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Tales Of A Wayside Inn : Part 2. Prelude

A cold, uninterrupted rain,
That washed each southern window-pane,
And made a river of the road;
A sea of mist that overflowed
The house, the barns, the gilded vane,
And drowned the upland and the plain,
Through which the oak-trees, broad and high,
Like phantom ships went drifting by;
And, hidden behind a watery screen,
The sun unseen, or only seen
As a faint pallor in the sky;--
Thus cold and colorless and gray,
The morn of that autumnal day,
As if reluctant to begin,
Dawned on the silent Sudbury Inn,
And all the guests that in it lay.

Full late they slept. They did not hear
The challenge of Sir Chanticleer,
Who on the empty threshing-floor,
Disdainful of the rain outside,
Was strutting with a martial stride,
As if upon his thigh he wore
The famous broadsword of the Squire,
And said, 'Behold me, and admire!'

Only the Poet seemed to hear,
In drowse or dream, more near and near
Across the border-land of sleep,
The blowing of a blithesome horn,
That laughed the dismal day to scorn;
A splash of hoofs and rush of wheels
Through sand and mire like stranding keels,
As from the road with sudden sweep
The Mail drove up the little steep,
And stopped beside the tavern door;
A moment stopped, and then again
With crack of whip and bark of dog
Plunged forward through the sea of fog,
And all was silent as before,--
All silent save the dripping rain.

Then one by one the guests came down,
And greeted with a smile the Squire,
Who sat before the parlor fire,
Reading the paper fresh from town.
First the Sicilian, like a bird,
Before his form appeared, was heard
Whistling and singing down the stair;
Then came the Student, with a look
As placid as a meadow-brook;
The Theologian, still perplexed
With thoughts of this world and the next;
The Poet then, as one who seems
Walking in visions and in dreams;
Then the Musician, like a fair
Hyperion from whose golden hair
The radiance of the morning streams;
And last the aromatic Jew
Of Alicant, who, as he threw
The door wide open, on the air
Breathed round about him a perfume
Of damask roses in full bloom,
Making a garden of the room.

The breakfast ended, each pursued
The promptings of his various mood;
Beside the fire in silence smoked
The taciturn, impassive Jew,
Lost in a pleasant revery;
While, by his gravity provoked,
His portrait the Sicilian drew,
And wrote beneath it 'Edrehi,
At the Red Horse in Sudbury.'

By far the busiest of them all,
The Theologian in the hall
Was feeding robins in a cage,--
Two corpulent and lazy birds,
Vagrants and pilferers at best,
If one might trust the hostler's words,
Chief instrument of their arrest;
Two poets of the Golden Age,
Heirs of a boundless heritage
Of fields and orchards, east and west,
And sunshine of long summer days,
Though outlawed now and dispossessed!--
Such was the Theologian's phrase.

Meanwhile the Student held discourse
With the Musician, on the source
Of all the legendary lore
Among the nations, scattered wide
Like silt and seaweed by the force
And fluctuation of the tide;
The tale repeated o'er and o'er,
With change of place and change of name,
Disguised, transformed, and yet the same
We've heard a hundred times before.

The Poet at the window mused,
And saw, as in a dream confused,
The countenance of the Sun, discrowned,
And haggard with a pale despair,
And saw the cloud-rack trail and drift
Before it, and the trees uplift
Their leafless branches, and the air
Filled with the arrows of the rain,
And heard amid the mist below,
Like voices of distress and pain,
That haunt the thoughts of men insane,
The fateful cawings of the crow.

Then down the road, with mud besprent,
And drenched with rain from head to hoof,
The rain-drops dripping from his mane
And tail as from a pent-house roof,
A jaded horse, his head down bent,
Passed slowly, limping as he went.

The young Sicilian--who had grown
Impatient longer to abide
A prisoner, greatly mortified
To see completely overthrown
His plans for angling in the brook,
And, leaning o'er the bridge of stone,
To watch the speckled trout glide by,
And float through the inverted sky,
Still round and round the baited hook--
Now paced the room with rapid stride,
And, pausing at the Poet's side,
Looked forth, and saw the wretched steed,
And said: 'Alas for human greed,
That with cold hand and stony eye
Thus turns an old friend out to die,
Or beg his food from gate to gate!
This brings a tale into my mind,
Which, if you are not disinclined
To listen, I will now relate.'

All gave assent; all wished to hear,
Not without many a jest and jeer,
The story of a spavined steed;
And even the Student with the rest
Put in his pleasant little jest
Out of Malherbe, that Pegasus
Is but a horse that with all speed
Bears poets to the hospital;
While the Sicilian, self-possessed,
After a moment's interval
Began his simple story thus.

poem by Henry Wadsworth Longfellow
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Tales Of A Wayside Inn : Part 3. Interlude III.

Thus ran the Student's pleasant rhyme
Of Eginhard and love and youth;
Some doubted its historic truth,
But while they doubted, ne'ertheless
Saw in it gleams of truthfulness,
And thanked the Monk of Lauresheim.
This they discussed in various mood;
Then in the silence that ensued
Was heard a sharp and sudden sound
As of a bowstring snapped in air;
And the Musician with a bound
Sprang up in terror from his chair,
And for a moment listening stood,
Then strode across the room, and found
His dear, his darling violin
Still lying safe asleep within
Its little cradle, like a child
That gives a sudden cry of pain,
And wakes to fall asleep again;
And as he looked at it and smiled,
By the uncertain light beguiled,
Despair! two strings were broken in twain.
While all lamented and made moan,
With many a sympathetic word
As if the loss had been their own,
Deeming the tones they might have heard
Sweeter than they had heard before,
They saw the Landlord at the door,
The missing man, the portly Squire!
He had not entered, but he stood
With both arms full of seasoned wood,
To feed the much-devouring fire,
That like a lion in a cage
Lashed its long tail and roared with rage.
The missing man! Ah, yes, they said,
Missing, but whither had he fled?
Where had he hidden himself away?
No farther than the barn or shed;
He had not hidden himself, nor fled;
How should he pass the rainy day
But in his barn with hens and hay,
Or mending harness, cart, or sled?
Now, having come, he needs must stay
And tell his tale as well as they.
The Landlord answered only: 'These
Are logs from the dead apple-trees
Of the old orchard planted here
By the first Howe of Sudbury.
Nor oak nor maple has so clear
A flame, or burns so quietly,
Or leaves an ash so clean and white;'
Thinking by this to put aside
The impending tale that terrified;
When suddenly, to his delight,
The Theologian interposed,
Saying that when the door was closed,
And they had stopped that draft of cold,
Unpleasant night air, he proposed
To tell a tale world-wide apart
From that the Student had just told;
World-wide apart, and yet akin,
As showing that the human heart
Beats on forever as of old,
As well beneath the snow-white fold
Of Quaker kerchief, as within
Sendal or silk or cloth of gold,
And without preface would begin.
And then the clamorous clock struck eight,
Deliberate, with sonorous chime
Slow measuring out the march of time,
Like some grave Consul of old Rome
In Jupiter's temple driving home
The nails that marked the year and date.
Thus interrupted in his rhyme,
The Theologian needs must wait;
But quoted Horace, where he sings
The dire Necessity of things,
That drives into the roofs sublime
Of new-built houses of the great
The adamantine nails of Fate.
When ceased the little carillon
To herald from its wooden tower
The important transit of the hour,
The Theologian hastened on,
Content to be allowed at last
To sing his Idyl of the Past.

poem by Henry Wadsworth Longfellow
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The Rain Comes Sobbing to the Door

The night grows dark, and weird, and cold; and thick drops patter on the pane;
There comes a wailing from the sea; the wind is weary of the rain.
The red coals click beneath the flame, and see, with slow and silent feet
The hooded shadows cross the woods to where the twilight waters beat!
Now, fan-wise from the ruddy fire, a brilliance sweeps athwart the floor;
As, streaming down the lattices, the rain comes sobbing to the door:
As, streaming down the lattices,
The rain comes sobbing to the door.

Dull echoes round the casement fall, and through the empty chambers go,
Like forms unseen whom we can hear on tip-toe stealing to and fro.
But fill your glasses to the brims, and, through a mist of smiles and tears,
Our eyes shall tell how much we love to toast the shades of other years!
And hither they will flock again, the ghosts of things that are no more,
While, streaming down the lattices, the rain comes sobbing to the door:
While, streaming down the lattices,
The rain comes sobbing to the door.

The tempest-trodden wastelands moan - the trees are threshing at the blast;
And now they come, the pallid shapes of Dreams that perished in the past;
And, when we lift the windows up, a smothered whisper round us strays,
Like some lone wandering voice from graves
that hold the wrecks of bygone days.
I tell ye that I ~love~ the storm, for think we not of ~thoughts~ of yore,
When, streaming down the lattices, the rain comes sobbing to the door?
When, streaming down the lattices,
The rain comes sobbing to the door?

We'll drink to those we sadly miss, and sing some mournful song we know,
Since they may chance to hear it all, and muse on friends they've left below.
Who knows - if souls in bliss can leave the borders of their Eden-home -
But that some loving one may now about the ancient threshold roam?
Oh, like an exile, he would hail a glimpse of the familiar floor,
Though, streaming down the lattices, the rain comes sobbing to the door!
Though, streaming down the lattices,
The rain comes sobbing to the door!

poem by Henry Kendall
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Tales Of A Wayside Inn : Part 3. Prelude

The evening came; the golden vane
A moment in the sunset glanced,
Then darkened, and then gleamed again,
As from the east the moon advanced
And touched it with a softer light;
While underneath, with flowing mane,
Upon the sign the Red Horse pranced,
And galloped forth into the night.

But brighter than the afternoon
That followed the dark day of rain,
And brighter than the golden vane
That glistened in the rising moon,
Within the ruddy fire-light gleamed;
And every separate window-pane,
Backed by the outer darkness, showed
A mirror, where the flamelets gleamed
And flickered to and fro, and seemed
A bonfire lighted in the road.

Amid the hospitable glow,
Like an old actor on the stage,
With the uncertain voice of age,
The singing chimney chanted low
The homely songs of long ago.

The voice that Ossian heard of yore,
When midnight winds were in his hall;
A ghostly and appealing call,
A sound of days that are no more!
And dark as Ossian sat the Jew,
And listened to the sound, and knew
The passing of the airy hosts,
The gray and misty cloud of ghosts
In their interminable flight;
And listening muttered in his beard,
With accent indistinct and weird,
'Who are ye, children of the Night?'

Beholding his mysterious face,
'Tell me,' the gay Sicilian said,
'Why was it that in breaking bread
At supper, you bent down your head
And, musing, paused a little space,
As one who says a silent grace?'

The Jew replied, with solemn air,
'I said the Manichaean's prayer.
It was his faith,--perhaps is mine,--
That life in all its forms is one,
And that its secret conduits run
Unseen, but in unbroken line,
From the great fountain-head divine
Through man and beast, through grain and grass.
Howe'er we struggle, strive, and cry,
From death there can be no escape,
And no escape from life, alas
Because we cannot die, but pass
From one into another shape:
It is but into life we die.

'Therefore the Manichaean said
This simple prayer on breaking bread,
Lest he with hasty hand or knife
Might wound the incarcerated life,
The soul in things that we call dead:
'I did not reap thee, did not bind thee,
I did not thrash thee, did not grind thee,
Nor did I in the oven bake thee!
It was not I, it was another
Did these things unto thee, O brother;
I only have thee, hold thee, break thee!''

'That birds have souls I can concede,'
The Poet cried, with glowing cheeks;
'The flocks that from their beds of reed
Uprising north or southward fly,
And flying write upon the sky
The biforked letter of the Greeks,
As hath been said by Rucellai;
All birds that sing or chirp or cry,
Even those migratory bands,
The minor poets of the air,
The plover, peep, and sanderling,
That hardly can be said to sing,
But pipe along the barren sands,--
All these have souls akin to ours;
So hath the lovely race of flowers:
Thus much I grant, but nothing more.
The rusty hinges of a door
Are not alive because they creak;
This chimney, with its dreary roar,
These rattling windows, do not speak!'
'To me they speak,' the Jew replied;
'And in the sounds that sink and soar,
I hear the voices of a tide
That breaks upon an unknown shore!'

Here the Sicilian interfered:
'That was your dream, then, as you dozed
A moment since, with eyes half-closed,
And murmured something in your beard.'
The Hebrew smiled, and answered, 'Nay;
Not that, but something very near;
Like, and yet not the same, may seem
The vision of my waking dream;
Before it wholly dies away,
Listen to me, and you shall hear.'

poem by Henry Wadsworth Longfellow
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In Eclipse

PALE veil of mist bound round the trees
Pale fringe of rain upon the hills,
Cold earth, cold sky and biting breeze
That mock the withered daffodils.
And yet so short a while ago,
The sunlight on the quickened land
Laughed at the memory of the snow,
And we went hand in hand.

Pale veil of doubt wound round my heart,
Pale fringe of tears upon your eyes;
Why did we choose the evil part?
Why did we leave our Paradise?
There were such green and pleasant ways
Where you and I with happy heart
Laughed at the old unhappy days,
And now--we are apart.

Will the sun shine again some day?
Will you forgive me and forget?
Chill is the east, the west is gray,
And all our world with tears is wet.
Ah! love, the world is wide and cold,
The weary skies are wild with rain;
Give me at least your hand to hold
Till the sun shines again.

poem by Edith Nesbit
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Tales Of A Wayside Inn : Part 3. Interlude VI.

'Now that is after my own heart,'
The Poet cried; 'one understands
Your swarthy hero Scanderbeg,
Gauntlet on hand and boot on leg,
And skilled in every warlike art,
Riding through his Albanian lands,
And following the auspicious star
That shone for him o'er Ak-Hissar.'

The Theologian added here
His word of praise not less sincere,
Although he ended with a jibe;
'The hero of romance and song
Was born,' he said, 'to right the wrong;
And I approve; but all the same
That bit of treason with the Scribe
Adds nothing to your hero's fame.'

The Student praised the good old times,
And liked the canter of the rhymes,
That had a hoofbeat in their sound;
But longed some further word to hear
Of the old chronicler Ben Meir,
And where his volume might he found.

The tall Musician walked the room
With folded arms and gleaming eyes,
As if he saw the Vikings rise,
Gigantic shadows in the gloom;
And much he talked of their emprise
And meteors seen in Northern skies,
And Heimdal's horn, and day of doom.
But the Sicilian laughed again;
'This is the time to laugh,' he said,
For the whole story he well knew
Was an invention of the Jew,
Spun from the cobwebs in his brain,
And of the same bright scarlet thread
As was the Tale of Kambalu.

Only the Landlord spake no word;
'T was doubtful whether he had heard
The tale at all, so full of care
Was he of his impending fate,
That, like the sword of Damocles,
Above his head hung blank and bare,
Suspended by a single hair,
So that he could not sit at ease,
But sighed and looked disconsolate,
And shifted restless in his chair,
Revolving how he might evade
The blow of the descending blade.

The Student came to his relief
By saying in his easy way
To the Musician: 'Calm your grief,
My fair Apollo of the North,
Balder the Beautiful and so forth;
Although your magic lyre or lute
With broken strings is lying mute,
Still you can tell some doleful tale
Of shipwreck in a midnight gale,
Or something of the kind to suit
The mood that we are in to-night
For what is marvellous and strange;
So give your nimble fancy range,
And we will follow in its flight.'

But the Musician shook his head;
'No tale I tell to-night,' he said,
'While my poor instrument lies there,
Even as a child with vacant stare
Lies in its little coffin dead.'

Yet, being urged, he said at last:
'There comes to me out of the Past
A voice, whose tones are sweet and wild,
Singing a song almost divine,
And with a tear in every line;
An ancient ballad, that my nurse
Sang to me when I was a child,
In accents tender as the verse;
And sometimes wept, and sometimes smiled
While singing it, to see arise
The look of wonder in my eyes,
And feel my heart with terror beat.
This simple ballad I retain
Clearly imprinted on my brain,
And as a tale will now repeat.'

poem by Henry Wadsworth Longfellow
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A Poets Era

They whispered as thunder clapped
and the rain fell
the bird hid as they songs
were awfully silent
nothing was said as the
television remained silent
the creatures stayed and stared
as the all stayed mouth open
pen to paper he wrote

the night were cold
and day brutal
sleep cometh not to these
eyes as my hand shake
retired from it all
fell sick as i stand tall
had to come back
said it was my last
but the mind of a poet
just refuse to quit
inspiration ran through
my veins as my body ache
the books took dust
but they story they tell
now pen to paper i see
when i write people listen
and through that peace evolves
so pen to paper its glad to say

In the dawn of my day
and the silence of the night
a poet time is never ended
cause in death our tale still tells
so my time is an era to be told
so here i go

poem by Robert Roberts
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Golden Rain

There is no Golden rain in real life
But in our dreams you and I see it clear
It falls from the sky
It paints our face golden like the sun
It doesn’t matter in the dream
Because it is only in the dream that can happen
The trees and the flowers and the grass are golden also
Nothing like that would had happen in real life
Because in real life the rain is silver
And our face doesn’t change color with the rain
It only happens in our dream
Weird things happen when we are dreaming
The are no birds to see
What a strange land this is
No house
No cars
No bus
No other people
But you and me
That Golden rain keeps falling non stop
And keep raining down that creek
That Golden rain doesn’t look nice at all
Not even in our dreams
What about the weather
It is cold and miserable
It makes us even more tired
And we want to sleep more
It is happening now in our dreams
And that Golden rain in our dream is not going to hurt us
There is no acid in that Golden rain
And that land in our dream is not polluted like the land in real life

poem by Aldo Kraas
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The ghost Bereft

THE poor ghost came through the wind and rain
And passed down the old dear road again.

Thin cowered the hedges, the tall trees swayed
Like little children that shrank afraid.

The wind was wild and the night was late
When the poor ghost came to the garden gate;

Dank were the flower-beds, heavy and wet,
The weeds stood up where the rose was set.

The wind was angry, the rain beat sore
When the poor ghost came to its own house-door.

'And shall I find her a-weeping still
To think how alone I lie and chill?

'Or shall I find her happy and warm
With her dear head laid on a new love's arm?

'Or shall I find she has learned to pine
For another's love, and not for mine?

'Whatever chance, I have this to my store,
She is mine, my own, for evermore!'

So the poor ghost came through the wind and rain
Till it reached the square bright window pane.

'Oh! what is here in the room so bright?
Roses and love, and a hid delight?

'What lurks in the silence that fills the room?
A cypress wreath from a dead man's tomb?

'What sleeps? What wakes? And oh! can it be
Her heart that is breaking--and not for me?'

Then the poor ghost looked through the window pane,
Though all the glass was wrinkled with rain.

'Oh, there is light, at the feet and head
Twelve tall tapers about the bed.

'Oh, there are flowers, white flowers and rare,
But not the garland a bride may wear.

'Jasmine white and a white white rose,
But its scent is gone where the lost dream goes.

'Straight lilies laid on the strait white bier--
But the room is empty--she is not here!

'Her body lies here, deserted, cold;
And the body that loved it creeps in the mould.

'Was there ever an hour when my Love, set free,
Would not have hastened and come to me?

'Can the soul that loved mine long ago
Be hence and away, and I not know?

'Oh, then God's judgment is on me sore,
For I have lost her for evermore!'

And the poor ghost fared through the wind and rain
To its own appointed place again.

But up in Heaven, where memories cease
Because the blessed have won to peace,

One pale saint shivered, and closer wound
The shining raiment that wrapped her round.

'Oh, fair is Heaven, and glad am I,
Yet I fain would remember the days gone by.

'The past is veiled, and I may not know,
But I think there was sorrow, long ago;

'The sun of Heaven is warm and bright,
But I think there is rain on the earth to-night.

'O Christ, because of Thine own sore pain
Help all poor souls in the wind and rain.'

poem by Edith Nesbit
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When I Feel The Rain I Live

Outside it's raining and i'm watching at my window,
In silence of the world, only the dance of rain i could feel,
My thoughts are in torment of questions and answers,
Only the rain knows what i need.

Rain falls gradually in the rhythm of my thoughts,
I feel it's wrapping my pain,
The voice of rain calming my senses,
When my heart is rushing to beat.

I'm watching rain from window,
The cold drops are touching the thirsty ground,
My soul is the same as the soil,
It needs love as much the soil needs rain.

I'm walking in cold rain,
Like crystal pearls are falling from the sky,
When touching my skin it's like magic,
I feel my soul light and released of pain.

I'm listening the music of the rain drops,
And on this music i am dancing, speeding around,
With my arms wide open touching rain drops,
Rain is caressing me with its voice and touch.

I adore rain, it's all my sould wanted,
Caressing me, awaking life in me,
When i feel the rain and listen to its rhythm,
I wish to live again, again, again.

poem by Cristina Teodor
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Tales Of A Wayside Inn : Part 2. Interlude IV.

When the long murmur of applause
That greeted the Musician's lay
Had slowly buzzed itself away,
And the long talk of Spectre Ships
That followed died upon their lips
And came unto a natural pause,
'These tales you tell are one and all
Of the Old World,' the Poet said,
'Flowers gathered from a crumbling wall,
Dead leaves that rustle as they fall;
Let me present you in their stead
Something of our New England earth,
A tale which, though of no great worth,
Has still this merit, that it yields
A certain freshness of the fields,
A sweetness as of home-made bread.'

The Student answered: 'Be discreet;
For if the flour be fresh and sound,
And if the bread be light and sweet,
Who careth in what mill 't was ground,
Or of what oven felt the heat,
Unless, as old Cervantes said,
You are looking after better bread
Than any that is made of wheat?
You know that people nowadays
To what is old give little praise;
All must be new in prose and verse:
They want hot bread, or something worse,
Fresh every morning, and half baked;
The wholesome bread of yesterday,
Too stale for them, is thrown away,
Nor is their thirst with water slaked.

As oft we see the sky in May
Threaten to rain, and yet not rain,
The Poet's face, before so gay,
Was clouded with a look of pain,
But suddenly brightened up again;
And without further let or stay
He told his tale of yesterday.

poem by Henry Wadsworth Longfellow
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At Her Door

OPEN! Open! Open!
I am here at your door outside;
The sea's blue tide flows speedily,
And ebbs a thin red tide.'
The woman rose from her warm white bed,
Threw back her hair and smiled;
The ears of scorn heard the words of love,
And the wind and the words were wild.
'Wake! Awake! Awake!
And hearken the woe outside;
The moon is hid in cloudiness;
Calleth and calleth the tide.'
The woman stood in the silence still
As a thing men carve from stone.
Her eyes burned largely in the dark,
And the smile, like a stain, stayed on.
'Listen! Listen! Listen!
Hear you the rain to-night?
A warm dark rain is falling too,
And I grow ghostly-white.'
The woman took three steps and bowed;
The smile waned from her lip;
She heard the dripping of the rain
And a soft thick other drip.
'Open! Open! Open!
I die in the dark alone.
My voice goes up in weariness
Against your heart of stone.'
The moon to a cloud-cleft stealing
Gazed down on the yearning tide;
The woman opened the streaming door
And stood in the rain outside.
Silence! Stillness! She whispers,
'Ah, Love, that death should be!'
He sighed, 'Your lips are loveliness!'
And she sobbed, 'Woe is me!'
The woman pressed his dead white face
With her face as deadly white:
The moon drew in behind a cloud,
And the tide moaned through the night.

poem by Roderic Quinn
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Red Rain

Red rain is coming down
Red rain
Red rain is pouring down
Pouring down all over me
I am standing up at the waters edge in my dream
I cannot make a single sound as you scream
It cant be that cold, the ground is still warm to touch
This place is so quiet, sensing that storm
Red rain is coming down
Red rain
Red rain is pouring down
Pouring down all over me
Well Ive seen them buried in a sheltered place in this town
They tell you that this rain can sting, and look down
There is no blood around see no sign of pain
Hay ay ay no pain
Seeing no red at all, see no rain
Red rain is coming down
Red rain
Red rain is pouring down
Pouring down all over me
Red rain-
Putting the pressure on much harder now
To return again and again
Just let the red rain splash you
Let the rain fall on your skin
I come to you defences down
With the trust of a child
Red rain is coming down
Red rain
Red rain is pouring down
Pouring down all over me
And I cant watch any more
No more denial
Its so hard to lay down in all of this
Red rain is coming down
Red rain is pouring down
Red rain is coming down all over me
I see it
Red rain is coming down
Red rain is pouring down
Red rain is coming down all over me
Im bathing in it
Red rain coming down
Red rain is coming down
Red rain is coming down all over me
Im begging you
Red rain coming down
Red rain coming down
Red rain coming down
Red rain coming down
Over me in the red red sea
Over me
Over me
Red rain

song performed by by Peter Gabriel
Submitted by Lucian Velea
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When Will It Rain

No one ever sees you cry
You just keep it all inside
In a warm place, where you can hide
When will it rain
When will it rain
I saw you laugh the other day
But all too fast it went away
Now your skys cloudy n gray
Falling mainly on the plain
When will it rain
When will it rain
No water fallls
Down your window pane
And when I look into your eyes
That window to your soul cant lie
Theres water where the well went dry
So how long can there be a drought
When your dams filled with doubt
No place to build your house
Let your cup runneth over and out
I said for crying out loud
When will it rain
When will it rain
No water fallls
Down your window pane
When will it rain
When will it rain
A tear for fear is calling out your name
Rain on me

song performed by by Extreme
Submitted by Lucian Velea
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Let Me Stand In The Rain

Let me walk down that cold blurry road;
feel the cold rain down my hair
the wind blowing twisting and turning
to avoid the cold rain
let me feel the cold rush through my body
let me avoid the hate; make them all drown
let the rain wash them away
let me stand in the rain
I'll stand up on top of the black pavement and hear the pounding of the rain
I'll cry and let the tears fall down with the rush of the rain
theres no need to hide in the dark
no need for an umbrella
theres no need for someone to say 'I hate you'
I'll just stay hidden in the rain like a dumb girl
I'll stand there till Romeo comes and save me
but I, the foolish one can only imagine the rubbish things a fantasy book would want
let me stand in the rain and protest my love to Romeo
it's not an obsession its a misunderstandment
like me foolishly standing in the rain, waiting for nothing
but drops of lies
not one or one night I will forget Romeo
He should be thoughtful I put some care and thought for him
but there I go imagining
Let me stand in the rain and pour my emotions
where no one can see, where no one can give sympathy but the truth
let me stand in the rain till I fall ill
wake me up when the sunshine has come and drops of light showing me honesty
and Romeo standing there waiting for me
let me stand in the rain so my imagination can go over the top of head
let me stand there till the numbness of my heart breaks away

Let me stand in the rain.............

poem by Alecia Nak
Submitted by Poetry Lover
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Ghost Song

An old man and an old horse moved slowly and steadily
towards the furthest mountain.
An old man on an old horse.
The old man thought of the many times he'd been thrown;
the old horse, how many times he'd been ridden.
They weren't in no great rush.
The old man sat straight in the saddle, head held high.
The old horse kept his head high too,
letting his feet choose the way as they
searched the clouds looking for any old friends
they had passed on the way.
A soft gentle rain started to fall,
the horse stopped, the old man bent over
and stroked his friend's neck

poem by William Mendelson
Submitted by Poetry Lover
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Embrace Tranquillity

Embracing the heavenly seasons defends sunlight,
A slight rain comes, defending and offending the outcome;
Frail vines never rest on this trail atop the cliffs,
And we are lost in thoughts with traces of rain.
Along golden streams mushrooms and thistle exist,
A long-ago student of the winds must have been afoot.
He was drunk with poetic words and phrases and waded
The broad streams with many esoteric ideas
About the owner of creation, the keeper of leaves.
The poet never knew visitors came to see his history,
In this unforgotten realm of total tranquillity.

poem by Naveed Akram
Submitted by Poetry Lover
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Flower-De-Luce: Hawthorne

How beautiful it was, that one bright day
In the long week of rain!
Though all its splendor could not chase away
The omnipresent pain.

The lovely town was white with apple-blooms,
And the great elms o'erhead
Dark shadows wove on their aerial looms
Shot through with golden thread.

Across the meadows, by the gray old manse,
The historic river flowed:
I was as one who wanders in a trance,
Unconscious of his road.

The faces of familiar friends seemed strange;
Their voices I could hear,
And yet the words they uttered seemed to change
Their meaning to my ear.

For the one face I looked for was not there,
The one low voice was mute;
Only an unseen presence filled the air,
And baffled my pursuit.

Now I look back, and meadow, manse, and stream
Dimly my thought defines;
I only see--a dream within a dream--
The hill-top hearsed with pines.

I only hear above his place of rest
Their tender undertone,
The infinite longings of a troubled breast,
The voice so like his own.

There in seclusion and remote from men
The wizard hand lies cold,
Which at its topmost speed let fall the pen,
And left the tale half told.

Ah! who shall lift that wand of magic power,
And the lost clew regain?
The unfinished window in Aladdin's tower
Unfinished must remain!

poem by Henry Wadsworth Longfellow
Submitted by Poetry Lover
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The House Of Dust: Part 03: 02: The Screen Maiden

You read—what is it, then that you are reading?
What music moves so silently in your mind?
Your bright hand turns the page.
I watch you from my window, unsuspected:
You move in an alien land, a silent age . . .

. . . The poet—what was his name—? Tokkei—Tokkei—
The poet walked alone in a cold late rain,
And thought his grief was like the crying of sea-birds;
For his lover was dead, he never would love again.

Rain in the dreams of the mind—rain forever—
Rain in the sky of the heart—rain in the willows—
But then he saw this face, this face like flame,
This quiet lady, this portrait by Hiroshigi;
And took it home with him; and with it came

What unexpected changes, subtle as weather!
The dark room, cold as rain,
Grew faintly fragrant, stirred with a stir of April,
Warmed its corners with light again,

And smoke of incense whirled about this portrait,
And the quiet lady there,
So young, so quietly smiling, with calm hands,
Seemed ready to loose her hair,

And smile, and lean from the picture, or say one word,
The word already clear,
Which seemed to rise like light between her eyelids . .
He held his breath to hear,

And smiled for shame, and drank a cup of wine,
And held a candle, and searched her face
Through all the little shadows, to see what secret
Might give so warm a grace . . .

Was it the quiet mouth, restrained a little?
The eyes, half-turned aside?
The jade ring on her wrist, still almost swinging? . . .
The secret was denied,

He chose his favorite pen and drew these verses,
And slept; and as he slept
A dream came into his heart, his lover entered,
And chided him, and wept.

And in the morning, waking, he remembered,
And thought the dream was strange.
Why did his darkened lover rise from the garden?
He turned, and felt a change,

As if a someone hidden smiled and watched him . . .
Yet there was only sunlight there.
Until he saw those young eyes, quietly smiling,
And held his breath to stare,

And could have sworn her cheek had turned—a little . . .
Had slightly turned away . . .
Sunlight dozed on the floor . . . He sat and wondered,
Nor left his room that day.

And that day, and for many days thereafter,
He sat alone, and thought
No lady had ever lived so beautiful
As Hiroshigi wrought . . .

Or if she lived, no matter in what country,
By what far river or hill or lonely sea,
He would look in every face until he found her . . .
There was no other as fair as she.

And before her quiet face he burned soft incense,
And brought her every day
Boughs of the peach, or almond, or snow-white cherry,
And somehow, she seemed to say,

That silent lady, young, and quietly smiling,
That she was happy there;
And sometimes, seeing this, he started to tremble,
And desired to touch her hair,

To lay his palm along her hand, touch faintly
With delicate finger-tips
The ghostly smile that seemed to hover and vanish
Upon her lips . . .

Until he knew he loved this quiet lady;
And night by night a dread
Leered at his dreams, for he knew that Hiroshigi
Was many centuries dead,—

And the lady, too, was dead, and all who knew her . .
Dead, and long turned to dust . . .
The thin moon waxed and waned, and left him paler,
The peach leaves flew in a gust,

And he would surely have died; but there one day
A wise man, white with age,
Stared at the portrait, and said, 'This Hiroshigi
Knew more than archimage,—

Cunningly drew the body, and called the spirit,
Till partly it entered there . . .
Sometimes, at death, it entered the portrait wholly . .
Do all I say with care,

And she you love may come to you when you call her . . . '
So then this ghost, Tokkei,
Ran in the sun, bought wine of a hundred merchants,
And alone at the end of day

Entered the darkening room, and faced the portrait,
And saw the quiet eyes
Gleaming and young in the dusk, and held the wine-cup,
And knelt, and did not rise,

And said, aloud, 'Lo-san, will you drink this wine?'
Said it three times aloud.
And at the third the faint blue smoke of incense
Rose to the walls in a cloud,

And the lips moved faintly, and the eyes, and the calm hands stirred;
And suddenly, with a sigh,
The quiet lady came slowly down from the portrait,
And stood, while worlds went by,

And lifted her young white hands and took the wine cup;
And the poet trembled, and said,
'Lo-san, will you stay forever?'—'Yes, I will stay.'—
'But what when I am dead?'

'When you are dead your spirit will find my spirit,
And then we shall die no more.'
Music came down upon them, and spring returning,
They remembered worlds before,

And years went over the earth, and over the sea,
And lovers were born and spoke and died,
But forever in sunlight went these two immortal,
Tokkei and the quiet bride . . .

poem by Conrad Potter Aiken
Submitted by Poetry Lover
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When the rain stopped

it was when the rain stopped
that you left me: i own the umbrella
that you do not need now. You return
it. It was when the rain stopped
that you forget my name. My name
is need. And what you need is love.
My name is necessity. But what
you need is the luxury of honesty.

it was when the rain stopped that
you were honest enough to say:
i do not need you. I do not love you.

and then it rains so hard again
and you come knocking on my
door. You are wet. You are cold.
You are shivering. You are
trembling.

I look at you inside my house
looking by the window. I hide
behind the blue curtain. And i
tell myself: I do not believe you
anymore. And i ask myself:

How can i believe you again?

And then the rain stops.
And then you are gone.

And then i open the window.
And then i see the white dove flying
and hovering near a tree beside my window.

And then i set my heart free.

poem by Ric S. Bastasa
Submitted by Poetry Lover
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November Rain

November rain washed away my guilt
November rain washed away my pain
November rain - so tired I felt
November rain was not just any rain

Long I longed with deep torment
For so long my body waited
November rain, , , , Oh, sweet friend
November rain- slowly I faded.

November rain- I cried within
Steady and slowly, it kept on pouring
November rain, watered my skin
And deep inside, I heard my roaring.

November rain, it refused to quit
November rain kept on pouring
And alone outside, in the streets I wept-
dripping... dripping and falling.

poem by Amy Phillip
Submitted by Poetry Lover
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