Moss on a Wall
Dim dreams it hath of singing ways,
Of far-off woodland water-heads,
And shining ends of April days
Amongst the yellow runnel-beds.
Stoop closer to the ruined wall,
Whereon the wilful wilding sleeps,
As if its home were waterfall
By dripping clefts and shadowy steeps.
A little waif, whose beauty takes
A touching tone because it dwells
So far away from mountain lakes,
And lily leaves, and lightening fells.
Deep hidden in delicious floss
It nestles, sister, from the heat -
A gracious growth of tender moss
Whose nights are soft, whose days are sweet.
Swift gleams across its petals run
With winds that hum a pleasant tune,
Serene surprises of the sun,
And whispers from the lips of noon.
The evening-coloured apple-trees
Are faint with July's frosty breath.
But lo! this stranger getteth ease,
And shines amidst the strays of Death.
And at the turning of the year,
When August wanders in the cold,
The raiment of the nursling here
Is rich with green and glad with gold.
Oh, friend of mine, to one whose eyes
Are vexed because of alien things,
For ever in the wall moss lies
The peace of hills and hidden springs.
From faithless lips and fickle lights
The tired pilgrim sets his face,
And thinketh here of sounds and sights
In many a lovely forest-place.
And when by sudden fits and starts
The sunset on the moss doth burn,
He often dreams, and, lo! the marts
And streets are changed to dells of fern.
For, let me say, the wilding placed
By hands unseen amongst these stones,
Restores a Past by Time effaced,
Lost loves and long-forgotten tones!
As sometimes songs and scenes of old
Come faintly unto you and me,
When winds are wailing in the cold,
And rains are sobbing on the sea.
poem by Henry Kendall
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James Lionel Michael
BE HIS rest the rest he sought:
Calm and deep.
Let no wayward word or thought
Vex his sleep.
Peace—the peace that no man knows—
Now remains
Where the wasted woodwind blows,
Wakes and wanes.
Latter leaves, in Autumn’s breath,
White and sere,
Sanctify the scholar’s death,
Lying here.
Soft surprises of the sun—
Swift, serene—
O’er the mute grave-grasses run,
Cold and green.
Wet and cold the hillwinds moan;
Let them rave!
Love that takes a tender tone
Lights his grave.
He who knew the friendless face
Sorrows shew,
Often sought this quiet place
Years ago.
One, too apt to faint and fail,
Loved to stray
Here where water-shallows wail
Day by day.
Care that lays her heavy hand
On the best,
Bound him with an iron hand;
Let him rest.
Life, that flieth like a tune,
Left his eyes,
As an April afternoon
Leaves the skies.
Peace is best! If life was hard
Peace came next.
Thus the scholar, thus the bard,
Lies unvext.
Safely housed at last from rack—
Far from pain;
Who would wish to have him back?
Back again?
Let the forms he loved so well
Hover near;
Shine of hill and shade of dell,
Year by year.
All the wilful waifs that make
Beauty’s face,
Let them sojourn for his sake
Round this place.
Flying splendours, singing streams,
Lutes and lights,
May they be as happy dreams:
Sounds and sights;
So that Time to Love may say,
“Wherefore weep?
Sweet is sleep at close of day!
Death is sleep.”
poem by Henry Kendall
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The Austral Months
January
The first fair month! In singing Summer’s sphere
She glows, the eldest daughter of the year.
All light, all warmth, all passion, breaths of myrrh,
And subtle hints of rose-lands, come with her.
She is the warm, live month of lustre—she
Makes glad the land and lulls the strong, sad sea.
The highest hope comes with her. In her face
Of pure, clear colour lives exalted grace;
Her speech is beauty, and her radiant eyes
Are eloquent with splendid prophecies.
February
The bright-haired, blue-eyed last of Summer. Lo,
Her clear song lives in all the winds that blow;
The upland torrent and the lowland rill,
The stream of valley and the spring of hill,
The pools that slumber and the brooks that run
Where dense the leaves are, green the light of sun,
Take all her grace of voice and colour. She,
With rich warm vine-blood splashed from heel to knee,
Comes radiant through the yellow woodlands. Far
And near her sweet gifts shine like star by star.
She is the true Demeter. Life of root
Glows under her in gardens flushed with fruit;
She fills the fields with strength and passion—makes
A fire of lustre on the lawn-ringed lakes;
Her beauty awes the great wild sea; the height
Of grey magnificence takes strange delight
And softens at her presence, at the dear
Sweet face whose memory beams through all the year.
March
Clear upland voices, full of wind and stream,
Greet March, the sister of the flying beam
And speedy shadow. She, with rainbow crowned,
Lives in a sphere of songs of mazy sound.
The hymn of waters and the gale’s high tone,
With anthems from the thunder’s mountain throne,
Are with her ever. This, behold, is she
Who draws its great cry from the strong, sad sea;
She is the month of majesty. Her force
Is power that moves along a stately course,
Within the lines of order, like no wild
And lawless strength of winter’s fiercest child.
About her are the wind-whipped torrents; far
Above her gleams and flies the stormy star,
And round her, through the highlands and their rocks,
Rings loud the grand speech from the equinox.
April
The darling of Australia’s Autumn—now
Down dewy dells the strong, swift torrents flow!
This is the month of singing waters—here
A tender radiance fills the Southern year;
No bitter winter sets on herb and root,
Within these gracious glades, a frosty foot;
The spears of sleet, the arrows of the hail,
Are here unknown. But down the dark green dale
Of moss and myrtle, and the herby streams,
This April wanders in a home of dreams;
Her flower-soft name makes language falter. All
Her paths are soft and cool, and runnels fall
In music round her; and the woodlands sing
For evermore, with voice of wind and wing,
Because this is the month of beauty—this
The crowning grace of all the grace that is.
May
Now sings a cool, bland wind, where falls and flows
The runnel by the grave of last year’s rose;
Now, underneath the strong perennial leaves,
The first slow voice of wintering torrent grieves.
Now in a light like English August’s day,
Is seen the fair, sweet, chastened face of May;
She is the daughter of the year who stands
With Autumn’s last rich offerings in her hands;
Behind her gleams the ghost of April’s noon,
Before her is the far, faint dawn of June;
She lingers where the dells and dewy leas
Catch stormy sayings from the great bold seas;
Her nightly raiment is the misty fold
That zones her round with moonlight-coloured gold;
And in the day she sheds, from shining wings,
A tender heat that keeps the life in things.
June
Not like that month when, in imperial space,
The high, strong sun stares at the white world’s face;
Not like that haughty daughter of the year
Who moves, a splendour, in a splendid sphere;
But rather like a nymph of afternoon,
With cool, soft sunshine, comes Australian June.
She is the calm, sweet lady, from whose lips
No breath of living passion ever slips;
The wind that on her virgin forehead blows
Was born too late to speak of last year’s rose;
She never saw a blossom, but her eyes
Of tender beauty see blue, gracious skies;
She loves the mosses, and her feet have been
In woodlands where the leaves are always green;
Her days pass on with sea-songs, and her nights
Shine, full of stars, on lands of frosty lights.
July
High travelling winds, filled with the strong storm’s soul,
Are here, with dark, strange sayings from the Pole;
Now is the time when every great cave rings
With sharp, clear echoes caught from mountain springs;
This is the season when all torrents run
Beneath no bright, glad beauty of the sun.
Here, where the trace of last year’s green is lost,
Are haughty gales, and lordships of the frost.
Far down, by fields forlorn and forelands bleak,
Are wings that fly not, birds that never speak;
But in the deep hearts of the glens, unseen,
Stand grave, mute forests of eternal green;
And here the lady, born in wind and rain,
Comes oft to moan and clap her palms with pain.
This is our wild-faced July, in whose breast
Is never faultless light or perfect rest.
August
Across the range, by every scarred black fell,
Strong Winter blows his horn of wild farewell;
And in the glens, where yet there moves no wing,
A slow, sweet voice is singing of the Spring.
Yea, where the bright, quick woodland torrents run,
A music trembles under rain and sun.
The lips that breathe it are the lips of her
At whose dear touch the wan world’s pulses stir—
The nymph who sets the bow of promise high
And fills with warm life-light the bleak grey sky.
She is the fair-haired August. Ere she leaves
She brings the woodbine blossom round the eaves;
And where the bitter barbs of frost have been
She makes a beauty with her gold and green;
And, while a sea-song floats from bay and beach,
She sheds a mist of blossoms on the peach.
September
*
October
Where fountains sing and many waters meet,
October comes with blossom-trammelled feet.
She sheds green glory by the wayside rills
And clothes with grace the haughty-featured hills.
This is the queen of all the year. She brings
The pure chief beauty of our southern springs.
Fair lady of the yellow hair! Her breath
Starts flowers to life, and shames the storm to death;
Through tender nights and days of generous sun
By prospering woods her clear strong torrents run;
In far deep forests, where all life is mute,
Of leaf and bough she makes a touching lute.
Her life is lovely. Stream, and wind, and bird
Have seen her face—her marvellous voice have heard;
And, in strange tracts of wildwood, all day long,
They tell the story in surpassing song.
November
Now beats the first warm pulse of Summer—now
There shines great glory on the mountain’s brow.
The face of heaven in the western sky,
When falls the sun, is filled with Deity!
And while the first light floods the lake and lea,
The morning makes a marvel of the sea;
The strong leaves sing; and in the deep green zones
Of rock-bound glens the streams have many tones;
And where the evening-coloured waters pass,
Now glides November down fair falls of grass.
She is the wonder with the golden wings,
Who lays one hand in Summer’s—one in Spring’s;
About her hair a sunset radiance glows;
Her mouth is sister of the dewy rose;
And all the beauty of the pure blue skies
Has lent its lustre to her soft bright eyes.
December
The month whose face is holiness! She brings
With her the glory of majestic things.
What words of light, what high resplendent phrase
Have I for all the lustre of her days?
She comes, and carries in her shining sphere
August traditions of the world’s great year;
The noble tale which lifts the human race
Has made a morning of her sacred face.
Now in the emerald home of flower and wing
Clear summer streams their sweet hosannas sing;
The winds are full of anthems, and a lute
Speaks in the listening hills when night is mute
And through dim tracks where talks the royal tree
There floats a grand hymn from the mighty sea;
And where the grey, grave, pondering mountains stand
High music lives—the place is holy land!
poem by Henry Kendall
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Mountain Moss
IT LIES amongst the sleeping stones,
Far down the hidden mountain glade;
And past its brink the torrent moans
For ever in a dreamy shade.
A little patch of dark-green moss,
Whose softness grew of quiet ways
(With all its deep, delicious floss)
In slumb’rous suns of summer days.
You know the place? With pleasant tints
The broken sunset lights the bowers;
And then the woods are full with hints
Of distant, dear, voluptuous flowers!
’Tis often now the pilgrim turns
A faded face towards that seat,
And cools his brow amongst the ferns;
The runnel dabbling at his feet.
There fierce December seldom goes,
With scorching step and dust and drouth;
But, soft and low, October blows
Sweet odours from her dewy mouth.
And Autumn, like a gipsy bold,
Doth gather near it grapes and grain,
Ere Winter comes, the woodman old,
To lop the leaves in wind and rain.
O, greenest moss of mountain glen,
The face of Rose is known to thee;
But we shall never share with men
A knowledge dear to love and me!
For are they not between us saved,
The words my darling used to say,
What time the western waters laved
The forehead of the fainting day?
Cool comfort had we on your breast
While yet the fervid noon burned mute
O’er barley field and barren crest,
And leagues of gardens flushed with fruit.
Oh, sweet and low, we whispered so,
And sucked the pulp of plum and peach;
But it was many years ago,
When each, you know, was loved of each.
poem by Henry Kendall
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Names Upon a Stone: (Inscribed to G. L. Fagan, Esq.)
ACROSS bleak widths of broken sea
A fierce north-easter breaks,
And makes a thunder on the lea—
A whiteness of the lakes.
Here, while beyond the rainy stream
The wild winds sobbing blow,
I see the river of my dream
Four wasted years ago.
Narrara of the waterfalls,
The darling of the hills,
Whose home is under mountain walls
By many-luted rills!
Her bright green nooks and channels cool
I never more may see;
But, ah! the Past was beautiful—
The sights that used to be.
There was a rock-pool in a glen
Beyond Narrara’s sands;
The mountains shut it in from men
In flowerful fairy lands;
But once we found its dwelling-place—
The lovely and the lone—
And, in a dream, I stooped to trace
Our names upon a stone.
Above us, where the star-like moss
Shone on the wet, green wall
That spanned the straitened stream across,
We saw the waterfall—
A silver singer far away,
By folded hills and hoar;
Its voice is in the woods to-day—
A voice I hear no more.
I wonder if the leaves that screen
The rock-pool of the past
Are yet as soft and cool and green
As when we saw them last!
I wonder if that tender thing,
The moss, has overgrown
The letters by the limpid spring—
Our names upon the stone!
Across the face of scenes we know
There may have come a change—
The places seen four years ago
Perhaps would now look strange.
To you, indeed, they cannot be
What haply once they were:
A friend beloved by you and me
No more will greet us there.
Because I know the filial grief
That shrinks beneath the touch—
The noble love whose words are brief—
I will not say too much;
But often when the night-winds strike
Across the sighing rills,
I think of him whose life was like
The rock-pool’s in the hills.
A beauty like the light of song
Is in my dreams, that show
The grand old man who lived so long
As spotless as the snow.
A fitting garland for the dead
I cannot compass yet;
But many things he did and said
I never will forget.
In dells where once we used to rove
The slow, sad water grieves;
And ever comes from glimmering grove
The liturgy of leaves.
But time and toil have marked my face,
My heart has older grown
Since, in the woods, I stooped to trace
Our names upon the stone.
poem by Henry Kendall
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~Araluen~
River, myrtle rimmed, and set
Deep amongst unfooted dells—
Daughter of grey hills of wet,
Born by mossed and yellow wells;
Now that soft September lays
Tender hands on thee and thine,
Let me think of blue-eyed days,
Star-like flowers and leaves of shine!
Cities soil the life with rust;
Water banks are cool and sweet;
River, tired of noise and dust,
Here I come to rest my feet.
Now the month from shade to sun
Fleets and sings supremest songs,
Now the wilful wood-winds run
Through the tangled cedar throngs.
Here are cushioned tufts and turns
Where the sumptuous noontide lies:
Here are seen by flags and ferns
Summer’s large, luxurious eyes.
On this spot wan Winter casts
Eyes of ruth, and spares its green
From his bitter sea-nursed blasts,
Spears of rain and hailstones keen.
Rather here abideth Spring,
Lady of a lovely land,
Dear to leaf and fluttering wing,
Deep in blooms—by breezes fanned.
Faithful friend beyond the main,
Friend that time nor change makes cold;
Now, like ghosts, return again
Pallid, perished days of old.
Ah, the days!—the old, old theme,
Never stale, but never new,
Floating like a pleasant dream,
Back to me and back to you.
Since we rested on these slopes
Seasons fierce have beaten down
Ardent loves and blossoming hopes—
Loves that lift and hopes that crown.
But, believe me, still mine eyes
Often fill with light that springs
From divinity, which lies
Ever at the heart of things.
Solace do I sometimes find
Where you used to hear with me
Songs of stream and forest wind,
Tones of wave and harp-like tree.
Araluen—home of dreams,
Fairer for its flowerful glade
Than the face of Persian streams
Or the slopes of Syrian shade;
Why should I still love it so,
Friend and brother far away?
Ask the winds that come and go,
What hath brought me here to-day.
Evermore of you I think,
When the leaves begin to fall,
Where our river breaks its brink,
And a rest is over all.
Evermore in quiet lands,
Friend of mine beyond the sea,
Memory comes with cunning hands,
Stays, and paints your face for me.
poem by Henry Kendall
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The Sundew
A LITTLE marsh-plant, yellow green,
And pricked at lip with tender red.
Tread close, and either way you tread
Some faint black water jets between
Lest you should bruise the curious head.
A live thing maybe; who shall know?
The summer knows and suffers it;
For the cool moss is thick and sweet
Each side, and saves the blossom so
That it lives out the long June heat.
The deep scent of the heather burns
About it; breathless though it be,
Bow down and worship; more than we
Is the least flower whose life returns,
Least weed renascent in the sea.
We are vexed and cumbered in earth’s sight
With wants, with many memories;
These see their mother what she is,
Glad-growing, till August leave more bright
The apple-coloured cranberries.
Wind blows and bleaches the strong grass,
Blown all one way to shelter it
From trample of strayed kine, with feet
Felt heavier than the moorhen was,
Strayed up past patches of wild wheat.
You call it sundew: how it grows,
If with its colour it have breath,
If life taste sweet to it, if death
Pain its soft petal, no man knows:
Man has no sight or sense that saith.
My sundew, grown of gentle days,
In these green miles the spring begun
Thy growth ere April had half done
With the soft secret of her ways
Or June made ready for the sun.
O red-lipped mouth of marsh-flower,
I have a secret halved with thee.
The name that is love’s name to me
Thou knowest, and the face of her
Who is my festival to see.
The hard sun, as thy petals knew,
Coloured the heavy moss-water:
Thou wert not worth green midsummer
Nor fit to live to August blue,
O sundew, not remembering her.
poem by Algernon Charles Swinburne
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After Many Years
The song that once I dreamed about,
The tender, touching thing,
As radiant as the rose without,
The love of wind and wing:
The perfect verses, to the tune
Of woodland music set,
As beautiful as afternoon,
Remain unwritten yet.
It is too late to write them now --
The ancient fire is cold;
No ardent lights illume the brow,
As in the days of old.
I cannot dream the dream again;
But, when the happy birds
Are singing in the sunny rain,
I think I hear its words.
I think I hear the echo still
Of long-forgotten tones,
When evening winds are on the hill
And sunset fires the cones;
But only in the hours supreme,
With songs of land and sea,
The lyrics of the leaf and stream,
This echo comes to me.
No longer doth the earth reveal
Her gracious green and gold;
I sit where youth was once, and feel
That I am growing old.
The lustre from the face of things
Is wearing all away;
Like one who halts with tired wings,
I rest and muse to-day.
There is a river in the range
I love to think about;
Perhaps the searching feet of change
Have never found it out.
Ah! oftentimes I used to look
Upon its banks, and long
To steal the beauty of that brook
And put it in a song.
I wonder if the slopes of moss,
In dreams so dear to me --
The falls of flower, and flower-like floss --
Are as they used to be!
I wonder if the waterfalls,
The singers far and fair,
That gleamed between the wet, green walls,
Are still the marvels there!
Ah! let me hope that in that place
Those old familiar things
To which I turn a wistful face
Have never taken wings.
Let me retain the fancy still
That, past the lordly range,
There always shines, in folds of hill,
One spot secure from change!
I trust that yet the tender screen
That shades a certain nook
Remains, with all its gold and green,
The glory of the brook.
It hides a secret to the birds
And waters only known:
The letters of two lovely words --
A poem on a stone.
Perhaps the lady of the past
Upon these lines may light,
The purest verses, and the last,
That I may ever write:
She need not fear a word of blame:
Her tale the flowers keep --
The wind that heard me breathe her name
Has been for years asleep.
But in the night, and when the rain
The troubled torrent fills,
I often think I see again
The river in the hills;
And when the day is very near,
And birds are on the wing,
My spirit fancies it can hear
The song I cannot sing.
poem by Henry Kendall
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Illa Creek
A strong sea-wind flies up and sings
Across the blown-wet border,
Whose stormy echo runs and rings
Like bells in wild disorder.
Fierce breath hath vexed the foreland's face,
It glistens, glooms, and glistens;
But deep within this quiet place
Sweet Illa lies and listens.
Sweet Illa of the shining sands,
She sleeps in shady hollows,
Where August flits with flowerful hands,
And silver Summer follows.
Far up the naked hills is heard
A noise of many waters,
But green-haired Illa lies unstirred
Amongst her star-like daughters.
The tempest, pent in moaning ways,
Awakes the shepherd yonder,
But Illa dreams unknown to days
Whose wings are wind and thunder.
Here fairy hands and floral feet
Are brought by bright October;
Here, stained with grapes and smit with heat,
Comes Autumn, sweet and sober.
Here lovers rest, what time the red
And yellow colours mingle,
And daylight droops with dying head
Beyond the western dingle.
And here, from month to month, the time
Is kissed by peace and pleasure,
While Nature sings her woodland rhyme
And hoards her woodland treasure.
Ah, Illa Creek! ere evening spreads
Her wings o'er towns unshaded,
How oft we seek thy mossy beds
To lave our foreheads faded!
For, let me whisper, then we find
The strength that lives, nor falters,
In wood and water, waste and wind,
And hidden mountain altars.
poem by Henry Kendall
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Orara
THE STRONG sob of the chafing stream
That seaward fights its way
Down crags of glitter, dells of gleam,
Is in the hills to-day.
But far and faint, a grey-winged form
Hangs where the wild lights wane—
The phantom of a bygone storm,
A ghost of wind and rain.
The soft white feet of afternoon
Are on the shining meads,
The breeze is as a pleasant tune
Amongst the happy reeds.
The fierce, disastrous, flying fire,
That made the great caves ring,
And scarred the slope, and broke the spire,
Is a forgotten thing.
The air is full of mellow sounds,
The wet hill-heads are bright,
And down the fall of fragrant grounds
The deep ways flame with light.
A rose-red space of stream I see,
Past banks of tender fern;
A radiant brook, unknown to me
Beyond its upper turn:
The singing silver life I hear,
Whose home is in the green,
Far-folded woods of fountains clear,
Where I have never been.
Ah, brook above the upper bend,
I often long to stand
Where you in soft, cool shades descend
From the untrodden land!
Ah, folded woods, that hide the grace
Of moss and torrents strong,
I often wish to know the face
Of that which sings your song!
But I may linger, long, and look
Till night is over all:
My eyes will never see the brook,
Or sweet, strange waterfall.
The world is round me with its heat,
And toil, and cares that tire;
I cannot with my feeble feet
Climb after my desire.
But, on the lap of lands unseen,
Within a secret zone,
There shine diviner gold and green
Than man has ever known.
And where the silver waters sing
Down hushed and holy dells,
The flower of a celestial Spring,
A tenfold splendour, dwells.
Yea, in my dream of fall and brook
By far sweet forests furled,
I see that light for which I look
In vain through all the world—
The glory of a larger sky
On slopes of hills sublime,
That speak with God and morning, high
Above the ways of Time!
Ah! haply, in this sphere of change
Where shadows spoil the beam,
It would not do to climb that range
And test my radiant Dream.
The slightest glimpse of yonder place,
Untrodden and alone,
Might wholly kill that nameless grace
The charm of the unknown.
And therefore, though I look and long,
Perhaps the lot is bright
Which keeps the river of the song
A beauty out of sight
poem by Henry Kendall
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In Memoriam~ -- Alice Fane Gunn Stenhouse
The grand, authentic songs that roll
Across grey widths of wild-faced sea,
The lordly anthems of the Pole,
Are loud upon the lea.
Yea, deep and full the South Wind sings
The mighty symphonies that make
A thunder at the mountain springs -
A whiteness on the lake.
And where the hermit hornet hums,
When Summer fires his wings with gold,
The hollow voice of August comes,
Across the rain and cold.
Now on the misty mountain tops,
Where gleams the crag and glares the fell,
Wild Winter, like one hunted, stops
And shouts a fierce farewell.
Keen fitful gusts shoot past the shore
And hiss by moor and moody mere -
The heralds bleak that come before
The turning of the year.
A sobbing spirit wanders where
By fits and starts the wild-fire shines;
Like one who walks in deep despair,
With Death amongst the pines.
And ah! the fine, majestic grief
Which fills the heart of forests lone,
And makes a lute of limb and leaf
Is human in its tone.
Too human for the thought to slip -
How every song that sorrow sings
Betrays the broad relationship
Of all created things.
Man's mournful speech, the wail of tree,
The words the winds and waters say,
Make up that general elegy,
Whose burden is decay.
To-night my soul looks back and sees,
Across wind-broken wastes of wave,
A widow on her bended knees
Beside a new-made grave.
A sufferer with a touching face
By love and grief made beautiful;
Whose rapt religion lights the place
Where death holds awful rule.
The fair, tired soul whose twofold grief
For child and father lends a tone
Of pathos to the pallid leaf
That sighs above the stone.
The large beloved heart whereon
She used to lean, lies still and cold,
Where, like a seraph, shines the sun
On flowerful green and gold.
I knew him well - the grand, the sweet,
Pure nature past all human praise;
The dear Gamaliel at whose feet
I sat in other days.
He, glorified by god-like lore,
First showed my soul Life's highest aim;
When, like one winged, I breathed - before
The years of sin and shame.
God called him Home. And, in the calm
Beyond our best possessions priced,
He passed, as floats a faultless psalm,
To his fair Father, Christ.
But left as solace for the hours
Of sorrow and the loss thereof;
A sister of the birds and flowers,
The daughter of his love.
She, like a stray sweet seraph, shed
A healing spirit, that flamed and flowed
As if about her bright young head
A crown of saintship glowed.
Suppressing, with sublime self-slight,
The awful face of that distress
Which fell upon her youth like blight,
She shone like happiness.
And, in the home so sanctified
By death in its most noble guise,
She kissed the lips of love, and dried
The tears in sorrow's eyes.
And helped the widowed heart to lean,
So broken up with human cares,
On one who must be felt and seen
By such pure souls as hers.
Moreover, having lived, and learned
The taste of Life's most bitter spring,
For all the sick this sister yearned -
The poor and suffering.
But though she had for every one
The phrase of comfort and the smile,
This shining daughter of the sun
Was dying all the while.
Yet self-withdrawn - held out of reach
Was grief; except when music blent
Its deep, divine, prophetic speech
With voice and instrument.
Then sometimes would escape a cry
From that dark other life of hers -
The half of her humanity -
And sob through sound and verse.
At last there came the holy touch,
With psalms from higher homes and hours;
And she who loved the flowers so much
Now sleeps amongst the flowers.
By hearse-like yews and grey-haired moss,
Where wails the wind in starts and fits,
Twice bowed and broken down with loss,
The wife, the mother sits.
God help her soul! She cannot see,
For very trouble, anything
Beyond this wild Gethsemane
Of swift, black suffering;
Except it be that faltering faith
Which leads the lips of life to say:
'There must be something past this death -
Lord, teach me how to pray!'
Ah, teach her, Lord! And shed through grief
The clear full light, the undefiled,
The blessing of the bright belief
Which sanctified her child.
Let me, a son of sin and doubt,
Whose feet are set in ways amiss -
Who cannot read Thy riddle out,
Just plead, and ask Thee this;
Give her the eyes to see the things -
The Life and Love I cannot see;
And lift her with the helping wings
Thou hast denied to me.
Yea, shining from the highest blue
On those that sing by Beulah's streams,
Shake on her thirsty soul the dew
Which brings immortal dreams.
So that her heart may find the great,
Pure faith for which it looks so long;
And learn the noble way to wait,
To suffer, and be strong.
poem by Henry Kendall
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Charles Harpur
Where Harpur lies, the rainy streams,
And wet hill-heads, and hollows weeping,
Are swift with wind, and white with gleams,
And hoarse with sounds of storms unsleeping.
Fit grave it is for one whose song
Was tuned by tones he caught from torrents,
And filled with mountain breaths, and strong,
Wild notes of falling forest currents.
So let him sleep, the rugged hymns
And broken lights of woods above him!
And let me sing how sorrow dims
The eyes of those that used to love him.
As April in the wilted wold
Turns faded eyes on splendours waning,
What time the latter leaves are old,
And ruin strikes the strays remaining;
So we that knew this singer dead,
Whose hands attuned the harp Australian,
May set the face and bow the head,
And mourn his fate and fortunes alien.
The burden of a perished faith
Went sighing through his speech of sweetness,
With human hints of time and death,
And subtle notes of incompleteness.
But when the fiery power of youth
Had passed away and left him nameless,
Serene as light, and strong as truth,
He lived his life, untired and tameless.
And, far and free, this man of men,
With wintry hair and wasted feature,
Had fellowship with gorge and glen,
And learned the loves and runes of Nature.
Strange words of wind, and rhymes of rain,
And whispers from the inland fountains
Are mingled, in his various strain,
With leafy breaths of piny mountains.
But as the undercurrents sigh
Beneath the surface of a river,
The music of humanity
Dwells in his forest-psalms for ever.
No soul was he to sit on heights
And live with rocks apart and scornful:
Delights of men were his delights,
And common troubles made him mournful.
The flying forms of unknown powers
With lofty wonder caught and filled him;
But there were days of gracious hours
When sights and sounds familiar thrilled him.
The pathos worn by wayside things,
The passion found in simple faces,
Struck deeper than the life of springs
Or strength of storms and sea-swept places.
But now he sleeps, the tired bard,
The deepest sleep; and, lo! I proffer
These tender leaves of my regard,
With hands that falter as they offer.
poem by Henry Kendall
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Sutherland’s Grave
ALL NIGHT long the sea out yonder—all night long the wailful sea,
Vext of winds and many thunders, seeketh rest unceasingly!
Seeketh rest in dens of tempest, where, like one distraught with pain,
Shouts the wild-eyed sprite, Confusion—seeketh rest, and moans in vain:
Ah! but you should hear it calling, calling when the haggard sky
Takes the darks and damps of Winter with the mournful marsh-fowl’s cry;
Even while the strong, swift torrents from the rainy ridges come
Leaping down and breaking backwards—million-coloured shapes of foam!
Then, and then, the sea out yonder chiefly looketh for the boon
Portioned to the pleasant valleys and the grave sweet summer moon:
Boon of Peace, the still, the saintly spirit of the dew-dells deep—
Yellow dells and hollows haunted by the soft, dim dreams of sleep.
All night long the flying water breaks upon the stubborn rocks—
Ooze-filled forelands burnt and blackened, smit and scarred with lightning shocks;
But above the tender sea-thrift, but beyond the flowering fern,
Runs a little pathway westward—pathway quaint with turn on turn—
Westward trending, thus it leads to shelving shores and slopes of mist:
Sleeping shores, and glassy bays of green and gold and amethyst!
There tread gently—gently, pilgrim; there with thoughtful eyes look round;
Cross thy breast and bless the silence: lo, the place is holy ground!
Holy ground for ever, stranger! All the quiet silver lights
Dropping from the starry heavens through the soft Australian nights—
Dropping on those lone grave-grasses—come serene, unbroken, clear,
Like the love of God the Father, falling, falling, year by year!
Yea, and like a Voice supernal, there the daily wind doth blow
In the leaves above the sailor buried ninety years ago.
poem by Henry Kendall
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Mooni
AH, to be by Mooni now!
Where the great dark hills of wonder,
Scarred with storm and cleft asunder
By the strong sword of the thunder,
Make a night on morning’s brow!
Just to stand where Nature’s face is
Flushed with power in forest places—
Where of God authentic trace is—
Ah, to be by Mooni now!
Just to be by Mooni’s springs!
There to stand, the shining sharer
Of that larger life, and rarer
Beauty caught from beauty fairer
Than the human face of things!
Soul of mine from sin abhorrent
Fain would hide by flashing current
Like a sister of the torrent,
Far away by Mooni’s springs.
He that is by Mooni now,
Sees the water-sapphires gleaming
Where the River Spirit, dreaming
Sleeps by fall and fountain streaming
Under lute of leaf and bough!
Hears, where stamp of storm with stress is,
Psalms from unseen wildernesses
Deep amongst far hill-recesses—
He that is by Mooni now.
Yea, for him by Mooni’s marge
Sings the yellow-haired September
With the face the gods remember
When the ridge is burnt to ember,
And the dumb sea chains the barge!
Where the mount like molten brass is,
Down beneath fern-feathered passes,
Noonday dew in cool green grasses
Gleams on him by Mooni’s marge.
Who that dwells by Mooni yet,
Feels, in flowerful forest arches,
Smiting wings and breath that parches
Where strong Summer’s path of march is
And the suns in thunder set?
Housed beneath the gracious kirtle
Of the shadowy water myrtle,
Winds may hiss with heat, and hurtle—
He is safe by Mooni yet!
Days there were when he who sings
(Dumb so long through passion’s losses)
Stood where Mooni’s water crosses
Shining tracts of green-haired mosses,
Like a soul with radiant wings;
Then the psalm the wind rehearses—
Then the song the stream disperses
Lent a beauty to his verses—
Who to-night of Mooni sings.
Ah, the theme—the sad, grey theme!
Certain days are not above me,
Certain hearts have ceased to love me,
Certain fancies fail to move me
Like the affluent morning dream.
Head whereon the white is stealing,
Heart whose hurts are past all healing,
Where is now the first pure feeling?
Ah, the theme—the sad, grey theme!
Sin and shame have left their trace!
He who mocks the mighty, gracious
Love of Christ, with eyes audacious,
Hunting after fires fallacious,
Wears the issue in his face.
Soul that flouted gift and Giver,
Like the broken Persian river,
Thou hast lost thy strength for ever!
Sin and shame have left their trace.
In the years that used to be,
When the large, supreme occasion
Brought the life of inspiration,
Like a god’s transfiguration
Was the shining change in me.
Then, where Mooni’s glory glances,
Clear diviner countenances
Beamed on me like blessed chances,
In the years that used to be.
Ah, the beauty of old ways!
Then the man who so resembled
Lords of light unstained, unhumbled,
Touched the skirts of Christ, nor trembled
At the grand benignant gaze!
Now he shrinks before the splendid
Face of Deity offended,
All the loveliness is ended!
All the beauty of old ways!
Still to be by Mooni cool—
Where the water-blossoms glister,
And, by gleaming vale and vista,
Sits the English April’s sister
Soft, and sweet, and wonderful.
Just to rest beyond the burning
Outer world—its sneers and spurning—
Ah! my heart—my heart is yearning
Still to be by Mooni cool:
Now, by Mooni’s fair hill heads,
Lo, the gold green lights are glowing,
Where, because no wind is blowing,
Fancy hears the flowers growing
In the herby watersheds!
Faint it is—the sound of thunder
From the torrents far thereunder,
Where the meeting mountains ponder—
Now, by Mooni’s fair hill heads:
Just to be where Mooni is,
Even where the fierce fall races
Down august unfathomed places,
Where of sun or moon no trace is,
And the streams of shadow hiss!
Have I not an ample reason
So to long for—sick of treason—
Something of the grand old season,
Just to be where Mooni is?
poem by Henry Kendall
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Missing
In the cool, sweet hush of a wooded nook,
Where the May buds sprinkle the green old mound,
And the winds and the birds and the limpid brook,
Murmur their dreams with a drowsy sound;
Who lies so still in the plushy moss,
With his pale cheek pressed on a breezy pillow,
Couched where the light and the shadow cross.
Through the flickering fringe of the willow?
Who lies, alas!
So still, so chill, in the whispering grass?
A soldier clad in the Zouave dress,
A bright-haired man with his lips apart,
One hand thrown up o'er his frank, dead face,
And the other clutching his pulseless heart,
Lies here in the shadows, cool and dim,
His musket swept by a trailing bough,
With a careless grace in each quiet limb,
And a wound on his manly brow
A wound, alas!
Whence the warm blood drips on the quiet grass.
The violets peer from their dusky beds
With a tearful dew in their great pure eyes;
The lilies quiver their shining heads,
Their pale lips full of a sad surprise;
And the lizard darts through the glistening fern -
And the squirrel rustles the branches hoary;
Strange birds fly out, with a cry, to bathe
Their wings in the sunset glory;
While the shadows pass
O'er the quiet face and the dewy grass.
God pity the bride who waits at home.
With her lily cheeks and her violet eyes,
Dreaming the sweet old dreams of love,
While her lover is walking in Paradise;
God strengthen her heart as the days go by,
And the long, drear nights of her vigil follow,
Nor bird, nor moon, nor whispering wind,
May breathe the tale of the hollow;
Alas! Alas!
The secret is safe with the woodland grass.
poem by Anonymous Americas
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Wamberal
Just a shell, to which the seaweed glittering yet with greenness clings,
Like the song that once I loved so, softly of the old time sings -
Softly of the old time speaketh - bringing ever back to me
Sights of far-off lordly forelands - glimpses of the sounding sea!
Now the cliffs are all before me - now, indeed, do I behold
Shining growths on wild wet hillheads, quiet pools of green and gold.
And, across the gleaming beaches, lo! the mighty flow and fall
Of the great ingathering waters thundering under Wamberal!
Back there are the pondering mountains; there the dim, dumb ranges loom -
Ghostly shapes in dead grey vapour - half-seen peaks august with gloom.
There the voice of troubled torrents, hidden in unfathomed deeps,
Known to moss and faint green sunlight, wanders down the oozy steeps.
There the lake of many runnels nestles in a windless wild
Far amongst thick-folded forests, like a radiant human child.
And beyond surf-smitten uplands - high above the highest spur -
Lo! the clouds like tents of tempest on the crags of Kincumber!
Wamberal, the home of echoes! Hard against a streaming strand,
Sits the hill of blind black caverns, at the limits of the land.
Here the haughty water marches - here the flights of straitened sea
Make a noise like that of trumpets, breaking wide across the lea!
But behold, in yonder crescent that a ring of island locks
Are the gold and emerald cisterns shining moonlike in the rocks!
Clear, bright cisterns, zoned by mosses, where the faint wet blossoms dwell
With the leaf of many colours - down beside the starry shell.
Friend of mine beyond the mountains, here and here the perished days
Come like sad reproachful phantoms, in the deep grey evening haze -
Come like ghosts, and sit beside me when the noise of day is still,
And the rain is on the window, and the wind is on the hill.
Then they linger, but they speak not, while my memory roams and roams
Over scenes by death made sacred - other lands and other homes!
Places sanctified by sorrow - sweetened by the face of yore -
Face that you and I may look on (friend and brother) nevermore!
Seasons come with tender solace - time lacks neither light nor rest;
But the old thoughts were such ~dear~ ones, and the old days seem the best.
And to those who've loved and suffered, every pulse of wind or rain -
Every song with sadness in it, brings the peopled Past again.
Therefore, just this shell yet dripping, with this weed of green and grey,
Sets me thinking - sets me dreaming of the places far away;
Dreaming of the golden rockpools - of the foreland and the fall;
And the home behind the mountains looming over Wamberal.
poem by Henry Kendall
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Wild Flowers Of Australia
Oh say not that no perfume dwells;
The wilding flowers among,
Say not that in the forest dells
Is heard no voice of song.
The air is laden with the scent
Borne from the clustering flower,
With which the wattle is besprent;
Like Danae’s golden shower.
And silv’ry wattles bending low,
Sweet incense scatter far—
When night-winds kiss the pensile bough,
Beneath the evening star.
And there are flowers of varying dye;
Now white, now blushing red,
Their beauteous blossoms charm the eye,
And fragrant odours shed.
There’s perfume breath’d from Austral flowers,—
And melody is there
Not such as in far Albion’s bowers
Falls on th’ accustom’d ear.
But thrilling snatches of wild song,
Pour’d forth from lonely glen—
Where winds the hidden creek along
Far from the haunts of men.
And hoarser notes in wild woods heard
Sound like strange harmonies,
As flashes past the bright-winged bird
Gleaming in azure skies.
Then say not that no perfume dwells,
The wilding flowers among;
Say not that in the forest dells
Is heard no voice of song!
poem by Caroline Carleton
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The Call Of April
April calling, April calling,
April calling me!
I hear the voice of April there
In each old apple tree:
Bee-boom and wild perfume,
And wood-brook melody,
O hark, my heart, and hear, my heart,
The April Ecstasy!
Hark to the hills, the oldtime hills,
That talk with sea and sky!
Or speak in murmurs with God's winds
Who on their bosoms lie:
Bird-call and waterfall
And white clouds blowing by,
O hark, my heart, O hear, my heart,
The April's cosmic cry!
There runs a whisper through the woods,
The word of bough to bough,
A sound of dead things donning green,
Of Beauty waking now:
Fern-bower and wilding flower,
Each like a prayer or vow,
O see, my heart, O look, my heart,
Where Earth crowns white her brow!
And far away, and far away,
Yet nearer than she seems,
Look where she takes the oldtime trail
And walks again with dreams:
Bird note and blue remote
And laughter of wild streams,
O hark, my heart, O hear, my heart,
And follow where she gleams!
Earth has put off her winter garb
Of gray and drab and dun,
And robes herself in raiment green
Of love and laughter spun:
Wood-bloom and wood-perfume
And colors of the sun,
O hark, my heart, O hear, my heart,
Where her wild footsteps run!
O April, mother of my soul,
Take to your heart your child:
And let him lie a little while
Upon its rapture wild:
Lean close and near, and let him hear
The words that once beguiled,
And on his eyes the kiss again
Of longing reconciled.
O kiss, that fills the fields with flowers
And thrills with green each grove,
Dream down into this heart again
And grow to songs thereof:
Wild songs in singing throngs,
That swift shall mount above,
And, like to birds, with lyric words,
Take Earth and Heaven with love.
poem by Madison Julius Cawein
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April
April, pride of woodland ways,
Of glad days,
April, bringing hope of prime,
To the young flowers that beneath
Their bud sheath
Are guarded in their tender time;
April, pride of fields that be
Green and free,
That in fashion glad and gay,
Stud with flowers red and blue,
Every hue,
Their jewelled spring array;
April, pride of murmuring
Winds of spring,
That beneath the winnowed air,
Trap with subtle nets and sweet
Flora’s feet,
Flora’s feet, the fleet and fair;
April, by thy hand caressed,
From her breast
Nature scatters everywhere
Handfuls of all sweet perfumes,
Buds and blooms,
Making faint the earth and air.
April, joy of the green hours,
Clothes with flowers
Over all her locks of gold
My sweet Lady; and her breast
With the blest
Birds of summer manifold.
April, with thy gracious wiles,
Like the smiles,
Smiles of Venus; and thy breath
Like her breath, the Gods’ delight,
(From their height
They take the happy air beneath)
It is thou that, of thy grace,
From their place
In the far-oft isles dost bring
Swallows over earth and sea,
Glad to be
Messengers of thee, and Spring.
Daffodil and eglantine,
And woodbine,
Lily, violet, and rose
Plentiful in April fair,
To the air,
Their pretty petals do unclose.
Nightingales ye now may hear,
Piercing clear,
Singing in the deepest shade;
Many and many a babbled note
Chime and float,
Woodland music through the glade.
April, all to welcome thee,
Spring sets free
Ancient flames, and with low breath
Wakes the ashes grey and old
That the cold
Chilled within our hearts to death.
Thou beholdest in the warm
Hours, the swarm
Of the thievish bees, that flies
Evermore from bloom to bloom
For perfume,
Hid away in tiny thighs.
Her cool shadows May can boast,
Fruits almost
Ripe, and gifts of fertile dew,
Manna-sweet and honey-sweet,
That complete
Her flower garland fresh and new.
Nay, but I will give my praise,
To these days,
Named with the glad name of Her
That from out the foam o’ the sea
Came to be
Sudden light on earth and air.
poem by Remy Belleau
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Dream-Love
Young Love lies sleeping
In May-time of the year,
Among the lilies,
Lapped in the tender light:
White lambs come grazing,
White doves come building there:
And round about him
The May-bushes are white.
Soft moss the pillow
For oh, a softer cheek;
Broad leaves cast shadow
Upon the heavy eyes:
There winds and waters
Grow lulled and scarcely speak;
There twilight lingers
The longest in the skies.
Young Love lies dreaming;
But who shall tell the dream?
A perfect sunlight
On rustling forest tips;
Or perfect moonlight
Upon a rippling stream;
Or perfect silence,
Or song of cherished lips.
Burn odours round him
To fill the drowsy air;
Weave silent dances
Around him to and fro;
For oh, in waking
The sights are not so fair,
And song and silence
Are not like these below.
Young Love lies dreaming
Till summer days are gone,—
Dreaming and drowsing
Away to perfect sleep:
He sees the beauty
Sun hath not looked upon,
And tastes the fountain
Unutterably deep.
Him perfect music
Doth hush unto his rest,
And through the pauses
The perfect silence calms:
Oh, poor the voices
Of earth from east to west,
And poor earth's stillness
Between her stately palms.
Young Love lies drowsing
Away to poppied death;
Cool shadows deepen
Across the sleeping face:
So fails the summer
With warm, delicious breath;
And what hath autumn
To give us in its place?
Draw close the curtains
Of branched evergreen;
Change cannot touch them
With fading fingers sere:
Here the first violets
Perhaps will bud unseen,
And a dove, may be,
Return to nestle here.
poem by Christina Georgina Rossetti
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Madona Mia
UNDER green apple-boughs
That never a storm will rouse,
My lady hath her house
Between two bowers;
In either of the twain
Red roses full of rain;
She hath for bondwomen
All kind of flowers.
She hath no handmaid fair
To draw her curled gold hair
Through rings of gold that bear
Her whole hair’s weight;
She hath no maids to stand
Gold-clothed on either hand;
In all the great green land
None is so great.
She hath no more to wear
But one white hood of vair
Drawn over eyes and hair,
Wrought with strange gold,
Made for some great queen’s head,
Some fair great queen since dead;
And one strait gown of red
Against the cold.
Beneath her eyelids deep
Love lying seems asleep,
Love, swift to wake, to weep,
To laugh, to gaze;
Her breasts are like white birds,
And all her gracious words
As water-grass to herds
In the June-days.
To her all dews that fall
And rains are musical;
Her flowers are fed from all,
Her joy from these;
In the deep-feathered firs
Their gift of joy is hers,
In the least breath that stirs
Across the trees.
She grows with greenest leaves,
Ripens with reddest sheaves,
Forgets, remembers, grieves,
And is not sad;
The quiet lands and skies
Leave light upon her eyes;
None knows her, weak or wise,
Or tired or glad.
None knows, none understands,
What flowers are like her hands;
Though you should search all lands
Wherein time grows,
What snows are like her feet,
Though his eyes burn with heat
Through gazing on my sweet,
Yet no man knows.
Only this thing is said;
That white and gold and red,
God’s three chief words, man’s bread
And oil and wine,
Were given her for dowers,
And kingdom of all hours,
And grace of goodly flowers
And various vine.
This is my lady’s praise:
God after many days
Wrought her in unknown ways,
In sunset lands;
This was my lady’s birth;
God gave her might and mirth
And laid his whole sweet earth
Between her hands.
Under deep apple-boughs
My lady hath her house;
She wears upon her brows
The flower thereof;
All saying but what God saith
To her is as vain breath;
She is more strong than death,
Being strong as love.
poem by Algernon Charles Swinburne
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