Tales Of A Wayside Inn : Part 1. The Musician's Tale; The Saga of King Olaf XXII. -- The Nun Of Nidaros
In the convent of Drontheim,
Alone in her chamber
Knelt Astrid the Abbess,
At midnight, adoring,
Beseeching, entreating
The Virgin and Mother.
She heard in the silence
The voice of one speaking,
Without in the darkness,
In gusts of the night-wind,
Now louder, now nearer,
Now lost in the distance.
The voice of a stranger
It seemed as she listened,
Of some one who answered,
Beseeching, imploring,
A cry from afar off
She could not distinguish.
The voice of Saint John,
The beloved disciple,
Who wandered and waited
The Master's appearance,
Alone in the darkness,
Unsheltered and friendless.
'It is accepted
The angry defiance,
The challenge of battle!
It is accepted,
But not with the weapons
Of war that thou wieldest!
'Cross against corselet,
Love against hatred,
Peace-cry for war-cry!
Patience is powerful;
He that o'ercometh
Hath power o'er the nations!
'As torrents in summer,
Half dried in their channels,
Suddenly rise, though the
Sky is still cloudless,
For rain has been falling
Far off at their fountains;
So hearts that are fainting
Grow full to o'erflowing,
And they that behold it
Marvel, and know not
That God at their fountains
Far off has been raining!
'Stronger than steel
Is the sword of the Spirit;
Swifter than arrows
The light of the truth is,
Greater than anger
Is love, and subdueth!
'Thou art a phantom,
A shape of the sea-mist,
A shape of the brumal
Rain, and the darkness
Fearful and formless;
Day dawns and thou art not!
'The dawn is not distant,
Nor is the night starless;
Love is eternal!
God is still God, and
His faith shall not fail us;
Christ is eternal!'
poem by Henry Wadsworth Longfellow
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The Raven
[Spoken Track]
[Poe:]
Once upon a midnight dreary
as I pondered, weak and weary
over many a quaint and curious
volume of forgotten lore
while I nodded, nearly napping
suddenly there came a tapping
as of some one gently rapping
rapping at my chamber door
"'Tis some visitor," I muttered
"tapping at my chamber door
only this and nothing more."
Muttering I got up weakly
always I've had trouble sleeping
stumbling upright my mind racing
furtive thoughts flowing once more
I, there hoping for some sunrise
happiness would be a surprise
loneliness no longer a prize
rapping at my chamber door
seeking out the clever bore
lost in dreams forever more
only this and nothing more
Hovering my pulse was racing
stale tobacco my lips tasting
scotch sitting upon my basin
remnants of the night before
came again
infernal tapping on the door
in my mind jabbing
is it in or outside rapping
calling out to me once more
the fit and fury of Lenore
nameless here forever more
And the silken sad uncertain
rustling of the purple curtain
thrilled me, filled me
with fantastic terrors never felt before
so that now, oh wind, stood breathing
hoping yet to calm my breathing
"'Tis some visitor entreating
entrance at my chamber door
some lost visitor entreating
entrance at my chamber door
this it is, and nothing more."
Deep into the darkness peering
long I stood there
wondering fearing
doubting dreaming fantasies
no mortal dared to dream before
but the silence was unbroken
and the stillness gave no token
and the only word there spoken
was the whispered name, "Lenore
song performed by by Lou Reed
Submitted by Lucian Velea
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December, 1919
Last night I heard your voice, mother,
The words you sang to me
When I, a little barefoot boy,
Knelt down against your knee.
And tears gushed from my heart, mother,
And passed beyond its wall,
But though the fountain reached my throat
The drops refused to fall.
'Tis ten years since you died, mother,
Just ten dark years of pain,
And oh, I only wish that I
Could weep just once again.
poem by Claude McKay
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To Be A Mother
The Virgin Mother
Heard my prayer
And psalm,
And sat
A baby
On my pink palm.
Many thanks to Jesus,
To the Virgin’s Son.
Many thanks to Father:
He thought me
Worthy
To be a mother.
poem by Tsira Gogeshvili
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Tales Of A Wayside Inn : The Theologian's Tale; The Legend Beautiful
'Hads't thou stayed, I must have fled!'
That is what the Vision said.
In his chamber all alone,
Kneeling on the floor of stone,
Prayed the Monk in deep contrition
For his sins of indecision,
Prayed for greater self-denial
In temptation and in trial;
It was noonday by the dial,
And the Monk was all alone.
Suddenly, as if it lightened,
An unwonted splendor brightened
All within him and without him
In that narrow cell of stone;
And he saw the Blessed Vision
Of our Lord, with light Elysian
Like a vesture wrapped about him,
Like a garment round him thrown.
Not as crucified and slain,
Not in agonies of pain,
Not with bleeding hands and feet,
Did the Monk his Master see;
But as in the village street,
In the house or harvest-field,
Halt and lame and blind he healed,
When he walked in Galilee.
In an attitude imploring,
Hands upon his bosom crossed,
Wondering, worshipping, adoring,
Knelt the Monk in rapture lost.
Lord, he thought, in heaven that reignest,
Who am I, that thus thou deignest
To reveal thyself to me?
Who am I, that from the centre
Of thy glory thou shouldst enter
This poor cell, my guest to be?
Then amid his exaltation,
Loud the convent bell appalling,
From its belfry calling, calling,
Rang through court and corridor
With persistent iteration
He had never heard before.
It was now the appointed hour
When alike in shine or shower,
Winter's cold or summer's heat,
To the convent portals came
All the blind and halt and lame,
All the beggars of the street,
For their daily dole of food
Dealt them by the brotherhood;
And their almoner was he
Who upon his bended knee,
Rapt in silent ecstasy
Of divinest self-surrender,
Saw the Vision and the Splendor.
Deep distress and hesitation
Mingled with his adoration;_
Should he go, or should he stay?
Should he leave the poor to wait
Hungry at the convent gate,
Till the Vision passed away?
Should he slight his radiant guest,
Slight this visitant celestial,
For a crowd of ragged, bestial
Beggars at the convent gate?
Would the Vision there remain?
Would the Vision come again?
Then a voice within his breast
Whispered, audible and clear
As if to the outward ear:
'Do thy duty; that is best;
Leave unto thy Lord the rest!'
Straightway to his feet he started,
And with longing look intent
On the Blessed Vision bent,
Slowly from his cell departed,
Slowly on his errand went.
At the gate the poor were waiting,
Looking through the iron grating,_
With that terror in the eye
That is only seen in those
Who amid their wants and woes
Hear the sound of doors that close,
And of feet that pass them by;
Grown familiar with disfavor,
Grown familiar with the savor
Of the bread by which men die!
But to-day, they knew not why,
Like the gate of Paradise
Seemed the convent sate to rise,
Like a sacrament divine
Seemed to them the bread and wine.
In his heart the Monk was praying,
Thinking of the homeless poor,
What they suffer and endure;
What we see not, what we see;
And the inward voice was saying:
'Whatsoever thing thou doest
To the least of mine and lowest,
That thou doest unto me!'
Unto me! but had the Vision
Come to him in beggar's clothing,
Come a mendicant imploring,
Would he then have knelt adoring,
Or have listened with derision,
And have turned away with loathing.
Thus his conscience put the question,
Full of troublesome suggestion,
As at length, with hurried pace,
Towards his cell he turned his face,
And beheld the convent bright
With a supernatural light,
Like a luminous cloud expanding
Over floor and wall and ceiling.
But he paused with awe-struck feeling
At the threshold of his door,
For the Vision still was standing
As he left it there before,
When the convent bell appalling,
From its belfry calling, calling,
Summoned him to feed the poor.
Through the long hour intervening
It had waited his return,
And he felt his bosom burn,
Comprehending all the meaning,
When the Blessed Vision said,
'Hadst thou stayed, I must have fled!'
poem by Henry Wadsworth Longfellow
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Lawyer
When the jury files in to deliver a verdict after weeks of direct and cross examinations, hot clashes
of lawyers and cool decisions of the judge,
There are points of high silence--twiddling of thumbs is at an end--bailiffs near cuspidors take fresh
chews of tobacco and wait--and the clock has a chance for its ticking to be heard.
A lawyer for the defense clears his throat and holds himself ready if the word is "Guilty" to enter
motion for a new trial, speaking in a soft voice, speaking in a voice slightly colored with bitter wrongs
mingled with monumental patience, speaking with mythic Atlas shoulders of many preposterous,
unjust circumstances.
poem by Carl Sandburg
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The Voices Of The Death Chamber
The night lamp is faintly gleaming
Within my chamber still,
And the heavy shades of midnight
Each gloomy angle fill,
And my worn and weary watchers
Scarce dare to move or weep,
For they think that I am buried
In deep and quiet sleep.
But, hush! what are those voices
Heard on the midnight air,
Of strange celestial sweetness,
Breathing of love and prayer?
Nearer they grow and clearer,
I hear now what they say—
To the Kingdom of God’s glory,
They’re calling me away!
See my gentle mother softly
To me approaches now,
What is the change she readeth
Upon my pale damp brow?
She clasps her hands in anguish
Whose depth no words might say?
Has she, too, heard the voices
That are calling me away?
The father fond of my children,
First sole love of my youth,
The loving, the gentle hearted,
And full of manly truth,
Is kneeling now beside me,
Beseeching me to stay—
Oh! ’tis agony to tell him
They’re calling me away.
If earthly love could conquer
The mighty power of Death,
His love would stay the current
Of failing strength and breath!
That voice whose tender fondness
So long has been my stay
Should tempt me from the voices
That are calling me away.
Ah! they bring my children to me,
That loved and lovely band,
And with wistful awe-struck faces,
Around my couch they stand,
And I strain each gentle darling
To me with wailing cry,
As I for the first time murmur:
“My God! ’tis hard to die!”
But, O hark! Those strains of Heaven,
Sound louder in mine ear,
Whisp’ring: “Thy God, Thy Father,
Will guard those children dear.”
Louder they grow, now drowning
All sounds of mortal birth,
And in wild triumphant sweetness
Bear me aloft from earth!
poem by Rosanna Eleanor Leprohon
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No Voice
There are times when we feel
we have no voice
we are suffocated by circumstances.
Our voice is lost in the void;
we wander with eyes open
and no mouth for things to say.
Those around us are oblivious
that our presence is near.
We are invisible
with only our ears to hear.
We have no voice to shout our protests clear,
no voice to vent our anger at what we can hear.
Our voice is silenced by circumstances
some of which we do not understand.
We have no voice today or tomorrow,
and even if we had a voice
would it be heard?
Would our words fall
on vacant and deaf ears?
The question remain unanswered
for around us silence reins.
Silent as our protests
and frustration is all we gain.
One day our gag maybe lifted,
but will it be too late.
There maybe no one around us
and our anger will be lost,
lost in the silence when no one is there.
We can only hope that one day
when the silence clears
our voice among the millions
will finally be heard.
15 September 2009
poem by David Harris
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Cantiga de Santa Maria No. 194
Just as the name of the Virgin is beautiful to the virtuous,
so against evil doers it is mighty and fearful.
Concerning this, a miracle happened in the land of Catalonia to a minstrel who sang well, with grace and ease, earning a good living, he came to lodge in the house of a greedy knight
Just as the name of the Virgin is beautiful to the virtuous,
…
who gave him all that he needed that night. However, that base and avaricious knight began to covet so greatly the donkey and clothes belonging to that minstrel that he ordered one of his men, evil and cruel,
Just as the name of the Virgin is beautiful to the virtuous,
…
to go with another of his group and waylay him in a hidden place in the mountains. The man did so gladly, for it was a favorite pastime of his, and I assure you, he was always eager to do dastardly deeds.
Just as the name of the Virgin is beautiful to the virtuous,
…
He took a companion of the same ilk with him. The next morning the minstrel took leave of the knight, and, as soon as he was on his way and they saw him travelling all alone, those two caught him in a steep and rocky place.
Just as the name of the Virgin is beautiful to the virtuous,
…
They dragged him far off the road and did not leave him anything of what he was carrying. Then they decided between them to cut off his head, but neither the Virgin nor Her glorious Son would permit it.
Just as the name of the Virgin is beautiful to the virtuous,
…
While the two were arguing over which one would kill him, they cast lots to see who would go first, but Holy Mary would not allow such a deed to be carried out, for the minstrel cried out loudly: "Mother of the merciful King
Just as the name of the Virgin is beautiful to the virtuous,
…
do not let them kill me, defend me without delay." They, when they heard this, began to run away and lost all feeling in their bodies at that moment so that they could not speak. The minstrel who had been robbed
Just as the name of the Virgin is beautiful to the virtuous,
…
of all he had possessed when he saw that they were in that state, staring at each other and not speaking between themselves, took all his belongings and went away and they remained in great fear of death
Just as the name of the Virgin is beautiful to the virtuous,
…
No one had ever heard tell of such a marvelous miracle that uttering the name of the Virgin might cause a man to feel nothing in his body. However, the prophet said long ago that Her name was as terrible as a mighty army.
Just as the name of the Virgin / is beautiful to the virtuous,
…
The minstrel went on his way, giving joyful praise to the glorious Virgin, salvation of sinners. All who heard of this, both great and small, considered it a noble and merciful miracle.
poem by Alfonso X the Wise
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Silence
I got a feeling
Everything's gonna be alright
And I still find my way
And I heard
It's always darkest before the storm
So come on let it rain
Everything was different when I was seventeen
The world was so much brighter
Now I finally found the truth
Of what they hid for me
That world was so much kinder
Silence
Don't hear a sound
But my own voice
Silence
Is what it is
By my own choice
I believe
That we were meant to learn from our mistakes
And stumble along the way
Now I know
That people are gonna grap what they can take
Then just turn away
Everybody's searching
But no one really knows the truth
The world is upside down
What it's all about right now
Will soon turn to gray
Their promises have faded
Silence
Silence
Silence
Don't hear a sound
But my own voice
Silence
Don't hear a sound
But my own voice
Silence
Is what it is
By my own choice
All my little merry friends
Have turned their backs on me
Excuse me if I'm jaded
I'm so tired of people telling me
How it should be
Their promises have faded
Silence
Silence
Silence
Don't hear a sound
But my own voice
Silence
Don't hear a sound
But my own voice
Silence
Is what it is
By my own choice
Silence
song performed by by Tiffany
Submitted by Lucian Velea
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The Legend of St. Laura
Saint Laura, in her sleep of death,
Preserves beneath the tomb
---'Tis willed where what is willed must be---
In incorruptibility
Her beauty and her bloom.
So pure her maiden life had been,
So free from earthly stain,
'Twas fixed in fate by Heaven's own Queen,
That till the earth's last closing scene
She should unchanged remain.
Within a deep sarcophagus
Of alabaster sheen,
With sculptured lid of roses white,
She slumbered in unbroken night
By mortal eyes unseen.
Above her marble couch was reared
A monumental shrine,
Where cloistered sisters, gathering round,
Made night and morn the aisle resound
With choristry divine.
The abbess died: and in her pride
Her parting mandate said,
They should her final rest provide,
The alabaster couch beside,
Where slept the sainted dead.
The abbess came of princely race:
The nuns might not gainsay:
And sadly passed the timid band,
To execute the high command
They dared not disobey.
The monument was opened then:
It gave to general sight
The alabaster couch alone:
But all its lucid substance shone
With præ.ternatural light.
They laid the corpse within the shrine:
They closed its doors again:
But nameless terror seemed to fall,
Throughout the live-long night, on all
Who formed the funeral train.
Lo! on the morrow morn, still closed
The monument was found:
But in its robes funereal drest,
The corpse they had consigned to rest
Lay on the stony ground.
So pure her maiden life had been,
So free from earthly stain,
'Twas fixed in fate by Heaven's own Queen,
That till the earth's last closing scene
She should unchanged remain.
Fear and amazement seized on all:
They salled on Mary's aid:
And in the tomb, unclosed again,
With choral hymn and funeral train,
The corpse again was laid.
So was it found when morning beamed:
In solemn suppliant strain,
The nuns implored all saints in heaven,
That rest might to the corpse be given,
Which they entombed again.
On the third night a watch was kept
By many a friar and nun:
Trembling, all knelt in fervebt parayer,
Till on the dreary midnight air
Rolled the deep bell-toll, "One!"
The saint within the opening tomb
Like marble statue stood:
All fell to earth in deep dismay:
And through their ranks she passed away,
In calm unchanging mood.
No answering sound her footsteps raised
Along the stony floor:
Silent as death, severe as fate,
She glided through the chapel gate,
And none beheld her more.
The alabaster couch was gone:
The tomb was void and bare:
For the last time, with hasty rite,
Even 'mid the terror of the night,
They laid the abbess there.
'Tis said, the abbess rests not well
In that sepulchral pile:
But yearly, when the night comes round,
And dies of "One" the bell's deep sound
She flits along the aisle.
But whither passed the virgin saint,
To slumber far away,
Destined by Mary to endure,
Unfettered in her semblance pure,
Until the judgement day?
None knew, and none may ever know:
Angels the secret keep:
Impenetrable ramparts bound,
Eternal silence dwells around,
The chamber of her sleep.
poem by Thomas Love Peacock
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Some Said It Thundered
'Was that thunder that we heard then? ' They said,
looking at each other in fear and dread.
'Or God speaking in a thunderous tone
to His Belovèd Son from heavens' throne? '
For the voice they heard and thought was thunder
caused them to stand in awe and to wonder.
Though it was not heard by everyone
it was the Father speaking to His Son.
For my benefit God's great voice was heard
and I should listen to every word.
The time for judgement is upon the world
time for the wrath of God to be unfurled.
The Lord Jesus Christ will be lifted high
upon Calvary's cross where He will die
and all people shall be drawn to Him there
to His outstretched arms and His loving care.
The prince of this world will be driven out
and 'It is finished, ' the victorious shout.
There the battle for mankind will be won
by the sacrifice of God's Only Son.
In heaven there'll be thunderous applause
at the coming of peace and end of wars.
Then the Father's name will be glorified
through the life and death of the Son Who died.
The Mother’s Visit
LONG years ago she visited my chamber,
Steps soft and slow, a taper in her hand;
Her fond kiss she laid upon my eyelids,
Fair as an angel from the unknown land:
Mother, mother, is it thou I see?
Mother, mother, watching over me.
And yesternight I saw her cross my chamber,
Soundless as light, a palm-branch in her hand;
Her mild eyes she bent upon my anguish,
Calm as an angel from the blessed land;
Mother, mother, is it thou I see?
Mother, mother, art thou come for me?
poem by Dinah Maria Mulock Craik
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Martha' Crucified.
Martha had this thing
about the Crucified.
The image, the cross,
the stretched out arms.
The one in the convent
school along by the chapel
always caught her eye.
Stood there staring.
Get a move on Martha,
the nun said. Don't gape so.
Or the image in the dining
room stuck up on the wall
above the abbess's table.
Painted on she thought.
Not the same. Her mother
had the one her mother
gave her on her deathbed.
Old wood and plaster.
The plaster peeling from
the hands of the Crucified.
Martha gaped at Him,
at His wounds, at the wound
in His side where the spear
went in. Forgive them for
they know not. They did so,
the bastards, she muttered,
putting her fingers on the wound
in the side. She had an ebony
rosary in her skirt pocket. Black
Christ on the small ebony cross.
She fingered in her pocket, said
the prayers, felt the stiff body
on the cross. Sometimes she
took it out and kissed it; the ebony
body, the head, the arms. Once
she had a cross around her neck,
silver, small, given by some old
codger. She felt it warm between
her small breasts. Lost it when she
took it off to wash and it slipped
down the plughole in the convent bog.
She knew her mother had this wooden
crucifix on her chest of drawers.
A dark wood, a fleshy plastered Christ,
nails through and hands and feet.
She kissed the hands when her mother
was out, her lips touching the smooth
plaster, the eyes closed, the feel of
smoothness on flesh. Not the real
Christ of course. Least not yet.
She'd wait her turn. The real thing.
See what death and Heaven bring.
poem by Terry Collett
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The Little Mute Boy
The litle boy was looking for his voice.
(The King of the crickets had it.)
In a drop of water
the little boy was looking for his voice.
I do not want it for speaking with;
I will make a ring of it
so that he may wear my silence
on his little finger.
In a drop of water
the little boy was looking for his voice.
(The captive voice, far away.
Put on a cricket' clothes.)
poem by Federico García Lorca
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Nineteen
This is my voice,
Sad, prolonged, fever pitched,
With some intermittent turbulence
In between a concentrated discourse
But
Still in a slow, smooth, sailing like
A canoe on a very clear silent running river
And
Some rapids, and rocks somewhere, may distort,
This voice
Of mine,
Or
At the edge for which a waterfall rages,
This
Voice
Of
Mine,
May sound like a violent fall of a hundred heavy waters,
Not a drip, but a hundred heavy, heavy falling waters,
As though the whole word is falling down
On your
Shoulder,
This is my voice, sad, on a prolonged agony,
But somehow, when tickled may move into
A mystery, not discounting the possibility of
An ecstasy,
A fantasy,
And you, my love, my beautiful reader, may hear this voice
Speaking to you in a hush of silence,
This is my voice; hear it for what it is, that is all that I ask of you,
I am myself speaking. I am real, this voice of mine.
Listen to me.
poem by Ric S. Bastasa
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This Is My Voice
This is my voice,
Sad, prolonged, fever pitched,
With some intermittent turbulence
In between a concentrated discourse
But
Still in a slow, smooth, sailing like
A canoe on a very clear silent running river
And
Some rapids, and rocks somewhere, may distort,
This voice
Of mine,
Or
At the edge for which a waterfall rages,
This
Voice
Of
Mine,
May sound like a violent fall of a hundred heavy waters,
Not a drip, but a hundred heavy, heavy falling waters,
As though the whole word is falling down
On your
Shoulder,
This is my voice, sad, on a prolonged agony,
But somehow, when tickled may move into
A mystery, not discounting the possibility of
An ecstasy,
A fantasy,
And you, my love, my beautiful reader, may hear this voice
Speaking to you in a hush of silence,
This is my voice; hear it for what it is, that is all that I ask of you,
I am myself speaking. I am real, this voice of mine.
Listen to me.
poem by Ric S. Bastasa
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I will be speaking to you in my own voice
This is my voice,
Sad, prolonged, fever pitched,
With some intermittent turbulence
In between a concentrated discourse
But
Still in a slow, smooth, sailing like
A canoe on a very clear silent running river
And
Some rapids, and rocks somewhere, may distort,
This voice
Of mine,
Or
At the edge for which a waterfall rages,
This
Voice
Of
Mine,
May sound like a violent fall of a hundred heavy waters,
Not a drip, but a hundred heavy, heavy falling waters,
As though the whole word is falling down
On your
Shoulder,
This is my voice, sad, on a prolonged agony,
But somehow, when tickled may move into
A mystery, not discounting the possibility of
An ecstasy,
A fantasy,
And you, my love, my beautiful reader, may hear this voice
Speaking to you in a hush of silence,
This is my voice; hear it for what it is, that is all that I ask of you,
I am myself speaking. I am real, this voice of mine.
Listen to me.
poem by Ric S. Bastasa
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Tales Of A Wayside Inn : Part 1. The Musician's Tale; The Saga of King Olaf II. -- The King's Return
And King Olaf heard the cry,
Saw the red light in the sky,
Laid his hand upon his sword,
As he leaned upon the railing,
And his ships went sailing, sailing
Northward into Drontheim fiord.
There he stood as one who dreamed;
And the red light glanced and gleamed
On the armor that he wore;
And he shouted, as the rifted
Streamers o'er him shook and shifted,
'I accept thy challenge, Thor!'
To avenge his father slain,
And reconquer realm and reign,
Came the youthful Olaf home,
Through the midnight sailing, sailing,
Listening to the wild wind's wailing,
And the dashing of the foam.
To his thoughts the sacred name
Of his mother Astrid came,
And the tale she oft had told
Of her flight by secret passes
Through the mountains and morasses,
To the home of Hakon old.
Then strange memories crowded back
Of Queen Gunhild's wrath and wrack,
And a hurried flight by sea;
Of grim Vikings, and the rapture
Of the sea-fight, and the capture,
And the life of slavery.
How a stranger watched his face
In the Esthonian market-place,
Scanned his features one by one,
Saying, 'We should know each other;
I am Sigurd, Astrid's brother,
Thou art Olaf, Astrid's son!'
Then as Queen Allogia's page,
Old in honors, young in age,
Chief of all her men-at-arms;
Till vague whispers, and mysterious,
Reached King Valdemar, the imperious,
Filling him with strange alarms.
Then his cruisings o'er the seas,
Westward to the Hebrides,
And to Scilly's rocky shore;
And the hermit's cavern dismal,
Christ's great name and rites baptismal
In the ocean's rush and roar.
All these thoughts of love and strife
Glimmered through his lurid life,
As the stars' intenser light
Through the red flames o'er him trailing,
As his ships went sailing, sailing,
Northward in the summer night.
Trained for either camp or court,
Skilful in each manly sport,
Young and beautiful and tall;
Art of warfare, craft of chases,
Swimming, skating, snow-shoe races,
Excellent alike in all.
When at sea, with all his rowers,
He along the bending oars
Outside of his ship could run.
He the Smalsor Horn ascended,
And his shining shield suspended
On its summit, like a sun.
On the ship-rails he could stand,
Wield his sword with either hand,
And at once two javelins throw;
At all feasts where ale was strongest
Sat the merry monarch longest,
First to come and last to go.
Norway never yet had seen
One so beautiful of mien,
One so royal in attire,
When in arms completely furnished,
Harness gold-inlaid and burnished,
Mantle like a flame of fire.
Thus came Olaf to his own,
When upon the night-wind blown
Passed that cry along the shore;
And he answered, while the rifted
Streamers o'er him shook and shifted,
'I accept thy challenge, Thor!'
poem by Henry Wadsworth Longfellow
Submitted by Poetry Lover
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Changing Places
The protracted barks of a chained-
Up dog pleading for company:
Beseeching, entreating from us
Attention he sadly deserves.
His master lounges unaware
In his grand house of glass and wood
While the pooch lives in misery
Neglected and misunderstood.
If perchance their places were changed
For one single day you can bet
The pet not a bit inhumane
But the man insisting complains
That his collars too goddamn tight
And you’re letting me in tonight.
poem by Albert Ahearn
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Gathering Mushrooms
As he knelt by the grave of his mother and father
the taste of dill, or tarragon-
he could barely tell one from the other-
filled his mouth. It seemed as if he might smother.
Why should he be stricken
with grief, not for his mother and father,
but a woman slinking from the fur of a sea-otter
In Portland, Maine, or, yes, Portland, Oregon-
he could barely tell one from the other-
and why should he now savour
the tang of her, her little pickled gherkin,
as he knelt by the grave of his mother and father?
*
He looked about. He remembered her palaver
on how both earth and sky would darken-
'You could barely tell one from the other'-
while the Monarch butterflies passed over
in their milkweed-hunger: 'A wing-beat, some reckon,
may trigger off the mother and father
of all storms, striking your Irish Cliffs of Moher
with the force of a hurricane.'
Then: 'Milkweed and Monarch 'invented' each other.'
*
He looked about. Cow's-parsley in a samovar.
He'd mistaken his mother's name, 'Regan, ' for Anger';
as he knelt by the grave of his mother and father
he could barely tell one from the other.
poem by Paul Muldoon
Submitted by Poetry Lover
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