For'ard
It is stuffy in the steerage where the second-classers sleep,
For there's near a hundred for'ard, and they're stowed away like sheep, --
They are trav'lers for the most part in a straight 'n' honest path;
But their linen's rather scanty, an' there isn't any bath --
Stowed away like ewes and wethers that is shore 'n' marked 'n' draft.
But the shearers of the shearers always seem to travel aft;
In the cushioned cabins, aft,
With saloons 'n' smoke-rooms, aft --
There is sheets 'n' best of tucker for the first-salooners, aft.
Our beef is just like scrapin's from the inside of a hide,
And the spuds were pulled too early, for they're mostly green inside;
But from somewhere back amidships there's a smell o' cookin' waft,
An' I'd give my earthly prospects for a real good tuck-out aft --
Ham an' eggs 'n' coffee, aft,
Say, cold fowl for luncheon, aft,
Juicy grills an' toast 'n' cutlets -- tucker a-lor-frongsy, aft.
They feed our women sep'rate, an' they make a blessed fuss,
Just as if they couldn't trust 'em for to eat along with us!
Just because our hands are horny an' our hearts are rough with graft --
But the gentlemen and ladies always DINE together, aft --
With their ferns an' mirrors, aft,
With their flow'rs an' napkins, aft --
`I'll assist you to an orange' -- `Kindly pass the sugar', aft.
We are shabby, rough, 'n' dirty, an' our feelin's out of tune,
An' it's hard on fellers for'ard that was used to go saloon;
There's a broken swell among us -- he is barracked, he is chaffed,
An' I wish at times, poor devil, for his own sake he was aft;
For they'd understand him, aft,
(He will miss the bath-rooms aft),
Spite of all there's no denyin' that there's finer feelin's aft.
Last night we watched the moonlight as it spread across the sea --
`It is hard to make a livin',' said the broken swell to me.
`There is ups an' downs,' I answered, an' a bitter laugh he laughed --
There were brighter days an' better when he always travelled aft --
With his rug an' gladstone, aft,
With his cap an' spyglass, aft --
A careless, rovin', gay young spark as always travelled aft.
There's a notice by the gangway, an' it seems to come amiss,
For it says that second-classers `ain't allowed abaft o' this';
An' there ought to be a notice for the fellows from abaft --
But the smell an' dirt's a warnin' to the first-salooners, aft;
With their tooth and nail-brush, aft,
With their cuffs 'n' collars, aft --
Their cigars an' books an' papers, an' their cap-peaks fore-'n'-aft.
I want to breathe the mornin' breeze that blows against the boat,
For there's a swellin' in my heart -- a tightness in my throat --
We are for'ard when there's trouble! We are for'ard when there's graft!
But the men who never battle always seem to travel aft;
With their dressin'-cases, aft,
With their swell pyjamas, aft --
Yes! the idle and the careless, they have ease an' comfort, aft.
I feel so low an' wretched, as I mooch about the deck,
That I'm ripe for jumpin' over -- an' I wish there was a wreck!
We are driven to New Zealand to be shot out over there --
Scarce a shillin' in our pockets, nor a decent rag to wear,
With the everlastin' worry lest we don't get into graft --
There is little left to land for if you cannot travel aft;
No anxiety abaft,
They have stuff to land with, aft --
Oh, there's little left to land for if you cannot travel aft;
But it's grand at sea this mornin', an' Creation almost speaks,
Sailin' past the Bay of Islands with its pinnacles an' peaks,
With the sunny haze all round us an' the white-caps on the blue,
An' the orphan rocks an' breakers -- Oh, it's glorious sailin' through!
To the south a distant steamer, to the west a coastin' craft,
An' we see the beauty for'ard, better than if we were aft;
Spite of op'ra-glasses, aft;
But, ah well, they're brothers aft --
Nature seems to draw us closer -- bring us nearer fore-'n'-aft.
What's the use of bein' bitter? What's the use of gettin' mad?
What's the use of bein' narrer just because yer luck is bad?
What's the blessed use of frettin' like a child that wants the moon?
There is broken hearts an' trouble in the gilded first saloon!
We are used to bein' shabby -- we have got no overdraft --
We can laugh at troubles for'ard that they couldn't laugh at aft;
Spite o' pride an' tone abaft
(Keepin' up appearance, aft)
There's anxiety an' worry in the breezy cabins aft.
But the curse o' class distinctions from our shoulders shall be hurled,
An' the influence of woman revolutionize the world;
There'll be higher education for the toilin' starvin' clown,
An' the rich an' educated shall be educated down;
An' we all will meet amidships on this stout old earthly craft,
An' there won't be any friction 'twixt the classes fore-'n'-aft.
We'll be brothers, fore-'n'-aft!
Yes, an' sisters, fore-'n'-aft!
When the people work together, and there ain't no fore-'n'-aft.
poem by Henry Lawson
Submitted by Poetry Lover
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Related quotes
`For'ard
It is stuffy in the steerage where the second-classers sleep,
For there's near a hundred for'ard, and they're stowed away like sheep, --
They are trav'lers for the most part in a straight 'n' honest path;
But their linen's rather scanty, an' there isn't any bath --
Stowed away like ewes and wethers that is shore 'n' marked 'n' draft.
But the shearers of the shearers always seem to travel aft;
In the cushioned cabins, aft,
With saloons 'n' smoke-rooms, aft --
There is sheets 'n' best of tucker for the first-salooners, aft.
Our beef is just like scrapin's from the inside of a hide,
And the spuds were pulled too early, for they're mostly green inside;
But from somewhere back amidships there's a smell o' cookin' waft,
An' I'd give my earthly prospects for a real good tuck-out aft --
Ham an' eggs 'n' coffee, aft,
Say, cold fowl for luncheon, aft,
Juicy grills an' toast 'n' cutlets -- tucker a-lor-frongsy, aft.
They feed our women sep'rate, an' they make a blessed fuss,
Just as if they couldn't trust 'em for to eat along with us!
Just because our hands are horny an' our hearts are rough with graft --
But the gentlemen and ladies always DINE together, aft --
With their ferns an' mirrors, aft,
With their flow'rs an' napkins, aft --
`I'll assist you to an orange' -- `Kindly pass the sugar', aft.
We are shabby, rough, 'n' dirty, an' our feelin's out of tune,
An' it's hard on fellers for'ard that was used to go saloon;
There's a broken swell among us -- he is barracked, he is chaffed,
An' I wish at times, poor devil, for his own sake he was aft;
For they'd understand him, aft,
(He will miss the bath-rooms aft),
Spite of all there's no denyin' that there's finer feelin's aft.
Last night we watched the moonlight as it spread across the sea --
`It is hard to make a livin',' said the broken swell to me.
`There is ups an' downs,' I answered, an' a bitter laugh he laughed --
There were brighter days an' better when he always travelled aft --
With his rug an' gladstone, aft,
With his cap an' spyglass, aft --
A careless, rovin', gay young spark as always travelled aft.
There's a notice by the gangway, an' it seems to come amiss,
For it says that second-classers `ain't allowed abaft o' this';
An' there ought to be a notice for the fellows from abaft --
But the smell an' dirt's a warnin' to the first-salooners, aft;
With their tooth and nail-brush, aft,
With their cuffs 'n' collars, aft --
Their cigars an' books an' papers, an' their cap-peaks fore-'n'-aft.
I want to breathe the mornin' breeze that blows against the boat,
For there's a swellin' in my heart -- a tightness in my throat --
We are for'ard when there's trouble! We are for'ard when there's graft!
But the men who never battle always seem to travel aft;
With their dressin'-cases, aft,
With their swell pyjamas, aft --
Yes! the idle and the careless, they have ease an' comfort, aft.
I feel so low an' wretched, as I mooch about the deck,
That I'm ripe for jumpin' over -- an' I wish there was a wreck!
We are driven to New Zealand to be shot out over there --
Scarce a shillin' in our pockets, nor a decent rag to wear,
With the everlastin' worry lest we don't get into graft --
There is little left to land for if you cannot travel aft;
No anxiety abaft,
They have stuff to land with, aft --
Oh, there's little left to land for if you cannot travel aft;
But it's grand at sea this mornin', an' Creation almost speaks,
Sailin' past the Bay of Islands with its pinnacles an' peaks,
With the sunny haze all round us an' the white-caps on the blue,
An' the orphan rocks an' breakers -- Oh, it's glorious sailin' through!
To the south a distant steamer, to the west a coastin' craft,
An' we see the beauty for'ard, better than if we were aft;
Spite of op'ra-glasses, aft;
But, ah well, they're brothers aft --
Nature seems to draw us closer -- bring us nearer fore-'n'-aft.
What's the use of bein' bitter? What's the use of gettin' mad?
What's the use of bein' narrer just because yer luck is bad?
What's the blessed use of frettin' like a child that wants the moon?
There is broken hearts an' trouble in the gilded first saloon!
We are used to bein' shabby -- we have got no overdraft --
We can laugh at troubles for'ard that they couldn't laugh at aft;
Spite o' pride an' tone abaft
(Keepin' up appearance, aft)
There's anxiety an' worry in the breezy cabins aft.
But the curse o' class distinctions from our shoulders shall be hurled,
An' the influence of woman revolutionize the world;
There'll be higher education for the toilin' starvin' clown,
An' the rich an' educated shall be educated down;
An' we all will meet amidships on this stout old earthly craft,
An' there won't be any friction 'twixt the classes fore-'n'-aft.
We'll be brothers, fore-'n'-aft!
Yes, an' sisters, fore-'n'-aft!
When the people work together, and there ain't no fore-'n'-aft.
poem by Henry Lawson
Submitted by Poetry Lover
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The Battling Days
So, sit you down in a straight-backed chair, with your pipe and your wife content,
And cross your knees with your wisest air, and preach of the ‘days mis-spent;’
Grown fat and moral apace, old man! you prate of the change ‘since then’—
In spite of all, I’d as lief be back in those hard old days again.
They were hard old days; they were battling days; they were cruel at times—but then,
In spite of all, I would rather be back in those hard old days again.
The land was barren to sow wild oats in the days when we sowed our own—
(’Twas little we thought or our friends believed that ours would ever be sown)
But the wild oats wave on their stormy path, and they speak of the hearts of men—
I would sow a crop if I had my time in those hard old days again.
We travel first, or we go saloon—on the planned-out trips we go,
With those who are neither rich nor poor, and we find that the life is slow;
It’s ‘a pleasant trip’ where they cried, ‘Good luck!’ There was fun in the steerage then—
In spite of all, I would fain be back in those vagabond days again.
On Saturday night we’ve a pound to spare—a pound for a trip down town—
We took more joy in those hard old days for a hardly spared half-crown;
We took more pride in the pants we patched than the suits we have had since then—
In spite of all, I would rather be back in those comical days again.
’Twas We and the World—and the rest go hang—as the Outside tracks we trod;
Each thought of himself as a man and mate, and not as a martyred god;
The world goes wrong when your heart is strong—and this is the way with men—
The world goes right when your liver is white, and you preach of the change ‘since then.’
They were hard old days; they were battling days; they were cruel times—but then,
In spite of all, we shall live to-night in those hard old days again.
poem by Henry Lawson
Submitted by Poetry Lover
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Think Twice
When all is said and done and dead
does he love you the way that I do
Breathing in lightning tonight's for fighting
I feel the hurt so physical
Think twice 'fore you touch my girl. Come around, I'll let you feel the burn
Think twice 'fore you touch my girl. Come around, come around no more
Think twice 'fore you touch my girl. Come around, I'll let you feel the burn
Think twice 'fore you touch my girl. Come around no more
She spreads her love, she burns me up
I can't let go I can't get out
I've said enough, enough by now
I can't let go, I can't get out.
Wait till the day you finally see I've been here waiting patiently
Crossing my fingers and my t's. You cried on my shoulder begging please
Think twice 'fore you touch my girl. Come around, I'll let you feel the burn
Think twice 'fore you touch my girl. Come around, come around no more
Think twice 'fore you touch my girl. Come around, I'll let you feel the burn
Think twice 'fore you touch my girl. Come around no more
She spreads her love, she burns me up
I can't let go I can't get out
I've said enough, enough by now
I can't let go, I can't get out.
What is it you really want? I'm tired of asking!
You can't waste it
When I showed up and he was there I try my best to grin and bear
And took the stairs but didn't stop at the street and as we speak I'm going down
Cause she spread her love, and burned me out
I can't let go I can't get out
I've said enough, enough by now
I can't let go, I can't get out.
Think twice 'fore you touch my girl. Come around, I'll let you feel the burn
Think twice 'fore you touch my girl. Come around, come around no more
Think twice 'fore you touch my girl. Come around, I'll let you feel the burn
Think twice 'fore you touch my girl. Come around no more
song performed by by Eve 6
Submitted by Lucian Velea
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What Do We Do With The Rest Of The Night
(john rich/wally wilson/sharon rice)
Weve been through enough tequila
To float us outta this place
And through the smoke I can barely see ya
But Ive memorized your face
Weve danced almost every dance
Lasted longer then the band
Oh but were not through
Its just me and you
What do we do with the rest of the night
We got all of this time on our hands
Hey a lot can go down fore the sun comes up
Between a woman and a man
No we dont have to worry bout the rest of our lives
But what do we do with the rest of the night
We can take this party down to the river
Lay a blanket on the grass
Watch the stars tangle up together
While the night slides past
We can do what we wanna do
Roll away that book of rules
Well make our own
Hey nothings carved in stone
What do we do with the rest of the night
We got all of this time on our hands
Hey a lot can go down fore the sun comes up
Between a woman and a man
No we dont have to worry bout the rest of our lives
But what do we do with the rest of the night
What do we do with the rest of the night
We got all of this time on our hands
Hey a lot can go down fore the sun comes up
Between a woman and a man
No we dont have to worry bout the rest of our lives
But what do we do with the rest of the night
What do we do with the rest of the night
song performed by by Lonestar
Submitted by Lucian Velea
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Tonight We're Gonna Tear Down The Walls
(Randy Travis/Jim Sales)
Tonight were gonna tear down the walls
Were gonna laugh and drink and dance and have a ball
The good times ain't over after all
And tonight we're gonna tear down the walls
It seems we let the hard times come between us
Like a wall around our hearts we couldn't see
Hard luck and trouble came rainin down upon us
They almost got the best of you and me
Once we loved to stay at home and make love
Now work is all we ever seem to do
We been spendin too much time makin money
I think its time we had a laugh or two
Tonight were gonna tear down the walls
Were gonna laugh and drink and dance and have a ball
The good times ain't over after all
And tonight we're gonna tear down the walls
It seems we let the hard times come between us
Like a wall around our hearts we couldn't see
Hard luck and trouble came rainin down upon us
They almost got the best of you and me
You put your party clothes and makeup
And Ill polish that ol truck until it shines
Dont worry bout a thing til monday mornin
Just leave hard luck and troubles far behind
(cause)
Tonight were gonna tear down the walls
Were gonna laugh and drink and dance and have a ball
The good times ain't over after all
And tonight we're gonna tear down the walls
The good times ain't over after all
And tonight we're gonna tear down the walls
song performed by by Randy Travis
Submitted by Lucian Velea
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Being Kind
Please don't worry now about the mornin'
When it's time we'll sip our wine and sleep
Woah, but i've been known
To love more than one person
Woah, and i've been shown
That bein' kind can hurt someone sometimes
Listen to my words now look no further
What you've seen is what i mean no more
Woah, but i've been known
To love more than one person
Woah, and i've been shown
That bein' kind can hurt someone sometimes
Don't dream of answers cause you know i've none to give
They burn like cancers they just won't let you live
I've been known
To love more than one person
And i've been shown
That bein' kind can hurt someone sometimes
Don't dream of answers cause you know i've none to give
We move like dancers steppin on each other to live
And pouncin hard
Like animals in the yard
And there's no healin, lookin, feelin
There's no denyin that bein kind can hurt
Someone sometimes
Oh, there's no denyin, woah lord there's no denyin
That bein' kind can hurt someone sometimes
(solo)
song performed by by Reo Speedwagon
Submitted by Lucian Velea
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Creepin
Hey, everybody wont you lend me your ear,
Theres something to fear, its here, and thats clear.
Men gettin rich off rapin the land,
I cant understand, why we dont take them in hand.
Woah, oh ... lord, I dont want to be their fool no more.
I dont want to be their fool no more.
Open eyes, but youre sleepin,
You best wake up fore tomorrow comes creepin in.
fore tomorrow comes creepin in.
Feel that our lives are in the hands of fools,
Loosin their cool, its us that they rule.
Too many people sittin dead on their ass,
They aint got no class, people, this time must pass.
Woah, oh ... lord, I dont want to be their fool no more.
Hey ... I dont want to be their fool no more.
Open eyes, but youre sleepin,
You best wake up fore tomorrow comes creepin in.
fore tomorrow comes creepin in.
Woah, oh ... yeah, tomorrow comes creepin.
Oh ... hear me cryin cause the people like me,
That long to be free, are not actually.
Please everybody wont you hear this song,
Help a country thats wrong, to someday be strong.
Woah, oh ... lord, I dont want to be their fool no more.
No! lord, I dont want to be their fool no more.
Open eyes, but youre sleepin,
You best wake up fore tomorrow comes creepin.
Creepin ...
Creepin ...
Creepin ...
Creepin ...
Creepin ...
Creepin ...
Creepin ...
Creepin ...
Creepin ...
Tomorrow comes creepin.
Tomorrow comes creepin.
Tomorrow comes creepin.
Tomorrow comes creepin.
Tomorrow comes creepin.
Tomorrow comes creepin.
Tomorrow comes creepin.
Tomorrow comes creepin.
song performed by by Grand Funk Railroad
Submitted by Lucian Velea
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Sonnet-Time Is Short
I must cross o'er the bridge 'fore it breaks down;
I must climb Life's ladder 'fore rungs give way;
I must pluck weeds 'fore the grass can be mown;
I must keep earnestly the Sabbath-Day.
I must swim ashore before the flood comes;
I must build house on ground that is hard rock;
When water falls on sugar, it forms lumps;
How long can ships be stationed in their dock?
I must store food for Winter is not far;
I must work hard for harvest to be good;
I must prepare with devils for a war;
To forget my Saviour, my heart, how could?
The Heaven’s gates will not be open long!
'Tis time I start to sing my divine song.
poem by John Celes
Submitted by Poetry Lover
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Sonnet: Time is Short
I must cross o'er the bridge 'fore it breaks down;
I must climb Life's ladder 'fore rungs give way;
I must pluck weeds 'fore the grass can be mown;
I must keep earnestly the Sabbath-Day.
I must swim ashore before the flood comes;
I must build house on ground that is hard rock;
When water falls on sugar, it forms lumps;
How long can ships be stationed in their dock?
I must store food for winter is not far;
I must work hard for harvest to be good;
I must prepare with devils for a war;
To forget my Savior, my heart, how could?
The Heaven’s gates will not be open long!
'Tis time I start to sing my divine song.
poem by John Celes
Submitted by Poetry Lover
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Fust Mate Joe
'E's a tough ole salt,
With a 'ide well tanned,
An' it ain't 'is fault
If the craft is manned
With a motley sort er crew.
Ya-hoo!
An' it is a mixed-up crew.
But 'e's sailed, 'as 'e, on many a sea,
An' e's journeyed nigh an' fur;
'E's a tough ole, rough ole - not to mention gruff ole,
Bluff ole mar-i-ner
Fer 'e sailed among
The Labor Seas
When 'e wus young;
An' since that 'e's
Been on all sorts o' craft
Abaft
And 'fore the mast 'o craft.
Fer ther ain't no boat that's bin afloat
As 'e don't know ev'ry spar;
This sly ole, fly ole, mind-yer-weather-eye ole,
Spry ole deep-sea tar.
Once in the ship
Re-pub-li-can
'E took a trip
As a 'fore-mast man,
An' e transhipped in mid-sea,
Did 'e
Went overside at sea.
Frum a Freetrade raft to a 'Tection craft
'E knows 'em stem to starn.
'E's ratin' as a great un at the art of navigatin',
An' 'e ain't got much to larn.
To watch 'im skip,
On 's nimble feet,
Frum ship to ship
Is a 'igh ole treat.
Fer 'e don't stop long on none.
'E's done
A fair, long cruise on none.
But 'e's larned a lot from the points 'e got
Since 'is cruisin' fust began,
This saine old smarty, sail-with-any-party,
Hearty aailor-man.
Now 'e's signed fust mate
Fer another trip,
Fer to naviprate
The Fusion ship;
An' a crazy craft she is.
Gee-whizz!
An' a frail ole tub she is.
With a crew o' sorts from all the ports,
An' a chance o' mutinee.
But 'e'll see the vessel thro' it, if there's any man kin do it,
Fer a hard ole salt is 'e.
Fer the best o' mates
Is 'im thet's got
Cer-tif-i-cates
From the 'ole darn lot,
When the stormy winds do blow.
Yo-ho!
When the windy storms do blow.
On a Tory tramp 'is callin' damp
'E 'as managed to pursoo.
Now 'e 'as to larn twin-screw ways - with 'er nose a-pointin' two ways,
An' a fair ole rorty crew.
But 'is eye's glued tight
On the compass face,
An' 'e'll make a fight
Fer the anch'rin' place,
Fer the Harbor o' Recess.
O, yes,
There's a harbor at Recess.
An' 'e'll do it yet, with luck, you bet,
Fer 'e' allus bin at sea.
An' there ain't no glummer salt, lightly-go-an'-comer salt,
Rummer sort o'somer-salt than 'e.
poem by Clarence Michael James Stanislaus Dennis
Submitted by Poetry Lover
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Aztec
You came from the Aztecs
With a copper on your fore-arms
Tawnier than a sunset
Saying good-by to an even river.
And I said, you remember,
Those fore-arms of yours
Were finer than bronzes
And you were glad.
It was tears
And a path west
and a home-going
when I asked
Why there were scars of worn gold
Where a man’s ring was fixed once
On your third finger.
And I call you
To come back
before the days are longer.
poem by Carl Sandburg
Submitted by Poetry Lover
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Being Kind (Can Hurt Someone Sometimes)
Please dont worry now about the mornin
When its time well sip our wine and sleep
Woah, but Ive been known
To love more than one person
Woah, and Ive been shown
That bein kind can hurt someone sometimes
Listen to my words now look no further
What youve seen is what I mean no more
Woah, but Ive been known
To love more than one person
Woah, and Ive been shown
That bein kind can hurt someone sometimes
Dont dream of answers cause you know Ive none to give
They burn like cancers they just wont let you live
Ive been known
To love more than one person
And Ive been shown
That bein kind can hurt someone sometimes
Dont dream of answers cause you know Ive none to give
We move like dancers steppin on each other to live
And pouncin hard
Like animals in the yard
And theres no healin, lookin, feelin
Theres no denyin that bein kind can hurt
Someone sometimes
Oh, theres no denyin, woah lord theres no denyin
That bein kind can hurt someone sometimes
(solo)
song performed by by Reo Speedwagon
Submitted by Lucian Velea
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The Song Of Old Joe Swallow
When I was up the country in the rough and early days,
I used to work along ov Jimmy Nowlett's bullick-drays;
Then the reelroad wasn't heered on, an' the bush was wild an' strange,
An' we useter draw the timber from the saw-pits in the range --
Load provisions for the stations, an' we'd travel far and slow
Through the plains an' 'cross the ranges in the days of long ago.
Then it's yoke up the bullicks and tramp beside 'em slow,
An' saddle up yer horses an' a-ridin' we will go,
To the bullick-drivin', cattle-drovin',
Nigger, digger, roarin', rovin'
Days o' long ago.
Once me and Jimmy Nowlett loaded timber for the town,
But we hadn't gone a dozen mile before the rain come down,
An' me an' Jimmy Nowlett an' the bullicks an' the dray
Was cut off on some risin' ground while floods around us lay;
An' we soon run short of tucker an' terbacca, which was bad,
An' pertaters dipped in honey was the only tuck we had.
An' half our bullicks perished when the drought was on the land,
An' the burnin' heat that dazzles as it dances on the sand;
When the sun-baked clay an' gravel paves for miles the burnin' creeks,
An' at ev'ry step yer travel there a rottin' carcase reeks --
But we pulled ourselves together, for we never used ter know
What a feather bed was good for in those days o' long ago.
But in spite ov barren ridges an' in spite ov mud an' heat,
An' dust that browned the bushes when it rose from bullicks' feet,
An' in spite ov cold and chilblains when the bush was white with frost,
An' in spite of muddy water where the burnin' plain was crossed,
An' in spite of modern progress, and in spite of all their blow,
'Twas a better land to live in, in the days o' long ago.
When the frosty moon was shinin' o'er the ranges like a lamp,
An' a lot of bullick-drivers was a-campin' on the camp,
When the fire was blazin' cheery an' the pipes was drawin' well,
Then our songs we useter chorus an' our yarns we useter tell;
An' we'd talk ov lands we come from, and ov chaps we useter know,
For there always was behind us OTHER days o' long ago.
Ah, them early days was ended when the reelroad crossed the plain,
But in dreams I often tramp beside the bullick-team again:
Still we pauses at the shanty just to have a drop er cheer,
Still I feels a kind ov pleasure when the campin'-ground is near;
Still I smells the old tarpaulin me an' Jimmy useter throw
O'er the timber-truck for shelter in the days ov long ago.
I have been a-driftin' back'ards with the changes ov the land,
An' if I spoke ter bullicks now they wouldn't understand,
But when Mary wakes me sudden in the night I'll often say:
`Come here, Spot, an' stan' up, Bally, blank an' blank an' come-eer-way.'
An' she says that, when I'm sleepin', oft my elerquince 'ill flow
In the bullick-drivin' language ov the days o' long ago.
Well, the pub will soon be closin', so I'll give the thing a rest;
But if you should drop on Nowlett in the far an' distant west --
An' if Jimmy uses doubleyou instead of ar an' vee,
An' if he drops his aitches, then you're sure to know it's he.
An' yer won't forgit to arsk him if he still remembers Joe
As knowed him up the country in the days o' long ago.
Then it's yoke up the bullicks and tramp beside 'em slow,
An' saddle up yer horses an' a-ridin' we will go,
To the bullick-drivin', cattle-drovin',
Nigger, digger, roarin', rovin'
Days o' long ago.
poem by Henry Lawson
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One More Cup Of Coffee
Your breath is sweet
Your eyes are like two jewels in the sky.
Your back is straight, your hair is smooth
On the pillow where you lie.
But i don't sense affection
No gratitude or love
Your loyalty is not to me
But to the stars above.
One more cup of coffee for the road,
One more cup of coffee 'fore i go
To the valley below.
Your daddy he's an outlaw
And a wanderer by trade
He'll teach you how to pick and choose
And how to throw the blade.
He oversees his kingdom
So no stranger does intrude
His voice it trembles as he calls out
For another plate of food.
One more cup of coffee for the road,
One more cup of coffee 'fore i go
To the valley below.
Your sister sees the future
Like your mama and yourself.
You've never learned to read or write
There's no books upon your shelf.
And your pleasure knows no limits
Your voice is like a meadowlark
But your heart is like an ocean
Mysterious and dark.
One more cup of coffee for the road,
One more cup of coffee 'fore i go
To the valley below.
song performed by by Bob Dylan
Submitted by Lucian Velea
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One More Cup Of Coffee
Your breath is sweet and weak,
Your eyes are like two jewels in the sky.
Your back is straight, your hair is smooth
On the pillow where you lie.
But I don't sense affection
No gratitude or love
Your loyalty is not to me
But to the stars above.
One more cup of coffee for the road
One more cup of coffee 'fore I go
To the valley below.
Your daddy he's an outlaw
And a wanderer by trade
He'll teach you how to pick and choose
And how to throw the blade
He oversees his kingdom
So no stranger does intrude
His voice it trembles as he calls out
For another plate of food
One more cup of coffee for the road,
One more cup of coffee 'fore I go
To the valley below
Your sister sees the future
Like your mother and yourself
You've never learned to read or write
There's no books upon your shelf.
But your pleasure knows no limits
And your voice is like a meadowlark
Your heart is like the ocean
Mysterious and dark
One more cup of coffee for the road,
One more cup of coffee 'fore I go
To the valley below
song performed by by White Stripes
Submitted by Lucian Velea
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Within
Cry without tears
See without sight
Night without day
And every days black as the night
Fly without wings
Feel without touch
Touch without feel
And everywhere nothing is real
I wanna see from within
I wanna be where Ive been
I want a truth not a lie
I wanna live fore I die
Life without death
World without end
Sleep without dreams
And nothing is quite what it seems
I want something more than youll know
Follow myself and go where you can never go
And I see though my eyes are closed
I wanna see from within
(cry without tears)
I wanna be where Ive been
(see without sight)
I want a truth not a lie
(night without day)
I wanna live fore I die
(and everywhere nothing is real)
(touch without feel and everywhere nothing is real)
Inside you without your blessing
Inside me is me confessing
Outside you is outside me
And inside there is no guarantee
I wanna see from within
I wanna be where Ive been
I want a truth not a lie
I wanna live fore I die
I wanna see from within
(life without death)
I wanna be where Ive been
(world without end)
I want a truth not a lie
(sleep without dreams)
I wanna live fore I die
(and nothing is quite what it seems)
I want something more than youll know
Follow myself and go where you can never go
Cry without tears
Night without day
song performed by by Kiss
Submitted by Lucian Velea
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San Stefano
(A Ballad of the Bold Menelaus)
It was morning at St. Helen's, in the great and gallant days,
And the sea beneath the sun glittered wide,
When the frigate set her courses, all a-shimmer in the haze
And she hauled her cable home and took the tide.
She'd a right fighting company, three hundred men and more,
Nine and forty guns in tackle running free;
And they cheered her from the shore for her colours at the fore,
When the bold _Menelaus_ put to sea.
She'd a right fighting company, three hundred men and more,
Nine and forty guns in tackle running free;
And they cheered her from the shore for her colours at the fore,
When the bold _Menelaus_ put to sea.
She was clear of Monte Cristo, she was heading for the land,
When she spied a pennant red and white and blue;
They were foemen, and they knew it, and they'd half a league in hand,
But she flung aloft her royals, and she flew.
She was nearer, nearer, nearer, they were caught beyond a doubt,
But they slipped her into Orbetello Bay,
And the lubbers gave a shout as they paid their cables out,
With the guns grinning round them where they lay.
Now, Sir Peter was a captain of a famous fighting race,
Son and grandson of an admiral was he;
And he looked upon the batteries, he looked upon the chase,
And he heard the shout that echoed out to sea.
And he called across the decks, 'Ay! the cheering might be late
If they kept it till the _Menelaus_ runs;
Bid the master and his mate heave the lead and lay her straight
For the prize lying yonder by the guns!'
When the summer moon was setting, into Orbetello Bay
Came the _Menelaus_ gliding like a ghost;
And her boats were manned in silence, and in silence pulled away,
And in silence every gunner took his post.
With a volley from her broadside the citadel she woke,
And they hammered back like heroes all the night;
But before the morning broke she had vanished through the smoke
With her prize upon her quarter grappled tight.
It was evening at St. Helen's in the great and gallant time,
And the sky behind the down was flushing far;
And the flags were all a-flutter, and the bells were all a-chime,
When the frigate cast her anchor off the bar.
She'd a right fighting company, three hundred men and more,
Nine and forty guns in tackle running free;
And they cheered her from the shore for the colours at the fore,
When the bold _Menelaus_ came from the sea.
She'd a right fighting company, three hundred men and more,
Nine and forty guns in tackle running free;
And they cheered her from the shore for her colours at the fore,
When the bold _Menelaus_ came from the sea.
poem by Sir Henry Newbolt
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The Vagabond
White handkerchiefs wave from the short black pier
As we glide to the grand old sea --
But the song of my heart is for none to hear
If one of them waves for me.
A roving, roaming life is mine,
Ever by field or flood --
For not far back in my father's line
Was a dash of the Gipsy blood.
Flax and tussock and fern,
Gum and mulga and sand,
Reef and palm -- but my fancies turn
Ever away from land;
Strange wild cities in ancient state,
Range and river and tree,
Snow and ice. But my star of fate
Is ever across the sea.
A god-like ride on a thundering sea,
When all but the stars are blind --
A desperate race from Eternity
With a gale-and-a-half behind.
A jovial spree in the cabin at night,
A song on the rolling deck,
A lark ashore with the ships in sight,
Till -- a wreck goes down with a wreck.
A smoke and a yarn on the deck by day,
When life is a waking dream,
And care and trouble so far away
That out of your life they seem.
A roving spirit in sympathy,
Who has travelled the whole world o'er --
My heart forgets, in a week at sea,
The trouble of years on shore.
A rolling stone! -- 'tis a saw for slaves --
Philosophy false as old --
Wear out or break 'neath the feet of knaves,
Or rot in your bed of mould!
But I'D rather trust to the darkest skies
And the wildest seas that roar,
Or die, where the stars of Nations rise,
In the stormy clouds of war.
Cleave to your country, home, and friends,
Die in a sordid strife --
You can count your friends on your finger ends
In the critical hours of life.
Sacrifice all for the family's sake,
Bow to their selfish rule!
Slave till your big soft heart they break --
The heart of the family fool.
Domestic quarrels, and family spite,
And your Native Land may be
Controlled by custom, but, come what might,
The rest of the world for me.
I'd sail with money, or sail without! --
If your love be forced from home,
And you dare enough, and your heart be stout,
The world is your own to roam.
I've never a love that can sting my pride,
Nor a friend to prove untrue;
For I leave my love ere the turning tide,
And my friends are all too new.
The curse of the Powers on a peace like ours,
With its greed and its treachery --
A stranger's hand, and a stranger land,
And the rest of the world for me!
But why be bitter? The world is cold
To one with a frozen heart;
New friends are often so like the old,
They seem of the past a part --
As a better part of the past appears,
When enemies, parted long,
Are come together in kinder years,
With their better nature strong.
I had a friend, ere my first ship sailed,
A friend that I never deserved --
For the selfish strain in my blood prevailed
As soon as my turn was served.
And the memory haunts my heart with shame --
Or, rather, the pride that's there;
In different guises, but soul the same,
I meet him everywhere.
I had a chum. When the times were tight
We starved in Australian scrubs;
We froze together in parks at night,
And laughed together in pubs.
And I often hear a laugh like his
From a sense of humour keen,
And catch a glimpse in a passing phiz
Of his broad, good-humoured grin.
And I had a love -- 'twas a love to prize --
But I never went back again . . .
I have seen the light of her kind brown eyes
In many a face since then.
. . . . .
The sailors say 'twill be rough to-night,
As they fasten the hatches down,
The south is black, and the bar is white,
And the drifting smoke is brown.
The gold has gone from the western haze,
The sea-birds circle and swarm --
But we shall have plenty of sunny days,
And little enough of storm.
The hill is hiding the short black pier,
As the last white signal's seen;
The points run in, and the houses veer,
And the great bluff stands between.
So darkness swallows each far white speck
On many a wharf and quay.
The night comes down on a restless deck, --
Grim cliffs -- and -- The Open Sea!
poem by Henry Lawson
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Jonah’s Luck
OUT OF LUCK, mate? Have a liquor. Hang it, where’s the use complaining?
Take your fancy, I’m in funds now—I can stand the racket, Dan.
Dump your bluey in the corner; camp here for the night, it’s raining;
Bet your life I’m glad to see you—glad to see a Daylesford man.
Swell? Correct, Dan. Spot the get up; and I own this blooming shanty,
Me the fellows christened ‘Jonah’ at Jim Crow and Blanket Flat,
’Cause my luck was so infernal—you remember me and Canty?
Rough times, those—the very memory keeps a chap from getting fat.
Where’d I strike it? That’s a yarn. The fire’s a comfort—sit up nearer.
Hoist your heels, man; take it easy till Kate’s ready with the stew.
Yes, I’ll tell my little story; ’tain’t a long one, but it’s queerer
Than those lies that Tullock pitched us on The Flat in ’52.
Fancy Phil a parson now! He’s smug as grease, the Reverend Tullock.
Yes, he’s big—his wife and fam’ly are a high and mighty lot.
Didn’t I say his jaw would keep him when he tired of punching mullock?
Well, it has—he’s made his pile here. How d’you like your whisky—hot?
Luck! Well, now, I like your cheek, Dan. You had luck, there’s no denying.
I in thirty years had averaged just a wage of twenty bob—
Why, at Alma there I saw men making fortunes without trying,
While for days I lived on ’possums, and then had to take a job.
Bah! you talk about misfortune—my ill-luck was always thorough:
Gold once ran away before me if I chased it for a week.
I was starved at Tarrangower—lived on tick at Maryborough—
And I fell and broke my thigh-bone at the start of Fiery Creek.
At Avoca Canty left me. Jim, you know, was not a croaker,
But he jacked the whole arrangement—found we couldn’t make a do:
Said he loved me like a brother, but ’twas rough upon a joker
When he’d got to fight the devil, and find luck enough for two.
Jim was off. I didn’t blame him, seeing what he’d had to suffer
When Maginnis, just beside us, panned out fifty to the tub.
‘We had pegged out hours before him, and had struck another duffer,
And each store upon the lead, my lad, had laid us up for grub.
After that I picked up Barlow, but we parted at Dunolly
When we’d struggled through at Alma, Adelaide Lead, and Ararat.
See, my luck was hard upon him; he contracted melancholy,
And he hung himself one morning in the shaft at Parrot Flat.
Ding it? No. Where gold was getting I was on the job, and early,—
Struck some tucker dirt at Armstrong’s, and just lived at Pleasant Creek,
Always grafting like a good ’un, never hopeless-like or surly,
Living partly on my earnings, Dan, but largely on my cheek.
Good old days, they like to call them—they were tough old days to many:
I was through them, and they left me still the choice to graft or beg—
Left me gray, and worn, and wrinkled, aged and stumped—without a penny—
With a chronic rheumatism and this darned old twisted leg.
Other work? That’s true—in plenty. But you know the real old stager
Who has followed up the diggings, how he hangs on to the pan,
How he hates to leave the pipeclay. Though you mention it I’ll wager
That you never worked on top until you couldn’t help it, Dan.
Years went by. On many fields I worked, and often missed a meal, and
Then I found Victoria played out, and the yields were very slack,
So I took a turn up Northward, tried Tasmania and New Zealand,—
Dan, I worked my passage over, and I sneaked the journey back.
Times were worse. I made a cradle, and went fossicking old places;
But the Chows had been before me, and had scraped the country bare;
There was talk of splendid patches ’mongst the creeks and round the races,
But ’twas not my luck to strike them, and I think I lived on air.
Rough? That’s not the word. So help me, Dan, I hadn’t got a stiver
‘When I caved in one fine Sunday—found I couldn’t lift my head.
They removed me, and the doctor said I’d got rheumatic fever,
And for seven months I lingered in a ward upon a bed.
Came out crippled, feeling done-up, hopeless-like and very lonely,
And dead-beat right down to bed rock as I’d never felt before.
Bitter? Just! Those hopeful years of honest graft had left me only
This bent leg; and some asylum was the prospect I’d in store.
You’ll be knowing how I felt then—cleaned-out, lame, completely gravelled—
All the friends I’d known were scattered widely north, and east, and west:
There seemed nothing there for my sort, and no chances if I travelled;
No, my digging days were over, and I had to give it best.
Though ’twas hard, I tried to meet it like a man in digger fashion:
’Twasn’t good enough—I funked it; I was fairly on the shelf,
Cursed my bitter fortune daily, and was always in a passion
With the Lord, sir, and with everyone, but mostly with myself.
I was older twenty years then than I am this blessed minute,
But I got a job one morning, knapping rock at Ballarat;
Two-and-three for two-inch metal. You may say there’s nothing in it,
To the man who’s been through Eaglehawk and mined at Blanket Flat.
Wait—you’d better let me finish. We and ill, I bucked in gladly,
But to get the tools I needed I was forced to pawn my swag.
I’d no hope of golden patches, but I needed tucker badly,
And this job, I think, just saved me being lumbered on the vag.
Fortune is a fickle party, but in spite of all her failings,
Don’t revile her, Dan, as I did, while you’ve still a little rope.
Well, the heap that I was put on was some heavy quartz and tailings,
That was carted from a local mine, I think the Band of Hope.
Take the lesson that is coming to your heart, old man, and hug it:
For I started on the heap with scarce a soul to call my own,
And in less than twenty minutes I’d raked out a bouncing nugget
Scaling close on ninety ounces, and just frosted round with stone.
How is that for high, my hearty? Miracle! It was, by thunder!
After forty years of following the rushes up and down,
Getting old, and past all prospect, and about to knuckle under,
Struck it lucky knapping metal in the middle of a town!
Pass the bottle! Have another! Soon we’ll get the word from Kitty—
She’s a daisy cook, I tell you. Yes, the public business pays
But my pile was made beforehand—made it ‘broking’ in the city.
That’s the yarn I pitch the neighbours. Here’s to good old now-a-days.
poem by Edward George Dyson
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Steam-Launches on the Thames
Henley, June 7, 1891.
Shall we, to whom the stream by right belongs,
Who travel silent, save, perchance, for songs;
Whose track's a ripple,--leaves the Thames a lake,
Nor frights the swan--scarce makes the rushes shake;
Who harmonize, exemplify, complete
And vivify a scene already sweet:
Who travel careless on, from lock to lock,
Oblivious that the world contains a clock,
With pace commensurate to our desires,
Propelled by other force than Stygian fire's;
Shall we be driven hence to leave a place
For these, who bring upon our stream disgrace:
The rush, the roar, the stench, the smoke, the steam,
The nightmare striking through our heavenly dream;
The scream as shrill and hateful to the ear
As when a peacock vents his rage and fear;
Which churn to fury all a glassy reach,
And heave rude breakers on a pebbly beach:
Which half o'erwhelm with waves our frailer craft,
While graceless shop-boys chuckle fore and aft:
Foul water-toadstools, noisome filth-stained shapes,
Fit only to be manned by dogs and apes:
Blots upon nature: scars that mar her smile:
Obscene, obtrusive, execrable, vile?
poem by James Kenneth Stephen
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