Ownerless
He comes when the gullies are wrapped in the gloaming
And limelights are trained on the tops of the gums,
To stand at the sliprails, awaiting the homing
Of one who marched off to the beat of the drums.
So handsome he looked in the putties and khaki,
Light-hearted he went like a youngster to play;
But why comes he never to speak to his Darkie,
Around at the rails at the close of the day?
And why have the neighbours foregathered so gently,
Their horses a-doze at the fence in a row?
And what are they talkin' of, softly, intently?
And why are the women-folk lingering so?
One hand, soft and small, that so often caressed him,
Was trembling just now as it fondled his head;
But what was that trickling warm drop that distressed him?
And what were those heart-broken words that she said?
Ne'er brighter the paddocks that bushmen remember
The green and the gold and the pink have displayed,
When Spring weaves a wreath for the brows of September,
Enrobed like a queen, and a-blush like a maid.
The gums are a-shoot and the wattles a-cluster,
The cattle are roaming the ranges astray;
But why are they late with the hunt and the muster?
And why is the black horse unsaddled to-day?
Hard by at the station the training commences,
In circles they're schooling the hacks for the shows;
The high-mettled hunters are sent at the fences,
And satins and dapples the brushes disclose.
Sound-winded and fit and quite ready is Darkie,
Impatient to strip for the sprint and the flight;
But what can he keeping the rider in khaki?
And why does the silence hang heavy to-night?
Ah, surely he'll come, when the waiting is ended,
To fly the stiff fences and take him in hand,
Blue-ribboned once more, and three-quarters extended,
Hard-held for the cheers from the fence and the stand.
Still there can the cross-beam the saddle hangs idle.
The cobweb around the loose stirrup is spun;
The rust's on the spurs, and the dust on the bridle,
And gathering mould on the badges he won.
We'll take the old horse to the paddocks tomorrow,
Where grasses are waving breast-high on the plain;
And there with the clean-skins we'll turn him in sorrow
And muster him never, ah, never, again.
The bush bird will sing when the shadows are creeping
A sweet plaintive note, soft and clear as a bell's -
Oh, would it might ring where the bush boy is sleeping,
And colour his dreams by the far Dardanelles.
poem by John Shaw Neilson
Submitted by Poetry Lover
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The Last Muster
All day we had driven the starving sheep to the scrub where the axes ply,
And the weakest had lagged upon weary feet and dropped from the ranks to die;
And the crows Hew up from the rotting heaps and the ewes too weak to stand,
And the fences Haunted red skins like flags, and the dour drought held the land.
And at night as I lay a-dreaming, I woke, and a silver moon
Shone fair on a dancing river and laughed to a broad lagoon,
And the grass turned over the fences and rippled like ripening grain,
And clouds hung low on the hilltops, and earth smelt sweet with the rain.
And in at the open window the lowing of cattle came -
A mob that had never a laggard and never a beast that was lame;
And wethers, a thousand thousand, and ewes with their lambs beside,
Moved over the green flats feeding, spread river to ranges wide.
And horses whinnied below me, and leaning I watched them pass,
Lusty and strong and playful like horses on spring-tide grass
When they whinny one to another, strong-voiced, and a gallop brings
Foam to the Hank, be it only from paddock to stockyard wings.
Slowly they moved in the moon-mist, heads low in the cool night-dew,
Snatching the long bush grasses, breast-high as they wandered through;
Slowly they moved in the moon-mist, and never a horse on the plains
Was red with the gall of the collar or marked with a chafe of the chains.
And behind them a hundred drovers rode slow on their horses white,
All brave with their trappings of silver that Hashed in the silver light;
Buckle and stirrup and bridle, and spurs for their better speed -
Singing behind the cattle like drovers on royal feed.
And I cooeed, and one came over that rode on the nearest wing,
And I called to him, "Ho, there, drover! say, whose is the mob you bring?"
Then he reined his horse by the window, all silver-bitted and shod,
And spoke, and his words rang sadly, "These are the cattle of God!"
So I said to him, "Where are they bound for?" and he raised his hand to the West:
They are bound for the star-fenced pastures on God's own rivers, to rest."
And I asked him "Where did you muster?" and he answered me sadly again,
"From every gully and sandhill, from every valley and plain,
"From the swamps of the green kapunyah, from the reeds at the red creek-side,
From the thickets of twisted mulga, from the clay-pans furrowed and dried,
From the track to the Western goldfields, from the ruts of the Great North Road,
Where the dingoes go and the crows fly low we have gathered the beasts of God."
And I said, "Then has God repented because that He sent no rain?
And has God looked down in His pity on the poor dumb beasts He has slain?"
But the drover turned in his saddle and answered, his eyes in mine,
"Not so; for the beasts were slaughtered by man of his greed's design:
"God gave to them feed and water and pastures so wild and wide
They had fed him a thousand million from here to the ocean side;
But man in his greed came after and fenced them on hill and plain
And cursed the God in His heaven that would not send them His rain;
"And man's be the blame of the bleaching bone and the shame of the rotting hide,
And the pity of lorn lambs crying alone on the wind-swept mountain-side,
Of the weak horse down in his harness, of the bullock dead by the dray,
Of the moan of the thirsty cattle for ever and ever and aye!"
And he spoke to his steed and left me - moved out on the mist it seemed,
And I woke to the red burned acres, and knew that I had but dreamed.
poem by William Henry Ogilvie
Submitted by Poetry Lover
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Dont Fence Me In
Well, give me land, lots of land under starry skies above
But dont fence me in
Let me ride through that wide open country that I love
Dont fence me in
Let me be by myself in the evenin breeze
Listen to the murmur of the cottonwood trees
Send me off forever but I ask you please
Dont fence me in
Just turn me loose, let me straddle my old saddle
Underneath the western skies
On my cayuse, let me wander over yonder
Till I see the mountains rise
I want to ride to the ridge where the west commences
Gaze at the moon till I lose my senses
I dont like hobbles and I cant stand fences
Dont fence me in
(instrumental break)
Just turn me loose, let me straddle my old saddle
Underneath the western skies
On my cayuse, let me wander over yonder
Till I see the mountains rise
I want to ride to the ridge where the west commences
Gaze at that ole moon until I lose my senses
I cant stand them hobbles and I dont care for fences
Dont fence me in
Oh no...dont you fence me in
song performed by by Louis Armstrong
Submitted by Lucian Velea
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In A Forest Garden: A Promise of Spring
Spring surely must be near. High over head
The kind blue heavens bend to timbers tall;
And here, this morning, is the picture spread
That I have learned to love the best of all.
I hear Flame Robin call
His early love-song. Winter's might is sped;
And young crows now begin to fleck with red
This great green, living wall.
Picture of promise, that I count the best
Of many a fair familiar Bushland scene;
Lifting o'er all, the far mount's sunlit crest
Looks down where silver wattles lightly screen
Blue smoke, that peeps between
Their tall tops, from some settler's hidden nest
Looks down on golden wattles closely pressed
To blackwood's luscious green.
Before the dovecote, mirrored in the pond,
A veil diaphanous of drifting mist
Makes many a nimbus for grey gums beyond
Whose gaunt, grey limbs a mountain sun has kissed
To palest amethyst.
Now, stepping very daintily, with fond,
Soft cooings, fantails on the lawn respond,
To Spring, the amorist.
From the deep forest, on the clean crisp air,
The bushman's axe-blows echo sharply clear;
A soft cloud's tattered fleece drifts idly where
Glows azure hope. Impatient to appear
Springs now full many a spear
Of marching daffodils. Shorn of cold care,
The joyous bush birds vie with flutings rare.
Spring surely must be near.
poem by Clarence Michael James Stanislaus Dennis
Submitted by Poetry Lover
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Father Riley's Horse
'Twas the horse thief, Andy Regan, that was hunted like a dog
By the troopers of the upper Murray side,
They had searched in every gully -- they had looked in every log,
But never sight or track of him they spied,
Till the priest at Kiley's Crossing heard a knocking very late
And a whisper "Father Riley -- come across!"
So his Rev'rence in pyjamas trotted softly to the gate
And admitted Andy Regan -- and a horse!
"Now, it's listen, Father Riley, to the words I've got to say,
For it's close upon my death I am tonight.
With the troopers hard behind me I've been hiding all the day
In the gullies keeping close and out of sight.
But they're watching all the ranges till there's not a bird could fly,
And I'm fairly worn to pieces with the strife,
So I'm taking no more trouble, but I'm going home to die,
'Tis the only way I see to save my life.
"Yes, I'm making home to mother's, and I'll die o' Tuesday next
An' be buried on the Thursday -- and, of course,
I'm prepared to meet my penance, but with one thing I'm perplexed
And it's -- Father, it's this jewel of a horse!
He was never bought nor paid for, and there's not a man can swear
To his owner or his breeder, but I know,
That his sire was by Pedantic from the Old Pretender mare
And his dam was close related to The Roe.
"And there's nothing in the district that can race him for a step,
He could canter while they're going at their top:
He's the king of all the leppers that was ever seen to lep,
A five-foot fence -- he'd clear it in a hop!
So I'll leave him with you, Father, till the dead shall rise again,
Tis yourself that knows a good 'un; and, of course,
You can say he's got by Moonlight out of Paddy Murphy's plain
If you're ever asked the breeding of the horse!
"But it's getting on to daylight and it's time to say goodbye,
For the stars above the east are growing pale.
And I'm making home to mother -- and it's hard for me to die!
But it's harder still, is keeping out of gaol!
You can ride the old horse over to my grave across the dip
Where the wattle bloom is waving overhead.
Sure he'll jump them fences easy -- you must never raise the whip
Or he'll rush 'em! -- now, goodbye!" and he had fled!
So they buried Andy Regan, and they buried him to rights,
In the graveyard at the back of Kiley's Hill;
There were five-and-twenty mourners who had five-and-twenty fights
Till the very boldest fighters had their fill.
There were fifty horses racing from the graveyard to the pub,
And their riders flogged each other all the while.
And the lashin's of the liquor! And the lavin's of the grub!
Oh, poor Andy went to rest in proper style.
Then the races came to Kiley's -- with a steeplechase and all,
For the folk were mostly Irish round about,
And it takes an Irish rider to be fearless of a fall,
They were training morning in and morning out.
But they never started training till the sun was on the course
For a superstitious story kept 'em back,
That the ghost of Andy Regan on a slashing chestnut horse,
Had been training by the starlight on the track.
And they read the nominations for the races with surprise
And amusement at the Father's little joke,
For a novice had been entered for the steeplechasing prize,
And they found it was Father Riley's moke!
He was neat enough to gallop, he was strong enough to stay!
But his owner's views of training were immense,
For the Reverend Father Riley used to ride him every day,
And he never saw a hurdle nor a fence.
And the priest would join the laughter: "Oh," said he, "I put him in,
For there's five-and-twenty sovereigns to be won.
And the poor would find it useful, if the chestnut chanced to win,
And he'll maybe win when all is said and done!"
He had called him Faugh-a-ballagh, which is French for 'Clear the course',
And his colours were a vivid shade of green:
All the Dooleys and O'Donnells were on Father Riley's horse,
While the Orangemen were backing Mandarin!
It was Hogan, the dog poisoner -- aged man and very wise,
Who was camping in the racecourse with his swag,
And who ventured the opinion, to the township's great surprise,
That the race would go to Father Riley's nag.
"You can talk about your riders -- and the horse has not been schooled,
And the fences is terrific, and the rest!
When the field is fairly going, then ye'll see ye've all been fooled,
And the chestnut horse will battle with the best.
"For there's some has got condition, and they think the race is sure,
And the chestnut horse will fall beneath the weight,
But the hopes of all the helpless, and the prayers of all the poor,
Will be running by his side to keep him straight.
And it's what's the need of schoolin' or of workin' on the track,
Whin the saints are there to guide him round the course!
I've prayed him over every fence -- I've prayed him out and back!
And I'll bet my cash on Father Riley's horse!"
*
Oh, the steeple was a caution! They went tearin' round and round,
And the fences rang and rattled where they struck.
There was some that cleared the water -- there was more fell in and drowned,
Some blamed the men and others blamed the luck!
But the whips were flying freely when the field came into view,
For the finish down the long green stretch of course,
And in front of all the flyers -- jumpin' like a kangaroo,
Came the rank outsider -- Father Riley's horse!
Oh, the shouting and the cheering as he rattled past the post!
For he left the others standing, in the straight;
And the rider -- well they reckoned it was Andy Regan's ghost,
And it beat 'em how a ghost would draw the weight!
But he weighed in, nine stone seven, then he laughed and disappeared,
Like a banshee (which is Spanish for an elf),
And old Hogan muttered sagely, "If it wasn't for the beard
They'd be thinking it was Andy Regan's self!"
And the poor of Kiley's Crossing drank the health at Christmastide
Of the chestnut and his rider dressed in green.
There was never such a rider, not since Andy Regan died,
And they wondered who on earth he could have been.
But they settled it among 'em, for the story got about,
'Mongst the bushmen and the people on the course,
That the Devil had been ordered to let Andy Regan out
For the steeplechase on Father Riley's horse!
poem by Andrew Barton Paterson
Submitted by Poetry Lover
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Mustering Song
The boss last night in the hut did say
"We start to muster at break of day;
So be up first thing, and don't be slow;
Saddle your horses and off you go."
So early in the morning, so early in the morning,
So early in the morning, before the break of day.
Such a night in the yard there never was seen
(The horses were fat and the grass was green):
Bursting of girths and slipping of packs
As the stockmen saddled the fastest hacks.
Across the plain we jog along
Over gully, swamp, and billabong;
We dropp on a mob pretty lively, too
We round 'em up and give 'em a slue.
Now the scrub grows thick and the cattle are wild,
A regular caution to this 'ere child
A new chum man on an old chum horse,
Who sails through the scrub as a matter of course.
I was close up stuck in a rotten bog;
I got a buster jumping a log;
I found this scouting rather hot,
So I joined the niggers with the lot we'd got.
A long-haired shepherd we chanced to meet
With a water bag, billy, and dog complete;
He came too close to a knocked up steer,
Who up a sapling made him clear.
Now on every side we faintly hear
The crack of the stockwhip drawing near;
To the camp the cattle soon converge,
As from the thick scrub they emerge.
We hastily comfort the inner man
With the warm contents of the billy can;
The beef and damper are passed about
Before we tackle the cutting out.
We're at it now—that bally calf
Would surely make a sick man laugh;
The silly fool can't take a joke;
I hope some day in the drought he'll croak.
We've 'em now—the cows and calves
(Things here are never done by halves):
Strangers, workers, and milkers, too,
Of scrubbers also not a few.
It's getting late, we'd better push;
'Tis a good long way across the bush,
And the mob to drive are middling hard;
I do not think we'll reach the yard.
poem by Andrew Barton Paterson
Submitted by Poetry Lover
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Tommy Corrigan
You talk of riders on the flat, of nerve and pluck and pace --
Not one in fifty has the nerve to ride a steeplechase.
It's right enough, while horses pull and take their faces strong,
To rush a flier to the front and bring the field along;
Bur what about the last half-mile, with horses blown and beat --
When every jump means all you know to keep him on his feet.
When any slip means sudden death -- with wife and child to keep --
It needs some nerve to draw the whip and flog him at the leap --
But Corrigan would ride them out, by danger undismayed,
He never flinched at fence or wall, he never was afraid;
With easy seat and nerve of steel, light hand and smiling face,
He held the rushing horses back, and made the sluggards race.
He gave the shirkers extra heart, he steadied down the rash,
He rode great clumsy boring brutes, and chanced a fatal smash;
He got the rushing Wymlet home that never jumped at all --
But clambered over every fence and clouted every wall.
You should have heard the cheers, my boys, that shook the members' stand
Whenever Tommy Corrigan weighed out to ride Lone Hand.
They were, indeed, a glorious pair -- the great upstanding horse,
The gamest jockey on his back that ever faced a course.
Though weight was big and pace was hot and fences stiff and tall,
"You follow Tommy Corrigan" was passed to one and all.
And every man on Ballarat raised all he could command
To put on Tommy Corrigan when riding old Lone Hand.
But now we'll keep his memory green while horsemen come and go;
We may not see his like again where silks and satins glow.
We'll drink to him in silence, boys -- he's followed down the track
Where many a good man went before, but never one came back.
Amd, let us hope, in that far land where the shades of brave men reign,
The gallant Tommy Corrigan will ride Lone Hand again.
poem by Andrew Barton Paterson
Submitted by Poetry Lover
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Dont Fence Me In
Wildcat kelley, lookin mighty pale,
Was standin by the sherrifs side
And when the sherrif said Im sendin you to jail,
Wildcat raised his head and cried
Oh, give me land, lots of land under starry skies above,
Dont fence me in.
Let me ride through the wide open country that I love,
Dont fence me in.
Let me be by myself in the evenin breeze,
Listen to the murmur of the cottonwood trees,
Send me off forever but I ask you please,
Dont fence me in.
Just turn me loose, let me straddle my old saddle
Underneath the western skies.
On my cayuse, let me wander over yonder
Till I see the mountains rise.
I want to ride to the ridge where the west commences
Gaze at the moon till I lose my senses
I cant look at hobbles and I cant stand fences
Dont fence me in.
Wildcat kelley, back again in town,
Was standin by his sweethearts side,
And when his sweetheart said come on lets settle down,
Wildcat raised his head and cried
Oh, give me land, lots of land under starry skies,
Dont fence me in.
Let me ride through the wide open country that I love,
Dont fence me in.
Let me be by myself in the evenin breeze
Listen to the murmur of the cottonwood trees
Send me off forever but I ask you please,
Dont fence me in
Just turn me loose, let me straddle my old saddle
Underneath the western skies
On my cayuse, let me wander over yonder
Till I see the mountains rise.
I want to ride to the ridge where the west commences
Gaze at the moon till I lose my senses
I cant look at hobbles and I cant stand fences
Dont..... fence me in.
###########
Transcription unknown; key correction by john mair.
Edited by cool hand luke
song performed by by Ella Fitzgerald
Submitted by Lucian Velea
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The Amateur Rider
Him goin' to ride for us! Him -- with the pants and the eyeglass and all.
Amateur! don't he just look it -- it's twenty to one on a fall.
Boss must be gone off his head to be sending out steeplechase crack
Out over fences like these with an object like that on his back.
Ride! Don't tell me he can ride. With his pants just as loose as balloons,
How can he sit on a horse? and his spurs like a pair of harpoons;
Ought to be under the Dog Act, he ought, and be kept off the course.
Fall! why, he'd fall off a cart, let alone off a steeplechase horse.
* *
Yessir! the 'orse is all ready -- I wish you'd have rode him before;
Nothing like knowing your 'orse, sir, and this chap's a terror to bore;
Battleaxe always could pull, and he rushes his fences like fun --
Stands off his jump twenty feet, and then springs like a shot from a gun.
Oh, he can jump 'em all right, sir, you make no mistake, 'e's a toff --
Clouts 'em in earnest, too, sometimes; you mind that he don't clout you off --
Don't seem to mind how he hits 'em, his shins is as hard as a nail,
Sometimes you'll see the fence shake and the splinters fly up from the rail.
All you can do is to hold him and just let him jump as he likes,
Give him his head at the fences, and hang on like death if he strikes;
Don't let him run himself out -- you can lie third or fourth in the race --
Until you clear the stone wall, and from that you can put on the pace.
Fell at that wall once, he did, and it gave him a regular spread,
Ever since that time he flies it -- he'll stop if you pull at his head,
Just let him race -- you can trust him -- he'll take first-class care he don't fall,
And I think that's the lot -- but remember, he must have his head at the wall.
* *
Well, he's down safe as far as the start, and he seems to sit on pretty neat,
Only his baggified breeches would ruinate anyone's seat --
They're away -- here they come -- the first fence, and he's head over heels for a crown!
Good for the new chum! he's over, and two of the others are down!
Now for the treble, my hearty -- By Jove, he can ride, after all;
Whoop, that's your sort -- let him fly them! He hasn't much fear of a fall.
Who in the world would have thought it? And aren't they just going a pace?
Little Recruit in the lead there will make it a stoutly-run race.
Lord! but they're racing in earnest -- and down goes Recruit on his head,
Rolling clean over his boy -- it's a miracle if he ain't dead.
Battleaxe, Battleaxe, yet! By the Lord, he's got most of 'em beat --
Ho! did you see how he struck, and the swell never moved in his seat?
Second time round, and, by Jingo! he's holding his lead of 'em well;
Hark to him clouting the timber! It don't seem to trouble the swell.
Now for the wall -- let him rush it. A thirty-foot leap, I declare --
Never a shift in his seat, and he's racing for home like a hare.
What's that that's chasing him -- Rataplan -- regular demon to stay!
Sit down and ride for your life now! Oh, good, that's the style -- come away!
Rataplan's certain to beat you, unless you can give him the slip,
Sit down and rub in the whalebone -- now give him the spurs and the whip!
Battleaxe, Battleaxe, yet -- and it's Battleaxe wins for a crown;
Look at him rushing the fences, he wants to bring t'other chap down.
Rataplan never will catch him if only he keeps on his pins;
Now! the last fence, and he's over it! Battleaxe, Battleaxe wins!
* *
Well, sir, you rode him just perfect -- I knew from the fust you could ride.
Some of the chaps said you couldn't, an' I says just like this a' one side:
Mark me, I says, that's a tradesman -- the saddle is where he was bred.
Weight! you're all right, sir, and thank you; and them was the words that I said.
poem by Andrew Barton Paterson
Submitted by Poetry Lover
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The Old Timer's Steeplechase
The sheep were shorn and the wool went down
At the time of our local racing;
And I'd earned a spell -- I was burnt and brown --
So I rolled my swag for a trip to town
And a look at the steeplechasing.
Twas rough and ready--an uncleared course
As rough as the blacks had found it;
With barbed-wire fences, topped with gorse,
And a water-jump that would drown a horse,
And the steeple three times round it.
There was never a fence the tracks to guard, --
Some straggling posts defined 'em:
And the day was hot, and the drinking hard,
Till none of the stewards could see a yard
Before nor yet behind 'em!
But the bell was rung and the nags were out,
Excepting an old outsider
Whose trainer started an awful rout,
For his boy had gone on a drinking bout
And left him without a rider.
"Is there not a man in the crowd," he cried,
"In the whole of the crowd so clever,
Is there not one man that will take a ride
On the old white horse from the Northern side
That was bred on the Mooki River?"
Twas an old white horse that they called The Cow,
And a cow would look well beside him;
But I was pluckier then than now
(And I wanted excitement anyhow),
So at last I agreed to ride him.
And the trainer said,"Well, he's dreadful slow,
And he hasn't a chance whatever;
But I'm stony broke, so it's time to show
A trick or two that the trainers know
Who train by the Mooki River.
"The first time round at the further side,
With the trees and the scrub about you,
Just pull behind them and run out wide
And then dodge into the scrub and hide,
And let them go round without you.
"At the third time round, for the final spin
With the pace and the dust to blind 'em,
They'll never notice if you chip in
For the last half-mile -- you'll be sure to win,
And they'll think you raced behind 'em.
"At the water-jump you may have to swim --
He hasn't a hope to clear it,
Unless he skims like the swallows skim
At full speed over -- but not for him!
He'll never go next or near it.
"But don't you worry -- just plunge across,
For he swims like a well-trained setter.
Then hide away in the scrub and gorse
The rest will be far ahead, of course --
The further ahead the better.
"You must rush the jumps in the last half-round
For fear that he might refuse 'em;
He'll try to baulk with you, I'11 be bound;
Take whip and spurs to the mean old hound,
And don't be afraid to use 'em.
"At the final round, when the field are slow
And you are quite fresh to meet 'em,
Sit down, and hustle him all you know
With the whip and spurs, and he'll have to go --
Remember, you've got to beat 'em!"
*
The flag went down, and we seemed to fly,
And we made the timbers shiver
Of the first big fence, as the stand dashed by,
And I caught the ring of the trainer's cry;
"Go on, for the Mooki River!"
I jammed him in with a well-packed crush,
And recklessly -- out for slaughter --
Like a living wave over fence and brush
We swept and swung with a flying rush,
Till we came to the dreaded water.
Ha, ha! I laugh at it now to think
Of the way I contrived to work it
Shut in amongst them, before you'd wink,
He found himself on the water's brink,
With never a chance to shirk it!
The thought of the horror he felt beguiles
The heart of this grizzled rover!
He gave a snort you could hear for miles,
And a spring would have cleared the Channel Isles,
And carried me safely over!
Then we neared the scrub, and I pulled him back
In the shade where the gum-leaves quiver:
And I waited there in the shadows black
While the rest of the horses, round the track,
Went on like a rushing river!
At the second round, as the field swept by,
I saw that the pace was telling;
But on they thundered, and by-and-by
As they passed the stand I could hear the cry
Of the folk in the distance, yelling!
Then the last time round! And the hoofbeats rang!
And I said, "Well, it's now or never!"
And out on the heels of the throng I sprang,
And the spurs bit deep and the whipcord sang
As I rode. For the Mooki River!
We raced for home in a cloud of dust
And the curses rose in chorus.
'Twas flog, and hustle, and jump you must!
And The Cow ran well -- but to my disgust
There was one got home before us.
Twas a big black horse, that I had not seen
In the part of the race I'd ridden;
And his coat was cool and his rider clean --
And I thought that perhaps I had not been
The only one that had hidden.
And the trainer came with a visage blue
With rage, when the race concluded:
Said he, "I thought you'd have pulled us through,
But the man on the black horse planted too,
And nearer to home than you did!"
Alas to think that those times so gay
Have vanished and passed for ever!
You don't believe in the yarn, you say?
Why, man, 'twas a matter of every day
When we raced on the Mooki River!
poem by Andrew Barton Paterson
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The Riding of the Rebel
He was the Red Creek overseer, a trusted man and true,
Whose shoulder never left the wheel when there was work to do;
Through all the day he rode the run, and when the lights grew dim
The sweetest wife that ever loved would wait and watch for him.
She brought him dower of golden hair and eyes of laughing blue,
Stout heart and cunning bridle-hand to guide the mulga through;
And when the mob was mustered from the box flats far and wide
She loved to mount the wildest colts that no one else would ride.
And once it chanced a wayward steed, half-mouthed and roughly broke,
Denied the touch of gentle hand and gentler words she spoke,
And, plunging forward like the ship that feels the autumn gales,
He reared and lost his footing and fell backwards on the rails.
Her husband bent above her with cold terror at his heart --
The form was still he loved so well, the wan lips would not part;
And all the day in trance she lay, but when the stars smiled down
He heard his name low-whispered and he claimed her still his own.
And afterwards he spoke his fear: 'Heart's love, if you should die! . . .
Unless you take our orders from some other man than I,
You shall never finger bridle, never mount on horse's back,
Till the outlaw on Glenidol is a broken lady's hack!'
There's an outlaw on Glenidol that is known through all the West,
And three men's lives are on his head, bold riders of the best;
The station lads have heard the sneer that travelled far and wide,
And flung the answering challenge: 'Come and teach us how to ride!'
Roll up, ye merry riders all, whose honour is to guard!
We've mustered up the ranges and the Rebel's in the yard,
His open mouth and stamping foot and keen eye flashing fire
Repeat the temper of his dam, the mettle of his sire.
Roll up, ye merry riders all, from hut and camp and town!
You'll have to stick like plaster when the stockyard rails go down.
But the boss will come down handsome, as the boss is wont to come,
To the first who brings The Rebel under spurs and greenhide home.
And the stockmen heard the challenge from the Cooper to the Bree,
And rode from hut and cattle-camp by one and two and three
To keep their horseman's honour clean and play a hero's part,
To best the bold Glenidol boys and break The Rebel's heart.
And Ruddy Neil, the breaker, from the Riverine came through
With all the latest breaking-gear and all the wiles he knew,
But ere the saddle was secured, before a girth was drawn,
The Rebel's forefoot split his skull -- they buried him at dawn!
Marora Mick, the half-caste, from the Flinders River came
To give the South-the-Border boys a lesson at the game;
But he got a roguish welcome when he entered New South Wales,
For The Rebel used his blood and brains to paint the stockyard rails!
And Mulga Jack came over from the Yuinburra side --
The horse was never foaled, they say, that Mulga could not ride;
With a mouth as hard as a miser's heart, a will like the Devil's own,
The Rebel made for the Stony Range, with the man who wouldn't be thrown;
The Rebel made for the Stony Range, where the plain and the scrub-land meet,
And the dead boughs cracked at his shoulder-blade, the stones leapt under his feet,
And the ragged stems of the gidyeas cut and tore as they blundered past . . .
And Jack lay cold in the sunset gold -- he had met with his match at last.
And once again the challenge rang, the bitterer for scorn,
And spoke the bold Glenidol boys, their jackets mutlga-torn:
'A week have we been hunting him and riding fast and hard
To give you all another chance -- The Rebel's in the yard!'
And the stockmen heard the challenge from the Cooper to the Bree;
But 'I'm getting old!' 'I'm getting stiff!' or 'I've a wife, you see!'
Came whispered to the border; and the horse they could not tame
Had saved Glenidol from disgrace and cleansed a sullied name.
But ere the reddening sun went down and night on the ranges broke
A stranger youth to the slip-rails rode, and fastened his horse and spoke
Softly and low, yet none so low but that every man there heard:
'I've come to tackle your outlaw colt,' -- and he looked as good as his word.
He bridled The Rebel in failing light, and saddled the colt and drew
The straps of his gearing doubly tight, and looked that his 'length' was true.
He mounted The Rebel and gave the word, and the clattering rails went down,
And the outlaw leapt at the open gate and into the shadows brown;
But he settled himself to the soothing voice and the touch of the fondling hand,
As it followed the curve of his arching neck from wither to forehead-band;
His flanks were wet with the fresh-sprung sweat, his shoulders lathered with foam,
And he bent to the bridle and played with the bit as he came at a canter home.
And the boys were dumb with wonder, and sat, and the Red Creek overseer
Was first to drop from the stockyard fence and give him a hearty cheer.
He raised his hat in answer and --- the golden hair floated free!
And the blue eyes lit with laughter as she shouted merrily:
'You can reach me down my bridle, give my girths and saddle back,
For the outlaw of Glenidol is a broken lady's hack!'
poem by William Henry Ogilvie
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Horses for courses
See them at the starting-gate:
impatient horses tossing their bridled heads,
rearing, backing, snorting;
silk-bright riders patient;
how have they attained this race?
they’ve shared a fortitude, horse and rider together:
out at dawn in all weathers, focussed, thundering
down and round the beaten, scuffed-soil track;
never a slack training session;
they share – without a common language
save that of the heart – their discipline;
share that rare sense of unity
once forged in battle, now in peaceful excellence;
‘they’re off! ’ – the race begun;
all around, the watchers shouting, jumping, waving race-cards;
the rider, in the camera’s eye,
so calm; invisibly controlling;
amidst all this excited noise,
they are the quietest;
amidst all this galloping,
they are the stillest in their mind;
yet who knows a horse’s mind,
to say what’s patiently endured,
the daily training, bridle, bit and whip;
or what’s sheer exultation for a horse?
or where the discipline and freedom meet?
who knows what may be horse’s sheer contentment?
knows what contentment may exceed
that of horse being horse? …
as rider knows, that, win or lose, he’s done his best,
for himself and for the horse..
what do horse and rider share
between themselves, that’s
never spoken? For, see: each,
a clear and shining eye..
poem by Michael Shepherd
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Song of the Cattle Hunters
While the morning light beams on the fern-matted streams,
And the water-pools flash in its glow,
Down the ridges we fly, with a loud ringing cry --
Down the ridges and gullies we go!
And the cattle we hunt -- they are racing in front,
With a roar like the thunder of waves,
As the beat and the beat of our swift horses' feet
Start the echoes away from their caves!
As the beat and the beat
Of our swift horses' feet
Start the echoes away from their caves!
Like a wintry shore that the waters ride o'er,
All the lowlands are filling with sound;
For swiftly we gain where the herds on the plain,
Like a tempest, are tearing the ground!
And we'll follow them hard to the rails of the yard,
O'er the gulches and mountain-tops grey,
Where the beat and the beat of our swift horses' feet
Will die with the echoes away!
Where the beat and the beat
Of our swift horses' feet
Will die with the echoes away!
poem by Henry Kendall
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My Country
The love of field and coppice
Of green and shaded lanes,
Of ordered woods and gardens
Is running in your veins.
Strong love of grey-blue distance,
Brown streams and soft, dim skies
I know, but cannot share it,
My love is otherwise.
I love a sunburnt country,
A land of sweeping plains,
Of ragged mountain ranges,
Of droughts and flooding rains.
I love her far horizons,
I love her jewel-sea,
Her beauty and her terror
The wide brown land for me!
The stark white ring-barked forests,
All tragic to the moon,
The sapphire-misted mountains,
The hot gold hush of noon,
Green tangle of the brushes
Where lithe lianas coil,
And orchids deck the tree-tops,
And ferns the warm dark soil.
Core of my heart, my country!
Her pitiless blue sky,
When, sick at heart, around us
We see the cattle die
But then the grey clouds gather,
And we can bless again
The drumming of an army,
The steady soaking rain.
Core of my heart, my country!
Land of the rainbow gold,
For flood and fire and famine
She pays us back threefold.
Over the thirsty paddocks,
Watch, after many days,
The filmy veil of greenness
That thickens as we gaze ...
An opal-hearted country,
A wilful, lavish land
All you who have not loved her,
You will not understand
though Earth holds many splendours,
Wherever I may die,
I know to what brown country
My homing thoughts will fly.
**
poem by Dorothea Mackeller
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Peter Simson's Farm
Simson settled in the timber when his arm was strong and true,
And his form was straight and limber; and he wrought the long day through
In a struggle, single-handed, and the trees fell slowly back,
Twenty thousand giants banded ’gainst a solitary jack.
Through the fiercest days of summer you might hear his keen axe ring
And re-echo in the ranges, hear his twanging crosscut sing;
There the great gums swayed and whispered, and the birds were skyward blown,
As the circling hills saluted o’er a bush king overthrown.
Clearing, grubbing, in the gloaming, strong in faith the man descried
Heifers sleek and horses roaming in his paddocks green and wide,
Heard a myriad corn-blades rustle in the breeze’s soft caress,
And in every thew and muscle felt a joyous mightiness.
So he felled the stubborn forest, hacked and hewed with tireless might,
And a conqueror’s peace went with him to his fern-strewn bunk at night:
Forth he strode next morn, delighting in the duty to be done,
Whistling shrilly to the magpies trilling carols to the sun.
Back the clustered scrub was driven, and the sun fell on the lands,
And the mighty stumps were riven ’tween his bare, brown, corded hands.
One time flooded, sometimes parching, still he did the work of ten,
And his dog-leg fence went marching up the hills and down again.
By the stony creek, whose tiny streams slid o’er the sunken boles
To their secret, silent meetings in the shaded waterholes,
Soon a garden flourished bravely, gemmed with flowers, and cool and green,
While about the hut a busy little wife was always seen.
Came a day at length when, gazing down the paddock from his door,
Simson saw his horses grazing where the bush was long before,
And he heard the joyous prattle of his children on the rocks,
And the lowing of the cattle, and the crowing of the cocks.
There was butter for the market, there was fruit upon the trees,
There were eggs, potatoes, bacon, and a tidy lot of cheese;
Still the struggle was not ended with the timber and the scrub,
For the mortgage is the toughest stump the settler has to grub.
But the boys grew big and bolder—one, a sturdy, brown-faced lad,
With his axe upon his shoulder, loved to go to work ‘like dad’,
And another in the saddle took a bush-bred native’s pride,
And he boasted he could straddle any nag his dad could ride.
Though the work went on and prospered there was still hard work to do;
There were floods, and droughts, and bush-fires, and a touch of pleuro too;
But they laboured, and the future held no prospect to alarm—
All the settlers said: ‘They’re stickers up at Peter Simson’s farm.’
One fine evening Pete was resting in the hush of coming night,
When his boys came in from nesting with a clamorous delight;
Each displayed a tiny rabbit, and the farmer eyed them o’er,—
Then he stamped—it was his habit—and he smote his knee and swore.
Two years later Simson’s paddock showed dust-coloured, almost bare,
And too lean for hope of profit were the cows that pastured there;
And the man looked ten years older. Like the tracks about the place,
Made by half a million rabbits, were the lines on Simson’s face.
As he fought the bush when younger, Simson stripped and fought again,
Fought the devastating hunger of the plague with might and main,
Neither moping nor despairing, hoping still that times would mend,
Stubborn-browed and sternly facing all the trouble Fate could send.
One poor chicken to the acre Simson’s land will carry now.
Starved, the locusts have departed; rust is thick upon the plough;
It is vain to think of cattle, or to try to raise a crop,
For the farmer has gone under, and the rabbits are on top.
So the strong, true man who wrested from the bush a homestead fair
By the rabbits has been bested; yet he does not know despair—
Though begirt with desolation, though in trouble and in debt,
Though his foes pass numeration, Peter Simson’s fighting yet!
He is old too soon and failing, but he’s game to start anew,
And he tells his hopeless neighbours ‘what the Gov’mint’s goin’ to do’.
Both his girls are in the city, seeking places with the rest,
And his boys are tracking fortune in the melancholy West.
poem by Edward George Dyson
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Enniskillen
Oh my heart beat high with joy elate,
When Danny rode in the Hunters’ Plate
On Enniskillen, the raking grey-
A mighty jumper, with power to stay!
Velvet muzzled, with eye of fire,
Clean-legged, slant –shouldered, and tough as wire,
Oh, the joy that can fill a colleen’s breast,
When her man and horse are dong their best!
The summer skies were without a cloud
O’er the heads of the frantic, cheering crowd,
As he led the field right into the straight,
And his eyes met mine, at the five-barred gate.
Then they thundered by, like a roaring flood,
And oh, good luck to the Irish blood!
The Irish blood that in horse or man
Has never ‘caved in’ since the world began.
He took the last leap, like a bird in the air,
Clearing the hurdle, straight and fair,
And Enniskillen won!
We’d been married for one long blissful year
Of hope and struggle, of joy and fear;
Our hearts were young, and our hopes were high,
And the star of love shone bright in our sky.
And I felt like a queen as I hushed to rest
The little bright head that lay on my breast;
But the air was stifling close and strange
With a scent of smoke from the burning range,
And I prayed for Danny, riding away
On a cattle hunt, on the gallant grey—
The smoke came down like a cloud of night,
And ranges and trees were blotted from sight,
When Enniskillen came galloping home,
His grey coat mottled and flecked with foam,
And Danny’s face was rigid and white,
“Come Sweetheart, we ride for our lives to-night;
Wrap this cloak around you, hold Baby fast,
And pray, till the danger be overpassed,
For the wind has arisen with whirling force,
And our lives depend on the dear, grey horse.
And on God’s good mercy.” – A streak of light,
Enniskillen went racing into the night
The dim stars peered from a reeling sky,
And wild bush creatures came rushing by;
As crash on crash the timber fell,
And the burning wind was a blast of hell.
But Danny held me with steady arm,
And the Babe, between us, slept safe from harm.
We were nearly through, and the battle won,
When Danny drew rein with “Ah God! – We’re done!”
For before us the flames met roaring wide,
Though safety lay on the other side,
One moment, a tremble, the grey horse stood,
Then oh, thank God for the Irish blood,
The Irish blood that in horse and man
Has never ‘ caved in’ since the world began!
With a snort of defiance to smoke and flame,
Through the raging furnace the grey horse came,
Though laboured sobs shook his trembling side,
And falling cinders scorched his hide,
And Enniskillen won!
The grass is waving on hill and plain,
And peace and plenty are here again;
Our little home rebuilt once more,
And the lean struggling year are o’er.
There’s a paddock green on the river flat,
Where a dear grey horse roams strong ans fat,
Though on his back the scars still show,
Deep scars where never a hair can grow.
But still he holds his head with pride,
And treads the earth with a kingly stride,
Proud of his Irish blood!
poem by Alice Guerin Crist
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Capeweed
Originally from South Africa and quite pretty indeed
Those flowers in Spring that cover the paddocks they are known as capeweed
With bright yellow petals and a dark brown heart
From all others quite easy to tell them apart.
Unwanted in Australia or 'twould seem that way
About them the farmers have no kinds words to say
But like thistles they survive deadly toxic spray
Though quite pretty to look at on a bright Spring day.
No strangers to the paddocks they are quite well known
And they have a beauty that is of their own
In late Winter and Spring in abundance to be seen
Their bright yellow flowers dapple Nature's own green.
The farmers cannot kill them off though hard they do try
And with each passing year they seem to multiply
In the paddocks they seem to dance in the breezes of Spring
When the weather is warming and the nesting birds sing.
poem by Francis Duggan
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After Drafting
NIGHT has fallen, night and darkness,
Night with star and planet splendid;
And the earth lies like a giant
Wrapt in sleep, with limbs extended.
Rest has stolen on the homestead,
On the long day's rush and riot,
And no sound of horse or rider
Breaks the soft and dewy quiet.
Yet, like heart-cries
After battle,
Comes the calling, ceaseless calling,
Of the dun and dappled cattle.
Sleep is sweet, and sweet is silence,
When the long day's work is over,
For the toiler and the moiler,
And the rider and the rover.
Not a breeze abroad at night-time
Sets the barley-grass aquiver,
And from dewfall on to sunrise
Sleeps the curlew by the river.
Yet no slumber
Anguish smothers;
Hark the calling, plaintive calling,
Of the robbed and stricken mothers!
Oh, how still are plain and river —
How all-sweet, how all-amazing!
By the stars' march night is numbered —
Rising, setting, zenith-blazing.
Peace has come upon the homestead;
Passed the long day's rush and riot;
Only from the drafted cattle
Comes a note of sad disquiet:
Dun and dappled,
Horned and poley —
They are lowing, lowly lowing,
With a helpless melancholy.
poem by Roderic Quinn
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Ghost Song
An old man and an old horse moved slowly and steadily
towards the furthest mountain.
An old man on an old horse.
The old man thought of the many times he'd been thrown;
the old horse, how many times he'd been ridden.
They weren't in no great rush.
The old man sat straight in the saddle, head held high.
The old horse kept his head high too,
letting his feet choose the way as they
searched the clouds looking for any old friends
they had passed on the way.
A soft gentle rain started to fall,
the horse stopped, the old man bent over
and stroked his friend's neck
poem by William Mendelson
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Grant At Rest-- August 8, 1885
Sir Launcelot rode overthwart and endlong in a wide forest, and held no
path but as wild adventure led him... And he returned and came again to his
horse, and took off his saddle and his bridle, and let him pasture; and
unlaced his helm, and ungirdled his sword, and laid him down to sleep upon
his shield before the cross. --Age of Chivalary
_Grant_
What shall we say of the soldier. Grant,
His sword put by and his great soul free?
How shall we cheer him now or chant
His requiem befittingly?
The fields of his conquest now are seen
Ranged no more with his armed men--
But the rank and file of the gold and green
Of the waving grain is there again.
Though his valiant life is a nation's pride,
And his death heroic and half divine,
And our grief as great as the world is wide,
There breaks in speech but a single line--:
We loved him living, revere him dead--!
A silence then on our lips is laid:
We can say no thing that has not been said,
Nor pray one prayer that has not been prayed.
But a spirit within us speaks: and lo,
We lean and listen to wondrous words
That have a sound as of winds that blow,
And the voice of waters and low of herds;
And we hear, as the song flows on serene,
The neigh of horses, and then the beat
Of hooves that skurry o'er pastures green,
And the patter and pad of a boy's bare feet.
A brave lad, wearing a manly brow,
Knit as with problems of grave dispute,
And a face, like the bloom of the orchard bough,
Pink and pallid, but resolute;
And flushed it grows as the clover-bloom,
And fresh it gleams as the morning dew,
As he reins his steed where the quick quails boom
Up from the grasses he races through.
And ho! As he rides what dreams are his?
And what have the breezes to suggest--?
Do they whisper to him of shells that whiz
O'er fields made ruddy with wrongs redressed?
Does the hawk above him an Eagle float?
Does he thrill and his boyish heart beat high,
Hearing the ribbon about his throat
Flap as a Flag as the winds go by?
And does he dream of the Warrior's fame--
This Western boy in his rustic dress?
For in miniature, this is the man that came
Riding out of the Wilderness--!
The selfsame figure-- the knitted brow--
The eyes full steady-- the lips full mute--
And the face, like the bloom of the orchard bough,
Pink and pallid, but resolute.
Ay, this is the man, with features grim
And stoical as the Sphinx's own,
That heard the harsh guns calling him,
As musical as the bugle blown,
When the sweet spring heavens were clouded o'er
With a tempest, glowering and wild,
And our country's flag bowed down before
Its bursting wrath as a stricken child.
Thus, ready mounted and booted and spurred,
He loosed his bridle and dashed away--!
Like a roll of drums were his hoof-beats heard,
Like the shriek of the fife his charger's neigh!
And over his shoulder and backward blown,
We heard his voice, and we saw the sod
Reel, as our wild steeds chased his own
As though hurled on by the hand of God!
And still, in fancy, we see him ride
In the blood-red front of a hundred frays,
His face set stolid, but glorified
As a knight's of the old Arthurian days:
And victor ever as courtly too,
Gently lifting the vanquished foe,
And staying him with a hand as true
As dealt the deadly avenging blow.
So brighter than all of the cluster of stars
Of the flag enshrouding his form to-day,
His face shines forth from the grime of wars
With a glory that shall not pass away:
He rests at last: he has borne his part
Of salutes and salvos and cheers on cheers--
But O the sobs of his country's heart,
And the driving rain of a nations tears!
poem by James Whitcomb Riley
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The Call of the Bush
Three roads there are that climb and wind
Amongst the hills, and leave behind
The patterned orchards, sloping down
To meet a little country town.
And of these roads I'll take the one
That tops the ridges, where the sun
Is tempered by the mountain-breeze
And dancing shadows of the trees.
The road is rough - but to my feet
Softer than is the city street;
And then the trees! - how beautiful
She-oak and gum - how fresh and cool!
No walls there are to hamper me;
Only in blue infinity
The distant mountain-ramparts rise
Beneath the broad arch of the skies.
And in that high place I shall hear
The wild birds' singing, soft and clear;
And horse-bells tinkling as of old
In amongst the wattles' gold
Far-off is the ocean tide;
But there across the country-side
Roll waves of bush that rise and fall
To break against the mountain-wall.
And every little farm is seen
An island in a sea of green;
And every little farm at night
Flings through the dark its beacon-light -
There in the silence of the hills,
I shall find peace that soothes and stills
The throbbing of the weary brain, -
For I am going home again.
poem by Dora Wilcox
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