From Faust - I. Dedication
YE shadowy forms, again ye're drawing near,
So wont of yore to meet my troubled gaze!
Were it in vain to seek to keep you here?
Loves still my heart that dream of olden days?
Oh, come then! and in pristine force appear,
Parting the vapor mist that round me plays!
My bosom finds its youthful strength again,
Feeling the magic breeze that marks your train.
Ye bring the forms of happy days of yore,
And many a shadow loved attends you too;
Like some old lay, whose dream was well nigh o'er,
First-love appears again, and friendship true;
Upon life's labyrinthine path once more
Is heard the sigh, and grief revives anew;
The friends are told, who, in their hour of pride,
Deceived by fortune, vanish'd from my side.
No longer do they hear my plaintive song,
The souls to whom I sang in life's young day;
Scatter'd for ever now the friendly throng,
And mute, alas! each sweet responsive lay.
My strains but to the careless crowd belong,
Their smiles but sorrow to my heart convey;
And all who heard my numbers erst with gladness,
If living yet, roam o'er the earth in sadness.
Long buried yearnings in my breast arise,
Yon calm and solemn spirit-realm to gain;
Like the AEONIAN harp's sweet melodies,
My murmuring song breathes forth its changeful strain.
A trembling seizes me, tears fill mine eyes,
And softer grows my rugged heart amain.
All I possess far distant seems to be,
The vanish'd only seems reality.
poem by Johann Wolfgang von Goethe
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Love's Old Sweet Song
Once in the dear dead days beyond recall,
When on the world the mists began to fall,
Out of the dreams that rose in happy throng
Low to our hearts Love sung an old sweet song;
And in the dusk where fell the firelight gleam,
Softly it wove itself into our dream.
Just a song at twilight, when the lights are low,
And the flick'ring shadows softly come and go,
Tho' the heart be weary, sad the day and long,
Still to us at twilight comes Love's old song,
Comes Love's old sweet song.
Even today we hear Love's song of yore,
Deep in our hearts it dwells for evermore
Footsteps may falter, weary grow the way,
Still we can hear it at the close of day,
So till the end, when life's dim shadows fall,
Love will be found the sweetest song of all.
Just a song at twilight, when the lights are low,
And the flick'ring shadows softly come and go,
Tho' the heart be weary, sad the day and long,
Still to us at twilight comes Love's old song,
Comes Love's old sweet song.
poem by Clifton Bingham
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Madeline. A Domestic Tale
My child, my child, thou leav'st me!–I shall hear
The gentle voice no more that blest mine ear
With its first utterance; I shall miss the sound
Of thy light step amidst the flowers around,
And thy soft-breathing hymn at twilight's close,
And thy 'Good-night' at parting for repose.
Under the vine-leaves I shall sit alone,
And the low breeze will have a mournful tone
Amidst their tendrils, while I think of thee,
My child! and thou, along the moonlight sea,
With a soft sadness haply in thy glance,
Shalt watch thine own, thy pleasant land of France,
Fading to air.–Yet blessings with thee go!
Love guard thee, gentlest! and the exile's wo
From thy young heart be far! And sorrow not
For me, sweet daughter! in my lonely lot,
God shall be with me.–Now, farewell! farewell!
Thou that hast been what words may never tell
Unto thy mother's bosom, since the days
When thou wert pillow'd there, and wont to raise
In sudden laughter thence thy loving eye
That still sought mine:–these moments are gone by,
Thou too must go, my flower!–Yet with thee dwell
The peace of God!–One, one more gaze–farewell!'
This was a mother's parting with her child,
A young meek bride, on whom fair fortune smil'd,
And wooed her with a voice of love away
From childhood's home; yet there, with fond delay,
She linger'd on the threshold, heard the note
Of her cag'd bird thro' trellis'd rose-leaves float,
And fell upon her mother's neck, and wept,
Whilst old remembrances, that long had slept,
Gush'd o'er her soul, and many a vanish'd day,
As in one picture traced, before her lay.
But the farewell was said; and on the deep,
When its breast heav'd in sunset's golden sleep,
With a calm'd heart, young Madeline ere long,
Pour'd forth her own sweet solemn vesper-song,
Breathing of home: thro' stillness heard afar,
And duly rising with the first pale star,
That voice was on the waters; till at last
The sounding ocean-solitudes were pass'd,
And the bright land was reach'd, the youthful world
That glows along the West: the sails were furl'd
In its clear sunshine, and the gentle bride
Look'd on the home that promis'd hearts untried
A bower of bliss to come.–Alas! we trace
The map of our own paths, and long ere years
With their dull steps the brilliant lines efface,
On sweeps the storm, and blots them out with tears.
That home was darken'd soon: the summer breeze
Welcom'd with death the wanderers from the seas,
Death unto one, and anguish–how forlorn!
To her, that widow'd in her marriage-morn,
Sat in her voiceless dwelling, whence with him
Her bosom's first belov'd, her friend and guide,
Joy had gone forth, and left the green earth dim,
As from the sun shut out on every side,
By the close veil of misery!–Oh! but ill,
When with rich hopes o'erfraught, the young high heart
Bears its first blow!–it knows not yet the part
Which life will teach–to suffer and be still,
And with submissive love to count the flowers
Which yet are spared, and thro' the future hour;
To send no busy dream!–She had not learn'd
Of sorrow till that hour, and therefore turn'd
In weariness from life: then came th' unrest,
The heart-sick yearning of the exile's breast,
The haunting sounds of voices far away,
And household steps: until at last she lay
On her lone couch of sickness, lost in dreams
Of the gay vineyards and blue-rushing streams
In her own sunny land, and murmuring oft
Familiar names, in accents wild, yet soft,
To strangers round that bed, who knew not aught
Of the deep spells wherewith each word was fraught.
To strangers?–Oh! could strangers raise the head
Gently as hers was raised?–did strangers shed
The kindly tears which bath'd that feverish brow
And wasted cheek with half-unconscious flow?
Something was there, that thro' the lingering night
Outwatches patiently the taper's light,
Something that faints not thro' the day's distress,
That fears not toil, that knows not weariness;
Love, true, and perfect love!–Whence came that power,
Uprearing thro' the storm the drooping flower?
Whence?–who can ask?–the wild delirium pass'd,
And from her eyes the spirit look'd at last
Into her mother's face, and wakening knew
The brow's calm grace, the hair's dear silvery hue,
The kind sweet smile of old!–and had she come,
Thus in life's evening, from her distant home,
To save her child?–Ev'n so–nor yet in vain:
In that young heart a light sprung up again,
And lovely still, with so much love to give,
Seem'd this fair world, tho' faded; still to live
Was not to pine forsaken. On the breast
That rock'd her childhood, sinking in soft rest,
'Sweet mother! gentlest mother! can it be?'
The lorn one cried, 'and do I look on thee?
Take back thy wanderer from this fatal shore,
Peace shall be ours beneath our vines once more.'
poem by Felicia Dorothea Hemans
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Farewell To The Muse
Thou Power! who hast ruled me through Infancy's days,
Young offspring of Fancy, 'tis time we should part;
Then rise on the gale this the last of my lays,
The coldest effusion which springs from my heart.
This bosom, responsive to rapture no more,
Shall hush thy wild notes, nor implore thee to sing;
The feelings of childhood, which taught thee to soar,
Are wafted far distant on Apathy's wing.
Though simple the themes of my rude flowing Lyre,
Yet even these themes are departed for ever;
No more beam the eyes which my dream could inspire,
My visions are flown, to return, alas, never!
When drain'd is the nectar which gladdens the bowl,
How vain is the effort delight to prolong!
When cold is the beauty which dwelt in my soul,
What magic of Fancy can lengthen my song?
Can the lips sing of Love in the desert alone,
Of kisses and smiles which they now must resign?
Or dwell with delight on the hours that are flown?
Ah, no! for those hours can no longer be mine.
Can they speak of the friends that I lived but to love?
Ah, surely Affection ennobles the strain!
But how can my numbers in sympathy move,
When I scarcely can hope to behold them again?
Can I sing of the deeds which my Fathers have done,
And raise my loud harp to the fame of my Sires?
For glories like theirs, oh, how faint is my tone!
For Heroes' exploits how unequal my fires!
Untouch'd, then, my Lyre shall reply to the blast--
'Tis hush'd; and my feeble endeavors are o'er;
And those who have heard it will pardon the past,
When they know that its murmurs shall vibrate no more.
And soon shall its wild erring notes be forgot,
Since early affection and love is o'ercast:
Oh! blest had my Fate been, and happy my lot,
Had the first strain of love been the dearest, the last.
Farewell, my young Muse! since we now can ne'er meet;
If our songs have been languid, they surely are few:
Let us hope that the present at least will be sweet--
The present--which seals our eternal Adieu.
The Magic of the Breeze – 32 I used to travel by train
I used to travel by train
Previously too – The travel
At night, the distant lights
The stars in sky, hopeful dreams
The sound of thundering wheels
Singing a song to the rhythm
Of the beat of the heart of steel
The rush of the wind
Standing by the door
I used to think what means all this
The fury and sound, the very travel
The people I used to meet or travel with
No one has been able to erase the sadness
Or ease the pain I feel when traveling
I used to feel all alone by the door
And life speeding by towards the end.
I have enjoyed my travel too
In groups with friends now far apart
I remember days gone by never to come
But, however long the distance
I used to stand at least half the time.
With you I now sit and enjoy
It is no longer a pain
Before travel was business
Travel was necessary and unavoidable
It was an escape sometimes
Just the act of traveling – running away
But, I always had to come back
And face life alone, just alone.
Now, you have shown me
The other side of travel by train
The train is still the train
The people, crowd all are the same
But yet not the very same,
You and I, no one else I see
Time, with it all people, the crowd
Are frozen in time and none exists
Other than just the two of us
I myself am in a dream till the end
Drinking the air and feeling
The breeze and you fill each cell
I no longer think, I only wait
To feel the brush of your touch
And the kiss of the breeze!
poem by Angelina Pandian
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XI. Written at Ostend
HOW sweet the tuneful bells' responsive peal!
As when, at opening morn, the fragrant breeze
Breathes on the trembling sense of wan disease,
So piercing to my heart their force I feel!
And hark! with lessening cadence now they fall,
And now, along the white and level tide,
They fling their melancholy music wide,
Bidding me many a tender thought recall
Of summer-days, and those delightful years,
When by my native streams, in life's fair prime,
The mournful magic of their mingling chime
First wak'd my wond'ring childhood into tears!
But seeming now, when all those days are o'er,
The sounds of joy, once heard, and heard no more.
poem by William Lisle Bowles
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There is an hour, a pensive hour
THERE is an hour, a pensive hour;
(And oh! how dear its soothing pow'r!)
It is, when twilight spreads her veil,
And steals along the silent dale;
'Tis when the fading blossoms close,
When all is silence and repose;
Then memory wakes, and loves to mourn,
For days—that never shall return!
There is a strain, a plaintive strain,
The source of joy and yet of pain;
It is the song, whose dying measure,
Some friend belov'd has heard with pleasure;
Some friend—who ne'er again may hear,
The melting lay, to memory dear;
Ah! then, her magic spells restore,
Visions of blissful days no more!
There is a tear of sweet relief,
A tear—of rapture and of grief;
The feeling heart alone can know
What soft emotions bid it flow!
It is when memory charms the mind,
With tender images refin'd;
'Tis when her balmy spells restore,
Departed friends, and joys no more!
poem by Felicia Dorothea Hemans
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Sonnet: At Ostend, July 22nd 1787
How sweet the tuneful bells' responsive peal!
As when, at opening morn, the fragrant breeze
Breathes on the trembling sense of wan disease,
So piercing to my heart their force I feel!
And hark! with lessening cadence now they fall,
And now, along the white and level tide,
They fling their melancholy music wide,
Bidding me many a tender thought recall
Of summer-days, and those delightful years
When by my native streams, in life's fair prime,
The mournful magic of their mingling chime
First waked my wond'ring childhood into tears;—
But seeming now, when all those days are o'er,
The sounds of joy, once heard, and heard no more.
poem by William Lisle Bowles
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I Told You
I told you the winter would go, love,
I told you the winter would go,
That he'd flee in shame when the south wind came,
And you smiled when I told you so.
You said the blustering fellow
Would never yield to a breeze,
That his cold, icy breath had frozen to death
The flowers, the birds, and trees.
And I told you the snow would melt, love,
In the passionate glance o' the sun;
And the leaves o' the trees, and the flowers and bees,
Would come back again, one by one.
That the great, gray clouds would vanish,
And the sky turn tender and blue;
And the sweet birds would sing, and talk of the spring
And, love, it has all come true.
I told you that sorrow would fade, love,
And you would forget half your pain;
That the sweet bird of song would waken ere long,
And sing in your bosom again;
That hope would creep out of the shadows,
And back to its nest in your heart,
And gladness would come, and find its old home,
And that sorrow at length would depart.
I told you that grief seldom killed, love,
Though the heart might seem dead for awhile.
But the world is so bright, and full of warm light
That 'twould waken at length, in its smile.
Ah, love! was I not a true prophet?
There's a sweet happy smile on your face;
Your sadness has flown - the snow-drift is gone,
And the buttercups bloom in its place.
poem by Ella Wheeler Wilcox
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To The Nightingale
O nightingale, best poet of the grove,
That plaintive strain can ne'er belong to thee,
Blessed in the full possession of thy love:
O lend that strain, sweet Nighingale, to me!
'Tis mine, alas! to mourn a wretched fate:
I love a maid who all my bosom charms,
Yet lose my days without this lovely mate;
Inhuman fortune keeps her from my arms.
You happy birds! by nature's simple laws
Lead your soft lives, sustained by nature's fare;
You dwell wherever roving fancy draws,
And love and song is all your pleasing care:
But we, vain slaves of interest and of pride,
Dare not be blessed, lest envious tongues should blame;
And hence, in vain I languish for my bride!
O mourn with me, sweet bird, my hapless flame.
poem by James Thomson
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The Ideals
And wilt thou, faithless one, then, leave me,
With all thy magic phantasy,--
With all the thoughts that joy or grieve me,
Wilt thou with all forever fly?
Can naught delay thine onward motion,
Thou golden time of life's young dream?
In vain! eternity's wide ocean
Ceaselessly drowns thy rolling stream.
The glorious suns my youth enchanting
Have set in never-ending night;
Those blest ideals now are wanting
That swelled my heart with mad delight.
The offspring of my dream hath perished,
My faith in being passed away;
The godlike hopes that once I cherish
Are now reality's sad prey.
As once Pygmalion, fondly yearning,
Embraced the statue formed by him,
Till the cold marble's cheeks were burning,
And life diffused through every limb,
So I, with youthful passion fired,
My longing arms round Nature threw,
Till, clinging to my breast inspired,
She 'gan to breathe, to kindle too.
And all my fiery ardor proving,
Though mute, her tale she soon could tell,
Returned each kiss I gave her loving,
The throbbings of my heart read well.
Then living seemed each tree, each flower,
Then sweetly sang the waterfall,
And e'en the soulless in that hour
Shared in the heavenly bliss of all.
For then a circling world was bursting
My bosom's narrow prison-cell,
To enter into being thirsting,
In deed, word, shape, and sound as well.
This world, how wondrous great I deemed it,
Ere yet its blossoms could unfold!
When open, oh, how little seemed it!
That little, oh, how mean and cold!
How happy, winged by courage daring,
The youth life's mazy path first pressed--
No care his manly strength impairing,
And in his dream's sweet vision blest!
The dimmest star in air's dominion
Seemed not too distant for his flight;
His young and ever-eager pinion
Soared far beyond all mortal sight.
Thus joyously toward heaven ascending,
Was aught for his bright hopes too far?
The airy guides his steps attending,
How danced they round life's radiant car!
Soft love was there, her guerdon bearing,
And fortune, with her crown of gold,
And fame, her starry chaplet wearing,
And truth, in majesty untold.
But while the goal was yet before them,
The faithless guides began to stray;
Impatience of their task came o'er them,
Then one by one they dropped away.
Light-footed Fortune first retreating,
Then Wisdom's thirst remained unstilled,
While heavy storms of doubt were beating
Upon the path truth's radiance filled.
I saw Fame's sacred wreath adorning
The brows of an unworthy crew;
And, ah! how soon Love's happy morning,
When spring had vanished, vanished too!
More silent yet, and yet more weary,
Became the desert path I trod;
And even hope a glimmer dreary
Scarce cast upon the gloomy road.
Of all that train, so bright with gladness,
Oh, who is faithful to the end?
Who now will seek to cheer my sadness,
And to the grave my steps attend?
Thou, Friendship, of all guides the fairest,
Who gently healest every wound;
Who all life's heavy burdens sharest,
Thou, whom I early sought and found!
Employment too, thy loving neighbor,
Who quells the bosom's rising storms;
Who ne'er grows weary of her labor,
And ne'er destroys, though slow she forms;
Who, though but grains of sand she places
To swell eternity sublime,
Yet minutes, days, ay! years effaces
From the dread reckoning kept by Time!
poem by Friedrich Schiller
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The Forsaken
I.
IT is the music of her native land,--
The airs she used to love in happier days;
The lute is struck by some young gentle hand,
To soothe her spirit with remember'd lays.
II.
But her sad heart is wandering from the notes,
Her ear is fill'd with an imagined strain;
Vainly the soften'd music round her floats,
The echo it awakes is all of pain!
III.
The echo it awakes, is of a voice
Which never more her weary heart shall cheer;
Fain would she banish it, but hath no choice,
Its vanish'd sound still haunts her shrinking ear,--
IV.
Still haunts her with its tones of joy and love,
Its memories of bitterness and wrong,
Bidding her thoughts thro' various changes rove,--
Welcomes, farewells, and snatches of wild song.
V.
Why bring her music? She had half forgot
How left, how lonely, how oppress'd she was;
Why, by these strains, recal her former lot,
The depth of all her suffering, and its cause?
VI.
Know ye not what a spell there is in sound?
Know ye not that the melody of words
Is nothing to the power that wanders round,
Giving vague language to harmonious chords?
VII.
Oh I keep ye silence! He hath sung to her,
And from that hour--(faint twilight, sweet and dim,
When the low breeze scarce made the branches stirs)--
Music hath been a memory of HIM!
VIII.
Chords which the wandering fingers scarcely touch
When they would seek for some forgotten song,--
Stray notes which have no certain meaning, such
As careless hands unthinkingly prolong,--
IX.
Come unto HER, fraught with a vivid dream
Of love, in all its wild and passionate strength,--
Of sunsets, glittering on the purple stream,--
Of shadows, deepening into twilight length,--
X.
Of gentle sounds, when the warm world lay hush'd
Beneath the soft breath of the evening air,--
Of hopes and fears, and expectations crush'd,
By one long certainty of blank despair!
XI.
Bear to the sick man's couch the fiery cup,
Pledged by wild feasters in their riotous hours,
And bid his parch'd lips drink the poison up,
As tho' its foam held cool refreshing powers,--
XII.
Lift some poor wounded wretch, whose writhing pain
Finds soothing only in an utter rest,
Forth in some rude-made litter, to regain
Strength for his limbs and vigour for his breast;--
XIII.
But soothe ye not that proud forsaken heart
With strains whose sweetness maddens as they fall;
Untroubled let her feverish soul depart--
Not long shall memory's power its might enthral;
XIV.
Not long,--tho' balmy be the summer's breath!
In the deep stillness of its golden light,
A shadowy spirit sits, whose name is DEATH,
And turns, what was all beauty, into blight;
XV.
And she, before whose sad and dreaming eye
Visions of by-gone days are sweeping on,
In her unfaded youth shall drooping die,
Shut from the glow of that Italian sun:
XVI.
Then let the organ's solemn notes prolong
Their glory round the silence of her grave,
Then let the choral voices swell in song
And echo thro' the chancel and the nave;
XVII.
For then her heart shall ache not at the sound,
Then the faint fever of her life shall cease
Silence, unbroken, calm, shall reign around,
And the long restless shall be laid at peace.
poem by Caroline Elizabeth Sarah Norton
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The Teacher's Monologue
The room is quiet, thoughts alone
People its mute tranquillity;
The yoke put on, the long task done,
I am, as it is bliss to be,
Still and untroubled. Now, I see,
For the first time, how soft the day
O'er waveless water, stirless tree,
Silent and sunny, wings its way.
Now, as I watch that distant hill,
So faint, so blue, so far removed,
Sweet dreams of home my heart may fill,
That home where I am known and loved:
It lies beyond; yon azure brow
Parts me from all Earth holds for me;
And, morn and eve, my yearnings flow
Thitherward tending, changelessly.
My happiest hours, aye ! all the time,
I love to keep in memory,
Lapsed among moors, ere life's first prime
Decayed to dark anxiety.
Sometimes, I think a narrow heart
Makes me thus mourn those far away,
And keeps my love so far apart
From friends and friendships of to-day;
Sometimes, I think 'tis but a dream
I measure up so jealously,
All the sweet thoughts I live on seem
To vanish into vacancy:
And then, this strange, coarse world around
Seems all that's palpable and true;
And every sight, and every sound,
Combines my spirit to subdue
To aching grief, so void and lone
Is Life and Earthso worse than vain,
The hopes that, in my own heart sown,
And cherished by such sun and rain
As Joy and transient Sorrow shed,
Have ripened to a harvest there:
Alas ! methinks I hear it said,
'Thy golden sheaves are empty air.'
All fades away; my very home
I think will soon be desolate;
I hear, at times, a warning come
Of bitter partings at its gate;
And, if I should return and see
The hearth-fire quenched, the vacant chair;
And hear it whispered mournfully,
That farewells have been spoken there,
What shall I do, and whither turn?
Where look for peace? When cease to mourn?
'Tis not the air I wished to play,
The strain I wished to sing;
My wilful spirit slipped away
And struck another string.
I neither wanted smile nor tear,
Bright joy nor bitter woe,
But just a song that sweet and clear,
Though haply sad, might flow.
A quiet song, to solace me
When sleep refused to come;
A strain to chase despondency,
When sorrowful for home.
In vain I try; I cannot sing;
All feels so cold and dead;
No wild distress, no gushing spring
Of tears in anguish shed;
But all the impatient gloom of one
Who waits a distant day,
When, some great task of suffering done,
Repose shall toil repay.
For youth departs, and pleasure flies,
And life consumes away,
And youth's rejoicing ardour dies
Beneath this drear delay;
And Patience, weary with her yoke,
Is yielding to despair,
And Health's elastic spring is broke
Beneath the strain of care.
Life will be gone ere I have lived;
Where now is Life's first prime?
I've worked and studied, longed and grieved,
Through all that rosy time.
To toil, to think, to long, to grieve,
Is such my future fate?
The morn was dreary, must the eve
Be also desolate?
Well, such a life at least makes Death
A welcome, wished-for friend;
Then, aid me, Reason, Patience, Faith,
To suffer to the end!
poem by Charlotte Brontë from Poems by Currer, Ellis, and Acton Bell (1846)
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Rinaldo
CHORUS.
To the strand! quick, mount the bark!
If no favouring zephyrs blow,
Ply the oar and nimbly row,
And with zeal your prowess mark!
O'er the sea we thus career.
RINALDO.
Oh, let me linger one short moment here!
'Tis heaven's decree, I may not hence away.
The rugged cliffs, the wood-encircled bay,
Hold me a prisoner, and my flight delay.
Ye were so fair, but now that dream is o'er;
The charms of earth, the charms of heaven are nought.
What keeps me in this spot so terror-fraught?
My only joy is fled for evermore.
Let me taste those days so sweet,
Heav'n-descended, once again!
Heart, dear heart! ay, warmly beat!
Spirit true, recall those days
Freeborn breath thy gentle lays
Mingled are with joy and pain.
Round the beds, so richly gleaming,
Rises up a palace fair;
All with rosy fragrance teeming,
As in dream thou saw'st it ne'er.
And this spacious garden round,
Far extend the galleries;
Roses blossom near the ground,
High in air, too, bloom the trees.
Wat'ry flakes and jets are falling.
Sweet and silv'ry strains arise;
While the turtle-dove is calling,
And the nightingale replies.
CHORUS.
Gently come! feel no alarm,
On a noble duty bent;
Vanish'd now is ev'ry charm
That by magic power was lent.
Friendly words and greetings calm
On his wounds will pour soft balm.
Fill his mind with sweet content.
RINALDO.
Hark! the turtle-dove is calling,
And the nightingale replies;
Wat'ry flakes and jets are falling,
Mingling with their melodies.
But all of them say:
Her only we mean;
But all fly away,
As soon as she's seen,--
The beauteous young maiden,
With graces so rife,
Then lily and rose
In wreaths are entwining;
In dancing combining,
Each zephyr that blows
Its brother is greeting,
All flying and meeting,
With balsam full laden,
When waken'd to life.
CHORUS.
No! no longer may we wait;
Rouse him from his vision straight!
Show the adamantine shield!
RINALDO.
Woe! what form is here reveal'd!
CHORUS.
'Twill disclose the cheat to thee.
RINALDO.
Am I doom'd myself to see
Thus degraded evermore?
CHORUS.
Courage take, and all is o'er.
RINALDO.
Be it so! I'll take fresh heart,
From the spot beloved depart,
Leave Armida once again,--
Come then! here no more remain.
CHORUS.
Yes, 'tis well! no more remain.
SEMI-CHORUS.
Away then! let's fly
O'er the zephyr-kiss'd ocean!
The soul-lighted eye
Sees armies in motion,
See proud banners wave
O'er the dust-sprinkled course.
CHORUS.
From his forefathers brave
Draws the hero new force.
RINALDO.
With sorrow laden,
Within this valley's
All-silent alleys
The fairest maiden
Again I see.
Twice can this be?
What! shall I hear it,
And not have spirit
To ease her pains?
CHORUS.
Unworthy chains?
RINALDO.
And now I've see her,
Alas! how changed!
With cold demeanour.
And looks estranged,
With ghostly tread,--
All hope is fled,
Yes, fled for ever.
The lightnings quiver,
Each palace falls;
The godlike halls,
Each joyous hour
Of spirit-power,
With love's sweet day
All fade away!
CHORUS.
Yes, fade away!
SEMI-CHORUS.
Already are heard
The prayers of the pious.
Why longer deny us?
The favouring zephyr
Forbids all delay.
CHORUS.
Away, then! away!
RINALDO.
With heart sadly stirr'd,
Your command I receive;
Ye force me to leave.
Unkind is the zephyr,--
Oh, wherefore not stay?
CHORUS.
Away, then! away!
poem by Johann Wolfgang von Goethe
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Away, Away, Ye Notes Of Woe!
Away, away, ye notes of woe!
Be silent, thou once soothing strain,
Or I must flee from hence--for, oh!
I dare not trust those sounds again.
To me they speak of brighter days
But lull the chords, for now, alas!
I must not think, I may not gaze,
On what I am--on what I was.
The voice that made those sounds more sweet
Is hush'd, and all their charms are fled
And now their softest notes repeat
A dirge, an anthem o'er the dead!
Yes, Thyrza! yes, they breathe of thee,
Beloved dust! since dust thou art;
And all that once was harmony
Is worse than discord to my heart!
'Tis silent all!--but on my ear
The well remember'd echoes thrill;
I hear a voice I would not hear,
A voice that now might well be still:
Yet oft my doubting soul 'twill shake;
Even slumber owns its gentle tone,
Till consciousness will vainly wake
To listen, though the dream be flown.
Sweet Thyrza! waking as in sleep,
Thou art but now a lovely dream;
A star that trembled o'er the deep,
Then turn'd from earth its tender beam.
But he who through life's dreary way
Must pass, when heaven is veil'd in wrath,
Will long lament the vanish'd ray
That scatter'd gladness o'er his path.
December 6, 1811.
To A Departed Spirit
From the bright stars, or from the viewless air,
Or from some world unreached by human thought,
Spirit, sweet spirit! if thy home be there,
And if thy visions with the past be fraught,
Answer me, answer me!
Have we not communed here of life and death?
Have we not said that love, such love as ours,
Was not to perish as a rose's breath,
To melt away, like song from festal bowers?
Answer me, answer me!
Thine eye's last light was mine - the soul thtat shone
Intensely, mournfully, through gathering haze -
Didst thou bear with thee to the shore unknown,
Nought of what lived in that long, earnest gaze!
Hear, hear, and answer me!
Thy voice - its low, soft, fervent, farewell tone
Thrilled through the tempest of the parting strife,
Like a faint breeze: - oh, from that music flown,
Send back
one
sound, if love's be quenchless life,
But once, oh! answer me!
In the still noontide, in the sunset's hush,
In the dead hour of night, when thought grows deep,
When the heart's phantoms from the darkness rush,
Fearfully beautiful, to strive with sleep -
Spirit! then answer me!
By the remembrance of our blended prayer;
By all our tears, whose mingling made them sweet
By our last hope, the victor o'er despair; -
Speak! if our souls in deathless yearnings meet;
Answer me, answer me!
The grave is silent: - and the far-off sky,
And the deep midnight - silent all, and lone!
Oh! if thy buried love make no reply,
What voice has earth! - Hear, pity, speak, mine own!
Answer me, answer me!
poem by Felicia Dorothea Hemans
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To Those I Love
Oh, turn ye not displeased away, though I should sometimes seem
Too much to press upon your ear, an oft-repeated theme;
The story of the negro's wrongs is heavy at my heart,
And can I choose but wish from you a sympathizing part?
I turn to you to share my joy,—to soothe me in my grief—
In wayward sadness from your smiles, I seek a sweet relief:
And shall I keep this burning wish to see the slave set free,
Lock'd darkly in my secret heart, unshared and silently?
I cannot know that all the chords, which give their magic tone
Like Memnon's harp, in music out, ‘neath sunshine smiles alone,
Are torn by savage hands away from woman's bleeding breast,
And with their sweetness on my soul, my feelings keep repress'd!
If I had been a friendless thing—if I had never known,
How swell the fountains of the heart beneath affection's tone,
I might have, careless, seen the leaf torn rudely from its stem,
But clinging as I do to you, can I but feel for them?
I could not brook to list the sad sweet music of a bird,
Though it were sweeter melody than ever ear hath heard,
If cruel hands had quench'd its light, that in the plaintive song,
It might the breathing memory of other days prolong.
And can I give my lip to taste the life-bought luxuries, wrung
From those on whom a darker night of anguish has been flung—
Or silently and selfishly enjoy my better lot,
While those whom God hath bade me love, are wretched and forgot?
Oh no!—so blame me not, sweet friends, though I should sometimes seem
Too much to press upon your ear an oft-repeated theme;
The story of the negro's wrongs hath won me from my rest,—
And I must strive to wake for him an interest in your breast!
poem by Elizabeth Margaret Chandler from Poetical Works
Submitted by Veronica Serbanoiu
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Soulful Beats
Can I write a song with words that bring the beat to life with rhythm that feels alive deep into the core of your soul? The meaning hidden and buried for another intellect to feel the magic with the cords of there heart like my lover that smiles at me as the rain dances around her, above her, with her. She is my reason for this verse, this chorus, this repeat of a string of melodies that always see the light in her. She does not belong here in this place of confusion and misdirection of the minds.
She belongs in the arms of nature, smiling at the sky and watching all the beautiful universe pass her by. She is not a copy of perfection, yet she is not perfect, but seems to belong to an imperfect person. I cannot write a song without her eyes of knowledge that has read me through the years to make me a book of holiness to her. The music is between us and plays as we play. It is our love song, wedding song, anniversary song, birth song, happy ever after song and a funeral song. She hums the tune when she loves me and it our song that sings together that we are happy.
poem by Melvyn Mohan
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Beloved Name
The lily's perfume pure, fame's crown of light,
The latest murmur of departing day,
Fond friendship's plaint, that melts at piteous sight,
The mystic farewell of each hour at flight,
The kiss which beauty grants with coy delay,--
The sevenfold scarf that parting storms bestow
As trophy to the proud, triumphant sun;
The thrilling accent of a voice we know,
The love-enthralled maiden's secret vow,
An infant's dream, ere life's first sands be run,--
The chant of distant choirs, the morning's sigh,
Which erst inspired the fabled Memnon's frame,--
The melodies that, hummed, so trembling die,--
The sweetest gems that 'mid thought's treasures lie,
Have naught of sweetness that can match HER NAME!
Low be its utterance, like a prayer divine,
Yet in each warbled song be heard the sound;
Be it the light in darksome fanes to shine,
The sacred word which at some hidden shrine,
The selfsame voice forever makes resound!
O friends! ere yet, in living strains of flame,
My muse, bewildered in her circlings wide,
With names the vaunting lips of pride proclaim,
Shall dare to blend the _one_, the purer name,
Which love a treasure in my breast doth hide,--
Must the wild lay my faithful harp can sing,
Be like the hymns which mortals, kneeling, hear;
To solemn harmonies attuned the string,
As, music show'ring from his viewless wing,
On heavenly airs some angel hovered near.
poem by Victor Hugo
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Properzia Rossi
Tell me no more, no more
Of my soul's lofty gifts! Are they not vain
To quench its haunting thirst for happiness?
Have I not lov'd, and striven, and fail'd to bind
One true heart unto me, whereon my own
Might find a resting-place, a home for all
Its burden of affections? I depart,
Unknown, tho' Fame goes with me; I must leave
The earth unknown. Yet it may be that death
Shall give my name a power to win such tears
As would have made life precious.
I.
ONE dream of passion and of beauty more!
And in its bright fulfillment let me pour
My soul away! Let earth retain a trace
Of that which lit my being, tho' its race
Might have been loftier far. Yet one more dream!
From my deep spirit one victorious gleam
Ere I depart! For thee alone, for thee!
May this last work, this farewell triumph be,
Thou, lov'd so vainly! I would leave enshrined
Something immortal of my heart and mind,
That yet may speak to thee when I am gone,
Shaking thine inmost bosom with a tone
Of lost affection; something that may prove
What she hath been, whose melancholy love
On thee was lavish'd; silent pang and tear,
And fervent song, that gush'd when none were near,
And dream by night, and weary thought by day,
Stealing the brightness from her life away,
While thou, Awake! not yet within me die,
Under the burden and the agony
Of this vain tenderness my spirit, wake!
Ev'n for thy sorrowful affection's sake,
Live! in thy work breathe out! that he may yet
Feeling sad mastery there, perchance regret
Thine unrequited gift.
II.
It comes, the power
Within me born, flows back; my fruitless dower
That could not win me love. Yet once again
I greet it proudly, with its rushing train
Of glorious images: they throng they press
A sudden joy lights up my loneliness,
I shall not perish all!
The bright work grows
Beneath my hand, unfolding, as a rose,
Leaf after leaf, to beauty; line by line,
I fix my thought, heart, soul, to burn, to shine,
Thro' the pale marble's veins. It grows and now
I give my own life's history to thy brow,
Forsaken Ariadne! thou shalt wear
My form, my lineaments; but oh! more fair,
Touched into lovelier being by the glow
Which in me dwells, as by the summer-light
All things are glorified. From thee my wo
Shall yet look beautiful to meet his sight,
When I am pass'd away. Thou art the mould,
Wherein I pour the fervent thoughts, th' untold,
The self-consuming! Speak to him of me,
Thou, the deserted by the lonely sea,
With the soft sadness of thine earnest eye,
Speak to him, lorn one, deeply, mournfully,
Of all my love and grief! Oh! could I throw
Into thy frame a voice, a sweet, and low,
And thrilling voice of song! when he came nigh,
To send the passion of its melody
Thro' his pierced bosom on its tones to bear
My life's deep feeling as the southern air
Wafts the faint myrtle's breath, to rise, to swell,
To sink away in accents of farewell,
Winning but one, one gush of tears, whose flow
Surely my parted spirit yet might know,
If love be strong as death!
III.
Now fair thou art,
Thou form, whose life is of my burning heart!
Yet all the vision that within me wrought,
I cannot make thee! Oh! I might have given
Birth to creations of far nobler thought,
I might have kindled, with the fire of heaven,
Things not of such as die! But I have been
Too much alone; a heart, whereon to lean,
With all these deep affections that o'erflow
My aching soul, and find no shore below,
An eye to be my star; a voice to bring
Hope o'er my path like sounds that breathe of spring,
These are denied me dreamt of still in vain,
Therefore my brief aspirings from the chain,
Are ever but as some wild fitful song,
Rising triumphantly, to die ere long
In dirge-like echoes.
IV.
Yet the world will see
Little of this, my parting work, in thee,
Thou shalt have fame! Oh, mockery! give the reed
From storms a shelter, give the drooping vine
Something round which its tendrils may entwine,
Give the parch'd flower a rain-drop, and the meed
Of love's kind words to woman! Worthless fame!
That in his bosom wins not for my name
Th' abiding place it ask'd! Yet how my heart,
In its own fairy world of song and art,
Once beat for praise! Are those high longings o'er?
That which I have been can I be no more?
Never, oh! never more; tho' still thy sky
Be blue as then, my glorious Italy!
And tho' the music, whose rich breathings fill
Thine air with soul, be wandering past me still,
And tho' the mantle of thy sunlight streams
Unchang'd on forms instinct with poet-dreams;
Never, oh! never more! Where'er I move,
The shadow of this broken-hearted love
Is on me and around! Too well they know,
Whose life is all within, too soon and well,
When there the blight hath settled; but I go
Under the silent wings of Peace to dwell;
From the slow wasting, from the lonely pain,
The inward burning of those words 'in vain',
Sear'd on the heart I go. 'Twill soon be past,
Sunshine, and song, and bright Italian heaven,
And thou, oh! thou, on whom my spirit cast
Unvalued wealth, who know'st not what was given
In that devotedness, the sad, and deep,
And unrepaid farewell! If I could weep
Once, only once, belov'd one! on thy breast,
Pouring my heart forth ere I sink to rest!
But that were happiness, and unto me
Earth's gift is fame. Yet I was form'd to be
So richly bless'd! With thee to watch the sky,
Speaking not, feeling but that thou wert nigh:
With thee to listen, while the tones of song
Swept ev'n as part of our sweet air along,
To listen silently; with thee to gaze
On forms, the deified of olden days,
This had been joy enough; and hour by hour,
From its glad well-springs drinking life and power,
How had my spirit soar'd, and made its fame
A glory for thy brow! Dreams, dreams! the fire
Burns faint within me. Yet I leave my name?
As a deep thrill may linger on the lyre
When its full chords are hush'd?awhile to live,
And one day haply in thy heart revive
Sad thoughts of me: I leave it, with a sound,
A spell o'er memory, mournfully profound;
I leave it, on my country's air to dwell,
Say proudly yet?'
'Twas hers who lov'd me well!
'
poem by Felicia Dorothea Hemans
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The Buried Life
Light flows our war of mocking words, and yet,
Behold, with tears mine eyes are wet!
I feel a nameless sadness o'er me roll.
Yes, yes, we know that we can jest,
We know, we know that we can smile!
But there's a something in this breast,
To which thy light words bring no rest,
And thy gay smiles no anodyne.
Give me thy hand, and hush awhile,
And turn those limpid eyes on mine,
And let me read there, love! thy inmost soul.
Alas! is even love too weak
To unlock the heart, and let it speak?
Are even lovers powerless to reveal
To one another what indeed they feel?
I knew the mass of men conceal'd
Their thoughts, for fear that if reveal'd
They would by other men be met
With blank indifference, or with blame reproved;
I knew they lived and moved
Trick'd in disguises, alien to the rest
Of men, and alien to themselves--and yet
The same heart beats in every human breast!
But we, my love!--doth a like spell benumb
Our hearts, our voices?--must we too be dumb?
Ah! well for us, if even we,
Even for a moment, can get free
Our heart, and have our lips unchain'd;
For that which seals them hath been deep-ordain'd!
Fate, which foresaw
How frivolous a baby man would be--
By what distractions he would be possess'd,
How he would pour himself in every strife,
And well-nigh change his own identity--
That it might keep from his capricious play
His genuine self, and force him to obey
Even in his own despite his being's law,
Bade through the deep recesses of our breast
The unregarded river of our life
Pursue with indiscernible flow its way;
And that we should not see
The buried stream, and seem to be
Eddying at large in blind uncertainty,
Though driving on with it eternally.
But often, in the world's most crowded streets,
But often, in the din of strife,
There rises an unspeakable desire
After the knowledge of our buried life;
A thirst to spend our fire and restless force
In tracking out our true, original course;
A longing to inquire
Into the mystery of this heart which beats
So wild, so deep in us--to know
Whence our lives come and where they go.
And many a man in his own breast then delves,
But deep enough, alas! none ever mines.
And we have been on many thousand lines,
And we have shown, on each, spirit and power;
But hardly have we, for one little hour,
Been on our own line, have we been ourselves--
Hardly had skill to utter one of all
The nameless feelings that course through our breast,
But they course on for ever unexpress'd.
And long we try in vain to speak and act
Our hidden self, and what we say and do
Is eloquent, is well--but 'tis not true!
And then we will no more be rack'd
With inward striving, and demand
Of all the thousand nothings of the hour
Their stupefying power;
Ah yes, and they benumb us at our call!
Yet still, from time to time, vague and forlorn,
From the soul's subterranean depth upborne
As from an infinitely distant land,
Come airs, and floating echoes, and convey
A melancholy into all our day.
Only--but this is rare--
When a beloved hand is laid in ours,
When, jaded with the rush and glare
Of the interminable hours,
Our eyes can in another's eyes read clear,
When our world-deafen'd ear
Is by the tones of a loved voice caress'd--
A bolt is shot back somewhere in our breast,
And a lost pulse of feeling stirs again.
The eye sinks inward, and the heart lies plain,
And what we mean, we say, and what we would, we know.
A man becomes aware of his life's flow,
And hears its winding murmur; and he sees
The meadows where it glides, the sun, the breeze.
And there arrives a lull in the hot race
Wherein he doth for ever chase
That flying and elusive shadow, rest.
An air of coolness plays upon his face,
And an unwonted calm pervades his breast.
And then he thinks he knows
The hills where his life rose,
And the sea where it goes.
poem by Matthew Arnold (1852)
Submitted by Veronica Serbanoiu
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