Ninth Ode of the Third Book of Horace

Horace.

While I was your beloved one,
And while no other youth threw his fond arms around
Your white neck so easily,
Than the King of the world I was far happier.


Lydia..

While you loved not another one,
While you did not prefer Chloë to Lydia,
I then thought myself happier
Than the mother of Rome, great Rhea Silvia.


Horace..

Thracian Chloë now governs me,
She can merrily sing, playing the cithara;
I'd not scruple to die for her,
If the Implacable spared Chloë, the auburn haired.


Lydia.

I now love and am loved again,
By my Calaïs, son of the old Ornytus;
Twice I'd die for him willingly,
If the terrible fates spared but my Calaïs.


Horace.

What if love should return again,
And unite us by ties more indissoluble?
What if Chloë were cast away,
And the long-closed door open to Lydia?


Lydia.

My love's brighter than any star;
You, too, lighter than cork, tossed on the waves of the Hadriatic so terrible;
Still I'd live but with thee, and I could die with thee.

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The IX Ode to Horace

HORACE.

While I was pleasing to your arms,
Nor any youth, of happier charms,
Thy snowy bosom blissful prest,
Not Portia's like me was blest.


LYDIA.

While for no other fair you burn'd,
Nor Lydia was for Chloe scorn'd
What maid was then so blest as thine?
Not [xx's] flame could equal mine.


HORACE.

Me Chloe now possesses whole,
Her voice her lyre command my soul;
For whom Ill gladly die, to save
Her dearer beauties from the grave.


LYDIA.

My heart young Calats inspires,
Whose bosom glows with mutal fires,
For whom I twice would die with joy,
If death would spare the charming boy.


HORACE.

Yet what if love, whole bards we broke,
Again should tame us to the yoke;
Should I shake off bright Chloe's chain,
And take my Lydia home again?--


LYDIA.

Though he exceed in beauty far
The rising lustre of a star;
Though light as cork thy fancy strays,
Thy passions wild as angry seas,
When vex'd with storms; yet gladly I
With thee would live, with thee would die.

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Horace and Lydia Reconciled

HORACE

When you were mine in auld lang syne,
And when none else your charms might ogle,
I'll not deny,
Fair nymph, that I
Was happier than a Persian mogul.

LYDIA

Before she came--that rival flame!--
(Was ever female creature sillier?)
In those good times,
Bepraised in rhymes,
I was more famed than Mother Ilia!

HORACE

Chloe of Thrace! With what a grace
Does she at song or harp employ her!
I'd gladly die
If only I
Might live forever to enjoy her!

LYDIA

My Sybaris so noble is
That, by the gods! I love him madly--
That I might save
Him from the grave
I'd give my life, and give it gladly!

HORACE

What if ma belle from favor fell,
And I made up my mind to shake her,
Would Lydia, then,
Come back again
And to her quondam flame betake her?

LYDIA

My other beau should surely go,
And you alone should find me gracious;
For no one slings
Such odes and things
As does the lauriger Horatius!

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Lydia The Star

Lydia my cousin is charismatic you will find,
when you are with Lydia you will have a funtime.
Lydia has been an entertainer since she was three,
She now plays music and sings in Glee.
Lydia is also a lead singer in her own band,
“Dr. Pepper” is bands name I understand.
She performed at Kid’s Winter Rockfest,
they put on a great show, they were the best.
Lydia wants to learn how to play the guitar,
she will be a success hit by far.
I wish you Lydia the most brilliant success,
you are an original star a cut above the rest.
Written By Suzae Chevalier on February 6,2012

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The Doughboy's Horace

Horace: Book III, Ode 9

"Donec eram gratus tibi--"

HORACE, PVT. --TH INFANTRY, A.E.F., WRITES:


While I was fussing you at home
You put the notion in my dome
That I was the Molasses Kid.
I batted strong. I'll say I did.

LYDIA, ANYBURG U.S.A., WRITES:

While you were fussing me alone
To other boys my heart was stone.
When I was all that you could see
No girl had anything on me.

HORACE:

Well, say, I'm having some romance
With one Babette, of Northern France.
If that girl gave me the command
I'd dance a jig in No-Man's Land.

LYDIA:

I, too, have got a young affair
With Charley--say, that boy is there!
I'd just as soon go out and die
If I thought it'd please that guy

HORACE:

Suppose I can this foreign wren
And start things up with you again?
Suppose I promise to be good?
I'd love you Lyd. I'll say I would.

LYDIA:

Though Charley's good and handsome--oh, boy!
And you're a stormy fickle doughboy,
So give the Hun his final whack,
And I'll marry you when you come back.

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Like Lydia

The innocence she has brings grace
Easy way love can be found in her face
She is incredible her beauty is amaze
suddenly i found like Lydia in unexpected place

Sympathy arising heart owner
Caring lady more deep fair
With the provoking laughter jokes player
I recognize her, like Lydia I found her layer

Her pleasure of sense is the best
Up on behaviour, so descent
No doubt she will win, that's all I bet
Like Lydia that is the sister I get

Dedicated to my adorable friend
Lidya.B

NB Like Lydia
Lydia from the Old temstament

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To Chloe Jealous

Dear Chloe, how blubber'd is that pretty face;
Thy cheek all on fire, and thy hair all uncurl'd:
Prythee quit this caprice; and (as old Falstaff says)
Let us e'en talk a little like folks of this world.

How canst thou presume, thou hast leave to destroy
The beauties, which Venus but lent to thy keeping?
Those looks were design'd to inspire love and joy:
More ord'nary eyes may serve people for weeping.

To be vext at a trifle or two that I writ,
Your judgment at once, and my passion you wrong:
You take that for fact, which will scarce be found wit:
Odds life! must one swear to the truth of a song?

What I speak, my fair Chloe, and what I write, shows
The diff'rence there is betwixt nature and art:
I court others in verse; but I love thee in prose:
And they have my whimsies, but thou hast my heart.

The god of us verse-men (you know, child) the Sun,
How after his journeys he sets up his rest:
If at morning o'er earth 'tis his fancy to run;
At night he declines on his Thetis's breast.

So when I am wearied with wand'ring all day,
To thee my delight in the evening I come:
No matter what beauties I saw in my way;
They were but my visits, but thou art my home.

Then finish, dear Chloe, this pastoral war;
And let us like Horace and Lydia agree:
For thou art a girl as much brighter than her,
As he was a poet sublimer than me.

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Lydia

Break forth, break forth, O Sudbury town,
And bid your yards be gay
Up all your gusty streets and down,
For Lydia comes to-day!

I hear it on the wharves below;
And if I buy or sell,
The good folk as they churchward go
Have only this to tell.

My mother, just for love of her,
Unlocks her carvëd drawers;
And springs of withered lavender
Drop down upon the floors.

For Lydia’s bed must have the sheet
Spun out of linen sheer,
And Lydia’s room be passing sweet
With odors of last year.

The violet flags are out once more
In lanes salt with the sea;
The thorn-bush at Saint Martin’s door
Grows white for such as she.

So, Sudbury, bid your gardens blow,
For Lydia comes to-day;
Of all the words that I do know,
I have but this to say.

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Warm And Tender

Warm and tender is my prayer for your world, that I surrender to my girl
All my life I've waited for the angel you are
You're the dream that I knew you'd be
And I love you completely my Chloe, Chloe
Warm and tender, I will color your days, with smiles and friends along the way
From the silver morning to the blue velvet night
Through it all you can count on me
And I love you completely my Chloe, Chloe
I'll make you a world to grow in, where you will be safe and free
I'll save you a greener world, where you can be
Warm and tender you will heal all the world
Your touch can mend a mother's heart
Everyday I'm thankful for the blessing you are
You're the future, the hope we need
And I love you completely my Chloe, Chloe, Chloe, Chloe
------------------------------------------------------------------------------

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Warm & Tender

(olivia newton-john/john farrar)
Warm and tender is my prayer for your world
That I surrender to my girl
All my life Ive waited for the angel you are
Youre the dream that I knew youd be
And I love you completely my chloe/chloe
Warm and tender--i will color your days
With smiles and friends along the way
From the silver morning
To the blue velvet night
Through it all you can count on me
And I love you completely my chloe/chloe
Ill make you a world to grow in
Where you will be safe and free
Ill save you a greener world
Where you can be
Warm and tender you will heal all the world
Your touch can mend a mothers heart
Everyday Im thankful for the blessing you are
Youre the future, the hope we need
And I love you completely my chloe/chloe/chloe/chloe

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Lydia Dick

When I was a boy at college,
Filling up with classic knowledge,
Frequently I wondered why
Old Professor Demas Bently
Used to praise so eloquently
'Opera Horatii.'

Toiling on a season longer
Till my reasoning power got stronger,
As my observation grew,
I became convinced that mellow,
Massic-loving poet fellow
Horace knew a thing or two

Yes, we sophomores figured duly
That, if we appraised him truly,
Horace must have been a brick;
And no wonder that with ranting
Rhymes he went a-gallivanting
Round with sprightly Lydia Dick!

For that pink of female gender
Tall and shapely was, and slender,
Plump of neck and bust and arms;
While the raiment that invested
Her so jealously suggested
Certain more potential charms.

Those dark eyes of her that fired him--
Those sweet accents that inspired him,
And her crown of glorious hair--
These things baffle my description;
I should have a fit conniption
If I tried--so I forbear!

May be Lydia had her betters;
Anyway, this man of letters
Took that charmer as his pick;
Glad--yes, glad I am to know it!
I, a fin de siecle poet,
Sympathize with Lydia Dick!

Often in my arbor shady
I fall thinking of that lady
And the pranks she used to play;
And I'm cheered--for all we sages
Joy when from those distant ages
Lydia dances down our way.

Otherwise some folks might wonder
With good reason why in thunder
Learned professors, dry and prim,
Find such solace in the giddy
Pranks that Horace played with Liddy
Or that Liddy played on him.

Still this world of ours rejoices
In those ancient singing voices,
And our hearts beat high and quick,
To the cadence of old Tiber
Murmuring praise of roistering Liber
And of charming Lydia Dick.

Still, Digentia, downward flowing,
Prattleth to the roses blowing
By the dark, deserted grot;
Still, Soracte, looming lonely,
Watcheth for the coming only
Of a ghost that cometh not.

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The Question to Lisetta

WHAT nymph should I admire or trust,
But Chloe beauteous, Chloe just?
What nymph should I desire to see,
But her who leaves the plain for me?
To whom should I compose the lay,
But her who listens when I play?
To whom in song repeat my cares,
But her who in my sorrow shares?
For whom should I the garland make,
But her who joys the gift to take,
And boasts she wears it for my sake?
In love am I not fully blest?
Lisetta, prithee tell the rest.

LISETTA'S REPLY

Sure Chloe just, and Chloe fair,
Deserves to be your only care;
But, when you and she to-day
Far into the wood did stray,
And I happen'd to pass by,
Which way did you cast your eye?
But, when your cares to her you sing,
You dare not tell her whence they spring:
Does it not more afflict your heart,
That in those cares she bears a part?
When you the flowers for Chloe twine,
Why do you to her garland join
The meanest bud that falls from mine?
Simplest of swains! the world may see
Whom Chloe loves, and who loves me.

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Chloe

NIGHT wind sighing through the poplar leaves,
Trembling of the aspen, shivering of the willow,
Every leafy voice of all the night-time grieves,
Mourning, weeping over Chloe's pillow.

Chloe, fresher than the breeze of dawn,
Fairer than the larches in their young spring glory,
Brighter than the glow-worms on the dewy lawn,
Hear the dirge the green trees sing to end your story:--

'Chloe lived and Chloe loved: she brought new gladness,
Hope and life and all things good to all who met her;
Only, dying, wept to know the lifelong sadness
Willed, against her will, to those who can't forget her.'

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Renunciation

Chloe's hair, no doubt, was brighter;
Lydia's mouth more sweetly sad;
Hebe's arms were rather whiter;
Languorous-lidded Helen had

Eyes more blue than e'er the sky was;
Lalage's was subtler stuff;
Still, you used to think that I was
Fair enough.

Now you're casting yearning glances
At the pale Penelope;
Cutting in on Claudia's dances;
Taking Iris out to tea.
Iole you find warm-hearted;
Zoe's cheek is far from rough-
Don't you think it's time we parted? . . .
Fair enough!

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L'Eau Dormante

Curled up and sitting on her feet.
Within the window's deep embrasure,
Is Lydia; and across the street,
A lad, with eyes of roguish azure,
Watches her buried in her book.
In vain he tries to win a look,
And from the trellis over there
Blows sundry kisses through the air,
Which miss the mark, and fall unseen,
Uncared for. Lydia is thirteen.

My lad, if you, without abuse,
Will take advise from one who's wiser,
And put his wisdom to more use
Than ever yet did your adviser;
If you will let, as none will do,
Another's heartbreak serve for two,
You'll have a care, some four years hence,
How you lounge there by yonder fence
And blow those kisses through that screen--
For Lydia will be seventeen.

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Robert Burns

The Charming Month of May

It was the charming month of May,
When all the flow’rs were fresh and gay.
One morning, by the break of day,
The youthful, charming Chloe—
From peaceful slumber she arose,
Girt on her mantle and her hose,
And o’er the flow’ry mead she goes—
The youthful, charming Chloe.

Chorus:
Lovely was she by the dawn,
Youthful Chloe, charming Chloe,
Tripping o’er the pearly lawn,
The youthful, charming Chloe.

The feather’d people you might see
Perch’d all around on every tree,
In notes of sweetest melody
They hail the charming Chloe;
Till, painting gay the eastern skies,
The glorious sun began to rise,
Outrival’d by the radiant eyes
Of youthful, charming Chloe.

Chorus

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The Reconciliation

HE

When you were mine, in auld lang syne,
And when none else your charms might ogle,
I'll not deny, fair nymph, that I
Was happier than a heathen mogul.

SHE

Before _she_ came, that rival flame
(Had ever mater saucier filia?),
In those good times, bepraised in rhymes,
I was more famed than Mother Ilia.

HE

Chloe of Thrace! With what a grace
Does she at song or harp employ her!
I'd gladly die, if only I
Could live forever to enjoy her!

SHE

My Sybaris so noble is
That, by the gods, I love him madly!
That I might save him from the grave,
I'd give my life, and give it gladly!

HE

What if _ma belle_ from favor fell,
And I made up my mind to shake her;
Would Lydia then come back again,
And to her quondam love betake her?

SHE

My other beau should surely go,
And you alone should find me gracious;
For no one slings such odes and things
As does the lauriger Horatius!

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Advising Chloë

Horace: Book I, Ode 23

"Vitas hinnuleo me similis, Chloë--"

Why shun me, my Chloë? Nor pistol nor bowie
Is mine with intention to kill.
And yet like a llama you run to your mamma;
You tremble as though you were ill.

No lion to rend you, no tiger to end you,
I'm tame as a bird in a cage.
That counsel maternal can run for The Journal--
You get me, I guess. . . . You're of age.

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The Truth About hHorace

It is very aggravating
To hear the solemn prating
Of the fossils who are stating
That old Horace was a prude;
When we know that with the ladies
He was always raising Hades,
And with many an escapade his
Best productions are imbued.

There's really not much harm in a
Large number of his carmina,
But these people find alarm in a
Few records of his acts;
So they'd squelch the muse caloric,
And to students sophomoric
They d present as metaphoric
What old Horace meant for facts.

We have always thought 'em lazy;
Now we adjudge 'em crazy!
Why, Horace was a daisy
That was very much alive!
And the wisest of us know him
As his Lydia verses show him,--
Go, read that virile poem,--
It is No. 25.

He was a very owl, sir,
And starting out to prowl, sir,
You bet he made Rome howl, sir,
Until he filled his date;
With a massic-laden ditty
And a classic maiden pretty
He painted up the city,
And Maecenas paid the freight!

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Lydia Is Gone This Many A Year

Lydia is gone this many a year,
Yet when the lilacs stir,
In the old gardens far or near,
The house is full of her.

They climb the twisted chamber stair;
Her picture haunts the room;
On the carved shelf beneath it there,
They heap the purple bloom.

A ghost so long has Lydia been,
Her cloak upon the wall,
Broidered, and gilt, and faded green,
Seems not her cloak at all.

The book, the box on mantel laid,
The shells in a pale row,
Are those of some dim little maid,
A thousand years ago.

And yet the house is full of her;
She goes and comes again;
And longings thrill, and memories stir,
Like lilacs in the rain.

Out in their yards the neighbors walk,
Among the blossoms tall;
Of Anne, of Phyllis, do they talk,
Of Lydia not at all.

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One Leg Anne and the Innocent Flirt.

Sister Mary pushed Anne
in her wheelchair
to the white table
where you were sitting

with Lydia Sad
and Malcolm
and a curly headed girl
with burn scars

on her face and neck
there
said the nun
here you can sit

and wait for breakfast
and catch the morning sun
Anne looked glumly
at the sky

and said nothing
as the nun
walked away
I wonder

what's for breakfast?
Malcolm asked
stewed cat on toast
Anne said

looking at Lydia Sad
whose blonde hair
and blue eyes
gave her

an angelic look
that's horrible
the girl with burn scars said
don't eat it then

Anne said
Malcolm looked at you
it wouldn't be that
would it?

He asked
no
you said
Anne's just having you on

why do you have to spoil
my fun Skinny Boy?
Anne said
it's not funny

Lydia muttered
not funny to say that
about cats being on toast
how are your haemorrhoids?

Anne asked Lydia
saw the fat nun
giving you the bum pill
Lydia blushed

and Malcolm looked
at the white table top
I'm telling Sister Bernadette
about you

the girl with burn scars said
go put your head
between your thighs
and breathe the air

Anne said
the girl got up
and left the table
followed by Lydia

and Malcolm
that's got rid of them
Skinny Boy
Anne said

why are you so horrible?
you asked
looking at her red skirt
just covering the stump

of her amputated leg
have a good look Skinny Boy
and she pulled up
her skirt to reveal

the naked flesh
and plump stump
you noticed
how the scar

seemed to pull
into a smooth redness
what do you think?
Anne asked

I've seen it before
you replied
when?
She asked

you showed me
the other week
while you were being weight
in the bathroom

she smiled
and pulled down
her skirt
I like you Skinny Boy

you're just
an innocent flirt
and she laughed
and her wheelchair rocked

and you smiled
and wondered
what she meant
by the word flirt

and looked discreetly
at her short red skirt.

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