The Veery
THE MOONBEAMS over Arno’s vale in silver flood were pouring,
When first I heard the nightingale a long-lost love deploring.
So passionate, so full of pain, it sounded strange and eerie;
I longed to hear a simpler strain,—the wood-notes of the veery.
The laverock sings a bonny lay above the Scottish heather;
It sprinkles down from far away like light and love together;
He drops the golden notes to greet his brooding mate, his dearie;
I only know one song more sweet,—the vespers of the veery.
In English gardens, green and bright and full of fruity treasure,
I heard the blackbird with delight repeat his merry measure:
The ballad was a pleasant one, the tune was loud and cheery,
And yet, with every setting sun, I listened for the veery.
But far away, and far away, the tawny thrush is singing;
New England woods, at close of day, with that clear chant are ringing:
And when my light of life is low, and heart and flesh are weary,
I fain would hear, before I go, the wood-notes of the veery.
poem by Henry Van Dyke
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Related quotes
Life and Nature
I passed through the gates of the city,
The streets were strange and still,
Through the doors of the open churches
The organs were moaning shrill.
Through the doors and the great high windows
I heard the murmur of prayer,
And the sound of their solemn singing
Streamed out on the sunlit air;
A sound of some great burden
That lay on the world's dark breast,
Of the old, and the sick, and the lonely,
And the weary that cried for rest.
I strayed through the midst of the city
Like one distracted or mad.
'Oh, Life! Oh, Life!' I kept saying,
And the very word seemed sad.
I passed through the gates of the city,
And I heard the small birds sing,
I laid me down in the meadows
Afar from the bell-ringing.
In the depth and the bloom of the meadows
I lay on the earth's quiet breast,
The poplar fanned me with shadows,
And the veery sang me to rest.
Blue, blue was the heaven above me,
And the earth green at my feet;
'Oh, Life! Oh, Life!' I kept saying,
And the very word seemed sweet.
poem by Archibald Lampman
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The Solitary Reaper
Behold her, single in the field,
Yon solitary Highland Lass!
Reaping and singing by herself;
Stop here, or gently pass!
Alone she cuts and binds the grain,
And sings a melancholy strain;
O listen! for the Vale profound
Is overflowing with the sound.
No Nightingale did ever chaunt
More welcome notes to weary bands
Of travellers in some shady haunt,
Among Arabian sands:
A voice so thrilling ne'er was heard
In spring-time from the Cuckoo-bird,
Breaking the silence of the seas
Among the farthest Hebrides.
Will no one tell me what she sings?--
Perhaps the plaintive numbers flow
For old, unhappy, far-off things,
And battles long ago:
Or is it some more humble lay,
Familiar matter of to-day?
Some natural sorrow, loss, or pain,
That has been, and may be again?
Whate'er the theme, the Maiden sang
As if her song could have no ending;
I saw her singing at her work,
And o'er the sickle bending;--
I listened, motionless and still;
And, as I mounted up the hill,
The music in my heart I bore,
Long after it was heard no more.
poem by William Wordsworth
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The Reaper
Behold her, single in the field,
Yon solitary Highland Lass!
Reaping and singing by herself;
Stop here, or gently pass!
Alone she cuts and binds the grain,
And sings a melancholy strain;
O listen! for the vale profound
Is overflowing with the sound.
No nightingale did ever chaunt
More welcome notes to weary bands
Of travellers in some shady haunt,
Among Arabian sands:
A voice so thrilling ne'er was heard
In spring-time from the cuckoo-bird
Breaking the silence of the seas
Among the farthest Hebrides.
Will no one tell me what she sings?
Perhaps the plaintive numbers flow
For old, unhappy, far-off things,
And battles long ago:
Or is it some more humble lay,
Familiar matter of today?
Some natural sorrow, loss, or pain,
That has been, and may be again!
Whate'er the theme, the maiden sang
As if her song could have no ending;
I saw her singing at her work,
And o'er the sickle bending;
I listened, motionless and still;
And as I mounted up the hill
The music in my heart I bore,
Long after it was heard no more.
poem by William Wordsworth
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Unforgettable In Your Ear
There are notes in music
that take you high.
And notes that take you low.
When you listen to the notes of music
you never know where you'll go.
Within one song the notes you hear
affect how you will feel.
A plaintive melody might make you sad
or remind you of your pain.
But all of that can change in a minute
as you feel your emotions drain.
Uplifting notes can bring to you
a few moments of ecstatic peace.
Each inspiring strain can take you where
you are able to release
whatever it was that was troubling you,
erase it for a minute or two.
These notes are magic and so is life.
They're there and then they're not.
They're a gift to you from composers
that plant a forget-me-not.
poem by Edwina Reizer
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The Source
There in the fringe of trees between
the upper field and the edge of the one
below it that runs above the valley
one time I heard in the early
days of summer the clear ringing
six notes that I knew were the opening
of the Fingal's Cave Overture
I heard them again and again that year
and the next summer and the year
afterward those six descending
notes the same for all the changing
in my own life since the last time
I had heard them fall past me from
the bright air in the morning of a bird
and I believed that what I had heard
would always be there if I came again
to be overtaken by that season
in that place after the winter
and I would wonder again whether
Mendelssohn really had heard them somewhere
far to the north that many years ago
looking up from his youth to listen to
those six notes of an ancestor
spilling over from a presence neither
water nor human that led to the cave
in his mind the fluted cliffs and the wave
going out and the falling water
he thought those notes could be the music for
Mendelssohn is gone and Fingal is gone
all but his name for a cave and for one
piece of music and the black-capped warbler
as we called that bird that I remember
singing there those notes descending
from the age of the ice dripping
I have not heard again this year can it
be gone then will I not hear it
from now on will the overture begin
for a time and all those who listen
feel that falling in them but as always
without knowing what they recognize
poem by William Stanley Merwin
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Where Are My Songs?
Where are my songs?
I can't write them anymore.
My head can't hear them,
not like before.
They came so easy.
I heard them in my ear.
I thought about you
and all the notes were clear.
But now those notes
just don't seem to flow.
They've escaped into dissonance
and where did they go?
They went away in a flash
just like you.
Now that they're gone
there's nothing I can do.
I'll have to be inspired
in another way.
I'll listen for some new notes
on every single day.
And when they appear
I'll know that I am free.
Never again will I lose them
like you lost me.
poem by Edwina Reizer
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The Voice of Love
After a long solitary confinement
In deep love for someone
I heard a song
A song in the woods
Where I stood
The woods which stood in the solitude
There was nobody
Nobody except me
Nobody heard the song
Which rapped in the woods
Somewhere, but I didn't know where
The song I heard wasn't raspy
Neither soft nor melodious
The song I heard was heart-strucken'd
There was a tone
A tune where you can find
A rapt of love.
The song has given pathogen in me
Who's that guy?
Singing in love
Crying and dying in love?
I listened to the song carefully
Now I found
The lonely woods are in me
And the song I heard
was the voice
The voice of love in me.
poem by D'menz Veen
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New England Sabbath Bells
Methinks I hear those tuneful chimes,
Borne on the breath of morn,
Proclaiming to the silent world
Another Sabbath born.
With solemn sound they echo through
The stilly summer air,
Winning the heart of wayward man
Unto the house of prayer!
New England's sweet church-going bells,
Their memory's very dear;
And oft in dreams we seem to hear
Them ringing loud and clear.
Again we see the village-spire
Pointing toward the skies;
And hear our reverend pastor tell
Of life that never dies!
We see him moving down the aisle,
In light subdued and dim;
The while the organ's swelling notes
Chant forth the grateful hymn.
The forms of those our childhood knew,
By meadow, grove and hill,
Are gathering round with kindly looks,
As if they loved us still!
In careless hours of gladsome youth,
'Twas our thrice-blessed lot,
To dwell upon New England's shores,
Where God is not forgot.
Where temples to his name are raised,
And where, on bended knee,
The Christian sends to heavenly courts
The worship of the free!
New England's Sabbath chimes!--we love
Upon those words to dwell;
They fall upon our spirits with
A sweetly-soothing spell,
Bringing to mind those brighter days
When hope beamed on our way,
And life seemed to our souls but one
Pure and unclouded day!
New England's Sabbath bells!--when last
We heard their merry chime,
The air was rife with pleasant sounds;
For 'twas the glad spring-time!
The robin to those tuneful peals
Poured forth a thrilling strain;
O, 'tis our dearest hope to hear
Those Sabbath bells again!
For now we're many a weary mile
From that New England home;
In lands where laughing summer lies,
Our wandering footsteps roam.
But yet those sweetly-chiming bells
Those heavenward-pointing spires,
Awaken e'er the brightest glow
From memory's vestal-fires.
poem by Frances Ellen Watkins Harper
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A Child's Laughter
ALL the bells of heaven may ring,
All the birds of heaven may sing,
All the wells on earth may spring,
All the winds on earth may bring
All sweet sounds together---
Sweeter far than all things heard,
Hand of harper, tone of bird,
Sound of woods at sundawn stirred,
Welling water's winsome word,
Wind in warm wan weather,
One thing yet there is, that none
Hearing ere its chime be done
Knows not well the sweetest one
Heard of man beneath the sun,
Hoped in heaven hereafter;
Soft and strong and loud and light,
Very sound of very light
Heard from morning's rosiest height,
When the soul of all delight
Fills a child's clear laughter.
Golden bells of welcome rolled
Never forth such notes, nor told
Hours so blithe in tones so bold,
As the radiant mouth of gold
Here that rings forth heaven.
If the golden-crested wren
Were a nightingale---why, then,
Something seen and heard of men
Might be half as sweet as when
Laughs a child of seven.
poem by Algernon Charles Swinburne
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The Musicians
The strings of my heart were strung by Pleasure,
And I laughed when the music fell on my ear,
For he and Mirth played a joyful measure,
And they played so loud that I could not hear
The wailing and mourning of souls a-weary -
The strains of sorrow that floated around,
For my heart's notes rang out loud and cheery,
And I heard no other sound.
Mirth and Pleasure, the music brothers,
Played louder and louder in joyful glee;
But sometimes a discord was heard by others -
Though only the rhythm was heard by me.
Louder and louder, faster and faster
The hands of the brothers played strain on strain,
When all of a sudden a Mighty Master
Swept them aside; and Pain,
Pain, the musician, the soul-refiner,
Restrung the strings of my quivering heart,
And the air that he played was a plaintive minor,
So sad that the tear-drops were forced to start;
Each note was an echo of awful anguish,
As shrill as solemn, as sharp as slow,
And my soul for a reason seemed to languish
And faint with its weight of woe.
With skilful hands that were never weary,
This Master of Music played strain on strain,
And between the bars of the miserere,
He drew up the strings of my heart again,
And I was filled with a vague, strange wonder,
To see that they did not snap in two.
'They are drawn so tight, they will break assunder, '
I thought, but instead, they grew,
In the hands of the Master, firmer and stronger;
And I could hear on the stilly air -
Now my ears were deafened by Mirth no longer -
The sound of sorrow, and grief, and despair;
And my soul grew kinder and tender to others,
My nature grew sweeter, my mind grew broad,
And I held all men to be my brothers,
Linked by the chastening rod.
My soul was lifted to God and heaven,
And when on my heart-strings fell again
The hands of Mirth, and Pleasure, even,
There was never a discord to mar the strain.
For Pain, the musician, and soul-refiner,
Attuned the strings with a master hand,
And whether the music be major or minor,
It is always sweet and grand.
poem by Ella Wheeler Wilcox
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Spring Time Is Coming
Beautiful Spring is coming,
Ah, yes, will soon be here,
For the clear bright sun is shining
All human hearts to cheer.
One the brightest gems of nature
Is the orb that o'er us shines,
And o'er the wide creation,
It'll shine to the end of time.
The birds will soon be singing
On shrub and bough of trees,
Their notes will soon be ringing
Out, forth so merrily.
They love the merry spring time,
Those little birds we love,
They love the pleasant sunshine
That comes down from above.
We can hear them sweetly singing
From early morn, till night.
They make music in the woodland
Those little birds; so bright,
We should dearly love them,
Those little harmless things,
And when we hear their music,
We know that it is spring.
Ah; it's pleasant in the springtime,
All nature seems so gay.
Bright flowers in the sunshine,
Sweet fragrance can display.
The hills, and dales, and meadows,
So beautifully covered o'er;
With natures richest verdure,
The green grass, as of yore.
The winter will soon be over,
With its cold and chilly winds.
It is sad and dreary ever,
Yet its dying, free from sin.
Now the springtime is coming,
Ah, yes, will soon be here.
We will welcome in its coming
In this glad new year.
poem by Julia A Moore
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Suggested by the Cover of a Volume of Keats's Poems
Wild little bird, who chose thee for a sign
To put upon the cover of this book?
Who heard thee singing in the distance dim,
The vague, far greenness of the enshrouding wood,
When the damp freshness of the morning earth
Was full of pungent sweetness and thy song?
Who followed over moss and twisted roots,
And pushed through the wet leaves of trailing vines
Where slanting sunbeams gleamed uncertainly,
While ever clearer came the dropping notes,
Until, at last, two widening trunks disclosed
Thee singing on a spray of branching beech,
Hidden, then seen; and always that same song
Of joyful sweetness, rapture incarnate,
Filled the hushed, rustling stillness of the wood?
We do not know what bird thou art. Perhaps
That fairy bird, fabled in island tale,
Who never sings but once, and then his song
Is of such fearful beauty that he dies
From sheer exuberance of melody.
For this they took thee, little bird, for this
They captured thee, tilting among the leaves,
And stamped thee for a symbol on this book.
For it contains a song surpassing thine,
Richer, more sweet, more poignant. And the poet
Who felt this burning beauty, and whose heart
Was full of loveliest things, sang all he knew
A little while, and then he died; too frail
To bear this untamed, passionate burst of song.
poem by Amy Lowell
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The Nightingale
A Conversation Poem, April, 1798
No cloud, no relique of the sunken day
Distinguishes the West, no long thin slip
Of sullen light, no obscure trembling hues.
Come, we will rest on this old mossy bridge!
You see the glimmer of the stream beneath,
But hear no murmuring: it flows silently.
O'er its soft bed of verdure. All is still.
A balmy night! and though the stars be dim,
Yet let us think upon the vernal showers
That gladden the green earth, and we shall find
A pleasure in the dimness of the stars.
And hark! the Nightingale begins its song,
'Most musical, most melancholy' bird!
A melancholy bird? Oh! idle thought!
In Nature there is nothing melancholy.
But some night-wandering man whose heart was pierced
With the remembrance of a grievous wrong,
Or slow distemper, or neglected love,
(And so, poor wretch! filled all things with himself,
And made all gentle sounds tell back the tale
Of his own sorrow) he, and such as he,
First named these notes a melancholy strain.
And many a poet echoes the conceit;
Poet who hath been building up the rhyme
When he had better far have stretched his limbs
Beside a brook in mossy forest-dell,
By sun or moon-light, to the influxes
Of shapes and sounds and shifting elements
Surrendering his whole spirit, of his song
And of his fame forgetful! so his fame
Should share in Nature's immortality,
A venerable thing! and so his song
Should make all Nature lovelier, and itself
Be loved like Nature! But 'twill not be so;
And youths and maidens most poetical,
Who lose the deepening twilights of the spring
In ball-rooms and hot theatres, they still
Full of meek sympathy must heave their sighs
O'er Philomela's pity-pleading strains.
My Friend, and thou, our Sister! we have learnt
A different lore: we may not thus profane
Nature's sweet voices, always full of love
And joyance! 'Tis the merry Nightingale
That crowds and hurries, and precipitates
With fast thick warble his delicious notes,
As he were fearful that an April night
Would be too short for him to utter forth
His love-chant, and disburthen his full soul
Of all its music!
And I know a grove
Of large extent, hard by a castle huge,
Which the great lord inhabits not; and so
This grove is wild with tangling underwood,
And the trim walks are broken up, and grass,
Thin grass and king-cups grow within the paths.
But never elsewhere in one place I knew
So many nightingales; and far and near,
In wood and thicket, over the wide grove,
They answer and provoke each other's song,
With skirmish and capricious passagings,
And murmurs musical and swift jug jug,
And one low piping sound more sweet than all
Stirring the air with such a harmony,
That should you close your eyes, you might almost
Forget it was not day! On moonlight bushes,
Whose dewy leaflets are but half-disclosed,
You may perchance behold them on the twigs,
Their bright, bright eyes, their eyes both bright and full,
Glistening, while many a glow-worm in the shade
Lights up her love-torch.
A most gentle Maid,
Who dwelleth in her hospitable home
Hard by the castle, and at latest eve
(Even like a Lady vowed and dedicate
To something more than Nature in the grove)
Glides through the pathways; she knows all their notes,
That gentle Maid! and oft, a moment's space,
What time the moon was lost behind a cloud,
Hath heard a pause of silence; till the moon
Emerging, a hath awakened earth and sky
With one sensation, and those wakeful birds
Have all burst forth in choral minstrelsy,
As if some sudden gale had swept at once
A hundred airy harps! And she hath watched
Many a nightingale perch giddily
On blossomy twig still swinging from the breeze,
And to that motion tune his wanton song
Like tipsy Joy that reels with tossing head.
Farewell! O Warbler! till tomorrow eve,
And you, my friends! farewell, a short farewell!
We have been loitering long and pleasantly,
And now for our dear homes.That strain again!
Full fain it would delay me! My dear babe,
Who, capable of no articulate sound,
Mars all things with his imitative lisp,
How he would place his hand beside his ear,
His little hand, the small forefinger up,
And bid us listen! And I deem it wise
To make him Nature's play-mate. He knows well
The evening-star; and once, when he awoke
In most distressful mood (some inward pain
Had made up that strange thing, an infant's dream)
I hurried with him to our orchard-plot,
And he beheld the moon, and, hushed at once,
Suspends his sobs, and laughs most silently,
While his fair eyes, that swam with undropped tears,
Did glitter in the yellow moon-beam! Well!
It is a father's tale: But if that Heaven
Should give me life, his childhood shall grow up
Familiar with these songs, that with the night
He may associate joy. Once more, farewell,
Sweet Nightingale! once more, my friends! farewell.
poem by Samuel Taylor Coleridge
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The Golden Whistler
Golden bird whose golden voice,
When the summer days wax long
Cheery optimist from choice
Bids the feathered world rejoice
With full many a varied song
From the tree-tops flinging free
Golden bursts of melody.
Golden notes for golden hours
Where the sunlit waters gleam,
And the fragrant wattle flow'rs
Swoon in scented golden show'rs
To the bosom of the stream,
Singing, swinging, fluting high
None so gay, so glad as I.
Golden in the dawn's first hush
Sounds my matin, loud and long,
With a sweet, spontaneous rush,
Vying with harmonious thrush
For the bushlands Crown of Song
As the golden eye grows dim,
Sounds my joyous vesper hymn.
Golden minstrel, justly framed,
Greeted ere with grateful words
Long ere this my song has shamed
Him who fatuously named
This a land of songless birds
Seek you solace, seek you balm,
Hearken to my golden psalm.
poem by Clarence Michael James Stanislaus Dennis
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April's Charms
When April scatters charms of primrose gold
Among the copper leaves in thickets old,
And singing skylarks from the meadows rise,
To twinkle like black stars in sunny skies;
When I can hear the small woodpecker ring
Time on a tree for all the birds that sing;
And hear the pleasant cuckoo, loud and long --
The simple bird that thinks two notes a song;
When I can hear the woodland brook, that could
Not drown a babe, with all his threatening mood;
Upon these banks the violets make their home,
And let a few small strawberry vlossoms come:
When I go forth on such a pleasant day,
One breath outdoors takes all my cares away;
It goes like heavy smoke, when flames take hold
Of wood that's green and fill a grate with gold.
poem by William Henry Davies
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Through The Wood
THROUGH the wood, the green wood, the wet wood, the light wood,
Love and I went maying a thousand lives ago;
Shafts of golden sunlight had made a golden bright wood
In my heart reflected, because I loved you so.
Through the wood, the chill wood, the brown wood, the bare wood,
I alone went lonely no later than last year,
What had thinned the branches, and wrecked my dear and fair wood,
Killed the pale wild roses and left the rose-thorns sere?
Through the wood, the dead wood, the sad wood, the lone wood,
Winds of winter shiver through lichens old and grey,
You ride past forgetting the wood that was our own wood
All our own--and withered as ever a flower of May.
poem by Edith Nesbit
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Unspoken Heart Song
Subtle notes fly upon the breeze, notes coming from a guitar of the night.
The guitar plays sweetly for its master, for its gentle master.
The master is a young man, trying to find himself.
A young man with eyes full of care, behind these fair eyes a heart full of love.
You can hear his heart’s song on the breeze, for he plays from his heart.
His eyes meet mine, and I cannot help but feel at peace, the song makes my heart hum with delight.
I can feel the love held inside him, even though he does not play for me.
He is playing the same song that plays in the heart of his darling; his song is calling to her.
“Come home, come home to me darling. I am calling you, can’t you hear me? ”
Is the unspoken song on the breeze.
poem by Tolly Rebeka Christian BlackWolf Hawk
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On The Radio (From The Motion Picture Foxes)
Someone found a letter you wrote me, on the radio
and they told the world just how you felt
it must have fallen out of a hole in your old brown overcoat
they never said your name
but I knew just who they meant.
I was so surprised and shocked, and I wonderer, too
if by chance you heard it for yourself
I never told a soul just how I've been feeling about you
but they said it really loud
they said it on the air
On the radio
whoa, oh, oh
on the radio
whoa, oh, oh
on the radio
whoa, oh, oh
on the radio
whoa, oh, oh
Now, now
don't it kinda strike you sad when you hear our song
things are not the same since we broke up last June
the only thing that I wanna hear is that you love me still
and that you think you'll be coming home real soon
whoa, oh, yeah, yeah
And it made me feel proud when I heard you say
you couldn't find the words to say it yourself
and now in my heart I know I can say what I really feel
'Cause they said it really loud
they said it on the air
on the radio
whoa, oh, oh
on the radio
whoa, oh, oh
on the radio
whoa, oh, oh
on the radio
(Played in shorter version)
If you think that love isn't found on the radio
well tune right in you made find the love you lost
'cause now I'm sitting here with the man I sent away long ago
it sounded really loud
they said it really loud
On the radio
whoa, oh, oh
on the radio
whoa, oh, oh
on the radio
whoa, oh, oh
on the radio
whoa, oh, oh
on the radio
whoa, oh, oh
(End)
(Played in longer version)
Sending in a letter to tell them that I love you too
if you hear it, maybe you will know
when you hear them read the line about love's return on the radio
you'll think about the two of us and you'll come home
whoa, oh, oh
if you knew just how I'd felt why'd you make me wait?
life goes on and on while you play with my heart
don't hold on any longer 'cause now I know how you really feel
'Cause I heard it really loud
they said it on the air
on the radio
whoa, oh, oh
on the radio
whoa, oh, oh
on the radio
whoa, oh, oh
on the radio
whoa, oh, oh
Now,
if you think that love isn't found on the radio
then tune right in you made find the love you lost
'cause now I'm sitting here with the man I sent away long ago
it sounded really loud
they said it really loud
On the radio
whoa, oh, oh
on the radio
whoa, oh, oh
on the radio
whoa, oh, oh
on the radio
whoa, oh, oh
on the radio
whoa, oh, oh
song performed by by Donna Summer
Submitted by Lucian Velea
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The Lark Ascending
He rises and begins to round,
He drops the silver chain of sound
Of many links without a break,
In chirrup, whistle, slur and shake,
All intervolv’d and spreading wide,
Like water-dimples down a tide
Where ripple ripple overcurls
And eddy into eddy whirls;
A press of hurried notes that run
So fleet they scarce are more than one,
Yet changingly the trills repeat
And linger ringing while they fleet,
Sweet to the quick o’ the ear, and dear
To her beyond the handmaid ear,
Who sits beside our inner springs,
Too often dry for this he brings,
Which seems the very jet of earth
At sight of sun, her musci’s mirth,
As up he wings the spiral stair,
A song of light, and pierces air
With fountain ardor, fountain play,
To reach the shining tops of day,
And drink in everything discern’d
An ecstasy to music turn’d,
Impell’d by what his happy bill
Disperses; drinking, showering still,
Unthinking save that he may give
His voice the outlet, there to live
Renew’d in endless notes of glee,
So thirsty of his voice is he,
For all to hear and all to know
That he is joy, awake, aglow,
The tumult of the heart to hear
Through pureness filter’d crystal-clear,
And know the pleasure sprinkled bright
By simple singing of delight,
Shrill, irreflective, unrestrain’d,
Rapt, ringing, on the jet sustain’d
Without a break, without a fall,
Sweet-silvery, sheer lyrical,
Perennial, quavering up the chord
Like myriad dews of sunny sward
That trembling into fulness shine,
And sparkle dropping argentine;
Such wooing as the ear receives
From zephyr caught in choric leaves
Of aspens when their chattering net
Is flush’d to white with shivers wet;
And such the water-spirit’s chime
On mountain heights in morning’s prime,
Too freshly sweet to seem excess,
Too animate to need a stress;
But wider over many heads
The starry voice ascending spreads,
Awakening, as it waxes thin,
The best in us to him akin;
And every face to watch him rais’d,
Puts on the light of children prais’d,
So rich our human pleasure ripes
When sweetness on sincereness pipes,
Though nought be promis’d from the seas,
But only a soft-ruffling breeze
Sweep glittering on a still content,
Serenity in ravishment.
For singing till his heaven fills,
’T is love of earth that he instils,
And ever winging up and up,
Our valley is his golden cup,
And he the wine which overflows
To lift us with him as he goes:
The woods and brooks, the sheep and kine
He is, the hills, the human line,
The meadows green, the fallows brown,
The dreams of labor in the town;
He sings the sap, the quicken’d veins;
The wedding song of sun and rains
He is, the dance of children, thanks
Of sowers, shout of primrose-banks,
And eye of violets while they breathe;
All these the circling song will wreathe,
And you shall hear the herb and tree,
The better heart of men shall see,
Shall feel celestially, as long
As you crave nothing save the song.
Was never voice of ours could say
Our inmost in the sweetest way,
Like yonder voice aloft, and link
All hearers in the song they drink:
Our wisdom speaks from failing blood,
Our passion is too full in flood,
We want the key of his wild note
Of truthful in a tuneful throat,
The song seraphically free
Of taint of personality,
So pure that it salutes the suns
The voice of one for millions,
In whom the millions rejoice
For giving their one spirit voice.
Yet men have we, whom we revere,
Now names, and men still housing here,
Whose lives, by many a battle-dint
Defaced, and grinding wheels on flint,
Yield substance, though they sing not, sweet
For song our highest heaven to greet:
Whom heavenly singing gives us new,
Enspheres them brilliant in our blue,
From firmest base to farthest leap,
Because their love of Earth is deep,
And they are warriors in accord
With life to serve and pass reward,
So touching purest and so heard
In the brain’s reflex of yon bird;
Wherefore their soul in me, or mine,
Through self-forgetfulness divine,
In them, that song aloft maintains,
To fill the sky and thrill the plains
With showerings drawn from human stores,
As he to silence nearer soars,
Extends the world at wings and dome,
More spacious making more our home,
Till lost on his aërial rings
In light, and then the fancy sings.
poem by George Meredith
Submitted by Poetry Lover
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The Three Songs
The poet sang of a battle-field
Where doughty deeds were done,
Where stout blows rang on helm and shield
And a kingdom's fate was spun
With the scarlet thread of victory,
And honor from death's grim revelry
Like a flame-red flower was won!
So bravely he sang that all who heard
With the sting of the fight and the triumph were stirred,
And they cried, "Let us blazon his name on high,
He has sung a song that will never die!"
Again, full throated, he sang of fame
And ambition's honeyed lure,
Of the chaplet that garlands a mighty name,
Till his listeners fired with the god-like flame
To do, to dare, to endure!
The thirsty lips of the world were fain
The cup of glamor he vaunted to drain,
And the people murmured as he went by,
"He has sung a song that will never die !"
And once more he sang, all low and apart,
A song of the love that was born in his heart:
Thinking to voice in unfettered strain
Its sweet delight and its sweeter pain;
Nothing he cared what the throngs might say
Who passed him unheeding from day to day,
For he only longed with his melodies
The soul of the one beloved to please.
The song of war that he sang is as naught,
For the field and its heroes are long forgot,
And the song he sang of fame and power
Was never remembered beyond its hour!
Only to-day his name is known
By the song he sang apart and alone,
And the great world pauses with joy to hear
The notes that were strung for a lover's ear.
poem by Lucy Maud Montgomery
Submitted by Poetry Lover
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