The New Exodus
BY fire and cloud, across the desert sand,
And through the parted waves,
From their long bondage, with an outstretched hand,
God led the Hebrew slaves!
Dead as the letter of the Pentateuch,
As Egypt's statues cold,
In the adytum of the sacred book
Now stands that marvel old.
'Lo, God is great!' the simple Moslem says.
We seek the ancient date,
Turn the dry scroll, and make that living phrase
A dead one: 'God was great!'
And, like the Coptic monks by Mousa's wells,
We dream of wonders past,
Vague as the tales the wandering Arab tells,
Each drowsier than the last.
O fools and blind! Above the Pyramids
Stretches once more that hand,
And trancëd Egypt, from her stony lids,
Flings back her veil of sand.
And morning-smitten Memnon, singing, wakes:
And, listening by his Nile,
O'er Ammon's grave and awful visage breaks
A sweet and human smile.
Not, as before, with hail and fire, and call
Of death for midnight graves,
But in the stillness of the noonday, fall
The fetters of the slaves.
No longer through the Red Sea, as of old,
The bondmen walk dry shod;
Through human hearts, by love of Him controlled,
Runs now that path of God!
poem by John Greenleaf Whittier
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The Rock In El Ghor
Dead Petra in her hill-tomb sleeps,
Her stones of emptiness remain;
Around her sculptured mystery sweeps
The lonely waste of Edom's plain.
From the doomed dwellers in the cleft
The bow of vengeance turns not back;
Of all her myriads none are left
Along the Wady Mousa's track.
Clear in the hot Arabian day
Her arches spring, her statues climb;
Unchanged, the graven wonders pay
No tribute to the spoiler, Time!
Unchanged the awful lithograph
Of power and glory undertrod;
Of nations scattered like the chaff
Blown from the threshing-floor of God.
Yet shall the thoughtful stranger turn
From Petra's gates with deeper awe,
To mark afar the burial urn
Of Aaron on the cliffs of Hor;
And where upon its ancient guard
Thy Rock, El Ghor, is standing yet,--
Looks from its turrets desertward,
And keeps the watch that God has set.
The same as when in thunders loud
It heard the voice of God to man,
As when it saw in fire and cloud
The angels walk in Israel's van,
Or when from Ezion-Geber's way
It saw the long procession file,
And heard the Hebrew timbrels play
The music of the lordly Nile;
Or saw the tabernacle pause,
Cloud-bound, by Kadesh Barnea's wells,
While Moses graved the sacred laws,
And Aaron swung his golden bells.
Rock of the desert, prophet-sung!
How grew its shadowing pile at length,
A symbol, in the Hebrew tongue,
Of God's eternal love and strength.
On lip of bard and scroll of seer,
From age to age went down the name,
Until the Shiloh's promised year,
And Christ, the Rock of Ages, came!
The path of life we walk to-day
Is strange as that the Hebrews trod;
We need the shadowing rock, as they,--
We need, like them, the guides of God.
God send His angels, Cloud and Fire,
To lead us o'er the desert sand!
God give our hearts their long desire,
His shadow in a weary land!
poem by John Greenleaf Whittier
Submitted by Poetry Lover
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Desert Rose
Words and music by sting
I dream of rain
I dream of gardens in the desert sand
I wake in vain
I dream of love as time runs through my hand
I dream of fire
Those dreams that tie two hearts that will never die
And near the flames
The shadows play in the shape of the mans desire
This desert rose
Whose shadow bears the secret promise
This desert flower
No sweet perfume that would torture you more than this
And now she turns
This way she moves in the logic of all my dreams
This fire burns
I realize that nothings as it seems
I dream of rain
I dream of gardens in the desert sand
I wake in vain
I dream of love as time runs through my hand
I dream of rain
I lift my gaze to empty skies above
I close my eyes
The rare perfume is the sweet intoxication of love
I dream of rain
I dream of gardens in the desert sand
I wake in vain
I dream of love as time runs through my hand
Sweet desert rose
Whose shadow bears the secret promise
This desert flower
No sweet perfume that would torture you more than this
Sweet desert rose
This memory of hidden hearts and souls
This desert flower
This rare perfurme is the sweet intoxication of love
song performed by by Sting
Submitted by Lucian Velea
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Night Over Egypt
Wansel / Biggs)
There's a sky in the east
Over pyramids at Giza
Where there once lived a girl
She ruled the world
Then down the nile
He came with a smile
He was the king
She was the queen
Under the moonlight
Your eyes won't believe
What your mind can't concieve
Oooh
Nights over Egypt
Nights over Egypt
Nights over Egypt
Incense & myrrh
And girls that swirl
To the music
Nights over Egypt
Women fellahin
Wear veils to been seen
By no one
Take a caravan across
The sudan
Saharan fagade
Is just a mirage
Oasis in the sand
Where life once began
Under the moonlight
Your eyes won't believe
What your mind can't concieve
Nights over Egypt
Nights over Egypt
Nights over Egypt
Nights over Egypt
song performed by by Incognito
Submitted by Lucian Velea
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Killing An Arab (live)
Standing on a beach
With a gun in my hand
Staring at the sea
Staring at the sand
Staring down the barrel
At the arab on the ground
See his open mouth
But hear no sound
I'm alive
I'm dead
I'm the stranger
Killing an arab
I can turn and walk away
Or I can fire the gun
Staring at the sky
Staring at the sun
Whichever I choose
It amounts to the same
Absolutely nothing
I'm alive
I'm dead
I'm the stranger
Killing an arab
Feel the steel butt jump
Smooth in my hand
Staring at the sea
Staring at the sand
Staring at myself
Reflected in the eyes of
The dead man on the beach
The dead man
On the beach
I'm alive
I'm dead
I'm the stranger
Killing an arab
song performed by by Cure
Submitted by Lucian Velea
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Killing An Arab
Standing on the beach
With a gun in my hand
Staring at the sea
Staring at the sand
Staring down the barrel
At the arab on the ground
I can see his open mouth
But i hear no sound
I'm alive
I'm dead
I'm the stranger
Killing an arab
I can turn
And walk away
Or i can fire the gun
Staring at the sky
Staring at the sun
Whichever i chose
It amounts to the same
Absolutely nothing
I'm alive
I'm dead
I'm the stranger
Killing an arab
I feel the steel butt jump
Smooth in my hand
Staring at the sea
Staring at the sand
Staring at myself
Reflected in the eyes
Of the dead man on the beach
The dead man on the beach
I'm alive
I'm dead
I'm the stranger
Killing an arab
song performed by by Cure
Submitted by Lucian Velea
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Nights Over Egypt
(wansel / biggs)
Theres a sky in the east
Over pyramids at giza
Where there once lived a girl
She ruled the world
Then down the nile
He came with a smile
He was the king
She was the queen
Under the moonlight
Your eyes wont believe
What your mind cant concieve
Oooh
Nights over egypt
Nights over egypt
Nights over egypt
Incense & myrrh
And girls that swirl
To the music
Nights over egypt
Women fellahin
Wear veils to been seen
By no one
Take a caravan across
The sudan
Saharan fagade
Is just a mirage
Oasis in the sand
Where life once began
Under the moonlight
Your eyes wont believe
What your mind cant concieve
Nights over egypt
Nights over egypt
Nights over egypt
Nights over egypt
song performed by by Incognito
Submitted by Lucian Velea
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What Do Poets Want With Gold?
What do poets want with gold,
Cringing slaves and cushioned ease;
Are not crusts and garments old
Better for their souls than these?
Gold is but the juggling rod
Of a false usurping god,
Graven long ago in hell
With a sombre stony spell,
Working in the world forever.
Hate is not so strong to sever
Beating human heart from heart.
Soul from soul we shrink and part,
And no longer hail each other
With the ancient name of brother
Give the simple poet gold,
And his song will die of cold.
He must walk with men that reel
On the rugged path, and feel
Every sacred soul that is
Beating very near to his.
Simple, human, careless, free,
As God made him, he must be:
For the sweetest song of bird
Is the hidden tenor heard
In the dusk, an even-flush,
From the forest's inner hush,
Of the simple hermit thrush.
What do poets want with love?
Flowers that shiver out of hand,
And the fervid fruits that prove
Only bitter broken sand?
Poets speak of passion best,
When their dreams are undistressed,
And the sweetest songs are sung,
E'er the inner heart is stung.
Let them dream; 'tis better so;
Ever dream, but never know.
If the their spirits once have drained
All that goblet crimson-stained,
Finding what they dreamed divine,
Only earthly sluggish wine,
Sooner will the warm lips pale,
And the flawless voices fail,
Sooner come the drooping wing,
And the afterdays that bring,
No such songs as did the spring.
poem by Archibald Lampman
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Testing God
Israel wandered for 40 years and died in the desert they had trod,
For after being delivered, ten different times they had tested God.
While Moses waited for God's deliverance, the people asked God why.
Was it because of no graves in Egypt we were brought out here to die?
They complained about the waters at Marah and God made them sweet,
Again they complained about water and again their needs God did meet.
Again they complained about dieing this time about starving to death,
God had Mercy again as He could have destroyed them in one breath.
When God gave them manna, they didn't listen to what Moses did say,
As they gathered more than allowed and gathered on the Sabbath Day.
Even when Moses went up on mountain for forty days on their behalf,
The people cried for a god to lead them and Aaron made a golden calf.
No longer were God's people in bondage in Egypt as mistreated slaves,
But God heard them complaining of hardships brought on by the change.
God had feed them manna each day, yet they began crave other food,
And because they longed for Egypt, God's Righteous wrath had ensued.
The last straw came when they refused to trust in God's Mighty Hand,
Many chose to return to Egypt instead of pursuing The Promised Land.
We're warned to learn from Israel, so not to go where they had trod,
As even today it's dreadful to fall into the hands of the living God.
Soul On Fire
Theres a flame that leads our souls astray
No ones safe from its tender touch of pain
And every day its looking for new slaves
To celebrate the beauty of the grave
We are like the living dead
Sacrificing all we have
For a frozen heart and a soul on fire
We are like the living dead
Craving for deliverance
With a frozen heart and a soul on fire
And again were falling for disgrace
And hate will shelter us from the rain
We are enslaved by the sacred heart of shame
And gently raped by the light of day
We are like the living dead
Sacrificing all we have
For a frozen heart and a soul on fire
We are like the living dead
Craving for deliverence
With a frozen heart and a soul on fire
Addicted to our divine despair
(? )
But you will follow us to death
We are like the living dead
Sacrificing all we have
For a frozen heart and a soul on fire
We are like the living dead
Craving for deliverence
With a frozen heart and a soul on fire
With a soul on
Soul on
Soul on
Fire
Soul on fire
song performed by by H.i.m. (his Infernal Majesty)
Submitted by Lucian Velea
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Soul On Fire
There's a flame that leads our souls astray
No one's safe from its tender touch of pain
And every day it's looking for new slaves
To celebrate the beauty of the grave
We are like the living dead
Sacrificing all we have
For a frozen heart and a soul on fire
We are like the living dead
Craving for deliverance
With a frozen heart and a soul on fire
And again we're falling for disgrace
And hate will shelter us from the rain
We are enslaved by the sacred heart of shame
And gently raped by the light of day
We are like the living dead
Sacrificing all we have
For a frozen heart and a soul on fire
We are like the living dead
Craving for deliverence
With a frozen heart and a soul on fire
Addicted to our divine despair
The venom of the cross we bear
The guilt will follow us to death
We are like the living dead
Sacrificing all we have
For a frozen heart and a soul on fire
We are like the living dead
Craving for deliverence
With a frozen heart and a soul on fire
With a soul on
Soul on
Soul on
Fire
Soul on fire
song performed by by H.I.M.
Submitted by Lucian Velea
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Dreamlight
Oh, I am lonely by a desert palm,
And dreaming, dreaming on the sands of thought
Oh, come to me from out the voiceless calm,
And teach me what the Nile has left untaught.
Bring to me a draught of Southern wine,
The perfume of the near-forgotten rose.
Then let me drink beside some ancient shrine,
And drinking, let my tired eyelids close.
Come near to me. The fast night-hours are few,
For every hour is fast when moons are clear.
Scatter from my hair the desert dew,
And lilt sweet Arab love-songs in my ear.
Unloose the twilight hair about thy head,
And listen to the waters deep and slow
For we are dreaming with the dreaming dead,
Dreaming where the flowers of Isis blow.
Look not to where those eagles fiercely fight,
Let peace alone be on the ancient bed.
Unbare thy beauty to the Egypt night,
And stay with me till Egypt’s dawn in red.
Then leave me when the bird of night has flown,
And touch my lips before the night-moon sinks.
I’ll ponder by these pyramids of stone,
And sit within the shadow of the Sphinx.
poem by Leon Gellert
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To Peter Cooper
The Pyramids of Egypt, even to-day
The wonder of the world, stupendous stand
In their material greatness, and defy
Alike relentless Time and Libyan sand.
But what great thought through those grim structures smiles?
What Aspiration reared those wondrous piles?
None,---save that kings, forgotten long ago,
Might leave their worthless dust to waste below.
This Shrine thou 'st reared to Science and to Art
A nobler Thought than Egypt dreamed contains,
And every stone speaks of a regal heart
Benignant as the Nile to desert plains,
When all the arid waste it overflows,
And the parched shores grow green, and blossom as the rose.
poem by Anne Lynch Botta from Poems (1848)
Submitted by Veronica Serbanoiu
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Hermes Trismegistus
Still through Egypt's desert places
Flows the lordly Nile,
From its banks the great stone faces
Gaze with patient smile.
Still the pyramids imperious
Pierce the cloudless skies,
And the Sphinx stares with mysterious,
Solemn, stony eyes.
But where are the old Egyptian
Demi-gods and kings?
Nothing left but an inscription
Graven on stones and rings.
Where are Helios and Hephaestus,
Gods of eldest eld?
Where is Hermes Trismegistus,
Who their secrets held?
Where are now the many hundred
Thousand books he wrote?
By the Thaumaturgists plundered,
Lost in lands remote;
In oblivion sunk forever,
As when o'er the land
Blows a storm-wind, in the river
Sinks the scattered sand.
Something unsubstantial, ghostly,
Seems this Theurgist,
In deep meditation mostly
Wrapped, as in a mist.
Vague, phantasmal, and unreal
To our thought he seems,
Walking in a world ideal,
In a land of dreams.
Was he one, or many, merging
Name and fame in one,
Like a stream, to which, converging
Many streamlets run?
Till, with gathered power proceeding,
Ampler sweep it takes,
Downward the sweet waters leading
From unnumbered lakes.
By the Nile I see him wandering,
Pausing now and then,
On the mystic union pondering
Between gods and men;
Half believing, wholly feeling,
With supreme delight,
How the gods, themselves concealing,
Lift men to their height.
Or in Thebes, the hundred-gated,
In the thoroughfare
Breathing, as if consecrated,
A diviner air;
And amid discordant noises,
In the jostling throng,
Hearing far, celestial voices
Of Olympian song.
Who shall call his dreams fallacious?
Who has searched or sought
All the unexplored and spacious
Universe of thought?
Who, in his own skill confiding,
Shall with rule and line
Mark the border-land dividing
Human and divine?
Trismegistus! three times greatest!
How thy name sublime
Has descended to this latest
Progeny of time!
Happy they whose written pages
Perish with their lives,
If amid the crumbling ages
Still their name survives!
Thine, O priest of Egypt, lately
Found I in the vast,
Weed-encumbered sombre, stately,
Grave-yard of the Past;
And a presence moved before me
On that gloomy shore,
As a waft of wind, that o'er me
Breathed, and was no more.
poem by Henry Wadsworth Longfellow
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The Jewish Cemetery at Newport
How strange it seems! These Hebrews in their graves,
Close by the street of this fair seaport town,
Silent beside the never-silent waves,
At rest in all this moving up and down!
The trees are white with dust, that o'er their sleep
Wave their broad curtains in the southwind's breath,
While underneath these leafy tents they keep
The long, mysterious Exodus of Death.
And these sepulchral stones, so old and brown,
That pave with level flags their burial-place,
Seem like the tablets of the Law, thrown down
And broken by Moses at the mountain's base.
The very names recorded here are strange,
Of foreign accent, and of different climes;
Alvares and Rivera interchange
With Abraham and Jacob of old times.
"Blessed be God! for he created Death!"
The mourner said, "and Death is rest and peace!"
Then added, in the certainty of faith,
"And giveth Life that nevermore shall cease."
Closed are the portals of their Synagogue,
No Psalms of David now the silence break,
No Rabbi reads the ancient Decalogue
In the grand dialect the Prophets spake.
Gone are the living, but the dead remain,
And not neglected; for a hand unseen,
Scattering its bounty, like a summer rain,
Still keeps their graves and their remembrance green.
How came they here? What burst of Christian hate,
What persecution, merciless and blind,
Drove o'er the sea -that desert desolate -
These Ishmaels and Hagars of mankind?
They lived in narrow streets and lanes obscure,
Ghetto and Judenstrass, in mirk and mire;
Taught in the school of patience to endure
The life of anguish and the death of fire.
All their lives long, with the unleavened bread
And bitter herbs of exile and its fears,
The wasting famine of the heart they fed,
And slaked its thirst with marah of their tears.
Anathema maranatha! was the cry
That rang from town to town, from street to street:
At every gate the accursed Mordecai
Was mocked and jeered, and spurned by Christian feet.
Pride and humiliation hand in hand
Walked with them through the world where'er they went;
Trampled and beaten were they as the sand,
And yet unshaken as the continent.
For in the background figures vague and vast
Of patriarchs and of prophets rose sublime,
And all the great traditions of the Past
They saw reflected in the coming time.
And thus forever with reverted look
The mystic volume of the world they read,
Spelling it backward, like a Hebrew book,
Till life became a Legend of the Dead.
But ah! what once has been shall be no more!
The groaning earth in travail and in pain
Brings forth its races, but does not restore,
And the dead nations never rise again.
poem by Henry Wadsworth Longfellow
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Expostulation
OUR fellow-countrymen in chains!
Slaves, in a land of light and law!
Slaves, crouching on the very plains
Where rolled the storm of Freedom's war!
A groan from Eutaw's haunted wood,
A. wail where Camden's martyrs fell,
By every shrine of patriot blood,
From Moultrie's wall and Jasper's well!
By storied hill and hallowed grot,
By mossy wood and marshy glen,
Whence rang of old the rifle-shot,
And hurrying shout of Marion's men!
The groan of breaking hearts is there,
The falling lash, the fetter's clank!
Slaves, slaves are breathing in that air
Which old De Kalb and Sumter drank!
What, ho! our countrymen in chains!
The whip on woman's shrinking flesh!
Our soil yet reddening with the stains
Caught from her scourging, warm and fresh!
What! mothers from their children riven!
What! God's own image bought and sold!
Americans to market driven,
And bartered as the brute for gold!
Speak! shall their agony of prayer
Come thrilling to our hearts in vain?
To us whose fathers scorned to bear
The paltry menace of a chain;
To us, whose boast is loud and long
Of holy Liberty and Light;
Say, shall these writhing slaves of Wrong
Plead vainly for their plundered Right?
What! shall we send, with lavish breath,
Our sympathies across the wave,
Where Manhood, on the field of death,
Strikes for his freedom or a grave?
Shall prayers go up, and hymns be sung
For Greece, the Moslem fetter spurning,
And millions hail with pen and tongue
Our light on all her altars burning?
Shall Belgium feel, and gallant France,
By Vendome's pile and Schoenbrun's wall,
And Poland, gasping on her lance,
The impulse of our cheering call?
And shall the slave, beneath our eye,
Clank o'er our fields his hateful chain?
And toss his fettered arms on high,
And groan for Freedom's gift, in vain?
Oh, say, shall Prussia's banner be
A refuge for the stricken slave?
And shall the Russian serf go free
By Baikal's lake and Neva's wave?
And shall the wintry-bosomed Dane
Relax the iron hand of pride,
And bid his bondmen cast the chain
From fettered soul and limb aside?
Shall every flap of England's flag
Proclaim that all around are free,
From farthest Ind to each blue crag
That beetles o'er the Western Sea?
And shall we scoff at Europe's kings,
When Freedom's fire is dim with us,
And round our country's altar clings
The damning shade of Slavery's curse?
Go, let us ask of Constantine
To loose his grasp on Poland's throat;
And beg the lord of Mahmoud's line
To spare the struggling Suliote;
Will not the scorching answer come
From turbaned Turk, and scornful Russ
'Go, loose your fettered slaves at home,
Then turn, and ask the like of us!'
Just God! and shall we calmly rest,
The Christian's scorn, the heathen's mirth,
Content to live the lingering jest
And by-word of a mocking Earth?
Shall our own glorious land retain
That curse which Europe scorns to bear?
Shall our own brethren drag the chain
Which not even Russia's menials wear?
Up, then, in Freedom's manly part,
From graybeard eld to fiery youth,
And on the nation's naked heart
Scatter the living coals of Truth!
Up! while ye slumber, deeper yet
The shadow of our fame is growing!
Up! while ye pause, our sun may set
In blood, around our altars flowing!
Oh! rouse ye, ere the storm comes forth,
The gathered wrath of God and man,
Like that which wasted Egypt's earth,
When hail and fire above it ran.
Hear ye no warnings in the air?
Feel ye no earthquake underneath?
Up, up! why will ye slumber where
The sleeper only wakes in death?
Rise now for Freedom! not in strife
Like that your sterner fathers saw,
The awful waste of human life,
The glory and the guilt of war:'
But break the chain, the yoke remove,
And smite to earth Oppression's rod,
With those mild arms of Truth and Love,
Made mighty through the living God!
Down let the shrine of Moloch sink,
And leave no traces where it stood;
Nor longer let its idol drink
His daily cup of human blood;
But rear another altar there,
To Truth and Love and Mercy given,
And Freedom's gift, and Freedom's prayer,
Shall call an answer down from Heaven!
poem by John Greenleaf Whittier
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100 degree C
Fire, fire, fire
The earth is burning
No spring, no autumn, no snowfall,
No green leaves
My forest, my trees, my bamboos,
My flowers,
Crying in the midnight
Winter becomes summer
Summer become lava
Lava becomes human
My clouds, my rain, my ponds,
My rivers, my lakes, my oceans,
Each looks like the sand of desert
Buildings are high
Furniture is beautiful
Nuclear weapons are pretty
But the morning dews never fall down
The sky is start burning
My trees getting vaporizing
They make me boil
Human beings make me fire
If I stop cry today
Everything will disappear tomorrow
Don’t let you keep me at 100 degree C
Kind for tomorrow
Kind for your souls!
poem by Kenebo Rajkumar
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Egyptology
I am the Sphinx.
I am the woman buried in sand
up to her chin.
I am waiting for an archaeologist
to unearth me,
to dig out my neck & my nipples,
bare my claws
& solve my riddle.
No one has solved my riddle
since Oedipus.
I face the pyramids which rise
like angular breasts
from the dry body of Egypt.
My fertile river is flowing down below-
a lovely lower kingdom.
Every woman should have a delta
with such rich silt-
brown as the buttocks
of Nubian queens.
O friend, why have you come to Egypt?
Aton & Yahweh
are still feuding.
Moses is leading his people
& speaking of guilt.
The voice out of the volcano
will not be still.
A religion of death,
a woman buried alive.
For thousands of years
the sand drifted over my head.
My sex was a desert,
my hair more porous than pumice,
& nobody sucked my lips
to make me tell.
The pyramid breasts, though huge,
will never sag.
In the center of each one,
a king lies buried.
In the center of each one,
a darkened chamber. . .
a tunnel,
dead men's bones,
malignant gold.
poem by Erica Jong
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Aura
The air was dark
The moon was dark
The night was dark
The cloud was dark
The heat was dark
The stars were black
The birds were black
The eyes were black
The shadows were black
The planes were black
A sound of night
The hearts of night
A chase at night
A fall at night
No help at night
The night is night
Where is my sight
I have no sight
Your light was sight
No light no sight
No one in sight
The dark in sight
Don't call my name
What's my name
They call my name
That's not my name
Who said its my name
I have no name
You took my same
It was our same
She was our same
She's now your same
Its all the same
I'm not the same
Judas and my hand
You took my hand
'I do' my hand
You kissed my hand
You broke my hand
You fell my hand
A tear in sand
A heart in sand
A body in sand
Alone in sand
A dust in sand
At home in sand.
poem by Jenim Dibie
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"Vengeance is Mine," Saith the Lord
Thou wouldst not be avenged if thou hadst but
Insight enough into the human heart,
Into its frailty and its cowardice.
Thou wouldst not be avenged if thou but sawest
How mad, how childish and how selfish are
The helpless ones, that did thee harm because
They thought--Ah! What then thought they! That perchance
You hated them, or trod them down, or took
Their sun away; and e'en for love will they
Destroy thee, meaning well with thee--so well,
That they as lief would see thee dead, not to
Belong to what they hate--thy work, thy friend,
Thy strong ambition, or the gift that God
Hath put into thy soul, that calleth thee
Away to other heights and other temples,
Then where they long have worshipped. They dislike
Thy road, they word, they call it strange and dark,
And they would lead thee back to where they started
So long ago with thee, and show the wrong
Thou doest quite unwittingly. A sigh,
A smile is all thine answer, but thy way
Is chosen; then the hue and cry is raised
Against thee, and thy staunchest friends will pile
With eager hands the wood on which to burn
Thy very soul, and not a tear will quench
That fire, not a hand will save thee, for
Thou art misunderstood, misjudged, despised,
And hated by the friends, who once believed
In thee as in their God. And what revenge
Could help thee? Falling back on thee, thy arm
Struck to the ground, thy heart a desert, not
Devastated to bloom again, but burnt
To lava by your heart's own flame of vengeance.
And if forgiveness be too great for thee,
Go past, turn not thy head, speak not a word
That cannot be recalled, and that will bar
The road for ever, that will cut the cloth
Between thy foes and thee. The present hour
Hath made that foe, who may come back to thee,
And see thy truth. Be great and say: I have
No foe! I smile, and they are nought! A breath
May lay them low, so low that they must call
To me for help! Then is thy vengeance ripe!
Give help with gentle pity. Feel that thou
Art ready with a well of living waters,
With flowers still more lovely than before.
Keep down the flames that make thee a volcano.
Let lovely warmth be all their strength. For thou
Art called upon to love and not to hate,
To help and not to punish, as thine eyes
Are far too weak to see the consequence
Of human anger. Even the volcano
Is aimless, powerless, like Fate itself,
And thou canst not be Fate. Ah! Be thou then
A human heart amongst poor human hearts!
poem by Carmen Sylva
Submitted by Veronica Serbanoiu
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The Ape
Blue seas red summers
Long years in slumber
Deaf ears hear thunder
Dump lips speak wonders
Red eyes burning through the night
Giant wings rise up in flight
On the dark earth choked with life
Natures creature stands upright
See the beast upon the land
Kneeling in the burning sand
And his heart beats in his hand
Dead seas long summers
Lost years in slumber
Blind eyes seek wonders
Old hearts beat thunder
song performed by by Level 42
Submitted by Lucian Velea
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