Ghost Glen
'Shut your ears, stranger, or turn from Ghost Glen now,
For the paths are grown over, untrodden by men now;
Shut your ears, stranger,' saith the grey mother, crooning
Her sorcery runic, when sets the half-moon in.
To-night the north-easter goes travelling slowly,
But it never stoops down to that hollow unholy;
To-night it rolls loud on the ridges red-litten,
But it cannot abide in that forest, sin-smitten.
For over the pitfall the moon-dew is thawing,
And, with never a body, two shadows stand sawing -
The wraiths of two sawyers (~step under and under~),
Who did a foul murder and were blackened with thunder!
Whenever the storm-wind comes driven and driving,
Through the blood-spattered timber you may see the saw striving -
You may see the saw heaving, and falling, and heaving,
Whenever the sea-creek is chafing and grieving!
And across a burnt body, as black as an adder,
Sits the sprite of a sheep-dog (was ever sight sadder?)
For, as the dry thunder splits louder and faster,
This sprite of a sheep-dog howls for his master.
'Oh, count your beads deftly,' saith the grey mother, crooning
Her sorcery runic, when sets the half-moon in.
And well may she mutter, for the dark, hollow laughter
You will hear in the sawpits and the bloody logs after.
Ay, count your beads deftly, and keep your ways wary,
For the sake of the Saviour and sweet Mother Mary.
Pray for your peace in these perilous places,
And pray for the laying of horrible faces.
One starts, with a forehead wrinkled and livid,
Aghast at the lightnings sudden and vivid;
One telleth, with curses, the gold that they drew there
(Ah! cross your breast humbly) from him whom they slew there:
The stranger, who came from the loved, the romantic
Island that sleeps on the moaning Atlantic,
Leaving behind him a patient home, yearning
For the steps in the distance - never returning;
Who was left in the forest, shrunken and starkly,
Burnt by his slayers (so men have said, darkly),
With the half-crazy sheep-dog, who cowered beside there,
And yelled at the silence, and marvelled, and died there.
Yea, cross your breast humbly and hold your breath tightly,
Or fly for your life from those shadows unsightly,
From the set staring features (cold, and so young, too),
And the death on the lips that a mother hath clung to.
I tell you - that bushman is braver than most men
Who even in daylight doth go through the Ghost Glen,
Although in that hollow, unholy and lonely,
He sees the dank sawpits and bloody logs only.
poem by Henry Kendall
Submitted by Poetry Lover
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Related quotes
Cooranbean
Years fifty, and seven to boot, have smitten the children of men
Since sound of a voice or a foot came out of the head of that glen.
The brand of black devil is there—an evil wind moaneth around—
There is doom, there is death in the air: a curse groweth up from the ground!
No noise of the axe or the saw in that hollow unholy is heard,
No fall of the hoof or the paw, no whirr of the wing of the bird;
But a grey mother down by the sea, as wan as the foam on the strait,
Has counted the beads on her knee these forty-nine winters and eight.
Whenever an elder is asked—a white-headed man of the woods—
Of the terrible mystery masked where the dark everlastingly broods,
Be sure he will turn to the bay, with his back to the glen in the range,
And glide like a phantom away, with a countenance pallid with change.
From the line of dead timber that lies supine at the foot of the glade,
The fierce-featured eaglehawk flies—afraid as a dove is afraid;
But back in that wilderness dread are a fall and the forks of a ford—
Ah! pray and uncover your head, and lean like a child on the Lord.
A sinister fog at the wane—at the change of the moon cometh forth
Like an ominous ghost in the train of a bitter, black storm of the north!
At the head of the gully unknown it hangs like a spirit of bale.
And the noise of a shriek and a groan strikes up in the gusts of the gale.
In the throat of a feculent pit is the beard of a bloody-red sedge;
And a foam like the foam of a fit sweats out of the lips of the ledge.
But down in the water of death, in the livid, dead pool at the base—
Bow low, with inaudible breath, beseech with the hands to the face!
A furlong of fetid, black fen, with gelid, green patches of pond,
Lies dumb by the horns of the glen—at the gates of the horror beyond;
And those who have looked on it tell of the terrible growths that are there—
The flowerage fostered by hell, the blossoms that startle and scare.
If ever a wandering bird should light on Gehennas like this
Be sure that a cry will be heard, and the sound of the flat adder’s hiss.
But hard by the jaws of the bend is a ghastly Thing matted with moss—
Ah, Lord! be a father, a friend, for the sake of the Christ of the Cross.
Black Tom, with the sinews of five—that never a hangman could hang—
In the days of the shackle and gyve, broke loose from the guards of the gang.
Thereafter, for seasons a score, this devil prowled under the ban;
A mate of red talon and paw, a wolf in the shape of a man.
But, ringed by ineffable fire, in a thunder and wind of the north,
The sword of Omnipotent ire—the bolt of high Heaven went forth!
But, wan as the sorrowful foam, a grey mother waits by the sea
For the boys that have never come home these fifty-four winters and three.
From the folds of the forested hills there are ravelled and roundabout tracks,
Because of the terror that fills the strong-handed men of the axe!
Of the workers away in the range there is none that will wait for the night,
When the storm-stricken moon is in change and the sinister fog is in sight.
And later and deep in the dark, when the bitter wind whistles about,
There is never a howl or a bark from the dog in the kennel without,
But the white fathers fasten the door, and often and often they start,
At a sound like a foot on the floor and a touch like a hand on the heart.
poem by Henry Kendall
Submitted by Poetry Lover
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Mid the Piteous Heaps of Dead
'MID the piteous heaps of dead
Goes one weary golden head
Tossing ever to and fro,
Calling loud and calling low.
Mother, mother, step so light,
Mother, lay your fingers white
On my forehead like a dew !
Mother, mother, where are you?
Still so loud he makes his cry
That the dying cannot die;
All the writhing field's one groan
While he lies and cries alone.
But his mother's far away;
Cannot hear him cry and say:
Mother, I am dying, come!
Mother, I am lost from home!
Mary, Mother of all men,
Come and comfort him in pain.
Take his young head to the breast
Where your Child and God had rest.
Mary, Mary, step so light.
Mary, lay your fingers white
On his forehead! He shall dream
That his mother comforts him.
Mary, Mother, croon him o'er
Lullabies you sang before!
Mary, ease him, crooning low,
In the way that mothers know!
poem by Katharine Tynan
Submitted by Poetry Lover
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Some think the night
Some think the night's a transparent stranger,
Some think the night's an opaque friend;
And though some nights are fraught with danger,
Day to night, it's shadows lend.
Night gives day cold stars invisible,
Night gives day a moon half lit;
If night and day could trade their faces,
Each the others grey, befit.
poem by Patti Masterman
Submitted by Poetry Lover
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The Feud
I hear a cry from the Sansard cave,
O mother, will no one hearken?
A cry of the lost, will no one save?
A cry of the dead, though the oceans rave,
And the scream of a gull as he wheels o'er a grave,
While the shadows darken and darken.'
'Oh, hush thee, child, for the night is wet,
And the cloud-caves split asunder,
With lightning in a jagged fret,
Like the gleam of a salmon in the net,
When the rocks are rich in the red sunset,
And the stream rolls down in thunder.'
'Mother, O mother, a pain at my heart,
A pang like the pang of dying.'
'Oh, hush thee, child, for the wild birds dart
Up and down, and close and part,
Wheeling round where the black cliffs start,
And the foam at their feet is flying.'
'O mother, a strife like the black clouds'
And a peace that cometh after.'
'Hush, child, for peace is the end of life,
And the heart of a maiden finds peace as a wife,
But the sky and the cliffs and the ocean are rife
With the storm and thunder's laughter.'
'Come in, my sons, come in and rest,
For the shadows darken and darken,
And your sister is pale as the white swan's breast,
And her eyes are fixed and her lips are pressed
In the death of a name ye might have guessed,
Had ye twain been here to hearken.'
'Hush, mother, a corpse lies on the sand,
And the spray is round it driven,
It lies on its face, and one white hand
Points through the mist on the belt of strand
To where the cliffs of Sansard stand,
And the ocean's strength is riven.'
'Was it God, my sons, who laid him there?
Or the sea that left him sleeping?'
'Nay, mother, our dirks where his heart was bare,
As swift as the rain through the teeth of the air;
And the foam-fingers play in the Saxon's hair,
While the tides are round him creeping.'
'Oh, curses on you, hand and head,
Like the rains in this wild weather
The guilt of blood is swift and dread,
Your sister's face is cold and dead,
Ye may not part whom God would wed
And love hath knit together.'
poem by Frederick George Scott
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The Song of Arda: (From “Annatanam”.)
LOW as a lute, my love, beneath the call
Of storm, I hear a melancholy wind;
The memorably mournful wind of yore
Which is the very brother of the one
That wanders, like a hermit, by the mound
Of Death, in lone Annatanam. A song
Was shaped for this, what time we heard outside
The gentle falling of the faded leaf
In quiet noons: a song whose theme doth turn
On gaps of Ruin and the gay-green clifts
Beneath the summits haunted by the moon.
Yea, much it travels to the dens of dole;
And in the midst of this strange rhyme, my lords,
Our Desolation like a phantom sits
With wasted cheeks and eyes that cannot weep
And fastened lips crampt up in marvellous pain.
A song in whose voice is the voice of the foam
And the rhyme of the wintering wave,
And the tongue of the things that eternally roam
In forest, in fell or in cave;
But mostly ’tis like to the Wind without home
In the glen of a desolate grave—
Of a deep and desolate grave.
The torrent flies over the thunder-struck clift
With many and many a call;
The leaves are swept down, and a dolorous drift
Is hurried away with the fall.
But mostly ’tis like the Wind without home
In the glen of a desolate grave—
Of a deep and desolate grave.
Whoever goes thither by night or by day
Must mutter, O Father, to Thee,
For the shadows that startle, the sounds that waylay
Are heavy to hear and to see;
And a step and a moan and a whisper for aye
Have made it a sorrow to be—
A sorrow of sorrows to be.
Oh! cover your faces and shudder, and turn
And hide in the dark of your hair,
Nor look to the Glen in the Mountains, to learn
Of the mystery mouldering there;
But rather sit low in the ashes and urn
Dead hopes in your mighty despair—
In the depths of your mighty despair.
poem by Henry Kendall
Submitted by Poetry Lover
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Stranger
Maybe she was smilin in the mirror
Maybe I was too, cause I was stoned
Singin every sad song on the juke-box one more time
Honey, they were hittin close to home
And I said - maybe thisll make you think Im crazy
Honey, dont feel lonesome if you do
But if you wanna make a young man happy one more time
Id sure like to spend the night with you
Chorus:
And she said - stranger
Shut out the light and lead me
Somewhere - shut out the shadows, too
And while we lay there, makin believe you love me
Stranger, could I believe in you
Maybe you got all you got together
Maybe you keep rollin like a stone
Maybe some old lonesome songll take you by surprise
And leave you just a little more alone
Chorus:
Singing - stranger
Shut out the light and lead me
Somewhere - shut out the shadows, too
And while we lay there, makin believe you love me
Stranger, could I believe in you
Chorus:
Keep singing - stranger
Shut out the light and lead me
Somewhere - shut out the shadows, too
And while we lay there, makin believe you love me
Stranger, could I believe in you
song performed by by Kris Kristofferson
Submitted by Lucian Velea
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Admiral Death
Boys, are ye calling a toast to-night?
(Hear what the sea-wind saith)
Fill for a bumper strong and bright,
And here's to Admiral Death!
He's sailed in a hundred builds o' boat,
He's fought in a thousand kinds o' coat,
He's the senior flag of all that float,
And his name's Admiral Death!
Which of you looks for a service free?
(Hear what the sea-wind saith)
The rules o' the service are but three
When ye sail with Admiral Death.
Steady your hand in time o' squalls,
Stand to the last by him that falls,
And answer clear to the voice that calls,
'Ay, Ay! Admiral Death!'
How will ye know him among the rest?
(Hear what the sea-wind saith)
By the glint o' the stars that cover his breast
Ye may find Admiral Death.
By the forehead grim with an ancient scar,
By the voice that rolls like thunder far,
By the tenderest eyes of all that are,
Ye may know Admiral Death.
Where are the lads that sailed before?
(Hear what the sea-wind saith)
Their bones are white by many a shore,
They sleep with Admiral Death.
Oh! but they loved him, young and old,
For he left the laggard, and took the bold,
And the fight was fought, and the story's told,
And they sleep with Admiral Death.
poem by Sir Henry Newbolt
Submitted by Poetry Lover
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Sister Helen
"Why did you melt your waxen man
Sister Helen?
To-day is the third since you began."
"The time was long, yet the time ran,
Little brother."
(O Mother, Mary Mother,
Three days to-day, between Hell and Heaven!)
"But if you have done your work aright,
Sister Helen,
You'll let me play, for you said I might."
"Be very still in your play to-night,
Little brother."
(O Mother, Mary Mother,
Third night, to-night, between Hell and Heaven!)
"You said it must melt ere vesper-bell,
Sister Helen;
If now it be molten, all is well."
"Even so,--nay, peace! you cannot tell,
Little brother."
(O Mother, Mary Mother,
O what is this, between Hell and Heaven?)
"Oh the waxen knave was plump to-day,
Sister Helen;
How like dead folk he has dropp'd away!"
"Nay now, of the dead what can you say,
Little brother?"
(O Mother, Mary Mother,
What of the dead, between Hell and Heaven?)
"See, see, the sunken pile of wood,
Sister Helen,
Shines through the thinn'd wax red as blood!"
"Nay now, when look'd you yet on blood,
Little brother?"
(O Mother, Mary Mother,
How pale she is, between Hell and Heaven!)
"Now close your eyes, for they're sick and sore,
Sister Helen,
And I'll play without the gallery door."
"Aye, let me rest,--I'll lie on the floor,
Little brother."
(O Mother, Mary Mother,
What rest to-night, between Hell and Heaven?)
"Here high up in the balcony,
Sister Helen,
The moon flies face to face with me."
"Aye, look and say whatever you see,
Little brother."
(O Mother, Mary Mother,
What sight to-night, between Hell and Heaven?)
"Outside it's merry in the wind's wake,
Sister Helen;
In the shaken trees the chill stars shake."
"Hush, heard you a horse-tread as you spake,
Little brother?"
(O Mother, Mary Mother,
What sound to-night, between Hell and Heaven?)
"I hear a horse-tread, and I see,
Sister Helen,
Three horsemen that ride terribly."
"Little brother, whence come the three,
Little brother?"
(O Mother, Mary Mother,
Whence should they come, between Hell and Heaven?)
"They come by the hill-verge from Boyne Bar,
Sister Helen,
And one draws nigh, but two are afar."
"Look, look, do you know them who they are,
Little brother?"
(O Mother, Mary Mother,
Who should they be, between Hell and Heaven?)
"Oh, it's Keith of Eastholm rides so fast,
Sister Helen,
For I know the white mane on the blast."
"The hour has come, has come at last,
Little brother!"
(O Mother, Mary Mother,
Her hour at last, between Hell and Heaven!)
"He has made a sign and called Halloo!
Sister Helen,
And he says that he would speak with you."
"Oh tell him I fear the frozen dew,
Little brother."
(O Mother, Mary Mother,
Why laughs she thus, between Hell and Heaven?)
"The wind is loud, but I hear him cry,
Sister Helen,
That Keith of Ewern's like to die."
"And he and thou, and thou and I,
Little brother."
(O Mother, Mary Mother,
And they and we, between Hell and Heaven!)
"Three days ago, on his marriage-morn,
Sister Helen,
He sicken'd, and lies since then forlorn."
"For bridegroom's side is the bride a thorn,
Little brother?"
(O Mother, Mary Mother,
Cold bridal cheer, between Hell and Heaven!)
"Three days and nights he has lain abed,
Sister Helen,
And he prays in torment to be dead."
"The thing may chance, if he have pray'd,
Little brother!"
(O Mother, Mary Mother,
If he have pray'd, between Hell and Heaven!)
"But he has not ceas'd to cry to-day,
Sister Helen,
That you should take your curse away."
"My prayer was heard,--he need but pray,
Little brother!"
(O Mother, Mary Mother,
Shall God not hear, between Hell and Heaven?)
"But he says, till you take back your ban,
Sister Helen,
His soul would pass, yet never can."
"Nay then, shall I slay a living man,
Little brother?"
(O Mother, Mary Mother,
A living soul, between Hell and Heaven!)
"But he calls for ever on your name,
Sister Helen,
And says that he melts before a flame."
"My heart for his pleasure far'd the same,
Little brother."
(O Mother, Mary Mother,
Fire at the heart, between Hell and Heaven!)
"Here's Keith of Westholm riding fast,
Sister Helen,
For I know the white plume on the blast."
"The hour, the sweet hour I forecast,
Little brother!"
(O Mother, Mary Mother,
Is the hour sweet, between Hell and Heaven?)
"He stops to speak, and he stills his horse,
Sister Helen;
But his words are drown'd in the wind's course."
"Nay hear, nay hear, you must hear perforce,
Little brother!" .
(O Mother, Mary Mother,
What word now heard, between Hell and Heaven?)
"Oh he says that Keith of Ewern's cry,
Sister Helen,
Is ever to see you ere he die."
"In all that his soul sees, there am I
Little brother!"
(O Mother, Mary Mother,
The soul's one sight, between Hell and Heaven!)
"He sends a ring and a broken coin,
Sister Helen,
And bids you mind the banks of Boyne."
"What else he broke will he ever join,
Little brother?"
(O Mother, Mary Mother,
No, never join'd, between Hell and Heaven!)
"He yields you these and craves full fain,
Sister Helen,
You pardon him in his mortal pain."
"What else he took will he give again,
Little brother?"
(O Mother, Mary Mother,
Not twice to give, between Hell and Heaven!)
"He calls your name in an agony,
Sister Helen,
That even dead Love must weep to see."
"Hate, born of Love, is blind as he,
Little brother!"
(O Mother, Mary Mother,
Love turn'd to hate, between Hell and Heaven!)
"Oh it's Keith of Keith now that rides fast,
Sister Helen,
For I know the white hair on the blast."
"The short short hour will soon be past,
Little brother!"
(O Mother, Mary Mother,
Will soon be past, between Hell and Heaven!)
"He looks at me and he tries to speak,
Sister Helen,
But oh! his voice is sad and weak!"
"What here should the mighty Baron seek,
Little brother?"
(O Mother, Mary Mother,
Is this the end, between Hell and Heaven?)
"Oh his son still cries, if you forgive,
Sister Helen,
The body dies but the soul shall live."
"Fire shall forgive me as I forgive,
Little brother!"
(O Mother, Mary Mother,
As she forgives, between Hell and Heaven!)
"Oh he prays you, as his heart would rive,
Sister Helen,
To save his dear son's soul alive."
"Fire cannot slay it, it shall thrive,
Little brother!"
(O Mother, Mary Mother,
Alas, alas, between Hell and Heaven!)
"He cries to you, kneeling in the road,
Sister Helen,
To go with him for the love of God!"
"The way is long to his son's abode,
Little brother."
(O Mother, Mary Mother,
The way is long, between Hell and Heaven!)
"A lady's here, by a dark steed brought,
Sister Helen,
So darkly clad, I saw her not."
"See her now or never see aught,
Little brother!"
(O Mother, Mary Mother,
What more to see, between Hell and Heaven?)
"Her hood falls back, and the moon shines fair,
Sister Helen,
On the Lady of Ewern's golden hair."
"Blest hour of my power and her despair,
Little brother!"
(O Mother, Mary Mother,
Hour blest and bann'd, between Hell and Heaven!)
"Pale, pale her cheeks, that in pride did glow,
Sister Helen,
'Neath the bridal-wreath three days ago."
"One morn for pride and three days for woe,
Little brother!"
(O Mother, Mary Mother,
Three days, three nights, between Hell and Heaven!)
"Her clasp'd hands stretch from her bending head,
Sister Helen;
With the loud wind's wail her sobs are wed."
"What wedding-strains hath her bridal-bed,
Little brother?"
(O Mother, Mary Mother,
What strain but death's, between Hell and Heaven?)
"She may not speak, she sinks in a swoon,
Sister Helen,--
She lifts her lips and gasps on the moon."
"Oh! might I but hear her soul's blithe tune,
Little brother!"
(O Mother, Mary Mother,
Her woe's dumb cry, between Hell and Heaven!)
"They've caught her to Westholm's saddle-bow,
Sister Helen,
And her moonlit hair gleams white in its flow."
"Let it turn whiter than winter snow,
Little brother!"
(O Mother, Mary Mother,
Woe-wither'd gold, between Hell and Heaven!)
"O Sister Helen, you heard the bell,
Sister Helen!
More loud than the vesper-chime it fell."
"No vesper-chime, but a dying knell,
Little brother!"
(O Mother, Mary Mother,
His dying knell, between Hell and Heaven!)
"Alas! but I fear the heavy sound,
Sister Helen;
Is it in the sky or in the ground?"
"Say, have they turn'd their horses round,
Little brother?"
(O Mother, Mary Mother,
What would she more, between Hell and Heaven?)
"They have rais'd the old man from his knee,
Sister Helen,
And they ride in silence hastily."
"More fast the naked soul doth flee,
Little brother!"
(O Mother, Mary Mother,
The naked soul, between Hell and Heaven!)
"Flank to flank are the three steeds gone,
Sister Helen,
But the lady's dark steed goes alone."
"And lonely her bridegroom's soul hath flown,
Little brother."
(O Mother, Mary Mother,
The lonely ghost, between Hell and Heaven!)
"Oh the wind is sad in the iron chill,
Sister Helen,
And weary sad they look by the hill."
"But he and I are sadder still,
Little brother!"
(O Mother, Mary Mother,
Most sad of all, between Hell and Heaven!)
"See, see, the wax has dropp'd from its place,
Sister Helen,
And the flames are winning up apace!"
"Yet here they burn but for a space,
Little brother! "
(O Mother, Mary Mother,
Here for a space, between Hell and Heaven!)
"Ah! what white thing at the door has cross'd,
Sister Helen?
Ah! what is this that sighs in the frost?"
"A soul that's lost as mine is lost,
Little brother!"
(O Mother, Mary Mother,
Lost, lost, all lost, between Hell and Heaven!)
poem by Dante Gabriel Rossetti
Submitted by Poetry Lover
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Here Comes The Moon
Everybodys talking up a storm
Act like they dont notice it
But here it is and here it comes . . .
Here comes the moon, the moon, the moon, the moon, the moon.
Impulse always quickens when its full
As it turns my head around me
Yes it does and here it comes
Here comes the moon, the moon, the moon, the moon, the moon.
Gods gift I see thats moving up there into the night . . .
Though dark the mirror in the sky reflects us our light:
Looks like a little brother to the sun
Or mother to the stars at night
And here it is and here it comes
Here comes the moon, the moon, the moon, the moon, the moon.
Breath is always taken when its new
Enhance upon the clouds around it
Yes it is and here it comes
Here comes the moon, the moon, the moon.
song performed by by George Harrison
Submitted by Lucian Velea
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Phantom Footsteps
Childish foosteps, just behind her,
Softly patter on the green.
Back she glances; tears may blind her,
But no little one is seen.
Blanched, as by an ill appalling,
Home in terror hastens she,
While a baby voice is calling,
"Mother! mother! wait for me."
Phantom footsteps! hear them
falling (falling, falling),
falling (falling, falling)
Now, wherever she may be!
(hear footsteps falling!)
While a baby voice is
call- (calling, calling,)
-ing, (calling, calling,)
"Mother! mother! wait for me."
Sobbing still, but never lagging,
Soon she enters the gate,
And before her, on the flagging,
Sees the symbols of her fate:
Tiny shoeprints, plainly speaking
Of the salt and foamy sea.
Hark! was that the doorhinge creaking?
"Mother! mother! wait for me."
Half her night is spent in weeping,
Ere she can forget her cares:
Is there not an infant creeping--
Creeping slowly up the stairs?
Venturing thither in her yearning,
Only shadows can she see;
But she hears the cry while turning,
"Mother! mother! wait for me."
poem by Henry Clay Work
Submitted by Poetry Lover
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The Witches' Glen - An Auld Tale
Gather aroon the ingle nuek
For ae eerie tale I'll tell -
'Boot a glen whar a witchy spook
Cast folk in her terrible spell.
Her hair sae black, her eyes sae green
Black Meg she was the devil's queen.
Warlocks an witches dance at night
When the full-moon turns its ken!
Thunder rides on a bolt of light
The deil's in the witches' glen!
Her hair sae black, her eyes sae green
Black Meg she was the devil's queen.
Auld trees hang o'er the twisted wynd
An' blot oot the licht o' day;
An there, there's staring eyes tae find
A stranger wha's lost their way.
Her hair sae black, her eyes sae green
Black Meg she was the devil's queen.
Frae Grennan wood she hailed an flew
A flash thru the black night wind
Come witchin hour everyin knew
She'd get a' the folks wha sinned.
Her hair sae black, her eyes sae green
Black Meg she was the devil's queen.
They burned her on Kirkmaiden hill
An' they bound her on a stake:
She chanted spells that made 'em ill
An' they pray'd for Jesus' sake.
Her hair sae black, her eyes sae green
Black Meg she was the devil's queen.
When ere ye walk the witches' glen,
Whar branches stretch oot like hands
Tak' Bible, cross an' say, Amen!
An' heed the guid Lord's commands.
Her hair sae black, her eyes sae green
Black Meg she's still there tae be seen.
poem by Patrick Scott Hogg
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Moonlight Memories
Sweet and sad
moon light always beads
the lace with memory leads
in my teens
my hormones oozed out
as I curl out
in the moon lit night
as I grew up
my dreams and loves
all blazed in the cool moon
my blood boiled blushed with delight
all the fantasies
all the sweetest memories
romantic webs knit across
the full moon sky with millions stars.
the nights were awake
when she peeped inside
I loved her in watery beds
silvery threads woven in filmy sheds
yet, she weighed upon my nights
when my mother breathed that night
just that night and nomore right
as she blazed at distant sight
I waited till midnight
to relieve motherless plight
at the courtyard bereft
of lovely mother's gait.
the shroud of moon light
now fell upon me tight
it choked me breathless
freezing attractions gayless
I still wonder at full moon nights
if my mother did come out of the grave
and did she engrave her love upon the pave
did the wintry dews make her shiver
and did she cry and groan in fever
the icy night evoked further
terrible sights of dead ones dear
Still, I could not bury the delicate mother
banishing the memories of full moon weather.
poem by Lalitha Iyer
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The Black Sheep
'Black sheep, black sheep, have you any wool?'
'Yes, sir-yes, sir: three bags full.'
'I don't want any New Thought,' said he,
'Or any Theosophy, for, you see,
The faith I learned at my mother's knee
Is good enough for me.
Of course, I'm a wee bit broader than she,
Hearing one sermon where she heard three,
And I read my paper on Sunday, instead
Of the Bible only. My mother said
I was a black sheep, when she saw
I strayed a trifle away from the law,
And didn't think everyone left in the lurch
Who happened to go to a different church;
But, still, in the main, her creed is mine,
And I don't want anything more divine.'
Yet his mother's mother was more austere;
She taught her children a creed of fear,
And she called them 'black sheep' when, with a shock,
She saw them straying away from the flock,
Just far enough
To get around places they thought too rough,
Like infant damnation and endless hell.
But his mother's mother's mother would tell
How her mother thought it was God's sweet will
To punish and torture a heretic till
They drove out the devil that made him dare
Think for himself in the matter of prayer
And faith and salvation. So we see how it is
If we look back over the centuries-
The creeds men learned at their mother's knee
When Salem witches were hanged to a tree,
And the pious dames flocked thither to see,
Are not deemed Christian or holy to-day;
And the bold black sheep who went straying away
From rut-worn paths in their search for God,
And leaped over the fence into pastures broad,
Are the great trail-makers for mortal souls,
Leading the race up to higher goals
And a larger religion; where man must find
God dwelling ever within his mind,
Christ in his conduct, and heaven in his thought,
And hell but the places where love is not.
A mighty religion that makes this earth
But the cradle that fits us for death's new birth
And the life beyond it, that is so near
Its echoes may reach to the listening ear.
'Black sheep, black sheep, have you any wool?'
'Yes, sir-yes, sir: a whole world full.'
poem by Ella Wheeler Wilcox
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Our Little Ghost
Oft, in the silence of the night,
When the lonely moon rides high,
When wintry winds are whistling,
And we hear the owl's shrill cry,
In the quiet, dusky chamber,
By the flickering firelight,
Rising up between two sleepers,
Comes a spirit all in white.
A winsome little ghost it is,
Rosy-cheeked, and bright of eye;
With yellow curls all breaking loose
From the small cap pushed awry.
Up it climbs among the pillows,
For the 'big dark' brings no dread,
And a baby's boundless fancy
Makes a kingdom of a bed.
A fearless little ghost it is;
Safe the night seems as the day;
The moon is but a gentle face,
And the sighing winds are gay.
The solitude is full of friends,
And the hour brings no regrets;
For, in this happy little soul,
Shines a sun that never sets.
A merry little ghost it is,
Dancing gayly by itself,
On the flowery counterpane,
Like a tricksy household elf;
Nodding to the fitful shadows,
As they flicker on the wall;
Talking to familiar pictures,
Mimicking the owl's shrill call.
A thoughtful little ghost if is;
And, when lonely gambols tire,
With chubby hands on chubby knees,
It sits winking at the fire.
Fancies innocent and lovely
Shine before those baby-eyes, -
Endless fields of dandelions,
Brooks, and birds, and butterflies.
A loving little ghost it is:
When crept into its nest,
Its hand on father's shoulder laid,
Its head on mother's breast,
It watches each familiar face,
With a tranquil, trusting eye;
And, like a sleepy little bird,
Sings its own soft lullaby.
Then those who feigned to sleep before,
Lest baby play till dawn,
Wake and watch their folded flower -
Little rose without a thorn.
And, in the silence of the night,
The hearts that love it most
Pray tenderly above its sleep,
'God bless our little ghost!'
poem by Louisa May Alcott
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Song of The Stream-Drops
By silent forest and field and mossy stone,
We come from the wooden hill, and we go to the sea.
We labour, and sing sweet songs, but we never moan,
For our mother, the sea, is calling us cheerily.
We have heard her calling us many and many a day
From the cool grey stones and the white sands far away.
The way is long, and winding and slow is the track,
The sharp rocks fret us, the eddies bring us delay,
But we sing sweet songs to our mother, and answer her back;
Gladly we answer our mother, sweetly repay.
Oh, we hear, we hear her singing wherever we roam,
Far, far away in the silence, calling us home.
Poor mortal, your ears are dull, and you cannot hear;
But we, we hear it, the breast of our mother abeat;
Low, far away, sweet and solemn and clear,
Under the hush of the night, under the noon-tide heat:
And we sing sweet songs to our mother, for so we shall please her best,
Songs of beauty and peace, freedom and infinite rest.
We sing, and sing, through the grass and the stones and the reeds,
And we never grow tired, though we journey ever and aye,
Dreaming, and dreaming, wherever the long way leads,
Of the far cool rocks and the rush of the wind and the spray.
Under the sun and the stars we murmur and dance and are free,
And we dream and dream of our mother, the width of the sheltering sea.
poem by Archibald Lampman
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The Sleep Of Spring
O for that sweet, untroubled rest
That poets oft have sung!--
The babe upon its mother's breast,
The bird upon its young,
The heart asleep without a pain--
When shall I know that sleep again?
When shall I be as I have been
Upon my mother's breast
Sweet Nature's garb of verdant green
To woo to perfect rest--
Love in the meadow, field, and glen,
And in my native wilds again?
The sheep within the fallow field,
The herd upon the green,
The larks that in the thistle shield,
And pipe from morn to e'en--
O for the pasture, fields, and fen!
When shall I see such rest again?
I love the weeds along the fen,
More sweet than garden flowers,
For freedom haunts the humble glen
That blest my happiest hours.
Here prison injures health and me:
I love sweet freedom and the free.
The crows upon the swelling hills,
The cows upon the lea,
Sheep feeding by the pasture rills,
Are ever dear to me,
Because sweet freedom is their mate,
While I am lone and desolate.
I loved the winds when I was young,
When life was dear to me;
I loved the song which Nature sung,
Endearing liberty;
I loved the wood, the vale, the stream,
For there my boyhood used to dream.
There even toil itself was play;
Twas pleasure een to weep;
Twas joy to think of dreams by day,
The beautiful of sleep.
When shall I see the wood and plain,
And dream those happy dreams again?
poem by John Clare
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Australia Vindex
Who cometh from fields of the south
With raiment of weeping and woe,
And a cry of the heart in her mouth,
And a step that is muffled and slow?
Her paths are the paths of the sun;
Her house is a beautiful light;
But she boweth her head, and is one
With the daughters of dolour and night.
She is fairer than flowers of love;
She is fiercer than wind-driven flame;
And God from His thunders above
Hath smitten the soul of her shame.
She saith to the bloody one curst
With the fever of evil, she saith
“My sorrow shall strangle thee first
With an agony wilder than death!
“My sorrow shall hack at thy life!
Thou shalt wrestle with wraiths of thy sin,
And sleep on a pillow of strife
With demons without and within!”
She whispers, “He came to the land
A lord and a lover of me—
A son of the waves with a hand
As fearless and frank as the sea.
“On the shores of the stranger he stood
With the sweetness of youth on his face;
Till there started a fiend from the wood,
Who stabbed at the peace of the place!
“Because of the dastardly thing
Thou hast done in the sight of the day,
All horrors that sicken and sting
Shall make thee for ever their prey.
“Because of the beautiful trust
Destroyed by a devil like thee,
Thy bed shall be low in the dust
And my heel as a shackle shall be!
“Because” (and she mutters it deep
Who curseth the coward in chains)
“Thou hast stricken and murdered our sleep,
Thy sleep shall be perished with pains;
“Thy sleep shall be broken and sharp
And filled with fierce spasms and dreams,
And shadow shall haunt thee and harp
On hellish and horrible themes!
“I will set my right hand on thy neck
And my foot on thy body, nor bate,
Till thy name shall become as a wreck
And a byword for hisses and hate!”
poem by Henry Kendall
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The Old Pine Tree
'Listen my child,' said the old pine
tree, to the little one nestling near,
'For the storm clouds troop together to-night,
and the wind of the north I hear
And perchance there may come some echo of
the music of long ago,
The music that rang when the White Host
sang, marching across the snow.'
'Up and away Saint George! up thro' the
mountain gorge,
Over the plain where the tempest blows, and
the great white flakes are flying
Down the long narrow glen! faster my merry
men,
Follow the trail, tho' shy moon hides, and
deeply the drifts are lying.'
'Ah! mother.' the little pine tree replied,
'you are dreaming again to-night
Of ghostly visions and phantom forms that for-
ever mock your sight
'Tis true moan of the winter wind comes
to my list'ning ear
But the White Host marching, I cannot see,
and their music I cannot hear.'
'When the northern skies were all aflame
where the trembling banners swung,
When up in the vaulted heavens the moon of
the Snow Shoe hung,
When the hurricane swept the hillside, and the
crested drifts ran high
Those were the nights,' said the old pine tree,
'the great White Host marched by.'
And the storm grew fiercer, fiercer, and the
snow went hissing past,
But the little pine tree still listened, till she
heard above the blast
The music her mother loved to hear in the
nights of the long ago
And saw in the forest the white-clad Host
marching across the snow.
And loud they sang as they tramped along of
the glorious bygone days
Whan valley and hill re-echeoed the snow-
shoer's hymn of praise
Till the shy moon gazed down smiling, and the
north wind pause to hear
And the old pine tree felt young again as the
little one nestling near.
'Up and away Saint George! up thro' the
mountain gorge.
Over the plain where the tempest blows, and
the great white flakes are flying.
Down the long narrow glen! faster my merry
men.
Follow the trail, tho' the shy moon hides, and
deeply the drifts are lying.'
poem by William Henry Drummond
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On Seeing You...
On Seeing You...
The body that so far felt
Like a hollow shell
Thrown on the beach
By a vagrant child
The body that so far felt
Like an empty piece of severed bamboo
Fallen on an untread forest path
No longer felt hollow or empty
The shell vibrated with the roar of the sea
The bamboo set ripples of mystic music on the waves
Strangely enough, even the half-moon
Sprayed brightness on the dark niches
Your joy resonated in my heart
Sealing all the crevices and pushed the body
Towards the one loved…
Ah, the stuff dreams are made of
13 May 2011
Evening
poem by Indira Babbellapati
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The Warrigal
The warrigal's lair is pent in bare,
Black rocks at the gorge's mouth;
It is set in ways where Summer strays
With the sprites of flame and drouth;
But when the heights are touched with lights
Of hoar-frost, sleet, and shine,
His bed is made of the dead grass-blade
And the leaves of the windy pine.
Through forest boles the storm-wind rolls,
Vext of the sea-driv'n rain;
And, up in the clift, through many a rift,
The voices of torrents complain.
The sad marsh-fowl and the lonely owl
Are heard in the fog-wreaths grey,
When the warrigal wakes, and listens, and takes
To the woods that shelter the prey.
In the gully-deeps the blind creek sleeps,
And the silver, showery moon
Glides over the hills, and floats, and fills,
And dreams in the dark lagoon;
While halting hard by the station yard,
Aghast at the hut-flame nigh,
The warrigal yells, and flats and fells
Are loud with his dismal cry.
On the topmost peak of mountains bleak
The south wind sobs, and strays
Through moaning pine and turpentine,
And the rippling runnel ways;
And strong streams flow, and great mists go,
Where the warrigal starts to hear
The watch-dog's bark break sharp in the dark,
And flees like a phantom of fear!
The swift rains beat, and the thunders fleet
On the wings of the fiery gale,
And down in the glen of pool and fen,
The wild gums whistle and wail,
As over the plains and past the chains
Of waterholes glimmering deep,
The warrigal flies from the shepherd's cries,
And the clamour of dogs and sheep.
He roves through the lands of sultry sands,
He hunts in the iron range,
Untamed as surge of the far sea verge,
And fierce and fickle and strange.
The white man's track and the haunts of the black
He shuns, and shudders to see;
For his joy he tastes in lonely wastes
Where his mates are torrent and tree.
poem by Henry Kendall
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