The Swagman and His Mate

FROM north to south throughout the year
The shearing seasons run,
The Queensland stations start to shear
When Maoriland has done;
But labour’s cheap and runs are wide,
And some the track must tread
From New Year’s Day till Christmastide
And never get a shed!
North, west, and south—south, west and north—
They lead and follow Fate—
The stoutest hearts that venture forth—
The swagman and his mate.

A restless, homeless class they are
Who tramp in Borderland.
They take their rest ’neath moon and star—
Their bed the desert sand,
On sunset tracks they ride and tramp,
Till speech has almost died,
And still they drift from camp to camp
In silence side by side.
They think and dream, as all men do;
Perchance their dreams are great—
Each other’s thoughts are sacred to
The swagman and his mate.

With scrubs beneath the stifling skies
Unstirred by heaven’s breath;
Beyond the Darling Timber lies
The land of living death!
A land that wrong-born poets brave
Till dulled minds cease to grope——
A land where all things perish, save
The memories of Hope.
When daylight’s fingers point out back
(And seem to hesitate)
The far faint dust cloud marks their track—
The swagman and his mate.

And one who followed through the scrub
And out across the plain,
And only in a bitter mood
Would seek those tracks again,
Can only write what he has seen—
Can only give his hand—
And greet those mates in words that mean
“I know”, “I understand.”

I hope they’ll find the squatter “white”,
The cook and shearers “straight”,
When they have reached the shed to-night—
The swagman and his mate.

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The Great Grey Plain

Out West, where the stars are brightest,
Where the scorching north wind blows,
And the bones of the dead gleam whitest,
And the sun on a desert glows --
Yet within the selfish kingdom
Where man starves man for gain,
Where white men tramp for existence --
Wide lies the Great Grey Plain.

No break in its awful horizon,
No blur in the dazzling haze,
Save where by the bordering timber
The fierce, white heat-waves blaze,
And out where the tank-heap rises
Or looms when the sunlights wane,
Till it seems like a distant mountain
Low down on the Great Grey Plain.

No sign of a stream or fountain,
No spring on its dry, hot breast,
No shade from the blazing noontide
Where a weary man might rest.
Whole years go by when the glowing
Sky never clouds for rain --
Only the shrubs of the desert
Grow on the Great Grey Plain.

From the camp, while the rich man's dreaming,
Come the `traveller' and his mate,
In the ghastly dawnlight seeming
Like a swagman's ghost out late;
And the horseman blurs in the distance,
While still the stars remain,
A low, faint dust-cloud haunting
His track on the Great Grey Plain.

And all day long from before them
The mirage smokes away --
That daylight ghost of an ocean
Creeps close behind all day
With an evil, snake-like motion,
As the waves of a madman's brain:
'Tis a phantom NOT like water
Out there on the Great Grey Plain.

There's a run on the Western limit
Where a man lives like a beast,
And a shanty in the mulga
That stretches to the East;
And the hopeless men who carry
Their swags and tramp in pain --
The footmen must not tarry
Out there on the Great Grey Plain.

Out West, where the stars are brightest,
Where the scorching north wind blows,
And the bones of the dead seem whitest,
And the sun on a desert glows --
Out back in the hungry distance
That brave hearts dare in vain --
Where beggars tramp for existence --
There lies the Great Grey Plain.

'Tis a desert not more barren
Than the Great Grey Plain of years,
Where a fierce fire burns the hearts of men --
Dries up the fount of tears:
Where the victims of a greed insane
Are crushed in a hell-born strife --
Where the souls of a race are murdered
On the Great Grey Plain of Life!

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The Swagman

Kind friends, pray give attention
To this, my little song.
Some rum things I will mention,
And I'll not detain you long.
Up and down this country
I travel, don't you see,
I'm a swagman on the wallaby,
Oh! don't you pity me.
I'm a swagman on the wallaby,
Oh! don't you pity me.

At first I started shearing,
And I bought a pair of shears.
On my first sheep appearing,
Why, I cut off both its ears.
Then I nearly skinned the brute,
As clean as clean could he.
So I was kicked out of the shed,
Oh! don't you pity me, &c.

I started station loafing,
Short stages and took my ease;
So all day long till sundown
I'd camp beneath the trees.
Then I'd walk up to the station,
The manager to see.
"Boss, I'm hard up and I want a job,
Oh! don't you pity me," &c.

Says the overseer: "Go to the hut.
Says the overseer: "Go to the hut.
In the morning I'll tell you
If I've any work about
I can find for you to do."
But at breakfast I cuts off enough
For dinner, don't you see.
And then my name is Walker.
Oh! don't you pity me.
I'm a swagman, &c.
And now, my friends, I'll say good-bye,
For I must go and camp.
For if the Sergeant sees me
He may take me for a tramp;
But if there's any covey here
What's got a cheque, d'ye see,
I'll stop and help him smash it.
Oh! don't you pity me.
I'm a swagman on the wallaby,
Oh! don't you pity me.

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The Never-Never Country

By homestead, hut, and shearing-shed,
By railroad, coach, and track --
By lonely graves of our brave dead,
Up-Country and Out-Back:
To where 'neath glorious the clustered stars
The dreamy plains expand --
My home lies wide a thousand miles
In the Never-Never Land.

It lies beyond the farming belt,
Wide wastes of scrub and plain,
A blazing desert in the drought,
A lake-land after rain;
To the sky-line sweeps the waving grass,
Or whirls the scorching sand --
A phantom land, a mystic land!
The Never-Never Land.

Where lone Mount Desolation lies,
Mounts Dreadful and Despair --
'Tis lost beneath the rainless skies
In hopeless deserts there;
It spreads nor'-west by No-Man's-Land --
Where clouds are seldom seen --
To where the cattle-stations lie
Three hundred miles between.

The drovers of the Great Stock Routes
The strange Gulf country know --
Where, travelling from the southern drought
The big lean bullocks go;
And camped by night where plains lie wide,
Like some old ocean's bed,
The watchmen in the starlight ride
Round fifteen hundred head.

And west of named and numbered days
The shearers walk and ride --
Jack Cornstalk and the Ne'er-do-well
And the grey-beard side by side;
They veil their eyes -- from moon and stars,
And slumber on the sand --
Sad memories steep as years go round
In Never-Never Land.

By lonely huts north-west of Bourke,
Through years of flood and drought,
The best of English black-sheep work
Their own salvation out:
Wild fresh-faced boys grown gaunt and brown --
Stiff-lipped and haggard-eyed --
They live the Dead Past grimly down!
Where boundary-riders ride.

The College Wreck who sank beneath,
Then rose above his shame,
Tramps west in mateship with the man
Who cannot write his name.
'Tis there where on the barren track
No last half-crust's begrudged --
Where saint and sinner, side by side,
Judge not, and are not judged.

Oh rebels to society!
The Outcasts of the West --
Oh hopeless eyes that smile for me,
And broken hearts that jest!
The pluck to face a thousand miles --
The grit to see it through!
The communion perfected! --
And -- I am proud of you!

The Arab to true desert sand,
The Finn to fields of snow,
The Flax-stick turns to Maoriland,
While the seasons come and go;
And this old fact comes home to me --
And will not let me rest --
However barren it may be,
Your own land is the best!

And, lest at ease I should forget
True mateship after all,
My water-bag and billy yet
Are hanging on the wall;
And if my fate should show the sign
I'd tramp to sunsets grand
With gaunt and stern-eyed mates of mine
In the Never-Never Land.

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On the Wallaby

Now the tent poles are rotting, the camp fires are dead,
And the possums may gambol in trees overhead;
I am humping my bluey far out on the land,
And the prints of my bluchers sink deep in the sand:
I am out on the wallaby humping my drum,
And I came by the tracks where the sundowners come.

It is nor'-west and west o'er the ranges and far
To the plains where the cattle and sheep stations are,
With the sky for my roof and the grass for my bunk,
And a calico bag for my damper and junk;
And scarcely a comrade my memory reveals,
Save the spiritless dingo in tow of my heels.

But I think of the honest old light of my home
When the stars hang in clusters like lamps from the dome,
And I think of the hearth where the dark shadows fall,
When my camp fire is built on the widest of all;
But I'm following Fate, for I know she knows best,
I follow, she leads, and it's nor'-west by west.

When my tent is all torn and my blankets are damp,
And the rising flood waters flow fast by the camp,
When the cold water rises in jets from the floor,
I lie in my bunk and I list to the roar,
And I think how to-morrow my footsteps will lag
When I tramp 'neath the weight of a rain-sodden swag.

Though the way of the swagman is mostly up-hill,
There are joys to be found on the wallaby still.
When the day has gone by with its tramp or its toil,
And your camp-fire you light, and your billy you boil,
There is comfort and peace in the bowl of your clay
Or the yarn of a mate who is tramping that way.

But beware of the town -- there is poison for years
In the pleasure you find in the depths of long beers;
For the bushman gets bushed in the streets of a town,
Where he loses his friends when his cheque is knocked down;
He is right till his pockets are empty, and then --
He can hump his old bluey up country again.

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Cherry- Tree Inn

The rafters are open to sun, moon, and star,
Thistles and nettles grow high in the bar --
The chimneys are crumbling, the log fires are dead,
And green mosses spring from the hearthstone instead.
The voices are silent, the bustle and din,
For the railroad hath ruined the Cherry-tree Inn.

Save the glimmer of stars, or the moon's pallid streams,
And the sounds of the 'possums that camp on the beams,
The bar-room is dark and the stable is still,
For the coach comes no more over Cherry-tree Hill.
No riders push on through the darkness to win
The rest and the comfort of Cherry-tree Inn.

I drift from my theme, for my memory strays
To the carrying, digging, and bushranging days --
Far back to the seasons that I love the best,
When a stream of wild diggers rushed into the west,
But the `rushes' grew feeble, and sluggish, and thin,
Till scarcely a swagman passed Cherry-tree Inn.

Do you think, my old mate (if it's thinking you be),
Of the days when you tramped to the goldfields with me?
Do you think of the day of our thirty-mile tramp,
When never a fire could we light on the camp,
And, weary and footsore and drenched to the skin,
We tramped through the darkness to Cherry-tree Inn?

Then I had a sweetheart and you had a wife,
And Johnny was more to his mother than life;
But we solemnly swore, ere that evening was done,
That we'd never return till our fortunes were won.
Next morning to harvests of folly and sin
We tramped o'er the ranges from Cherry-tree Inn.

. . . . .

The years have gone over with many a change,
And there comes an old swagman from over the range,
And faint 'neath the weight of his rain-sodden load,
He suddenly thinks of the inn by the road.
He tramps through the darkness the shelter to win,
And reaches the ruins of Cherry-tree Inn.

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By Hut, Homestead And Shearing Shed,

By hut, homestead and shearing shed,
By railroad, coach and track-
By lonely graves where rest the dead,
Up-Country and Out-Back:
To where beneath the clustered stars
The dreamy plains expand-

My home lies wide a thousand miles
In Never-Never Land.
It lies beyond the farming belt,
Wide wastes of scrub and plain,
A blazing desert in the drought,
A lake-land after rain;
To the skyline sweeps the waving grass,
Or whirls the scorching sand-
A phantom land, a mystic realm!
The Never-Never Land.

Where lone Mount Desolation lies
Mounts Dreadful and Despair-
'Tis lost beneath the rainless skies
In hopeless deserts there;
It spreads nor-west by No-Man's Land
Where clouds are seldom seen
To where the cattle stations lie
Three hundred miles between.

The drovers of the Great Stock Routes
The strange Gulf country Know
Where, travelling from the southern droughts,
The big lean bullocks go;
And camped by night where plains lie wide,
Like some old ocean's bed,
The watchmen in the starlight ride
Round fifteen hundred head.

Lest in the city I forget
True mateship after all,
My water-bag and billy yet
Are hanging on the wall;
And I, to save my soul again,
Would tramp to sunsets grand
With sad-eyed mates across the plain
In Never-Never Land.

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Never, Never Land

By hut, homestead and shearing shed,
By railroad, coach and track-
By lonely graves where rest the dead,
Up-Country and Out-Back:
To where beneath the clustered stars
The dreamy plains expand-

My home lies wide a thousand miles
In Never-Never Land.
It lies beyond the farming belt,
Wide wastes of scrub and plain,
A blazing desert in the drought,
A lake-land after rain;
To the skyline sweeps the waving grass,
Or whirls the scorching sand-
A phantom land, a mystic realm!
The Never-Never Land.

Where lone Mount Desolation lies
Mounts Dreadful and Despair-
'Tis lost beneath the rainless skies
In hopeless deserts there;
It spreads nor-west by No-Man's Land
Where clouds are seldom seen
To where the cattle stations lie
Three hundred miles between.

The drovers of the Great Stock Routes
The strange Gulf country Know
Where, travelling from the southern droughts,
The big lean bullocks go;
And camped by night where plains lie wide,
Like some old ocean's bed,
The watchmen in the starlight ride
Round fifteen hundred head.

Lest in the city I forget
True mateship after all,
My water-bag and billy yet
Are hanging on the wall;
And I, to save my soul again,
Would tramp to sunsets grand
With sad-eyed mates across the plain
In Never-Never Land.

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Billy of Queensland

“Queensland,” he heads his letters—that’s all:
The date, and the month, and the year in brief;
He often sends me a cheerful scrawl,
With an undertone of ancient grief.
The first seems familiar, but might have changed,
As often the writing of wanderers will;
He seems all over the world to have ranged,
And he signs himself William, or Billy, or Bill.

He might have been an old mate of mine—
A shearer, or one of the station hands.
(There were some of ’em died, who drop me a line,
Signing other names, and in other hands.
There was one who carried his swag with me
On the western tracks, when the world was young,
And now he is spouting democracy
In another land with another tongue.)

He cheers me up like an old mate, quite,
And swears at times like an old mate, too;
(Perhaps he knows that I never write
Except to say that I’m going to).
He says he is tired of telling lies
For a Blank he knows for a Gory Scamp—
But—I note the tone where the sunset dies
On the Outside Track or the cattle camp.

Who are you, Billy? But never mind—
Come to think of it, I forgot—
There were so many in days behind,
And all so true that it matters not.
It may be out in the Mulga scrub,
In the southern seas, or a London street—
(I hope it’s close to a bar or pub )
But I have a feeling that we shall meet.

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Out Back

The old year went, and the new returned, in the withering weeks of drought,
The cheque was spent that the shearer earned,
and the sheds were all cut out;
The publican's words were short and few,
and the publican's looks were black --
And the time had come, as the shearer knew, to carry his swag Out Back.

For time means tucker, and tramp you must,
where the scrubs and plains are wide,
With seldom a track that a man can trust, or a mountain peak to guide;
All day long in the dust and heat -- when summer is on the track --
With stinted stomachs and blistered feet,
they carry their swags Out Back.

He tramped away from the shanty there, when the days were long and hot,
With never a soul to know or care if he died on the track or not.
The poor of the city have friends in woe, no matter how much they lack,
But only God and the swagmen know how a poor man fares Out Back.

He begged his way on the parched Paroo and the Warrego tracks once more,
And lived like a dog, as the swagmen do, till the Western stations shore;
But men were many, and sheds were full, for work in the town was slack --
The traveller never got hands in wool,
though he tramped for a year Out Back.

In stifling noons when his back was wrung
by its load, and the air seemed dead,
And the water warmed in the bag that hung to his aching arm like lead,
Or in times of flood, when plains were seas,
and the scrubs were cold and black,
He ploughed in mud to his trembling knees, and paid for his sins Out Back.

He blamed himself in the year `Too Late' --
in the heaviest hours of life --
'Twas little he dreamed that a shearing-mate had care of his home and wife;
There are times when wrongs from your kindred come,
and treacherous tongues attack --
When a man is better away from home, and dead to the world, Out Back.

And dirty and careless and old he wore, as his lamp of hope grew dim;
He tramped for years till the swag he bore seemed part of himself to him.
As a bullock drags in the sandy ruts, he followed the dreary track,
With never a thought but to reach the huts when the sun went down Out Back.

It chanced one day, when the north wind blew
in his face like a furnace-breath,
He left the track for a tank he knew -- 'twas a short-cut to his death;
For the bed of the tank was hard and dry, and crossed with many a crack,
And, oh! it's a terrible thing to die of thirst in the scrub Out Back.

A drover came, but the fringe of law was eastward many a mile;
He never reported the thing he saw, for it was not worth his while.
The tanks are full and the grass is high in the mulga off the track,
Where the bleaching bones of a white man lie
by his mouldering swag Out Back.

For time means tucker, and tramp they must,
where the plains and scrubs are wide,
With seldom a track that a man can trust, or a mountain peak to guide;
All day long in the flies and heat the men of the outside track
With stinted stomachs and blistered feet
must carry their swags Out Back.

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Outback

The old year went, and the new returned, in the withering weeks of drought,
The cheque was spent that the shearer earned,
and the sheds were all cut out;
The publican's words were short and few,
and the publican's looks were black --
And the time had come, as the shearer knew, to carry his swag Out Back.

For time means tucker, and tramp you must,
where the scrubs and plains are wide,
With seldom a track that a man can trust, or a mountain peak to guide;
All day long in the dust and heat -- when summer is on the track --
With stinted stomachs and blistered feet,
they carry their swags Out Back.

He tramped away from the shanty there, when the days were long and hot,
With never a soul to know or care if he died on the track or not.
The poor of the city have friends in woe, no matter how much they lack,
But only God and the swagmen know how a poor man fares Out Back.

He begged his way on the parched Paroo and the Warrego tracks once more,
And lived like a dog, as the swagmen do, till the Western stations shore;
But men were many, and sheds were full, for work in the town was slack --
The traveller never got hands in wool,
though he tramped for a year Out Back.

In stifling noons when his back was wrung
by its load, and the air seemed dead,
And the water warmed in the bag that hung to his aching arm like lead,
Or in times of flood, when plains were seas,
and the scrubs were cold and black,
He ploughed in mud to his trembling knees, and paid for his sins Out Back.

He blamed himself in the year `Too Late' --
in the heaviest hours of life --
'Twas little he dreamed that a shearing-mate had care of his home and wife;
There are times when wrongs from your kindred come,
and treacherous tongues attack --
When a man is better away from home, and dead to the world, Out Back.

And dirty and careless and old he wore, as his lamp of hope grew dim;
He tramped for years till the swag he bore seemed part of himself to him.
As a bullock drags in the sandy ruts, he followed the dreary track,
With never a thought but to reach the huts when the sun went down Out Back.

It chanced one day, when the north wind blew
in his face like a furnace-breath,
He left the track for a tank he knew -- 'twas a short-cut to his death;
For the bed of the tank was hard and dry, and crossed with many a crack,
And, oh! it's a terrible thing to die of thirst in the scrub Out Back.

A drover came, but the fringe of law was eastward many a mile;
He never reported the thing he saw, for it was not worth his while.
The tanks are full and the grass is high in the mulga off the track,
Where the bleaching bones of a white man lie
by his mouldering swag Out Back.

For time means tucker, and tramp they must,
where the plains and scrubs are wide,
With seldom a track that a man can trust, or a mountain peak to guide;
All day long in the flies and heat the men of the outside track
With stinted stomachs and blistered feet
must carry their swags Out Back.

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Marshall's Mate

You almost heard the surface bake, and saw the gum-leaves turn --
You could have watched the grass scorch brown had there been grass to burn.
In such a drought the strongest heart might well grow faint and weak --
'Twould frighten Satan to his home -- not far from Dingo Creek.

The tanks went dry on Ninety Mile, as tanks go dry out back,
The Half-Way Spring had failed at last when Marshall missed the track;
Beneath a dead tree on the plain we saw a pack-horse reel --
Too blind to see there was no shade, and too done-up to feel.
And charcoaled on the canvas bag (`twas written pretty clear)
We read the message Marshall wrote. It said: `I'm taken queer --
I'm somewhere off of Deadman's Track, half-blind and nearly dead;
Find Crowbar, get him sobered up, and follow back,' it said.

`Let Mitchell go to Bandicoot. You'll find him there,' said Mack.
`I'll start the chaps from Starving Steers, and take the dry-holes back.'
We tramped till dark, and tried to track the pack-horse on the sands,
And just at daylight Crowbar came with Milroy's station hands.
His cheeks were drawn, his face was white, but he was sober then --
In times of trouble, fire, and flood, 'twas Crowbar led the men.
`Spread out as widely as you can each side the track,' said he;
`The first to find him make a smoke that all the rest can see.'

We took the track and followed back where Crowbar followed fate,
We found a dead man in the scrub -- but 'twas not Crowbar's mate.
The station hands from Starving Steers were searching all the week --
But never news of Marshall's fate came back to Dingo Creek.
And no one, save the spirit of the sand-waste, fierce and lone,
Knew where Jack Marshall crawled to die -- but Crowbar might have known.

He'd scarcely closed his quiet eyes or drawn a sleeping breath --
They say that Crowbar slept no more until he slept in death.
A careless, roving scamp, that loved to laugh and drink and joke,
But no man saw him smile again (and no one saw him smoke),
And, when we spelled at night, he'd lie with eyes still open wide,
And watch the stars as if they'd point the place where Marshall died.

The search was made as searches are (and often made in vain),
And on the seventh day we saw a smoke across the plain;
We left the track and followed back -- 'twas Crowbar still that led,
And when his horse gave out at last he walked and ran ahead.
We reached the place and turned again -- dragged back and no man spoke --
It was a bush-fire in the scrubs that made the cursed smoke.
And when we gave it best at last, he said, `I'LL see it through,'
Although he knew we'd done as much as mortal men could do.
`I'll not -- I won't give up!' he said, his hand pressed to his brow;
`My God! the cursed flies and ants, they might be at him now.
I'll see it so in twenty years, 'twill haunt me all my life --
I could not face his sister, and I could not face his wife.
It's no use talking to me now -- I'm going back,' he said,
`I'm going back to find him, and I will -- alive or dead!'

. . . . .

He packed his horse with water and provisions for a week,
And then, at sunset, crossed the plain, away from Dingo Creek.
We watched him tramp beside the horse till we, as it grew late,
Could not tell which was Bonypart and which was Marshall's mate.
The dam went dry at Dingo Creek, and we were driven back,
And none dared face the Ninety Mile when Crowbar took the track.

They saw him at Dead Camel and along the Dry Hole Creeks --
There came a day when none had heard of Marshall's mate for weeks;
They'd seen him at No Sunday, he called at Starving Steers --
There came a time when none had heard of Marshall's mate for years.
They found old Bonypart at last, picked clean by hungry crows,
But no one knew how Crowbar died -- the soul of Marshall knows!

And now, way out on Dingo Creek, when winter days are late,
The bushmen talk of Crowbar's ghost `what's looking for his mate';
For let the fools indulge their mirth, and let the wise men doubt --
The soul of Crowbar and his mate have travelled further out.
Beyond the furthest two-rail fence, Colanne and Nevertire --
Beyond the furthest rabbit-proof, barbed wire and common wire --
Beyond the furthest `Gov'ment' tank, and past the furthest bore --
The Never-Never, No Man's Land, No More, and Nevermore --
Beyond the Land o' Break-o'-Day, and Sunset and the Dawn,
The soul of Marshall and the soul of Marshall's mate have gone
Unto that Loving, Laughing Land where life is fresh and clean --
Where the rivers flow all summer, and the grass is always green.

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The Ballad of the Rousabout

A Rouseabout of rouseabouts, from any land—or none—
I bear a nick-name of the bush, and I’m—a woman’s son;
I came from where I camp’d last night, and, at the day-dawn glow,
I rub the darkness from my eyes, roll up my swag, and go.
Some take the track for bitter pride, some for no pride at all—
(But—to us all the world is wide when driven to the wall)
Some take the track for gain in life, some take the track for loss—
And some of us take up the swag as Christ took up the Cross.

Some take the track for faith in men—some take the track for doubt—
Some flee a squalid home to work their own salvation out.
Some dared not see a mother’s tears nor meet a father’s face—
Born of good Christian families some leap, head-long, from Grace.

Oh we are men who fought and rose, or fell from many grades;
Some born to lie, and some to pray, we’re men of many trades;
We’re men whose fathers were and are of high and low degree—
The sea was open to us and we sailed across the sea.

And—were our quarrels wrong or just?—has no place in my song—
We seared our souls in puzzling as to what was right or wrong;
We judge not and we are not judged—’tis our philosophy—
There’s something wrong with every ship that sails upon the sea.

From shearing shed to shearing shed we tramp to make a cheque—
Jack Cornstalk and the ne’er-do-weel—the tar-boy and the wreck.
We learn the worth of man to man—and this we learn too well—
The shanty and the shearing shed are warmer spots in hell!

I’ve humped my swag to Bawley Plain, and further out and on;
I’ve boiled my billy by the Gulf, and boiled it by the Swan—
I’ve thirsted in dry lignum swamps, and thirsted on the sand,
And eked the fire with camel dung in Never-Never Land.

I know the track from Spencer’s Gulf and north of Cooper’s Creek—
Where falls the half-caste to the strong, ‘black velvet’ to the weak—
(From gold-top Flossie in the Strand to half-caste and the gin—
If they had brains, poor animals! we’d teach them how to sin.)

I’ve tramped, and camped, and ‘shore’ and drunk with many mates Out Back—
And every one to me is Jack because the first was Jack—
A ‘lifer’ sneaked from jail at home—the ‘straightest’ mate I met—
A ‘ratty’ Russian Nihilist—a British Baronet!

I know the tucker tracks that feed—or leave one in the lurch—
The ‘Burgoo’ (Presbyterian) track—the ‘Murphy’ (Roman Church)—
But more the man, and not the track, so much as it appears,
For ‘battling’ is a trade to learn, and I’ve served seven years.

We’re haunted by the past at times—and this is very bad,
And so we drink till horrors come, lest, sober, we go mad—
So much is lost Out Back, so much of hell is realised—
A man might skin himself alive and no one be surprised.

A rouseabout of rouseabouts, above—beneath regard,
I know how soft is this old world, and I have learnt, how hard—
A rouseabout of rouseabouts—I know what men can feel,
I’ve seen the tears from hard eyes slip as drops from polished steel.

I learned what college had to teach, and in the school of men
By camp-fires I have learned, or, say, unlearned it all again;
But this I’ve learned, that truth is strong, and if a man go straight
He’ll live to see his enemy struck down by time and fate!

We hold him true who’s true to one however false he be
(There’s something wrong with every ship that lies beside the quay);
We lend and borrow, laugh and joke, and when the past is drowned,
We sit upon our swags and smoke and watch the world go round.

poem by Henry LawsonReport problemRelated quotes
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Rhapsody

LOVERS, are you faring forth?
Will you seek the icy north?
Are you steering by the sun?
Where you journey there is none
But a frozen viking’s targe
Resting idly on the marge.

Lovers, do you make your way
To a land of larger day?
Do you track the homing flight
Of the birds that seek the light?
They will lead you to your death
In the desert’s scorching breath.

North or east or south or west,
Lovers, you will lose your quest,
For the prize of your demand
Yields not to the hunter’s hand;
He who searches love or truth
Leaves them hid behind his youth.

poem by Arthur MaquarieReport problemRelated quotes
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Conroy's Gap

This was the way of it, don't you know --
Ryan was "wanted" for stealing sheep,
And never a trooper, high or low,
Could find him -- catch a weasel asleep!
Till Trooper Scott, from the Stockman's Ford --
A bushman, too, as I've heard them tell --
Chanced to find him drunk as a lord
Round at the Shadow of Death Hotel.
D'you know the place? It's a wayside inn,
A low grog-shanty -- a bushman trap,
Hiding away in its shame and sin
Under the shelter of Conroy's Gap --
Under the shade of that frowning range
The roughest crowd that ever drew breath --
Thieves and rowdies, uncouth and strange,
Were mustered round at the "Shadow of Death".

The trooper knew that his man would slide
Like a dingo pup, if he saw the chance;
And with half a start on the mountain side
Ryan would lead him a merry dance.
Drunk as he was when the trooper came,
to him that did not matter a rap --
Drunk or sober, he was the same,
The boldest rider in Conroy's Gap.

"I want you, Ryan," the trooper said,
"And listen to me, if you dare resist,
So help me heaven, I'll shoot you dead!"
He snapped the steel on his prisoner's wrist,
And Ryan, hearing the handcuffs click,
Recovered his wits as they turned to go,
For fright will sober a man as quick
As all the drugs that the doctors know.

There was a girl in that shanty bar
Went by the name of Kate Carew,
Quiet and shy as the bush girls are,
But ready-witted and plucky, too.
She loved this Ryan, or so they say,
And passing by, while her eyes were dim
With tears, she said in a careless way,
"The Swagman's round in the stable, Jim."

Spoken too low for the trooper's ear,
Why should she care if he heard or not?
Plenty of swagmen far and near --
And yet to Ryan it meant a lot.
That was the name of the grandest horse
In all the district from east to west;
In every show ring, on every course,
They always counted The Swagman best.

He was a wonder, a raking bay --
One of the grand old Snowdon strain --
One of the sort that could race and stay
With his mighty limbs and his length of rein.
Born and bred on the mountain side,
He could race through scrub like a kangaroo;
The girl herself on his back might ride,
And The Swagman would carry her safely through.

He would travel gaily from daylight's flush
Till after the stars hung out their lamps;
There was never his like in the open bush,
And never his match on the cattle-camps.
For faster horses might well be found
On racing tracks, or a plain's extent,
But few, if any, on broken ground
Could see the way that The Swagman went.

When this girl's father, old Jim Carew,
Was droving out on the Castlereagh
With Conroy's cattle, a wire came through
To say that his wife couldn't live the day.
And he was a hundred miles from home,
As flies the crow, with never a track
Through plains as pathless as ocean's foam;
He mounted straight on The Swagman's back.

He left the camp by the sundown light,
And the settlers out on the Marthaguy
Awoke and heard, in the dead of night,
A single horseman hurrying by.
He crossed the Bogan at Dandaloo,
And many a mile of the silent plain
That lonely rider behind him threw
Before they settled to sleep again.

He rode all noght, and he steered his course
By the shining stars with a bushman's skill,
And every time that he pressed his horse
The Swagman answered him gamely still.
He neared his home as the east was bright.
The doctor met him outside the town
"Carew! How far did you come last night?"
"A hundred miles since the sun went down."

And his wife got round, and an oath he passed,
So long as he or one of his breed
Could raise a coin, though it took their last,
The Swagman never should want a feed.
And Kate Carew, when her father died,
She kept the horse and she kept him well;
The pride of the district far and wide,
He lived in style at the bush hotel.

Such wasThe Swagman; and Ryan knew
Nothing about could pace the crack;
Little he'd care for the man in blue
If once he got on The Swagman's back.
But how to do it? A word let fall
Gave him the hint as the girl passed by;
Nothing but "Swagman -- stable wall;
Go to the stable and mind your eye."

He caught her meaning, and quickly turned
To the trooper: "Reckon you'll gain a stripe
By arresting me, and it's easily earned;
Let's go to the stable and get my pipe,
The Swagman has it." So off they went,
And as soon as ever they turned their backs
The girl slipped down, on some errand bent
Behind the stable and seized an axe.

The trooper stood at the stable door
While Ryan went in quite cool and slow,
And then (the trick had been played before)
The girl outside gave the wall a blow.
Three slabs fell out of the stable wall --
'Twas done 'fore ever the trooper knew --
And Ryan, as soon as he saw them fall,
Mounted The Swagman and rushed him through.

The trooper heard the hoof-beats ring
In the stable yard, and he jammed the gate,
But The Swagman rose with a mighty spring
At the fence, and the trooper fired too late
As they raced away, and his shots flew wide,
And Ryan no longer need care a rap,
For never a horse that was lapped in hide
Could catch The Swagman in Conroy's Gap.

And that's the story. You want to know
If Ryan came back to his Kate Carew;
Of course he should have, as stories go,
But the worst of it is this story's true:
And in real life it's a certain rule,
Whatever poets and authors say
Of high-toned robbers and all their school,
These horsethief fellows aren't built that way.

Come back! Don't hope it -- the slinking hound,
He sloped across to the Queensland side,
And sold The Swagman for fifty pound,
And stole the money, and more beside.
And took to drink, and by some good chance
Was killed -- thrown out of a stolen trap.
And that was the end of this small romance,
The end of the story of Conroy's Gap.

poem by Andrew Barton PatersonReport problemRelated quotes
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How the Land was Won

The future was dark and the past was dead
As they gazed on the sea once more –
But a nation was born when the immigrants said
"Good-bye!" as they stepped ashore!
In their loneliness they were parted thus
Because of the work to do,
A wild wide land to be won for us
By hearts and hands so few.

The darkest land 'neath a blue sky's dome,
And the widest waste on earth;
The strangest scenes and the least like home
In the lands of our fathers' birth;
The loneliest land in the wide world then,
And away on the furthest seas,
A land most barren of life for men –
And they won it by twos and threes!

With God, or a dog, to watch, they slept
By the camp-fires' ghastly glow,
Where the scrubs were dark as the blacks that crept
With "nulla" and spear held low;
Death was hidden amongst the trees,
And bare on the glaring sand
They fought and perished by twos and threes –
And that's how they won the land!

It was two that failed by the dry creek bed,
While one reeled on alone –
The dust of Australia's greatest dead
With the dust of the desert blown!
Gaunt cheek-bones cracking the parchment skin
That scorched in the blazing sun,
Black lips that broke in a ghastly grin –
And that's how the land was won!

Starvation and toil on the tracks they went,
And death by the lonely way;
The childbirth under the tilt or tent,
The childbirth under the dray!
The childbirth out in the desolate hut
With a half-wild gin for nurse –
That's how the first were born to bear
The brunt of the first man's curse!

They toiled and they fought through the shame of it –
Through wilderness, flood, and drought;
They worked, in the struggles of early days,
Their sons' salvation out.
The white girl-wife in the hut alone,
The men on the boundless run,
The miseries suffered, unvoiced, unknown –
And that's how the land was won.

No armchair rest for the old folk then –
But, ruined by blight and drought,
They blazed the tracks to the camps again
In the big scrubs further out.
The worn haft, wet with a father's sweat,
Gripped hard by the eldest son,
The boy's back formed to the hump of toil –
And that's how the land was won!

And beyond Up Country, beyond Out Back,
And the rainless belt, they ride,
The currency lad and the ne'er-do-well
And the black sheep, side by side;
In wheeling horizons of endless haze
That disk through the Great North-west,
They ride for ever by twos and by threes –
And that's how they win the rest.

poem by Henry LawsonReport problemRelated quotes
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Up North

(danny wells/jill wood)
In spite of the name, independence, kansas
Didnt grow many wild roses
But she was young and restless
And I loved her though holding her down was hopeless
I wanted her to say she couldnt live without
The life I had to offer but all she could talk about
Was faraway dreams, cities shed never seen
How do I find that girl when she could be
Out there anywhere she just up and left
She didnt leave a forwarding address
Or a trail for my lonely heart to follow
Which one of those four winds should I go chasing
She could be in a million places I guess
Up north, down south, back east, out west
She could be up in the windy city
Where the world spins a little bit faster
Or gettin a tan down in miami that might be where Id catch her
Maybe back in virginia, her cousin lives there
Out in arizona, shed fit in anywhere
Its anyones guess where she came to rest
My one chance for happiness is
Out there anywhere she just up and left
She didnt leave a forwarding address
Or a trail for my lonely heart to follow
Which one of those four winds should I go chasing
She could be in a million places I guess
Up north, down south, back east, out west
Im sitting here at a four-way intersection
Praying lord wont you point me in the right direction
She could be
Out there anywhere she just up and left
She didnt leave a forwarding address
Or a trail for my lonely heart to follow
Which one of those four winds should I go chasing
She could be in a million places I guess
Up north, down south, back east, out west
Up north, down south, back east, out west

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Bourke

I’ve followed all my tracks and ways,from old bark school to Leicester Square,
I’ve been right back to boyhood’s days, and found no light or pleasure there.
But every dream and every track—and there were many that I knew—
They all lead on, or they lead back, to Bourke in Ninety-one, and two.
No sign that green grass ever grew in scrubs that blazed beneath the sun;
The plains were dust in Ninety-two, that baked to bricks in Ninety-one.
On glaring iron-roofs of Bourke, the scorching, blinding sandstorms blew,
And there was nothing beautiful in Ninety-one and Ninety-two.

Save grit and generosity of hearts that broke and healed again—
The hottest drought that ever blazed could never parch the hearts of men;
And they were men in spite of all, and they were straight, and they were true,
The hat went round at trouble’s call, in Ninety-one and Ninety-two.

They drank, when all is said and done, they gambled, and their speech was rough—
You’d only need to say of one—‘He was my mate!’ that was enough.
To hint a bushman was not white, nor to his Union straight and true,
Would mean a long and bloody fight in Ninety-one and Ninety-two.

The yard behind the Shearers’ Arms was reckoned best of battle grounds,
And there in peace and quietness they fought their ten or fifteen rounds;
And then they washed the blood away, and then shook hands, as strong men do—
And washed away the bitterness—in Ninety-one and Ninety-two.

The Army on the grand old creek was mighty in those days gone by,
For they had sisters who could shriek, and brothers who could testify;
And by the muddy waterholes, they tackled sin till all was blue—
They took our bobs and damned our souls in Ninety-one and Ninety-two.

By shanty bars and shearing sheds, they took their toll and did their work—
But now and then they lost their heads, and raved of hotter hells than Bourke:
The only message from the dead that ever came distinctly through—
Was—‘Send my overcoat to hell’—it came to Bourke in Ninety-two.

I know they drank, and fought, and died—some fighting fiends on blazing tracks—
I don’t remember that they lied, or crawled behind each others’ backs;
I don’t remember that they loafed, or left a mate to battle through—
Ah! men knew how to stick to men in Ninety-one and Ninety-two.

They’re scattered wide and scattered far—by fan-like tracks, north, east, and west—
The cruel New Australian star drew off the bravest and the best.
The Cape and Klondyke claim their bones, the streets of London damned a few,
And jingo-cursed Australia mourns for Ninety-one and Ninety-two.

For ever westward in the land, Australians hear—and will not heed—
The murmur of the board-room, and the sure and stealthy steps of greed—
Bourke was a fortress on the track! and garrisons were grim and true
To hold the spoilers from Out Back, in Ninety-one and Ninety-two.

I hear it in the ridges lone, and in the dread drought-stricken wild—
I hear at times a woman’s moan—the whimper of a hungry child:
And—let the cynics say the word: ‘a godless gang, a drunken crew’—
But these were things I never heard in Ninety-one and Ninety-two.


They say that things have changed out there, and western towns have altered quite:
They don’t know how to drink and swear, they’ve half forgotten how to fight;
They’ve almost lost the strength to trust, the faith in mateship to be true—
The heart that grew in drought and dust in Ninety-one and Ninety-two.
We’ve learned to laugh the bitter laugh since then—we’ve travelled, you and I;
The sneaking little paragraph, the dirty trick, the whispered lie
Are known to us—the little men—whose souls are rotten through and through—
We called them scabs and crawlers then, in Ninety-one and Ninety-two.

And could I roll the summers back, or bring the dead time on again;
Or from the grave or world-wide track, call back to Bourke the vanished men,
With mind content I’d go to sleep, and leave those mates to judge me true,
And leave my name to Bourke to keep—the Bourke of Ninety-one and two.

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The Shearers

No church-bell rings them from the Track,
No pulpit lights theirblindness--
'Tis hardship, drought, and homelessness
That teach those Bushmen kindness:
The mateship born, in barren lands,
Of toil and thirst and danger,
The camp-fare for the wanderer set,
The first place to the stranger.
They do the best they can to-day--
Take no thought of the morrow;
Their way is not the old-world way--
They live to lend and borrow.
When shearing's done and cheques gone wrong,
They call it "time to slither"--
They saddle up and say "So-long!"
And ride the Lord knows whither.

And though he may be brown or black,
Or wrong man there, or right man,
The mate that's steadfast to his mates
They call that man a "white man!"
They tramp in mateship side by side--
The Protestant and Roman--
They call no biped lord or sir,
And touch their hat to no man!

They carry in their swags perhaps,
A portrait and a letter--
And, maybe, deep down in their hearts,
The hope of "something better."
Where lonely miles are long to ride,
And long, hot days recurrent,
There's lots of time to think of men
They might have been--but weren't.

They turn their faces to the west
And leave the world behind them
(Their drought-dry graves are seldom set
Where even mates can find them).
They know too little of the world
To rise to wealth or greatness;
But in these lines I gladly pay
My tribute to their greatness.

poem by Henry LawsonReport problemRelated quotes
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It's A Hard Road

I jumped on the train
I left this old town
I escaped the rain
I'm no longer down
The wheels start to turn
My worries are gone
I have lots to learn
About the trail that I'm on
As I look around
I see my new friend
I know I am bound
To travel till the end

I'll travel south and I'll travel north
I'll travel east and I'll travel west
I just want to find the road that is best

The train it did slow
I'm in a new place
The moonlight does glow
On my tired face
It's time for me
To try and find a bed
It's time for me
To rest my weary head
Morning is here
There's sorting to do
I'll sound sincere
With my goodbye to you

I'll travel south and I'll travel north
I'll travel east and I'll travel west
I just want to find the road that is best

It's time to move away
I'm not satisfied
I've spent many a day
Finding a place to reside
There's a town on my mind
It's just down the track
No need to find
A way to get back
The train I will get
Sitting at the station
The future is set
I feel anticipation

I'll travel south and I'll travel north
I'll travel east and I'll travel west
I just want to find the road that is best

poem by Liam HughesReport problemRelated quotes
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The Men Who Made Australia

There'll be royal times in Sydney for the Cuff and Collar Push,
There’ll be lots of dreary drivel and clap-trap
From the men who own Australia, but who never knew the Bush,
And who could not point their runs out on the map.
Oh, the daily Press will grovel as it never did before,
There’ll be many flags of welcome in the air,
And the Civil Service poet, he shall write odes by the score—
But the men who made the land will not be there.
You shall meet the awful Lady of the latest Birthday Knight—
(She is trying to be English, don’t-cher-know?)
You shall hear the empty mouthing of the champion blatherskite,
You shall hear the boss of local drapers blow.
There’ll be ‘majahs’ from the counter, tailors’ dummies from the fleet,
And to represent Australia here to-day,
There’s the today with his card-case and his cab in Downing-street;
But the men who made Australia—where are they?

Call across the blazing sand wastes of the Never-Never Land!
There are some who will not answer yet awhile,
Some whose bones rot in the mulga or lie bleaching on the sand,
Died of thirst to win the land another mile.
Thrown from horses, ripped by cattle, lost on deserts; and the weak,
Mad through loneliness or drink (no matter which),
Drowned in floods or dead of fever by the sluggish slimy creek—
These are men who died to make the Wool-Kings rich.

Call across the scrubby ridges where they clear the barren soil,
And the gaunt Bush-women share the work of men—
Toil and loneliness for ever—hardship, loneliness and toil—
Where the brave drought-ruined farmer starts again!
Call across the boundless sheep-runs of a country cursed for sheep—
Call across the awful scrublands west of Bourke!
But they have no time to listen—they have scarcely time to sleep—
For the men who conquer deserts have to work.

Dragged behind the crawling sheep-flock on the hot and dusty plain,
They must make a cheque to feed the wife and kids—
Riding night-watch round the cattle in the pelting, freezing rain,
While world-weariness is pressing down the lids.
And away on far out-stations, seldom touched by Heaven’s breath,
In a loneliness that smothers love and hate—
Where they never take white women—there they live the living death
With a half-caste or a black-gin for a mate.

They must toil to save the gaunt stock in the blazing months of drought,
When the stinging, blinding blight is in men’s eyes—
On the wretched, burnt selections, on the big runs further out
Where the sand-storm rises lurid to the skies.
Not to profit when the grass is waving waist-high after rain,
And the mighty clip of wool comes rolling in—
For the Wool-King goes to Paris with his family again
And the gold that souls are sacrificed to win.

There are carriages in waiting for the swells from over-sea,
There are banquets in the latest London style,
While the men who made Australia live on damper, junk and tea—
But the quiet voices whisper, ‘Wait a while!’
For the sons of all Australia, they were born to conquer fate—
And, where charity and friendship are sincere,
Where a sinner is a brother and a stranger is a mate,
There the future of a nation’s written clear.

Aye, the cities claim the triumphs of a land they do not know,
But all empty is the day they celebrate!
For the men who made Australia federated long ago,
And the men to rule Australia—they can wait.
Though the bed may be the rough bunk or the gum leaves or the sand,
And the roof for half the year may be the sky—
There are men amongst the Bushmen who were born to save the land!
And they’ll take their places sternly by-and-by.

There’s a whisper on the desert though the sunset breeze hath died
In the scrubs, though not a breath to stir a bough,
There’s a murmur, not of waters, down the Lachlan River side,
’Tis the spirit of Australia waking now!
There’s the weird hymn of the drought-night on the western water-shed,
Where the beds of unlocked rivers crack and parch;
’Tis the dead that we have buried, and our great unburied dead,
Who are calling now on living men to march!

Round the camp fire of the fencers by the furthest panel west,
In the men’s hut by the muddy billabong,
On the Great North-Western Stock-routes where the drovers never rest,
They are sorting out the right things from the wrong.
In the shearers’ hut the slush lamp shows a haggard, stern-faced man
Preaching war against the Wool-King to his mates;
And wherever go the billy, water-bag and frying-pan,
They are drafting future histories of states!

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