By The Fireside : Sand Of The Desert In An Hour-Glass
A handful of red sand, from the hot clime
Of Arab deserts brought,
Within this glass becomes the spy of Time,
The minister of Thought.
How many weary centuries has it been
About those deserts blown!
How many strange vicissitudes has seen,
How many histories known!
Perhaps the camels of the Ishmaelite
Trampled and passed it o'er,
When into Egypt from the patriarch's sight
His favorite son they bore.
Perhaps the feet of Moses, burnt and bare,
Crushed it beneath their tread;
Or Pharaoh's flashing wheels into the air
Scattered it as they sped;
Or Mary, with the Christ of Nazareth
Held close in her caress,
Whose pilgrimage of hope and love and faith
Illumed the wilderness;
Or anchorites beneath Engaddi's palms
Pacing the Dead Sea beach,
And singing slow their old Armenian psalms
In half-articulate speech;
Or caravans, that from Bassora's gate
With westward steps depart;
Or Mecca's pilgrims, confident of Fate,
And resolute in heart!
These have passed over it, or may have passed!
Now in this crystal tower
Imprisoned by some curious hand at last,
It counts the passing hour,
And as I gaze, these narrow walls expand;
Before my dreamy eye
Stretches the desert with its shifting sand,
Its unimpeded sky.
And borne aloft by the sustaining blast,
This little golden thread
Dilates into a column high and vast,
A form of fear and dread.
And onward, and across the setting sun,
Across the boundless plain,
The column and its broader shadow run,
Till thought pursues in vain.
The vision vanishes! These walls again
Shut out the lurid sun,
Shut out the hot, immeasurable plain;
The half-hour's sand is run!
poem by Henry Wadsworth Longfellow
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The Slave's Dream
Beside the ungathered rice he lay,
His sickle in his hand;
His breast was bare, his matted hair
Was buried in the sand.
Again, in the mist and shadow of sleep,
He saw his Native Land.
Wide through the landscape of his dreams
The lordly Niger flowed;
Beneath the palm-trees on the plain
Once more a king he strode;
And heard the tinkling caravans
Descend the mountain-road.
He saw once more his dark-eyed queen
Among her children stand;
They clasped his neck, they kissed his cheeks,
They held him by the hand!--
A tear burst from the sleeper's lids
And fell into the sand.
And then at furious speed he rode
Along the Niger's bank;
His bridle-reins were golden chains,
And, with a martial clank,
At each leap he could feel his scabbard of steel
Smiting his stallion's flank.
Before him, like a blood-red flag,
The bright flamingoes flew;
>From morn till night he followed their flight,
O'er plains where the tamarind grew,
Till he saw the roofs of Caffre huts,
And the ocean rose to view.
At night he heard the lion roar,
And the hyena scream,
And the river-horse, as he crushed the reeds
Beside some hidden stream;
And it passed, like a glorious roll of drums,
Through the triumph of his dream.
The forests, with their myriad tongues,
Shouted of liberty;
And the Blast of the Desert cried aloud,
With a voice so wild and free,
That he started in his sleep and smiled
At their tempestuous glee.
He did not feel the driver's whip,
Nor the burning heat of day;
For Death had illumined the Land of Sleep,
And his lifeless body lay
A worn-out fetter, that the soul
Had broken and thrown away!
poem by Henry Wadsworth Longfellow
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Egypt
Fantastic sleep is busy with my eyes;
I seem in some waste solitude to stand
Once ruled of Cheops; upon either hand
A dark illimitable desert lies,
Sultry and still -- a zone of mysteries.
A wide-browed Sphinx, half buried in the sand,
With orbless sockets stares across the land,
The wofulest thing beneath these brooding skies
Save that loose heap of bleachèd bones, that lie
Where haply some poor Bedouin crawled to die.
Lo! while I gaze, beyond the vast sand-sea
The nebulous clouds are downward slowly drawn,
And one bleared star, faint glimmering like a bee,
Is shut in the rosy outstretched hand of Dawn.
poem by Thomas Bailey Aldrich
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Eclogue the Second Hassan
SCENE, the Desert TIME, Mid-day
10 In silent horror o'er the desert-waste
The driver Hassan with his camels passed.
One cruse of water on his back he bore,
And his light scrip contained a scanty store;
A fan of painted feathers in his hand,
To guard his shaded face from scorching sand.
The sultry sun had gained the middle sky,
And not a tree and not an herb was nigh.
The beasts with pain their dusty way pursue,
Shrill roared the winds and dreary was the view!
20 With desperate sorrow wild, the affrighted man
Thrice sighed, thrice struck his breast, and thus began:
`Sad was the hour and luckless was the day,
When first from Schiraz' walls I bent my way.
`Ah! little thought I of the blasting wind,
The thirst or pinching hunger that I find!
Bethink thee, Hassan, where shall thirst assuage,
When fails this cruse, his unrelenting rage?
Soon shall this scrip its precious load resign,
Then what but tears and hunger shall be thine?
30 `Ye mute companions of my toils, that bear
In all my griefs a more than equal share!
Here, where no springs in murmurs break away,
Or moss-crowned fountains mitigate the day,
In vain ye hope the green delights to know,
Which plains more blest or verdant vales bestow.
Here rocks alone and tasteless sands are found,
And faint and sickly winds for ever howl around.
Sad was the hour and luckless was the day,
When first from Schiraz' walls I bent my way.
40 `Cursed be the gold and silver which persuade
Weak men to follow far-fatiguing trade.
The Lily-Peace outshines the silver store,
And life is dearer than the golden ore.
Yet money tempts us o'er the desert brown,
To every distant mart and wealthy town:
Full oft we tempt the land and oft the sea;
And are we only yet repaid by thee?
Ah! why was ruin so attractive made,
Or why fond man so easily betrayed?
50 Why heed we not, whilst mad we haste along,
The gentle voice of Peace or Pleasure's song?
Or wherefore think the flowery mountain's side,
The fountain's murmurs and the valley's pride,
Why think we these less pleasing to behold
Than dreary deserts, if they lead to gold?
Sad was the hour and luckless was the day,
When first from Schiraz' walls I bent my way.
`O cease, my fears! all frantic as I go,
When thought creates unnumbered scenes of woe,
60 What if the lion in his rage I meet!
Oft in the dust I view his printed feet:
And fearful! oft, when Day's declining light
Yields her pale empire to the mourner Night,
By hunger roused, he scours the groaning plain,
Gaunt wolves and sullen tigers in his train:
Before them death with shrieks directs their way,
Fills the wild yell and leads them to their prey.
Sad was the hour and luckless was the day,
When first from Schiraz' walls I bent my way!
70 `At that dead hour the silent asp shall creep,
If aught of rest I find, upon my sleep;
Or some swoll'n serpent twist his scales around,
And wake to anguish with a burning wound.
Thrice happy they, the wise contented poor,
From lust of wealth and dread of death secure.
They tempt no deserts and no griefs they find;
Peace rules the day, where reason rules the mind.
Sad was the hour and luckless was the day,
When first from Schiraz' walls I bent my way.
80 `O hapless youth! for she thy love hath won,
The tender Zara, will be most undone!
Big swelled my heart and owned the powerful maid,
When fast she dropped her tears, as thus she said:
``Farewell the youth whom sighs could not detain,
``Whom Zara's breaking heart implored in vain;
``Yet as thou goest, may every blast arise,
``Weak and unfelt as these rejected sighs!
``Safe o'er the wild, no perils mayst thou see,
``No griefs endure, nor weep, false youth, like me.''
O let me safely to the fair return,
Say with a kiss, she must not, shall not mourn.
Go teach my heart to lose its painful fears,
Recalled by Wisdom's voice and Zara's tears.'
He said, and called on heaven to bless the day,
When back to Schiraz' walls he bent his way.
poem by William Taylor Collins
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Where The Mind Is Without Fear
Where the mind is without fear and the head is held high
Where knowledge is free
Where the world has not been broken up into fragments
By narrow domestic walls
Where words come out from the depth of truth
Where tireless striving stretches its arms towards perfection
Where the clear stream of reason has not lost its way
Into the dreary desert sand of dead habit
Where the mind is led forward by thee
Into ever-widening thought and action
Into that heaven of freedom, my Father, let my country awake
poem by Rabindranath Tagore
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In A Time Of Dearth
Before me,
On either side of me,
I see sand.
If I turn the corner of my house,
I see sand,
Long, brown
Lines and levels of flat
Sand.
If I could only see a caravan
Heave over the edge of it:
The camels wobbling and swaying,
Stepping like ostriches,
With rocking palanquins
Whose curtains conceal
Languors and faintnesses,
Muslins tossed aside,
And a disorder of cushions.
The swinging curtains would pique and solace me.
But I only see sand,
Long, brown sand -
Sand.
If I could only see a herd of Arab horses
Galloping,
Their manes and tails pulled straight
By the speed of their going;
Their bodies sleek and round
Like bellying sails.
They would beat the sand with their fore feet,
And scatter it with their hind feet,
So that it whirled in a cloud of orange,
And the sun through it
Was clip-edged, without rays, and dun.
But I only see sand,
Long, brown, hot sand -
Sand.
If I could only see a mirage,
Blue-white at the horizon,
With palm-trees about it;
Tall, windless palm-trees, grouped about a-glitter.
If I could strain toward it,
And think of the water creeping round my ankles,
Tickling under my knees,
Leeching up my sides,
Spreading over my back.
But I only feel the grinding beneath my feet.
And I only see sand,
Long, dry sand,
Scorching sand -
Sand.
If a sand-storm would only come
And spit against my windows,
Snapping upon them, and ringing their vibrations;
Swirling over the roof;
Seeping under the door-jamb;
Suffocating me and making me struggle for air.
But I only see sand -
Sand lying dead in the sun.
Lines and lines of sand -
Sand.
I will paste newspapers over the windows to shut out the sand;
I will fit them into one another, and fasten the corners.
Then I will strike matches
And read of politics and murders and festivals
Three years old.
But I shall not see the sand any more,
And I can read
While my matches last.
poem by Amy Lowell
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Tales Of A Wayside Inn : Part 2. The Spanish Jew's Tale; Kambalu
Into the city of Kambalu,
By the road that leadeth to Ispahan,
At the head of his dusty caravan,
Laden with treasure from realms afar,
Baldacca and Kelat and Kandahar,
Rode the great captain Alau.
The Khan from his palace-window gazed,
And saw in the thronging street beneath,
In the light of the setting sun, that blazed
Through the clouds of dust by the caravan raised,
The flash of harness and jewelled sheath,
And the shining scimitars of the guard,
And the weary camels that bared their teeth,
As they passed and passed through the gates unbarred
Into the shade of the palace-yard.
Thus into the city of Kambalu
Rode the great captain Alau;
And he stood before the Khan, and said:
'The enemies of my lord are dead;
All the Kalifs of all the West
Bow and obey thy least behest;
The plains are dark with the mulberry-trees,
The weavers are busy in Samarcand,
The miners are sifting the golden sand,
The divers plunging for pearls in the seas,
And peace and plenty are in the land.
'Baldacca's Kalif, and he alone,
Rose in revolt against thy throne:
His treasures are at thy palace-door,
With the swords and the shawls and the jewels he wore;
His body is dust o'er the desert blown.
'A mile outside of Baldacca's gate
I left my forces to lie in wait,
Concealed by forests and hillocks of sand,
And forward dashed with a handful of men,
To lure the old tiger from his den
Into the ambush I had planned.
Ere we reached the town the alarm was spread,
For we heard the sound of gongs from within;
And with clash of cymbals and warlike din
The gates swung wide; and we turned and fled;
And the garrison sallied forth and pursued,
With the gray old Kalif at their head,
And above them the banner of Mohammed:
So we snared them all, and the town was subdued.
'As in at the gate we rode, behold,
A tower that is called the Tower of Gold!
For there the Kalif had hidden his wealth,
Heaped and hoarded and piled on high,
Like sacks of wheat in a granary;
And thither the miser crept by stealth
To feel of the gold that gave him health,
And to gaze and gloat with his hungry eye
On jewels that gleamed like a glow-worm's spark,
Or the eyes of a panther in the dark.
'I said to the Kalif: 'Thou art old,
Thou hast no need of so much gold.
Thou shouldst not have heaped and hidden it here,
Till the breath of battle was hot and near,
But have sown through the land these useless hoards
To spring into shining blades of swords,
And keep thine honor sweet and clear.
These grains of gold are not grains of wheat;
These bars of silver thou canst not eat;
These jewels and pearls and precious stones
Cannot cure the aches in thy bones,
Nor keep the feet of Death one hour
From climbing the stairways of thy tower!'
'Then into his dungeon I locked the drone,
And left him to feed there all alone
In the honey-cells of his golden hive:
Never a prayer, nor a cry, nor a groan
Was heard from those massive walls of stone,
Nor again was the Kalif seen alive!
'When at last we unlocked the door,
We found him dead upon the floor;
The rings had dropped from his withered hands,
His teeth were like bones in the desert sands:
Still clutching his treasure he had died;
And as he lay there, he appeared
A statue of gold with a silver beard,
His arms outstretched as if crucified.'
This is the story, strange and true,
That the great captain Alau
Told to his brother the Tartar Khan,
When he rode that day into Kambalu
By the road that leadeth to Ispahan.
poem by Henry Wadsworth Longfellow
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The Cable Hymn
O lonely bay of Trinity,
O dreary shores, give ear!
Lean down unto the white-lipped sea
The voice of God to hear!
From world to world His couriers fly,
Thought-winged and shod with fire;
The angel of His stormy sky
Rides down the sunken wire.
What saith the herald of the Lord?
'The world's long strife is done;
Close wedded by that mystic cord,
Its continents are one.
'And one in heart, as one in blood,
Shall all her peoples be;
The hands of human brotherhood
Are clasped beneath the sea.
'Through Orient seas, o'er Afric's plain
And Asian mountains borne,
The vigor of the Northern brain
Shall nerve the world outworn.
'From clime to clime, from shore to shore,
Shall thrill the magic thread;
The new Prometheus steals once more
The fire that wakes the dead.'
Throb on, strong pulse of thunder! beat
From answering beach to beach;
Fuse nations in thy kindly heat,
And melt the chains of each!
Wild terror of the sky above,
Glide tamed and dumb below!
Bear gently, Ocean's carrier-dove,
Thy errands to and fro.
Weave on, swift shuttle of the Lord,
Beneath the deep so far,
The bridal robe of earth's accord,
The funeral shroud of war!
For lo! the fall of Ocean's wall
Space mocked and time outrun;
And round the world the thought of all
Is as the thought of one!
The poles unite, the zones agree,
The tongues of striving cease;
As on the Sea of Galilee
The Christ is whispering, Peace!
. . . . .
'Glad prophecy! to this at last,'
The Reader said, 'shall all things come.
Forgotten be the bugle's blast,
And battle-music of the drum.
'A little while the world may run
Its old mad way, with needle-gun
And iron-clad, but truth, at last, shall reign
The cradle-song of Christ was never sung in vain!'
Shifting his scattered papers, 'Here,'
He said, as died the faint applause,
'Is something that I found last year
Down on the island known as Orr's.
I had it from a fair-haired girl
Who, oddly, bore the name of Pearl,
(As if by some droll freak of circumstance,)
Classic, or wellnigh so, in Harriet Stowe's romance.'
poem by John Greenleaf Whittier
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Poetry
These words are not porcelain
Nor are they sculpted from a certain glass
Nor do they shine even after the hour is passed
But they break like flesh and bone
They are a metaphor
For china
For fragile things
And underneath lies the poetry
Beneath the skin
It lives and breathes
Some senses burn hot
Some passion dry cold
But beneath the tempest
Lies the still hour glass
Of all thats told
And these words are the flesh and the bone
The lines in your head
The shadow in the photograph
The stories you have lived
For who can read you, after words?
Who can know the journey you have taken?
Or understand such imprints in the sand?
And yet they the live and leave their sign
In the body of one life
yvette smith feb 09
poem by Yvette Smith
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Mad Man Moon
Was it summer when the river ran dry,
Or was it just another dam.
When the evil of a snowflake in june
Could still be a source of relief.
O how I love you, I once cried long ago,
But I was the one who decided to go.
To search beyond the final crest,
Though Id heard it said just birds could dwell so high.
So I pretended to have wings for my arms
And took off in the air.
I flew to places which the clouds never see,
Too close to the deserts of sand,
Where a thousand mirages, the shepherds of lies
Forced me to land and take a disguise.
I would welcome a horses kick to send me back
If I could find a horse not made of sand.
If this deserts all therell ever be
Then tell me what becomes of me.
A fall of rain?
That must have been another of your dreams,
A dream of mad man moon.
Hey man,
Im the sand man.
And boy have I news for you;
Theyre gonna throw you in gaol
And you know they cant fail
cos sand is thicker than blood.
But a prison in sand
Is a haven in hell,
For a gaol can give you a goal
[and a] goal can find you a role
On a muddy pitch in newcastle,
Where it rains so much
You cant wait for a touch
Of sun and sand, sun and sand...
Within the valley of shadowless death
They pray for thunderclouds and rain,
But to the multitude who stand in the rain
Heaven is where the sun shines.
The grass will be greener till the stems turn to brown
And thoughts will fly higher till the earth brings them down.
Forever caught in desert lands one has to learn
To disbelieve the sea.
If this deserts all therell ever be
Then tell me what becomes of me.
A fall of rain?
That must have been another of your dreams,
A dream of mad man moon.
song performed by by Genesis
Submitted by Lucian Velea
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0332 How were they to know?
Yes, how were they to know,
searching in the heat of forenoon dunes,
those high hills of sand
where once the forests grew,
now a rhythm of burnt sunned, cool shadowed, mock horizons,
- they, searching for the camel which had strayed -
and finding there, a man sitting still, cross-legged
in the sand upon a small strip
of faded coloured carpet,
palm of hand crossed in palm of hand,
and in the palm of his upraised right hand,
one grain of sand
and who, as they approached,
did not shift his gaze from that one grain;
and yet they sensed that he sensed them;
better let him be, he knows what he’s about,
or if he’s mad, at least he’s quietly purposeful…
how were they to know
that as he gazed, the universe he saw
in that one grain of sand then
grew inside of him? till it filled itself,
like a sand-clock, as the last grain
falls from the upper to
the lower, and all is still again
as measured time stops still
amid the sands of time?
how were they to know
as that small figure against the desert sand
his cloak still burning to the touch,
returned to the oasis, as the red-hot sun
sank below the dramatic shadow of the furthest dune,
and later, sitting by the green palms and papyrus reeds,
the camels head down, humped around the welcome pool,
one child, then many children,
then grown men, asked him their questions;
and the answers, as the night folded in
below more stars than anyone could count,
drew the circle of cross-legged silent listeners
- occasionally, urgent voiced with a lifetime’s pressing question -
as if some grain of sand became in their mind too
totality; the universe.
poem by Michael Shepherd
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By Miners Hands
What miner’s art
Did meld and make,
Did stone on stone
Fling you on high,
Or lie beneath
The stars, awake
To think your shape
As nights sped by?
What weary hand
Did knead and tread
Your mud in some
Dead winter’s storm,
While autumn’s bride
Long kept her bed
To wait his will
Who gave you form.
And though they lie
Unknown at last,
Without foundation
Still you stand,
Your walls have stood
Six score of years
While they ran through
Their shift of sand!
And every furrow
At some brow
Did trace in mud
These barren lands,
Each humble cottage
Built in need
Was raised in pride
By miner’s hands!
18 February 1983
poem by David Lewis Paget
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Dunes Are Made Of SanD
Cul the zeros out of my head, so i may round by the sound, the square i love to wear - She is my dress, my shadow grows on both, what was lost next to 2, by my sides - Never do i fear alone, I am held by her grip, sometimes she is more than cold, but she never will let me slip - Sometimes i stand on the dunes, the sand tells me of what passed by time - my prints are diplayed, one to a row, although never was there a path which led me to wonder astray - By my hand, in own i was grown, i do the deed which cause me harm, without a bell to ring the cause for the alarm, i stitch close what was sown - Tears which streams into rivers, do so with one flow - As Dunes Are Made of SanD
poem by Unic Cjonr
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Strange Meeting Ii
Deep down in the depths of forgotten dreams
So far away so long ago it seems
The memory comes of a distant beach
Pale sand stretching far from reach
It was then I found my princess of the sand.
As I traced the foam, peebles beneath my feet
I looked behind, I saw this one so sweet
She came to me and I saw in her eyes
The heavy toll of a thousand eyes
I called her my princess of the sand.
She stared at me and my mind was in a maze
As we moved along in a summer sea-dream haze
She moved her mouth but there came no sound
The message she brought can never be found
But I called her my princess of the sand.
One moment we walked with the night breeze in our face
Then I looked, shed gone. of her presence there was no trace
Where she went or came from who can know
Or if shell ever return to help me know
Who she is, my princess of the sand.
Sometime when the summer nights come back
Ill go back to the sea, follow that sandy track
Ill look around, hope to find
That strange young dream, close behind
Ill call her my princess of the sand.
song performed by by Nick Drake
Submitted by Lucian Velea
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A Little Ghost
The moonlight flutters from the sky
To meet her at the door,
A little ghost, whose steps have passed
Across the creaking floor.
And rustling vines that lightly tap
Against the window-pane,
Throw shadows on the white-washed walls
To blot them out again.
The moonlight leads her as she goes
Across a narrow plain,
By all the old, familiar ways
That know her steps again.
And through the scrub it leads her on
And brings her to the creek,
But by the broken dam she stops
And seems as she would speak.
She moves her lips, but not a sound
Ripples the silent air;
She wrings her little hands, ah, me!
The sadness of despair!
While overhead the black-duck's wing
Cuts like a flash upon
The startled air, that scarcely shrinks
Ere he afar is gone.
And curlews wake, and wailing cry
Cur-lew! cur-lew! cur-lew!
Till all the Bush, with nameless dread
Is pulsing through and through.
The moonlight leads her back again
And leaves her at the door,
A little ghost whose steps have passed
Across the creaking floor.
poem by Dame Mary Gilmore
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Sand On My Shoes
As I sit by the sea
Drink tequila by the shade of a tree
Theres a seniorita sat on my knee
Sprinkling sand all over me
Ive got sand on my shoes
Ive lost everything that Im gonna lose
Ive got nothing but the sun and the moon
And the sand thats on the beach
I am happy though my shoes are tattered and torn
Because the sea is so shiney
Ba ba-um-ba
Ba ba ba ba ba ba ba ba-um-ba
Ive got sand on my shoes
Thought I was civilized
Till I saw the sea and I realized
That the city life was just not for me
Left my troubles behind me
Ba ba-um-ba
Ba ba ba ba ba ba ba ba-um-ba
Ive got sand on my shoes
Ive got nothing else that Im gonna lose
Ive got nothing but the sun and the moon
And thats plenty for me
Ive got sand on my shoes
Ive got sand on my shoes
Ive got sand on my shoes
Sand on my shoes
Ba ba ba ba-um-ba
Ba ba ba ba ba ba ba ba-um-ba
song performed by by Kinks
Submitted by Lucian Velea
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We walked on the beach
We walked on the beach
my shadow and I.
Rocks protruded
out of the sand
and a big ship passed by.
The tide was high
and the angry sea crashed
and slapped spray
upon the rocks.
a Strong wind scratched
me with buckets full of sand
and I wondered what had happened
to a perfect day at the beach,
but later the wind died down.
a Single gull surfed the air
and suddenly it wasn’t there
and only the green sea,
the white-hot sun,
surf crashing on the beach
and I remained.
poem by Gert Strydom
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Never, Never Land
By hut, homestead and shearing shed,
By railroad, coach and track-
By lonely graves where rest the dead,
Up-Country and Out-Back:
To where beneath the clustered stars
The dreamy plains expand-
My home lies wide a thousand miles
In Never-Never Land.
It lies beyond the farming belt,
Wide wastes of scrub and plain,
A blazing desert in the drought,
A lake-land after rain;
To the skyline sweeps the waving grass,
Or whirls the scorching sand-
A phantom land, a mystic realm!
The Never-Never Land.
Where lone Mount Desolation lies
Mounts Dreadful and Despair-
'Tis lost beneath the rainless skies
In hopeless deserts there;
It spreads nor-west by No-Man's Land
Where clouds are seldom seen
To where the cattle stations lie
Three hundred miles between.
The drovers of the Great Stock Routes
The strange Gulf country Know
Where, travelling from the southern droughts,
The big lean bullocks go;
And camped by night where plains lie wide,
Like some old ocean's bed,
The watchmen in the starlight ride
Round fifteen hundred head.
Lest in the city I forget
True mateship after all,
My water-bag and billy yet
Are hanging on the wall;
And I, to save my soul again,
Would tramp to sunsets grand
With sad-eyed mates across the plain
In Never-Never Land.
poem by Henry Lawson
Submitted by Poetry Lover
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By Hut, Homestead And Shearing Shed,
By hut, homestead and shearing shed,
By railroad, coach and track-
By lonely graves where rest the dead,
Up-Country and Out-Back:
To where beneath the clustered stars
The dreamy plains expand-
My home lies wide a thousand miles
In Never-Never Land.
It lies beyond the farming belt,
Wide wastes of scrub and plain,
A blazing desert in the drought,
A lake-land after rain;
To the skyline sweeps the waving grass,
Or whirls the scorching sand-
A phantom land, a mystic realm!
The Never-Never Land.
Where lone Mount Desolation lies
Mounts Dreadful and Despair-
'Tis lost beneath the rainless skies
In hopeless deserts there;
It spreads nor-west by No-Man's Land
Where clouds are seldom seen
To where the cattle stations lie
Three hundred miles between.
The drovers of the Great Stock Routes
The strange Gulf country Know
Where, travelling from the southern droughts,
The big lean bullocks go;
And camped by night where plains lie wide,
Like some old ocean's bed,
The watchmen in the starlight ride
Round fifteen hundred head.
Lest in the city I forget
True mateship after all,
My water-bag and billy yet
Are hanging on the wall;
And I, to save my soul again,
Would tramp to sunsets grand
With sad-eyed mates across the plain
In Never-Never Land.
poem by Henry Lawson
Submitted by Poetry Lover
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Ave Maria In Rome
FAR away dim violet mountains
Fade away from sight;
Flashing from fantastic fountains,
Jets the liquid light,
Where from Nymph's or Triton's lip
Bubbling waters drip and drip,
Bubbling day and night.
Pealed from tower to answering tower,
O'er the city swells,
Ringing in the hallowed hour,
Rhythm of bells on bells;
And on wings of Choral Song,
Confluent hearts to Mary throng,
From low, cloistered cells.
On the golden ground of even,
Like a half-way home,
On the pilgrim to heaven
Floats St. Peter's Dome;
High, high, in the air alone,
Man's dread Thought transformed to stone,
Pinnacled o'er Rome.
poem by Mathilde Blind
Submitted by Poetry Lover
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Killing An Arab (live)
Standing on a beach
With a gun in my hand
Staring at the sea
Staring at the sand
Staring down the barrel
At the arab on the ground
See his open mouth
But hear no sound
I'm alive
I'm dead
I'm the stranger
Killing an arab
I can turn and walk away
Or I can fire the gun
Staring at the sky
Staring at the sun
Whichever I choose
It amounts to the same
Absolutely nothing
I'm alive
I'm dead
I'm the stranger
Killing an arab
Feel the steel butt jump
Smooth in my hand
Staring at the sea
Staring at the sand
Staring at myself
Reflected in the eyes of
The dead man on the beach
The dead man
On the beach
I'm alive
I'm dead
I'm the stranger
Killing an arab
song performed by by Cure
Submitted by Lucian Velea
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