John Keats

To My Brother George

Many the wonders I this day have seen:
The sun, when first he kissed away the tears
That filled the eyes of Morn;—the laurelled peers
Who from the feathery gold of evening lean;—
The ocean with its vastness, its blue green,
Its ships, its rocks, its caves, its hopes, its fears,
Its voice mysterious, which whoso hears
Must think on what will be, and what has been.
E'en now, dear George, while this for you I write,
Cynthia is from her silken curtains peeping
So scantly, that it seems her bridal night,
And she her half-discovered revels keeping.
But what, without the social thought of thee,
Would be the wonders of the sky and sea?

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John Keats

Sonnet I. To My Brother George

Many the wonders I this day have seen:
The sun, when first he kissed away the tears
That filled the eyes of Morn;—the laurelled peers
Who from the feathery gold of evening lean;—
The ocean with its vastness, its blue green,
Its ships, its rocks, its caves, its hopes, its fears,
Its voice mysterious, which whoso hears
Must think on what will be, and what has been.
E'en now, dear George, while this for you I write,
Cynthia is from her silken curtains peeping
So scantly, that it seems her bridal night,
And she her half-discovered revels keeping.
But what, without the social thought of thee,
Would be the wonders of the sky and sea?

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Emily Dickinson

I had no Cause to be awake

542

I had no Cause to be awake—
My Best—was gone to sleep—
And Morn a new politeness took—
And failed to wake them up—

But called the others—clear—
And passed their Curtains by—
Sweet Morning—when I oversleep—
Knock—Recollect—to Me—

I looked at Sunrise—Once—
And then I looked at Them—
And wishfulness in me arose—
For Circumstance the same—

'Twas such an Ample Peace—
It could not hold a Sigh—
'Twas Sabbath—with the Bells divorced—
'Twas Sunset—all the Day—

So choosing but a Gown—
And taking but a Prayer—
The only Raiment I should need—
I struggled—and was There—

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Emily Dickinson

You know that Portrait in the Moon

504

You know that Portrait in the Moon—
So tell me who 'tis like—
The very Brow—the stooping eyes—
A fog for—Say—Whose Sake?

The very Pattern of the Cheek—
It varies—in the Chin—
But—Ishmael—since we met—'tis long—
And fashions—intervene—

When Moon's at full—'Tis Thou—I say—
My lips just hold the name—
When crescent—Thou art worn—I note—
But—there—the Golden Same—

And when—Some Night—Bold—slashing Clouds
Cut Thee away from Me—
That's easier—than the other film
That glazes Holiday—

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Emily Dickinson

The first Day's Night had come

410

The first Day's Night had come—
And grateful that a thing
So terrible—had been endured—
I told my Soul to sing—

She said her Strings were snapt—
Her Bow—to Atoms blown—
And so to mend her—gave me work
Until another Morn—

And then—a Day as huge
As Yesterdays in pairs,
Unrolled its horror in my face—
Until it blocked my eyes—

My Brain—begun to laugh—
I mumbled—like a fool—
And tho' 'tis Years ago—that Day—
My Brain keeps giggling—still.

And Something's odd—within—
That person that I was—
And this One—do not feel the same—
Could it be Madness—this?

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Emily Dickinson

A House upon the Height

399

A House upon the Height—
That Wagon never reached—
No Dead, were ever carried down—
No Peddler's Cart—approached—

Whose Chimney never smoked—
Whose Windows—Night and Morn—
Caught Sunrise first—and Sunset—last—
Then—held an Empty Pane—

Whose fate—Conjecture knew—
No other neighbor—did—
And what it was—we never lisped—
Because He—never told—

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Emily Dickinson

Love—thou art high

453

Love—thou art high—
I cannot climb thee—
But, were it Two—
Who know but we—
Taking turns—at the Chimborazo—
Ducal—at last—stand up by thee—

Love—thou are deep—
I cannot cross thee—
But, were there Two
Instead of One—
Rower, and Yacht—some sovereign Summer—
Who knows—but we'd reach the Sun?

Love—thou are Veiled—
A few—behold thee—
Smile—and alter—and prattle—and die—
Bliss—were an Oddity—without thee—
Nicknamed by God—
Eternity—

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Emily Dickinson

There is a morn by men unseen

24

There is a morn by men unseen—
Whose maids upon remoter green
Keep their Seraphic May—
And all day long, with dance and game,
And gambol I may never name—
Employ their holiday.

Here to light measure, move the feet
Which walk no more the village street—
Nor by the wood are found—
Here are the birds that sought the sun
When last year's distaff idle hung
And summer's brows were bound.

Ne'er saw I such a wondrous scene—
Ne'er such a ring on such a green—
Nor so serene array—
As if the stars some summer night
Should swing their cups of Chrysolite—
And revel till the day—

Like thee to dance—like thee to sing—
People upon the mystic green—
I ask, each new May Morn.
I wait thy far, fantastic bells—
Unto the different dawn!

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Emily Dickinson

Twas a long Parting—but the time

625

'Twas a long Parting—but the time
For Interview—had Come—
Before the Judgment Seat of God—
The last—and second time

These Fleshless Lovers met—
A Heaven in a Gaze—
A Heaven of Heavens—the Privilege
Of one another's Eyes—

No Lifetime—on Them—
Appareled as the new
Unborn—except They had beheld—
Born infiniter—now—

Was Bridal—e'er like This?
A Paradise—the Host—
And Cherubim—and Seraphim—
The unobtrusive Guest—

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Emily Dickinson

The Court is far away

235

The Court is far away—
No Umpire—have I—
My Sovereign is offended—
To gain his grace—I'd die!

I'll seek his royal feet—
I'll say—Remember—King—
Thou shalt—thyself—one day—a Child—
Implore a larger—thing—

That Empire—is of Czars—
As small—they say—as I—
Grant me—that day—the royalty—
To intercede—for Thee—

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Emily Dickinson

To know just how He suffered—would be dear

622

To know just how He suffered—would be dear—
To know if any Human eyes were near
To whom He could entrust His wavering gaze—
Until it settle broad—on Paradise—

To know if He was patient—part content—
Was Dying as He thought—or different—
Was it a pleasant Day to die—
And did the Sunshine face his way—

What was His furthest mind—Of Home—or God—
Or what the Distant say—
At news that He ceased Human Nature
Such a Day—

And Wishes—Had He Any—
Just His Sigh—Accented—
Had been legible—to Me—
And was He Confident until
Ill fluttered out—in Everlasting Well—

And if He spoke—What name was Best—
What last
What One broke off with
At the Drowsiest—

Was He afraid—or tranquil—
Might He know
How Conscious Consciousness—could grow—
Till Love that was—and Love too best to be—
Meet—and the Junction be Eternity

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Emily Dickinson

It troubled me as once I was

600

It troubled me as once I was—
For I was once a Child—
Concluding how an Atom—fell—
And yet the Heavens—held—

The Heavens weighed the most—by far—
Yet Blue—and solid—stood—
Without a Bolt—that I could prove—
Would Giants—understand?

Life set me larger—problems—
Some I shall keep—to solve
Till Algebra is easier—
Or simpler proved—above—

Then—too&m dash;be comprehended—
What sorer—puzzled me—
Why Heaven did not break away—
And tumble—Blue—on me—

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Emily Dickinson

Out of sight? What of that?

703

Out of sight? What of that?
See the Bird—reach it!
Curve by Curve—Sweep by Sweep—
Round the Steep Air—
Danger! What is that to Her?
Better 'tis to fail—there—
Than debate—here—

Blue is Blue—the World through—
Amber—Amber—Dew&mda sh;Dew—
Seek—Friend—and see—
Heaven is shy of Earth—that's all—
Bashful Heaven—thy Lovers small—
Hide—too—from thee—

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Emily Dickinson

Joy to have merited the Pain

788

Joy to have merited the Pain—
To merit the Release—
Joy to have perished every step—
To Compass Paradise—

Pardon—to look upon thy face—
With these old fashioned Eyes—
Better than new—could be—for that—
Though bought in Paradise—

Because they looked on thee before—
And thou hast looked on them—
Prove Me—My Hazel Witnesses
The features are the same—

So fleet thou wert, when present—
So infinite—when gone—
An Orient's Apparition—
Remanded of the Morn—

The Height I recollect—
'Twas even with the Hills—
The Depth upon my Soul was notched—
As Floods—on Whites of Wheels—

To Haunt—till Time have dropped
His last Decade away,
And Haunting actualize—to last
At least—Eternity—

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John Keats

Answer To A Sonnet By J.H.Reynolds

"Dark eyes are dearer far
Than those that mock the hyacinthine bell."

Blue! 'Tis the life of heaven,—the domain
Of Cynthia,—the wide palace of the sun,—
The tent of Hesperus, and all his train,—
The bosomer of clouds, gold, gray, and dun.
Blue! 'Tis the life of waters:—Ocean
And all its vassal streams, pools numberless,
May rage, and foam, and fret, but never can
Subside, if not to dark-blue nativeness.
Blue! gentle cousin of the forest-green,
Married to green in all the sweetest flowers—
Forget-me-not,—the blue-bell,—and, that queen
Of secrecy, the violet: what strange powers
Hast thou, as a mere shadow! But how great,
When in an Eye thou art alive with fate!

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Emily Dickinson

A Visitor in Marl

391

A Visitor in Marl—
Who influences Flowers—
Till they are orderly as Busts—
And Elegant—as Glass—

Who visits in the Night—
And just before the Sun—
Concludes his glistening interview—
Caresses—and is gone—

But whom his fingers touched—
And where his feet have run—
And whatsoever Mouth be kissed—
Is as it had not been—

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Emily Dickinson

I was the slightest in the House

486

I was the slightest in the House—
I took the smallest Room—
At night, my little Lamp, and Book—
And one Geranium—

So stationed I could catch the Mint
That never ceased to fall—
And just my Basket—
Let me think—I'm sure—
That this was all—

I never spoke—unless addressed—
And then, 'twas brief and low—
I could not bear to live—aloud—
The Racket shamed me so—

And if it had not been so far—
And any one I knew
Were going—I had often thought
How noteless—I could die—

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Emily Dickinson

Tis Opposites—entice

355

'Tis Opposites—entice—
Deformed Men—ponder Grace—
Bright fires—the Blanketless—
The Lost—Day's face—

The Blind—esteem it be
Enough Estate—to see—
The Captive—strangles new—
For deeming—Beggars—play—

To lack—enamor Thee—
Tho' the Divinity—
Be only
Me—

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Emily Dickinson

A Mien to move a Queen

283

A Mien to move a Queen—
Half Child—Half Heroine—
An Orleans in the Eye
That puts its manner by
For humbler Company
When none are near
Even a Tear—
Its frequent Visitor—

A Bonnet like a Duke—
And yet a Wren's Peruke
Were not so shy
Of Goer by—
And Hands—so slight—
They would elate a Sprite
With Merriment—

A Voice that Alters—Low
And on the Ear can go
Like Let of Snow—
Or shift supreme—
As tone of Realm
On Subjects Diadem—

Too small—to fear—
Too distant—to endear—
And so Men Compromise
And just—revere—

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Emily Dickinson

A slash of Blue

204

A slash of Blue—
A sweep of Gray—
Some scarlet patches on the way,
Compose an Evening Sky—
A little purple—slipped between—
Some Ruby Trousers hurried on—
A Wave of Gold—
A Bank of Day—
This just makes out the Morning Sky.

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Emily Dickinson

The Drop, that wrestles in the Sea

284

The Drop, that wrestles in the Sea—
Forgets her own locality—
As I—toward Thee—

She knows herself an incense small—
Yet small—she sighs—if All—is All—
How larger—be?

The Ocean—smiles—at her Conceit—
But she, forgetting Amphitrite—
Pleads—"Me"?

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