The Countess

TO E. W.

I KNOW not, Time and Space so intervene,
Whether, still waiting with a trust serene,
Thou bearest up thy fourscore years and ten,
Or, called at last, art now Heaven's citizen;
But, here or there, a pleasant thought of thee,
Like an old friend, all day has been with me.
The shy, still boy, for whom thy kindly hand
Smoothed his hard pathway to the wonder-land
Of thought and fancy, in gray manhood yet
Keeps green the memory of his early debt.
To-day, when truth and falsehood speak their words
Through hot-lipped cannon and the teeth of swords,
Listening with quickened heart and ear intent
To each sharp clause of that stern argument,
I still can hear at times a softer note
Of the old pastoral music round me float,
While through the hot gleam of our civil strife
Looms the green mirage of a simpler life.
As, at his alien post, the sentinel
Drops the old bucket in the homestead well,
And hears old voices in the winds that toss
Above his head the live-oak's beard of moss,
So, in our trial-time, and under skies
Shadowed by swords like Islam's paradise,
I wait and watch, and let my fancy stray
To milder scenes and youth's Arcadian day;
And howsoe'er the pencil dipped in dreams
Shades the brown woods or tints the sunset streams,
The country doctor in the foreground seems,
Whose ancient sulky down the village lanes
Dragged, like a war-car, captive ills and pains.
I could not paint the scenery of my song,
Mindless of one who looked thereon so long;
Who, night and day, on duty's lonely round,
Made friends o' the woods and rocks, and knew the sound
Of each small brook, and what the hillside trees
Said to the winds that touched their leafy keys;
Who saw so keenly and so well could paint
The village-folk, with all their humors quaint,
The parson ambling on his wall-eyed roan.
Grave and erect, with white hair backward blown;
The tough old boatman, half amphibious grown;
The muttering witch-wife of the gossip's tale,
And the loud straggler levying his blackmail,--
Old customs, habits, superstitions, fears,
All that lies buried under fifty years.
To thee, as is most fit, I bring my lay,
And, grateful, own the debt I cannot pay.

. . . . . . . . . .

Over the wooded northern ridge,
Between its houses brown,
To the dark tunnel of the bridge
The street comes straggling down.

You catch a glimpse, through birch and pine,
Of gable, roof, and porch,
The tavern with its swinging sign,
The sharp horn of the church.

The river's steel-blue crescent curves
To meet, in ebb and flow,
The single broken wharf that serves
For sloop and gundelow.

With salt sea-scents along its shores
The heavy hay-boats crawl,
The long antennae of their oars
In lazy rise and fall.

Along the gray abutment's wall
The idle shad-net dries;
The toll-man in his cobbler's stall
Sits smoking with closed eyes.

You hear the pier's low undertone
Of waves that chafe and gnaw;
You start,--a skipper's horn is blown
To raise the creaking draw.

At times a blacksmith's anvil sounds
With slow and sluggard beat,
Or stage-coach on its dusty rounds
Fakes up the staring street.

A place for idle eyes and ears,
A cobwebbed nook of dreams;
Left by the stream whose waves are years
The stranded village seems.

And there, like other moss and rust,
The native dweller clings,
And keeps, in uninquiring trust,
The old, dull round of things.

The fisher drops his patient lines,
The farmer sows his grain,
Content to hear the murmuring pines
Instead of railroad-train.

Go where, along the tangled steep
That slopes against the west,
The hamlet's buried idlers sleep
In still profounder rest.

Throw back the locust's flowery plume,
The birch's pale-green scarf,
And break the web of brier and bloom
From name and epitaph.

A simple muster-roll of death,
Of pomp and romance shorn,
The dry, old names that common breath
Has cheapened and outworn.

Yet pause by one low mound, and part
The wild vines o'er it laced,
And read the words by rustic art
Upon its headstone traced.

Haply yon white-haired villager
Of fourscore years can say
What means the noble name of her
Who sleeps with common clay.

An exile from the Gascon land
Found refuge here and rest,
And loved, of all the village band,
Its fairest and its best.

He knelt with her on Sabbath morns,
He worshipped through her eyes,
And on the pride that doubts and scorns
Stole in her faith's surprise.

Her simple daily life he saw
By homeliest duties tried,
In all things by an untaught law
Of fitness justified.

For her his rank aside he laid;
He took the hue and tone
Of lowly life and toil, and made
Her simple ways his own.

Yet still, in gay and careless ease,
To harvest-field or dance
He brought the gentle courtesies,
The nameless grace of France.

And she who taught him love not less
From him she loved in turn
Caught in her sweet unconsciousness
What love is quick to learn.

Each grew to each in pleased accord,
Nor knew the gazing town
If she looked upward to her lord
Or he to her looked down.

How sweet, when summer's day was o'er,
His violin's mirth and wail,
The walk on pleasant Newbury's shore,
The river's moonlit sail!

Ah! life is brief, though love be long;
The altar and the bier,
The burial hymn and bridal song,
Were both in one short year!

Her rest is quiet on the hill,
Beneath the locust's bloom
Far off her lover sleeps as still
Within his scutcheoned tomb.

The Gascon lord, the village maid,
In death still clasp their hands;
The love that levels rank and grade
Unites their severed lands.

What matter whose the hillside grave,
Or whose the blazoned stone?
Forever to her western wave
Shall whisper blue Garonne!

O Love!--so hallowing every soil
That gives thy sweet flower room,
Wherever, nursed by ease or toil,
The human heart takes bloom!--

Plant of lost Eden, from the sod
Of sinful earth unriven,
White blossom of the trees of God
Dropped down to us from heaven!

This tangled waste of mound and stone
Is holy for thy sale;
A sweetness which is all thy own
Breathes out from fern and brake.

And while ancestral pride shall twine
The Gascon's tomb with flowers,
Fall sweetly here, O song of mine,
With summer's bloom and showers!

And let the lines that severed seem
Unite again in thee,
As western wave and Gallic stream
Are mingled in one sea!

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My Playmate

The pines were dark on Ramoth hill,
Their song was soft and low;
The blossoms in the sweet May wind
Were falling like the snow.

The blossoms drifted at our feet,
The orchard birds sang clear;
The sweetest and the saddest day
It seemed of all the year.

For, more to me than birds or flowers,
My playmate left her home,
And took with her the laughing spring,
The music and the bloom.

She kissed the lips of kith and kin,
She laid her hand in mine
What more could ask the bashful boy
Who fed her father's kine?

She left us in the bloom of May
The constant years told o'er
Their seasons with as sweet May morns,
But she came back no more.

I walk, with noiseless feet, the round
Of uneventful years;
Still o'er and o'er I sow the spring
And reap the autumn ears.

She lives where all the golden year
Her summer roses blow;
The dusky children of the sun
Before her come and go.

There haply with her jewelled hands
She smooths her silken gown,-
No more the homespun lap wherein
I shook the walnuts down.

The wild grapes wait us by the brook,
The brown nuts on the hill,
And still the May-day flowers make sweet
The woods of Follymill.

The lilies blossom in the pond,
The bird builds in the tree,
The dark pines sing on Ramoth hill
The slow song of the sea.

I wonder if she thinks of them,
And how the old time seems,-
If ever the pines of Ramoth wood
Are sounding in her dreams.

I see her face, I hear her voice;
Does she remember mine?
And what to her is now the boy
Who fed her father's kine?

What cares she that the orioles build
For other eyes than ours,-
That other hands with nuts are filled,
And other laps with flowers?

O playmate in the golden time!
Our mossy seat is green,
Its fringing violets blossom yet,
The old trees o'er it lean.

The winds so sweet with birch and fern
A sweeter memory blow;
And there in spring the veeries sing
The song of long ago.

And still the pines of Ramoth wood
Are moaning like the sea,-

The moaning of the sea of change
Between myself and thee!

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A Sea Dream

We saw the slow tides go and come,
The curving surf-lines lightly drawn,
The gray rocks touched with tender bloom
Beneath the fresh-blown rose of dawn.

We saw in richer sunsets lost
The sombre pomp of showery noons;
And signalled spectral sails that crossed
The weird, low light of rising moons.

On stormy eves from cliff and head
We saw the white spray tossed and spurned;
While over all, in gold and red,
Its face of fire the lighthouse turned.

The rail-car brought its daily crowds,
Half curious, half indifferent,
Like passing sails or floating clouds,
We saw them as they came and went.

But, one calm morning, as we lay
And watched the mirage-lifted wall
Of coast, across the dreamy bay,
And heard afar the curlew call,

And nearer voices, wild or tame,
Of airy flock and childish throng,
Up from the water's edge there came
Faint snatches of familiar song.

Careless we heard the singer's choice
Of old and common airs; at last
The tender pathos of his voice
In one low chanson held us fast.

A song that mingled joy and pain,
And memories old and sadly sweet;
While, timing to its minor strain,
The waves in lapsing cadence beat.

. . . . .

The waves are glad in breeze and sun;
The rocks are fringed with foam;
I walk once more a haunted shore,
A stranger, yet at home,
A land of dreams I roam.

Is this the wind, the soft sea wind
That stirred thy locks of brown?
Are these the rocks whose mosses knew
The trail of thy light gown,
Where boy and girl sat down?

I see the gray fort's broken wall,
The boats that rock below;
And, out at sea, the passing sails
We saw so long ago
Rose-red in morning's glow.

The freshness of the early time
On every breeze is blown;
As glad the sea, as blue the sky,--
The change is ours alone;
The saddest is my own.

A stranger now, a world-worn man,
Is he who bears my name;
But thou, methinks, whose mortal life
Immortal youth became,
Art evermore the same.

Thou art not here, thou art not there,
Thy place I cannot see;
I only know that where thou art
The blessed angels be,
And heaven is glad for thee.

Forgive me if the evil years
Have left on me their sign;
Wash out, O soul so beautiful,
The many stains of mine
In tears of love divine!

I could not look on thee and live,
If thou wert by my side;
The vision of a shining one,
The white and heavenly bride,
Is well to me denied.

But turn to me thy dear girl-face
Without the angel's crown,
The wedded roses of thy lips,
Thy loose hair rippling down
In waves of golden brown.

Look forth once more through space and time,
And let thy sweet shade fall
In tenderest grace of soul and form
On memory's frescoed wall,
A shadow, and yet all!

Draw near, more near, forever dear!
Where'er I rest or roam,
Or in the city's crowded streets,
Or by the blown sea foam,
The thought of thee is home!

. . . . .

At breakfast hour the singer read
The city news, with comment wise,
Like one who felt the pulse of trade
Beneath his finger fall and rise.

His look, his air, his curt speech, told
The man of action, not of books,
To whom the corners made in gold
And stocks were more than seaside nooks.

Of life beneath the life confessed
His song had hinted unawares;
Of flowers in traffic's ledgers pressed,
Of human hearts in bulls and bears.

But eyes in vain were turned to watch
That face so hard and shrewd and strong;
And ears in vain grew sharp to catch
The meaning of that morning song.

In vain some sweet-voiced querist sought
To sound him, leaving as she came;
Her baited album only caught
A common, unromantic name.

No word betrayed the mystery fine,
That trembled on the singer's tongue;
He came and went, and left no sign
Behind him save the song he sung.

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The Cambridge Churchyard

Our ancient church! its lowly tower,
Beneath the loftier spire,
Is shadowed when the sunset hour
Clothes the tall shaft in fire;
It sinks beyond the distant eye
Long ere the glittering vane,
High wheeling in the western sky,
Has faded o’er the plain.

Like Sentinel and Nun, they keep
Their vigil on the green;
One seems to guard, and one to weep,
The dead that lie between;
And both roll out, so full and near,
Their music’s mingling waves,
They shake the grass, whose pennoned spear
Leans on the narrow graves.

The stranger parts the flaunting weeds,
Whose seeds the winds have strown
So thick, beneath the line he reads,
They shade the sculptured stone;
The child unveils his clustered brow,
And ponders for a while
The graven willow’s pendent bough,
Or rudest cherub’s smile.

But what to them the dirge, the knell?
These were the mourner’s share,—­
The sullen clang, whose heavy swell
Throbbed through the beating air;
The rattling cord, the rolling stone,
The shelving sand that slid,
And, far beneath, with hollow tone
Rung on the coffin’s lid.

The slumberer’s mound grows fresh and green,
Then slowly disappears;
The mosses creep, the gray stones lean,
Earth hides his date and years;
But, long before the once-loved name
Is sunk or worn away,
No lip the silent dust may claim,
That pressed the breathing clay.

Go where the ancient pathway guides,
See where our sires laid down
Their smiling babes, their cherished brides,
The patriarchs of the town;
Hast thou a tear for buried love?
A sigh for transient power?
All that a century left above,
Go, read it in an hour!

The Indian’s shaft, the Briton’s ball,
The sabre’s thirsting edge,
The hot shell, shattering in its fall,
The bayonet’s rending wedge,—­
Here scattered death; yet, seek the spot,
No trace thine eye can see,
No altar,—­and they need it not
Who leave their children free!

Look where the turbid rain-drops stand
In many a chiselled square;
The knightly crest, the shield, the brand
Of honored names were there;—­
Alas! for every tear is dried
Those blazoned tablets knew,
Save when the icy marble’s side
Drips with the evening dew.

Or gaze upon yon pillared stone,
The empty urn of pride;
There stand the Goblet and the Sun,—­
What need of more beside?
Where lives the memory of the dead,
Who made their tomb a toy?
Whose ashes press that nameless bed?
Go, ask the village boy!

Lean o’er the slender western wall,
Ye ever-roaming girls;
The breath that bids the blossom fall
May lift your floating curls,
To sweep the simple lines that tell
An exile’s date and doom;
And sigh, for where his daughters dwell,
They wreathe the stranger’s tomb.

And one amid these shades was born,
Beneath this turf who lies,
Once beaming as the summer’s morn,
That closed her gentle eyes;
If sinless angels love as we,
Who stood thy grave beside,
Three seraph welcomes waited thee,
The daughter, sister, bride.

I wandered to thy buried mound
When earth was hid below
The level of the glaring ground,
Choked to its gates with snow,
And when with summer’s flowery waves
The lake of verdure rolled,
As if a Sultan’s white-robed slaves
Had scattered pearls and gold.

Nay, the soft pinions of the air,
That lift this trembling tone,
Its breath of love may almost bear
To kiss thy funeral stone;
And, now thy smiles have passed away,
For all the joy they gave,
May sweetest dews and warmest ray
Lie on thine early grave!

When damps beneath and storms above
Have bowed these fragile towers,
Still o’er the graves yon locust grove
Shall swing its Orient flowers;
And I would ask no mouldering bust,
If e’er this humble line,
Which breathed a sigh o’er other’s dust,
Might call a tear on mine.

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Hampton Beach

THE SUNLIGHT glitters keen and bright,
Where, miles away,
Lies stretching to my dazzled sight
A luminous belt, a misty light,
Beyond the dark pine bluffs and wastes of sandy gray.
The tremulous shadow of the Sea!
Against its ground
Of silvery light, rock, hill, and tree,
Still as a picture, clear and free,
With varying outline mark the coast for miles around.

On—on—we tread with loose-flung rein
Our seaward way,
Through dark-green fields and blossoming grain,
Where the wild brier-rose skirts the lane,
And bends above our heads the flowering locust spray.

Ha! like a kind hand on my brow
Comes this fresh breeze,
Cooling its dull and feverish glow,
While through my being seems to flow
The breath of a new life, the healing of the seas!

Now rest we, where this grassy mound
His feet hath set
In the great waters, which have bound
His granite ankles greenly round
With long and tangled moss, and weeds with cool spray wet.

Good-by to Pain and Care! I take
Mine ease to-day
Here where these sunny waters break,
And ripples this keen breeze, I shake
All burdens from the heart, all weary thoughts away.

I draw a freer breath, I seem
Like all I see—
Waves in the sun—the white-winged gleam—
Of sea-birds in the slanting beam—
And far-off sails which flit before the south-wind free.

So when Time’s veil shall fall asunder,
The soul may know
No fearful change, nor sudden wonder,
Nor sink the weight of mystery under,
But with the upward rise, and with the vastness grow.

And all we shrink from now may seem
No new revealing;
Familiar as our childhood’s stream,
Or pleasant memory of a dream
The loved and cherished Past upon the new life stealing.

Serene and mild the untried light
May have its dawning;
And, as in summer’s northern night
The evening and the dawn unite,
The sunset hues of Time blend with the soul’s new morning.

I sit alone; in foam and spray
Wave after wave
Breaks on the rocks which, stern and gray,
Shoulder the broken tide away,
Or murmurs hoarse and strong through mossy cleft and cave.

What heed I of the dusty land
And noisy town?
I see the mighty deep expand
From its white line of glimmering sand
To where the blue of heaven on bluer waves shuts down!

In listless quietude of mind,
I yield to all
The change of cloud and wave and wind
And passive on the flood reclined,
I wander with the waves, and with them rise and fall.

But look, thou dreamer!—wave and shore
In shadow lie;
The night-wind warns me back once more
To where, my native hill-tops o’er,
Bends like an arch of fire the glowing sunset sky.

So then, beach, bluff, and wave, farewell!
I bear with me
No token stone nor glittering shell,
But long and oft shall Memory tell
Of this brief thoughtful hour of musing by the Sea.

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The Wreck Of Rivermouth

Rivermouth Rocks are fair to see,
By dawn or sunset shone across,
When the ebb of the sea has left them free,
To dry their fringes of gold-green moss
For there the river comes winding down,
From salt sea-meadows and uplands brown,
And waves on the outer rocks afoam
Shout to its waters, 'Welcome home!'

And fair are the sunny isles in view
East of the grisly Head of the Boar,
And Agamenticus lifts its blue
Disk of a cloud the woodlands o'er;
And southerly, when the tide is down,
'Twixt white sea-waves and sand-hills brown,
The beach-birds dance and the gray gulls wheel
Over a floor of burnished steel.

Once, in the old Colonial days,
Two hundred years ago and more,
A boat sailed down through the winding ways
Of Hampton River to that low shore,
Full of a goodly company
Sailing out on the summer sea,
Veering to catch the land-breeze light,
With the Boar to left and the Rocks to right.

In Hampton meadows, where mowers laid
Their scythes to the swaths of salted grass,
'Ah, well-a-day! our hay must be made!'
A young man sighed, who saw them pass.
Loud laughed his fellows to see him stand
Whetting his scythe with a listless hand,
Hearing a voice in a far-off song,
Watching a white hand beckoning long.

'Fie on the witch!' cried a merry girl,
As they rounded the point where Goody Cole
Sat by her door with her wheel atwirl,
A bent and blear-eyed poor old soul.
'Oho!' she muttered, 'ye 're brave to-day!
But I hear the little waves laugh and say,
'The broth will be cold that waits at home;
For it 's one to go, but another to come!''

'She's cursed,' said the skipper; 'speak her fair:
I'm scary always to see her shake
Her wicked head, with its wild gray hair,
And nose like a hawk, and eyes like a snake.'
But merrily still, with laugh and shout,
From Hampton River the boat sailed out,
Till the huts and the flakes on Star seemed nigh,
And they lost the scent of the pines of Rye.

They dropped their lines in the lazy tide,
Drawing up haddock and mottled cod;
They saw not the Shadow that walked beside,
They heard not the feet with silence shod.
But thicker and thicker a hot mist grew,
Shot by the lightnings through and through;
And muffled growls, like the growl of a beast,
Ran along the sky from west to east.

Then the skipper looked from the darkening sea
Up to the dimmed and wading sun;
But he spake like a brave man cheerily,
'Yet there is time for our homeward run.'
Veering and tacking, they backward wore;
And just as a breath-from the woods ashore
Blew out to whisper of danger past,
The wrath of the storm came down at last!

The skipper hauled at the heavy sail
'God be our help!' he only cried,
As the roaring gale, like the stroke of a flail,
Smote the boat on its starboard side.
The Shoalsmen looked, but saw alone
Dark films of rain-cloud slantwise blown,
Wild rocks lit up by the lightning's glare,
The strife and torment of sea and air.

Goody Cole looked out from her door
The Isles of Shoals were drowned and gone,
Scarcely she saw the Head of the Boar
Toss the foam from tusks of stone.
She clasped her hands with a grip of pain,
The tear on her cheek was not of rain
'They are lost,' she muttered, 'boat and crew!
Lord, forgive me! my words were true!'

Suddenly seaward swept the squall;
The low sun smote through cloudy rack;
The Shoals stood clear in the light, and all
The trend of the coast lay hard and black.
But far and wide as eye could reach,
No life was seen upon wave or beach;
The boat that went out at morning never
Sailed back again into Hampton River.

O mower, lean on thy bended snath,
Look from the meadows green and low
The wind of the sea is a waft of death,
The waves are singing a song of woe!
By silent river, by moaning sea,
Long and vain shall thy watching be
Never again shall the sweet voice call,
Never the white hand rise and fall!

O Rivermouth Rocks, how sad a sight
Ye saw in the light of breaking day
Dead faces looking up cold and white
From sand and seaweed where they lay.
The mad old witch-wife wailed and wept,
And cursed the tide as it backward crept
'Crawl back, crawl back, blue water-snake
Leave your dead for the hearts that break!'

Solemn it was in that old day
In Hampton town and its log-built church,
Where side by side the coffins lay
And the mourners stood in aisle and porch.
In the singing-seats young eyes were dim,
The voices faltered that raised the hymn,
And Father Dalton, grave and stern,
Sobbed through his prayer and wept in turn.

But his ancient colleague did not pray;
Under the weight of his fourscore years
He stood apart with the iron-gray
Of his strong brows knitted to hide his tears;
And a fair-faced woman of doubtful fame,
Linking her own with his honored name,
Subtle as sin, at his side withstood
The felt reproach of her neighborhood.

Apart with them, like them forbid,
Old Goody Cole looked drearily round,
As, two by two, with their faces hid,
The mourners walked to the burying-ground.
She let the staff from her clasped hands fall
'Lord, forgive us! we're sinners all!'
And the voice of the old man answered her
'Amen!' said Father Bachiler.

So, as I sat upon Appledore
In the calm of a closing summer day,
And the broken lines of Hampton shore
In purple mist of cloudland lay,
The Rivermouth Rocks their story told;
And waves aglow with sunset gold,
Rising and breaking in steady chime,
Beat the rhythm and kept the time.

And the sunset paled, and warmed once more
With a softer, tenderer after-glow;
In the east was moon-rise, with boats off-shore
And sails in the distance drifting slow.
The beacon glimmered from Portsmouth bar,
The White Isle kindled its great red star;
And life and death in my old-time lay
Mingled in peace like the night and day!

. . . . .

'Well!' said the Man of Books, 'your story
Is really not ill told in verse.
As the Celt said of purgatory,
One might go farther and fare worse.'
The Reader smiled; and once again
With steadier voice took up his strain,
While the fair singer from the neighboring tent
Drew near, and at his side a graceful listener bent.

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The Dead To The Living

Work while it is day: the night cometh, when no man can work.

IN the childhood of April, while purple woods
With the young year's blood in them smiled,
I passed through the lanes and the wakened fields,
And stood by the grave of the child.
And the pain awoke that is never dead
Though it sometimes sleeps, and again
It set its teeth in this heart of mine,
And fastened its claws in my brain:
For it seemed so hard that the little hands
And the little well-loved head
Should be out of reach of my living lips,
And be side by side with the dead--
Not side by side with us who had loved,
But with these who had never seen
The grace of the smile, the gold of the hair,
And the eyes of my baby-queen.
Yet with trees about where the brown birds build,
And with long green grass above,


She lies in the cold sweet breast of earth
Beyond the reach of our love;
Whatever befalls in the coarse loud world,
We know she will never wake.
When I thought of the sorrow she might have known,
I was almost glad for her sake. . . .
Tears might have tired those kiss-closed eyes,
Grief hardened the mouth I kissed;
I was almost glad that my dear was dead
Because of the pain she had missed.
Oh, if I could but have died a child
With a white child-soul like hers,
As pure as the wind-flowers down in the copse,
Where the soul of the spring's self stirs;
Or if I had only done with it all,
And might lie by her side unmoved!
I envied the very clods of earth
Their place near the child I loved!


And my soul rose up in revolt at life,
As I stood dry-eyed by her grave,
When sudden the grass of the churchyard sod
Rolled back like a green smooth wave;
The brown earth looked like the brown sea rocks,
The tombstones were white like spray,
And white like surf were the curling folds
Of the shrouds where the dead men lay;
For each in his place with his quiet face
I saw the dead lie low,
Who had worked and suffered and found life sad,
So many sad years ago.
Unchanged by time I saw them lie
As when first they were laid to rest,
The tired eyes closed, the sad lips still,
And the work-worn hands on the breast.
There were some who had found the green world so grey,
They had left it before their time,
And some were little ones like my dear,
And some had died in their prime;
And some were old, they had had their fill
Of bitter unfruitful hours,
And knew that none of them, none, had known
A flower of a hope like ours!


Through their shut eyelids the dead looked up,
And without a voice they said:
'We lived without hope, without hope we died,
And hopeless we lie here dead;
And death is better than life that draws
Pain in, as it draws in breath,
If life never dreams of a coming day
When life shall not envy death.
Through the dark of our hours and our times we lived,
Uncheered by a single ray
Of such hope as lightens the lives of you
Who are finding life hard to-day;
With our little lanterns of human love
We lighted our dark warm night--
But you in the chill of the dawn are set
With your face to the eastern light.
Freedom is waiting with hands held out
Till you tear the veil from her face--
And when once men have seen the light of her eyes,
And felt her divine embrace,
The light of the world will be risen indeed,
And will shine in the eyes of men,
And those who come after will find life fair,
And their lives worth living then!
Will you strive to the light in your loud rough world,
That these things may come to pass,
Or lie in the shadow beside the child,
And strive to the sun through the grass?'


'My world while I may,' I cried; 'but you
Whose lives were as dark as your grave?'
'We too are a part of the coming light,'
They called through the smooth green wave.
Their white shrouds gleamed as the flood of green
Rolled over and hid them from me--
Hid all but the little hands and the hair,
And the face that I always see.

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Alfred Lord Tennyson

O true and tried

O true and tried, so well and long,
Demand not thou a marriage lay;
In that it is thy marriage day
Is music more than any song.
Nor have I felt so much of bliss
Since first he told me that he loved
A daughter of our house; nor proved
Since that dark day a day like this;

Tho’ I since then have number’d o’er
Some thrice three years: they went and came,
Remade the blood and changed the frame,
And yet is love not less, but more;

No longer caring to embalm
In dying songs a dead regret,
But like a statue solid-set,
And moulded in colossal calm.

Regret is dead, but love is more
Than in the summers that are flown,
For I myself with these have grown
To something greater than before;

Which makes appear the songs I made
As echoes out of weaker times,
As half but idle brawling rhymes,
The sport of random sun and shade.

But where is she, the bridal flower,
That must he made a wife ere noon?
She enters, glowing like the moon
Of Eden on its bridal bower:

On me she bends her blissful eyes
And then on thee; they meet thy look
And brighten like the star that shook
Betwixt the palms of paradise.

O when her life was yet in bud,
He too foretold the perfect rose.
For thee she grew, for thee she grows
For ever, and as fair as good.

And thou art worthy; full of power;
As gentle; liberal-minded, great,
Consistent; wearing all that weight
Of learning lightly like a flower.

But now set out: the noon is near,
And I must give away the bride;
She fears not, or with thee beside
And me behind her, will not fear.

For I that danced her on my knee,
That watch’d her on her nurse’s arm,
That shielded all her life from harm
At last must part with her to thee;

Now waiting to be made a wife,
Her feet, my darling, on the dead;
Their pensive tablets round her head,
And the most living words of life

Breathed in her ear. The ring is on,
The ‘wilt thou’ answer’d, and again
The ‘wilt thou’ ask’d, till out of twain
Her sweet ‘I will’ has made you one.

Now sign your names, which shall be read,
Mute symbols of a joyful morn,
By village eyes as yet unborn;
The names are sign’d, and overhead

Begins the clash and clang that tells
The joy to every wandering breeze;
The blind wall rocks, and on the trees
The dead leaf trembles to the bells.

O happy hour, and happier hours
Await them. Many a merry face
Salutes them–maidens of the place,
That pelt us in the porch with flowers.

O happy hour, behold the bride
With him to whom her hand I gave.
They leave the porch, they pass the grave
That has to-day its sunny side.

To-day the grave is bright for me,
For them the light of life increased,
Who stay to share the morning feast,
Who rest to-night beside the sea.

Let all my genial spirits advance
To meet and greet a whiter sun;
My drooping memory will not shun
The foaming grape of eastern France.

It circles round, and fancy plays,
And hearts are warm’d and faces bloom,
As drinking health to bride and groom
We wish them store of happy days.

Nor count me all to blame if I
Conjecture of a stiller guest,
Perchance, perchance, among the rest,
And, tho’ in silence, wishing joy.

But they must go, the time draws on,
And those white-favour’d horses wait;
They rise, but linger; it is late;
Farewell, we kiss, and they are gone.

A shade falls on us like the dark
From little cloudlets on the grass,
But sweeps away as out we pass
To range the woods, to roam the park,

Discussing how their courtship grew,
And talk of others that are wed,
And how she look’d, and what he said,
And back we come at fall of dew.

Again the feast, the speech, the glee,
The shade of passing thought, the wealth
Of words and wit, the double health,
The crowning cup, the three-times-three,

And last the dance;–till I retire:
Dumb is that tower which spake so loud,
And high in heaven the streaming cloud,
And on the downs a rising fire:

And rise, O moon, from yonder down,
Till over down and over dale
All night the shining vapour sail
And pass the silent-lighted town,

The white-faced halls, the glancing rills,
And catch at every mountain head,
And o’er the friths that branch and spread
Their sleeping silver thro’ the hills;

And touch with shade the bridal doors,
With tender gloom the roof, the wall;
And breaking let the splendour fall
To spangle all the happy shores

By which they rest, and ocean sounds,
And, star and system rolling past,
A soul shall draw from out the vast
And strike his being into bounds,

And, moved thro’ life of lower phase,
Result in man, be born and think,
And act and love, a closer link
Betwixt us and the crowning race

Of those that, eye to eye, shall look
On knowledge; under whose command
Is Earth and Earth’s, and in their hand
Is Nature like an open book;

No longer half-akin to brute,
For all we thought and loved and did,
And hoped, and suffer’d, is but seed
Of what in them is flower and fruit;

Whereof the man, that with me trod
This planet, was a noble type
Appearing ere the times were ripe,
That friend of mine who lives in God,

That God, which ever lives and loves,
One God, one law, one element,
And one far-off divine event,
To which the whole creation moves.

poem by Alfred Lord TennysonReport problemRelated quotes
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Naples – 1860

I GIVE thee joy!—I know to thee
The dearest spot on earth must be
Where sleeps thy loved one by the summer sea;

Where, near her sweetest poet’s tomb,
The land of Virgil gave thee room
To lay thy flower with her perpetual bloom.

I know that when the sky shut down
Behind thee on the gleaming town,
On Baiae’s baths and Posilippo’s crown;

And, through thy tears, the mocking day
Burned Ischia’s mountain lines away,
And Capri melted in its sunny bay;

Through thy great farewell sorrow shot
The sharp pang of a bitter thought
That slaves must tread around that holy spot.

Thou knewest not the land was blest
In giving thy beloved rest,
Holding the fond hope closer to her breast,

That every sweet and saintly grave
Was freedom’s prophecy, and gave
The pledge of Heaven to sanctify and save.

That pledge is answered. To thy ear
The unchained city sends its cheer,
And, tuned to joy, the muffled bells of fear

Ring Victor in. The land sits free
And happy by the summer sea,
And Bourbon Naples now is Italy!

She smiles above her broken chain
The languid smile that follows pain,
Stretching her cramped limbs to the sun again.

Oh, joy for all, who hear her call
From gray Camaldoli’s convent wall
And Elmo’s towers to freedom’s carnival!

A new life breathes among her vines
And olives, like the breath of pines
Blown downward from the breezy Apennines.

Lean, O my friend, to meet that breath,
Rejoice as one who witnesseth
Beauty from ashes rise, and life from death!

Thy sorrow shall no more be pain,
Its tears shall fall in sunlit rain,
Writing the grave with flowers: “Arisen again!”

poem by John Greenleaf WhittierReport problemRelated quotes
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Requiescit

I cannot tell his story. He was one
To whom the riddle of our human life
Was strangely put, and who, because of that
And that he could not read it, died. But a short hour
Before he passed, the woman who stood by,
Weeping as once she had wept to see him born,
Tired with her watching looked into his face
And saw the heavy eyelids dropping down
Loaded with sleep. And she, for all her tears,
Bent for the hundredth time to ease his bed.
And, as she almost touched him, smoothing out
The ruffled pillows, close into her ear
He whispered, never lifting up his eyes:
``No matter now. I shall be soon asleep.''
And then, as if he would pursue the thought
A little way as once he loved to do,
And yet too weak to catch it, he went on:
``And what a trouble it has been to keep
This pillow smooth! And in a little while
It will not want another touch; and then--
This aching head of mine will have done with thought.
Thought! Thought!'' But loud the aged woman sobbed,
``Poor soul, poor gentleman.'' So they remained
For a brief space, the goodwife standing there
Knotting her wrinkled hands and he hard by
Upon the bed and breathing heavily.
For he seemed sunk again in that dull trance
Through which men often pass away from life,
When death, as the lion does, has shaken his prey
And he lies numb and dumb and powerless.

She listened. He was telling slowly over
The names of those whom he had loved in youth.
Many were strange to her; and then there came
One she knew well. She started at the sound
She had not heard for years, and bending near
Heard him repeat it twice. She whispered hoarsely:
``Have you no word for her?''--yet stopped again
Because his eyes were open. Doubtingly
They wandered to her own and seemed to say
``Who, and what is it that you ask?'' And she
Spoke it again. He seemed to catch the name
And said it after her, but like a child
Which knows not what it speaks; and afterwards:
``Ah! Bridget, I have quite forgot that story,
And now, in half an hour, it is not long,
I shall have clean forgotten the name too.''
She cried, ``Oh Sir, it is a life too late.
Would God you had forgot it long ago!''

The tears stole slowly down her withered cheeks
And fell upon his hands. She did not move
While he went murmuring on: ``'Tis very well
Thus to forget. And what a wonder too
It now is''--and there came a sudden light
Into his eyes--``that one should ever care
To recollect a single day of life.
I used to think and plan and plot and scheme
How I might build my life in such a way
That I should take fine memories to my grave.
And now what a small matter 'tis to know
How the years went, when death in half an hour
Is all that is left of them! No matter now,
But only to sleep sound in any bed
And have no dreams.'' His eyes grew dim again
As he ceased speaking. And the woman knew
That he was dying. ``He is gone,'' she said.
And then she started muttering half aloud
``They cannot pass without the sacraments,
These gentle--folks.'' And so she hurried out.

The dying man smiled. When they came again,
She whispered in his ear, and looking down
Saw him still smiling; so she lit in haste
A candle by the bed and knelt aside.
They put the holy oils upon his hands,
Which closed upon the fingers of the priest.
The priest bent over him and laid his ear
To the half--open mouth and presently,
Thinking he heard some words, gave absolution.
But, when they would have gone on with the rest,
They found that he was dead. They buried him
With some small pomp to comfort the old dame,
Who said her master was a gentleman
And must be followed with a mourning coach
And mutes and weepers. There was no one else.

His name is cut upon a stone. His dreams
Were written on Time's hem; and Time has fled
And taken him and them. The grass is green
Upon his grave. I cannot doubt he sleeps.

poem by Wilfrid Scawen BluntReport problemRelated quotes
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Alfred Lord Tennyson

In Memoriam 131: O Living Will That Shalt Endure

O living will that shalt endure
When all that seems shall suffer shock,
Rise in the spiritual rock,
Flow thro' our deeds and make them pure,

That we may lift from out of dust
A voice as unto him that hears,
A cry above the conquer'd years
To one that with us works, and trust,

With faith that comes of self-control,
The truths that never can be proved
Until we close with all we loved,
And all we flow from, soul in soul.

O true and tried, so well and long,
Demand not thou a marriage lay;
In that it is thy marriage day
Is music more than any song.

Nor have I felt so much of bliss
Since first he told me that he loved
A daughter of our house; nor proved
Since that dark day a day like this;

Tho' I since then have number'd o'er
Some thrice three years: they went and came,
Remade the blood and changed the frame,
And yet is love not less, but more;

No longer caring to embalm
In dying songs a dead regret,
But like a statue solid-set,
And moulded in colossal calm.

Regret is dead, but love is more
Than in the summers that are flown,
For I myself with these have grown
To something greater than before;

Which makes appear the songs I made
As echoes out of weaker times,
As half but idle brawling rhymes,
The sport of random sun and shade.

But where is she, the bridal flower,
That must be made a wife ere noon?
She enters, glowing like the moon
Of Eden on its bridal bower:

On me she bends her blissful eyes
And then on thee; they meet thy look
And brighten like the star that shook
Betwixt the palms of paradise.

O when her life was yet in bud,
He too foretold the perfect rose.
For thee she grew, for thee she grows
For ever, and as fair as good.

And thou art worthy; full of power;
As gentle; liberal-minded, great,
Consistent; wearing all that weight
Of learning lightly like a flower.

But now set out: the noon is near,
And I must give away the bride;
She fears not, or with thee beside
And me behind her, will not fear.

For I that danced her on my knee,
That watch'd her on her nurse's arm,
That shielded all her life from harm
At last must part with her to thee;

Now waiting to be made a wife,
Her feet, my darling, on the dead;
Their pensive tablets round her head,
And the most living words of life

Breathed in her ear. The ring is on,
The "wilt thou" answer'd, and again
The "wilt thou" ask'd, till out of twain
Her sweet "I will" has made you one.

Now sign your names, which shall be read,
Mute symbols of a joyful morn,
By village eyes as yet unborn;
The names are sign'd, and overhead

Begins the clash and clang that tells
The joy to every wandering breeze;
The blind wall rocks, and on the trees
The dead leaf trembles to the bells.

O happy hour, and happier hours
Await them. Many a merry face
Salutes them--maidens of the place,
That pelt us in the porch with flowers.

O happy hour, behold the bride
With him to whom her hand I gave.
They leave the porch, they pass the grave
That has to-day its sunny side.

To-day the grave is bright for me,
For them the light of life increased,
Who stay to share the morning feast,
Who rest to-night beside the sea.

Let all my genial spirits advance
To meet and greet a whiter sun;
My drooping memory will not shun
The foaming grape of eastern France.

It circles round, and fancy plays,
And hearts are warm'd and faces bloom,
As drinking health to bride and groom
We wish them store of happy days.

Nor count me all to blame if I
Conjecture of a stiller guest,
Perchance, perchance, among the rest,
And, tho' in silence, wishing joy.

But they must go, the time draws on,
And those white-favour'd horses wait;
They rise, but linger; it is late;
Farewell, we kiss, and they are gone.

A shade falls on us like the dark
From little cloudlets on the grass,
But sweeps away as out we pass
To range the woods, to roam the park,

Discussing how their courtship grew,
And talk of others that are wed,
And how she look'd, and what he said,
And back we come at fall of dew.

Again the feast, the speech, the glee,
The shade of passing thought, the wealth
Of words and wit, the double health,
The crowning cup, the three-times-three,

And last the dance,--till I retire:
Dumb is that tower which spake so loud,
And high in heaven the streaming cloud,
And on the downs a rising fire:

And rise, O moon, from yonder down,
Till over down and over dale
All night the shining vapour sail
And pass the silent-lighted town,

The white-faced halls, the glancing rills,
And catch at every mountain head,
And o'er the friths that branch and spread
Their sleeping silver thro' the hills;

And touch with shade the bridal doors,
With tender gloom the roof, the wall;
And breaking let the splendour fall
To spangle all the happy shores

By which they rest, and ocean sounds,
And, star and system rolling past,
A soul shall draw from out the vast
And strike his being into bounds,

And, moved thro' life of lower phase,
Result in man, be born and think,
And act and love, a closer link
Betwixt us and the crowning race

Of those that, eye to eye, shall look
On knowledge; under whose command
Is Earth and Earth's, and in their hand
Is Nature like an open book;

No longer half-akin to brute,
For all we thought and loved and did,
And hoped, and suffer'd, is but seed
Of what in them is flower and fruit;

Whereof the man, that with me trod
This planet, was a noble type
Appearing ere the times were ripe,
That friend of mine who lives in God,

That God, which ever lives and loves,
One God, one law, one element,
And one far-off divine event,
To which the whole creation moves.

poem by Alfred Lord TennysonReport problemRelated quotes
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Alfred Lord Tennyson

In Memoriam A. H. H.: 131. O living will that shalt endure

O living will that shalt endure
When all that seems shall suffer shock,
Rise in the spiritual rock,
Flow thro' our deeds and make them pure,
That we may lift from out of dust
A voice as unto him that hears,
A cry above the conquer'd years
To one that with us works, and trust,
With faith that comes of self-control,
The truths that never can be proved
Until we close with all we loved,
And all we flow from, soul in soul.------

O true and tried, so well and long,
Demand not thou a marriage lay;
In that it is thy marriage day
Is music more than any song.

Nor have I felt so much of bliss
Since first he told me that he loved
A daughter of our house; nor proved
Since that dark day a day like this;

Tho' I since then have number'd o'er
Some thrice three years: they went and came,
Remade the blood and changed the frame,
And yet is love not less, but more;

No longer caring to embalm
In dying songs a dead regret,
But like a statue solid-set,
And moulded in colossal calm.

Regret is dead, but love is more
Than in the summers that are flown,
For I myself with these have grown
To something greater than before;

Which makes appear the songs I made
As echoes out of weaker times,
As half but idle brawling rhymes,
The sport of random sun and shade.

But where is she, the bridal flower,
That must be made a wife ere noon?
She enters, glowing like the moon
Of Eden on its bridal bower:

On me she bends her blissful eyes
And then on thee; they meet thy look
And brighten like the star that shook
Betwixt the palms of paradise.

O when her life was yet in bud,
He too foretold the perfect rose.
For thee she grew, for thee she grows
For ever, and as fair as good.

And thou art worthy; full of power;
As gentle; liberal-minded, great,
Consistent; wearing all that weight
Of learning lightly like a flower.

But now set out: the noon is near,
And I must give away the bride;
She fears not, or with thee beside
And me behind her, will not fear.

For I that danced her on my knee,
That watch'd her on her nurse's arm,
That shielded all her life from harm
At last must part with her to thee;

Now waiting to be made a wife,
Her feet, my darling, on the dead;
Their pensive tablets round her head,
And the most living words of life

Breathed in her ear. The ring is on,
The "wilt thou" answer'd, and again
The "wilt thou" ask'd, till out of twain
Her sweet "I will" has made you one.

Now sign your names, which shall be read,
Mute symbols of a joyful morn,
By village eyes as yet unborn;
The names are sign'd, and overhead

Begins the clash and clang that tells
The joy to every wandering breeze;
The blind wall rocks, and on the trees
The dead leaf trembles to the bells.

O happy hour, and happier hours
Await them. Many a merry face
Salutes them--maidens of the place,
That pelt us in the porch with flowers.

O happy hour, behold the bride
With him to whom her hand I gave.
They leave the porch, they pass the grave
That has to-day its sunny side.

To-day the grave is bright for me,
For them the light of life increased,
Who stay to share the morning feast,
Who rest to-night beside the sea.

Let all my genial spirits advance
To meet and greet a whiter sun;
My drooping memory will not shun
The foaming grape of eastern France.

It circles round, and fancy plays,
And hearts are warm'd and faces bloom,
As drinking health to bride and groom
We wish them store of happy days.

Nor count me all to blame if I
Conjecture of a stiller guest,
Perchance, perchance, among the rest,
And, tho' in silence, wishing joy.


But they must go, the time draws on,
And those white-favour'd horses wait;
They rise, but linger; it is late;
Farewell, we kiss, and they are gone.


A shade falls on us like the dark
From little cloudlets on the grass,
But sweeps away as out we pass
To range the woods, to roam the park,


Discussing how their courtship grew,
And talk of others that are wed,
And how she look'd, and what he said,
And back we come at fall of dew.


Again the feast, the speech, the glee,
The shade of passing thought, the wealth
Of words and wit, the double health,
The crowning cup, the three-times-three,


And last the dance,--till I retire:
Dumb is that tower which spake so loud,
And high in heaven the streaming cloud,
And on the downs a rising fire:


And rise, O moon, from yonder down,
Till over down and over dale
All night the shining vapour sail
And pass the silent-lighted town,


The white-faced halls, the glancing rills,
And catch at every mountain head,
And o'er the friths that branch and spread
Their sleeping silver thro' the hills;


And touch with shade the bridal doors,
With tender gloom the roof, the wall;
And breaking let the splendour fall
To spangle all the happy shores


By which they rest, and ocean sounds,
And, star and system rolling past,
A soul shall draw from out the vast
And strike his being into bounds,


And, moved thro' life of lower phase,
Result in man, be born and think,
And act and love, a closer link
Betwixt us and the crowning race


Of those that, eye to eye, shall look
On knowledge; under whose command
Is Earth and Earth's, and in their hand
Is Nature like an open book;


No longer half-akin to brute,
For all we thought and loved and did,
And hoped, and suffer'd, is but seed
Of what in them is flower and fruit;


Whereof the man, that with me trod
This planet, was a noble type
Appearing ere the times were ripe,
That friend of mine who lives in God,


That God, which ever lives and loves,
One God, one law, one element,
And one far-off divine event,
To which the whole creation moves.

poem by Alfred Lord TennysonReport problemRelated quotes
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June

I gazed upon the glorious sky
And the green mountains round,
And thought that when I came to lie
At rest within the ground,
"Twere pleasant, that in flowery June,
When brooks send up a cheerful tune,
And groves a joyous sound,
The sexton's hand, my grave to make,
The rich, green mountain-turf should break.

A cell within the frozen mould,
A coffin borne through sleet,
And icy clods above it rolled,
While fierce the tempests beat--
Away!--I will not think of these--
Blue be the sky and soft the breeze,
Earth green beneath the feet,
And be the damp mould gently pressed
Into my narrow place of rest.

There through the long, long summer hours,
The golden light should lie,
And thick young herbs and groups of flowers
Stand in their beauty by.
The oriole should build and tell
His love-tale close beside my cell;
The idle butterfly
Should rest him there, and there be heard
The housewife bee and humming-bird.

And what if cheerful shouts at noon
Come, from the village sent,
Or songs of maids, beneath the moon
With fairy laughter blent?
And what if, in the evening light,
Betrothed lovers walk in sight
Of my low monument?
I would the lovely scene around
Might know no sadder sight nor sound.

I know that I no more should see
The season's glorious show,
Nor would its brightness shine for me,
Nor its wild music flow;
But if, around my place of sleep,
The friends I love should come to weep,
They might not haste to go.
Soft airs, and song, and light, and bloom
Should keep them lingering by my tomb.

These to their softened hearts should bear
The thought of what has been,
And speak of one who cannot share
The gladness of the scene;
Whose part, in all the pomp that fills
The circuit of the summer hills,
Is that his grave is green;
And deeply would their hearts rejoice
To hear again his living voice.

poem by William Cullen BryantReport problemRelated quotes
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Scenes In London IV - The City Churchyard

I PRAY thee lay me not to rest
Among these mouldering bones;
Too heavily the earth is prest
By all these crowded stones.

Life is too gay—life is too near—
With all its pomp and toil;
I pray thee do not lay me here,
In such a world-struck soil.

The ceaseless roll of wheels would wake
The slumbers of the dead;
I cannot bear for life to make
Its pathway o'er my head.

The flags around are cold and drear,
They stand apart, alone;
And no one ever pauses here,
To sorrow for the gone.

No: lay me in the far green fields
The summer sunshine cheers;
And where the early wild flower yields
The tribute of its tears.

Where shadows the sepulchral yew,
Where droops the willow tree,
Where the long grass is filled with dew—
Oh! make such grave for me!

And passers-by, at evening's close,
Will pause beside the grave,
And moralize o'er the repose
They fear, and yet they crave.

Perhaps some kindly hand may bring
Its offering to the tomb;
And say, As fades the rose in spring,
So fadeth human bloom.

But here there is no kindly thought
To soothe, and to relieve;
No fancies and no flowers are brought,
That soften while they grieve.

Here Poesy and Love come not—
It is a world of stone;
The grave is bought—is closed—forgot!
And then life hurries on.

Sorrow and beauty—nature—love—
Redeem man's common breath;
Ah! let them shed the grave above—
Give loveliness to death.

poem by Letitia Elizabeth LandonReport problemRelated quotes
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Naples

INSCRIBED TO ROBERT C. WATERSTON, OF BOSTON.

Fold her, O Father, in Thine arms,
And let her henceforth be
A messenger of love between
Our human hearts and Thee.

I give thee joy!--I know to thee
The dearest spot on earth must be
Where sleeps thy loved one by the summer sea;

Where, near her sweetest poet's tomb,
The land of Virgil gave thee room
To lay thy flower with her perpetual bloom.

I know that when the sky shut down
Behind thee on the gleaming town,
On Baiae's baths and Posilippo's crown;

And, through thy tears, the mocking day
Burned Ischia's mountain lines away,
And Capri melted in its sunny bay;

Through thy great farewell sorrow shot
The sharp pang of a bitter thought
That slaves must tread around that holy spot.

Thou knewest not the land was blest
In giving thy beloved rest,
Holding the fond hope closer to her breast,

That every sweet and saintly grave
Was freedom's prophecy, and gave
The pledge of Heaven to sanctify and save.

That pledge is answered. To thy ear
The unchained city sends its cheer,
And, tuned to joy, the muffled bells of fear

Ring Victor in. The land sits free
And happy by the summer sea,
And Bourbon Naples now is Italy!

She smiles above her broken chain
The languid smile that follows pain,
Stretching her cramped limbs to the sun again.

Oh, joy for all, who hear her call
From gray Camaldoli's convent-wall
And Elmo's towers to freedom's carnival!

A new life breathes among her vines
And olives, like the breath of pines
Blown downward from the breezy Apennines.

Lean, O my friend, to meet that breath,
Rejoice as one who witnesseth
Beauty from ashes rise, and life from death!

Thy sorrow shall no more be pain,
Its tears shall fall in sunlit rain,
Writing the grave with flowers: 'Arisen again!'

poem by John Greenleaf WhittierReport problemRelated quotes
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In Peace

A track of moonlight on a quiet lake,
Whose small waves on a silver-sanded shore
Whisper of peace, and with the low winds make
Such harmonies as keep the woods awake,
And listening all night long for their sweet sake
A green-waved slope of meadow, hovered o'er
By angel-troops of lilies, swaying light
On viewless stems, with folded wings of white;
A slumberous stretch of mountain-land, far seen
Where the low westering day, with gold and green,
Purple and amber, softly blended, fills
The wooded vales, and melts among the hills;
A vine-fringed river, winding to its rest
On the calm bosom of a stormless sea,
Bearing alike upon its placid breast,
With earthly flowers and heavenly' stars impressed,
The hues of time and of eternity
Such are the pictures which the thought of thee,
O friend, awakeneth,--charming the keen pain
Of thy departure, and our sense of loss
Requiting with the fullness of thy gain.
Lo! on the quiet grave thy life-borne cross,
Dropped only at its side, methinks doth shine,
Of thy beatitude the radiant sign!
No sob of grief, no wild lament be there,
To break the Sabbath of the holy air;
But, in their stead, the silent-breathing prayer
Of hearts still waiting for a rest like thine.
O spirit redeemed! Forgive us, if henceforth,
With sweet and pure similitudes of earth,
We keep thy pleasant memory freshly green,
Of love's inheritance a priceless part,
Which Fancy's self, in reverent awe, is seen
To paint, forgetful of the tricks of art,
With pencil dipped alone in colors of the heart.

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Monument Mountain

Thou who wouldst see the lovely and the wild
Mingled in harmony on Nature's face,
Ascend our rocky mountains. Let thy foot
Fail not with weariness, for on their tops
The beauty and the majesty of earth,
Spread wide beneath, shall make thee to forget
The steep and toilsome way. There, as thou stand'st,
The haunts of men below thee, and around
The mountain summits, thy expanding heart
Shall feel a kindred with that loftier world
To which thou art translated, and partake
The enlargement of thy vision. Thou shalt look
Upon the green and rolling forest tops,
And down into the secrets of the glens,
And streams, that with their bordering thickets strive
To hide their windings. Thou shalt gaze, at once,
Here on white villages, and tilth, and herds,
And swarming roads, and there on solitudes
That only hear the torrent, and the wind,
And eagle's shriek. There is a precipice
That seems a fragment of some mighty wall,
Built by the hand that fashioned the old world,
To separate its nations, and thrown down
When the flood drowned them. To the north, a path
Conducts you up the narrow battlement.
Steep is the western side, shaggy and wild
With mossy trees, and pinnacles of flint,
And many a hanging crag. But, to the east,
Sheer to the vale go down the bare old cliffs,--
Huge pillars, that in middle heaven upbear
Their weather-beaten capitals, here dark
With the thick moss of centuries, and there
Of chalky whiteness where the thunderbolt
Has splintered them. It is a fearful thing
To stand upon the beetling verge, and see
Where storm and lightning, from that huge gray wall,
Have tumbled down vast blocks, and at the base
Dashed them in fragments, and to lay thine ear
Over the dizzy depth, and hear the sound
Of winds, that struggle with the woods below,
Come up like ocean murmurs. But the scene
Is lovely round; a beautiful river there
Wanders amid the fresh and fertile meads,
The paradise he made unto himself,
Mining the soil for ages. On each side
The fields swell upward to the hills; beyond,
Above the hills, in the blue distance, rise
The mighty columns with which earth props heaven.

There is a tale about these reverend rocks,
A sad tradition of unhappy love,
And sorrows borne and ended, long ago,
When over these fair vales the savage sought
His game in the thick woods. There was a maid,
The fairest of the Indian maids, bright-eyed,
With wealth of raven tresses, a light form,
And a gay heart. About her cabin-door
The wide old woods resounded with her song
And fairy laughter all the summer day.
She loved her cousin; such a love was deemed,
By the morality of those stern tribes,
Incestuous, and she struggled hard and long
Against her love, and reasoned with her heart,
As simple Indian maiden might. In vain.
Then her eye lost its lustre, and her step
Its lightness, and the gray-haired men that passed
Her dwelling, wondered that they heard no more
The accustomed song and laugh of her, whose looks
Were like the cheerful smile of Spring, they said,
Upon the Winter of their age. She went
To weep where no eye saw, and was not found
When all the merry girls were met to dance,
And all the hunters of the tribe were out;
Nor when they gathered from the rustling husk
The shining ear; nor when, by the river's side,
Thay pulled the grape and startled the wild shades
With sounds of mirth. The keen-eyed Indian dames
Would whisper to each other, as they saw
Her wasting form, and say _the girl will die_.

One day into the bosom of a friend,
A playmate of her young and innocent years,
She poured her griefs. 'Thou know'st, and thou alone,'
She said, 'for I have told thee, all my love,
And guilt, and sorrow. I am sick of life.
All night I weep in darkness, and the morn
Glares on me, as upon a thing accursed,
That has no business on the earth. I hate
The pastimes and the pleasant toils that once
I loved; the cheerful voices of my friends
Have an unnatural horror in mine ear.
In dreams my mother, from the land of souls,
Calls me and chides me. All that look on me
Do seem to know my shame; I cannot bear
Their eyes; I cannot from my heart root out
The love that wrings it so, and I must die.'

It was a summer morning, and they went
To this old precipice. About the cliffs
Lay garlands, ears of maize, and shaggy skins
Of wolf and bear, the offerings of the tribe
Here made to the Great Spirit, for they deemed,
Like worshippers of the elder time, that God
Doth walk on the high places and affect
The earth-o'erlooking mountains. She had on
The ornaments with which her father loved
To deck the beauty of his bright-eyed girl,
And bade her wear when stranger warriors came
To be his guests. Here the friends sat them down,
And sang, all day, old songs of love and death,
And decked the poor wan victim's hair with flowers,
And prayed that safe and swift might be her way
To the calm world of sunshine, where no grief
Makes the heart heavy and the eyelids red.
Beautiful lay the region of her tribe
Below her--waters resting in the embrace
Of the wide forest, and maize-planted glades
Opening amid the leafy wilderness.
She gazed upon it long, and at the sight
Of her own village peeping through the trees,
And her own dwelling, and the cabin roof
Of him she loved with an unlawful love,
And came to die for, a warm gush of tears
Ran from her eyes. But when the sun grew low
And the hill shadows long, she threw herself
From the steep rock and perished. There was scooped
Upon the mountain's southern slope, a grave;
And there they laid her, in the very garb
With which the maiden decked herself for death,
With the same withering wild flowers in her hair.
And o'er the mould that covered her, the tribe
Built up a simple monument, a cone
Of small loose stones. Thenceforward all who passed,
Hunter, and dame, and virgin, laid a stone
In silence on the pile. It stands there yet.
And Indians from the distant West, who come
To visit where their fathers' bones are laid,
Yet tell the sorrowful tale, and to this day
The mountain where the hapless maiden died
Is called the Mountain of the Monument.

poem by William Cullen BryantReport problemRelated quotes
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To The Painted Columbine

Bright image of the early years
When glowed my cheek as red as thou,
And life's dark throng of cares and fears
Were swift-winged shadows o'er my sunny brow!

Thou blushest from the painter's page,
Robed in the mimic tints of art;
But Nature's hand in youth's green age
With fairer hues first traced thee on my heart.

The morning's blush, she made it thine,
The morn's sweet breath, she gave it thee,
And in thy look, my Columbine!
Each fond-remembered spot she bade me see.

I see the hill's far-gazing head,
Where gay thou noddest in the gale;
I hear light-bounding footsteps tread
The grassy path that winds along the vale.

I hear the voice of woodland song
Break from each bush and well-known tree,
And on light pinions borne along,
Comes back the laugh from childhood's heart of glee.

O'er the dark rock the dashing brook,
With look of anger, leaps again,
And, hastening to each flowery nook,
Its distant voice is heard far down the glen.

Fair child of art! thy charms decay,
Touched by the withered hand of Time;
And hushed the music of that day,
When my voice mingled with the streamlet's chime;

But on my heart thy cheek of bloom
Shall live when Nature's smile has fled;
And, rich with memory's sweet perfume,
Shall o'er her grave thy tribute incense shed.

There shalt thou live and wake the glee
That echoed on thy native hill;
And when, loved flower! I think of thee,
My infant feet will seem to seek thee still.

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The Singer

Years since (but names to me before),
Two sisters sought at eve my door;
Two song-birds wandering from their nest,
A gray old farm-house in the West.

How fresh of life the younger one,
Half smiles, half tears, like rain in sun!
Her gravest mood could scarce displace
The dimples of her nut-brown face.

Wit sparkled on her lips not less
For quick and tremulous tenderness;
And, following close her merriest glance,
Dreamed through her eyes the heart's romance.

Timid and still, the elder had
Even then a smile too sweetly sad;
The crown of pain that all must wear
Too early pressed her midnight hair.

Yet ere the summer eve grew long,
Her modest lips were sweet with song;
A memory haunted all her words
Of clover-fields and singing birds.

Her dark, dilating eyes expressed
The broad horizons of the west;
Her speech dropped prairie flowers; the gold
Of harvest wheat about her rolled.

Fore-doomed to song she seemed to me
I queried not with destiny
I knew the trial and the need,
Yet, all the more, I said, God speed?

What could I other than I did?
Could I a singing-bird forbid?
Deny the wind-stirred leaf? Rebuke
The music of the forest brook?

She went with morning from my door,
But left me richer than before;
Thenceforth I knew her voice of cheer,
The welcome of her partial ear.

Years passed: through all the land her name
A pleasant household word became
All felt behind the singer stood
A sweet and gracious womanhood.

Her life was earnest work, not play;
Her tired feet climbed a weary way;
And even through her lightest strain
We heard an undertone of pain.

Unseen of her her fair fame grew,
The good she did she rarely knew,
Unguessed of her in life the love
That rained its tears her grave above.

When last I saw her, full of peace,
She waited for her great release;
And that old friend so sage and bland,
Our later Franklin, held her hand.

For all that patriot bosoms stirs
Had moved that woman's heart of hers,
And men who toiled in storm and sun
Found her their meet companion.

Our converse, from her suffering bed
To healthful themes of life she led
The out-door world of bud and bloom
And light and sweetness filled her room.

Yet evermore an underthought
Of loss to come within us wrought,
And all the while we felt the strain
Of the strong will that conquered pain.

God giveth quietness at last!
The common way that all have passed
She went, with mortal yearnings fond,
To fuller life and love beyond.

Fold the rapt soul in your embrace,
My dear ones! Give the singer place
To you, to her,--I know not where,--
I lift the silence of a prayer.

For only thus our own we find;
The gone before, the left behind,
All mortal voices die between;
The unheard reaches the unseen.

Again the blackbirds sing; the streams
Wake, laughing, from their winter dreams,
And tremble in the April showers
The tassels of the maple flowers.

But not for her has spring renewed
The sweet surprises of the wood;
And bird and flower are lost to her
Who was their best interpreter.

What to shut eyes has God revealed?
What hear the ears that death has sealed?
What undreamed beauty passing show
Requites the loss of all we know?

O silent land, to which we move,
Enough if there alone be love,
And mortal need can ne'er outgrow
What it is waiting to bestow!

O white soul! from that far-off shore
Float some sweet song the waters o'er.
Our faith confirm, our fears dispel,
With the old voice we loved so well!

poem by John Greenleaf WhittierReport problemRelated quotes
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The Swan Song of Parson Avery

When the reaper's task was ended, and the summer wearing late,
Parson Avery sailed from Newbury, with his wife and children eight,
Dropping down the river-harbor in the shallop 'Watch and Wait.'

Pleasantly lay the clearings in the mellow summer-morn,
With the newly planted orchards dropping their fruits first-born,
And the home-roofs like brown islands amid a sea of corn.

Broad meadows reached out 'seaward the tided creeks between,
And hills rolled wave-like inland, with oaks and walnuts green;-
A fairer home, a-goodlier land, his eyes had never seen.

Yet away sailed Parson Avery, away where duty led,
And the voice of God seemed calling, to break the living bread
To the souls of fishers starving on the rocks of Marblehead.

All day they sailed: at nightfall the pleasant land-breeze died,
The blackening sky, at midnight, its starry lights denied,
And far and low the thunder of tempest prophesied.

Blotted out were all the coast-lines, gone were rock, and wood, and sand;
Grimly anxious stood the skipper with the rudder in his hand,
And questioned of the darkness what was sea and what was land.

And the preacher heard his dear ones, nestled round him, weeping sore,
'Never heed, my little children! Christ is walking on before;
To the pleasant land of heaven, where the sea shall be no more.'

All at once the great cloud parted, like a curtain drawn aside,
To let down the torch of lightning on the terror far and wide;
And the thunder and the whirlwind together smote the tide.

There was wailing in the shallop, woman's wail and man's despair,
A crash of breaking timbers on the rocks so sharp and bare,
And, through it all, the murmur of Father Avery's prayer.

From his struggle in the darkness with the wild waves and the blast,
On a rock, where every billow broke above him as it passed,
Alone, of all his household, the man of God was cast.

There a comrade heard him praying, in the pause of wave and wind
'All my own have gone before me, and I linger just behind;
Not for life I ask, but only for the rest Thy ransomed find!

'In this night of death I challenge the promise of Thy word!-
Let me see the great salvation of which mine ears have heard!-
Let me pass from hence forgiven, through the grace of Christ, our Lord!

'In the baptism of these waters wash white my every sin,
And let me follow up to Thee my household and my kin!
Open the sea-gate of Thy heaven, and let me enter in!'

When the Christian sings his death-song, all the listening heavens draw near,
And the angels, leaning over the walls of crystal, hear
How the notes so faint and broken swell to music in God's ear.

The ear of God was open to His servant's last request;
As the strong wave swept him downward the sweet hymn upward pressed,
And the soul of Father Avery went, singing, to its rest.

There was wailing on the mainland, from the rocks of Marblehead;
In the stricken church of Newbury the notes of prayer were read;
And long, by board and hearthstone, the living mourned the dead.

And still the fishers outbound, or scudding from the squall,
With grave and reverent faces, the ancient tale recall,
When they see the white waves breaking on the Rock of Avery's Fall!

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The Old Burying-Ground

Our vales are sweet with fern and rose,
Our hills are maple-crowned;
But not from them our fathers chose
The village burying-ground.

The dreariest spot in all the land
To Death they set apart;
With scanty grace from Nature's hand,
And none from that of Art.

A winding wall of mossy stone,
Frost-flung and broken, lines
A lonesome acre thinly grown
With grass and wandering vines.

Without the wall a birch-tree shows
Its drooped and tasselled head;
Within, a stag-horned sumach grows,
Fern-leafed, with spikes of red.

There, sheep that graze the neighboring plain
Like white ghosts come and go,
The farm-horse drags his fetlock chain,
The cow-bell tinkles slow.

Low moans the river from its bed,
The distant pines reply;
Like mourners shrinking from the dead,
They stand apart and sigh.

Unshaded smites the summer sun,
Unchecked the winter blast;
The school-girl learns the place to shun,
With glances backward cast.

For thus our fathers testified,
That he might read who ran,
The emptiness of human pride,
The nothingness of man.

They dared not plant the grave with flowers,
Nor dress the funeral sod,
Where, with a love as deep as ours,
They left their dead with God.

The hard and thorny path they kept
From beauty turned aside;
Nor missed they over those who slept
The grace to life denied.

Yet still the wilding flowers would blow,
The golden leaves would fall,
The seasons come, the seasons go,
And God be good to all.

Above the graves the' blackberry hung
In bloom and green its wreath,
And harebells swung as if they rung
The chimes of peace beneath.

The beauty Nature loves to share,
The gifts she hath for all,
The common light, the common air,
O'ercrept the graveyard's wall.

It knew the glow of eventide,
The sunrise and the noon,
And glorified and sanctified
It slept beneath the moon.

With flowers or snow-flakes for its sod,
Around the seasons ran,
And evermore the love of God
Rebuked the fear of man.

We dwell with fears on either hand,
Within a daily strife,
And spectral problems waiting stand
Before the gates of life.

The doubts we vainly seek to solve,
The truths we know, are one;
The known and nameless stars revolve
Around the Central Sun.

And if we reap as we have sown,
And take the dole we deal,
The law of pain is love alone,
The wounding is to heal.

Unharmed from change to change we glide,
We fall as in our dreams;
The far-off terror at our side
A smiling angel seems.

Secure on God's all-tender heart
Alike rest great and small;
Why fear to lose our little part,
When He is pledged for all?

O fearful heart and troubled brain
Take hope and strength from this,--
That Nature never hints in vain,
Nor prophesies amiss.

Her wild birds sing the same sweet stave,
Her lights and airs are given
Alike to playground and the grave;
And over both is Heaven.

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