The Owl And The Sparrow
In elder days, in Saturn's prime,
Ere baldness seized the head of Time,
While truant Jove, in infant pride,
Play'd barefoot on Olympus' side,
Each thing on earth had power to chatter,
And spoke the mother tongue of nature.
Each stock or stone could prate and gabble,
Worse than ten labourers of Babel.
Along the street, perhaps you'd see
A Post disputing with a Tree,
And mid their arguments of weight,
A Goose sit umpire of debate.
Each Dog you met, though speechless now,
Would make his compliments and bow,
And every Swine with congees come,
To know how did all friends at home.
Each Block sublime could make a speech,
In style and eloquence as rich,
And could pronounce it and could pen it,
As well as Chatham in the senate.
Nor prose alone.--In these young times,
Each field was fruitful too in rhymes;
Each feather'd minstrel felt the passion,
And every wind breathed inspiration.
Each Bullfrog croak'd in loud bombastic,
Each Monkey chatter'd Hudibrastic;
Each Cur, endued with yelping nature,
Could outbark Churchill's[2] self in satire;
Each Crow in prophecy delighted,
Each Owl, you saw, was second-sighted,
Each Goose a skilful politician,
Each Ass a gifted met'physician,
Could preach in wrath 'gainst laughing rogues,
Write Halfway-covenant Dialogues,[3]
And wisely judge of all disputes
In commonwealths of men or brutes.
'Twas then, in spring a youthful Sparrow
Felt the keen force of Cupid's arrow:
For Birds, as Æsop's tales avow,
Made love then, just as men do now,
And talk'd of deaths and flames and darts,
And breaking necks and losing hearts;
And chose from all th' aerial kind,
Not then to tribes, like Jews, confined
The story tells, a lovely Thrush
Had smit him from a neigh'bring bush,
Where oft the young coquette would play,
And carol sweet her siren lay:
She thrill'd each feather'd heart with love,
And reign'd the Toast of all the grove.
He felt the pain, but did not dare
Disclose his passion to the fair;
For much he fear'd her conscious pride
Of race, to noble blood allied.
Her grandsire's nest conspicuous stood,
Mid loftiest branches of the wood,
In airy height, that scorn'd to know
Each flitting wing that waved below.
So doubting, on a point so nice
He deem'd it best to take advice.
Hard by there dwelt an aged Owl,
Of all his friends the gravest fowl;
Who from the cares of business free,
Lived, hermit, in a hollow tree;
To solid learning bent his mind,
In trope and syllogism he shined,
'Gainst reigning follies spent his railing;
Too much a Stoic--'twas his failing.
Hither for aid our Sparrow came,
And told his errand and his name,
With panting breath explain'd his case,
Much trembling at the sage's face;
And begg'd his Owlship would declare
If love were worth a wise one's care.
The grave Owl heard the weighty cause,
And humm'd and hah'd at every pause;
Then fix'd his looks in sapient plan,
Stretch'd forth one foot, and thus began.
"My son, my son, of love beware,
And shun the cheat of beauty's snare;
That snare more dreadful to be in,
Than huntsman's net, or horse-hair gin.
"By others' harms learn to be wise,"
As ancient proverbs well advise.
Each villany, that nature breeds,
From females and from love proceeds.
'Tis love disturbs with fell debate
Of man and beast the peaceful state:
Men fill the world with war's alarms,
When female trumpets sound to arms;
The commonwealth of dogs delight
For beauties, as for bones, to fight.
Love hath his tens of thousands slain,
And heap'd with copious death the plain:
Samson, with ass's jaw to aid,
Ne'er peopled thus th'infernal shade.
"Nor this the worst; for he that's dead,
With love no more will vex his head.
'Tis in the rolls of fate above,
That death's a certain cure for love;
A noose can end the cruel smart;
The lover's leap is from a cart.
But oft a living death they bear,
Scorn'd by the proud, capricious fair.
The fair to sense pay no regard,
And beauty is the fop's reward;
They slight the generous hearts' esteem,
And sigh for those, who fly from them.
Just when your wishes would prevail,
Some rival bird with gayer tail,
Who sings his strain with sprightlier note,
And chatters praise with livelier throat,
Shall charm your flutt'ring fair one down,
And leave your choice, to hang or drown.
Ev'n I, my son, have felt the smart;
A Pheasant won my youthful heart.
For her I tuned the doleful lay,[4]
For her I watch'd the night away;
In vain I told my piteous case,
And smooth'd my dignity of face;
In vain I cull'd the studied phrase,
And sought hard words in beauty's praise.
Her, not my charms nor sense could move,
For folly is the food of love.
Each female scorns our serious make,
"Each woman is at heart a rake."[5]
Thus Owls in every age have said,
Since our first parent-owl was made;
Thus Pope and Swift, to prove their sense,
Shall sing, some twenty ages hence;
Then shall a man of little fame,
One ** **** sing the same.
poem by John Trumbull
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Related quotes
At play
Play that you are mother dear,
And play that papa is your beau;
Play that we sit in the corner here,
Just as we used to, long ago.
Playing so, we lovers two
Are just as happy as we can be,
And I'll say "I love you" to you,
And you say "I love you" to me!
"I love you" we both shall say,
All in earnest and all in play.
Or, play that you are that other one
That some time came, and went away;
And play that the light of years agone
Stole into my heart again to-day!
Playing that you are the one I knew
In the days that never again may be,
I'll say "I love you" to you,
And you say "I love you" to me!
I love you!" my heart shall say
To the ghost of the past come back to-day!
Or, play that you sought this nestling-place
For your own sweet self, with that dual guise
Of your pretty mother in your face
And the look of that other in your eyes!
So the dear old loves shall live anew
As I hold my darling on my knee,
And I'll say "I love you" to you,
And you say "I love you" to me!
Oh, many a strange, true thing we say
And do when we pretend to play!
poem by Eugene Field
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Sonnet V: Nothing But No
Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."
poem by Michael Drayton
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The Three Enemies
THE FLESH
"Sweet, thou art pale."
"More pale to see,
Christ hung upon the cruel tree
And bore His Father's wrath for me."
"Sweet, thou art sad."
"Beneath a rod
More heavy, Christ for my sake trod
The winepress of the wrath of God."
"Sweet, thou art weary."
"Not so Christ:
Whose mighty love of me suffic'd
For Strength, Salvation, Eucharist."
"Sweet, thou art footsore."
"If I bleed,
His feet have bled; yea in my need
His Heart once bled for mine indeed."
THE WORLD
"Sweet, thou art young."
"So He was young
Who for my sake in silence hung
Upon the Cross with Passion wrung."
"Look, thou art fair."
"He was more fair
Than men, Who deign'd for me to wear
A visage marr'd beyond compare."
"And thou hast riches."
"Daily bread:
All else is His: Who, living, dead,
For me lack'd where to lay His Head."
"And life is sweet."
"It was not so
To Him, Whose Cup did overflow
With mine unutterable woe."
THE DEVIL
"Thou drinkest deep."
"When Christ would sup
He drain'd the dregs from out my cup:
So how should I be lifted up?"
"Thou shalt win Glory."
"In the skies,
Lord Jesus, cover up mine eyes
Lest they should look on vanities."
"Thou shalt have Knowledge."
"Helpless dust!
In Thee, O Lord, I put my trust:
Answer Thou for me, Wise and Just."
"And Might."--
"Get thee behind me. Lord,
Who hast redeem'd and not abhorr'd
My soul, oh keep it by Thy Word."
poem by Christina Georgina Rossetti
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Intimacy
I hear people say, "I love my iPhone, "
Or, "I love drinking a Starbucks coffee."
Sometimes: "I love my Versace cologne, "
And also: "I love having this money."
I hear people say, "I love my Walmart, "
Or, "I love the drive-thru at Taco Bell."
"I love my TV. It's state of the art."
"I love the shoes that Nike has to sell."
I hear this: "I love American Idol, "
And, "I love a nice, cold Budweiser."
"I love medicines such as Demerol."
And, "I love my internet provider."
Yet, one thing I don't hear is, "I love you."
Saying that is too intimate to do.
poem by Tim Stensloff
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Sonnet LIX: As Love and I
As Love and I, late harbor'd in one inn,
With proverbs thus each other entertain:
"In Love there is no lack," thus I begin;
"Fair words make fools," replieth he again;
"Who spares to speak doth spare to speed," quoth I;
"As well," saith he, "too forward as too slow";
"Fortune assists the boldest," I reply;
"A hasty man," quoth he, "ne'er wanted woe";
"Labor is light where Love," quoth I, "doth pay";
Saith he, "Light burden's heavy, if far borne";
Quoth I, "The main lost, cast the bye away";
"You have spun a fair thread," he replies in scorn.
And having thus awhile each other thwarted,
Fools as we met, so fools again we parted.
poem by Michael Drayton
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How Deep Is Your Love?
Superficial, or sacrificial?
Secular, or the supernatural?
How deep is your love?
Would you give up quality of life?
Or give up life itself?
To what do we let go?
To what do we hold on?
People or objects?
How far do we go,
Before we move on?
To our breaking point,
Or until we have proven it.
Hold on to resentment,
Let go of another.
Prove our point, or to prove love.
Beauty is only skin deep.
But beautiful is at the core.
The spirit lives forever.
It endures all.
Our essence, our core, is love itself.
Given by God, as He lives inside of us.
He is buried deep,
Surrounded by lies.
Lies we have bought in a cold cruel world.
A world of shallow love.
Love of self, at the cost of another.
She walked away,
He waited.
She asked, "Why when you had me you did not want me, "
"But now I am gone, and you will fight? "
"You have changed, but it is too late."
"For I have found another."
The man replied, "The answer is simple."
"Why is it, you have me now and do not want me? "
"I have proven the truth of my love."
"I have endured a thousand deaths."
"I have risen each time."
"To become love itself."
"Not for me, but for you."
"Affection is shown, but love is assumed."
"To the superficial, love is all show."
"To the sacrificial, love is the show."
"I can tell you I love you,
"But the words have no substance."
"They disappear in thin air."
"Love is patient."
"Love as a feeling, will come and go."
"Feelings are impatient."
"It is truth that never changes."
"And love, that is true, will endure all."
"As it has since the beginning of time."
"Not as defined by society."
"But as defined by the creator and sustainer."
"It is only once the feelings have broken the heart, the holder of the feelings."
"That the beholder is freed."
"To show the love that will never be broken."
"Love that is true."
poem by Ryan Lee Morris
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The Vine & Oak, A Fable
A vine from noblest lineage sprung
And with the choicest clusters hung,
In purple rob'd, reclining lay,
And catch'd the noontide's fervid ray;
The num'rous plants that deck the field
Did all the palm of beauty yield;
Pronounc'd her fairest of their train
And hail'd her empress of the plain.
A neighb'ring oak whose spiry height
In low-hung clouds was hid from sight,
Who dar'd a thousand howling storms;
Conscious of worth, sublimely stood,
The pride and glory of the wood.
He saw her all defenseless lay
To each invading beast a prey,
And wish'd to clasp her in his arms
And bear her far away from harms.
'Twas love -- 'twas tenderness -- 'twas all
That men the tender passion call.
He urg'd his suit but urg'd in vain,
The vine regardless of his pain
Still flirted with each flippant green
With seeing pleas'd, & being seen;
And as the syren Flattery sang
Would o'er the strains ecstatic hang;
Enjoy'd the minutes as they rose
Nor fears her bosom discompose.
But now the boding clouds arise
And scowling darkness veils the skies;
Harsh thunders roar -- red lightnings gleam,
And rushing torrents close the scene.
The fawning, adulating crowd
Who late in thronged xx bow'd
Now left their goddess of a day
To the O'erwhelming flood a prey,
which swell'd a deluge poured around
& tore her helpless from the ground;
Her rifled foliage floated wide
And ruby nectar ting'd the tide.
With eager eyes and heart dismayed
She look'd but look'd in vain for aid.
"And are my lovers fled," she cry'd,
"Who at my feet this morning sigh'd,
"And swore my reign would never end
"While youth and beauty had a friend?
"I am unhappy who believ'd!
"And they detested who deceived!
"Curse on that whim call'd maiden pride
"Which made me shun the name of bride
"When yonder oak confessed his flame
"And woo'd me in fair honor's name.
"But now repentance comes too late
"And all forlorn, I meet my fate."
The oak who safely wav'd above
Look'd down once more with eyes of love
(Love higher wrought with pity join'd
True mark of an exalted mind,)
Declared her coldness could suspend
But not his gen'rous passion end.
Beg'd to renew his am'rous plea,
As warm for union now as he,
To his embraces quick she flew
And felt & gave sensations new.
Enrich'd & graced by the sweet prise
He lifts her tendrils to the skies;
Whilst she, protected and carest,
Sinks in his arms completely blest.
poem by Major Henry Livingston Jr.
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Verses to Clarinda
Fair Empress of the poet's soul,
And Queen of poetesses;
Clarinda, take this little boon,
This humble pair of glasses:
And fill them up with generous juice,
As generous as your mind;
And pledge them to the generous toast,
"The whole of human kind!"
"To those nwho love us!" second fill;
But not to those whom we love;
Lest we love those who love not us -
A third - "To thee and me, love!"
poem by Robert Burns
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The Mathematician in Love
I.
A mathematician fell madly in love
With a lady, young, handsome, and charming:
By angles and ratios harmonic he strove
Her curves and proportions all faultless to prove.
As he scrawled hieroglyphics alarming.
II.
He measured with care, from the ends of a base,
The arcs which her features subtended:
Then he framed transcendental equations, to trace
The flowing outlines of her figure and face,
And thought the result very splendid.
III.
He studied (since music has charms for the fair)
The theory of fiddles and whistles, --
Then composed, by acoustic equations, an air,
Which, when 'twas performed, made the lady's long hair
Stand on end, like a porcupine's bristles.
IV.
The lady loved dancing: -- he therefore applied,
To the polka and waltz, an equation;
But when to rotate on his axis he tried,
His centre of gravity swayed to one side,
And he fell, by the earth's gravitation.
V.
No doubts of the fate of his suit made him pause,
For he proved, to his own satisfaction,
That the fair one returned his affection; -- "because,
"As every one knows, by mechanical laws,
"Re-action is equal to action."
VI.
"Let x denote beauty, -- y, manners well-bred, --
"z, Fortune, -- (this last is essential), --
"Let L stand for love" -- our philosopher said, --
"Then L is a function of x, y, and z,
"Of the kind which is known as potential."
VII.
"Now integrate L with respect to d t,
"(t Standing for time and persuasion);
"Then, between proper limits, 'tis easy to see,
"The definite integral Marriage must be: --
"(A very concise demonstration)."
VIII.
Said he -- "If the wandering course of the moon
"By Algebra can be predicted,
"The female affections must yield to it soon" --
-- But the lady ran off with a dashing dragoon,
And left him amazed and afflicted.
poem by William John Macquorn Rankine
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Astrophel and Stella: LXXI
Who will in fairest book of nature know
How virtue may best lodg'd in beauty be,
Let him but learn of love to read in thee,
Stella, those fair lines which true goodness show.
There shall he find all vices' overthrow,
Not by rude force, but sweetest sovereignty
Of reason, from whose light those night-birds fly;
That inward sun in thine eyes shineth so.
And, not content to be perfection's heir
Thyself, dost strive all minds that way to move,
Who mark in thee what is in thee most fair.
So while thy beauty draws thy heart to love,
As fast thy virtue bends that love to good:
But "Ah," Desire still cries, "Give me some food!"
poem by Philip Sidney
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Sonnet LXXI: Who Will in Fairest Book
Who will in fairest book of nature know
How virtue may best lodg'd in beauty be,
Let him but learn of love to read in thee,
Stella, those fair lines which true goodness show.
There shall he find all vices' overthrow,
Not by rude force, but sweetest sovereignty
Of reason, from whose light those night-birds fly;
That inward sun in thine eyes shineth so.
And, not content to be perfection's heir
Thyself, dost strive all minds that way to move,
Who mark in thee what is in thee most fair.
So while thy beauty draws thy heart to love,
As fast thy virtue bends that love to good:
But "Ah," Desire still cries, "Give me some food!"
poem by Philip Sidney
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Lois House
Air -- "Saphrona's Farewell"
Come all ye young people of every degree,
Come give your attention one moment to me;
It's of a young couple I now will relate,
And of their misfortunes and of their sad fate.
One was a young damsel, both blooming and fair,
The other a young man, his beauty was rare;
He loved this lady as he loved his own life --
If God had not called her he would made her his wife.
He courted her a long time in triumph and glee,
But little did he think that she would soon leave,
Leave him in sorrow, forsaken, alone,
To mourn her departure, for she was going home:
Going home to her Father, that dwelleth on high,
Who gave her her life and who caused her to die,
And leave her true lover, one whom she could trust,
To moulder her fair form a while in the dust.
Lois House and Joy Morris were their names, I believe,
They loved each other dearly and never deceived,
But God he did part them, one which he laid low,
The other He left with his heart full of woe.
Joy laid her dying head on his bosom once more,
Pressed her to his heart as he had oft done before,
Saying, "Dear Lois, are you going to leave me?"
"Yes, Joy, I can no longer stay here with thee! "
"Oh! Joy, can't you give me up, dearest," said she;
"If you will say yes, love, I can leave in peace;
In heaven, love, I will be waiting for thee --
Be true to our Savior -- you'll soon follow me."
"If I must say yes, love, for you to leave me --
God will do better by you, Lois, than me;
Oh! it's hard for me, dearest, hard to say yes,
It leaves me alone, love, in sad woefulness."
"I want your picture, Joy, placed in my cold hand,
And let it be buried with me in the ground;
It's all I can carry with me to the grave --
Grant it to me, love, it's all that I crave."
They called for her father and mother most dear,
She kissed them and bade them farewell thro' their tears;
They called for her brother and sisters again,
To kiss their sister while life still remain.
"One kiss from you, Joy," she whispered so low,
That no one in the room heard her, you know;
She gasped for her breath once or twice more,
When lo! her spirit left her, and Lois is no more.
They placed her fair form in the coffin so cold,
And placed there Joy's picture as they had been told;
They bore her to her grave, all were in sad gloom,
And gently laid her down to rest in her tomb.
poem by Julia A Moore
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Liebestod
When I was bold, when I was bold-
And that's a hundred years!-
Oh, never I thought my breast could hold
The terrible weight of tears.
I said: "Now some be dolorous;
I hear them wail and sigh,
And if it be Love that play them thus,
Then never a love will I."
I said: "I see them rack and rue,
I see them wring and ache,
And little I'll crack my heart in two
With little the heart can break."
When I was gay, when I was gay-
It's ninety years and nine!-
Oh, never I thought that Death could lay
His terrible hand in mine.
I said: "He plies his trade among
The musty and infirm;
A body so hard and bright and young
Could never be meat for worm."
"I see him dull their eyes," I said,
"And still their rattling breath.
And how under God could I be dead
That never was meant for Death?"
But Love came by, to quench my sleep,
And here's my sundered heart;
And bitter's my woe, and black, and deep,
And little I guessed a part.
Yet this there is to cool my breast,
And this to ease my spell;
Now if I were Love's, like all the rest,
Then can I be Death's, as well.
And he shall have me, sworn and bound,
And I'll be done with Love.
And better I'll be below the ground
Than ever I'll be above.
poem by Dorothy Parker
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Young Henry
Air -- "Drummer Boy of Waterloo"
Young Henry was as faithful boy
As ever stood on the American soil,
And he did enlist, without a doubt,
When the rebellion was broke out.
He was his parents' only son,
And only child he was but one,
That was a girl aged seventeen,
Henry called her his May Queen.
Young Henry said, "Dear sister May,
What do you think my friends will say?
For now my name is on the roll,
And I down south will have to go."
"I hear my country's call," said he,
"For all her sons of liberty,
And I, forever, will prove true
To that dear old flag, red, white and blue."
"I love my father and mother dear,
I leave you, May, their hearts to cheer;
When I am gone, pray do not mourn
If I should never return home."
His sister then to him did say,
"My only brother, blithe and gay,
Our country calls, calls from afar;
May God protect you through the war."
Their father hearing all was said,
It made his noble heart grow sad;
"My children, I love both of you,
And yet I love my country, too."
"My son, if I was young again,
I never could at home remain,
And see my native land, now free,
Dissolved and made in slavery."
Young Henry left his father's home,
And left his friends for him to mourn,
A captain of a little band,
He marched away from Michigan.
In the battle of Fredericksburg,
Above the battle roar was heard,
"Fight on! fight on! brave boys," he cried,
"I am shot and wounded, and must die."
They placed his head upon the grass,
So he could see his brave boys pass;
"Go tell my father, Henry's slain
To keep him from the rebel's chain."
They dug his grave beneath that spot,
They wrapped him in his soldier's coat,
And while the battle drums they heard,
They laid him low at Fredericksburg.
poem by Julia A Moore
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Weep On, Weep On
Weep on, weep on, your hour is past,
Your dreams of pride are o'er;
The fatal chain is round you cast,
And you are men no more.
In vain the hero's heart hath bled;
The sage's tongue hath warn'd in vain;
Oh, Freedom! once thy flame hath fled,
It never lights again!
Weep on -- perhaps in after days,
They'll learn to love your name,
When many a deed may wake in praise
That long hath slept in blame.
And when they tread the ruin'd isle,
Where rest, at length, the lord and slave,
They'll wondering ask, how hands so vile
Could conquer hearts so brave?
"'Twas fate," they'll say, "a wayward fate
Your web of discord wove;
And while your tyrants join'd in hate,
You never join'd in love.
But hearts fell off that ought to twine,
And man profaned what God had given;
Till some were heard to curse the shrine
Where others knelt in heaven!"
poem by Thomas Moore
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Ah Me!
When maiden loves, she sits and sighs,
She wanders to and fro;
Unbidden tear-drops fill her eyes,
And to all questions she replies,
With a sad heigho!
'Tis but a little word - "heigho!"
So soft, 'tis scarcely heard - "heigho!"
An idle breath -
Yet life and death
May hang upon a maid's "heigho!"
When maiden loves, she mopes apart,
As owl mopes on a tree;
Although she keenly feels the smart,
She cannot tell what ails her heart,
With its sad "Ah me!"
'Tis but a foolish sigh - "Ah me!"
Born but to droop and die - "Ah me!"
Yet all the sense
Of eloquence
Lies hidden in a maid's "Ah me!"
poem by William Schwenck Gilbert
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Don't Tell the World that You're Waiting for Me
THREE summers have gone since the first time we met, love,
And still 'tis in vain that I ask thee to wed ;
I hear no reply but a gentle " Not yet, love,"
With a smile of your lip, and a shake of your head.
Ah ! how oft have I whispered, how oft have I sued thee,
And breathed my soul's question of " When shall it be ?"
You know, dear, how long and how truly I've wooed thee,
So don't tell the world that you're waiting for me.
I have fashioned a home, where the fairies might dwell, love,
I've planted the myrtle, the rose, and the vine ;
But the cottage to me is a mere hermit's cell, love,
And the bloom will be dull till the flowers are thine.
I've a ring of bright gold, which I gaze on when lonely,
And sigh with Hope's eloquence, " When will it be ?"
There needs but thy " Yes," love--one little word only,
So don't tell the world that you're waiting for me.
poem by Eliza Cook
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Astrophel And Stella-Sonnet LIV
Because I breathe not love to every one,
Nor do not use set colours for to wear,
Nor nourish special locks of vowed hair,
Nor give each speech a full point of a groan,
The courtly nymphs, acquainted with the moan
Of them who in their lips Love's standard bear,
"What, he!" say they of me, "now I dare swear
He cannot love. No, no, let him alone."—
And think so still, so Stella know my mind!
Profess indeed I do not Cupid's art;
But you, fair maids, at length this true shall find,
That his right badge is worn but in the heart.
Dumb swans, not chattering pies, do lovers prove:
They love indeed who quake to say they love.
poem by Philip Sidney
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Goodbye Mine M.j.
A "Stranger in Moscow" told me that you've gone!
But is it true that you've gone my M.J.?
And with tears in my eyes I say goodbye my M.J.
You who feeds the eyes and the ears
And has graced our African soil
But why did you have to go, you "Smooth criminal"
When you know "They don't care about us"
Tell me, who will "Heal the world"?
Who will make it a better place for us?
Who will give to the poor once and again to their necessity?
Who will be there for them in their anguish and pain?
O', know you not that admired you are of those that hate you most
And did you have to go; or where you too lonely?
But you said "We're the world" that "You are not alone"
Then why did you have to go? And did you leave another "Thriller"
If no, then why choose to be "The man in the mirror"
Thus dirge and elegy now met in my heart. Why?
"Do you remember the time" we first met in my dream
And "The way you make me feel" with your "Childhood"?
Oh king of pop, my M.J., "I want you back"
And you "Got to be there" for me on my birthday
To sing me your song, "Don't stop till you get enough"
While "Rockin Robin and Ben" "Off the wall" till they "Scream"
For your love is magical because you're angelica
You are so wonderful because you're beautiful
You are indispensable because you're irreplaceable
And now I see the "Liberian girl" cry because you're "Speechless"
And upon our bodies the nighted color of mourning you. Why?
Alas death! Why taketh him away when all that look on him yet not satisfied?
O', let not the world lose another "Michael Jackson".
Michael I love you "Yesterday, today and forever."
May the spirit light your way
Through the land of the shadow
To the halls of eternal peace. Amen.
In the cabinet of my imagination, in the treasury of my reason, in the registry of my conscience, and in the council chamber of my thought, there shall you live forever.
I LOVE YOU MINE M.J.
poem by Lightcheerful Briggs
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The Oldest Song
For before Eve was Lilith. -- Old Tale.
"These were never your true love's eyes.
Why do you feign that you love them?
You that broke from their constancies,
And the wide calm brows above them!
This was never your true love's speech.
Why do you thrill when you hear it?
You that have ridden out of its reach
The width of the world or near it!
This was never your true love's hair, --
You that chafed when it bound you
Screened from knowledge or shame or care,
In the night that it made around you!"
"All these things I know, I know.
And that's why my heart is breaking!"
"Then what do you gain by pretending so?"
"The joy of an old wound waking."
poem by Rudyard Kipling
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