Frithiof's Temptation. (From The Swedish)
Spring is coming, birds are twittering, forests leaf, and smiles the sun,
And the loosened torrents downward, singing, to the ocean run;
Glowing like the cheek of Freya, peeping rosebuds 'gin to ope,
And in human hearts awaken love of life, and joy, and hope.
Now will hunt the ancient monarch, and the queen shall join the sport:
Swarming in its gorgeous splendor, is assembled all the Court;
Bows ring loud, and quivers rattle, stallions paw the ground alway,
And, with hoods upon their eyelids, scream the falcons for their prey.
See, the Queen of the Chase advances! Frithiof, gaze not at the sight!
Like a star upon a spring-cloud sits she on her palfrey white.
Half of Freya, half of Rota, yet more beauteous than these two,
And from her light hat of purple wave aloft the feathers blue.
Gaze not at her eyes' blue heaven, gaze not at her golden hair!
Oh beware! her waist is slender, full her bosom is, beware!
Look not at the rose and lily on her cheek that shifting play,
List not to the voice beloved, whispering like the wind of May.
Now the huntsman's band is ready. Hurrah! over hill and dale!
Horns ring, and the hawks right upward to the hall of Odin sail.
All the dwellers in the forest seek in fear their cavern homes,
But, with spear outstretched before her, after them the Valkyr comes.
. . . . . . . . . .
Then threw Frithiof down his mantle, and upon the greensward spread,
And the ancient king so trustful laid on Frithiof's knee his head,
Slept as calmly as the hero sleepeth, after war's alarm,
On his shield, or as an infant sleeps upon its mother's arm.
As he slumbers, hark! there sings a coal-black bird upon the bough;
'Hasten, Frithiof, slay the old man, end your quarrel at a blow:
Take his queen, for she is thine, and once the bridal kiss she gave,
Now no human eye beholds thee, deep and silent is the grave,'
Frithiof listens; hark! there sings a snow-white bird upon the bough:
'Though no human eye beholds thee, Odin's eye beholds thee now.
Coward! wilt thou murder sleep, and a defenceless old man slay!
Whatsoe'er thou winn'st, thou canst not win a hero's fame this way.'
Thus the two wood-birds did warble: Frithiof took his war-sword good,
With a shudder hurled it from him, far into the gloomy wood.
Coal-black bird flies down to Nastrand, but on light, unfolded wings,
Like the tone of harps, the other, sounding towards the sun, upsprings.
Straight the ancient king awakens. 'Sweet has been my sleep,' he said;
'Pleasantly sleeps one in the shadow, guarded by a brave man's blade.
But where is thy sword, O stranger? Lightning's brother, where is he?
Who thus parts you, who should never from each other parted be?'
'It avails not,' Frithiof answered; 'in the North are other swords:
Sharp, O monarch! is the sword's tongue, and it speaks not peaceful words;
Murky spirits dwell in steel blades, spirits from the Niffelhem;
Slumber is not safe before them, silver locks but anger them.'
poem by Henry Wadsworth Longfellow
Submitted by Poetry Lover
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Tales Of A Wayside Inn : Part 1. The Musician's Tale; The Saga of King Olaf IV. -- Queen Sigrid The Haughty
Queen Sigrid the Haughty sat proud and aloft
In her chamber, that looked over meadow and croft.
Heart's dearest,
Why dost thou sorrow so?
The floor with tassels of fir was besprent,
Filling the room with their fragrant scent.
She heard the birds sing, she saw the sun shine,
The air of summer was sweeter than wine.
Like a sword without scabbard the bright river lay
Between her own kingdom and Norroway.
But Olaf the King had sued for her hand,
The sword would be sheathed, the river be spanned.
Her maidens were seated around her knee,
Working bright figures in tapestry.
And one was singing the ancient rune
Of Brynhilda's love and the wrath of Gudrun.
And through it, and round it, and over it all
Sounded incessant the waterfall.
The Queen in her hand held a ring of gold,
From the door of Ladé's Temple old.
King Olaf had sent her this wedding gift,
But her thoughts as arrows were keen and swift.
She had given the ring to her goldsmiths twain,
Who smiled, as they handed it back again.
And Sigrid the Queen, in her haughty way,
Said, 'Why do you smile, my goldsmiths, say?'
And they answered: 'O Queen! if the truth must be told,
The ring is of copper, and not of gold!'
The lightning flashed o'er her forehead and cheek,
She only murmured, she did not speak:
'If in his gifts he can faithless be,
There will be no gold in his love to me.'
A footstep was heard on the outer stair,
And in strode King Olaf with royal air.
He kissed the Queen's hand, and he whispered of love,
And swore to be true as the stars are above.
But she smiled with contempt as she answered: 'O King,
Will you swear it, as Odin once swore, on the ring?'
And the King: 'O speak not of Odin to me,
The wife of King Olaf a Christian must be.'
Looking straight at the King, with her level brows,
She said, 'I keep true to my faith and my vows.'
Then the face of King Olaf was darkened with gloom,
He rose in his anger and strode through the room.
'Why, then, should I care to have thee?' he said,--
'A faded old woman, a heathenish jade!
His zeal was stronger than fear or love,
And he struck the Queen in the face with his glove.
Then forth from the chamber in anger he fled,
And the wooden stairway shook with his tread.
Queen Sigrid the Haughty said under her breath,
'This insult, King Olaf, shall be thy death!'
Heart's dearest,
Why dost thou sorrow so?
poem by Henry Wadsworth Longfellow
Submitted by Poetry Lover
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Valkyriur Song
The Sea-king woke from the troubled sleep
Of a vision-haunted night,
And he look'd from his bark o'er the gloomy deep,
And counted the streaks of light;
For the red sun's earliest ray
Was to rouse his bands that day,
To the stormy joy of fight!
But the dreams of rest were still on earth,
And the silent stars on high,
And there wav'd not the smoke of one cabin-hearth
'Midst the quiet of the sky;
And along the twilight bay
In their sleep the hamlets lay,
For they knew not the Norse were nigh!
The Sea-king look'd o'er the brooding wave:
He turn'd to the dusky shore,
And there seem'd, through the arch of a tide-worn cave,
A gleam, as of snow, to pour;
And forth, in watery light,
Mov'd phantoms, dimly white,
Which the garb of woman bore.
Slowly they mov'd to the billow side;
And the forms, as they grew more clear,
Seem'd each on a tall pale steed to ride,
And a shadowy crest to rear,
And to beckon with faint hand
From the dark and rocky strand,
And to point a gleaming spear.
Then a stillness on his spirit fell,
Before th' unearthly train,
For he knew Valhalla's daughters well,
The choosers of the slain!
And a sudden rising breeze
Bore across the moaning seas
To his ear their thrilling strain:
'There are songs in Odin's Hall,
For the brave, ere night to fall!
Doth the great sun hide his ray?-
He must bring a wrathful day!
Sleeps the falchion in its sheath?-
Swords must do the work of death!
Regner!-sea-king!-thee we call!
There is joy in Odin's Hall.
'At the feast and in the song,
Thou shalt be remember'd long!
By the green isles of the flood
Thou hast left thy track in blood!
On the earth and on the sea,
There are those will speak of thee!
'Tis enough-the war-gods call-
There is mead in Odin's Hall!
'Regner! tell thy fair-hair'd bride
She must slumber at thy side!
Tell the brother of thy breast
Ev'n for him thy grave hath rest!
Tell the raven-steed which bore thee,
When the wild wolf fled before thee,
He too with his lord must fall-
There is room in Odin's Hall!
'Lo! the mighty sun looks forth-
Arm! thou leader of the north!
Lo! the mists of twilight fly-
We must vanish, thou must die!
By the sword and by the spear,
By the hand that knows not fear,
Sea-king! nobly shalt thou fall!-
There is joy in Odin's Hall!'
There was arming heard on land and wave,
When afar the sunlight spread,
And the phantom forms of the tide-worn cave
With the mists of morning fled.
But at eve, the kingly hand
Of the battle-axe and brand,
Lay cold on a pile of dead!
poem by Felicia Dorothea Hemans
Submitted by Poetry Lover
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The Longbeard's Saga: A.D. 400
Over the camp-fires
Drank I with heroes,
Under the Donau bank,
Warm in the snow trench:
Sagamen heard I there,
Men of the Longbeards,
Cunning and ancient,
Honey-sweet-voiced.
Scaring the wolf cub,
Scaring the horn-owl,
Shaking the snow-wreaths
Down from the pine-boughs,
Up to the star roof
Rang out their song.
Singing how Winil men,
Over the ice-floes
Sledging from Scanland
Came unto Scoring;
Singing of Gambara,
Freya's beloved,
Mother of Ayo,
Mother of Ibor.
Singing of Wendel men,
Ambri and Assi;
How to the Winilfolk
Went they with war-words,-
'Few are ye, strangers,
And many are we:
Pay us now toll and fee,
Cloth-yarn, and rings, and beeves:
Else at the raven's meal
Bide the sharp bill's doom.'
Clutching the dwarfs work then,
Clutching the bullock's shell,
Girding gray iron on,
Forth fared the Winils all,
Fared the Alruna's sons,
Ayo and Ibor.
Mad at heart stalked they:
Loud wept the women all,
Loud the Alruna wife;
Sore was their need.
Out of the morning land,
Over the snow-drifts,
Beautiful Freya came,
Tripping to Scoring.
White were the moorlands,
And frozen before her:
Green were the moorlands,
And blooming behind her.
Out of her gold locks
Shaking the spring flowers,
Out of her garments
Shaking the south wind,
Around in the birches
Awaking the throstles,
And making chaste housewives all
Long for their heroes home,
Loving and love-giving,
Came she to Scoring.
Came unto Gambara,
Wisest of Valas,-
'Vala, why weepest thou?
Far in the wide-blue,
High up in the Elfin-home,
Heard I thy weeping.'
'Stop not my weeping,
Till one can fight seven.
Sons have I, heroes tall,
First in the sword-play;
This day at the Wendels' hands
Eagles must tear them.
Their mothers, thrall-weary,
Must grind for the Wendels.'
Wept the Alruna wife;
Kissed her fair Freya:-
'Far off in the morning land,
High in Valhalla,
A window stands open;
Its sill is the snow-peaks,
Its posts are the waterspouts,
Storm-rack its lintel;
Gold cloud-flakes above
Are piled for the roofing,
Far up to the Elfin-home,
High in the wide-blue.
Smiles out each morning thence
Odin Allfather;
From under the cloud-eaves
Smiles out on the heroes,
Smiles on chaste housewives all,
Smiles on the brood-mares,
Smiles on the smiths' work:
And theirs is the sword-luck,
With them is the glory,-
So Odin hath sworn it,-
Who first in the morning
Shall meet him and greet him.'
Still the Alruna wept:-
'Who then shall greet him?
Women alone are here:
Far on the moorlands
Behind the war-lindens,
In vain for the bill's doom
Watch Winil heroes all,
One against seven.'
Sweetly the Queen laughed:-
'Hear thou my counsel now;
Take to thee cunning,
Beloved of Freya.
Take thou thy women-folk,
Maidens and wives:
Over your ankles
Lace on the white war-hose;
Over your bosoms
Link up the hard mail-nets;
Over your lips
Plait long tresses with cunning;-
So war-beasts full-bearded
King Odin shall deem you,
When off the gray sea-beach
At sunrise ye greet him.'
Night's son was driving
His golden-haired horses up;
Over the eastern firths
High flashed their manes.
Smiled from the cloud-eaves out
Allfather Odin,
Waiting the battle-sport:
Freya stood by him.
'Who are these heroes tall,-
Lusty-limbed Longbeards?
Over the swans' bath
Why cry they to me?
Bones should be crashing fast,
Wolves should be full-fed,
Where such, mad-hearted,
Swing hands in the sword-play.'
Sweetly laughed Freya:-
'A name thou hast given them,
Shames neither thee nor them,
Well can they wear it.
Give them the victory,
First have they greeted thee;
Give them the victory,
Yokefellow mine!
Maidens and wives are these,-
Wives of the Winils;
Few are their heroes
And far on the war-road,
So over the swans' bath
They cry unto thee.'
Royally laughed he then;
Dear was that craft to him,
Odin Allfather,
Shaking the clouds.
'Cunning are women all,
Bold and importunate!
Longbeards their name shall be,
Ravens shall thank them:
Where women are heroes,
What must the men be?
Theirs is the victory;
No need of me!'
Eversley, 1852.
From Hypatia.
poem by Charles Kingsley
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Greek Funeral Chant Or Myriologue
A WAIL was heard around the bed, the death-bed of the young,
Amidst her tears the Funeral Chant a mournful mother sung.
-'Ianthis! dost thou sleep?-Thou sleep'st!-but this is not the rest,
The breathing and the rosy calm, I have pillow'd on my breast!
I lull'd thee not to this repose, Ianthis! my sweet son!
As in thy glowing childhood's time by twilight I have done!
-How is it that I bear to stand and look upon thee now?
And that I die not, seeing death on thy pale glorious brow?
'I look upon thee, thou that wert of all most fair and brave!
I see thee wearing still too much of beauty for the grave!
Though mournfully thy smile is fix'd, and heavily thine eye
Hath shut above the falcon-glance that in it lov'd to lie;
And fast is bound the springing step, that seem'd on breezes borne,
When to thy couch I came and said,-'Wake, hunter, wake! 'tis morn!'
Yet art thou lovely still, my flower! untouch'd by slow decay,
-And I, the wither'd stem remain-I would that grief might slay!
'Oh! ever when I met thy look, I knew that this would be!
I knew too well that length of days was not a gift for thee!
I saw it in thy kindling cheek, and in thy bearing high;-
A voice came whispering to my soul, and told me thou must die!
That thou must die, my fearless one! where swords were flashing red.-
-Why doth a mother live to say-my first-born and my dead?
They tell me of thy youthful fame, they talk of victory won-
-Speak thou, and I will hear! my child, Ianthis! my sweet son!'
A wail was heard around the bed, the deathbed of the young,
A fair-hair'd bride the Funeral Chant amidst her weeping sung.
-'Ianthis! look'st thou not on me? -Can love indeed be fled?
When was it woe before to gaze upon thy stately head?
I would that I had follow'd thee, Ianthis, my belov'd!
And stood as woman oft hath stood where faithful hearts are prov'd!
That I had bound a breastplate on, and battled at thy side-
-It would have been a blessed thing together had we died!
'But where was I when thou didst fall beneath the fatal sword?
Was I beside the sparkling fount, or at the peaceful board?
Or singing some sweet song of old, in the shadow of the vine,
Or praying to the saints for thee, before the holy shrine?
And thou wert lying low the while, the life-drops from thy heart
Fast gushing like a mountain-spring!-and couldst thou thus depart?
Couldst thou depart, nor on my lips pour out thy fleeting breath?
-Oh! I was with thee but in joy, that should have been in death!
'Yes! I was with thee when the dance through mazy rings was led,
And when the lyre and voice were tun'd, and when the feast was spread;
But not where noble blood flow'd forth, where sounding javelins flew-
-Why did I hear love's first sweet words, and not its last adieu?
What now can breathe of gladness more, what scene, what hour, what tone?
The blue skies fade with all their lights, they fade, since thou art gone!
Ev'n that must leave me, that still face, by all my tears unmov'd-
-Take me from this dark world with thee, Ianthis! my belov'd!'
A wail was heard around the bed, the death-bed of the young,
Amidst her tears the Funeral Chant a mournful sister sung.
'Ianthis! brother of my soul!-oh! where are now the days
That laugh'd among the deep green hills, on all our infant plays?
When we two sported by the streams, or track'd them to their source,
And like a stag's, the rocks along, was thy fleet fearless course!
-I see the pines there waving yet, I see the rills descend,
I see thy bounding step no more-my brother and my friend!
'I come with flowers-for spring is come!-Ianthis! art thou here?
I bring the garlands she hath brought, I cast them on thy bier!
Thou shouldst be crown'd with victory's crown-but oh! more meet they seem,
The first faint violets of the wood, and lilies of the stream!
More meet for one so fondly lov'd, and laid thus early low-
-Alas! how sadly sleeps thy face amidst the sunshine's glow:
The golden glow that through thy heart was wont such joy to send,
-Woe, that it smiles, and not for thee!-my brother and my friend!'
poem by Felicia Dorothea Hemans
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Upon The Lark and The Fowler
Thou simple bird, what makes thou here to play?
Look, there's the fowler, pr'ythee come away.
Do'st not behold the net? Look there, 'tis spread,
Venture a little further, thou art dead.
Is there not room enough in all the field
For thee to play in, but thou needs must yield
To the deceitful glitt'ring of a glass,
Plac'd betwixt nets, to bring thy death to pass?
Bird, if thou art so much for dazzling light,
Look, there's the sun above thee; dart upright;
Thy nature is to soar up to the sky,
Why wilt thou come down to the nets and die?
Take no heed to the fowler's tempting call;
This whistle, he enchanteth birds withal.
Or if thou see'st a live bird in his net,
Believe she's there, 'cause hence she cannot get.
Look how he tempteth thee with is decoy,
That he may rob thee of thy life, thy joy.
Come, pr'ythee bird, I pr'ythee come away,
Why should this net thee take, when 'scape thou may?
Hadst thou not wings, or were thy feathers pull'd,
Or wast thou blind, or fast asleep wer't lull'd,
The case would somewhat alter, but for thee,
Thy eyes are ope, and thou hast wings to flee.
Remember that thy song is in thy rise,
Not in thy fall; earth's not thy paradise.
Keep up aloft, then, let thy circuits be
Above, where birds from fowler's nets are free.
Comparison.
This fowler is an emblem of the devil,
His nets and whistle, figures of all evil.
His glass an emblem is of sinful pleasure,
And his decoy of who counts sin a treasure.
This simple lark's a shadow of a saint,
Under allurings, ready now to faint.
This admonisher a true teacher is,
Whose works to show the soul the snare and bliss,
And how it may this fowler's net escape,
And not commit upon itself this rape.
poem by John Bunyan
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Love Me A Little
Love me a little, love me as thou wilt,
Whether a draught it be of passionate wine
Poured with both hands divine,
Or just a cup of water spilt
On dying lips and mine.
Give me the love thou wilt,
The purity, the guilt,
So it be thine.
Love me a little. Let it be thy cheek
With its red signals. That were dear to kiss.
Or, if thou mayest not this,
A finger--tip my own to seek
At nightfall when none guess.
Eyes have the wit to speak,
And sighs send messages:
Even give less.
Love me a little. Let it be in words
Of happy omen heralding thy choice,
Or in a veiled sad voice
Of warning, like a frightened bird's.
How should I not rejoice,
Though swords be crossed with swords
And discord mar love's chords
And tears thy voice?
Love me a little. All my world thou art.
Thy much were Heaven: thy little Earth shall be.
If not Eternity,
Then Time be mine, the human part,
A single hour with thee.
Love as thou wilt and art,
With all or half a heart,
So thou love me.
poem by Wilfrid Scawen Blunt
Submitted by Poetry Lover
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Christ's Nativity
1 Awake, glad heart! get up and sing!
2 It is the birth-day of thy King.
3 Awake! awake!
4 The Sun doth shake
5 Light from his locks, and all the way
6 Breathing perfumes, doth spice the day.
7 Awake, awake! hark how th' wood rings;
8 Winds whisper, and the busy springs
9 A concert make;
10 Awake! awake!
11 Man is their high-priest, and should rise
12 To offer up the sacrifice.
13 I would I were some bird, or star,
14 Flutt'ring in woods, or lifted far
15 Above this inn
16 And road of sin!
17 Then either star or bird should be
18 Shining or singing still to thee.
19 I would I had in my best part
20 Fit rooms for thee! or that my heart
21 Were so clean as
22 Thy manger was!
23 But I am all filth, and obscene;
24 Yet, if thou wilt, thou canst make clean.
25 Sweet Jesu! will then. Let no more
26 This leper haunt and soil thy door!
27 Cure him, ease him,
28 O release him!
29 And let once more, by mystic birth,
30 The Lord of life be born in earth.
poem by Henry Vaughan
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Jonquil And Fleur-de-lys
i
Jonquil was a shepherd lad,
White he was as the curded cream,
Hair like the buttercups he had,
And wet green eyes like a full chalk stream.
ii
His teeth were as white as the stones that lie
Down in the depths of the sun-bright river,
And his lashes danced like a dragon-fly
With drops on the gauzy wings that quiver.
iii
His lips were as red as round ripe cherries,
And his delicate cheek's and his rose-pink neck
Were stained with the colour of dog-rose berries
When they lie on the snow like a crimson fleck.
iv
His feet were all stained with the cowslips and grass
To amber and verdigris,
And through his folds one day did pass
The young prince Fleur-de-lys.
v
Fleur-de-lys was the son of the king.
He was as white as an onyx stone,
His hair was curled like a daffodil ring,
And his eyes were like gems in the queen's blue zone.
vi
His teeth were as white as the white pearls set
Round the thick white throat of the queen in the hall,
And his lashes were like the dark silk net
That she binds her yellow hair withal.
vii
His lips were as red as the red rubies
The king's bright dagger-hilt that deck,
And pale rose-pink as the amethyst is
Were his delicate cheeks and his rose-pink neck.
viii
His feet were all shod in shoes of gold,
And his coat was as gold as a blackbird's bill is,
With jewel on jewel manifold,
And wrought with a pattern of golden lilies.
ix
When Fleur-de-lys espied Jonquil
He was as glad as a bird in May ;
He tripped right swiftly a-down the hill,
And called to the shepherd boy to play.
x
This fell out ere the sheep-shearing,
That these two lads did sport and toy,
Fleur-de-lys the son of the king,
And sweet Jonquil the shepherd boy.
xi
And after they had played awhile,
Thereafter they to talking fell,
And full an hour they did beguile
While each his state and lot did tell.
xii
For Jonquil spake of the little sheep,
And the tender ewes that know their names,
And he spake of his wattled hut for sleep,
And the country sports and the shepherds' games.
xiii
And he plucked a reed from the edge that girds
The river bank, and with his knife
Made a pipe, with a breath like the singing birds
When they flute to their loves in a musical strife.
xiv
And he told of the night so long and still
When he lay awake till he heard the feet
Of the goat-foot god coming over the hill,
And the rustling sound as he passed through the wheat.
xv
And Fleur-de-lys told of the king and the court,
And the stately dames and the slender pages,
Of his horse and his hawk and his mimic fort,
And the silent birds in their golden, cages.
xvi
And the jewelled sword with the damask blade
That should be his in his fifteenth spring ;
And the silver sound that the gold horns made,
And the tourney lists and the tilting ring.
xvii
And after that they did devise
For mirth and sport, that each should wear
The other's clothes, and in this guise
Make play each other's parts to bear.
xviii
Whereon they stripped off all their clothes,
And when they stood up in the sun,
They were as like as one white rose
On one green stalk, to another one.
xix
And when Jonquil as a prince was shown
And Fleur-de-lys as a shepherd lad,
Their mothers' selves would not have known
That each the other's habit had.
xx
And Jonquil walked like the son of a king
With dainty steps and proud haut look ;
And Fleur-de-lys, that sweet youngling,
Did push and paddle his feet in the brook.
xxi
And while they made play in this wise,
Unto them all in haste did run,
Two lords of the court, with joyful cries,
That long had sought the young king's son.
xxii
And to Jonquil they reverence made
And said, ' My lord, we are come from the king,
Who is sore vexed that thou hast strayed
So far without a following.'
xxiii
Then unto them said Fleur-de-lys
' You do mistake, my lords, for know
That I am the son of the king, and this
Is sweet Jonquil, my playfellow.'
xxiv
Whereat one of these lords replied,
' Thou lying knave, I'll make thee rue
Such saucy words.' But Jonquil cried,
' Nay, nay, my lord, 'tis even true.'
xxv
Whereat these lords were sore distressed,
And one made answer bending knee,
' My lord the prince is pleased to jest.'
But Jonquil answered, ' Thou shalt see.'
xxvi
Sure never yet so strange a thing
As this before was seen,
That a shepherd was thought the son of a king,
And a prince a shepherd boy to have been.
xxvii
' Now mark me well, my noble lord,
A shepherd's feet go bare and cold,
Therefore they are all green from the sward,
And the buttercup makes a stain of gold.
xxviii
' That I am Jonquil thus thou shalt know,
And that this be very Fleur-de-lys
If his feet be like the driven snow,
And mine like the amber and verdigris.'
xxix
He lifted up the shepherd's frock
That clothed the prince, and straight did show
That his naked feet all under his smock
Were whiter than the driven snow.
xxx
He doffed the shoes and the clothes of silk
That he had gotten from Fleur-de-lys,
And all the rest was as white as milk,
But his feet were like amber and verdigris.
xxxi
With that they each took back his own,
And when his second change was done,
As a shepherd boy was Jonquil shown
And Fleur-de-lys the king's true son.
xxxii
By this the sun was low in the heaven,
And Fleur-de-lys must ride away,
But ere he left, with kisses seven,
He vowed to come another day.
poem by Lord Alfred Douglas
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Ballad of a Ship
Down by the flash of the restless water
The dim White Ship like a white bird lay;
Laughing at life and the world they sought her,
And out she swung to the silvering bay.
Then off they flew on their roystering way,
And the keen moon fired the light foam flying
Up from the flood where the faint stars play,
And the bones of the brave in the wave are lying.
'T was a king's fair son with a king's fair daughter,
And full three hundred beside, they say, --
Revelling on for the lone, cold slaughter
So soon to seize them and hide them for aye;
But they danced and they drank and their souls grew gay,
Nor ever they knew of a ghoul's eye spying
Their splendor a flickering phantom to stray
Where the bones of the brave in the wave are lying.
Through the mist of a drunken dream they brought her
(This wild white bird) for the sea-fiend's prey:
The pitiless reef in his hard clutch caught her,
And hurled her down where the dead men stay.
A torturing silence of wan dismay --
Shrieks and curses of mad souls dying --
Then down they sank to slumber and sway
Where the bones of the brave in the wave are lying.
ENVOY
Prince, do you sleep to the sound alway
Of the mournful surge and the sea-birds' crying? --
Or does love still shudder and steel still slay,
Where the bones of the brave in the wave are lying?
poem by Edwin Arlington Robinson
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A Cuckoo Song
Crowns are for kings to wear, sad crowns of gold
Over tired heads that ache, world--cares untold.
Not on thy happy brows, sweet bird of summer,
Set we such crowns to--day, thou Spring's new--comer.
Take from us, rather, thou these our wild posies.
April's and May's we bring, June's with its roses.
Nay and love's Cuckoo flowers, O child of glory!
Cuckoos thine own birds are; these be thy dowry.
Eve of our heart's shut field, need is we grieve thee,
Gone to a world more sweet where we must leave thee.
Russet--clad nightingales, tired of our chaunting,
Out in the dark we weep, our Queen--bird wanting.
Such is the fate of birds. Soon as the Spring comes
Vagrant they flit and fly. Lo! 'tis their King comes.
Endeth our night plaint only when, through the wild wood,
New born the day trips in, laughs as a child would.
O, then we too will laugh, join in the gay chime,
Run to thy marriage bells, birds of the day--time.
poem by Wilfrid Scawen Blunt
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Manfred (excerpt: Incantation)
When the moon is on the wave,
And the glow-worm in the grass,
And the meteor on the grave,
And the wisp on the morass;
When the falling stars are shooting,
And the answer'd owls are hooting,
And the silent leaves are still
In the shadow of the hill,
Shall my soul be upon thine,
With a power and with a sign.
Though thy slumber may be deep,
Yet thy spirit shall not sleep;
There are shades which will not vanish,
There are thoughts thou canst not banish;
By a power to thee unknown,
Thou canst never be alone;
Thou art wrapt as with a shroud,
Thou art gather'd in a cloud;
And for ever shalt thou dwell
In the spirit of this spell.
Though thou seest me not pass by,
Thou shalt feel me with thine eye
As a thing that, though unseen,
Must be near thee, and hath been;
And when in that secret dread
Thou hast turn'd around thy head,
Thou shalt marvel I am not
As thy shadow on the spot,
And the power which thou dost feel
Shall be what thou must conceal.
And a magic voice and verse
Hath baptiz'd thee with a curse;
And a spirit of the air
Hath begirt thee with a snare;
In the wind there is a voice
Shall forbid thee to rejoice;
And to thee shall night deny
All the quiet of her sky;
And the day shall have a sun,
Which shall make thee wish it done.
From thy false tears I did distil
An essence which hath strength to kill;
From thy own heart I then did wring
The black blood in its blackest spring;
From thy own smile I snatch'd the snake,
For there it coil'd as in a brake;
From thy own lip I drew the charm
Which gave all these their chiefest harm;
In proving every poison known,
I found the strongest was thine own.
By thy cold breast and serpent smile,
By thy unfathom'd gulfs of guile,
By that most seeming virtuous eye,
By thy shut soul's hypocrisy;
By the perfection of thine art
Which pass'd for human thine own heart;
By thy delight in others' pain,
And by thy brotherhood of Cain,
I call upon thee! and compel
Thyself to be thy proper Hell!
And on thy head I pour the vial
Which doth devote thee to this trial;
Nor to slumber, nor to die,
Shall be in thy destiny;
Though thy death shall still seem near
To thy wish, but as a fear;
Lo! the spell now works around thee,
And the clankless chain hath bound thee;
O'er thy heart and brain together
Hath the word been pass'd--now wither!
Sabrina
Isle of the ocean, say, whence comest thou?
The smoke thy dark throne, and the blaze round thy brow;
The voice of the earthquake proclaims thee abroad,
And the deep, at thy coming, rolls darkly and loud.
From the breast of the ocean, the bed of the wave,
Thou hast burst into being, hast sprung from the grave;
A stranger, wild, gloomy, yet terribly bright,
Thou art clothed with the darkness, yet crowned with the light.
Thou comest in flames, thou hast risen in fire;
The wave is thy pillow, the tempest thy choir;
They will lull thee to sleep on the ocean's broad breast,
A slumb'ring volcano, an earthquake at rest.
Thou hast looked on the isle — thou hast looked on the wave —
Then hie thee again to thy deep, watery grave;
Go, quench thee in ocean, thou dark, nameless thing,
Thou spark from the fallen one's wide flaming wing.
poem by Lucretia Maria Davidson
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The Human Tree
Many have Earth's lovers been,
Tried in seas and wars, I ween;
Yet the mightiest have I seen:
Yea, the best saw I.
One that in a field alone
Stood up stiller than a stone
Lest a moth should fly.
Birds had nested in his hair,
On his shoon were mosses rare,
Insect empires flourished there,
Worms in ancient wars;
But his eyes burn like a glass,
Hearing a great sea of grass
Roar towards the stars.
From them to the human tree
Rose a cry continually:
`Thou art still, our Father, we
Fain would have thee nod.
Make the skies as blood below thee,
Though thou slay us, we shall know thee.
Answer us, O God!
`Show thine ancient fame and thunder,
Split the stillness once asunder,
Lest we whisper, lest we wonder
Art thou there at all?'
But I saw him there alone,
Standing stiller than a stone
Lest a moth should fall.
poem by Gilbert Keith Chesterton
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The Raven And The King's Daughter
King’s daughter sitting in tower so high,
Fair summer is on many a shield.
Why weepest thou as the clouds go by?
Fair sing the swans ’twixt firth and field.
Why weepest thou in the window-seat
Till the tears run through thy fingers sweet?
The King’s Daughter.
I weep because I sit alone
Betwixt these walls of lime and stone.
Fair folk are in my father’s hall,
But for me he built this guarded wall.
And here the gold on the green I sew
Nor tidings of my true-love know.
The Raven.
King’s daughter, sitting above the sea,
I shall tell thee a tale shall gladden thee.
Yestreen I saw a ship go forth
When the wind blew merry from the north.
And by the tiller Steingrim sat,
And O, but my heart was glad thereat!
For ’twixt ashen plank and dark blue sea
His sword sang sweet of deeds to be.
The King’s Daughter.
O barren sea, thou bitter bird,
And a barren tale my ears have heard.
The Raven.
Thy father’s men were hard thereby
In byrny bright and helmet high.
The King’s Daughter.
O worser waxeth thy story far,
For these drew upon me bolt and bar.
Fly south, O fowl, to the field of death
For nothing sweet thy grey neb saith.
The Raven.
O, there was Olaf the lily-rose,
As fair as any oak that grows.
The King’s Daughter.
O sweet bird, what did he then
Among the spears of my father’s men?
The Raven.
’Twixt ashen plank and dark blue sea,
He sang: My true love waiteth me.
The King’s Daughter.
As well as this dull floor knows my feet,
I am not weary yet, my sweet.
The Raven.
He sang: As once her hand I had,
Her lips at last shall make me glad.
The King’s Daughter.
As once our fingers met, O love,
So shall our lips be fain thereof.
The Raven.
He sang: Come wrack and iron and flame,
For what shall breach the wall but fame?
The King’s Daughter.
Be swift to rise and set, O Sun,
Lest life ’twixt hope and death be done.
The Raven.
King’s daughter sitting in tower so high,
A gift for my tale ere forth I fly,
The gold from thy finger fair and fine,
Thou hadst it from no love of thine.
The King’s Daughter.
By my father’s ring another there is,
I had it with my mother’s kiss.
Fly forth, O fowl, across the sea
To win another gift of me.
Fly south to bring me tidings true,
Fair summer is on many a shield.
Of the eve grown red with the battle-dew,
Fair sing the swans ’twixt firth and field.
The Raven.
King’s daughter sitting in tower so high,
Fair summer is on many a shield.
Tidings to hearken ere thou die,
Fair sing the swans ’twixt firth and field.
In the Frankish land the spear points met,
And wide about the field was wet.
And high ere the cold moon quenched the sun,
Blew Steingrim’s horn for battle won.
The King’s Daughter.
Fair fall thee fowl! Tell tidings true
Of deeds that men that day did do.
The Raven.
Steingrim before his banner went,
And helms were broke and byrnies rent.
The King’s Daughter.
A doughty man and good at need;
Tell men of any other’s deed?
The Raven.
Where Steingrim through the battle bore
Still Olaf went a foot before.
The King’s Daughter.
O fair with deeds the world doth grow!
Where is my true-love gotten now?
The Raven.
Upon the deck beside the mast
He lieth now, and sleepeth fast.
The King’s Daughter.
Heard’st thou before his sleep began
That he spake word of any man?
The Raven.
Methought of thee he sang a song,
But nothing now he saith for long.
The King’s Daughter.
And wottest thou where he will wend
With the world before him from end to end?
The Raven.
Before the battle joined that day
Steingrim a word to him did say:
“If we bring the banner back in peace,
In the King’s house much shall my fame increase;
Till there no guarded door shall be
But it shall open straight to me.
Then to the bower we twain shall go
Where thy love the golden seam doth sew.
I shall bring thee in and lay thine hand
About the neck of that lily-wand.
And let the King be lief or loth
One bed that night shall hold you both.”
Now north belike runs Steingrim’s prow,
And the rain and the wind from the south do blow.
The King’s Daughter.
Lo, fowl of death, my mother’s ring,
But the bridal song I must learn to sing.
And fain were I for a space alone,
For O the wind, and the wind doth moan.
And I must array the bridal bed,
Fair summer is on many a shield.
For O the rain, and the rain drifts red!
Fair sing the swans ’twixt firth and field.
Before the day from the night was born,
Fair summer is on many a shield.
She heard the blast of Steingrim’s horn,
Fair sing the swans ’twixt firth and field.
Before the day was waxen fair
Were Steingrim’s feet upon the stair.
“O bolt and bar they fall away,
But heavy are Steingrim’s feet to-day.”
“O heavy the feet of one who bears
The longing of days and the grief of years!
Lie down, lie down, thou lily-wand
That on thy neck I may lay his hand.
Whether the King be lief or loth
To-day one bed shall hold you both.
O thou art still as he is still,
So sore as ye longed to talk your fill.
And good it were that I depart,
Now heart is laid so close to heart.
For sure ye shall talk so left alone
Fair summer is on many a shield.
Of days to be below the stone.”
Fair sing the swans ’twixt firth and field.
poem by William Morris
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Morning Song Of Love
Darling, my darling, my heart is on the wing,
It flies to thee this morning like a bird,
Like happy birds in springtime my spirits soar and sing,
The same sweet song thine ears have often heard.
The sun is in my window, the shadow on the lea,
The wind is moving in the branches green,
And all my life, my darling, is turning unto thee,
And kneeling at thy feet, my own, my queen.
The golden bells are ringing across the distant hill,
Their merry peals come to me soft and clear,
But in my heart's deep chapel all incense-filled and still
A sweeter bell is sounding for thee, dear.
The bell of love invites thee to come and seek the shrine
Whose altar is erected unto thee,
The offerings, the sacrifice, the prayers, the chants are thine,
And I, my love, thy humble priest will be.
poem by Paul Laurence Dunbar
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Margaret's Bridal Eve
I
The old grey mother she thrummed on her knee:
There is a rose that's ready;
And which of the handsome young men shall it be?
There's a rose that's ready for clipping.
My daughter, come hither, come hither to me:
There is a rose that's ready;
Come, point me your finger on him that you see:
There's a rose that's ready for clipping.
O mother, my mother, it never can be:
There is a rose that's ready;
For I shall bring shame on the man marries me:
There's a rose that's ready for clipping.
Now let your tongue be deep as the sea:
There is a rose that's ready;
And the man'll jump for you, right briskly will he:
There's a rose that's ready for clipping.
Tall Margaret wept bitterly:
There is a rose that's ready;
And as her parent bade did she:
There's a rose that's ready for clipping.
O the handsome young man dropped down on his knee:
There is a rose that's ready;
Pale Margaret gave him her hand, woe's me!
There's a rose that's ready for clipping.
II
O mother, my mother, this thing I must say:
There is a rose in the garden;
Ere he lies on the breast where that other lay:
And the bird sings over the roses.
Now, folly, my daughter, for men are men:
There is a rose in the garden;
You marry them blindfold, I tell you again:
And the bird sings over the roses.
O mother, but when he kisses me!
There is a rose in the garden;
My child, 'tis which shall sweetest be!
And the bird sings over the roses.
O mother, but when I awake in the morn!
There is a rose in the garden;
My child, you are his, and the ring is worn:
And the bird sings over the roses.
Tall Margaret sighed and loosened a tress:
There is a rose in the garden;
Poor comfort she had of her comeliness
And the bird sings over the roses.
My mother will sink if this thing be said:
There is a rose in the garden;
That my first betrothed came thrice to my bed;
And the bird sings over the roses.
He died on my shoulder the third cold night:
There is a rose in the garden;
I dragged his body all through the moonlight:
And the bird sings over the roses.
But when I came by my father's door:
There is a rose in the garden;
I fell in a lump on the stiff dead floor:
And the bird sings over the roses.
O neither to heaven, nor yet to hell:
There is a rose in the garden;
Could I follow the lover I loved so well!
And the bird sings over the roses.
III
The bridesmaids slept in their chambers apart:
There is a rose that's ready;
Tall Margaret walked with her thumping heart:
There's a rose that's ready for clipping.
The frill of her nightgown below the left breast:
There is a rose that's ready;
Had fall'n like a cloud of the moonlighted West:
There's a rose that's ready for clipping.
But where the West-cloud breaks to a star:
There is a rose that's ready;
Pale Margaret's breast showed a winding scar:
There's a rose that's ready for clipping.
O few are the brides with such a sign!
There is a rose that's ready;
Though I went mad the fault was mine:
There's a rose that's ready for clipping.
I must speak to him under this roof to-night:
There is a rose that's ready;
I shall burn to death if I speak in the light:
There's a rose that's ready for clipping.
O my breast! I must strike you a bloodier wound:
There is a rose that's ready;
Than when I scored you red and swooned:
There's a rose that's ready for clipping.
I will stab my honour under his eye:
There is a rose that's ready;
Though I bleed to the death, I shall let out the lie:
There's a rose that's ready for clipping.
O happy my bridesmaids! white sleep is with you!
There is a rose that's ready;
Had he chosen among you he might sleep too!
There's a rose that's ready for clipping.
O happy my bridesmaids! your breasts are clean:
There is a rose that's ready;
You carry no mark of what has been!
There's a rose that's ready for clipping.
IV
An hour before the chilly beam:
Red rose and white in the garden;
The bridegroom started out of a dream:
And the bird sings over the roses.
He went to the door, and there espied:
Red rose and white in the garden;
The figure of his silent bride:
And the bird sings over the roses.
He went to the door, and let her in:
Red rose and white in the garden;
Whiter looked she than a child of sin:
And the bird sings over the roses.
She looked so white, she looked so sweet:
Red rose and white in the garden;
She looked so pure he fell at her feet:
And the bird sings over the roses.
He fell at her feet with love and awe:
Red rose and white in the garden;
A stainless body of light he saw:
And the bird sings over the roses.
O Margaret, say you are not of the dead!
Red rose and white in the garden;
My bride! by the angels at night are you led?
And the bird sings over the roses.
I am not led by the angels about:
Red rose and white in the garden;
But I have a devil within to let out:
And the bird sings over the roses.
O Margaret! my bride and saint!
Red rose and white in the garden;
There is on you no earthly taint:
And the bird sings over the roses.
I am no saint, and no bride can I be:
Red rose and while in the garden;
Until I have opened my bosom to thee:
And the bird sings over the roses.
To catch at her heart she laid one hand:
Red rose and white in the garden;
She told the tale where she did stand:
And the bird sings over the roses.
She stood before him pale and tall:
Red rose and white in the garden;
Her eyes between his, she told him all:
And the bird sings over the roses.
She saw how her body grow freckled and foul:
Red rose and white in the garden;
She heard from the woods the hooting owl:
And the bird sings over the roses.
With never a quiver her mouth did speak:
Red rose and white in the garden;
O when she had done she stood so meek!
And the bird sings over the roses.
The bridegroom stamped and called her vile:
Red rose and white in the garden;
He did but waken a little smile:
And the bird sings over the roses.
The bridegroom raged and called her foul:
Red rose and white in the garden;
She heard from the woods the hooting owl:
And the bird sings over the roses.
He muttered a name full bitter and sore:
Red rose and white in the garden;
She fell in a lump on the still dead floor:
And the bird sings over the roses.
O great was the wonder, and loud the wail:
Red rose and white in the garden;
When through the household flew the tale:
And the bird sings over the roses.
The old grey mother she dressed the bier:
Red rose and white in the garden;
With a shivering chin and never a tear:
And the bird sings over the roses.
O had you but done as I bade you, my child!
Red rose and white in the garden;
You would not have died and been reviled:
And the bird sings over the roses.
The bridegroom he hung at midnight by the bier:
Red rose and white in the garden;
He eyed the white girl thro' a dazzling tear:
And the bird sings over the roses.
O had you been false as the women who stray:
Red rose and white in the garden;
You would not be now with the Angels of Day!
And the bird sings over the roses.
poem by George Meredith
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Beatrice To Dante
REGARD me well: I am thy love, thy love;
Thy blessing, thy delight, thy hope, thy peace:
Thy joy above all joys that break and cease
When their full waves in widest circles move:
Thy bird of comfort, thine eternal dove,
Whom thou didst send out of thy mournful breast
To flutter back and point thee to thy rest:
Thine angel, who forgets her crown star-wove
To come to thee with folded woman-hands
Pleading,--'look on me, Beatrice, who stands
Before thee; by the Triune Light divine
Undazzled, still beholds thy human face,
And is more happy in this happy place
That thou alone art hers and she is thine.'
poem by Dinah Maria Mulock Craik
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The Fisher's Wife
A long, low waste of yellow sand
Lay shining northward far as eye could reach,
Southward a rocky bluff rose high
Broken in wild, fantastic shapes.
Near by, one jagged rock towered high,
And o'er the waters leaned, like giant grim,
Striving to peer into the mysteries
The ocean whispers of continually,
And covers with her soft, treacherous face.
For the rest, the sun was sinking low
Like a great golden globe, into the sea;
Above the rock a bird was flying
In dizzy circles, with shrill cries,
And on a plank floated from some wreck,
With shreds of musty seaweed
Clinging to it yet, a woman sat
Holding a child within her arms;
A sweet-faced woman--looking out to sea
With dark, patient eyes, and singing to the child,
And this the song she in the sunset sang:
Thine eyes are brown, my beauty, brown and bright,
Drowned deep in languor now, the angel Sleep
Is clasping thee within her arms so white,
Bearing thee up the dreamland's sunny steep.
Oh, baby, sleep, my baby, sleep.
Thy father's boat, I see its swaying shroud
Like a white sea-gull, swinging to and fro
Against the ledges of a crimson cloud,
A tiny bird with flutt'ring wing of snow.
Oh, baby, sleep, my baby, sleep.
Thy father toils beyond the harbor bar,
And, singing at his toil, he thinks of thee;
Lit by the red lamp of the evening star
Home will he come, will come to thee and me,
Oh, baby, sleep, my baby, sleep.
His cabin shall be bright with flowers sweet,
The table shall be set, the fire shall glow,
We'll wait within the door, his coming steps to greet,
And if my eye be sad, he will not know--
Oh, baby, sleep, my baby, sleep.
He will not pause to ponder things so slight,
He is not one a smile to prize or miss;
Yet he would shield us with a strong arm's might,
And he will meet us with a loving kiss--
Oh, baby, sleep, my baby, sleep.
But would I could forget those other days
When if with gayer gleam mine eyes had shone,
Or shade of sorrow, gentlest eyes would gaze
With tender questioning into my own.
Oh, baby, sleep, my baby, sleep.
Thine eyes are brown--thou hast thy father's eyes,
But those, my darling, those were clear and blue,
Ah, me! how sorrowfully that sea-bird cries,
Cries for its mate, oh, tender bird and true;
My, baby, sleep, my baby, sleep.
Oh, of my truest love well worthy he,
And near was I, ah, nearest to his heart;
But ships are parted on the dreary sea
Swept by the waves, forever swept apart--
Oh, baby, sleep, my baby, sleep.
And sometimes sad-eyed women sighing say,
Sweet love is lost, all that remains is rest,
So in their weakness they are lured to lay
Their head upon some strong and loving breast.
Oh, baby, sleep, my baby, sleep.
Our cabin stands upon the dreary sands,
And it is sad to be alone, alone.
But on my bosom thou hast lain thy hands,
Near to me art thou, near, my precious one--
My, baby, sleep, my baby, sleep.
The red light faded as she sung,
A chill breeze rose and swept across the sea,
She drew her cloak still closer round the child,
And turned toward the cabin;
As she went a faint glow glimmered
In the east, and slowly rose--
The silver crescent of the moon.
Another, paler light, than the warm sunset glow,
But clear enough to guide her home.
poem by Marietta Holley
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Verses from the Shepherds' Hymn
WE saw Thee in Thy balmy nest,
Young dawn of our eternal day;
We saw Thine eyes break from the East,
And chase the trembling shades away:
We saw Thee, and we blest the sight,
We saw Thee by Thine own sweet light.
Poor world, said I, what wilt thou do
To entertain this starry stranger?
Is this the best thou canst bestow--
A cold and not too cleanly manger?
Contend, the powers of heaven and earth,
To fit a bed for this huge birth.
Proud world, said I, cease your contest,
And let the mighty babe alone;
The phoenix builds the phoenix' nest,
Love's architecture is His own.
The babe, whose birth embraves this morn,
Made His own bed ere He was born.
I saw the curl'd drops, soft and slow,
Come hovering o'er the place's head,
Off'ring their whitest sheets of snow,
To furnish the fair infant's bed.
Forbear, said I, be not too bold;
Your fleece is white, but 'tis too cold.
I saw th' obsequious seraphim
Their rosy fleece of fire bestow,
For well they now can spare their wings,
Since Heaven itself lies here below.
Well done, said I; but are you sure
Your down, so warm, will pass for pure?
No, no, your King 's not yet to seek
Where to repose His royal head;
See, see how soon His new-bloom'd cheek
'Twixt mother's breasts is gone to bed!
Sweet choice, said we; no way but so,
Not to lie cold, you sleep in snow!
She sings Thy tears asleep, and dips
Her kisses in Thy weeping eye;
She spreads the red leaves of Thy lips,
That in their buds yet blushing lie.
She 'gainst those mother diamonds tries
The points of her young eagle's eyes.
Welcome--tho' not to those gay flies,
Gilded i' th' beams of earthly kings,
Slippery souls in smiling eyes--
But to poor shepherds, homespun things,
Whose wealth 's their flocks, whose wit 's to be
Well read in their simplicity.
Yet, when young April's husband show'rs
Shall bless the fruitful Maia's bed,
We'll bring the first-born of her flowers,
To kiss Thy feet and crown Thy head.
To Thee, dread Lamb! whose love must keep
The shepherds while they feed their sheep.
To Thee, meek Majesty, soft King
Of simple graces and sweet loves!
Each of us his lamb will bring,
Each his pair of silver doves!
At last, in fire of Thy fair eyes,
Ourselves become our own best sacrifice!
poem by Richard Crashaw
Submitted by Poetry Lover
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Ulla, Or The Adjuration
'Thou'rt gone!–thou'rt slumb'ring low,
With the sounding seas above thee;
It is but a restless wo,
But a haunting dream to love thee!
Thrice the glad swan has sung,
To greet the spring-time hours,
Since thine oar at parting flung
The white spray up in showers.
There's a shadow of the grave on thy hearth and round thy home;
Come to me from the ocean's dead!–thou'rt surely of them–come!'
'Twas Ulla's voice–alone she stood
In the Iceland summer night,
Far gazing o'er a glassy flood,
From a dark rock's beetling height.
'I know thou hast thy bed
Where the sea-weed's coil hath bound thee;
The storm sweeps o'er thy head,
But the depths are hush'd around thee.
What wind shall point the way
To the chambers where thou'rt lying?
Come to me thence, and say
If thou thought'st on me in dying?
I will not shrink to see thee with a bloodless lip and cheek–
Come to me from the ocean's dead!–thou'rt surely of them–speak!'
She listen'd–'twas the wind's low moan,
'Twas the ripple of the wave,
'Twas the wakening osprey's cry alone,
As it started from its cave.
'I know each fearful spell
Of the ancient Runic lay,
Whose mutter'd words compel
The tempest to obey.
But I adjure not thee
By magic sign or song,
My voice shall stir the sea
By love,–the deep, the strong!
By the might of woman's tears, by the passion of her sighs,
Come to me from the ocean's dead!–by the vows we pledg'd–arise!'
Again she gazed with an eager glance,
Wandering and wildly bright;–
She saw but the sparkling waters dance
To the arrowy northern light.
'By the slow and struggling death
Of hope that loath'd to part,
By the fierce and withering breath
Of despair on youth's high heart;
By the weight of gloom which clings
To the mantle of the night,
By the heavy dawn which brings
Nought lovely to the sight,
By all that from my weary soul thou hast wrung of grief and fear,
Come to me from the ocean's dead–awake, arise, appear!'
Was it her yearning spirit's dream,
Or did a pale form rise,
And o'er the hush'd wave glide and gleam,
With bright, still, mournful eyes?
'Have the depths heard?–they have!
My voice prevails–thou'rt there,
Dim from thy watery grave,
Oh! thou that wert so fair!
Yet take me to thy rest!
There dwells no fear with love;
Let me slumber on thy breast,
While the billow rolls above!
Where the long-lost things lie hid, where the bright ones have their home,
We will sleep among the ocean's dead–stay for me, stay!–I come!'
There was a sullen plunge below,
A flashing on the main,
And the wave shut o'er that wild heart's wo,
Shut,–and grew still again.
poem by Felicia Dorothea Hemans
Submitted by Poetry Lover
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