Henry Wadsworth Longfellow

Walter Von Der Vogel Weid

Vogelweid the Minnesinger,
When he left this world of ours,
Laid his body in the cloister,
Under Wurtzburg's minster towers.

And he gave the monks his treasures,
Gave them all with this behest:
They should feed the birds at noontide
Daily on his place of rest;

Saying, "From these wandering minstrels
I have learned the art of song;
Let me now repay the lessons
They have taught so well and long."

Thus the bard of love departed;
And, fulfilling his desire,
On his tomb the birds were feasted
By the children of the choir.

Day by day, o'er tower and turret,
In foul weather and in fair,
Day by day, in vaster numbers,
Flocked the poets of the air.

On the tree whose heavy branches
Overshadowed all the place,
On the pavement, on the tombstone,
On the poet's sculptured face,

On the cross-bars of each window,
On the lintel of each door,
They renewed the War of Wartburg,
Which the bard had fought before.

There they sang their merry carols,
Sang their lauds on every side;
And the name their voices uttered
Was the name of Vogelweid.

Till at length the portly abbot
Murmured, "Why this waste of food?
Be it changed to loaves henceforward
For our tasting brotherhood."

Then in vain o'er tower and turret,
From the walls and woodland nests,
When the minster bells rang noontide,
Gathered the unwelcome guests.

Then in vain, with cries discordant,
Clamorous round the Gothic spire,
Screamed the feathered Minnesingers
For the children of the choir.

Time has long effaced the inscriptions
On the cloister's funeral stones,
And tradition only tells us
Where repose the poet's bones.

But around the vast cathedral,
By sweet echoes multiplied,
Still the birds repeat the legend,
And the name of Vogelweid.

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Bjørnstjerne Bjørnson

Venevil

Fair Venevil hastened with tripping feet
Her lover to meet.
He sang, so it rang o'er the church far away:
"Good-day! Good-day!"

And all the little birds sang right merrily their lay:
"Midsummer Day
Brings us laughter and play;
But later know I little, if she twines her wreath so gay!"

She twined him a wreath of the flowers blue:
"My eyes for you!"
He tossed it and caught it and to her did bend:
"Good-by, my friend!"
And loudly he exulted at the field's far distant end:
"Midsummer Day
Brings us laughter and play;
But later know I little, if she twines her wreath so gay!"

She twined him a wreath: "Do at all you care
For my golden hair?"
She twined one, and gave in life's hour so rare
Her red lips' pair;
He took them and he pressed them, and he blushed as she did there.

She twined one all white as a lily-band:
"'T is my right hand."
She twined one blood-red, with her love in each strand:
"'T is my left hand."
He took them both and kept them both, but would not understand.

She twined of the flowers that bloomed around
"Every one I found!"
She gathered and twined, while tears would her eyes fill:
"Take them you will!"
In silence then he took them, but to flight he turned him still.

She twined one so large, of discordant hue:
"My bride's-wreath true!"
She twined it and twined, till her fingers were sore:
"Crown me, I implore!"
But when she turned, he was not there, she never saw him more.

She twined yet undaunted without a stay
At her bride's-array.
But now it was long past the Midsummer Day,
All the flowers away:
She twined it of the flowers, though they all were now away!
"Midsummer Day
Brings us laughter and play;
But later know I little, if she twines her wreath so gay!"

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Frogs in chorus

The chorus frogs in the big lagoon
Would sing their songs to the silvery moon.
Tenor singers were out of place,
For every frog was a double bass.
But never a human chorus yet
Could beat the accurate time they set.
The solo singer began the joke;
He sang, "As long as I live I'll croak,
Croak, I'll croak,"
And the chorus followed him: "Croak, croak, croak!"

The poet frog, in his plaintive tone,
Sang of a sorrow was all his own;
"How shall I win to my heart's desire?
How shall I feel my spirit's fire?"
And the solo frog in his deepest croak,
"To fire your spirit," he sang, "eat coke,
Coke, eat coke,"
And the chorus followed him: "Coke, coke, coke!"

The green frog sat in a swampy spot
And he sang the song of he knew not what.
"The world is rotten, oh cursed plight,
That I am the frog that must set it right.
How shall I scatter the shades that lurk?"
And the old man bullfrog sang, "Get work,
Work, get work,"
And the chorus followed him: "Work, work, work!"

The soaring spirits that fain would fly
On wings of hope to the starry sky
Must face the snarls of the jealous dogs,
For the world is ruled by its chorus frogs.

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God's Grief

"Lord God of Hosts," the people pray,
"Make strong our arms that we may slay
Our cursed foe and win the day."
"Lord God of Battles," cries the foe,
"Guide us to strike a bloody blow,
And lay the adversary low."

But brooding o'er the battle smother
Bewails the Lord: "Brother to brother,
Why must ye slaughter one another?
When will ye come to understand
My peace, and hand reach out to hand,
In every race, in every land?"

And yet, his weary words despite,
Went murderously on the fight,
Till God from mankind hid His sight,
Saying: "Poor children, must you gain
To brotherhood through millions slain?
--Was anguish on the Cross in vain?"

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Bjørnstjerne Bjørnson

Marit's Song

"Dance!" called the fiddle,
Its strings loudly giggled,
The bailiff's man wriggled
Ahead for a spree.
"Hold!" shouted Ola
And tripped him to tumbling,
The bailiff's man humbling,
To maidens' great glee.

"Hop!" said then Erik,
His foot struck the ceiling,
The beams rang their pealing,
The walls gave a shriek.
"Stop!" said now Elling,
And seizing him collared,
He held him and hollered:
"You still are too weak!"

"Hei!" said then Rasmus,
Fair Randi embracing:
"Be quick now in placing
The kiss that you know!"

"Nay!" answered Randi.
A slapping she gave him,
And from her she drave him:
"Here take what I owe!"

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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The Poet's Song

I HID in the world and sang,
And I sang so loud and long
That all the ages rang
With the music of my song.
I sang of the earth and sky,
5
I sang of the whispering seas,
I sang of the mountains high,
And I sang of the flowers and trees;
I sang of the early spring,
I sang of the dawning day,
10
I sang, for I had to sing
As the young lambs have to play;
Till heaven and earth were ringing,
And all the people heard,
And they said, "We love his singing,
15
For his song is the song of the bird."

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Emily Dickinson

Arcturus

"Arcturus" is his other name—
I'd rather call him "Star."
It's very mean of Science
To go and interfere!

I slew a worm the other day—
A "Savant" passing by
Murmured "Resurgam"—"Centipede"!
&q uot;Oh Lord—how frail are we"!

I pull a flower from the woods—
A monster with a glass
Computes the stamens in a breath—
And has her in a "class"!

Whereas I took the Butterfly
Aforetime in my hat—
He sits erect in "Cabinets"—
The Clover bells forgot.

What once was "Heaven"
Is "Zenith" now—
Where I proposed to go
When Time's brief masquerade was done
Is mapped and charted too.

What if the poles should frisk about
And stand upon their heads!
I hope I'm ready for "the worst"—
Whatever prank betides!

Perhaps the "Kingdom of Heaven's" changed—
I hope the "Children" there Won't be "new fashioned" when I come—
And laugh at me—and stare—

I hope the Father in the skies
Will lift his little girl—
Old fashioned—naught—everything—
Over the stile of "Pearl."

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Bjørnstjerne Bjørnson

The Tree

Ready with leaves and with buds stood the tree.
"Shall I take them?" the frost said, now puffing with glee.
"Oh my, no, let them stand,
Till flowers are at hand!"
All trembling from tree-top to root came the plea.

Flowers unfolding the birds gladly sung.
"Shall I take them?" the wind said and merrily swung.
"Oh my, no, let them stand,
Till cherries are at hand!"
Protested the tree, while it quivering hung.

The cherries came forth 'neath the sun's glowing eye.
"Shall I take them?" a rosy young girl's eager cry.
"Oh my, yes, you can take,
I've kept them for your sake!"
Low bending its branches, the tree brought them nigh.

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What the Birds Said

The birds against the April wind
Flew northward, singing as they flew;
They sang, "The land we leave behind
Has swords for corn-blades, blood for dew."

"O wild-birds, flying from the South,
What saw and heard ye, gazing down?"
"We saw the mortar's upturned mouth,
The sickened camp, the blazing town!

"Beneath the bivouac's starry lamps,
We saw your march-worn children die;
In shrouds of moss, in cypress swamps,
We saw your dead uncoffined lie.

"We heard the starving prisoner's sighs
And saw, from line and trench, your sons
Follow our flight with home-sick eyes
Beyond the battery's smoking guns."

"And heard and saw ye only wrong
And pain," I cried, "O wing-worn flocks?"
"We heard," they sang, "the freedman's song,
The crash of Slavery's broken locks!

"We saw from new, uprising States
The treason-nursing mischief spurned,
As, crowding Freedom's ample gates,
The long-estranged and lost returned.

"O'er dusky faces, seamed and old,
And hands horn-hard with unpaid toil,
With hope in every rustling fold,
We saw your star-dropt flag uncoil.

"And struggling up through sounds accursed,
A grateful murmur clomb the air;
A whisper scarcely heard at first,
It filled the listening heavens with prayer.

"And sweet and far, as from a star,
Replied a voice which shall not cease,
Till, drowning all the noise of war,
It sings the blessed song of peace!"

So to me, in a doubtful day
Of chill and slowly greening spring,
Low stooping from the cloudy gray,
The wild-birds sang or seemed to sing.

They vanished in the misty air,
The song went with them in their flight;
But lo! they left the sunset fair,
And in the evening there was light.

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Henry Wadsworth Longfellow

St. John's, Cambridge

I stand beneath the tree, whose branches shade
Thy western window, Chapel of St. John!
And hear its leaves repeat their benison
On him, whose hand thy stones memorial laid;
Then I remember one of whom was said
In the world's darkest hour, "Behold thy son!"
And see him living still, and wandering on
And waiting for the advent long delayed.
Not only tongues of the apostles teach
Lessons of love and light, but these expanding
And sheltering boughs with all their leaves implore,
And say in language clear as human speech,
"The peace of God, that passeth understanding,
Be and abide with you forevermore!"

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Henry Van Dyke

Hide and Seek

All the trees are sleeping, all the winds are still,
All the flocks of fleecy clouds have wandered past the hill;
Through the noonday silence, down the woods of June,
Hark, a little hunter's voice comes running with a tune.
"Hide and seek!
"When I speak,
"You must answer me:
"Call again,
"Merry men,
"Coo-ee, coo-ee, coo-ee!"

Now I hear his footsteps, rustling through the grass:
Hidden in my leafy nook, shall I let him pass?
Just a low, soft whistle,--quick the hunter turns,
Leaps upon me laughing, rolls me in the ferns.
"Hold him fast,
"Caught at last!
"Now you're it, you see.
"Hide your eye,
"Till I cry,
"Coo-ee, coo-ee, coo-ee!"


II

Long ago he left me, long and long ago:
Now I wander through the world and seek him high and low;
Hidden safe and happy, in some pleasant place,--
Ah, if I could hear his voice, I soon should find his face.
Far away,
Many a day,
Where can Barney be?
Answer, dear,
Don't you hear?
Coo-ee, coo-ee, coo-ee!

Birds that in the spring-time thrilled his heart with joy,
Flowers he loved to pick for me, mind me of my boy.
Surely he is waiting till my steps come nigh;
Love may hide itself awhile, but love can never die.
Heart, be glad,
The little lad
Will call some day to thee:
"Father dear,
"Heaven is here,
"Coo-ee, coo-ee, coo-ee!"

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Sweet Echo Dell

"Three there were that left my cot;
Two are here, and one is not;
Why does Willie linger? Say, can you tell?"

"He was weary by the way;
When we came he could but stay
In the shady grove at Sweet Echo Dell."

Echo Dell! (Echo Dell!) Echo Dell! (Echo Dell!)
It was there we softly said "Farewell!" ("Farewell!")
And the towering granite crest
Nobly guards his place rest,
Near the lovely lake of Sweet Echo Dell.

"Is he laden well with gold?
Does he bring me wealth untold?
Why then does he linger? Say can you tell?"

"All his treasures are above;
All he sent you was his love,
With a whispered prayer from Sweet Echo Dell."

Coming homeward, does he sing
Like a lark upon the wing?
Why then does he linger? Say, can you tell?"

Naught is heard but rippling waves,
Warbling birds, and shouting braves;
Silent is his voice in Sweet Echo Dell."

"Is he coming by-and-by?
May I bless him ere I die?
Why then does he linger? Say, can you tell?"

"Mirrored in that mountain lake,
Heaven is near, and he will wake
Never elsewhere than in Sweet Echo Dell."

"Would you crush my only joy?
Surely I shall meet my boy;
When then does he linger? Say, can you tell?"

"Never will his weary feet
Travel more, yet may soon meet
When your soul floats over Sweet Echo Dell."

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The Three Songs

The poet sang of a battle-field
Where doughty deeds were done,
Where stout blows rang on helm and shield
And a kingdom's fate was spun
With the scarlet thread of victory,
And honor from death's grim revelry
Like a flame-red flower was won!
So bravely he sang that all who heard
With the sting of the fight and the triumph were stirred,
And they cried, "Let us blazon his name on high,
He has sung a song that will never die!"

Again, full throated, he sang of fame
And ambition's honeyed lure,
Of the chaplet that garlands a mighty name,
Till his listeners fired with the god-like flame
To do, to dare, to endure!
The thirsty lips of the world were fain
The cup of glamor he vaunted to drain,
And the people murmured as he went by,
"He has sung a song that will never die !"

And once more he sang, all low and apart,
A song of the love that was born in his heart:
Thinking to voice in unfettered strain
Its sweet delight and its sweeter pain;
Nothing he cared what the throngs might say
Who passed him unheeding from day to day,
For he only longed with his melodies
The soul of the one beloved to please.

The song of war that he sang is as naught,
For the field and its heroes are long forgot,
And the song he sang of fame and power
Was never remembered beyond its hour!
Only to-day his name is known
By the song he sang apart and alone,
And the great world pauses with joy to hear
The notes that were strung for a lover's ear.

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William Cowper

On The Late Indecent Liberties Taken With The Remains Of Milton

"Me too, perchance, in future days,
The sculptured stone shall show,
With Paphian myrtle or with bays
Parnassian on my brow.

But I, or e'er that season come,
Escaped from every care,
Shall reach my refuge in the tomb,
And sleep securely there."

So sang, in Roman tone and style,
The youthful bard, ere long
Ordained to grace his native isle
With her sublimest song.

Who then but must conceive disdain,
Hearing the deed unblest,
Of wretches who have dared profane
His dread sepulchral rest?

Ill fare the hands that heaved the stones
Where Milton's ashes lay,
That trembled not to grasp his bones
And steal his dust away!

O ill-requited bard! neglect
Thy living worth repaid,
And blind idolatrous respect
As much affronts thee dead.

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Katherine Mansfield

Sea

The Sea called--I lay on the rocks and said:
"I am come."
She mocked and showed her teeth,
Stretching out her long green arms.
"Go away!" she thundered.
"Then tell me what I am to do," I begged.
"If I leave you, you will not be silent,
But cry my name in the cities
And wistfully entreat me in the plains and forests;
All else I forsake to come to you--what must I do?"
"Never have I uttered your name," snarled the Sea.
"There is no more of me in your body
Than the little salt tears you are frightened of shedding.
What can you know of my love on your brown rock
pillow....
Come closer."

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What Goes Around . . .

In position and out of sight,
hiding until the time was right,
the cat crawled forward with such skill,
the bird could not escape the "kill." It happened almost every day.
The cat would never miss its prey.
So many kills against its name,
it loved to play that "pouncing" game. But then one day, the cat outside,
not chasing birds, no need to hide,
just lying in the grass to rest,
and dreaming of that new found nest. But suddenly, an angry cry,
the sound of many birds nearby.
Like bombers on a bombing run,
they started "swooping" one by one. The battle on, surprise attack,
the cat "pinned down," could not fight back.
The "message" on that battleground,
what goes around does come around.

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We are Seven

--------A Simple Child,
That lightly draws its breath,
And feels its life in every limb,
What should it know of death?

I met a little cottage Girl:
She was eight years old, she said;
Her hair was thick with many a curl
That clustered round her head.

She had a rustic, woodland air,
And she was wildly clad:
Her eyes were fair, and very fair;
--Her beauty made me glad.

"Sisters and brothers, little Maid,
How many may you be?"
"How many? Seven in all," she said
And wondering looked at me.

"And where are they? I pray you tell."
She answered, "Seven are we;
And two of us at Conway dwell,
And two are gone to sea.

"Two of us in the church-yard lie,
My sister and my brother;
And, in the church-yard cottage, I
Dwell near them with my mother."

"You say that two at Conway dwell,
And two are gone to sea,
Yet ye are seven!--I pray you tell,
Sweet Maid, how this may be."

Then did the little Maid reply,
"Seven boys and girls are we;
Two of us in the church-yard lie,
Beneath the church-yard tree."

"You run about, my little Maid,
Your limbs they are alive;
If two are in the church-yard laid,
Then ye are only five."

"Their graves are green, they may be seen,"
The little Maid replied,
"Twelve steps or more from my mother's door,
And they are side by side.

"My stockings there I often knit,
My kerchief there I hem;
And there upon the ground I sit,
And sing a song to them.

"And often after sunset, Sir,
When it is light and fair,
I take my little porringer,
And eat my supper there.

"The first that died was sister Jane;
In bed she moaning lay,
Till God released her of her pain;
And then she went away.

"So in the church-yard she was laid;
And, when the grass was dry,
Together round her grave we played,
My brother John and I.

"And when the ground was white with snow,
And I could run and slide,
My brother John was forced to go,
And he lies by her side."

"How many are you, then," said I,
"If they two are in heaven?"
Quick was the little Maid's reply,
"O Master! we are seven."

"But they are dead; those two are dead!
Their spirits are in heaven!"
'Twas throwing words away; for still
The little Maid would have her will,
And said, "Nay, we are seven!"

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A Song Of Comfort

"Sleep, weary ones, while ye may --
Sleep, oh, sleep!"
Eugene Field.

Thro' May time blossoms, with whisper low,
The soft wind sang to the dead below:
"Think not with regret on the Springtime's song
And the task ye left while your hands were strong.
The song would have ceased when the Spring was past,
And the task that was joyous be weary at last."

To the winter sky when the nights were long
The tree-tops tossed with a ceaseless song:
"Do ye think with regret on the sunny days
And the path ye left, with its untrod ways?
The sun might sink in a storm cloud's frown
And the path grow rough when the night came down."

In the grey twilight of the autumn eves,
It sighed as it sang through the dying leaves:
"Ye think with regret that the world was bright,
That your path was short and your task was light;
The path, though short, was perhaps the best
And the toil was sweet, that it led to rest."

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Why the Jackass Laughs

The Boastful Crow and the Laughing Jack
Were telling tales of the outer back:
"I've just been travelling far and wide,
At the back of Bourke and the Queensland side;
There isn't a bird in the bush can go
As far as me," said the old black crow.
"There isn't a bird in the bush can fly
A course as straight or a course as high.
Higher than human eyesight goes.

There's sometimes clouds -- but there's always crows,
Drifting along for a scent of blood
Or a smell of smoke or a sign of flood.
For never a bird or a beast has been
With a sight as strong or a scent as keen.
At fires and floods I'm the first about,
For then the lizards and mice run out:
And I make my swoop -- and that's all they know --
I'm a whale on mice," said the Boastful Crow.

The Bee-birds over the homestead flew
And told each other the long day through
"The cold has come, we must take the track."
"Now, I'll make you a bet," said the Laughing Jack,
"Of a hundred mice, that you dare not go
With the little Bee-birds, by Boastful Crow."

Said the Boastful Crow, "I could take my ease
And fly with little green birds like these.
If they went flat out and they did their best
I could have a smoke and could take a rest."
And he asked of the Bee-birds circling round:
"Now, where do you spike-tails think you're bound?"
"We leave tonight, and out present plan
is to go straight on till we reach Japan.

"Every year, on the self-same day,
We call our children and start away,
Twittering, travelling day and night,
Over the ocean we take our flight;
And we rest a day on some lonely isles
Or we beg a ride for a hundred miles
On a steamer's deck,* and away we go:
We hope you'll come with us, Mister Crow."

But the old black crow was extremely sad.
Said he: "I reckon you're raving mad
To talk of travelling night and day,
And how in the world do you find your way?"
And the Bee-birds answered him, "If you please,
That's one of our own great mysteries".

Now these things chanced in the long ago
And explain the fact, which no doubt you know,
That every jackass high and low
Will always laugh when he sees a crow.

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Christina Georgina Rossetti

The Three Enemies

THE FLESH

"Sweet, thou art pale."
"More pale to see,
Christ hung upon the cruel tree
And bore His Father's wrath for me."

"Sweet, thou art sad."
"Beneath a rod
More heavy, Christ for my sake trod
The winepress of the wrath of God."

"Sweet, thou art weary."
"Not so Christ:
Whose mighty love of me suffic'd
For Strength, Salvation, Eucharist."

"Sweet, thou art footsore."
"If I bleed,
His feet have bled; yea in my need
His Heart once bled for mine indeed."

THE WORLD

"Sweet, thou art young."
"So He was young
Who for my sake in silence hung
Upon the Cross with Passion wrung."

"Look, thou art fair."
"He was more fair
Than men, Who deign'd for me to wear
A visage marr'd beyond compare."

"And thou hast riches."
"Daily bread:
All else is His: Who, living, dead,
For me lack'd where to lay His Head."

"And life is sweet."
"It was not so
To Him, Whose Cup did overflow
With mine unutterable woe."

THE DEVIL

"Thou drinkest deep."
"When Christ would sup
He drain'd the dregs from out my cup:
So how should I be lifted up?"

"Thou shalt win Glory."
"In the skies,
Lord Jesus, cover up mine eyes
Lest they should look on vanities."

"Thou shalt have Knowledge."
"Helpless dust!
In Thee, O Lord, I put my trust:
Answer Thou for me, Wise and Just."

"And Might."--
"Get thee behind me. Lord,
Who hast redeem'd and not abhorr'd
My soul, oh keep it by Thy Word."

poem by Christina Georgina RossettiReport problemRelated quotes
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