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OVER the meadows, and down the stream,

And through the garden-walks straying,
He plucks the flowers that fairest seem;

His throbbing heart brooks no delaying.
His maiden then comes--oh, what ecstasy!
Thy flowers thou giv'st for one glance of her eye!

The gard'ner next door o'er the hedge sees the youth:
"I'm not such a fool as that, in good truth;
My pleasure is ever to cherish each flower,
And see that no birds my fruit e'er devour.
But when 'tis ripe, your money, good neighbour!
'Twas not for nothing I took all this labour!"
And such, methinks, are the author-tribe.

The one his pleasures around him strews,

That his friends, the public, may reap, if they choose;
The other would fain make them all subscribe.

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Khalil Gibran

Pleasure XXIV

Then a hermit, who visited the city once a year, came forth and said, "Speak to us of Pleasure."

And he answered, saying:

Pleasure is a freedom song,

But it is not freedom.

It is the blossoming of your desires,

But it is not their fruit.

It is a depth calling unto a height,

But it is not the deep nor the high.

It is the caged taking wing,

But it is not space encompassed.

Ay, in very truth, pleasure is a freedom-song.

And I fain would have you sing it with fullness of heart; yet I would not have you lose your hearts in the singing.

Some of your youth seek pleasure as if it were all, and they are judged and rebuked.

I would not judge nor rebuke them. I would have them seek.

For they shall find pleasure, but not her alone:

Seven are her sisters, and the least of them is more beautiful than pleasure.

Have you not heard of the man who was digging in the earth for roots and found a treasure?

And some of your elders remember pleasures with regret like wrongs committed in drunkenness.

But regret is the beclouding of the mind and not its chastisement.

They should remember their pleasures with gratitude, as they would the harvest of a summer.

Yet if it comforts them to regret, let them be comforted.

And there are among you those who are neither young to seek nor old to remember;

And in their fear of seeking and remembering they shun all pleasures, lest they neglect the spirit or offend against it.

But even in their foregoing is their pleasure.

And thus they too find a treasure though they dig for roots with quivering hands.

But tell me, who is he that can offend the spirit?

Shall the nightingale offend the stillness of the night, or the firefly the stars?

And shall your flame or your smoke burden the wind?

Think you the spirit is a still pool which you can trouble with a staff?

Oftentimes in denying yourself pleasure you do but store the desire in the recesses of your being.

Who knows but that which seems omitted today, waits for tomorrow?

Even your body knows its heritage and its rightful need and will not be deceived.

And your body is the harp of your soul,

And it is yours to bring forth sweet music from it or confused sounds.

And now you ask in your heart, "How shall we distinguish that which is good in pleasure from that which is not good?"

Go to your fields and your gardens, and you shall learn that it is the pleasure of the bee to gather honey of the flower,

But it is also the pleasure of the flower to yield its honey to the bee.

For to the bee a flower is a fountain of life,

And to the flower a bee is a messenger of love,

And to both, bee and flower, the giving and the receiving of pleasure is a need and an ecstasy.

People of Orphalese, be in your pleasures like the flowers and the bees.

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Thomas Hardy

The Temporary The All

CHANGE and chancefulness in my flowering youthtime,
Set me sun by sun near to one unchosen;
Wrought us fellowly, and despite divergence,
Friends interblent us.

"Cherish him can I while the true one forthcome--
Come the rich fulfiller of my prevision;
Life is roomy yet, and the odds unbounded."
So self-communed I.

Thwart my wistful way did a damsel saunter,
Fair not fairest, good not best of her feather;
"Maiden meet," held I, "till arise my forefelt
Wonder of women."

Long a visioned hermitage deep desiring,
Tenements uncouth I was fain to house in;
"Let such lodging be for a breath-while," thought I,
"Soon a more seemly.

"Then, high handiwork will I make my life-deed,
Truth and Light outshow; but the ripe time pending,
Intermissive aim at the thing sufficeth."
Thus I ... But lo, me!

Mistress, friend, place, aims to be bettered straightway,
Bettered not has Fate or my hand's achieving;
Sole the showance those of my onward earth-track--
Never transcended!

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Henry Van Dyke

Two Schools

I put my heart to school
In the world, where men grow wise,
"Go out," I said, "and learn the rule;
Come back when you win a prize."

My heart came back again:
"Now where is the prize?" I cried. ----
"The rule was false, and the prize was pain,
And the teacher's name was Pride."

I put my heart to school
In the woods, where veeries sing,
And brooks run cool and clear;
In the fields, where wild flowers spring,
And the blue of heaven bends near.
"Go out," I said: "you are half a fool,
But perhaps they can teach you here."

"And why do you stay so long,
My heart, and where do you roam?"
The answer came with a laugh and a song, ---
"I find this school is home."

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Archimedes

To Archimedes once a scholar came,
"Teach me," he said, "the art that won thy fame;--
The godlike art which gives such boons to toil,
And showers such fruit upon thy native soil;--
The godlike art that girt the town when all
Rome's vengeance burst in thunder on the wall!"
"Thou call'st art godlike--it is so, in truth,
And was," replied the master to the youth,
"Ere yet its secrets were applied to use--
Ere yet it served beleaguered Syracuse:--
Ask'st thou from art, but what the art is worth?
The fruit?--for fruit go cultivate the earth.--
He who the goddess would aspire unto,
Must not the goddess as the woman woo!"

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Edgar Lee Masters

Seth Compton

When I died, the circulating library
Which I built up for Spoon River,
And managed for the good of inquiring minds,
Was sold at auction on the public square,
As if to destroy the last vestige
Of my memory and influence.
For those of you who could not see the virtue
Of knowing Volney's "Ruins" as well as Butler's "Analogy"
And "Faust" as well as "Evangeline,"
Were really the power in the village,
And often you asked me,
"What is the use of knowing the evil in the world?"
I am out of your way now, Spoon River,
Choose your own good and call it good.
For I could never make you see
That no one knows what is good
Who knows not what is evil;
And no one knows what is true
Who knows not what is false.

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Ralph Waldo Emerson

To Ellen, At The South

The green grass is growing,
The morning wind is in it,
'Tis a tune worth the knowing,
Though it change every minute.

'Tis a tune of the spring,
Every year plays it over,
To the robin on the wing,
To the pausing lover.

O'er ten thousand thousand acres
Goes light the nimble zephyr,
The flowers, tiny feet of shakers,
Worship him ever.

Hark to the winning sound!
They summon thee, dearest,
Saying; "We have drest for thee the ground,
Nor yet thou appearest.

"O hasten, 'tis our time,
Ere yet the red summer
Scorch our delicate prime,
Loved of bee, the tawny hummer.

"O pride of thy race!
Sad in sooth it were to ours,
If our brief tribe miss thy face,—
We pour New England flowers.

"Fairest! choose the fairest members
Of our lithe society;
June's glories and September's
Show our love and piety.

"Thou shalt command us all,
April's cowslip, summer's clover
To the gentian in the fall,
Blue-eyed pet of blue-eyed lover.

"O come, then, quickly come,
We are budding, we are blowing,
And the wind which we perfume
Sings a tune that's worth thy knowing."

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Bjørnstjerne Bjørnson

Venevil

Fair Venevil hastened with tripping feet
Her lover to meet.
He sang, so it rang o'er the church far away:
"Good-day! Good-day!"

And all the little birds sang right merrily their lay:
"Midsummer Day
Brings us laughter and play;
But later know I little, if she twines her wreath so gay!"

She twined him a wreath of the flowers blue:
"My eyes for you!"
He tossed it and caught it and to her did bend:
"Good-by, my friend!"
And loudly he exulted at the field's far distant end:
"Midsummer Day
Brings us laughter and play;
But later know I little, if she twines her wreath so gay!"

She twined him a wreath: "Do at all you care
For my golden hair?"
She twined one, and gave in life's hour so rare
Her red lips' pair;
He took them and he pressed them, and he blushed as she did there.

She twined one all white as a lily-band:
"'T is my right hand."
She twined one blood-red, with her love in each strand:
"'T is my left hand."
He took them both and kept them both, but would not understand.

She twined of the flowers that bloomed around
"Every one I found!"
She gathered and twined, while tears would her eyes fill:
"Take them you will!"
In silence then he took them, but to flight he turned him still.

She twined one so large, of discordant hue:
"My bride's-wreath true!"
She twined it and twined, till her fingers were sore:
"Crown me, I implore!"
But when she turned, he was not there, she never saw him more.

She twined yet undaunted without a stay
At her bride's-array.
But now it was long past the Midsummer Day,
All the flowers away:
She twined it of the flowers, though they all were now away!
"Midsummer Day
Brings us laughter and play;
But later know I little, if she twines her wreath so gay!"

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The Beauteous Flower - Son Of The Imprisioned Count

COUNT.

I KNOW a flower of beauty rare,

Ah, how I hold it dear!
To seek it I would fain repair,

Were I not prison'd here.
My sorrow sore oppresses me,
For when I was at liberty,

I had it close beside me.

Though from this castle's walls so steep

I cast mine eyes around,
And gaze oft from the lofty keep,

The flower can not be found.
Whoe'er would bring it to my sight,
Whether a vassal he, or knight,

My dearest friend I'd deem him.

THE ROSE.

I blossom fair,--thy tale of woes

I hear from 'neath thy grate.
Thou doubtless meanest me, the rose.

Poor knight of high estate!
Thou hast in truth a lofty mind;
The queen of flowers is then enshrin'd,

I doubt not, in thy bosom.

COUNT.

Thy red, in dress of green array'd,

As worth all praise I hold;
And so thou'rt treasured by each maid

Like precious stones or gold.
Thy wreath adorns the fairest face
But still thou'rt not the flower whose grace

I honour here in silence.

THE LILY.

The rose is wont with pride to swell,

And ever seeks to rise;
But gentle sweethearts love full well

The lily's charms to prize,
The heart that fills a bosom true,
That is, like me, unsullied too,

My merit values duly.

COUNT.

In truth, I hope myself unstain'd,

And free from grievous crime;
Yet I am here a prisoner chain'd,

And pass in grief my time,
To me thou art an image sure
Of many a maiden, mild and pure,

And yet I know a dearer.

THE PINK.

That must be me, the pink, who scent

The warder's garden here;
Or wherefore is he so intent

My charms with care to rear?
My petals stand in beauteous ring,
Sweet incense all around I fling,

And boast a thousand colours.

COUNT.

The pink in truth we should not slight,

It is the gardener's pride
It now must stand exposed to light,

Now in the shade abide.
Yet what can make the Count's heart glow
Is no mere pomp of outward show;

It is a silent flower.

THE VIOLET.

Here stand I, modestly half hid,

And fain would silence keep;
Yet since to speak I now am bid,

I'll break my silence deep.
If, worthy Knight, I am that flower,
It grieves me that I have not power

To breathe forth all my sweetness.

COUNT.

The violet's charms I prize indeed,

So modest 'tis, and fair,
And smells so sweet; yet more I need

To ease my heavy care.
The truth I'll whisper in thine ear:
Upon these rocky heights so drear,

I cannot find the loved one.

The truest maiden 'neath the sky

Roams near the stream below,
And breathes forth many a gentle sigh,

Till I from hence can go.
And when she plucks a flow'ret blue,
And says "Forget-me-not!"--I, too,

Though far away, can feel it.

Ay, distance only swells love's might,

When fondly love a pair;
Though prison'd in the dungeon's night,

In life I linger there
And when my heart is breaking nigh,
"Forget-me-not!" is all I cry,

And straightway life returneth.

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The Trees in the Garden Rained Flowers

The trees in the garden rained flowers.
Children ran there joyously.
They gathered the flowers
Each to himself.
Now there were some
Who gathered great heaps --
Having opportunity and skill --
Until, behold, only chance blossoms
Remained for the feeble.
Then a little spindling tutor
Ran importantly to the father, crying:
"Pray, come hither!
See this unjust thing in your garden!"
But when the father had surveyed,
He admonished the tutor:
"Not so, small sage!
This thing is just.
For, look you,
Are not they who possess the flowers
Stronger, bolder, shrewder
Than they who have none?
Why should the strong --
The beautiful strong --
Why should they not have the flowers?"
Upon reflection, the tutor bowed to the ground,
"My lord," he said,
"The stars are displaced
By this towering wisdom."

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The Lily Confidante

Lily! lady of the garden!
Let me press my lip to thine!
Love must tell its story, Lily!
Listen thou to mine.

Two I choose to know the secret --
Thee, and yonder wordless flute;
Dragons watch me, tender Lily,
And thou must be mute.

There's a maiden, and her name is . . .
Hist! was that a rose-leaf fell?
See, the rose is listening, Lily,
And the rose may tell.

Lily-browed and lily-hearted,
She is very dear to me;
Lovely? yes, if being lovely
Is -- resembling thee.

Six to half a score of summers
Make the sweetest of the "teens" --
Not too young to guess, dear Lily,
What a lover means.

Laughing girl, and thoughtful woman,
I am puzzled how to woo --
Shall I praise, or pique her, Lily?
Tell me what to do.

"Silly lover, if thy Lily
Like her sister lilies be,
Thou must woo, if thou wouldst wear her,
With a simple plea.

"Love's the lover's only magic,
Truth the very subtlest art;
Love that feigns, and lips that flatter,
Win no modest heart.

"Like the dewdrop in my bosom,
Be thy guileless language, youth;
Falsehood buyeth falsehood only,
Truth must purchase truth.

"As thou talkest at the fireside,
With the little children by --
As thou prayest in the darkness,
When thy God is nigh --

"With a speech as chaste and gentle,
And such meanings as become
Ear of child, or ear of angel,
Speak, or be thou dumb.

"Woo her thus, and she shall give thee
Of her heart the sinless whole,
All the girl within her bosom,
And her woman's soul."

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Legends

I

A MAN builded a bugle for the storms to blow.
The focused winds hurled him afar.
He said that the instrument was a failure.

II

When the suicide arrived at the sky, the people there asked him: "Why?"
He replied: "Because no one admired me."

III

A man said: "Thou tree!"
The tree answered with the same scorn: "Thou man!
Thou art greater than I only in thy possibilities."

IV

A warrior stood upon a peak and defied the stars.
A little magpie, happening there, desired the soldier's plume, and so plucked it.

V

The wind that waves the blossoms sang, sang, sang from age to age.
The flowers were made curious by this joy.
"Oh, wind," they said, "why sing you at your labour, while we, pink beneficiaries, sing not, but idle, idle, idle from age to age?"

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The Exile

We told her that her far off shore was bleak and dour to view,
And that her sky was dull and mirk while ours was smiling blue.
She only sighed in answer, "It is even as ye say,
But oh, the ragged splendor when the sun bursts through the gray!"

We brought her dew-wet roses from our fairest summer bowers,
We bade her drink their fragrance, we heaped her lap with flowers;
She only said, with eyes that yearned, "Oh, if ye might have brought
The pale, unscented blossoms by my father's lowly cot!"

We bade her listen to the birds that sang so madly sweet,
The lyric of the laughing stream that dimpled at our feet;
"But, O," she cried, "I weary for the music wild that stirs
When keens the mournful western wind among my native firs!"

We told her she had faithful friends and loyal hearts anear,
We prayed her take the fresher loves, we prayed her be of cheer;
"Oh, ye are kind and true," she wept, "but woe's me for the grace
Of tenderness that shines upon my mother's wrinkled face!"

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Rabindranath Tagore

The Gardener XXVI: What Comes From Your Willing Hands

"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."

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Rabindranath Tagore

The Gardener IV: Ah Me

Ah me, why did they build my
house by the road to the market
town?
They moor their laden boats near
my trees.
They come and go and wander at
their will.
I sit and watch them; my time
wears on.
Turn them away I cannot. And
thus my days pass by.
Night and day their steps sound
by my door.
Vainly I cry, "I do not know
you."
Some of them are known to my
fingers, some to my nostrils, the
blood in my veins seems to know
them, and some are known to my
dreams.
Turn them away I cannot. I call
them and say, "Come to my house
whoever chooses. Yes, come."
In the morning the bell rings in the
temple.
They come with their baskets in
their hands.
Their feet are rosy red. The early
light of dawn is on their faces.
Turn them away I cannot. I call
them and I say, "Come to my garden
to gather flowers. Come hither."
In the mid-day the gong sounds
at the palace gate.
I know not why they leave their
work and linger near my hedge.
The flowers in their hair are pale
and faded; the notes are languid in
their flutes.
Turn them away I cannot. I call
them and say, "The shade is cool
under my trees. Come, friends."
At night the crickets chirp in the
woods.
Who is it that comes slowly to my
door and gently knocks?
I vaguely see the face, not a word
is spoken, the stillness of the sky is
all around.
Turn away my silent guest I
cannot. I look at the face through the
dark, and hours of dreams pass by.

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George Herbert

The Collar

I struck the board, and cried, "No more!
I will abroad.
What! shall I ever sigh and pine?
My lines and life are free; free as the road,
Loose as the wind, as large as store.
Shall I be still in suit?
Have I no harvest but a thorn
To let me blood, and not restore
What I have lost with cordial fruit?
Sure there was wine
Before my sighs did dry it; there was corn
Before my tears did drown it.
Is the year only lost to me?
Have I no bays to crown it?
No flowers, no garlands gay? all blasted?
All wasted?
Not so, my heart; but there is fruit,
And thou hast hands.
Recover all thy sigh-blown age
On double pleasures; leave thy cold dispute
Of what is fit and not; forsake thy cage,
Thy rope of sands,
Which petty thoughts have made, and made to thee
Good cable, to enforce and draw,
And be thy law,
While thou didst wink and wouldst not see.
Away! take heed;
I will abroad.
Call in thy death's-head there; tie up thy fears;
He that forbears
To suit and serve his need
Deserves his load."
But as I rav'd, and grew more fierce and wild
At every word,
Me thoughts I heard one calling, "Child";
And I replied, "My Lord."

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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

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Omens

When daylight was yet sleeping under the pillow,
And stars in the heavens still lingering shone,
Young Kitty, all blushing, rose up from her pillow,
The last time she e'er was to press it alone.
For the youth whom she treasured her heart and her soul in
Had promised to link the last tie before noon;
And when once the young heart of a maiden is stolen,
The maiden herself will steal after it soon.

As she look'd in the glass, which a woman ne'er misses,
Nor ever wants time for a sly glance or two,
A butterfly,[1] fresh from the night-flower's kisses,
Flew over the mirror, and shaded her view.
Enraged with the insect for hiding her graces,
She brush'd him -- he fell, alas! never to rise;
"Ah! such," said the girl, "is the pride of our faces,
For which the soul's innocence too often dies."

While she stole through the garden, where heart's-ease was growing,
She cull'd some, and kiss'd off its night-fallen dew;
And a rose, further on, look'd so tempting and glowing,
That, spite of her haste, she must gather it too:
But while o'er the roses too carelessly leaning,
Her zone flew in two, and the heart's-ease was lost:
"Ah! this means," said the girl (and she sigh'd at its meaning),
"That love is scarce worth the repose it will cost!"

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Bjørnstjerne Bjørnson

The Tree

Ready with leaves and with buds stood the tree.
"Shall I take them?" the frost said, now puffing with glee.
"Oh my, no, let them stand,
Till flowers are at hand!"
All trembling from tree-top to root came the plea.

Flowers unfolding the birds gladly sung.
"Shall I take them?" the wind said and merrily swung.
"Oh my, no, let them stand,
Till cherries are at hand!"
Protested the tree, while it quivering hung.

The cherries came forth 'neath the sun's glowing eye.
"Shall I take them?" a rosy young girl's eager cry.
"Oh my, yes, you can take,
I've kept them for your sake!"
Low bending its branches, the tree brought them nigh.

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The Golden Moon

The money is the Planet’s Wheel.
Into the mud the money binds the human’s Will. The money is Survival's drill.
The money diggs in our heart relations dirt, or Separation, which is "emotion's bill." The money is the dust.
With money covered our Life and Path. Sometimes, the money serves (in stead of oil) as "Diplomatic honey."
The money gives the Power to sinner and to swami. The money is the NEED.
Without money we are the Soul's zero, "Human's meat" indeed. We wish the money night and day.
The whisper ‘money’ make us forget the smile; blessing of pundit, the pray. The money is the Dream: "The Golden Moon"
Without money we are in Life useless wave: "balloon." Conclusion:
"Without money, I am the sand on Ocean's shore,"
concluded Poem "Golden Moon"- the Poet Lebishor.

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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