The Water Ouzel

Little brown surf-bather of the mountains!
Spirit of foam, lover of cataracts, shaking your wings in falling waters!
Have you no fear of the roar and rush when Nevada plunges --
Nevada, the shapely dancer, feeling her way with slim white fingers?
How dare you dash at Yosemite the mighty --
Tall, white limbed Yosemite, leaping down, down over the cliff?
Is it not enough to lean on the blue air of mountains?
Is it not enough to rest with your mate at timberline, in bushes that hug
   the rocks?
Must you fly through mad waters where the heaped-up granite breaks them?
Must you batter your wings in the torrent?
Must you plunge for life and death through the foam?

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People at Night

A night that cuts between you and you
and you and you and you
and me : jostles us apart, a man elbowing
through a crowd.       & nbsp;  We won't
      &nbs p;         ;     look for each other, either-
wander off, each alone, not looking
in the slow crowd. Among sideshows
               & nbsp;     under movie signs,
      &nb sp;       &nbs p;     pictures made of a million lights,
      &n bsp;       &nb sp;     giants that move and again move
        ;              again, above a cloud of thick smells,
      &n bsp;       &nb sp;     franks, roasted nutmeats-

Or going up to some apartment, yours
      &nbs p;         ;     or yours, finding
someone sitting in the dark:
who is it really? So you switch the
light on to see: you know the name but
who is it ?
       &n bsp;  But you won't see.

The fluorescent light flickers sullenly, a
pause. But you command. It grabs
each face and holds it up
by the hair for you, mask after mask.
      &nbs p;         ;     You  &nb sp;and   you and I   repeat
   &n bsp;       &nb sp;       &nbs p;gestures that make do when speech
      &nb sp;       &nbs p;     has failed       & nbsp;  and talk
        ;              and talk, laughing, saying
      &nb sp;       &nbs p;     'I', and 'I',
meaning 'Anybody'.
       ;                 & nbsp;       No one.

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The Words

Clouds scattered across the sky       &nbs p;all so far away
and then the space between         this strange 'distance'
What does 'normal' mean, after all?       &nb sp;you move
toward the window       & nbsp;lights marking the headland
and the night becomes a milestone      &nbs p; though
I         the fog rolls up the hill from the sea
in waves the town       &nb sp;desperate?
Whichever way we look       &nb sp;though so much at hand
only held back by obsessions
but 'home' is so long ago       &nbs p;don't cry
the light's a very pale blue       &nb sp;then maybe       &n bsp;the next time too
a faint glimmer across the bay       &nbs p;neither moon
nor stars
and your letter making signs       &n bsp;concerning 'understanding'
and 'the magic tortoise'      &nbs p; what then?       &n bsp;or just tiredness

At each alternative      &n bsp; the colours in the sky
gradually changing        ; until you're lulled into believing
you've seen this before       & nbsp;but not quite
The wood-cut of a lone horseman
riding through a deathly countryside      &n bsp; raped

'You're very brave'       & nbsp;I clean the table-top
and you sat in that chair       &n bsp;two red poppies
in the garden below       &n bsp;at dawn
This apparent clumsiness is far from true

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Music in an Empty House

The house was empty and
      the people of the house
      gone many months

Months for the weevil
      for the patient worm
      timbe r-mole softly tunnelling
       ;for the parliament of rats

Footsteps slink past
      damp walls
      down
      long
& nbsp;     corridors

Slow feet
      warily scuff
      bare boards
The much-bitten
     &nbs p;tapestry
       ;  holds
    &nb sp;     many
 &n bsp;    moths

In a certain curtain'd room
      the halting steps evade
      chai rs white shrouded

To twitch the winding-sheet
     &n bsp;around a grand piano
      thin phalanx of sound
      sharp rat's teeth edge yellow
      with decay

The much-bitten
     &nbs p;tapestry
       ;holds
      man y
      moths

On rat's teeth-edge
       ;fingers preparate
       hesitate

Then falling send
  as tenantry
    darnp-muffied chords
      rus ting strings
  a still-born song

Their fortissimoThe tattered   scarcetapestry   stirsholds   nearmany   cobwebsmoths

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Old Woman

I see Senora Sanchez
along the river.
Black catfish
pop the silver
water surface,
waves unroll
as the gnarled
bronze face and
black eyes
remember
cool sea shells
and warm turquoise,
the turkey gobbling
behind bushes,
and the red skirt
hanging on boughs
as she bathed….
She pulls her black sweater
snug around her, folded arms
across her stomach.
She who remembers
cannot say amen
but smiles to sunrise
as she walks through the grass,
      &nb sp;       &nbs p;         ;       the tall,
      &nbs p;         ;                green grass,
grass that does not listen to
       & nbsp;       &n bsp;       &nb sp;      the priest
in black robes, blooms green
as she walks through the grass
and talks with them.

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A Revocation

WHAT should I say?
   --Since Faith is dead,
And Truth away
   From you is fled?
   Should I be led
   With doubleness?
   Nay! nay! mistress.

I promised you,
   And you promised me,
To be as true
   As I would be.
   But since I see
   Your double heart,
   Farewell my part!

Thought for to take
   'Tis not my mind;
But to forsake
   One so unkind;
   And as I find
   So will I trust.
   Farewell, unjust!

Can ye say nay
   But that you said
That I alway
   Should be obeyed?
   And--thus betrayed
   Or that I wist!
   Farewell, unkist!

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Love will find out the Way

OVER the mountains
   And over the waves,
Under the fountains
   And under the graves;
Under floods that are deepest,
   Which Neptune obey,
Over rocks that are steepest,
   Love will find out the way.

When there is no place
   For the glow-worm to lie,
When there is no space
   For receipt of a fly;
When the midge dares not venture
   Lest herself fast she lay,
If Love come, he will enter
   And will find out the way.

You may esteem him
   A child for his might;
Or you may deem him
   A coward for his flight;
But if she whom Love doth honour
   Be conceal'd from the day--
Set a thousand guards upon her,
   Love will find out the way.

Some think to lose him
   By having him confined;
And some do suppose him,
   Poor heart! to be blind;
But if ne'er so close ye wall him,
   Do the best that ye may,
Blind Love, if so ye call him,
   He will find out his way.

You may train the eagle
   To stoop to your fist;
Or you may inveigle
   The Phoenix of the east;
The lioness, you may move her
   To give over her prey;
But you'll ne'er stop a lover--
   He will find out the way.

If the earth it should part him,
   He would gallop it o'er;
If the seas should o'erthwart him,
   He would swim to the shore;
Should his Love become a swallow,
   Through the air to stray,
Love will lend wings to follow,
   And will find out the way.

There is no striving
   To cross his intent;
There is no contriving
   His plots to prevent;
But if once the message greet him
   That his True Love doth stay,
If Death should come and meet him,
   Love will find out the way!

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The Liberator

Keys turning
rattling in the loose locks
  opening high the doors
that close again
like death-hours coming faster

the walls are white
and the line of beds is staring
all the bars go up and down
and none of them lead outward

and leaping eyes
    and stiff limbs
follow the crunch of the keys

I am powerful now
and I will break those that carry the keys
      with little hammers
small hammers
    which you will make for me
      and hide in the porridge
I will break all their heads
      and lay them in neat rows
    and we shall wave high the keys
    and open wide a million doors
and all of us shall dance in the snow
and that poor woman in the spiral casket
shall warm a wooden doll to her dress
      &nbs p; and lean her hair in the fire

the grating shall be taken from about the fire
  and the woman and the keys shall go within
    all of us
      shall         ;dance
      &nb sp;   within

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April -- North Carolina

Would you not be in Tryon
   Now that the spring is here,
When mocking-birds are praising
   The fresh, the blossomy year?

Look -- on the leafy carpet
   Woven of winter's browns
Iris and pink azaleas
   Flutter their gaudy gowns.

The dogwood spreads white meshes --
   So white and light and high --
To catch the drifting sunlight
   Out of the cobalt sky.

The pointed beech and maple,
   The pines, dark-tufted, tall,
Pattern with many colors
   The mountain's purple wall.

Hark -- what a rushing torrent
   Of crystal song falls sheer!
Would you not be in Tryon
   Now that the spring is here?

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Soft White

When the sea is as grey as her eyes
On these days for sure       &nb sp;the soft white
mist blown in from the ocean       &n bsp;the town dissolving
It all adds up         ;her bare shoulders

Nakedness     ;    rolling in from the sea
on winter afternoons - a fine rain
looking down on the sand       &nb sp;& shingle
the waves breaking on the shore       &n bsp;& white

It is impossible to deny what
taken by surprise        ; then wonder
the many details of her body
to be held first now       &nbs p;then later

In body & mind       &nb sp;the fine rain outside
on winter afternoons      &nb sp; the nakedness
of her bare shoulders      &nbs p; as grey as her eyes
the sea rushing up the beach as white as

The whole outline called 'geography'
meeting at a set of erotic points
lips    shoulders&n bsp;   breasts   &n bsp;stomach
the town dissolves      &nbs p; sex    thighs &n bsp;  legs

Outside  &n bsp;     then across her nakedness
it rains in the afternoon      &nbs p; then the wonder
her body so young & firm       &nb sp;dissolves the town
in winter       & nbsp;grey as her eyes

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William Shakespeare

Fairy Land i

OVER hill, over dale,
   Thorough bush, thorough brier,
   Over park, over pale,
   Thorough flood, thorough fire,
   I do wander everywhere,
   Swifter than the moone's sphere;
   And I serve the fairy queen,
   To dew her orbs upon the green:
   The cowslips tall her pensioners be;
   In their gold coats spots you see;
   Those be rubies, fairy favours,
   In those freckles live their savours:
   I must go seek some dew-drops here,
And hang a pearl in every cowslip's ear.

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Outre Mer

I see, as one in dreaming,
   A broad, bright, quiet sea;
Beyond it lies a haven --
   The only home for me.
Some men grow strong with trouble,
   But all my strength is past,
And tired and full of sorrow,
   I long to sleep at last.
By force of chance and changes
   Man's life is hard at best;
And, seeing rest is voiceless,
   The dearest thing is rest.

Beyond the sea -- behold it,
   The home I wish to seek,
The refuge of the weary,
   The solace of the weak!
Sweet angel fingers beckon,
   Sweet angel voices ask
My soul to cross the waters;
   And yet I dread the task.
God help the man whose trials
   Are tares that he must reap!
He cannot face the future --
   His only hope is sleep.

Across the main a vision
   Of sunset coasts, and skies,
And widths of waters gleaming,
   Enchant my human eyes.
I, who have sinned and suffered,
   Have sought -- with tears have sought --
To rule my life with goodness,
   And shape it to my thought.
And yet there is no refuge
   To shield me from distress,
Except the realm of slumber
   And great forgetfulness.

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From the Arabic, an Imitation

MY faint spirit was sitting in the light
   Of thy looks, my love;
   It panted for thee like the hind at noon
   For the brooks, my love.
Thy barb, whose hoofs outspeed the tempest's flight,
   Bore thee far from me;
   My heart, for my weak feet were weary soon,
   Did companion thee.

Ah! fleeter far than fleetest storm or steed,
   Or the death they bear,
   The heart which tender thought clothes like a dove
   With the wings of care;
In the battle, in the darkness, in the need,
   Shall mine cling to thee,
   Nor claim one smile for all the comfort, love,
   It may bring to thee.

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Grey Rocks, and Greyer Sea

Grey rocks, and greyer sea,
   And surf along the shore --
And in my heart a name
   My lips shall speak no more.

The high and lonely hills
   Endure the darkening year --
And in my heart endure
   A memory and a tear.

Across the tide a sail
   That tosses, and is gone --
And in my heart the kiss
   That longing dreams upon.

Grey rocks, and greyer sea,
   And surf along the shore --
And in my heart the face
   That I shall see no more.

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Shadows on the Down

When daffodils danced in Chuck Hatch, and white clouds
Drew their own shadowy purple across the hills,
Darkening the valley where the small flint church
The Saxon built stood roofless to the sun,
Believe me, Memory, it was not a shadow!
No shadow of a cloud you saw that day
Flowing across the smooth deep-breasted downs,
But something darker, sweeter,--the wild thyme
Of Sussex, flowing like a river of joy
That tossed a hundred skylarks up.
                & nbsp;       &n bsp;       &nb sp;       &nbs p;         ;  No shadow,
Believe me, Memory, but the purple thyme
Flowing by windmill and by wattled fold
On to the white chalk coast and sparkling sea.

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Dirge

CALM on the bosom of thy God,
   Fair spirit, rest thee now!
E'en while with ours thy footsteps trod,
   His seal was on thy brow.

Dust, to its narrow house beneath!
   Soul, to its place on high!
They that have seen thy look in death
   No more may fear to die.

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Absences

It's snowing this afternoon and there are no flowers.
There is only this sound of falling, quiet and remote,
Like the memory of scales descending the white keys
Of a childhood piano--outside the window, palms!
And the heavy head of the cereus, inclining,
Soon to let down its white or yellow-white.

Now, only these poor snow-flowers in a heap,
Like the memory of a white dress cast down . . .
So much has fallen.
      &n bsp;       &nb sp;          & nbsp;       And I, who have listened for a step
All afternoon, hear it now, but already falling away,
Already in memory. And the terrible scales descending
On the silent piano; the snow; and the absent flowers abounding.

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William Shakespeare

Dirge

COME away, come away, death,
   And in sad cypres let me be laid;
Fly away, fly away, breath;
   I am slain by a fair cruel maid.
My shroud of white, stuck all with yew,
   O prepare it!
My part of death, no one so true
   Did share it.

Not a flower, not a flower sweet,
   On my black coffin let there be strown;
Not a friend, not a friend greet
   My poor corse, where my bones shall be thrown:
A thousand thousand sighs to save,
   Lay me, O, where
Sad true lover never find my grave
   To weep there!

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Thomas Hardy

Rome at the Pyramid of Cestius Near the Graves of Shelley and Keats (1887)

Who, then, was Cestius,
   And what is he to me? -
Amid thick thoughts and memories multitudinous
   One thought alone brings he.

   I can recall no word
   Of anything he did;
For me he is a man who died and was interred
   To leave a pyramid

   Whose purpose was exprest
   Not with its first design,
Nor till, far down in Time, beside it found their rest
   Two countrymen of mine.

   Cestius in life, maybe,
   Slew, breathed out threatening;
I know not. This I know: in death all silently
   He does a kindlier thing,

   In beckoning pilgrim feet
   With marble finger high
To where, by shadowy wall and history-haunted street,
   Those matchless singers lie . . .

   --Say, then, he lived and died
   That stones which bear his name
Should mark, through Time, where two immortal Shades abide;
   It is an ample fame.

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Thomas Hardy

To Life

O life with the sad seared face,
   I weary of seeing thee,
And thy draggled cloak, and thy hobbling pace,
   And thy too-forced pleasantry!

   I know what thou would'st tell
   Of Death, Time, Destiny -
I have known it long, and know, too, well
   What it all means for me.

   But canst thou not array
   Thyself in rare disguise,
And feign like truth, for one mad day,
   That Earth is Paradise?

   I'll tune me to the mood,
   And mumm with thee till eve;
And maybe what as interlude
   I feign, I shall believe!

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Dora

SHE knelt upon her brother's grave,
   My little girl of six years old--
He used to be so good and brave,
   The sweetest lamb of all our fold;
He used to shout, he used to sing,
Of all our tribe the little king--
And so unto the turf her ear she laid,
To hark if still in that dark place he play'd.
   No sound! no sound!
   Death's silence was profound;
   And horror crept
   Into her aching heart, and Dora wept.
   If this is as it ought to be,
   My God, I leave it unto Thee.

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