William Bede Dalley
That love of letters which is as the light
Of deathless verse, intense, ineffable,
Hath made this scholar’s nature like the white,
Pure Roman soul of whom the poets tell.
He having lived so long with lords of thought,
The grand hierophants of speech and song,
Hath from the high, august communion caught
Some portion of their inspiration strong.
The clear, bright atmosphere through which he looks
Is one by no dim, close horizon bound;
The power shed as flame from noble books
Hath made for him a larger world around.
And he, thus strengthened with the fourfold force
Which scholarship to genius gives, is one
That liberal thinkers, pausing in their course,
With fine esteem are glad to look upon.
He, with the faultless intuition born
Of splendid faculties, sees things aright,
And all his strong, immeasurable scorn
Falls like a thunder on the hypocrite.
But for the sufferer and the son of shame
On whom remorse — a great, sad burden — lies,
His kindness glistens like a morning flame,
Immense compassion shines within his eyes.
Firm to the Church by which his fathers stood,
But tolerant to every form of creed,
He longs for universal brotherhood,
And is a Christian gentleman indeed.
These in his honour. May his life be long,
And, like a summer with a brilliant close,
As full of music as a perfect song,
As radiant as a rich, unhandled rose.
poem by Henry Kendall
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Related quotes
Mothers Day2007
She hath my heart, she is my mum.
She hath my heart, she is my only, she is my one.
She hath my heart, though rough winds may blow.
She hath my heart, still her love will flow, her love will always show.
She hath my heart, I thank my lucky stars.
She hath my heart and i have hers.
She hath my heart, i long for her presence.
She hath my heart, her name is essence.
She hath my heart and forever she will.
Lifetimes will come and go, i will love her still
She hath my heart, this fact i cant conceal
Our bond is like sentiment you just cant kill
She hath my heart in times of sorrow.
She hath my heart, yesterday, today and tomorrow.
She hath my heart, my voice will sing.
She hath my heart, she makes the bell in my heart ring.
She hath my heart, in times of trouble.
She wont stumble no i will not let her crumble.
She hath my heart in each and every way
And my love for her grows with each day
She hath my heart for we were once one.
She hath my heart, the heart of the boy inside the man
I hath her heart, the heart we once shared.
Though separated in body the hearts still paired.
She hath my heart i need her near.
She hath my heart my mama dear
She hath my heart and she already knows
In a world of thorny bushes she stands out like rose
She hath my heart for she is always by my side
When the sun sets she is my light, she is my guide.
poem by Soul Child
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From the Forests
Where in a green, moist, myrtle dell
The torrent voice rings strong
And clear, above a star-bright well,
I write this woodland song.
The melodies of many leaves
Float in a fragrant zone;
And here are flowers by deep-mossed eaves
That day has never known.
I'll weave a garland out of these,
The darlings of the birds,
And send it over singing seas
With certain sunny words -
With certain words alive with light
Of welcome for a thing
Of promise, born beneath the white,
Soft afternoon of Spring.
The faithful few have waited long
A life like this to see;
And they will understand the song
That flows to-day from me.
May every page within this book
Be as a radiant hour;
Or like a bank of mountain brook,
All flower and leaf and flower.
May all the strength and all the grace
Of Letters make it beam
As beams a lawn whose lovely face
Is as a glorious dream.
And may that strange divinity
That men call Genius write
Some deathless thing in days to be,
To fill those days with light.
Here where the free, frank waters run,
I pray this book may grow
A sacred candour like the sun
Above the morning snow.
May noble thoughts in faultless words -
In clean white diction - make
It shine as shines the home of birds
And moss and leaf and lake.
This fair fresh life with joy I hail,
And this belief express,
Its days will be a brilliant tale
Of effort and success.
Here ends my song; I have a dream
Of beauty like the grace
Which lies upon the land of stream
In yonder mountain place.
poem by Henry Kendall
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John Bede Polding
With reverent eyes and bowed, uncovered head,
A son of sorrow kneels by fanes you knew;
But cannot say the words that should be said
To crowned and winged divinities like you.
The perfect speech of superhuman spheres
Man has not heard since He of Nazareth,
Slain for the sins of twice two thousand years,
Saw Godship gleaming through the gates of Death.
And therefore he who in these latter days
Has lost a Father — falling by the shrine,
Can only use the world’s ephemeral phrase,
Not, Lord, the faultless language that is Thine.
But he, Thy son upon whose shoulders shone
So long Elisha’s gleaming garments, may
Be pleased to hear a pleading human tone
To sift the spirit of the words I say.
O, Master, since the gentle Stenhouse died
And left the void that none can ever fill,
One harp at least has sorrow thrown aside,
Its strings all broken, and its notes all still.
Some lofty lord of music yet may find
Its pulse of passion. I can never touch
The chords again — my life has been too blind;
I’ve sinned too long and suffered far too much.
But you will listen to the voice, although
The harp is silent — you who glorified
Your great, sad gift of life, because you know
How souls are tempted and how hearts are tried.
O marvellous follower in the steps of Christ,
How pure your spirit must have been to see
That light beyond our best expression priced
The effluence of benignant Deity.
You saw it, Father? Let me think you did
Because I, groping in the mists of Doubt,
Am sometimes fearful that God’s face is hid
From all — that none can read His riddle out!
A hope from lives like yours must everywhere
Become like faith — that blessing undefiled,
The refuge of the grey philosopher —
The consolation of the simple child.
Here in a land of many sects, where God
As shaped by man in countless forms appears,
Few comprehend how carefully you trod
Without a slip for two and forty years.
How wonderful the self-repression must
Have been, that made you to the lovely close
The Christian crowned with universal trust,
The foe-less Father in a land of foes.
How patiently — with how divine a strength
Of tolerance you must have watched the frays
Of fighting churches — warring through the length
Of your bright, beautiful, unruffled days!
Because men strove you did not love them less;
You felt for each — for everyone and all —
With that same apostolic tenderness
Which Samuel felt when yearning over Saul.
A crowned hierophant — a high Chief-Priest
On flame with robes of light, you used to be;
But yet you were as humble as the least
Of those who followed Him of Galilee.
‘Mid splendid forms of faith which flower and fill
God’s oldest Church with gleams ineffable
You stand, Our Lord’s serene disciple still,
In all the blaze which on your pallium fell.
The pomp of altars, chasubles, and fires
Of incense, moved you not; nor yet the dome
Of haughty beauty — follower of the Sires —
Who made a holiness of elder Rome.
A lord of scholarship whose knowledge ran
Through every groove of human history, you
Were this and more — a Christian gentleman;
A fount of learning with a heart like dew.
O Father! I who at your feet have knelt,
On wings of singing fall, and fail to sing,
Remembering the immense compassion felt
By you for every form of suffering.
As dies a gentle April in a sky
Of faultless beauty — after many days
Of loveliness and grand tranquillity —
So passed your presence from our human gaze.
But though your stately face is as the dust
That windy hills to wintering hollows give,
Your memory like a deity august
Is with us still, to teach us how to live.
Ah! may it teach us — may the lives that are
Take colour from the life that was; and may
Those souls be helped that in the dark so far
Have strayed, and have forgotten how to pray!
Let one of these at least retain the hope
That fine examples, like a blessed dew
Of summer falling in a fruitful scope,
Give birth to issues beautiful and true.
Such hope, O Master, is a light indeed
To him that knows how hard it is to save
The spirit resting on no certain creed
Who kneels to plant this blossom on your grave.
poem by Henry Kendall
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Astrophel And Stella-First Song
Doubt you to whom my Muse these notes intendeth,
Which now my breast o'ercharged to music lendeth?
To you, to you, all song of praise is due;
Only in you my song begins and endeth.
Who hath the eyes which marry state with pleasure?
Who keeps the key of Nature's chiefest treasure?
To you, to you, all song of praise is due;
Only for you the heaven forgat all measure.
Who hath the lips where wit in fairness reigneth?
Who womankind at once both decks and staineth?
To you, to you, all song of praise is due;
Only by you Cupid his crown maintaineth.
Who hath the feet whose step all sweetness planteth?
Who else, for whom Fame worthy trumpets wanteth?
To you, to you, all song of praise is due;
Only to you her sceptre Venus granteth.
Who hath the breast whose milk doth passions nourish?
Whose grace is such that when it chides doth cherish?
To you, to you, all song of praise is due;
Only through you the tree of life doth flourish.
Who hath the hand which without stroke subdueth?
Who long-dead beauty with increase reneweth?
To you, to you, all song of praise is due;
Only at you all envy hopeless rueth.
Who hath the hair which, loosest, fastest tieth?
Who makes a man live then glad when he dieth?
To you, to you, all song of praise is due;
Only of you the flatterer never lieth.
Who hath the voice which soul from senses sunders?
Whose force but yours the bolts of beauty thunders?
To you, to you, all song of praise is due;
Only with you not miracles are wonders.
Doubt you to whom my Muse these notes intendeth,
Which now my breast o'ercharged to music lendeth?
To you, to you, all song of praise is due;
Only in you my song begins and endeth.
poem by Philip Sidney
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To Henry Halloran
YOU KNOW I left my forest home full loth,
And those weird ways I knew so well and long,
Dishevelled with their sloping sidelong growth
Of twisted thorn and kurrajong.
It seems to me, my friend (and this wild thought
Of all wild thoughts, doth chiefly make me bleed),
That in those hills and valleys wonder-fraught,
I loved and lost a noble creed.
A splendid creed! But let me even turn
And hide myself from what I’ve seen, and try
To fathom certain truths you know, and learn
The Beauty shining in your sky:
Remembering you in ardent autumn nights,
And Stenhouse near you, like a fine stray guest
Of other days, with all his lore of lights
So manifold and manifest!
Then hold me firm. I cannot choose but long
For that which lies and burns beyond my reach,
Suggested in your steadfast, subtle song
And his most marvellous speech!
For now my soul goes drifting back again,
Ay, drifting, drifting, like the silent snow
While scattered sheddings, in a fall of rain,
Revive the dear lost Long Ago!
The time I, loitering by untrodden fens,
Intent upon low-hanging lustrous skies,
Heard mellowed psalms from sounding southern glens—
Euroma, dear to dreaming eyes!
And caught seductive tokens of a voice
Half maddened with the dim, delirious themes
Of perfect Love, and the immortal choice
Of starry faces—Astral dreams!
That last was yours! And if you sometimes find
An alien darkness on the front of things,
Sing none the less for Life, nor fall behind,
Like me, with trailing, tired wings!
Yea, though the heavy Earth wears sackcloth now
Because she hath the great prophetic grief
Which makes me set my face one way, and bow
And falter for a far belief,
Be faithful yet for all, my brave bright peer,
In that rare light you hold so true and good;
And find me something clearer than the clear
White spaces of Infinitude.
poem by Henry Kendall
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The Pang More Sharp Than All. An Allegory
I.
He too has flitted from his secret nest,
Hope's last and dearest child without a name!--
Has flitted from me, like the warmthless flame,
That makes false promise of a place of rest
To the tired Pilgrim's still believing mind;--
Or like some Elfin Knight in kingly court,
Who having won all guerdons in his sport,
Glides out of view, and whither none can find!
II.
Yes! he hath flitted from me--with what aim,
Or why, I know not! 'Twas a home of bliss,
And he was innocent, as the pretty shame
Of babe, that tempts and shuns the menaced kiss,
From its twy-cluster'd hiding place of snow!
Pure as the babe, I ween, and all aglow
As the dear hopes, that swell the mother's breast--
Her eyes down gazing o'er her clasped charge;--
Yet gay as that twice happy father's kiss,
That well might glance aside, yet never miss,
Where the sweet mark emboss'd so sweet a targe--
Twice wretched he who hath been doubly blest!
III.
Like a loose blossom on a gusty night
He flitted from me--and has left behind
(As if to them his faith he ne'er did plight)
Of either sex and answerable mind
Two playmates, twin-births of his foster-dame:--
The one a steady lad (Esteem he hight)
And Kindness is the gentler sister's name.
Dim likeness now, though fair she be and good,
Of that bright boy who hath us all forsook;--
But in his full-eyed aspect when she stood,
And while her face reflected every look,
And in reflection kindled--she became
So like him, that almost she seem'd the same!
IV.
Ah! he is gone, and yet will not depart!--
Is with me still, yet I from him exiled!
For still there lives within my secret heart
The magic image of the magic Child,
Which there he made up-grow by his strong art,
As in that crystal orb--wise Merlin's feat,--
The wondrous 'World of Glass,' wherein inisled
All long'd for things their beings did repeat;--
And there he left it, like a Sylph beguiled,
To live and yearn and languish incomplete!
V.
Can wit of man a heavier grief reveal?
Can sharper pang from hate or scorn arise?--
Yes! one more sharp there is that deeper lies,
Which fond Esteem but mocks when he would heal.
Yet neither scorn nor hate did it devise,
But sad compassion and atoning zeal!
One pang more blighting-keen than hope betray'd!
And this it is my woeful hap to feel,
When, at her Brother's hest, the twin-born Maid
With face averted and unsteady eyes,
Her truant playmate's faded robe puts on;
And inly shrinking from her own disguise
Enacts the faery Boy that's lost and gone.
O worse than all! O pang all pangs above
Is Kindness counterfeiting absent Love.
poem by Samuel Taylor Coleridge
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To a Mountain
To thee, O father of the stately peaks,
Above me in the loftier light -- to thee,
Imperial brother of those awful hills
Whose feet are set in splendid spheres of flame,
Whose heads are where the gods are, and whose sides
Of strength are belted round with all the zones
Of all the world, I dedicate these songs.
And if, within the compass of this book,
There lives and glows ONE verse in which there beats
The pulse of wind and torrent -- if ONE line
Is here that like a running water sounds,
And seems an echo from the lands of leaf,
Be sure that line is thine. Here, in this home,
Away from men and books and all the schools,
I take thee for my Teacher. In thy voice
Of deathless majesty, I, kneeling, hear
God's grand authentic Gospel! Year by year,
The great sublime cantata of thy storm
Strikes through my spirit -- fills it with a life
Of startling beauty! Thou my Bible art
With holy leaves of rock, and flower, and tree,
And moss, and shining runnel. From each page
That helps to make thy awful volume, I
Have learned a noble lesson. In the psalm
Of thy grave winds, and in the liturgy
Of singing waters, lo! my soul has heard
The higher worship; and from thee, indeed,
The broad foundations of a finer hope
Were gathered in; and thou hast lifted up
The blind horizon for a larger faith!
Moreover, walking in exalted woods
Of naked glory, in the green and gold
Of forest sunshine, I have paused like one
With all the life transfigured: and a flood
Of light ineffable has made me feel
As felt the grand old prophets caught away
By flames of inspiration; but the words
Sufficient for the story of my Dream
Are far too splendid for poor human lips!
But thou, to whom I turn with reverent eyes --
O stately Father, whose majestic face
Shines far above the zone of wind and cloud,
Where high dominion of the morning is --
Thou hast the Song complete of which my songs
Are pallid adumbrations! Certain sounds
Of strong authentic sorrow in this book
May have the sob of upland torrents -- these,
And only these, may touch the great World's heart;
For, lo! they are the issues of that grief
Which makes a man more human, and his life
More like that frank exalted life of thine.
But in these pages there are other tones
In which thy large, superior voice is not --
Through which no beauty that resembles thine
Has ever shone. THESE are the broken words
Of blind occasions, when the World has come
Between me and my Dream. No song is here
Of mighty compass; for my singing robes
I've worn in stolen moments. All my days
Have been the days of a laborious life,
And ever on my struggling soul has burned
The fierce heat of this hurried sphere. But thou,
To whose fair majesty I dedicate
My book of rhymes -- thou hast the perfect rest
Which makes the heaven of the highest gods!
To thee the noises of this violent time
Are far, faint whispers; and, from age to age,
Within the world and yet apart from it,
Thou standest! Round thy lordly capes the sea
Rolls on with a superb indifference
For ever; in thy deep, green, gracious glens
The silver fountains sing for ever. Far
Above dim ghosts of waters in the caves,
The royal robe of morning on thy head
Abides for ever! Evermore the wind
Is thy august companion; and thy peers
Are cloud, and thunder, and the face sublime
Of blue mid-heaven! On thy awful brow
Is Deity; and in that voice of thine
There is the great imperial utterance
Of God for ever; and thy feet are set
Where evermore, through all the days and years,
There rolls the grand hymn of the deathless wave.
poem by Henry Kendall
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Drink To Her
Drink to her who long
Hath waked the poet's sigh,
The girl who gave to song
What gold could never buy.
Oh! woman's heart was made
For minstrel hands alone;
By other fingers play'd,
It yields not half the tone.
Then here's to her who long
Hath waked the poet's sigh,
The girl who gave to song
What gold could never buy.
At Beauty's door of glass,
When Wealth and Wit once stood,
They ask'd her, "which might pass?"
She answer'd, "he who could."
With golden key Wealth thought
To pass -- but 'twould not do:
While Wit a diamond brought,
Which cut his bright way through.
So here's to her who long
Hath waked the poet's sigh,
The girl who gave to song
What gold could never buy.
The love that seeks a home
Where wealth or grandeur shines,
Is like the gloomy gnome,
That dwells in dark mines.
But oh! the poet's love
Can boast a brighter sphere;
Its native home's above,
Though woman keeps it here.
Then drink to her who long
Hath waked the poet's sigh,
The girl who gave to song
What gold could never buy.
poem by Thomas Moore
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On a Spanish Cathedral
DEEP under the spires of a hill, by the feet of the thunder-cloud trod,
I pause in a luminous, still, magnificent temple of God!
At the steps of the altar august—a vision of angels in stone—
I kneel, with my head to the dust, on the floors by the seraphim known.
No father in Jesus is near, with the high, the compassionate face;
But the glory of Godhead is here—its presence transfigures the place!
Behold in this beautiful fane, with the lights of blue heaven impearled,
I think of the Elders of Spain, in the deserts—the wilds of the world!
I think of the wanderers poor who knelt on the flints and the sands,
When the mighty and merciless Moor was lord of the Lady of Lands.
Where the African scimitar flamed, with a swift, bitter death in its kiss,
The fathers, unknown and unnamed, found God in cathedrals like this!
The glow of His Spirit—the beam of His blessing—made lords of the men
Whose food was the herb of the stream, whose roof was the dome of the den.
And, far in the hills by the sea, these awful hierophants prayed
For Rome and its temples to be—in a temple by Deity made.
Who knows of their faith—of its power? Perhaps, with the light in their eyes,
They saw, in some wonderful hour, the marvel of centuries rise!
Perhaps in some moment supreme, when the mountains were holy and still,
They dreamed the magnificent dream that came to the monks of Seville!
Surrounded by pillars and spires whose summits shone out in the glare
Of the high, the omnipotent fires, who knows what was seen by them there?
Be sure, if they saw, in the noon of their faith, some ineffable fane,
They looked on the church like a moon dropped down by the Lord into Spain.
And the Elders who shone in the time when Christ over Christendom beamed
May have dreamed at their altars sublime the dream that their fathers had dreamed,
By the glory of Italy moved—the majesty shining in Rome—
They turned to the land that they loved, and prayed for a church in their home;
And a soul of unspeakable fire descended on them, and they fought
And laboured a life for the spire and tower and dome of their thought!
These grew under blessing and praise, as morning in summertime grows—
As Troy in the dawn of the days to the music of Delphicus rose.
In a land of bewildering light, where the feet of the season are Spring’s,
They worked in the day and the night, surrounded by beautiful things.
The wonderful blossoms in stone—the flower and leaf of the Moor,
On column and cupola shone, and gleamed on the glimmering floor.
In a splendour of colour and form, from the marvellous African’s hands
Yet vivid and shining and warm, they planted the Flower of the Lands.
Inspired by the patience supreme of the mute, the magnificent past,
They toiled till the dome of their dream in the firmament blossomed at last!
Just think of these men—of their time—of the days of their deed, and the scene!
How touching their zeal—how sublime their suppression of self must have been!
In a city yet hacked by the sword and scarred by the flame of the Moor,
They started the work of their Lord, sad, silent, and solemnly poor.
These fathers, how little they thought of themselves, and how much of the days
When the children of men would be brought to pray in their temple, and praise!
Ah! full of the radiant, still, heroic old life that has flown,
The merciful monks of Seville toiled on, and died bare and unknown.
The music, the colour, the gleam of their mighty cathedral will be
Hereafter a luminous dream of the heaven I never may see;
To a spirit that suffers and seeks for the calm of a competent creed,
This temple, whose majesty speaks, becomes a religion indeed;
The passionate lights—the intense, the ineffable beauty of sound—
Go straight to the heart through the sense, as a song would of seraphim crowned.
And lo! by these altars august, the life that is highest we live,
And are filled with the infinite trust and the peace that the world cannot give.
They have passed, have the elders of time—they have gone; but the work of their hands,
Pre-eminent, peerless, sublime, like a type of eternity stands!
They are mute, are the fathers who made this church in the century dim;
But the dome with their beauty arrayed remains, a perpetual hymn.
Their names are unknown; but so long as the humble in spirit and pure
Are worshipped in speech and in song, our love for these monks will endure;
And the lesson by sacrifice taught will live in the light of the years
With a reverence not to be bought, and a tenderness deeper than tears.
poem by Henry Kendall
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Love's Phases
Love hath the wings of the butterfly,
Oh, clasp him but gently,
Pausing and dipping and fluttering by
Inconsequently.
Stir not his poise with the breath of a sigh;
Love hath the wings of the butterfly.
Love hath the wings of the eagle bold,
Cling to him strongly--
What if the look of the world be cold,
And life go wrongly?
Rest on his pinions, for broad is their fold;
Love hath the wings of the eagle bold.
Love hath the voice of the nightingale,
Hearken his trilling--
List to his song when the moonlight is pale,--
Passionate, thrilling.
Cherish the lay, ere the lilt of it fail;
Love hath the voice of the nightingale.
Love hath the voice of the storm at night,
Wildly defiant.
Hear him and yield up your soul to his might,
Tenderly pliant.
None shall regret him who heed him aright;
Love hath the voice of the storm at night.
poem by Paul Laurence Dunbar
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The Master
In sea and air, in leaf and stone,
Where’er Truth’s magic words are writ,
Where thousands throng, or rapt and lone,
Life was his book. He pondered it.
Through page of earth and sun and star
He heard the swift sweep of the Song
Of Law and Motion, streaming far,
Which seemed to sing, “The world is wrong.”
Men passed him by. They brushed aside
The dreamer in his dreams of law.
They laughed and left him, open-eyed,
Fixed on the point that no man saw.
“Life is to scheme, to love, to play.
Strike out for plunder in the fight
Our fathers did so,” answered they,
“And they have said, ‘The world is right.’”
Men took the baubles at the call,
Men rose to wealth and power and state,
But he—the mightiest of them all—
Remained, because his heart was great.
The fool cried: “Life is but a jest,”
The schemer: “Earth is for the strong,”
The thoughtless: “Why think for the rest?”
But he cried: “Nay. The world is wrong.”
And friends declined, and fortune frowned,
And hope grew dim with health’s decay,
The thorns of hardship hedged him round,
But still he toiled from day to day—
From clue to clue, from year to year,
From law to law, from light to light,
Till came the triumph flashing clear—
“The world is wrong and I am right!”
“The Laws of Life, eternal, true,
Swerve not by prayer for that or this.
A Power hath given the world to you
And ye have made it what it is.
Why see worth perish, what accrue
Why see greed flourish day by day?
A Power hath given the world to you,
And ye can make it what ye may.”
No mourners wept beside his bier,
Scant homage to his grave was brought.
He left no wealth behind him here,
Only the splendour of his thought.
And as the brown earth, heaping slow,
Shut the rude coffin from the sight,
One who had known him long ago
Cried: “After all, the world was right!”
But Thought is king no clowns can bind,
And Genius, in its crowning hour,
Sows deep the seed that, for Mankind,
Springs, centuries hence, to splendid flower,
When, by that lonely stone of white,
With heads uncovered, men shall say:
“The world was wrong and he was right
Who died for what we reap to-day!”
poem by George Essex Evans
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The Heart of a Boy
To Mrs. Guy Wyndham
The heart of a boy is full of light,
Naked of self, quite pure and clean,
No shadows lurk in it: it is bright
Where God Himself hath been.
I looked in a boy's heart and saw
How its desire was white desire,
Burning upward, as winds might draw
The flame of a candle higher.
What was the heart's desire that burned
Like a white candle stirred in a breeze?
Power or glory or honour earned?
Love that is more than these?
The heart of a boy has but one goal.
The flying Danger smiles as she flies,
Makes her own of him, heart and soul,
With the lure of her lovely eyes.
The boy's heart now is set on a star,
A sword for the weak against the strong,
A young knight riding forth to the War
Who dies to right the wrong.
poem by Katharine Tynan
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Nilsson
A rose of perfect red, embossed
With silver sheens of crystal frost,
Yet warm, nor life nor fragrance lost.
High passion throbbing in a sphere
That Art hath wrought of diamond clear,
-- A great heart beating in a tear.
The listening soul is full of dreams
That shape the wondrous-varying themes
As cries of men or plash of streams.
Or noise of summer rain-drops round
That patter daintily a-ground
With hints of heaven in the sound.
Or noble wind-tones chanting free
Through morning-skies across the sea
Wild hymns to some strange majesty.
O, if one trope, clear-cut and keen,
May type the art of Song's best queen,
White-hot of soul, white-chaste of mien,
On Music's heart doth Nilsson dwell
As if a Swedish snow-flake fell
Into a glowing flower-bell.
poem by Sidney Lanier
Submitted by Poetry Lover
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Emblems of Love
She
ONLY to be twin elements of joy
In this extravagance of Being, Love,
Were our divided natures shaped in twain;
And to this hour the whole world must consent.
Is it not very marvellous, our lives
Can only come to this out of a long
Strange sundering, with the years of the world between us?
He
Shall life do more than God? for hath not God
Striven with himself, when into known delight
His unaccomplisht joy he would put forth,—
This mystery of a world sign of his striving?
Else wherefore this, a thing to break the mind
With labouring in the wonder of it, that here
Being—the world and we—is suffered to be!—
But, lying on thy breast one notable day,
Sudden exceeding agony of love
Made my mind a trance of infinite knowledge.
I was not: yet I saw the will of God
As light unfashion’d, unendurable flame,
Interminable, not to be supposed;
And there was no more creature except light,—
The dreadful burning of the lonely God’s
Unutter’d joy. And then, past telling, came
Shuddering and division in the light:
Therein, like trembling, was desire to know
Its own perfect beauty; and it became
A cloven fire, a double flaming, each
Adorable to each; against itself
Waging a burning love, which was the world;—
A moment satisfied in that love-strife
I knew the world!—And when I fell from there,
Then knew I also what this life would do
In being twin,—in being man and woman!
For it would do even as its endless Master,
Making the world, had done; yea, with itself
Would strive, and for the strife would into sex
Be cloven, double burning, made thereby
Desirable to itself. Contrivèd joy
Is sex in life; and by no other thing
Than by a perfect sundering, could life
Change the dark stream of unappointed joy
To perfect praise of itself, the glee that loves
And worships its own Being. This is ours!
Yet only for that we have been so long
Sundered desire: thence is our life all praise.—
But we, well knowing by our strength of joy
There is no sundering more, how far we love
From those sad lives that know a half-love only,
Alone thereby knowing themselves for ever
Sealed in division of love, and therefore made
To pour their strength always into their love’s
Fierceness, as green wood bleeds its hissing sap
Into red heat of a fire! Not so do we:
The cloven anger, life, hath left to wage
Its flame against itself, here turned to one
Self-adoration.—Ah, what comes of this?
The joy falters a moment, with closed wings
Wearying in its upward journey, ere
Again it goes on high, bearing its song,
Its delight breathing and its vigour beating
The highest height of the air above the world.
She
What hast thou done to me!—I would have soul,
Before I knew thee, Love, a captive held
By flesh. Now, inly delighted with desire,
My body knows itself to be nought else
But thy heart’s worship of me; and my soul
Therein is sunlight held by warm gold air.
Nay, all my body is become a song
Upon the breath of spirit, a love-song.
He
And mine is all like one rapt faculty,
As it were listening to the love in thee,
My whole mortality trembling to take
Thy body like heard singing of thy spirit.
She
Surely by this, Beloved, we must know
Our love is perfect here,—that not as holds
The common dullard thought, we are things lost
In an amazement that is all unware;
But wonderfully knowing what we are!
Lo, now that body is the song whereof
Spirit is mood, knoweth not our delight?
Knoweth not beautifully now our love,
That Life, here to this festival bid come
Clad in his splendour of worldly day and night,
Filled and empower’d by heavenly lust, is all
The glad imagination of the Spirit?
He
Were it not so, Love could not be at all:
Nought could be, but a yearning to fulfil
Desire of beauty, by vain reaching forth
Of sense to hold and understand the vision
Made by impassion’d body,—vision of thee!
But music mixt with music are, in love,
Bodily senses; and as flame hath light,
Spirit this nature hath imagined round it,
No way concealed therein, when love comes near,
Nor in the perfect wedding of desires
Suffering any hindrance.
She
Ah, but now,
Now am I given love’s eternal secret!
Yea, thou and I who speak, are but the joy
Of our for ever mated spirits; but now
The wisdom of my gladness even through Spirit
Looks, divinely elate. Who hath for joy
Our Spirits? Who hath imagined them
Round him in fashion’d radiance of desire,
As into light of these exulting bodies
Flaming Spirit is uttered?
He
Yea, here the end
Of love’s astonishment! Now know we Spirit,
And Who, for ease of joy, contriveth Spirit.
Now all life’s loveliness and power we have
Dissolved in this one moment, and our burning
Carries all shining upward, till in us
Life is not life, but the desire of God,
Himself desiring and himself accepting.
Now what was prophecy in us is made
Fulfilment: we are the hour and we are the joy,
We in our marvellousness of single knowledge,
Of Spirit breaking down the room of fate
And drawing into his light the greeting fire
Of God,—God known in ecstasy of love
Wedding himself to utterance of himself
poem by Lascelles Abercrombie
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In Memoriam~ -- Alice Fane Gunn Stenhouse
The grand, authentic songs that roll
Across grey widths of wild-faced sea,
The lordly anthems of the Pole,
Are loud upon the lea.
Yea, deep and full the South Wind sings
The mighty symphonies that make
A thunder at the mountain springs -
A whiteness on the lake.
And where the hermit hornet hums,
When Summer fires his wings with gold,
The hollow voice of August comes,
Across the rain and cold.
Now on the misty mountain tops,
Where gleams the crag and glares the fell,
Wild Winter, like one hunted, stops
And shouts a fierce farewell.
Keen fitful gusts shoot past the shore
And hiss by moor and moody mere -
The heralds bleak that come before
The turning of the year.
A sobbing spirit wanders where
By fits and starts the wild-fire shines;
Like one who walks in deep despair,
With Death amongst the pines.
And ah! the fine, majestic grief
Which fills the heart of forests lone,
And makes a lute of limb and leaf
Is human in its tone.
Too human for the thought to slip -
How every song that sorrow sings
Betrays the broad relationship
Of all created things.
Man's mournful speech, the wail of tree,
The words the winds and waters say,
Make up that general elegy,
Whose burden is decay.
To-night my soul looks back and sees,
Across wind-broken wastes of wave,
A widow on her bended knees
Beside a new-made grave.
A sufferer with a touching face
By love and grief made beautiful;
Whose rapt religion lights the place
Where death holds awful rule.
The fair, tired soul whose twofold grief
For child and father lends a tone
Of pathos to the pallid leaf
That sighs above the stone.
The large beloved heart whereon
She used to lean, lies still and cold,
Where, like a seraph, shines the sun
On flowerful green and gold.
I knew him well - the grand, the sweet,
Pure nature past all human praise;
The dear Gamaliel at whose feet
I sat in other days.
He, glorified by god-like lore,
First showed my soul Life's highest aim;
When, like one winged, I breathed - before
The years of sin and shame.
God called him Home. And, in the calm
Beyond our best possessions priced,
He passed, as floats a faultless psalm,
To his fair Father, Christ.
But left as solace for the hours
Of sorrow and the loss thereof;
A sister of the birds and flowers,
The daughter of his love.
She, like a stray sweet seraph, shed
A healing spirit, that flamed and flowed
As if about her bright young head
A crown of saintship glowed.
Suppressing, with sublime self-slight,
The awful face of that distress
Which fell upon her youth like blight,
She shone like happiness.
And, in the home so sanctified
By death in its most noble guise,
She kissed the lips of love, and dried
The tears in sorrow's eyes.
And helped the widowed heart to lean,
So broken up with human cares,
On one who must be felt and seen
By such pure souls as hers.
Moreover, having lived, and learned
The taste of Life's most bitter spring,
For all the sick this sister yearned -
The poor and suffering.
But though she had for every one
The phrase of comfort and the smile,
This shining daughter of the sun
Was dying all the while.
Yet self-withdrawn - held out of reach
Was grief; except when music blent
Its deep, divine, prophetic speech
With voice and instrument.
Then sometimes would escape a cry
From that dark other life of hers -
The half of her humanity -
And sob through sound and verse.
At last there came the holy touch,
With psalms from higher homes and hours;
And she who loved the flowers so much
Now sleeps amongst the flowers.
By hearse-like yews and grey-haired moss,
Where wails the wind in starts and fits,
Twice bowed and broken down with loss,
The wife, the mother sits.
God help her soul! She cannot see,
For very trouble, anything
Beyond this wild Gethsemane
Of swift, black suffering;
Except it be that faltering faith
Which leads the lips of life to say:
'There must be something past this death -
Lord, teach me how to pray!'
Ah, teach her, Lord! And shed through grief
The clear full light, the undefiled,
The blessing of the bright belief
Which sanctified her child.
Let me, a son of sin and doubt,
Whose feet are set in ways amiss -
Who cannot read Thy riddle out,
Just plead, and ask Thee this;
Give her the eyes to see the things -
The Life and Love I cannot see;
And lift her with the helping wings
Thou hast denied to me.
Yea, shining from the highest blue
On those that sing by Beulah's streams,
Shake on her thirsty soul the dew
Which brings immortal dreams.
So that her heart may find the great,
Pure faith for which it looks so long;
And learn the noble way to wait,
To suffer, and be strong.
poem by Henry Kendall
Submitted by Poetry Lover
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The Mourners
LOW she lies, who blest our eyes
Through many a sunny day;
She may not smile, she will not rise--
The life hath past away!
Yet there is a world of light beyond,
Where we neither die nor sleep--
She is there, of whom our souls were fond--
Then wherefore do we weep?
The heart is cold, whose thoughts were told
In each glance of her glad bright eye;
And she lies pale, who was so bright,
She scarce seemed made to die.
Yet we know that her soul is happy now,
Where the saints their calm watch keep;
That angels are crowning that fair young brow--
Then wherefore do we weep?
Her laughing voice made all rejoice,
Who caught the happy sound;
There was gladness in her very step,
As it lightly touched the ground.
The echoes of voice and step are gone;
There is silence still and deep:
Yet we know she sings by God's bright throne--
Then wherefore do we weep?
The cheek's pale tinge, the lid's dark fringe;
That lies like a shadow there,
Were beautiful in the eyes of all--
And her glossy golden hair!
But though that lid may never wake
From its dark and dreamless sleep,
She is gone where young hearts do not break--
Then wherefore do we weep?
That world of light with joy is bright,
This is a world of woe:
Shall we grieve that her soul hath taken flight,
Because we dwell below?
We will bury her under the mossy sod,
And one long bright tress we'll keep;
We have only given her back to God--
Ah! wherefore do we weep?
poem by Caroline Elizabeth Sarah Norton
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Overture: Mountaintop & Sunrise/communion With The Sun
Ra, climbing the horizon
Rising up the mountain, lighting up the valley below
Ra, giver without measure
Beacon of compassion, shining through the spectrum of life
Day is born, night is gone
One in all, all is one
Communion with the sun
Ra, ruler of all nature
Burning on forever, melting all together in one
Ra, holy synthesizer
Inspiration showers green and growing gardens of love
Voices rise to the song
One in all, all is one
Communion with the sun, with the sun
Ra, ra, ra, ra, ra, ra, ra, ra
Ra, climbing the horizon
Waves of light come rolling across the floor of the valley
Ra, ra, ra, ra, ra
Lift your eyes to the dawn
One in all, all is one
Communion with the sun
song performed by by Utopia
Submitted by Lucian Velea
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Overture: Mountaintop And Sunrise / Communion With The Sun
Ra, climbing the horizon
Rising up the mountain, lighting up the valley below
Ra, giver without measure
Beacon of compassion, shining through the spectrum of life
Day is born, night is gone
One in all, all is one
Communion with the sun
Ra, ruler of all nature
Burning on forever, melting all together in one
Ra, holy synthesizer
Inspiration showers green and growing gardens of love
Voices rise to the song
One in all, all is one
Communion with the sun, with the sun
Ra, Ra, Ra, Ra, Ra, Ra, Ra, Ra
Ra, climbing the horizon
Waves of light come rolling across the floor of the valley
Ra, Ra, Ra, Ra, Ra
Lift your eyes to the dawn
One in all, all is one
Communion with the sun
song performed by by Utopia
Submitted by Lucian Velea
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The Voice in the Wild Oak
Twelve years ago, when I could face
High heaven’s dome with different eyes—
In days full-flowered with hours of grace,
And nights not sad with sighs—
I wrote a song in which I strove
To shadow forth thy strain of woe,
Dark widowed sister of the grove!—
Twelve wasted years ago.
But youth was then too young to find
Those high authentic syllables,
Whose voice is like the wintering wind
By sunless mountain fells;
Nor had I sinned and suffered then
To that superlative degree
That I would rather seek, than men,
Wild fellowship with thee!
But he who hears this autumn day
Thy more than deep autumnal rhyme,
Is one whose hair was shot with grey
By Grief instead of Time.
He has no need, like many a bard,
To sing imaginary pain,
Because he bears, and finds it hard,
The punishment of Cain.
No more he sees the affluence
Which makes the heart of Nature glad;
For he has lost the fine, first sense
Of Beauty that he had.
The old delight God’s happy breeze
Was wont to give, to Grief has grown;
And therefore, Niobe of trees,
His song is like thine own!
But I, who am that perished soul,
Have wasted so these powers of mine,
That I can never write that whole,
Pure, perfect speech of thine.
Some lord of words august, supreme,
The grave, grand melody demands;
The dark translation of thy theme
I leave to other hands.
Yet here, where plovers nightly call
Across dim, melancholy leas—
Where comes by whistling fen and fall
The moan of far-off seas—
A grey, old Fancy often sits
And fills thy strong, strange rhyme by fits
With awful utterings.
Then times there are when all the words
Are like the sentences of one
Shut in by Fate from wind and birds
And light of stars and sun,
No dazzling dryad, but a dark
Dream-haunted spirit doomed to be
Imprisoned, crampt in bands of bark,
For all eternity.
Yea, like the speech of one aghast
At Immortality in chains,
What time the lordly storm rides past
With flames and arrowy rains:
Some wan Tithonus of the wood,
White with immeasurable years—
An awful ghost in solitude
With moaning moors and meres.
And when high thunder smites the hill
And hunts the wild dog to his den,
Thy cries, like maledictions, shrill
And shriek from glen to glen,
As if a frightful memory whipped
Thy soul for some infernal crime
That left it blasted, blind, and stript—
A dread to Death and Time!
But when the fair-haired August dies,
And flowers wax strong and beautiful,
Thy songs are stately harmonies
By wood-lights green and cool—
Most like the voice of one who shows
Through sufferings fierce, in fine relief,
A noble patience and repose—
A dignity in grief.
But, ah! conceptions fade away,
And still the life that lives in thee—
The soul of thy majestic lay—
Remains a mystery!
And he must speak the speech divine—
The language of the high-throned lords—
Who’d give that grand old theme of thine
Its sense in faultless words.
By hollow lands and sea-tracts harsh,
With ruin of the fourfold gale,
Where sighs the sedge and sobs the marsh,
Still wail thy lonely wail;
And, year by year, one step will break
The sleep of far hill-folded streams,
And seek, if only for thy sake
Thy home of many dreams.
poem by Henry Kendall
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Flame Still Burns
Made their threats ruin your name
thought I was broken but the spirit remains
and this flame will keep on burning strong
and I will continue to sing this song
bad-mouthed behind us, taken their shots
but this tattered body will never be stopped
and this flame will keep on burning strong
and I will continue to sing this song
we've heard it all before
and we're ready for some more
if you think I'm gonna break it's
gonna take more than what you've got
don't count me out cause I've got some more
and I'm back with more strength and vigor than before
and this flame will keep on burning strong
and I will continue to sing this song
my feelings in the music and the words
are written in stone, and I know I'm not singing this song alone
song performed by by Youth Of Today
Submitted by Lucian Velea
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