The Shell
O little, whisp'ring, murm'ring shell, say cans't thou tell to me
Good news of any stately ship that sails upon the sea?
I press my ear, O little shell, against thy rosy lips;
Cans't tell me tales of those who go down to the sea in ships?
What, not a word? Ah hearken, shell, I've shut the cottage door;
There's scarce a sound to drown thy voice, so silent is the moor,
A bell may tinkle far away upon its purple rise;
A bee may buz among the heath--a lavrock cleave the skies.
But if you only breathe the name I name upon my knees,
Ah, surely I should catch the word above such sounds as these.
And Grannie's needles click no more, the ball of yarn is done,
And she's asleep outside the door where shines the merry sun.
One night while Grannie slept, I dreamed he came across the moor,
And stood, so handsome, brown and tall, beside the open door:
I thought I turned to pick a rose that by the sill had blown,
(He liked a rose) and when I looked, O shell, I was alone!
Across the moor there dwells a wife; she spaed my fortune true,
And said I'd plight my troth with one who ware a jacket blue;
That morn before my Grannie woke, just when the lapwing stirred,
I sped across the misty rise and sought the old wife's word.
With her it was the milking time, and while she milk'd the goat,
I ask'd her then to spae my dream, my heart was in my throat--
But that was just because the way had been so steep and long,
And not because I had the fear that anything was wrong.
'Ye'll meet, ye'll meet,' was all she said; 'Ye'll meet when it is mirk.'
I gave her tippence that I meant for Sabbath-day and kirk;
And then I hastened back again; it seemed that never sure
The happy sun delay'd so long to gild the purple moor.
That's six months back, and every night I sit beside the door,
And while I knit I keep my gaze upon the mirky moor;
I keep old Collie by my side--he's sure to spring and bark,
When Ronald comes across the moor to meet me in the dark.
I _know_ the old wife spaed me true, for did she not fore-tell
I'd break a ring with Ronald Grey beside the Hidden Well?
It came to pass at shearing-time, before he went to sea
(We're nighbours' bairns) how _could_ she know that Ronald cared
for me.
So night by night I watch for him--by day I sing and work,
And try to never mind the latch--he's coming in the dark;
Yet as the days and weeks and months go slipping slowly thro',
I wonder if the wise old wife has spaed my fortune true!
Ah, not a word about his ship? Well, well, I'll lay thee by.
I see a heron from the marsh go sailing in the sky,
The purple moor is like a dream, a star is twinkling clear--
Perhaps the meeting that she spaed is drawing very near!
poem by Isabella Valancy Crawford
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Related quotes
Beast Of Codden Moor
fear rides the beast of codden moor
the men are hunting the beast of
codden moor
it run, s as fast as legs will carry
it, s breath steam, s on air so crisp
it, s heart beats a tempo of it, s own
faster faster faster faster faster
you beast of codden moor
but men ride horse, s fast as wind
to catch a beast on codden moor
that falls and tumbles through the snow
upon codden moor
it raises a head of strengh and beauty
a horn of bone lies within the head
of a beast of codden moor
death comes quick as spears stab down
as swords swish as they find virgin flesh
on this beast of codden moor
poem by Graham Russell
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The Day’s Luxury
You came from the heath and moor,
Bringing their aromas through my open door;
They used to see each other, the heath and moor,
When school broke up, when there were no girls left.
I spoke to you about the luxury of a day
Which carried a snuggling bear, a teddy bear,
Impossible to play with all day long,
In a house of forest and fields.
I saw you wait as if spell-bound,
An unbelieving little boy,
Who cherished the land of virtues
And the acres of friendship.
poem by Naveed Akram
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Desolate
From the sad eaves the drip-drop of the rain!
The water washing at the latchel door;
A slow step plashing by upon the moor;
A single bleat far from the famished fold;
The clicking of an embered hearth and cold;
The rainy Robin tic-tac at the pane.
'So as it is with thee
Is it with me,
So as it is and it used not to be,
With thee used not to be,
Nor me.'
So singeth Robin on the willow tree,
The rainy robin tic-tac at the pane.
Here in this breast all day
The fire is dim and low,
Within I care not to stay,
Without I care not to go.
A sadness ever sings
Of unforgotten things,
And the bird of love is patting at the pane;
But the wintry water deepens at the door,
And a step is plashing by upon the moor
Into the dark upon the darkening moor,
And alas, alas, the drip-drop of the rain!
poem by Sydney Thompson Dobell
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The Gardener IV: Ah Me
Ah me, why did they build my
house by the road to the market
town?
They moor their laden boats near
my trees.
They come and go and wander at
their will.
I sit and watch them; my time
wears on.
Turn them away I cannot. And
thus my days pass by.
Night and day their steps sound
by my door.
Vainly I cry, "I do not know
you."
Some of them are known to my
fingers, some to my nostrils, the
blood in my veins seems to know
them, and some are known to my
dreams.
Turn them away I cannot. I call
them and say, "Come to my house
whoever chooses. Yes, come."
In the morning the bell rings in the
temple.
They come with their baskets in
their hands.
Their feet are rosy red. The early
light of dawn is on their faces.
Turn them away I cannot. I call
them and I say, "Come to my garden
to gather flowers. Come hither."
In the mid-day the gong sounds
at the palace gate.
I know not why they leave their
work and linger near my hedge.
The flowers in their hair are pale
and faded; the notes are languid in
their flutes.
Turn them away I cannot. I call
them and say, "The shade is cool
under my trees. Come, friends."
At night the crickets chirp in the
woods.
Who is it that comes slowly to my
door and gently knocks?
I vaguely see the face, not a word
is spoken, the stillness of the sky is
all around.
Turn away my silent guest I
cannot. I look at the face through the
dark, and hours of dreams pass by.
poem by Rabindranath Tagore
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The Dove
If haply thou, O Desdemona Morn,
Shouldst call along the curving sphere, "Remain,
Dear Night, sweet Moor; nay, leave me not in scorn!"
With soft halloos of heavenly love and pain; --
Shouldst thou, O Spring! a-cower in coverts dark,
'Gainst proud supplanting Summer sing thy plea,
And move the mighty woods through mailed bark
Till mortal heart-break throbbed in every tree; --
Or (grievous `if' that may be `yea' o'er-soon!),
If thou, my Heart, long holden from thy Sweet,
Shouldst knock Death's door with mellow shocks of tune,
Sad inquiry to make -- `When may we meet?'
Nay, if ye three, O Morn! O Spring! O Heart!
Should chant grave unisons of grief and love;
Ye could not mourn with more melodious art
Than daily doth yon dim sequestered dove.
poem by Sidney Lanier
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A Baby With His Whiskers On (Fun Poem 115)
One day a gypsy came to the door
selling a sprig of heather.
Cross my palm with silver
and I’ll make your wish come true.
I gave some silver coins
and she gave me a green and purple pill.
“Take this last thing at night
and tomorrow your wish will be granted.”
I took her green and purple pill
just as she had instructed.
Next morning I awoke still with my whiskers on,
but my poor wife almost had fit
thinking she’d had a baby in the night.
The magic had changed me rapidly
and now I looked only three.
My wish had been to look younger,
it had come very true,
and the magic had turned me
back to the age of three.
My wife was all fingers and thumbs
wondering just what to do.
How was she going to take me out,
a baby of three with his whiskers on?
I looked like her grandson
and not her husband o f many years.
Even I began to wonder how long
it would take before the magic wore off.
Days moved into weeks
and a baby with his whiskers on
I remained to be.
People took photos of me
not quite believing what they saw.
One day my wife took me to the park
and around in the grass I crawled,
a baby with his whiskers on wearing a nappy.
Then suddenly and without warning,
I came back to my normal age.
Now everybody stared at me,
a man in his sixties in the park with only a nappy on.
I managed to get home
without being arrested,
but had to stay in the car until after dark
in case anyone saw me go in.
The moral of this story,
be careful what you wish for,
as the consequences will not
be exactly what you think
and never take
any green and purple pills from a gypsy.
poem by David Harris
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Unshriven
Oh ! the sun rose on the lea, and the bird sang merrilie,
And the steed stood ready harness'd in the hall.
And he left his lady's bower, and he sought the eastern tower,
And he lifted cloak and weapon from the wall.
'We were wed but yester-noon, must we separate so soon,
Must you travel unassoiled and, aye, unshriven,
With the blood stain on your hand, and the red streak on your brand,
And your guilt all unconfess'd and unforgiven ?'
'Tho' it were but yester-even we were wedded, still unshriven,
Across the moor this morning I must ride ;
I must gallop fast and straight, for my errand will not wait ;
Fear naught, I shall return at eventide.'
'If I fear, it is for thee, thy weal is dear to me,
Yon moor with retribution seemeth rife ;
As we've sown so must we reap, and I've started in my sleep
At the voice of the avenger, 'Life for life.' '
'My arm is strong, I ween, and my trusty blade is keen,
And the courser that I ride is swift and sure,
And I cannot break my oath, though to leave thee I am loath,
There is one that I must meet upon the moor.'
. . . . . . .
Oh ! the sun shone on the lea, and the bird sang merrilie,
Down the avenue and through the iron gate,
Spurr'd and belted, so he rode, steel to draw and steel to goad,
And across the moor he gallop'd fast and straight.
. . . . . . .
. . . . . . .
Oh ! the sun shone on the lea, and the bird sang full of glee,
Ere the mists of evening gather'd chill and grey ;
But the wild bird's merry note on the deaf ear never smote,
And the sunshine never warmed the lifeless clay.
Ere the sun began to droop, or the mist began to stoop,
The youthful bride lay swooning in the hall ;
Empty saddle on his back, broken bridle hanging slack,
The steed returned full gallop to the stall.
Oh ! the sun sank in the sea, and the wind wailed drearilie ;
Let the bells in yonder monastery toll,
For the night rack nestles dark round the body stiff and stark,
And unshriven to its Maker flies the soul.
poem by Adam Lindsay Gordon
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The Alcayde Of Molina
FROM THE SPANISH.
To the town of Atienza, Molina's brave Alcayde,
The courteous and the valorous, led forth his bold brigade.
The Moor came back in triumph, he came without a wound,
With many a Christian standard, and Christian captive bound.
He passed the city portals, with swelling heart and vein,
And towards his lady's dwelling he rode with slackened rein;
Two circuits on his charger he took, and at the third,
From the door of her balcony Zelinda's voice was heard.
'Now if thou wert not shameless,' said the lady to the Moor,
'Thou wouldst neither pass my dwelling, nor stop before my door.
Alas for poor Zelinda, and for her wayward mood,
That one in love with peace should have loved a man of blood!
Since not that thou wert noble I chose thee for my knight,
But that thy sword was dreaded in tournay and in fight.
Ah, thoughtless and unhappy! that I should fail to see
How ill the stubborn flint and the yielding wax agree.
Boast not thy love for me, while the shrieking of the fife
Can change thy mood of mildness to fury and to strife.
Say not my voice is magic--thy pleasure is to hear
The bursting of the carbine, and shivering of the spear.
Well, follow thou thy choice--to the battle-field away,
To thy triumphs and thy trophies, since I am less than they.
Thrust thy arm into thy buckler, gird on thy crooked brand,
And call upon thy trusty squire to bring thy spears in hand.
Lead forth thy band to skirmish, by mountain and by mead,
On thy dappled Moorish barb, or thy fleeter border steed.
Go, waste the Christian hamlets, and sweep away their flocks,
From Almazan's broad meadows to Siguenza's rocks.
Leave Zelinda altogether, whom thou leavest oft and long,
And in the life thou lovest forget whom thou dost wrong.
These eyes shall not recall thee, though they meet no more thine own,
Though they weep that thou art absent, and that I am all alone.'
She ceased, and turning from him her flushed and angry cheek,
Shut the door of her balcony before the Moor could speak.
poem by William Cullen Bryant
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The Moor has done his duty, the Moor may go.
Suffer Little Children
Over the moor, take me to the moor
Dig a shallow grave
And i'll lay me down
Over the moor, take me to the moor
Dig a shallow grave
And i'll lay me down
Lesley-anne, with your pretty white beads
Oh john, you'll never be a man
You'll never see your home again
Oh manchester, so much to answer for
Edward, see those alluring lights ?
Tonight will be your very last night
A woman said : "i know my son is dead
I'll never rest my hands on his sacred head"
Hindley wakes and hindley says :
Hindley wakes, hindley wakes, hindley wakes, and says :
"oh, wherever he has gone, i have gone"
But fresh lilaced moorland fields
Cannot hide the stolid stench of death
But fresh lilaced moorland fields
Cannot hide the stolid stench of death
Hindley wakes and says :
Hindley wakes, hindley wakes, hindley wakes, and says :
"oh, whatever he has done, i have done"
But this is no easy ride
For a child cries :
"find me ... find me, nothing more
We are on a sullen misty moor
We may be dead and we may be gone
But we will be, we will be, we will be, right by your side
Until the day you die
This is no easy ride
We will haunt you when you laugh
Yes, you could say we're a team
You might sleep
You might sleep
You might sleep
But you will never dream !
Oh, you might sleep
But you will never dream !
You might sleep
But you will never dream !
Oh manchester, so much to answer for
Oh manchester, so much to answer for
Oh, find me, find me !
Find me !
I'll haunt you when you laugh
Oh, i'll haunt you when you laugh
You might sleep
But you will ...
Oh ...
Over the moors, i'm on the moors
Oh, over the moors
Oh, the child is on the moors
song performed by by Smiths
Submitted by Lucian Velea
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Seeing off Du Shisi South of the River
Jingzhou Dongwu mutual meet water for place
You go spring river now wide
Sunset travel sail where moor
End of sky one look break person heart
Jingzhou and Dongwu are both on the water,
You travel down the river in spring, now the level is high.
A sail is underway at sunset, what place will it moor?
Looking to the end of the sky can break a man's heart.
poem by Meng Haoran
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George and the Dragon
I'll tell you the tale of an old country pub
As fancied itself up to date,
It had the word " Garage" wrote on t' stable door
And a petrol pump outside the gate.
The " George and the Dragon" were t' name of the pub,
And it stood in a spot wild and bleak,
Where nowt ever seemed to be passing that way
Except Carrier's cart once a week.
The Carrier's cart were a sturdy old Ford
And its driver were known as " Old Joe
He had passed pub each week but he'd never been in,
It's name even he didn't know.
One cold winter night, about quarter to one,
He were driving home over the moor,
And had just reached the pub, when his engine stopped dead
A thing it had ne'er done before.
He lifted the bonnet and fiddled around
And gave her a bit of a crank;
When he looked at his petrol he found what were wrong,
There wasn't a drop in the tank.
He had eight miles to go and 'twere starting to rain,
And he thought he were there for the night,
Till he saw the word " Garage" wrote on t' stable door;
Then he said, " Lizzie, Lass... we're all right."
He went up to t' pub and he hammered at door
Till a voice up above said " Hello!"
It were t' Publican's Wife-she said,
"Now what's to do?", "I've run out of petrol," said Joe.
She said " Who are you? " He said " Carrier Joe."
" Oh, so that's who it is," she replied
You've been passing this door now for close on ten years
And never once set foot inside."
"A nice time of night to come knocking folks up,
She continued. "Away with your truck,
" You'd best get your petrol where you buy your beer...
" You only come here when you re stuck."
Said Joe, "Aye, I'll go if you'll sell me some fuel,
"I can't start my engine without.
"I'm willing to pay." but she told him to go
Where he'd get his fuel for nowt.
"Coom, coom, Lass!" said Joe, conci-latory like,
"Let bygones be bygones, and when
I come round next time I'll look in."
She said, "Oh, Well, your petrol can wait until then."
With these few remarks th' old girl took in her head
And slammed winder to in his face;
He took a look round and for t' very first time
He noticed the name of the place.
He picked up some pebbles he found in the road
And tossed them against winder pane,
And before very long lattice opened above
And out came the old girl again.
What d'ye want? " she enquired. And " Not you," Joe replied,
For this treatment had fair raised his gorge
"I see George and t' Dragon's the name on the house,
"And I'd just like a word now with George."
poem by Marriott Edgar
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Lost In The Mist
THE thin white snow-streaks pencilling
That mountain's shoulder gray,
While in the west the pale green sky
Smiled back the dawning day,
Till from the misty east the sun
Was of a sudden born
Like a new soul in Paradise--
How long it seems since morn!
One little hour, O round red sun,
And thou and I shall come
Unto the golden gate of rest,
The open door of home:
One little hour, O weary sun,
Delay the threatened eve
Till my tired feet that pleasant door
Enter and never leave.
Ye rooks that fly in slender file
Into the thick'ning gloom,
Ye'll scarce have reached your grim gray tower
Ere I have reached my home;
Plover, that thrills the solitude
With such an eerie cry,
Seek you your nest ere night-fall comes,
As my heart's nest seek I.
O light, light heart and heavy feet,
Patience a little while!
Keep the warm love-light in these eyes,
And on these lips the smile:
Out-speed the mist, the gathering mist
That follows o'er the moor!--
The darker grows the world without
The brighter seems that door.
O door, so close yet so far off;
O mist that nears and nears!
What, shall I faint in sight of home?
Blinded--but not with tears--
'T is but the mist, the cruel mist,
Which chills this heart of mine:
These eyes, too weak to see that light--
It has not ceased to shine.
A little further, further yet:
The white mist crawls and crawls;
It hems me around, it shuts me in
Its great sepulchral walls:
No earth--no sky--no path--no light--
A silence like the tomb:
O me, it is too soon to die--
And I was going home!
A little further, further yet:
My limbs are young,--my heart--
O heart, it is not only life
That feels it hard to part:
Poor lips, slow freezing into calm,
Numbed hands that helpless fall,
And, a mile off, warm lips, fond hands,
Waiting to welcome all!
I see the pictures in the room,
The figures moving round,
The very flicker of the fire
Upon the patterned ground:
O that I were the shepherd-dog
That guards their happy door!
Or even the silly household cat
That basks upon the floor!
O that I sat one minute's space
Where I have sat so long!
O that I heard one little word
Sweeter than angel's song!
A pause--and then the table fills,
The harmless mirth brims o'er;
While I--O can it be God's will?--
I die, outside the door.
My body fails--my desperate soul
Struggles before it go:
The bleak air's full of voices wild,
But not the voice I know;
Dim shapes come wandering through the dark:
With mocking, curious stares,
Faces long strange peer glimmering by--
But not one face of theirs.
Lost, lost, and such a little way
From that dear sheltering door!
Lost, lost, out of the loving arms
Left empty evermore!
His will be done. O, gate of heaven,
Fairer than earthly door,
Receive me! Everlasting arms,
Enfold me evermore!
And so, farewell * * * * *
What is this touch
Upon my closing eyes?
My name too, that I thought to hear
Next time in Paradise?
Warm arms--close lips--O, saved, saved, saved!
Across the deathly moor
Sought, found--and yonder through the night
Shineth the blessed door.
poem by Dinah Maria Mulock Craik
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Lucy Gray
Oft I had heard of Lucy Gray:
And, when I crossed the wild,
I chanced to see at break of day
The solitary child.
No mate, no comrade Lucy knew;
She dwelt on a wide moor,
--The sweetest thing that ever grew
Beside a human door!
You yet may spy the fawn at play,
The hare upon the green;
But the sweet face of Lucy Gray
Will never more be seen.
"To-night will be a stormy night--
You to the town must go;
And take a lantern, Child, to light
Your mother through the snow."
"That, Father! will I gladly do:
'Tis scarcely afternoon--
The minster-clock has just struck two,
And yonder is the moon!"
At this the Father raised his hook,
And snapped a faggot-band;
He plied his work;--and Lucy took
The lantern in her hand.
Not blither is the mountain roe:
With many a wanton stroke
Her feet disperse the powdery snow,
That rises up like smoke.
The storm came on before its time:
She wandered up and down;
And many a hill did Lucy climb:
But never reached the town.
The wretched parents all that night
Went shouting far and wide;
But there was neither sound nor sight
To serve them for a guide.
At day-break on a hill they stood
That overlooked the moor;
And thence they saw the bridge of wood,
A furlong from their door.
They wept--and, turning homeward, cried,
"In heaven we all shall meet;"
--When in the snow the mother spied
The print of Lucy's feet.
Then downwards from the steep hill's edge
They tracked the footmarks small;
And through the broken hawthorn hedge,
And by the long stone-wall;
And then an open field they crossed:
The marks were still the same;
They tracked them on, nor ever lost;
And to the bridge they came.
They followed from the snowy bank
Those footmarks, one by one,
Into the middle of the plank;
And further there were none!
--Yet some maintain that to this day
She is a living child;
That you may see sweet Lucy Gray
Upon the lonesome wild.
O'er rough and smooth she trips along,
And never looks behind;
And sings a solitary song
That whistles in the wind.
poem by William Wordsworth
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The New Arrival
THERE came to port last Sunday night
The queerest little craft,
Without an inch of rigging on;
I looked and looked—and laughed!
It seemed so curious that she
Should cross the Unknown water,
And moor herself within my room—
My daughter! O, my daughter!
Yet by these presents witness all
She ’s welcome fifty times,
And comes consigned in hope and love—
And common-metre rhymes.
She has no manifest but this;
No flag floats o’er the water;
She ’s too new for the British Lloyds—
My daughter! O, my daughter!
Ring out, wild bells—and tame ones too;
Ring out the lover’s moon.
Ring in the little worsted socks,
Ring in the bib and spoon.
Ring out the muse, ring in the nurse,
Ring in the milk and water.
A way with paper, pen, and ink—
My daughter! O, my daughter!
poem by George Washington Cable
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Irish Air
Over the Wicklow mountains,
Where the air is pure as can be.
Over the hills and moor lands,
The waterfalls to see.
Spectacular the waters fall
Between the crevices deep,
To splash on rocks and boulders,
Down the mighty mountains steep.
The peat bogs on the moor land,
For fires to warm are toiled.
The men and women working.
Their clothes and hands are soiled.
But ‘tis worth the toil and strife
To see the Wicklow mountains dear.
To know the joy of being in Erin,
Where the air is crisp and clear.
You can keep your city factories,
And your office blocks so tall.
For to live and work in Ireland,
Is to know you have it all.
poem by Rosi Caswell
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The Messenger
She rose up in the early dawn,
And white and silently she moved
About the house. Four men had gone
To battle for the land they loved,
And she, the mother and the wife,
Waited for tidings from the strife.
How still the house seemed! and her tread
Was like the footsteps of the dead.
The long day passed; the dark night came.
She had not seen a human face.
Some voice spoke suddenly her name.
How loud it echoed in that place,
Where, day on day, no sound was heard
But her own footsteps. 'Bring you word,'
She cried to whom she could not see,
'Word from the battle-plain to me?'
A soldier entered at the door,
And stood within the dim firelight;
'I bring you tidings of the four,'
He said, 'who left you for the fight.'
'God bless you, friend,' she cried, 'speak on!
For I can bear it. One is gone?'
'Ay, one is gone!' he said. 'Which one?'
'Dear lady, he, your eldest son.'
A deathly pallor shot across
Her withered face; she did not weep.
She said: 'It is a grievous loss,
But God gives His belovèd sleep.
What of the living-of the three?
And when can they come back to me?'
The soldier turned away his head:
'Lady, your husband, too, is dead.'
She put her hand upon her brow;
A wild, sharp pain was in her eyes.
'My husband! Oh, God, help me now!'
The soldier heard her shuddering sighs.
The task was harder than he thought.
'Your youngest son, dear madam, fought
Close at his father's side; both fell
Dead, by the bursting of a shell.'
She moved her lips and seemed to moan.
Her face had paled to ashen gray:
'Then one is left me-one alone,'
She said, 'of four who marched away.
Oh, overruling, All-wise God,
How can I pass beneath Thy rod!'
The soldier walked across the floor,
Paused at the window, at the door,
Wiped the cold dew-drops from his cheek
And sought the mourner's side again.
'Once more, dear lady, I must speak:
Your last remaining son was slain
Just at the closing of the fight,
'Twas he who sent me here to-night.'
'God knows,' the man said afterward,
'The fight itself was not so hard.'
poem by Ella Wheeler Wilcox
Submitted by Poetry Lover
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The highwayman
The wind was a torrent of darkness among the gusty trees.
The moon was a ghostly galleon tossed upon cloudy seas.
The road was a ribbon of moonlight over the purple moor,
And the highwayman came riding—
Riding—riding—
The highwayman came riding, up to the old inn-door.
He'd a French cocked-hat on his forehead, a bunch of lace at his chin,
A coat of the claret velvet, and breeches of brown doe-skin.
They fitted with never a wrinkle. His boots were up to the thigh.
And he rode with a jewelled twinkle,
His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky.
Over the cobbles he clattered and clashed in the dark inn-yard.
He tapped with his whip on the shutters, but all was locked and barred.
He whistled a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.
And dark in the dark old inn-yard a stable-wicket creaked
Where Tim the ostler listened. His face was white and peaked.
His eyes were hollows of madness, his hair like mouldy hay,
But he loved the landlord's daughter,
The landlord's red-lipped daughter.
Dumb as a dog he listened, and he heard the robber say—
"One kiss, my bonny sweetheart, I'm after a prize to-night,
But I shall be back with the yellow gold before the morning light;
Yet, if they press me sharply, and harry me through the day,
Then look for me by moonlight,
Watch for me by moonlight,
I'll come to thee by moonlight, though hell should bar the way."
He rose upright in the stirrups. He scarce could reach her hand,
But she loosened her hair in the casement. His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
(O, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the west.
PART TWO
He did not come in the dawning. He did not come at noon;
And out of the tawny sunset, before the rise of the moon,
When the road was a gypsy's ribbon, looping the purple moor,
A red-coat troop came marching—
Marching—marching—
King George's men came marching, up to the old inn-door.
They said no word to the landlord. They drank his ale instead.
But they gagged his daughter, and bound her, to the foot of her narrow bed.
Two of them knelt at her casement, with muskets at their side!
There was death at every window;
And hell at one dark window;
For Bess could see, through her casement, the road that he would ride.
They had tied her up to attention, with many a sniggering jest.
They had bound a musket beside her, with the muzzle beneath her breast!
"Now, keep good watch!" and they kissed her. She heard the doomed man say—
Look for me by moonlight;
Watch for me by moonlight;
I'll come to thee by moonlight, though hell should bar the way!
She twisted her hands behind her; but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness, and the hours crawled by like years
Till, now, on the stroke of midnight,
Cold, on the stroke of midnight,
The tip of one finger touched it! The trigger at least was hers!
The tip of one finger touched it. She strove no more for the rest.
Up, she stood up to attention, with the muzzle beneath her breast.
She would not risk their hearing; she would not strive again;
For the road lay bare in the moonlight;
Blank and bare in the moonlight;
And the blood of her veins, in the moonlight, throbbed to her love's refrain.
Tlot-tlot; tlot-tlot! Had they heard it? The horsehoofs ringing clear;
Tlot-tlot; tlot-tlot, in the distance? Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding—
Riding—riding—
The red coats looked to their priming! She stood up, straight and still.
Tlot-tlot, in the frosty silence! Tlot-tlot, in the echoing night!
Nearer he came and nearer. Her face was like a light.
Her eyes grew wide for a moment; she drew one last deep breath,
Then her finger moved in the moonlight,
Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him—with her death.
He turned. He spurred to the west; he did not know who stood
Bowed, with her head o'er the musket, drenched with her own blood!
Not till the dawn he heard it, and his face grew grey to hear
How Bess, the landlord's daughter,
The landlord's black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there.
Back, he spurred like a madman, shrieking a curse to the sky,
With the white road smoking behind him and his rapier brandished high.
Blood red were his spurs in the golden noon; wine-red was his velvet coat;
When they shot him down on the highway,
Down like a dog on the highway,
And he lay in his blood on the highway, with a bunch of lace at his throat.
...
And still of a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon tossed upon cloudy seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding—
Riding—riding—
A highwayman comes riding, up to the old inn-door.
Over the cobbles he clatters and clangs in the dark inn-yard.
He taps with his whip on the shutters, but all is locked and barred.
He whistles a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.
poem by Alfred Noyes
Submitted by Dan Costinaş
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The Ship
The Ship
She arrived tangled amid a hazed dew,
carrying my past, dog hound tracking,
from years back, wide vision blacking,
and a stork I was, searching her crew.
(Thus I stood on those same moorings,
her icon remained - Christmas rejoice,
it was the sea hum muzzling her voice,
so I kissed her face that was alluring!)
Like a stork I aptly stood, on one foot,
side-gazing for sunken pals to discern,
as after my nautilus care and concern,
blackened was the ship with dark soot.
Dusk was silent, abrading acta details,
still numbness; maybe the ship stared,
as my foolish and curious eyes paired,
with perseverance, head-rope 'n' brail.
Around the ship were playful tripping,
many small boats like wooden coffins,
of those loved, beyond known offings,
signalizing sea roar of moor whipping.
..............................
Holy was my ascending of the stairs,
Angels walked with me, in night blue,
like then we recited, I guess it is true,
that a night ship, for our story cares.
And then again, we became swallows,
that bladed distances, kind to Spring
a song, for wanderers, harmonic link,
an emerald color of Aegean shallows.
..............................
What mind foolish, brought the ship,
closer to our night's odd ebony phase,
with two finger-funnels to sky praise,
my meteor stand, and awkward leap?
poem by Giorgio Veneto
Submitted by Poetry Lover
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2: 33 In The Morning
waking up from a dream
this one says, i am making love with my neighbor's wife
i rise from bed and drink a glass of cold water
and then i sigh
it is not true after all and i have not sinned indeed
why such a subconscious train of thought inside the tunnel of
secret desire and where shall this map lead me?
i shiver to this, i sense a snail breaking its own shell
i hear the cracking sound of popcorn
and smell the butter from the kitchen window
my wife wakes up and follows me in the wind screen of
dawn. It is cold she says and she lands on my lap and
kisses me.
there is nothing wrong i tell her.
there is really nothing wrong, i assure myself as i type the last word
for this poem.
love is better in the silent mode.
poem by Ric S. Bastasa
Submitted by Poetry Lover
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