The Warden of the Cinque Ports
A mist was driving down the British Channel,
The day was just begun,
And through the window-panes, on floor and panel,
Streamed the red autumn sun.
It glanced on flowing flag and rippling pennon,
And the white sails of ships;
And, from the frowning rampart, the black cannon
Hailed it with feverish lips.
Sandwich and Romney, Hastings, Hithe, and Dover
Were all alert that day,
To see the French war-steamers speeding over,
When the fog cleared away.
Sullen and silent, and like couchant lions,
Their cannon, through the night,
Holding their breath, had watched, in grim defiance,
The sea-coast opposite.
And now they roared at drum-beat from their stations
On every citadel;
Each answering each, with morning salutations,
That all was well.
And down the coast, all taking up the burden,
Replied the distant forts,
As if to summon from his sleep the Warden
And Lord of the Cinque Ports.
Him shall no sunshine from the fields of azure,
No drum-beat from the wall,
No morning gun from the black fort's embrasure,
Awaken with its call!
No more, surveying with an eye impartial
The long line of the coast,
Shall the gaunt figure of the old Field Marshal
Be seen upon his post!
For in the night, unseen, a single warrior,
In sombre harness mailed,
Dreaded of man, and surnamed the Destroyer,
The rampart wall has scaled.
He passed into the chamber of the sleeper,
The dark and silent room,
And as he entered, darker grew, and deeper,
The silence and the gloom.
He did not pause to parley or dissemble,
But smote the Warden hoar;
Ah! what a blow! that made all England tremble
And groan from shore to shore.
Meanwhile, without, the surly cannon waited,
The sun rose bright o'erhead;
Nothing in Nature's aspect intimated
That a great man was dead.
poem by Henry Wadsworth Longfellow
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The Warden Of The Cinque Ports. (Birds Of Passage. Flight The First)
A mist was driving down the British Channel,
The day was just begun,
And through the window-panes, on floor and panel,
Streamed the red autumn sun.
It glanced on flowing flag and rippling pennon,
And the white sails of ships;
And, from the frowning rampart, the black cannon
Hailed it with feverish lips.
Sandwich and Romney, Hastings, Hithe, and Dover
Were all alert that day,
To see the French war-steamers speeding over,
When the fog cleared away.
Sullen and silent, and like couchant lions,
Their cannon, through the night,
Holding their breath, had watched, in grim defiance,
The sea-coast opposite.
And now they roared at drum-beat from their stations
On every citadel;
Each answering each, with morning salutations,
That all was well.
And down the coast, all taking up the burden,
Replied the distant forts,
As if to summon from his sleep the Warden
And Lord of the Cinque Ports.
Him shall no sunshine from the fields of azure,
No drum-beat from the wall,
No morning gun from the black fort's embrasure,
Awaken with its call!
No more, surveying with an eye impartial
The long line of the coast,
Shall the gaunt figure of the old Field Marshal
Be seen upon his post!
For in the night, unseen, a single warrior,
In sombre harness mailed,
Dreaded of man, and surnamed the Destroyer,
The rampart wall has scaled.
He passed into the chamber of the sleeper,
The dark and silent room,
And as he entered, darker grew, and deeper,
The silence and the gloom.
He did not pause to parley or dissemble,
But smote the Warden hoar;
Ah! what a blow! that made all England tremble
And groan from shore to shore.
Meanwhile, without, the surly cannon waited,
The sun rose bright o'erhead;
Nothing in Nature's aspect intimated
That a great man was dead.
poem by Henry Wadsworth Longfellow
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The Drummer Boy
A drummer boy dressed in white tapped his drum as he passed by my bed,
he never looked at me, and not a word was said.
Tippy tap drum, tippy tap drum, tippy tap drum, was his marching beat.
There was blood from a wound, but he kept to his feet.
As he marched back and forth it looked as though he was going to fall,
but he continued to beat his drum, as he walked through the wall.
On his departure the sound of a bugle was heard above the drum,
whistling rifle shots and cannon fire added to the battle’s hum.
A boy dressed in red and white, blowing a bugle marched passed my bed,
he had suffered a wound, and blood was flowing from his head.
Blowing with all his might I could see the determination on his face,
he seemed to be running out of breath, as he slowly lost the pace.
The drummer boy came up beside him and marched by his side,
the bugle boy stood up straight, and blew the charge as he cried.
Another drummer boy passed my bed followed by two more,
the bugle boy stood and looked ahead, and then fell to the floor.
Several soldiers charged pass, with bayonets fixed for attack,
passing the drummer boy one yelled, “Keep playing and don’t look back.”
With the sound of bullets in the air and shells exploding all around
soldiers charged and fell by my bed to the now distant drumming sound.
It suddenly all went quiet as everyone disappeared through the wall,
except for the drummer boy who played as he stood tall.
Tippy tap drum, tippy tap drum, tippy tap drum; a much softer beat,
he then looked at me with tears in his eyes, as he faded at my feet.
poem by Orlando Belo
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Hawke
In seventeen hundred and fifty-nine,
When Hawke came swooping from the West,
The French King's Admiral with twenty of the line,
Was sailing forth to sack us, out of Brest.
The ports of France were crowded, the quays of France a-hum
With thirty thousand soldiers marching to the drum,
For bragging time was over and fighting time was come
When Hawke came swooping from the West.
'Twas long past noon of a wild November day
When Hawke came swooping from the West;
He heard the breakers thundering in Quiberon Bay,
But he flew the flag for battle, line abreast.
Down upon the quicksands roaring out of sight
Fiercely beat the storm-wind, darkly fell the night,
But they took the foe for pilot and the cannon's glare for light
When Hawke came swooping from the West.
The Frenchmen turned like a covey down the wind
When Hawke came swooping from the West;
One he sank with all hands, one he caught and pinned,
And the shallows and the storm took the rest.
The guns that should have conquered us they rusted on the shore,
The men that would have mastered us they drummed and marched no more,
For England was England, and a mighty brood she bore
When Hawke came swooping from the West.
poem by Sir Henry Newbolt
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Beat Of Your Drum
Photograph king, watches you go
Now fashions may change, heaven knows, but you
Still leave a stain on me
Only to go colours may fade
The seasons may change, weather blows, but you still leave a mark on me
Wrong-negative fades-never the twain, reckless and tame
I like the beat of your drum
I like to look in your eyes
I like to look thru your things
Id like to beat on your drum
I like the smell of your flesh
I like the dirt that you dish
I like the clothes that you wear
Id like to beat on your drum
I beat it I beat I beat it
I feel it
Disco brat-follow the pack
Watching you peel, heaven knows, prison cant hold all this greedy intention
Only to go-i picture you now
Music may change-hi-di-ho keen to follow your nose
Wrong-love out of tune
Sweet is the night, bright light destroys me
I like the beat of your drum
I like to look in your eyes
I like to look thru your things
Id like to beat on your drum
I like the smell of your flesh
I like the dirt that you dish
I like the clothes that you wear
Id like to beat on your drum
I beat it I beat cant beat it
I feel it
I like to beat on your drum
I like to beat on your drum
I like your face in the crowd
I like to beat on your drum
I beat it I beat cant beat it
I feel it
Cant beat it
I feel it
Ho beat it
I beat it
Oh yeah
Id like to beat on your drum
Id like to beat on your drum
Id like to yell it out loud
Id like to beat on your drum
Cant beat it cant beat it
I feel it I feel it
Id like to beat on your drum
Id like to beat on your drum
Id like your face in the crowd
Id like to beat on your drum
Yeah yeah yeah
Cant beat it
Cant beat it
I be there
Baet it all out
Beat it all in the crowd
Beat it beat it beat it beat it
I feel it I feel it
Id like to beat on your drum
Id like to beat on your drum
Id like to blow your horne
Id like to beat on your drum
Yeah yeah yeah
Ahhhhhh
song performed by by David Bowie
Submitted by Lucian Velea
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The Conquest Of Finland
ACROSS the frozen marshes
The winds of autumn blow,
And the fen-lands of the Wetter
Are white with early snow.
But where the low, gray headlands
Look o'er the Baltic brine,
A bark is sailing in the track
Of England's battle-line.
No wares hath she to barter
For Bothnia's fish and grain;
She saileth not for pleasure,
She saileth not for gain.
But still by isle or mainland
She drops her, anchor down,
Where'er the British cannon
Rained fire on tower and town.
Outspake the ancient Amtman,
At the gate of Helsingfors:
'Why comes this ship a-spying
In the track of England's wars?'
'God bless her,' said the coast-guard, —
'God bless the ship, I say.
The holy angels trim the sails
That speed her on her way!
'Where'er she drops her anchor,
The peasant's heart is glad;
Where'er she spreads her parting sail,
The peasant's heart is sad.
'Each wasted town and hamlet
She visits to restore;
To roof the shattered cabin,
And feed the starving poor.
' The sunken boats of fishers,
The foraged beeves and grain,
The spoil of flake and storehouse,
The good ship brings again.
'And so to Finland's sorrow
The sweet amend is made,
As if the healing hand of Christ
Upon her wounds were laid!'
Then said the gray old Amtman,
'The will of God be done!
The battle lost by England's hate,
By England's love is won!
'We braved the iron tempest
That thundered on our shore;
But when did kindness fail to find
The key to Finland's door?
'No more from Aland's ramparts
Shall warning signal come,
Nor startled Sweaborg hear again
The roll of midnight drum.
'Beside our fierce Black Eagle
The Dove of Peace shall rest;
And in the mouths of cannon
The sea-bird make her nest.
'For Finland, looking seaward,
No coming foe shall scan;
And the holy bells of Abo
Shall ring, 'Good-will to man!'
'Then row thy boat, O fisher!
In peace on lake and bay;
And thou, young maiden, dance again
Around the poles of May!
'Sit down, old men, together,
Old wives, in quiet spin;
Henceforth the Anglo-Saxon
Is the brother of the Finn!'
poem by John Greenleaf Whittier
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Merman
The wind crept in from the southern gulf
And it rustled through the trees,
As clouds flew over, covered the sun
In some vast conspiracy,
The light was dimmed to an eerie gloom
And the wind began to squall,
Whipping the crests of the breakers up
The length of the Great Seawall.
A single cottage sat at the shore
And it showed a feeble light,
Where Mary D'Arcy sat in the gloom
To peer, in a sudden fright,
For a man rose slowly, out of the sea
His body covered in scales,
And roared like a monster from the deep
Cast up by the winter gales.
‘Come out! Come out! Wherever you are! '
He roared, as he reached the shore,
His eyes were dead in a fish's head
‘Come out for your just reward! '
But Mary's face in the window, lit
By a single candle there,
Was pale and white in her sudden fright,
She could only sit and stare!
The wind began to shriek at the eaves,
The waves crashed over the wall,
And sudden debris littered the beach
That had been so clean before,
Then lightning arced from the surly cloud
And thunder rattled the pane,
Of the glass in the cottage window there,
And then it began to rain.
The size of the rolling breakers grew
And crashed, white foam in their fall,
They vomited up an oil slick
That stuck like glue to the wall,
‘You think you can dump your slime on me, '
He roared, and stood in the foam,
‘You think that you have a bottomless sea,
That bottomless sea's my home! '
The water lapped at the cottage door,
The debris swirled at the rip,
‘I'm giving you back your junk for free
And the wrecks of your sunken ships!
See how you cope with the slime and filth
That you dump on the ocean floor…'
But Mary D'Arcy tightened her lips
And opened the cottage door!
‘Why do you spend your rage on me
When the world out there's to blame?
I'm just a single, innocent soul
On this beach you thought to claim! '
‘For every time you empty your sink
With grease, and bleach, your drain
Runs out to the pristine water's edge -
You're one, but you're all the same! '
The oil poured in, and over the floor,
Dead birds were caught in the slime,
And fish that gasped at their final breath
Lay strewn at the shore's define,
The Merman turned, walked back to the sea
‘I'm putting you to the test!
You've seen what your future shores may be,
You'd better go tell the rest! '
9 August,2012
poem by David Lewis Paget
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The Coast Of Barbary
My lad is on the water and far away from me,
And I pray God be good to him wherever he may be,
Up the sea and down the sea,
And along the coast of Barbary.
Oh, night and day ships come in, the ships both great and small,
But never one among them brings a word of him at all,
From Port o' Spain and Trinidad, from Rio or Funchal,
And along the coast of Barbary.
If I must think he comes no more across yon seas forlorn,
If I must think there is no tide may bring him night or morn,
I'd curse the light that I look on, and the day that I was born,
And the cruel coast of Barbary.
But well I know that soon or late he'll come back blithe and brown,
When the fire's a good thing to see, and the dark drawing down,
From many a wild and stormy sea, and many a foreign town,
And along the coast of Barbary.
With a green silk handkerchief and a parrot red and green,
And shells and bits o' things to show from the places where he's been,
Up the sea and down the sea,
And along the coast of Barbary.
poem by Cicely Fox Smith
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The Cumberland
At anchor in Hampton Roads we lay,
On board of the Cumberland sloop-of-war;
And at times from the fortress across the bay
The alarum of drums swept past,
Or a bugle blast
From the camp on the shore.
Then far away to the south uprose
A little feather of snow-white smoke,
And we knew that the iron ship of our foes
Was steadily steering its course
To try the force
Of our ribs of oak.
Down upon us heavily runs,
Silent and sullen, the floating fort;
Then comes a puff of smoke from her guns,
And leaps the terrible death,
With fiery breath,
From each open port.
We are not idle, but send her straight
Defiance back in a full broadside!
As hail rebounds from a roof of slate,
Rebounds our heavier hail
From each iron scale
Of the monster's hide.
'Strike your flag!' the rebel cries,
In his arrogant old plantation strain.
'Never!' our gallant Morris replies:
'It is better to sink than to yield!'
And the whole air is pealed
With the cheers of our men.
Then like a kraken huge and black,
She crushed our ribs in her iron grasp!
Down went the Cumberland all awrack,
With a sudden shudder of death,
And the cannon's breath
For her dying gasp.
Next morn, as the sun rose over the bay,
Still floated our flag at the mainmast-head.
Lord, how beautiful was thy day!
Every waft of the air
Was a whisper of prayer,
Or a dirge for the dead.
Ho! brave hearts that went down in the seas!
Ye are at peace in the troubled stream.
Ho! brave land! with hearts like these,
Thy flag, that is rent in twain,
Shall be one again,
And without a seam.
poem by Henry Wadsworth Longfellow
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The Cumberland
At anchor in Hampton Roads we lay,
On board of the Cumberland, sloop-of-war;
And at times from the fortress across the bay
The alarum of drums swept past,
Or a bugle blast
From the camp on the shore.
Then far away to the south uprose
A little feather of snow-white smoke,
And we knew that the iron ship of our foes
Was steadily steering its course
To try the force
Of our ribs of oak.
Down upon us heavily runs,
Silent and sullen, the floating fort;
Then comes a puff of smoke from her guns,
And leaps the terrible death,
With fiery breath,
From each open port.
We are not idle, but send her straight
Defiance back in a full broadside!
As hail rebounds from a roof of slate,
Rebounds our heavier hail
From each iron scale
Of the monster's hide.
'Strike your flag!' the rebel cries,
In his arrogant old plantation strain.
'Never!' our gallant Morris replies;
'It is better to sink than to yield!'
And the whole air pealed
With the cheers of our men.
Then, like a kraken huge and black,
She crushed our ribs in her iron grasp!
Down went the Cumberland all a wrack,
With a sudden shudder of death,
And the cannon's breath
For her dying gasp.
Next morn, as the sun rose over the bay,
Still floated our flag at the mainmast head.
Lord, how beautiful was Thy day!
Every waft of the air
Was a whisper of prayer,
Or a dirge for the dead.
Ho! brave hearts that went down in the seas!
Ye are at peace in the troubled stream;
Ho! brave land! with hearts like these,
Thy flag, that is rent in twain,
Shall be one again,
And without a seam!
poem by Ralph Waldo Emerson
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Coast To Coast
Last stop for a resolution
End of the line, is it confusion?
So go. Go see whats there for you
Nothing new, nothing new for you to use
I've got no new act to amuse you
I've got no desire to use you, you know
But anything that I could do, would never be good enough for you
If you can't help it then just leave it alone
Leave it alone, yeah, just forget it
It's really easy
I believe I'll forget it too
Still you're keepin' me around
Til I finally drag us both down
Streaming feathers out your hat
Yes I believe that's where it's at
You belong tagging along
And I belong in your zoo
So I wait for confirmation
That you're never gonna use your starting gun
Unless its me it sounds like being here just wasn't that much fun
Anything that I could do
Would never be good enough for you
If you can't help it then just leave it alone
Leave me alone, yeah, just forget it
It's really easy
I'll just forget it too
Coast to coast, coast to coast
I'll do what I can so you can be what you do
Coast to coast, coast to coast
I'll do everything I can so you can be what you do
Coast to coast, coast to coast
Circuit rider comes every fifth sunday
Oh my lord, I fell asleep one day
Anything that I could do
Is there anything that I could do
That someone doesn't do for you
That someone didn't do for you
That I haven't already done for you
song performed by by Elliott Smith
Submitted by Lucian Velea
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The Lorry
Inside my lorry
I am driving through the night
Inside my lorry
The world does look all right
Five to five I got to drive
And if you ask me where I go
I tell you coast to coast is what I do
Coast to coast, you know
Motors noise
My only choice
I wanna hear it all night long
Orchestra for my voice
For my only song
Hey, gotta drive, see yall night
Coast to coast, thats my life
Coast to coast, all right
Motors noise
My only choice
I wanna hear it all night long
Orchestra for my voice
For my only song
song performed by by Yello
Submitted by Lucian Velea
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The Lorry
Inside my lorry
I am driving through the night
Inside my lorry
The world does look all right
Five to five I got to drive
And if you ask me where I go
I tell you coast to coast is what I do
Coast to coast, you know
Motors noise
My only choice
I wanna hear it all night long
Orchestra for my voice
For my only song
Hey, gotta drive, see yall night
Coast to coast, thats my life
Coast to coast, all right
Motors noise
My only choice
I wanna hear it all night long
Orchestra for my voice
For my only song
song performed by by Yello
Submitted by Lucian Velea
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The Window
All night long, by a distant bell,
The passing hours were notched
On the dark, while her breathing rose and fell,
And the spark of life I watched
In her face was glowing or fading, -- who could tell? --
And the open window of the room,
With a flare of yellow light,
Was peering out into the gloom,
Like an eye that searched the night.
Oh, what do you see in the dark, little window, and why do you fear?
"I see that the garden is crowded with creeping forms of fear:
Little white ghosts in the locust-tree, that wave in the night-wind's breath,
And low in the leafy laurels the larking shadow of death."
Sweet, clear notes of a waking bird
Told of the passing away
Of the dark, -- and my darling may have heard;
For she smiled in her sleep, while the ray
Of the rising dawn spoke joy without a word,
Till the splendor born in the east outburned
The yellow lamplight, pale and thin,
And the open window slowly turned
To the eye of the morning, looking in.
Oh, what do you see in the room, little window, that makes you so bright?
"I see that a child is asleep on her pillow, soft and white,
With the rose of life on her tips, and the breath of life in her breast,
And the arms of God around her as she quietly takes her rest."
poem by Henry Van Dyke
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In The Harbour: Decoration Day
Sleep, comrades, sleep and rest
On this Field of the Grounded Arms,
Where foes no more molest,
Nor sentry's shot alarms!
Ye have slept on the ground before,
And started to your feet
At the cannon's sudden roar,
Or the drum's redoubling beat.
But in this camp of Death
No sound your slumber breaks;
Here is no fevered breath,
No wound that bleeds and aches.
All is repose and peace,
Untrampled lies the sod;
The shouts of battle cease,
It is the Truce of God!
Rest, comrades, rest and sleep!
The thoughts of men shall be
As sentinels to keep
Your rest from danger free.
Your silent tents of green
We deck with fragrant flowers;
Yours has the suffering been,
The memory shall be ours.
poem by Henry Wadsworth Longfellow
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Drake's Drum
Drake he's in his hammock an' a thousand miles away,
(Capten, art tha sleepin' there below?)
Slung atween the round shot in Nombre Dios Bay,
An' dreamin' arl the time O' Plymouth Hoe.
Yarnder lumes the Island, yarnder lie the ships,
Wi' sailor lads a-dancing' heel-an'-toe,
An' the shore-lights flashin', an' the night-tide dashin',
He sees et arl so plainly as he saw et long ago.
Drake he was a Devon man, an' ruled the Devon seas,
(Capten, art tha' sleepin' there below?)
Roving' tho' his death fell, he went wi' heart at ease,
A' dreamin' arl the time o' Plymouth Hoe.
"Take my drum to England, hang et by the shore,
Strike et when your powder's runnin' low;
If the Dons sight Devon, I'll quit the port o' Heaven,
An' drum them up the Channel as we drumm'd them long ago."
Drake he's in his hammock till the great Armadas come,
(Capten, art tha sleepin' there below?)
Slung atween the round shot, listenin' for the drum,
An' dreamin arl the time o' Plymouth Hoe.
Call him on the deep sea, call him up the Sound,
Call him when ye sail to meet the foe;
Where the old trade's plyin' an' the old flag flyin'
They shall find him ware an' wakin', as they found him long ago!
poem by Sir Henry Newbolt
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Estrangement
DO you remember how, one autumn night,
We sat upon the rocks and watched the sea
In dreamlike silence, while the moonlight fell
On you and me?
How, as we lingered musing, side by side,
5
A cold, white mist crept down and hid the sea
And dimmed the moon, and how the air grew chill
Round you and me?
The mist and chill of that drear autumn night,
When we sat silent looking on the sea,
10
I often think has never passed away
From you and me.
poem by Frederick George Scott
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Home
I came back late and tired last night
Into my little room,
To the long chair and the firelight
And comfortable gloom.
But as I entered softly in
I saw a woman there,
The line of neck and cheek and chin,
The darkness of her hair,
The form of one I did not know
Sitting in my chair.
I stood a moment fierce and still,
Watching her neck and hair.
I made a step to her; and saw
That there was no one there.
It was some trick of the firelight
That made me see her there.
It was a chance of shade and light
And the cushion in the chair.
Oh, all you happy over the earth,
That night, how could I sleep?
I lay and watched the lonely gloom;
And watched the moonlight creep
From wall to basin, round the room,
All night I could not sleep.
poem by Rupert Brooke (1913)
Submitted by Veronica Serbanoiu
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Can You Hear It
Drum, drum, tipi tap, tong,
I like that beat as it comes along.
It’s the same beat and the same tune,
we all know it’ll be here soon.
Drum, drum, tipi tap, tong,
fast or slow it’s a catchy song.
I kind of look forward to its day
and it's a shame when it goes away.
Drum, drum, tipi tap, tong,
It's getting closer and it won’t be long.
At last it's coming down our street
with its catchy drumming beat.
Drum, drum, tipi tap, tong,
it's so simple I can’t go wrong.
It's getting louder as it comes near,
the people watching give it a cheer.
Drum, drum, tipi tap, tong,
the beat’s blasting out loud and strong.
The man inside this sweeping machine
sings as he works to keep the streets clean.
Drum, drum, tipi tap, tong,
the sounds are fading as it goes along.
But it's nice to know as he sweeps the curb,
his drum, drum, tipi tap, tong, has the final word.
poem by Orlando Belo
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A Boston Ballad, 1854
TO get betimes in Boston town, I rose this morning early;
Here's a good place at the corner--I must stand and see the show.
Clear the way there, Jonathan!
Way for the President's marshal! Way for the government cannon!
Way for the Federal foot and dragoons--and the apparitions copiously
tumbling.
I love to look on the stars and stripes--I hope the fifes will play
Yankee Doodle.
How bright shine the cutlasses of the foremost troops!
Every man holds his revolver, marching stiff through Boston town.
A fog follows--antiques of the same come limping,
Some appear wooden-legged, and some appear bandaged and bloodless. 10
Why this is indeed a show! It has called the dead out of the earth!
The old grave-yards of the hills have hurried to see!
Phantoms! phantoms countless by flank and rear!
Cock'd hats of mothy mould! crutches made of mist!
Arms in slings! old men leaning on young men's shoulders!
What troubles you, Yankee phantoms? What is all this chattering of
bare gums?
Does the ague convulse your limbs? Do you mistake your crutches for
fire-locks, and level them?
If you blind your eyes with tears, you will not see the President's
marshal;
If you groan such groans, you might balk the government cannon.
For shame, old maniacs! Bring down those toss'd arms, and let your
white hair be; 20
Here gape your great grand-sons--their wives gaze at them from the
windows,
See how well dress'd--see how orderly they conduct themselves.
Worse and worse! Can't you stand it? Are you retreating?
Is this hour with the living too dead for you?
Retreat then! Pell-mell!
To your graves! Back! back to the hills, old limpers!
I do not think you belong here, anyhow.
But there is one thing that belongs here--shall I tell you what it
is, gentlemen of Boston?
I will whisper it to the Mayor--he shall send a committee to England;
They shall get a grant from the Parliament, go with a cart to the
royal vault--haste! 30
Dig out King George's coffin, unwrap him quick from the grave-
clothes, box up his bones for a journey;
Find a swift Yankee clipper--here is freight for you, black-bellied
clipper,
Up with your anchor! shake out your sails! steer straight toward
Boston bay.
Now call for the President's marshal again, bring out the government
cannon,
Fetch home the roarers from Congress, make another procession, guard
it with foot and dragoons.
This centre-piece for them:
Look! all orderly citizens--look from the windows, women!
The committee open the box, set up the regal ribs, glue those that
will not stay,
Clap the skull on top of the ribs, and clap a crown on top of the
skull.
You have got your revenge, old buster! The crown is come to its own,
and more than its own.
Stick your hands in your pockets, Jonathan--you are a made man from
this day; 40
You are mighty cute--and here is one of your bargains.
poem by Walt Whitman
Submitted by Poetry Lover
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Ode
I.
Our city by the sea,
As the rebel city known,
With a soul and spirit free
As the waves that make her zone,
Stands in wait for the fate
From the angry arm of hate;
But she nothing fears the terror of his blow;
She hath garrisoned her walls,
And for every son that falls,
She will spread a thousand palls
For-the foe!
II.
Old Moultrie at her gate,
Clad in arms and ancient fame.
Grimly watching, stands elate
To deliver bolt and flame!
Brave the band, at command,
To illumine sea and land
With a glory that shall honor days of yore;
And, as racers for their goals,
A thousand fiery souls,
While the drum of battle rolls,
Line the shore.
III.
Lo! rising at his side,
As if emulous to share
His old historic pride,
The vast form of Sumter there!
Girt by waves, which he braves
Though the equinoctial raves,
As the mountain braves the lightning on his steep;
And, like tigers crouching round,
Are the tribute forts that bound
All the consecrated ground,
By the deep!
IV.
It was calm, the April noon,
When, in iron-castled towers,
Our haughty foe came on,
With his aggregated powers;
All his might 'gainst the right,
Now embattled for the fight,
With Hell's hate and venom working in his heart;
A vast and dread array,
Glooming black upon the day,
Hell's passions all in play,
With Hell's art.
V.
But they trouble not the souls
Of our Carolina host,[1]
And the drum of battle rolls,
While each hero seeks his post;
Firm, though few, sworn to do,
Their old city full in view,
The brave city of their sires and their dead;
There each freeman had his brood,
All the dear ones of his blood,
And he knew they watching stood,
In their dread!
VI.
To the bare embattled height,
Then our gallant colonel sprung--
'Bid them welcome to the fight,'
Were the accents of his tongue--
'Music! band, pour out--grand--
The free song of Dixie Land!
Let it tell them we are joyful that they come!
Bid them welcome, drum and flute,
Nor be your cannon mute,
Give them chivalrous salute--
To their doom!'[2]
VII.
Out spoke an eager gun,
From the walls of Moultrie then;
And through clouds of sulph'rous dun,
Rose a shout of thousand men,
As the shot, hissing hot,
Goes in lightning to the spot--
Goes crashing wild through timber and through mail;
Then roared the storm from all,
Moultrie's ports and Sumter's wall--
Bursting bomb and driving ball--
Hell in hail!
VIII.
Full a hundred cannon roared
The dread welcome to the foe,
And his felon spirit cowered,
As he crouched beneath the blow!
As each side opened wide
To the iron and the tide,
He lost his faith in armor and in art;
And, with the loss of faith,
Came the dread of wounds and scath--
And the felon fear of death
Wrung his heart!
IX.
Quenched then his foul desires;
In his mortal pain and fear,
How feeble grew his fires,
How stayed his fell career!
How each keel, made to reel
'Neath our thunder, seems to kneel,
Their turrets staggering wildly, to and fro, blind and lame;
Ironsides and iron roof,
Held no longer bullet-proof,
Steal away, shrink aloof,
In their shame!
X.
But our lightnings follow fast,
With a vengeance sharp and hot;
Our bolts are on the blast,
And they rive with shell and shot!
Huge the form which they warm
With the hot breath of the storm;
Dread the crash which follows as each Titan mass is struck--
They shiver as they fly,
While their leader, drifting nigh,
Sinks, choking with the cry--
'Keokuk!'
XI.
To the brave old city, joy!
For that the hostile race,
Commissioned to destroy,
Hath fled in sore disgrace!
That our sons, at their guns,
Have beat back the modern Huns--
Have maintained their household fanes and their fires;
And free from taint and scath,
Have kept the fame and faith
(And will keep, through blood and death)
Of their sires!
XII.
To the Lord of Hosts the glory,
For His the arm and might,
That have writ for us the story,
And have borne us through the fight!
His our shield in that field--
Voice that bade us never yield;
Oh! had he not been with us through the terrors of that day?
His strength hath made us strong,
Cheered the right and crushed the wrong,
To His temple let us throng--
PRAISE AND PRAY!
poem by William Gilmore Simms
Submitted by Poetry Lover
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