chorus
You're an ocean, you're an ocean
Settle down, settle down,
What's the commotion,
I'm an island, but you're an ocean,
It's a stormy sea of love and emotion,
You've got me suspended motionless in time
Break
I believe i'd buy whatever you would sell to me,
Nothing in my life ever came with a guarantee,
You're an ocean, you're an ocean
Settle down, settle down,
What's the commotion,
I'm an island, but you're an ocean,
It's a stormy sea of love and emotion,
You've got me suspended motionless in time
song performed by by Fastball

Submitted by Lucian Velea
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