Dungog
HERE, pent about by office walls
And barren eyes all day,
’Tis sweet to think of waterfalls
Two hundred miles away!
I would not ask you, friends, to brook
An old, old truth from me,
If I could shut a Poet’s book
Which haunts me like the Sea!
He saith to me, this Poet saith,
So many things of light,
That I have found a fourfold faith,
And gained a twofold sight.
He telleth me, this Poet tells,
How much of God is seen
Amongst the deep-mossed English dells,
And miles of gleaming green.
From many a black Gethsemane,
He leads my bleeding feet
To where I hear the Morning Sea
Round shining spaces beat!
To where I feel the wind, which brings
A sound of running creeks,
And blows those dark, unpleasant things,
The sorrows, from my cheeks.
I’ll shut mine eyes, my Poet choice,
And spend the day with thee;
I’ll dream thou art a fountain voice
Which God hath sent to me!
And far beyond these office walls
My thoughts shall even stray,
And watch the wilful waterfalls,
Two hundred miles away.
For, if I know not of thy deeds,
And darling Kentish downs,
I’ve seen the deep, wild Dungog fells,
And hate the heart of towns!
Then, ho! for beaming bank and brake,
Far-folded hills among,
Where Williams, like a silver snake,
Draws winding lengths along!
And ho! for stormy mountain cones,
Where headlong Winter leaps,
What time the gloomy swamp-oak groans,
And weeps and wails and weeps.
There, friends, are spots of sleepy green,
Where one may hear afar,
O’er fifteen leagues of waste, I ween,
A moaning harbour bar!
(The sea that breaks, and beats and shakes
The caverns, howling loud,
Beyond the midnight Myall Lakes,
And half-awakened Stroud!)
There, through the fretful autumn days,
Beneath a cloudy sun,
Comes rolling down rain-rutted ways,
The wind, Euroclydon!
While rattles over riven rocks
The thunder, harsh and dry;
And blustering gum and brooding box
Are threshing at the sky!
And then the gloom doth vex the sight
With crude, unshapely forms
Which hold throughout the yelling night
A fellowship with storms!
But here are shady tufts and turns,
Where sumptuous Summer lies
(By reaches brave with flags and ferns)
With large, luxuriant eyes.
And here, another getteth ease—
Our Spring, so rarely seen,
Who shows us in the cedar trees
A glimpse of golden green.
What time the flapping bats have trooped
Away like ghosts to graves,
And darker growths than Night are cooped
In silent, hillside caves.
Ah, Dungog, dream of darling days,
’Tis better thou should’st be
A far-off thing to love and praise—
A boon from Heaven to me!
For, let me say that when I look
With wearied eyes on men,
I think of one unchanging nook,
And find my faith again.
poem by Henry Kendall
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~Araluen~
River, myrtle rimmed, and set
Deep amongst unfooted dells—
Daughter of grey hills of wet,
Born by mossed and yellow wells;
Now that soft September lays
Tender hands on thee and thine,
Let me think of blue-eyed days,
Star-like flowers and leaves of shine!
Cities soil the life with rust;
Water banks are cool and sweet;
River, tired of noise and dust,
Here I come to rest my feet.
Now the month from shade to sun
Fleets and sings supremest songs,
Now the wilful wood-winds run
Through the tangled cedar throngs.
Here are cushioned tufts and turns
Where the sumptuous noontide lies:
Here are seen by flags and ferns
Summer’s large, luxurious eyes.
On this spot wan Winter casts
Eyes of ruth, and spares its green
From his bitter sea-nursed blasts,
Spears of rain and hailstones keen.
Rather here abideth Spring,
Lady of a lovely land,
Dear to leaf and fluttering wing,
Deep in blooms—by breezes fanned.
Faithful friend beyond the main,
Friend that time nor change makes cold;
Now, like ghosts, return again
Pallid, perished days of old.
Ah, the days!—the old, old theme,
Never stale, but never new,
Floating like a pleasant dream,
Back to me and back to you.
Since we rested on these slopes
Seasons fierce have beaten down
Ardent loves and blossoming hopes—
Loves that lift and hopes that crown.
But, believe me, still mine eyes
Often fill with light that springs
From divinity, which lies
Ever at the heart of things.
Solace do I sometimes find
Where you used to hear with me
Songs of stream and forest wind,
Tones of wave and harp-like tree.
Araluen—home of dreams,
Fairer for its flowerful glade
Than the face of Persian streams
Or the slopes of Syrian shade;
Why should I still love it so,
Friend and brother far away?
Ask the winds that come and go,
What hath brought me here to-day.
Evermore of you I think,
When the leaves begin to fall,
Where our river breaks its brink,
And a rest is over all.
Evermore in quiet lands,
Friend of mine beyond the sea,
Memory comes with cunning hands,
Stays, and paints your face for me.
poem by Henry Kendall
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To
AH, often do I wait and watch,
And look up, straining through the Real
With longing eyes, my friend, to catch
Faint glimpses of your white Ideal.
I know she loved to rest her feet
By slumbrous seas and hidden strand;
But mostly hints of her I meet
On moony spots of mountain land.
I’ve never reached her shining place,
And only cross at times a gleam;
As one might pass a fleeting face
Just on the outside of a Dream.
But you may climb, her happy Choice!
She knows your step, the maiden true,
And ever when she hears your voice,
She turns and sits and waits for you.
How sweet to rest on breezy crest
With such a Love, what time the Morn
Looks from his halls of rosy rest,
Across green miles of gleaming corn!
How sweet to find a leafy nook,
When bees are out, and Day burns mute,
Where you may hear a passion’d brook
Play past you, like a mellow flute!
Or, turning from the sunken sun,
On fields of dim delight to lie—
To close your eyes and muse upon
The twilight’s strange divinity!
Or through the Night’s mysterious noon,
While Sound lies hushed among the trees,
To sit and watch a mirror’d moon
Float over silver-sleeping seas!
Oh, vain regret! why should I stay
To think and dream of joys unknown?
You walk with her from day to day,
I faint afar off—and alone.
poem by Henry Kendall
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Heath from the Highlands
Here, where the great hills fall away
To bays of silver sea,
I hold within my hand to-day
A wild thing, strange to me.
Behind me is the deep green dell
Where lives familiar light;
The leaves and flowers I know so well
Are gleaming in my sight.
And yonder is the mountain glen,
Where sings in trees unstirred
By breath of breeze or axe of men
The shining satin-bird.
The old weird cry of plover comes
Across the marshy ways,
And here the hermit hornet hums,
And here the wild bee strays.
No novel life or light I see,
On hill, in dale beneath:
All things around are known to me
Except this bit of heath.
This touching growth hath made me dream -
It sends my soul afar
To where the Scottish mountains gleam
Against the Northern star.
It droops - this plant - like one who grieves;
But, while my fancy glows,
There is that glory on its leaves
Which never robed the rose.
For near its wind-blown native spot
Were born, by crags uphurled,
The ringing songs of Walter Scott
That shook the whole wide world.
There haply by the sounding streams,
And where the fountains break,
He saw the darling of his dreams,
The Lady of the Lake.
And on the peaks where never leaf
Of lowland beauty grew,
Perhaps he met Clan Alpine's chief,
The rugged Roderick Dhu.
Not far, perchance, this heather throve
(Above fair banks of ferns),
From that green place of stream and grove
That knew the voice of Burns.
Against the radiant river ways
Still waves the noble wood,
Where in the old majestic days
The Scottish poet stood.
Perhaps my heather used to beam
In robes of morning frost,
By dells which saw that lovely dream -
The Mary that he lost.
I hope, indeed, the singer knew
The little spot of land
On which the mountain beauty grew
That withers in my hand.
A Highland sky my vision fills;
I feel the great, strong North -
The hard grey weather of the hills
That brings men-children forth.
The peaks of Scotland, where the din
And flame of thunders go,
Seem near me, with the masculine,
Hale sons of wind and snow.
So potent is this heather here,
That under skies of blue,
I seem to breathe the atmosphere
That William Wallace knew.
And under windy mountain wall,
Where breaks the torrent loose,
I fancy I can hear the call
Of grand old Robert Bruce.
poem by Henry Kendall
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Names Upon a Stone: (Inscribed to G. L. Fagan, Esq.)
ACROSS bleak widths of broken sea
A fierce north-easter breaks,
And makes a thunder on the lea—
A whiteness of the lakes.
Here, while beyond the rainy stream
The wild winds sobbing blow,
I see the river of my dream
Four wasted years ago.
Narrara of the waterfalls,
The darling of the hills,
Whose home is under mountain walls
By many-luted rills!
Her bright green nooks and channels cool
I never more may see;
But, ah! the Past was beautiful—
The sights that used to be.
There was a rock-pool in a glen
Beyond Narrara’s sands;
The mountains shut it in from men
In flowerful fairy lands;
But once we found its dwelling-place—
The lovely and the lone—
And, in a dream, I stooped to trace
Our names upon a stone.
Above us, where the star-like moss
Shone on the wet, green wall
That spanned the straitened stream across,
We saw the waterfall—
A silver singer far away,
By folded hills and hoar;
Its voice is in the woods to-day—
A voice I hear no more.
I wonder if the leaves that screen
The rock-pool of the past
Are yet as soft and cool and green
As when we saw them last!
I wonder if that tender thing,
The moss, has overgrown
The letters by the limpid spring—
Our names upon the stone!
Across the face of scenes we know
There may have come a change—
The places seen four years ago
Perhaps would now look strange.
To you, indeed, they cannot be
What haply once they were:
A friend beloved by you and me
No more will greet us there.
Because I know the filial grief
That shrinks beneath the touch—
The noble love whose words are brief—
I will not say too much;
But often when the night-winds strike
Across the sighing rills,
I think of him whose life was like
The rock-pool’s in the hills.
A beauty like the light of song
Is in my dreams, that show
The grand old man who lived so long
As spotless as the snow.
A fitting garland for the dead
I cannot compass yet;
But many things he did and said
I never will forget.
In dells where once we used to rove
The slow, sad water grieves;
And ever comes from glimmering grove
The liturgy of leaves.
But time and toil have marked my face,
My heart has older grown
Since, in the woods, I stooped to trace
Our names upon the stone.
poem by Henry Kendall
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The Fairy's Promise
Poet.
Beautiful silver-winged spirits of good,
That hide in the leaves of the loneliest wood;
Green-kirtled fairies whom none may see
But the soul that hath passion for Poesie.
Brownies and kelpies and fays and elves
Who keep the moon to your own little selves;
Ye whose light revel and quick-tripping round
Bend the white daisy-buds down to the ground:
The moon may be high and the night may be clear,
But leave them and list to a poet's prayer.
Fairy.
Mortal, speak on! we have loved thee long,
Thou hast told of our revels in sweetest song;
And only, alas! by the faith of men
Hold we our lives in the grassy glen.
Thou hast never plucked daisy or heather-bell
From the emerald braes where the fairies dwell;
Thou didst never fright from her leafy nest
The bird that the Fairies love ever the best,
But hast turned thy foot aside silently
When her round black eye fell fearful on thee;
Thou hast never torn fishes with cruel hooks
From the pleasant ripple of summer brooks;
So we love thee well, and will list to thy prayer,
Though the moon may be up, and the night may be clear.
Poet.
White-footed Fairy-Queen, close by the sea,
Like a beautiful child at her father's knee,
There sitteth a city beneath a hill
Where a lady is living apart and still;
Lovely and gentle and wise is she,
I love her most truly and faithfully;
Better than all that the world may hold,
Better than honour and life and gold.
I would thou shouldst watch her by day and by night,
That her beautiful eyes may be ever bright.
Fairy.
How shall we know her, that we may keep
Watch of her waking, and ward of her sleep?
Poet.
Look for a lady whose glossy hair
Borders a forehead most frank and fair;
Eyes that are full of a heavenly light
Like sister stars in the front of night;
Lips curving red like the crimson fold
Of a half-shut rose in the early cold,
Which never with singing or speech were stirred,
But the singing and speech was the sweetest heard;
Busy white fingers, slender and small,
Little feet lost in her garments' fall.
Graces like these and a thousand above
Shall guide thee in seeking the lady I love.
Fairy.
What name weareth she? tell us it true;
Whisper it low to the fairy crew.
Poet.
Read it, sweet Queen, on my beating heart,
Graven so deep, it can never part;
This shall be sign of the lady ye seek,
Say to her 'Janet' and she shall speak.
Fairy.
Fifty and four of my valiant fays
Shall watch in her walks through the weariest days;
Fifty and four in their liveries white
Have charge of her dreams in the dreariest night.
And the spirit that doth not his bidding well
Shall pine for the year in a dark nut shell.
Poet.
And may two of the truest at either ear
Whisper his name who hath sent them there!
Fairy.
Ay! and the fleetest shall come on the wind
Bringing thee news of thy lady's mind;
Rest thee well, lover! be quiet and calm;
Thy lady is charmed with the Fairies' charm.
poem by Edwin Arnold
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The Waterfall
THE SONG of the water
Doomed ever to roam,
A beautiful exile,
Afar from its home.
The cliffs on the mountain,
The grand and the gray,
They took the bright creature
And hurled it away!
I heard the wild downfall,
And knew it must spill
A passionate heart out
All over the hill.
Oh! was it a daughter
Of sorrow and sin,
That they threw it so madly
Down into the lynn?
. . . . .
And listen, my Sister,
For this is the song
The Waterfall taught me
The ridges among:—
“Oh where are the shadows
So cool and so sweet
And the rocks,” saith the water,
“With the moss on their feet?
“Oh, where are my playmates
The wind and the flowers—
The golden and purple—
Of honey-sweet bowers,
“Mine eyes have been blinded
Because of the sun;
And moaning and moaning
I listlessly run.
“These hills are so flinty!—
Ah! tell me, dark Earth,
What valley leads back to
The place of my birth?—
“What valley leads up to
The haunts where a child
Of the caverns I sported,
The free and the wild?
“There lift me,”—it crieth,
“I faint from the heat;
With a sob for the shadows
So cool and so sweet.”
Ye rocks, that look over
With never a tear,
I yearn for one half of
The wasted love here!
My sister so wistful,
You know I believe,
Like a child for the mountains
This water doth grieve.
Ah! you with the blue eyes
And golden-brown hair,
Come closer and closer
And truly declare:—
Supposing a darling
Once happened to sin,
In a passionate space,
Would you carry her in—
If your fathers and mothers,
The grand and the gray,
Had taken the weak one
And hurled her away?
poem by Henry Kendall
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A Mother's Wail
The sweet young Spring walks over the earth,
It flushes and glows on moor and lea;
The birds are singing in careless mirth,
The brook flows cheerily on to the sea;
And I know that the flowers are blooming now
Over my beautiful darling's brow:
Blooming and blowing in perfume now
Over my poor lost darling's brow.
The breath of the passionate Summer turns
The green of the hills to a deeper dye;
The wind from the south land blows and burns,
The sun grows red in the brazen sky;
And I know that the long, dank grasses wave
Over my beautiful darling's grave:
Rise and fall, and lift and wave
Over my darling's narrow grave.
The days flow on, and the summer dies,
And glorious Autumn takes the crown;
And toward the south the robin flies,
And the green of the hills grows dull and brown;
And the leaves, all purple, and gold, and red,
Drift over my precious darling's bed:
Drift and flutter, all gold and red,
Over my darling's lowly bed.
The Winter comes with its chilling snows,
And wraps the world in a spotless shroud;
And cold from the north the wild wind blows,
And the tempest rages fierce and loud;
It shrieks, and sobs, and sighs, and weeps
Over the mound where my darling sleeps:
In pity, it sobs, and sighs, and weeps
Over the mound where my lost one sleeps.
He was so young, and fair, and brave:
The pride of my bosom-my heart's best joy;
And he lieth now in a drunkard's grave;
My beautiful darling, my only boy:
But down in my heart of hearts, I know
He has gone where his tempters never can go:
To heaven his soul has gone, I know,
Where the soul of his tempters never can go.
They charmed him into their licensed hell,
They gave him rum, and his eye grew wild;
And lower and lower down he fell,
Till they made a fiend of my precious child:
May the curses of God fall on the soul
Who gave my darling the poison bowl!
Ay, curses dark and deep on the soul
Who tempted my darling to lift the bowl!
poem by Ella Wheeler Wilcox
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A Day Dream
My eyes make pictures when they're shut:--
I see a fountain large and fair,
A Willow and a ruined Hut,
And thee, and me, and Mary there.
O Mary! make thy gentle lap our pillow!
Bend o'er us, like a bower, my beautiful green Willow!
A wild-rose roofs the ruined shed,
And that and summer well agree
And lo! where Mary leans her head,
Two dear names carved upon the tree!
And Mary's tears, they are not tears of sorrow:
Our sister and our friend will both be here to-morrow.
'Twas Day! But now few, large, and bright
The stars are round the crescent moon!
And now it is a dark warm Night,
The balmiest of the month of June!
A glow-worm fallen, and on the marge remounting
Shines, and its shadow shines, fit stars for our sweet fountain.
O ever -- ever be thou blest!
For dearly, Asra! love I thee!
This brooding warmth across my breast,
This depth of tranquil bliss -- ah me!
Fount, Tree, and Shed are gone, I know not whither,
But in one quiet room we three are still together.
The shadows dance upon the wall,
By the still dancing fire-flames made;
And now they slumber, moveless all!
And now they melt to one deep shade!
But not from me shall this mild darkness steal thee:
I dream thee with mine eyes, and at my heart I feel thee!
Thine eyelash on my cheek doth play--
'Tis Mary's hand upon my brow!
But let me check this tender lay,
Which none may hear but she and thou!
Like the still hive at quiet midnight humming,
Murmur it to yourselves, ye two beloved women!
poem by Samuel Taylor Coleridge
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Chains Invisible
THE lilies in my garden grow,
Wide meadows ring my garden round,
In that green copse wild violets blow,
And pale, frail cuckoo flowers are found.
For all you see and all you hear,
The city might be miles away,
And yet you feel the city near
Through all the quiet of the day.
Sweet smells the earth--wet with sweet rain--
Sweet lilac waves in moonlight pale,
And from the wood beyond the lane
I hear the hidden nightingale.
Though field and wood about me lie,
Hushed soft in dew and deep delight,
Yet can I hear the city's sigh
Through all the silence of the night.
For me the skylark builds and sings,
For me the vine her garland weaves;
The swallow folds her glossy wings
To build beneath my cottage eaves.
But I can feel the giant near,
Can hear his slaves by daylight weep,
And when at last the night is here,
I hear him moaning in his sleep.
Oh! for a little space of ground,
Though not a flower should make it gay,
Where miles of meadows wrapped me round,
And leagues and leagues of silence lay.
Oh! for a wind-lashed, treeless down,
A black night and a rising sea,
And never a thought of London town,
To steal the world's delight from me.
poem by Edith Nesbit
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Orara
THE STRONG sob of the chafing stream
That seaward fights its way
Down crags of glitter, dells of gleam,
Is in the hills to-day.
But far and faint, a grey-winged form
Hangs where the wild lights wane—
The phantom of a bygone storm,
A ghost of wind and rain.
The soft white feet of afternoon
Are on the shining meads,
The breeze is as a pleasant tune
Amongst the happy reeds.
The fierce, disastrous, flying fire,
That made the great caves ring,
And scarred the slope, and broke the spire,
Is a forgotten thing.
The air is full of mellow sounds,
The wet hill-heads are bright,
And down the fall of fragrant grounds
The deep ways flame with light.
A rose-red space of stream I see,
Past banks of tender fern;
A radiant brook, unknown to me
Beyond its upper turn:
The singing silver life I hear,
Whose home is in the green,
Far-folded woods of fountains clear,
Where I have never been.
Ah, brook above the upper bend,
I often long to stand
Where you in soft, cool shades descend
From the untrodden land!
Ah, folded woods, that hide the grace
Of moss and torrents strong,
I often wish to know the face
Of that which sings your song!
But I may linger, long, and look
Till night is over all:
My eyes will never see the brook,
Or sweet, strange waterfall.
The world is round me with its heat,
And toil, and cares that tire;
I cannot with my feeble feet
Climb after my desire.
But, on the lap of lands unseen,
Within a secret zone,
There shine diviner gold and green
Than man has ever known.
And where the silver waters sing
Down hushed and holy dells,
The flower of a celestial Spring,
A tenfold splendour, dwells.
Yea, in my dream of fall and brook
By far sweet forests furled,
I see that light for which I look
In vain through all the world—
The glory of a larger sky
On slopes of hills sublime,
That speak with God and morning, high
Above the ways of Time!
Ah! haply, in this sphere of change
Where shadows spoil the beam,
It would not do to climb that range
And test my radiant Dream.
The slightest glimpse of yonder place,
Untrodden and alone,
Might wholly kill that nameless grace
The charm of the unknown.
And therefore, though I look and long,
Perhaps the lot is bright
Which keeps the river of the song
A beauty out of sight
poem by Henry Kendall
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The Autumn Wind
I.
HUSH, moaning autumn wind! be still, be still!
Thy grieving voice forbiddeth hearts to rest;
We hear thee sweeping down the lonely hill,
And mournful thoughts crowd o'er the human breast.
Why wilt thou haunt us, with thy voice unkind,
Sadd'ning the earth? Hush, moaning autumn wind!
II.
Toss not the branching trees so wildly high,
Filling the forest with thy dreary sound:
Without thy aid the hues of summer die,
And the sear leaves fall scatter'd to the ground.
Thou dost but hasten, needlessly unkind,
The winter's task, thou moaning autumn wind!
III.
Sweep not thro' Ocean's caves with hollow roar,
Driving our fair ships to some rock-bound strand!
While the vex'd sea foams wrathful to the shore,
The seaman's wife looks shuddering from the land,
And widow'd hearts for many a year shall find
Death in thy voice, thou moaning autumn wind!
IV.
Round our calm dwellings, when our hearths are gay,
Roam not, oh howling spirit of Despair!
As tho' thou wert a creature seeking prey,
And where the land look'd richest, found it there.
We have enough of memories unkind
Without thy voice, thou moaning autumn wind!
V.
Thee the sad mourner lists, and turns to weep,
In the blank silence of her lonely home;
The sick man hears, and starts from broken sleep,
And the night-wanderer sighs--compell'd to roam;
While the poor shiver, for their huts unkind
Bar thee not out, thou searching autumn wind!
VI.
Back to the barren hill and lonely glen!
Here let the wandering of thy echoes cease;
Sadly thou soundest to the hearts of men,--
Hush thy wild voice, and let the earth have peace;
Or, if no chain thy restless will can bind,
Sweep thro' the desert, moaning autumn wind!
poem by Caroline Elizabeth Sarah Norton
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In Memory of Edward Butler
A voice of grave, deep emphasis
Is in the woods to-night;
No sound of radiant day is this,
No cadence of the light.
Here in the fall and flights of leaves
Against grey widths of sea,
The spirit of the forests grieves
For lost Persephone.
The fair divinity that roves
Where many waters sing
Doth miss her daughter of the groves —
The golden-headed Spring.
She cannot find the shining hand
That once the rose caressed;
There is no blossom on the land,
No bird in last year’s nest.
Here, where this strange Demeter weeps —
This large, sad life unseen —
Where July’s strong, wild torrent leaps
The wet hill-heads between,
I sit and listen to the grief,
The high, supreme distress,
Which sobs above the fallen leaf
Like human tenderness!
Where sighs the sedge and moans the marsh,
The hermit plover calls;
The voice of straitened streams is harsh
By windy mountain walls;
There is no gleam upon the hills
Of last October’s wings;
The shining lady of the rills
Is with forgotten things.
Now where the land’s worn face is grey
And storm is on the wave,
What flower is left to bear away
To Edward Butler’s grave?
What tender rose of song is here
That I may pluck and send
Across the hills and seas austere
To my lamented friend?
There is no blossom left at all;
But this white winter leaf,
Whose glad green life is past recall,
Is token of my grief.
Where love is tending growths of grace,
The first-born of the Spring,
Perhaps there may be found a place
For my pale offering.
For this heroic Irish heart
We miss so much to-day,
Whose life was of our lives a part,
What words have I to say?
Because I know the noble woe
That shrinks beneath the touch —
The pain of brothers stricken low —
I will not say too much.
But often in the lonely space
When night is on the land,
I dream of a departed face —
A gracious, vanished hand.
And when the solemn waters roll
Against the outer steep,
I see a great, benignant soul
Beside me in my sleep.
Yea, while the frost is on the ways
With barren banks austere,
The friend I knew in other days
Is often very near.
I do not hear a single tone;
But where this brother gleams,
The elders of the seasons flown
Are with me in my dreams.
The saintly face of Stenhouse turns —
His kind old eyes I see;
And Pell and Ridley from their urns
Arise and look at me.
By Butler’s side the lights reveal
The father of his fold,
I start from sleep in tears, and feel
That I am growing old.
Where Edward Butler sleeps, the wave
Is hardly ever heard;
But now the leaves above his grave
By August’s songs are stirred.
The slope beyond is green and still,
And in my dreams I dream
The hill is like an Irish hill
Beside an Irish stream.
poem by Henry Kendall
Submitted by Poetry Lover
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The Poet I Am', And 'The Poet I Am Not
The poet I am, and the poet I am not
‘The poet I am’ says
To ‘the poet I am not’,
‘Why can’t I be more like you? ’
And ‘the poet I am not’ says
‘Because you are not good enough’
And ‘the poet I am’ begins to cry,
And ‘the poet I am not’ says
‘Real poets cry for more meaningful things’
And ‘the poet I am’ says ‘I am who I am and what I will be means so much to me. But still I am not the poet I wanted to be’.
And ‘the poet I am not’ says
‘Exactly. Were you less concerned with who you are and more concerned with others you might be a bit more of a poet than you are now.’
And ‘the poet I am’ is silent.
And ‘the poet I am not’is somewhere else being someone else
That ‘the poet I am and the poet I am not’ cannot see or dream.
poem by Shalom Freedman
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Illa Creek
A strong sea-wind flies up and sings
Across the blown-wet border,
Whose stormy echo runs and rings
Like bells in wild disorder.
Fierce breath hath vexed the foreland's face,
It glistens, glooms, and glistens;
But deep within this quiet place
Sweet Illa lies and listens.
Sweet Illa of the shining sands,
She sleeps in shady hollows,
Where August flits with flowerful hands,
And silver Summer follows.
Far up the naked hills is heard
A noise of many waters,
But green-haired Illa lies unstirred
Amongst her star-like daughters.
The tempest, pent in moaning ways,
Awakes the shepherd yonder,
But Illa dreams unknown to days
Whose wings are wind and thunder.
Here fairy hands and floral feet
Are brought by bright October;
Here, stained with grapes and smit with heat,
Comes Autumn, sweet and sober.
Here lovers rest, what time the red
And yellow colours mingle,
And daylight droops with dying head
Beyond the western dingle.
And here, from month to month, the time
Is kissed by peace and pleasure,
While Nature sings her woodland rhyme
And hoards her woodland treasure.
Ah, Illa Creek! ere evening spreads
Her wings o'er towns unshaded,
How oft we seek thy mossy beds
To lave our foreheads faded!
For, let me whisper, then we find
The strength that lives, nor falters,
In wood and water, waste and wind,
And hidden mountain altars.
poem by Henry Kendall
Submitted by Poetry Lover
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Ogyges
Stand out, swift-footed leaders of the horns,
And draw strong breath, and fill the hollowy cliff
With shocks of clamour, — let the chasm take
The noise of many trumpets, lest the hunt
Should die across the dim Aonian hills,
Nor break through thunder and the surf-white cave
That hems about the old-eyed Ogyges
And bars the sea-wind, rain-wind, and the sea!
Much fierce delight hath old-eyed Ogyges
(A hairless shadow in a lion’s skin)
In tumult, and the gleam of flying spears,
And wild beasts vexed to death; “for,” sayeth he,
“Here lying broken, do I count the days
For every trouble; being like the tree —
The many-wintered father of the trunks
On yonder ridges: wherefore it is well
To feel the dead blood kindling in my veins
At sound of boar or battle; yea to find
A sudden stir, like life, about my feet,
And tingling pulses through this frame of mine
What time the cold clear dayspring, like a bird
Afar off, settles on the frost-bound peaks,
And all the deep blue gorges, darkening down,
Are filled with men and dogs and furious dust!”
So in the time whereof thou weetest well —
The melancholy morning of the World —
He mopes or mumbles, sleeps or shouts for glee,
And shakes his sides — a cavern-hutted King!
But when the ouzel in the gaps at eve
Doth pipe her dreary ditty to the surge
All tumbling in the soft green level light,
He sits as quiet as a thick-mossed rock,
And dreameth in his cold old savage way
Of gliding barges on the wine-dark waves,
And glowing shapes, and sweeter things than sleep,
But chiefly, while the restless twofold bat
Goes flapping round the rainy eaves above,
Where one broad opening letteth in the moon,
He starteth, thinking of that grey-haired man,
His sire: then oftentimes the white-armed child
Of thunder-bearing Jove, young Thebe, comes
And droops above him with her short sweet sighs
For Love distraught — for dear Love’s faded sake
That weeps and sings and weeps itself to death
Because of casual eyes, and lips of frost,
And careless mutterings, and most weary years.
Bethink you, doth the wan Egyptian count
This passion, wasting like an unfed flame,
Of any worth now; seeing that his thighs
Are shrunken to a span and that the blood,
Which used to spin tumultuous down his sides
Of life in leaping moments of desire,
Is drying like a thin and sluggish stream
In withered channels — think you, doth he pause
For golden Thebe and her red young mouth?
Ah, golden Thebe — Thebe, weeping there,
Like some sweet wood-nymph wailing for a rock,
If Octis with the Apollonian face —
That fair-haired prophet of the sun and stars —
Could take a mist and dip it in the West
To clothe thy limbs of shine about with shine
And all the wonder of the amethyst,
He’d do it — kneeling like a slave for thee!
If he could find a dream to comfort thee,
He’d bring it: thinking little of his lore,
But marvelling greatly at those eyes of thine.
Yea, if the Shepherd waiting for thy steps,
Pent down amongst the dank black-weeded rims,
Could shed his life like rain about thy feet,
He’d count it sweetness past all sweets of love
To die by thee — his life’s end in thy sight.
Oh, but he loves the hunt, doth Ogyges!
And therefore should we blow the horn for him:
He, sitting mumbling in his surf-white cave
With helpless feet and alienated eyes,
Should hear the noises nathless dawn by dawn
Which send him wandering swiftly through the days
When like a springing cataract he leapt
From crag to crag, the strongest in the chase
To spear the lion, leopard, or the boar!
Oh, but he loves the hunt; and, while the shouts
Of mighty winds are in this mountained World,
Behold the white bleak woodman, Winter, halts
And bends to him across a beard of snow
For wonder; seeing Summer in his looks
Because of dogs and calls from throats of hair
All in the savage hills of Hyria!
And, through the yellow evenings of the year,
What time September shows her mooned front
And poppies burnt to blackness droop for drouth,
The dear Demeter, splashed from heel to thigh
With spinning vine-blood, often stoops to him
To crush the grape against his wrinkled lips
Which sets him dreaming of the thickening wolves
In darkness, and the sound of moaning seas.
So with the blustering tempest doth he find
A stormy fellowship: for when the North
Comes reeling downwards with a breath like spears,
Where Dryope the lonely sits all night
And holds her sorrow crushed betwixt her palms,
He thinketh mostly of that time of times
When Zeus the Thunderer — broadly-blazing King —
Like some wild comet beautiful but fierce,
Leapt out of cloud and fire and smote the tops
Of black Ogygia with his red right hand,
At which great fragments tumbled to the Deeps —
The mighty fragments of a mountain-land —
And all the World became an awful Sea!
But, being tired, the hairless Ogyges
Best loveth night and dim forgetfulness!
“For,” sayeth he, “to look for sleep is good
When every sleep is as a sleep of death
To men who live, yet know not why they live,
Nor how they live! I have no thought to tell
The people when this time of mine began;
But forest after forest grows and falls,
And rock by rock is wasted with the rime,
While I sit on and wait the end of all;
Here taking every footstep for a sign;
An ancient shadow whiter than the foam!”
poem by Henry Kendall
Submitted by Poetry Lover
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To June. Written After An Ungenial May
I'll heed no more the poet's lay-
His false-fond song shall charm no more-
My heart henceforth shall but adore
The real, not the misnamed May.
Too long I've knelt, and vainly hung
My offerings round an empty name;
O May! thou canst not be the same
As once thou wert when Earth was young.
Thou canst not be the same to-day-
The poet's dream-the lover's joy:-
The floral heaven of girl and boy
Were heaven no more, if thou wert May.
If thou wert May, then May is cold,
And, oh! how changed from what she has been-
Then barren boughs are bright with green,
And leaden skies are glad with gold.
And the dark clouds that veiled thy moon
Were silvery-threaded tissues bright,
Looping the locks of amber light
That float but on the airs of June.
O June! thou art the real May;
Thy name is soft and sweet as hers
But rich blood thy bosom stirs,
Her marble cheek cannot display.
She cometh like a haughty girl,
So conscious of her beauty's power,
She now will wear nor gem nor flower
Upon her pallid breast of pearl.
And her green silken summer dress,
So simply flower'd in white and gold,
She scorns to let our eyes behold,
But hides through very wilfulness:
Hides it 'neath ermined robes, which she
Hath borrowed from some wintry quean,
Instead of dancing on the green-
A village maiden fair and free.
Oh! we have spoiled her with our praise,
And made her froward, false, and vain;
So that her cold blue eyes disdain
To smile as in the earlier days.
Let her beware-the world full soon
Like me shall tearless turn away,
And woo, instead of thine, O May!
The brown, bright, joyous eyes of June.
O June! forgive the long delay,
My heart's deceptive dream is o'er-
Where I believe I will adore,
Nor worship June, yet kneel to May.
poem by Denis Florence MacCarthy
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Watching
Like a beautiful face looking ever at me
A pure bright moon cometh over the sea;
And I stand on the crags, and hear the falls
Go tumbling down, through the black river-walls;
And the heart of the gorge is rent with the cry
Of the pent-up winds in their agony!
You are far from me, dear, where I watch and wait,
Like a weary bird for a long-lost mate,
And my life is as dull as the sluggish stream
Feeling its way through a world of dream;
For here is a waste of darkness and fear,
And I call and I call, but no one will hear!
O darling of mine, do you ever yearn
For a something lost, which will never return?
O darling of mine, on the grave of dead Hours,
Do you feel, like me, for a handful of flowers?
Through the glens of the Past, do you wander along,
Like a restless ghost that hath done a wrong?
And, lying alone, do you look from the drouth
Of a thirsty Life with a pleading mouth?
When the rain’s on the roof, and the gales are abroad,
Do you wash with your tears the feet of your God?
Oh! I know you do, and he sitteth alone,
Your wounded Love, while you mourn and moan —
Oh! I know you do, and he never will leap
From his silence with smiles, while you weep — and weep!
Your coolness shake down, ye gathered green leaves,
For my spirit is faint with the love that it grieves!
Is there aught on the summit, O yearner through Night,
Aught on the summit which looks like the light;
When my soul is a-wearied and lone in the land,
Groping around will it touch a kind hand?
There are chasms between us as black as a pall,
But bring us together, O God over all!
And let me cast from me these fetters of Fear,
When I hear the glad singing of Faith so near;
For I know by the cheeks, which are pallid and wet,
And a listening life we shall mingle yet!
Oh! then I will turn to those eloquent eyes,
And clasp thee close, with a sweet surprise;
And a guest will go in by the heart’s holy door,
And the chambers of Love shall be left no more.
poem by Henry Kendall
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The Two Rivers
Slowly the hour-hand of the clock moves round;
So slowly that no human eye hath power
To see it move! Slowly in shine or shower
The painted ship above it, homeward bound,
Sails, but seems motionless, as if aground;
Yet both arrive at last; and in his tower
The slumberous watchman wakes and strikes the hour,
A mellow, measured, melancholy sound.
Midnight! the outpost of advancing day!
The frontier town and citadel of night!
The watershed of Time, from which the streams
Of Yesterday and To-morrow take their way,
One to the land of promise and of light,
One to the land of darkness and of dreams!
II.
O River of Yesterday, with current swift
Through chasms descending, and soon lost to sight,
I do not care to follow in their flight
The faded leaves, that on thy bosom drift!
O River of To-morrow, I uplift
Mine eyes, and thee I follow, as the night
Wanes into morning, and the dawning light
Broadens, and all the shadows fade and shift!
I follow, follow, where thy waters run
Through unfrequented, unfamiliar fields,
Fragrant with flowers and musical with song;
Still follow, follow; sure to meet the sun,
And confident, that what the future yields
Will be the right, unless myself be wrong.
III.
Yet not in vain, O River of Yesterday,
Through chasms of darkness to the deep descending,
I heard thee sobbing in the rain, and blending
Thy voice with other voices far away.
I called to thee, and yet thou wouldst not stay,
But turbulent, and with thyself contending,
And torrent-like thy force on pebbles spending,
Thou wouldst not listen to a poet's lay.
Thoughts, like a loud and sudden rush of wings,
Regrets and recollections of things past,
With hints and prophecies of things to be,
And inspirations, which, could they be things,
And stay with us, and we could hold them fast,
Were our good angels,--these I owe to thee.
IV.
And thou, O River of To-morrow, flowing
Between thy narrow adamantine walls,
But beautiful, and white with waterfalls,
And wreaths of mist, like hands the pathway showing;
I hear the trumpets of the morning blowing,
I hear thy mighty voice, that calls and calls,
And see, as Ossian saw in Morven's halls,
Mysterious phantoms, coming, beckoning, going!
It is the mystery of the unknown
That fascinates us; we are children still,
Wayward and wistful; with one hand we cling
To the familiar things we call our own,
And with the other, resolute of will,
Grope in the dark for what the day will bring.
poem by Henry Wadsworth Longfellow
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The North Wind
That wind is from the North, I know it well;
No other breeze could have so wild a swell.
Now deep and loud it thunders round my cell,
The faintly dies,
And softly sighs,
And moans and murmurs mournfully.
I know its language; thus is speaks to me
'I have passed over thy own mountains dear,
Thy northern mountains - and they still are free,
Still lonely, wild, majestic, bleak and drear,
And stern and lovely, as they used to be
When thou, a young enthusiast,
As wild and free as they,
O'er rocks and glens and snowy heights
Didst often love to stray.
I've blown the wild untrodden snows
In whirling eddies from their brows,
And I have howled in caverns wild
Where thou, a joyous mountain child,
Didst dearly love to be.
The sweet world is not changed, but thou
Art pining in a dungeon now,
Where thou must ever be;
No voice but mine can reach thine ear,
And Heaven has kindly sent me here,
To mourn and sigh with thee,
And tell thee of the cherished land
Of thy nativity.'
Blow on, wild wind, thy solemn voice,
However sad and drear,
Is nothing to the gloomy silence
I have had to bear.
Hot tears are streaming from my eyes,
But these are better far
Than that dull gnawing tearless [time]
The stupor of despair.
Confined and hopeless as I am,
O speak of liberty,
O tell me of my mountain home,
And I will welcome thee.
poem by Anne Brontë
Submitted by Veronica Serbanoiu
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My Soul And I
Stand still, my soul, in the silent dark
I would question thee,
Alone in the shadow drear and stark
With God and me!
What, my soul, was thy errand here?
Was it mirth or ease,
Or heaping up dust from year to year?
'Nay, none of these!'
Speak, soul, aright in His holy sight
Whose eye looks still
And steadily on thee through the night
'To do His will!'
What hast thou done, O soul of mine,
That thou tremblest so?
Hast thou wrought His task, and kept the line
He bade thee go?
Aha! thou tremblest!--well I see
Thou 'rt craven grown.
Is it so hard with God and me
To stand alone?
Summon thy sunshine bravery back,
O wretched sprite!
Let me hear thy voice through this deep and black
Abysmal night.
What hast thou wrought for Right and Truth,
For God and Man,
From the golden hours of bright-eyed youth
To life's mid span?
What, silent all! art sad of cheer?
Art fearful now?
When God seemed far and men were near,
How brave wert thou!
Ah, soul of mine, thy tones I hear,
But weak and low,
Like far sad murmurs on my ear
They come and go.
I have wrestled stoutly with the Wrong,
And borne the Right
From beneath the footfall of the throng
To life and light.
'Wherever Freedom shivered a chain,
God speed, quoth I;
To Error amidst her shouting train
I gave the lie.'
Ah, soul of mine! ah, soul of mine!
Thy deeds are well:
Were they wrought for Truth's sake or for thine?
My soul, pray tell.
'Of all the work my hand hath wrought
Beneath the sky,
Save a place in kindly human thought,
No gain have I.'
Go to, go to! for thy very self
Thy deeds were done
Thou for fame, the miser for pelf,
Your end is one!
And where art thou going, soul of mine?
Canst see the end?
And whither this troubled life of thine
Evermore doth tend?
What daunts thee now? what shakes thee so?
My sad soul say.
'I see a cloud like a curtain low
Hang o'er my way.
'Whither I go I cannot tell
That cloud hangs black,
High as the heaven and deep as hell
Across my track.
'I see its shadow coldly enwrap
The souls before.
Sadly they enter it, step by step,
To return no more.
'They shrink, they shudder, dear God! they kneel
To Thee in prayer.
They shut their eyes on the cloud, but feel
That it still is there.
'In vain they turn from the dread Before
To the Known and Gone;
For while gazing behind them evermore
Their feet glide on.
'Yet, at times, I see upon sweet pale faces
A light begin
To tremble, as if from holy places
And shrines within.
'And at times methinks their cold lips move
With hymn and prayer,
As if somewhat of awe, but more of love
And hope were there.
'I call on the souls who have left the light
To reveal their lot;
I bend mine ear to that wall of night,
And they answer not.
'But I hear around me sighs of pain
And the cry of fear,
And a sound like the slow sad dropping of rain,
Each drop a tear!
'Ah, the cloud is dark, and day by day
I am moving thither
I must pass beneath it on my way--
God pity me!--whither?'
Ah, soul of mine! so brave and wise
In the life-storm loud,
Fronting so calmly all human eyes
In the sunlit crowd!
Now standing apart with God and me
Thou art weakness all,
Gazing vainly after the things to be
Through Death's dread wall.
But never for this, never for this
Was thy being lent;
For the craven's fear is but selfishness,
Like his merriment.
Folly and Fear are sisters twain
One closing her eyes.
The other peopling the dark inane
With spectral lies.
Know well, my soul, God's hand controls
Whate'er thou fearest;
Round Him in calmest music rolls
Whate'er thou Nearest.
What to thee is shadow, to Him is day,
And the end He knoweth,
And not on a blind and aimless way
The spirit goeth.
Man sees no future,--a phantom show
Is alone before him;
Past Time is dead, and the grasses grow,
And flowers bloom o'er him.
Nothing before, nothing behind;
The steps of Faith
Fall on the seeming void, and find
The rock beneath.
The Present, the Present is all thou hast
For thy sure possessing;
Like the patriarch's angel hold it fast
Till it gives its blessing.
Why fear the night? why shrink from Death;
That phantom wan?
There is nothing in heaven or earth beneath
Save God and man.
Peopling the shadows we turn from Him
And from one another;
All is spectral and vague and dim
Save God and our brother!
Like warp and woof all destinies
Are woven fast,
Linked in sympathy like the keys
Of an organ vast.
Pluck one thread, and the web ye mar;
Break but one
Of a thousand keys, and the paining jar
Through all will run.
O restless spirit! wherefore strain
Beyond thy sphere?
Heaven and hell, with their joy and pain,
Are now and here.
Back to thyself is measured well
All thou hast given;
Thy neighbor's wrong is thy present hell,
His bliss, thy heaven.
And in life, in death, in dark and light,
All are in God's care
Sound the black abyss, pierce the deep of night,
And He is there!
All which is real now remaineth,
And fadeth never
The hand which upholds it now sustaineth
The soul forever.
Leaning on Him, make with reverent meekness
His own thy will,
And with strength from Him shall thy utter weakness
Life's task fulfil;
And that cloud itself, which now before thee
Lies dark in view,
Shall with beams of light from the inner glory
Be stricken through.
And like meadow mist through autumn's dawn
Uprolling thin,
Its thickest folds when about thee drawn
Let sunlight in.
Then of what is to be, and of what is done,
Why queriest thou?
The past and the time to be are one,
And both are now!
poem by John Greenleaf Whittier
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