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Week-End

I
The train! The twleve o'clock for paradise.
Hurry, or it will try to creep away.
Out in the country every one is wise:
We can be only wise on Saturday.
There you are waiting, little friendly house:
Those are your chimney-stacks with you between
Surrounded by old trees and strolling cows,
Staring through all your windows at the green.
Your homely floor is creaking for our tread;
The smiling tea-pot with contented spout
Thinks of the boiling water, and the bread
Longs for the butter. All their hands are out
To greet us, and the gentle blankets seem
Purring and crooning: 'Lie in us, and dream.'

II
The key will stammer, and the door reply,
The hall wake, yawn, and smile; the torpid stair
Will grumble at our feet, the table cry:
'Fetch my bolongings for me; I am bare.'
A clatter! something in the attic falls,
A ghost has lifted up his robes and fled.
Then silence very slowly lifts his head.
The starling with impatient screech has flown
The chimney, and is watching from the tree.
They thought us gone for ever: mouse alone
Stops in the middle of the floor to see.
Now all you idle things, resume your toil.
Hearth, put your flames on. Sulky kettle, boil.

III
Contented evening; comfortable joys;
The snoozing fire, and all the fields are still:
Tranquil delight, no purpose, and no noise --
Unless the slow wind flowing round the hill.
'Murry' (the kettle) dozes; little mouse
Is rambling prudently about the floor.
There's lovely conversation in this house:
Words become princes that were slaves before.
What a sweet atmosphere for you and me
The people that have been here left behind. . . .
Oh, but I fear it may turn out to be
Built of a dream, erected in the mind:
So if we speak too loud, we may awaken
To find it vanished, and ourselves mistaken.

IV
Lift up the curtain carefully. All the trees
Stand in the dark like drowsy sentinels.
The oak is talkative to-night; he tells
The little bushes crowding at his knees
That formidable, hard, voluminous
History of growth from acord into age.
They titter like school-children; they arouse
Their comrades, who exclaim: ' He is very sage. '
Look how the moon is staring through that cloud,
Laying and lifting idle streaks of light.
O hark! was that the monstrous wind, so loud
And sudden, prowling always through the night?
Let down the shaking curtain. They are queer,
Those foreigners. They and we live so near.

V
Come, come to bed. The shadows move about,
And some one seems to overhear our talk.
The fire is low; the candles flicker out;
The ghosts of former tenants want to walk.
Already they are shuffling through the gloom.
I felt on old man touch my shoulder-blade;
Once he was married here; they love this room,
He and his woman and the child they made.
Dead, dead, they are, yet some familiar sound,
Creeping along the brink of happy life,
Revives their memory from under ground --
The farmer and his troublesome old wife.
Let us be going: as we climb the stairs,
They'll sit down in our warm half-empty chairs.

VI
Morning! Wake up! Awaken! All the boughs
Are rippling on the air across the green.
The youngest birds are singing to the house.
Blood of the world! -- and is the country clean?
Disturb the precinct. Cool it with a shout.
Sing as you trundle down to light the fire.
Turn the encumbering shadows tumbling out,
And fill the chambers with a new desire.
Life is no good, unless the morning brings
White happiness and quick delight of day.
These half-inanamate domestic things
Must all be useful, or must go away.
Coffee, be fragrant. Porridge in my plate,
Increase the vigour to fulfil my fate.

VII
The fresh air moves like water round a boat.
The white clouds wander. Let us wander too.
The whining, wavering plover flap and float.
That crow is flying after that cuckoo.
Look! Look! . . . They're gone. What are the great trees calling?
Just come a little farther, by that edge
Of green, to where the stormy ploughland, falling
Wave upon wave, is lapping to the hedge.
Oh, what a lovely bank! Give me your hand.
Lie down and press your heart against the ground.
Let us both listen till we understand,
Each through the other, every natural sound. . . .
I can't hear anything to-day, can you,
But, far and near: ' Cuckoo! Cuckoo! Cuckoo! ' ?

VIII
The everlasting grass -- how bright, how cool!
The day has gone too suddenly, too soon.
There's something white and shiny in that pool --
Throw in a stone, and you will hit the moon.
Listen, the church-bell ringing! Do not say
We must go back to-morrow to our work.
We'll tell them we are dead: we died to-day.
We're lazy. We're too happy, We will shirk,
We're cows. We're kettles. We'll be anything
Except the manikins of time and fear.
We'll start away to-morrow wandering,
And nobody will notice in a year. . . .
Now the great sun is slipping under ground.
Grip firmly! -- How the earth is whirling round!

IX
Be staid; be careful; and be not too free.
Temptation to enjoy your liberty
May rise against you, break into a crime,
And smash the habit of employing Time.
It serves no purpose that the careful clock
Mark the appointment, the officious train
Hurry to keep it, if the minutes mock
Loud in you ear: 'Late. Late. Late. Late again.'
Week-end is very well on Saturday:
On Monday it's a different affair --
A little episode, a trivial stay
In some oblivious spot somehow, somewhere.
On Sunday night we hardly laugh or speak:
Week-end begins to merges itself in Week.

X
Pack up the house, and close the creaking door.
The fields are dull this morning in the rain.
It's difficult to leave that homely floor.
Wave a light hand; we will return again.
(What was that bird?) Good-bye, ecstatic tree,
Floating, bursting, and breathing on the air.
The lonely farm is wondering that we
Can leave. How every window seems to stare!
That bag is heavy. Share it for a bit.
You like that gentle swashing of the ground
As we tread ? . . .
It is over. Now we sit
Reading the morning paper in the sound
Of the debilitating heavy train.
London again, again. London again.

poem by Harold Monro
Submitted by Poetry Lover
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Related quotes

In Nunhead Cemetary

It is the clay what makes the earth stick to his spade;
He fills in holes like this year after year;
The others have gone; they were tired, and half afraid
But I would rather be standing here;

There is nowhere else to go. I have seen this place
From the windows of the train that's going past
Against the sky. This is rain on my face -
It was raining here when I saw it last.

There is something horrible about a flower;
This, broken in my hand, is one of those
He threw it in just now; it will not live another hour;
There are thousands more; you do not miss a rose.

One of the children hanging about
Pointed at the whole dreadful heap and smiled
This morning after THAT was carried out;
There is something terrible about a child.

We were like children last week, in the Strand;
That was the day you laughed at me
Because I tried to make you understand
The cheap, stale chap I used to be
Before I saw the things you made me see.

This is not a real place; perhaps by-and-by
I shall wake - I am getting drenched with all this rain:
To-morrow I will tell you about the eyes of the Chrystal Palace train
Looking down on us, and you will laugh and I shall see what you see again.

Not here, not now. We said 'Not yet
Across our low stone parapet
Will the quick shadows of the sparrows fall.

But still it was a lovely thing
Through the grey months to wait for Spring
With the birds that go a-gypsying
In the parks till the blue seas call.
And next to these, you used to care
For the Lions in Trafalgar Square,
Who'll stand and speak for London when her bell of Judgement tolls -
And the gulls at Westminster that were
The old sea-captains souls.
To-day again the brown tide splashes step by step, the river stair,

And the gulls are there!

By a month we have missed our Day:
The children would have hung about
Round the carriage and over the way
As you and I came out.

We should have stood on the gulls' black cliffs and heard the sea
And seen the moon's white track,
I would have called, you would have come to me
And kissed me back.

You have never done that: I do not know
Why I stood staring at your bed
And heard you, though you spoke so low,
But could not reach your hands, your little head;
There was nothing we could not do, you said,
And you went, and I let you go!

Now I will burn you back, I will burn you through,
Though I am damned for it we two will lie
And burn, here where the starlings fly
To these white stones from the wet sky - ;
Dear, you will say this is not I -
It would not be you, it would not be you!

If for only a little while
You will think of it you will understand,
If you will touch my sleeve and smile
As you did that morning in the Strand
I can wait quietly with you
Or go away if you want me to -
God! What is God? but your face has gone and your hand!
Let me stay here too.

When I was quite a little lad
At Christmas time we went half mad
For joy of all the toys we had,
And then we used to sing about the sheep
The shepherds watched by night;
We used to pray to Christ to keep
Our small souls safe till morning light - ;
I am scared, I am staying with you to-night -
Put me to sleep.

I shall stay here: here you can see the sky;
The houses in the street are much too high;
There is no one left to speak to there;
Here they are everywhere,
And just above them fields and fields of roses lie -
If he would dig it all up again they would not die.

poem by Charlotte Mary Mew
Submitted by Poetry Lover
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The Fear

A lantern light from deeper in the barn
Shone on a man and woman in the door
And threw their lurching shadows on a house
Near by, all dark in every glossy window.
A horse's hoof pawed once the hollow floor,
And the back of the gig they stood beside
Moved in a little. The man grasped a wheel,
The woman spoke out sharply, 'Whoa, stand still!'
'I saw it just as plain as a white plate,'
She said, 'as the light on the dashboard ran
Along the bushes at the roadside-a man's face.
You must have seen it too.'
'I didn't see it.
Are you sure--'
'Yes, I'm sure!'
'-it was a face?'
'Joel, I'll have to look. I can't go in,
I can't, and leave a thing like that unsettled.
Doors locked and curtains drawn will make no difference.
I always have felt strange when we came home
To the dark house after so long an absence,
And the key rattled loudly into place
Seemed to warn someone to be getting out
At one door as we entered at another.
What if I'm right, and someone all the time-
Don't hold my arm!'
'I say it's someone passing.'
'You speak as if this were a travelled road.
You forget where we are. What is beyond
That he'd be going to or coming from
At such an hour of night, and on foot too.
What was he standing still for in the bushes?'
'It's not so very late-it's only dark.
There's more in it than you're inclined to say.
Did he look like--?'
'He looked like anyone.
I'll never rest to-night unless I know.
Give me the lantern.'
'You don't want the lantern.'
She pushed past him and got it for herself.
'You're not to come,' she said. 'This is my business.
If the time's come to face it, I'm the one
To put it the right way. He'd never dare-
Listen! He kicked a stone. Hear that, hear that!
He's coming towards us. Joel, go in-please.
Hark!-I don't hear him now. But please go in.'
'In the first place you can't make me believe it's--'
'It is-or someone else he's sent to watch.
And now's the time to have it out with him
While we know definitely where he is.
Let him get off and he'll be everywhere
Around us, looking out of trees and bushes
Till I sha'n't dare to set a foot outdoors.
And I can't stand it. Joel, let me go!'
'But it's nonsense to think he'd care enough.'
'You mean you couldn't understand his caring.
Oh, but you see he hadn't had enough-
Joel, I won't-I won't-I promise you.
We mustn't say hard things. You mustn't either.'
'I'll be the one, if anybody goes!
But you give him the advantage with this light.
What couldn't he do to us standing here!
And if to see was what he wanted, why
He has seen all there was to see and gone.'
He appeared to forget to keep his hold,
But advanced with her as she crossed the grass.
'What do you want?' she cried to all the dark.
She stretched up tall to overlook the light
That hung in both hands hot against her skirt.
'There's no one; so you're wrong,' he said.
'There is.-
What do you want?' she cried, and then herself
Was startled when an answer really came.
'Nothing.' It came from well along the road.
She reached a hand to Joel for support:
The smell of scorching woollen made her faint.
'What are you doing round this house at night?'
'Nothing.' A pause: there seemed no more to say.
And then the voice again: 'You seem afraid.
I saw by the way you whipped up the horse.
I'll just come forward in the lantern light
And let you see.'
'Yes, do.-Joel, go back!'
She stood her ground against the noisy steps
That came on, but her body rocked a little.
'You see,' the voice said.
'Oh.' She looked and looked.
'You don't see-I've a child here by the hand.'
'What's a child doing at this time of night--?'
'Out walking. Every child should have the memory
Of at least one long-after-bedtime walk.
What, son?'
'Then I should think you'd try to find
Somewhere to walk--'
'The highway as it happens-
We're stopping for the fortnight down at Dean's.'
'But if that's all-Joel-you realize-
You won't think anything. You understand?
You understand that we have to be careful.
This is a very, very lonely place.
Joel!' She spoke as if she couldn't turn.
The swinging lantern lengthened to the ground,
It touched, it struck it, clattered and went out.

poem by Robert Frost
Submitted by Poetry Lover
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Testify

Come a little closer it's a feeling that I can't deny
I was weak, but I never thought I'd speak about the darker side
Is that a ten? I could repent on the side of the road
But, I kept on going yeah I headed for another load
I get up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground in the middle of the night
Oh, I testify
I was laid upon the grave by a preacher's hand I cannot lie
And, I forsake many vows I made to be with you tonight
Could you be the salvation cause I never felt like this before
And, could you lend me your hand because I'm falling back on the floor
I get up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground in the middle of the night
Oh, I testify
On a road outside of nowhere, in the middle of the night
Well I guess I hit rock bottom and the dawn was not in sight
And a Tempest made of fire, onset the sky aglow
And a sweet young thing called out my name
And this is how it goes, she says...
Choir:
"Go boy, can you hear them?
Are you falling through the cracks in your eyes?"
"Go boy, can you hear them?
Are you falling through the cracks in your eyes?"
"Go boy, can you hear them?
Are you falling through the cracks in your eyes?"
Meatloaf: And I got down on my knees
Choir :"Go boy, can you hear them?
Are you falling through the cracks in your eyes?"
"Go boy, can you hear them?
Are you falling through the cracks in your eyes?"
Meatloaf (over the top of the choirs last two repititions):
I get up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground and I'm falling back down
Up from the ground and I testify
I get up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground and I'm falling back down
Up from the ground and I testify
Meatloaf & Choir:
Up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground and I'm falling back down
Up from the ground and I testify
Up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground and I'm falling back down
Up from the ground and I testify
Meatloaf:
Every cut that heals reveals a scar that you can never hope to hide
All the pain that you restrain keeps building up deep inside
If you think you're above it then it's you my friend that I implore
You've got to talk before you run
See the night before the dawn
Before you pull yourself off the floor
I get up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground in the middle of the night
Oh, I testify
Choir Singer: Up from the ground yeah, I testify
Meatloaf & Choir:
Up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground and I'm falling back down
Up from the ground and I testify
Up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground in the middle of the night
Oh, I testify
Up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground in the middle of the night
Oh, I testify
Up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground in the middle of the night
Oh, I testify

song performed by by Meat Loaf
Submitted by Lucian Velea
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The Churchyard

HOW slowly creeps the hand of Time
On the old clock’s green-mantled face!
Yea, slowly as those ivies climb,
The hours roll round with patient pace;
The drowsy rooks caw on the tower,
The tame doves hover round and round;
Below, the slow grass hour by hour
Makes green God’s sleeping-ground.

All moves, but nothing here is swift;
The grass grows deep, the green boughs shoot;
From east to west the shadows drift;
The earth feels heavenward underfoot;
The slow stream through the bridge doth stray
With water-lilies on its marge,
And slowly, pil’d with scented hay,
Creeps by the silent barge.

All stirs, but nothing here is loud:
The cushat broods, the cuckoo cries;
Faint, far up, under a white cloud,
The lark trills soft to earth and skies;
And underneath the green graves rest;
And through the place, with slow footfalls,
With snowy cambric on his breast,
The old gray Vicar crawls.

And close at hand, to see him come,
Clustering at the playground gate,
The urchins of the schoolhouse, dumb
And bashful, hang the head and wait;
The little maidens curtsey deep,
The boys their forelocks touch meanwhile,
The Vicar sees them, half asleep,
And smiles a sleepy smile.

Slow as the hand on the clock’s face,
Slow as the white cloud in the sky,
He cometh now with tottering pace
To the old vicarage hard by:
Smother’d it stands in ivy leaves,
Laurels and yews make dark the ground;
The swifts that build beneath the eaves
Wheel in still circles round.

And from the portal, green and dark,
He glances at the church-clock old—
Gray soul! why seek his eyes to mark
The creeping of that finger cold?
He cannot see, but still as stone
He pauses, listening for the chime,
And hears from that green tower intone
The eternal voice of Time.

poem by William Cosmo Monkhouse
Submitted by Poetry Lover
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The Light o' the Moon

[How different people and different animals look upon the moon: showing that each creature finds in it his own mood and disposition]

The Old Horse in the City

The moon's a peck of corn. It lies
Heaped up for me to eat.
I wish that I might climb the path
And taste that supper sweet.

Men feed me straw and scanty grain
And beat me till I'm sore.
Some day I'll break the halter-rope
And smash the stable-door,

Run down the street and mount the hill
Just as the corn appears.
I've seen it rise at certain times
For years and years and years.

What the Hyena Said

The moon is but a golden skull,
She mounts the heavens now,
And Moon-Worms, mighty Moon-Worms
Are wreathed around her brow.

The Moon-Worms are a doughty race:
They eat her gray and golden face.
Her eye-sockets dead, and molding head:
These caverns are their dwelling-place.

The Moon-Worms, serpents of the skies,
From the great hollows of her eyes
Behold all souls, and they are wise:
With tiny, keen and icy eyes,
Behold how each man sins and dies.

When Earth in gold-corruption lies
Long dead, the moon-worm butterflies
On cyclone wings will reach this place —
Yea, rear their brood on earth's dead face.

What the Snow Man Said

The Moon's a snowball. See the drifts
Of white that cross the sphere.
The Moon's a snowball, melted down
A dozen times a year.

Yet rolled again in hot July
When all my days are done
And cool to greet the weary eye
After the scorching sun.

The moon's a piece of winter fair
Renewed the year around,
Behold it, deathless and unstained,
Above the grimy ground!

It rolls on high so brave and white
Where the clear air-rivers flow,
Proclaiming Christmas all the time
And the glory of the snow!

What the Scare-crow Said

The dim-winged spirits of the night
Do fear and serve me well.
They creep from out the hedges of
The garden where I dwell.

I wave my arms across the walk.
The troops obey the sign,
And bring me shimmering shadow-robes
And cups of cowslip-wine.

Then dig a treasure called the moon,
A very precious thing,
And keep it in the air for me
Because I am a King.

What Grandpa Mouse Said

The moon's a holy owl-queen.
She keeps them in a jar
Under her arm till evening,
Then sallies forth to war.

She pours the owls upon us.
They hoot with horrid noise
And eat the naughty mousie-girls
And wicked mousie-boys.

So climb the moonvine every night
And to the owl-queen pray:
Leave good green cheese by moonlit trees
For her to take away.

And never squeak, my children,
Nor gnaw the smoke-house door:
The owl-queen then will love us
And send her birds no more.

The Beggar Speaks

"What Mister Moon Said to Me."

Come, eat the bread of idleness,
Come, sit beside the spring:
Some of the flowers will keep awake,
Some of the birds will sing.

Come, eat the bread no man has sought
For half a hundred years:
Men hurry so they have no griefs,
Nor even idle tears:

They hurry so they have no loves:
They cannot curse nor laugh —
Their hearts die in their youth with neither
Grave nor epitaph.

My bread would make them careless,
And never quite on time —
Their eyelids would be heavy,
Their fancies full of rhyme:

Each soul a mystic rose-tree,
Or a curious incense tree:
Come, eat the bread of idleness,
Said Mister Moon to me.

What the Forester Said

The moon is but a candle-glow
That flickers thro' the gloom:
The starry space, a castle hall:
And Earth, the children's room,
Where all night long the old trees stand
To watch the streams asleep:
Grandmothers guarding trundle-beds:
Good shepherds guarding sheep.

poem by Vachel Lindsay
Submitted by Poetry Lover
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All Souls

A THIN moon faints in the sky o'erhead,
And dumb in the churchyard lie the dead.
Walk we not, Sweet, by garden ways,
Where the late rose hangs and the phlox delays,
But forth of the gate and down the road,
Past the church and the yews, to their dim abode.
For it's turn of the year and All Souls' night,
When the dead can hear and the dead have sight.

Fear not that sound like wind in the trees:
It is only their call that comes on the breeze;
Fear not the shudder that seems to pass:
It is only the tread of their feet on the grass;
Fear not the drip of the bough as you stoop:
It is only the touch of their hands that grope -
For the year's on the turn, and it's All Souls' night,
When the dead can yearn and the dead can smite.

III

And where should a man bring his sweet to woo
But here, where such hundreds were lovers too?
Where lie the dead lips that thirst to kiss,
The empty hands that their fellows miss,
Where the maid and her lover, from sere to green,
Sleep bed by bed, with the worm between?
For it's turn of the year and All Souls' night,
When the dead can hear and the dead have sight.

And now that they rise and walk in the cold,
Let us warm their blood and give youth to the old.
Let them see us and hear us, and say: 'Ah, thus
In the prime of the year it went with us!'
Till their lips drawn close, and so long unkist,
Forget they are mist that mingles with mist!
For the year's on the turn, and it's All Souls' night,
When the dead can burn and the dead can smite.

Till they say, as they hear us - poor dead, poor dead! -
'Just an hour of this, and our age-long bed -
Just a thrill of the old remembered pains
To kindle a flame in our frozen veins,
Just a touch, and a sight, and a floating apart,
As the chill of dawn strikes each phantom heart -
For it's turn of the year and All Souls' night,
When the dead can hear, and the dead have sight.'

And where should the living feel alive
But here in this wan white humming hive,
As the moon wastes down, and the dawn turns cold,
And one by one they creep back to the fold?
And where should a man hold his mate and say:
'One more, one more, ere we go their way'?
For the year's on the turn, and it's All Souls' night,
When the living can learn by the churchyard light.

VII

And how should we break faith who have seen
Those dead lips plight with the mist between,
And how forget, who have seen how soon
They lie thus chambered and cold to the moon?
How scorn, how hate, how strive, we too,
Who must do so soon as those others do?
For it's All Souls' night, and break of the day,
And behold, with the light the dead are away. . . .

poem by Edith Wharton
Submitted by Poetry Lover
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Fern Hill

Now as I was young and easy under the apple boughs
About the lilting house and happy as the grass was green,
The night above the dingle starry,
Time let me hail and climb
Golden in the heydays of his eyes,
And honoured among wagons I was prince of the apple towns
And once below a time I lordly had the trees and leaves
Trail with daisies and barley
Down the rivers of the windfall light.

And as I was green and carefree, famous among the barns
About the happy yard and singing as the farm was home,
In the sun that is young once only,
Time let me play and be
Golden in the mercy of his means,
And green and golden I was huntsman and herdsman, the calves
Sang to my horn, the foxes on the hills barked clear and
cold,
And the sabbath rang slowly
In the pebbles of the holy streams.

All the sun long it was running, it was lovely, the hay
Fields high as the house, the tunes from the chimneys, it was
air
And playing, lovely and watery
And fire green as grass.
And nightly under the simple stars
As I rode to sleep the owls were bearing the farm away,
All the moon long I heard, blessed among stables, the
nightjars
Flying with the ricks, and the horses
Flashing into the dark.

And then to awake, and the farm, like a wanderer white
With the dew, come back, the cock on his shoulder: it was all
Shining, it was Adam and maiden,
The sky gathered again
And the sun grew round that very day.
So it must have been after the birth of the simple light
In the first, spinning place, the spellbound horses walking
warm
Out of the whinnying green stable
On to the fields of praise.

And honoured among foxes and pheasants by the gay house
Under the new made clouds and happy as the heart was long,
In the sun born over and over,
I ran my heedless ways,
My wishes raced through the house high hay
And nothing I cared, at my sky blue trades, that time allows
In all his tuneful turning so few and such morning songs
Before the children green and golden
Follow him out of grace.

Nothing I cared, in the lamb white days, that time would
take me
Up to the swallow thronged loft by the shadow of my hand,
In the moon that is always rising,
Nor that riding to sleep
I should hear him fly with the high fields
And wake to the farm forever fled from the childless land.
Oh as I was young and easy in the mercy of his means,
Time held me green and dying
Though I sang in my chains like the sea.

poem by Dylan Thomas
Submitted by Poetry Lover
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In The Month When Sings The Cuckoo

Hark! Spring is coming. Her herald sings,
Cuckoo!
The air resounds and the woodland rings,
Cuckoo! Cuckoo!
Leave the milking pail and the mantling cream,
And down by the meadow, and up by the stream,
Where movement is music and life a dream,
In the month when sings the cuckoo.

Away with old Winter's frowns and fears,
Cuckoo! Cuckoo!
Now May with a smile dries April's tears.
Cuckoo!
When the bees are humming in bloom and bud,
And the kine sit chewing the moist green cud,
Shall the snow not melt in a maiden's blood,
In the month when sings the cuckoo?

The popinjay mates and the lapwing woos;
Cuckoo!
In the lane is a footstep. I wonder whose?
Cuckoo! Cuckoo!
How sweet are low whispers! and sweet, so sweet,
When the warm hands touch and the shy lips meet,
And sorrel and woodruff are round our feet,
In the month when sings the cuckoo.

Your face is as fragrant as moist musk-rose;
Cuckoo! Cuckoo!
All the year in your cheek the windflower blows;
Cuckoo! Cuckoo!
You flit as blithely as bird on wing;
And when you answer, and when they sing,
I know not if they, or You, be Spring,
In the month when pairs the cuckoo.

Will you love me still when the blossom droops?
Cuckoo!
When the cracked husk falls and the fieldfare troops?
Cuckoo!
Let sere leaf or snowdrift shade your brow,
By the soul of the Spring, sweet-heart, I vow,
I will love you then as I love you now,
In the month when sings the cuckoo.

Smooth, smooth is the sward where the loosestrife grows,
Cuckoo! Cuckoo!
As we lie and hear in a dreamy doze,
Cuckoo! Cuckoo! Cuckoo!
And smooth is the curve of a maiden's cheek,
When she loves to listen but fears to speak,
And we yearn but we know not what we seek,
In the month when sings the cuckoo.

But in warm mid summer we hear no more,
Cuckoo!
And August brings not, with all its store,
Cuckoo!
When Autumn shivers on Winter's brink,
And the wet wind wails through crevice and chink,
We gaze at the logs, and sadly think
Of the month when called the cuckoo.

But the cuckoo comes back and shouts once more,
Cuckoo!
And the world is as young as it was before;
Cuckoo! Cuckoo!
It grows not older for mortal tears,
For the falsehood of men or for women's fears;
'Tis as young as it was in the bygone years,
When first was heard the cuckoo.

I will love you then as I love you now.
Cuckoo!
What cares the Spring for a broken vow?
Cuckoo! Cuckoo!
The broods of last year are pairing, this;
And there never will lack, while love is bliss,
Fresh ears to cozen, fresh lips to kiss,
In the month when sings the cuckoo.

O cruel bird! will you never have done?
Cuckoo! Cuckoo! Cuckoo!
You sing for the cloud, as you sang for the sun;
Cuckoo! Cuckoo!
You mock me now as you mocked me then,
When I knew not yet that the loves of men
Are as brief as the glamour of glade and glen,
And the glee of the fleeting cuckoo.

O, to lie once more in the long fresh grass,
Cuckoo!
And dream of the sounds and scents that pass;
Cuckoo! Cuckoo!
To savour the woodbine, surmise the dove,
With no roof save the far-off sky above,
And a curtain of kisses round couch of love,
While distantly called the cuckoo.

But if now I slept, I should sleep to wake
To the sleepless pang and the dreamless ache,
To the wild babe blossom within my heart,
To the darkening terror and swelling smart,
To the searching look and the words apart,
And the hint of the tell-tale cuckoo.

The meadow grows thick, and the stream runs deep,
Cuckoo!
Where the aspens quake and the willows weep;
Cuckoo! Cuckoo!
The dew of the night and the morning heat
Will close up the track of my farewell feet:-
So good-bye to the life that once was sweet,
When so sweetly called the cuckoo.

The kine are unmilked, and the cream unchurned,
Cuckoo!
The pillow unpressed, and the quilt unturned,
Cuckoo! Cuckoo!
'Twas easy to gibe at a beldame's fear
For the quick brief blush and the sidelong tear;
But if maids will gad in the youth of the year,
They should heed what says the cuckoo.

There are marks in the meadow laid up for hay,
Cuckoo!
And the tread of a foot where no foot should stray:
Cuckoo! Cuckoo!
The banks of the pool are broken down,
Where the water is quiet and deep and brown;-
The very spot, if one longed to drown,
And no more to hear the cuckoo.

'Tis a full taut net and a heavy haul.
Cuckoo! Cuckoo!
Look! her auburn hair and her trim new shawl!
Cuckoo! Cuckoo!
Draw a bit this way where 'tis not so steep;
There, cover her face! She but seems asleep;
While the swallows skim and the graylings leap,
And joyously sings the cuckoo.

poem by Alfred Austin
Submitted by Poetry Lover
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Goldfish

They are the angels of that watery world,
With so much knowledge that they just aspire
To move themselves on golden fins,
Or fill their paradise with fire
By darting suddenly from end to end.

Glowing a thousand centuries behind
In pools half-recollected of the mind,
Their large eyes stare and stare, but do not see
Beyond those curtains of Eternity.

When twilight flows into the room
And air becomes like water, you can feel
Their movements growing larger in the gloom,
And you are led
Backward to where they live beyond the dead.

But in the morning, when the seven rays
Of London sunlight one by one incline,
They glide to meet them, and their gulping lips
Suck the light in, so they are caught and played
Like salmon on a heavenly fishing line.

* * * *

Ghosts on a twilight floor,
Moving about behind their watery door,
Breathing and yet not breathing day and night,
They give the house some gleam of faint delight.

poem by Harold Monro
Submitted by Poetry Lover
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The Sounds

i heard the sound of the clock ticking
some things come
i am remembering these some things
burnt, and melting in my forehead,
i like the sound of the ticking of grandfather's
clock at night, i hear footsteps
and drippings of water
from the gutter to the floor

the window is closed and the wind makes
the sound of someone caught between
door jambs, creaking sounds creeping
on the wall, something is terrible, really terrible
and i turn my body to the left side,

there is this storm, and the strong rain comes
with the grunting wind, and trees are falling
unto each other, i hear leaves and twigs,
and the roof wanting to leave the house,

something is terribly happening on this night
of the suicidal darkness, the shimmer of the river
looks like a stainless knife

who's there? i ask the door. The mirror on the other
side answers, how dare you?

it is nobody. it is just myself, my mouth answers.

poem by Ric S. Bastasa
Submitted by Poetry Lover
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When The Rain Stopped Falling

there is this heavy rain
falling on top of your roof and it is so disturbing
that you wake up
and lock your windows
to shut yourself away from the sounds
of falling

but you cannot help worrying even when you cannot
literally hear the sound of the falling rain

you still imagine how they fall inside your mind
as though you can hear every syllable that every neddle of rain
is pricking in your brain
your ears
and your eyes still have the image of these
series of fallings

that even if the rain finally stopped
and you open your window to check
in the middle of this time
when morning cracks fromt the shutters of your windows

you still think like crazy
you hear the sound of the wind and it is like the sound of the falling
rain
and even if the wind has left like a leaf flown to the eastern side
of your house
even if there is no shadow of the leaf anymore
you hear your heart falling from your chest

now you must accept
leaving.
now you must accept the pain.
do not deny it.

it is you that is falling out
from the grace of her love.
it is you.

cry it out!
shout it!
it is you.!
it is you!
it is not the rain, it is not the wind, it is not the leaf that was blown away
towards the eastern part of the house.it is not the design of the house.
it is not the purple curtains. it is not the lonely courtyard
it is not the red bowl. it is not the tower.
it is not the blank sheets of paper.
it is not the bell.
it is not the winding stairs.
it is not the dirty garage.
it is not the scaffold.
it is not the white paint.
it is not the doorbell.
it is not the turbulence of the plane.
it is not the slap of the hand.
it is not the blue fan.
it is not the cellophance floating in the air and whirling in that corner
a dead-end.

it is you! and that is the truth!
be calm now. wipe the tears.
try sleep and dream.

poem by Ric S. Bastasa
Submitted by Poetry Lover
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Finding

From the candles and dumb shadows,
And the house where love had died,
I stole to the vast moonlight
And the whispering life outside.
But I found no lips of comfort,
No home in the moon's light
(I, little and lone and frightened
In the unfriendly night),
And no meaning in the voices. . . .
Far over the lands and through
The dark, beyond the ocean,
I willed to think of you!
For I knew, had you been with me
I'd have known the words of night,
Found peace of heart, gone gladly
In comfort of that light.

Oh! the wind with soft beguiling
Would have stolen my thought away;
And the night, subtly smiling,
Came by the silver way;
And the moon came down and danced to me,
And her robe was white and flying;
And trees bent their heads to me
Mysteriously crying;
And dead voices wept around me;
And dead soft fingers thrilled;
And the little gods whispered. . . .
But ever
Desperately I willed;
Till all grew soft and far
And silent . . .
And suddenly
I found you white and radiant,
Sleeping quietly,
Far out through the tides of darkness.
And I there in that great light
Was alone no more, nor fearful;
For there, in the homely night,
Was no thought else that mattered,
And nothing else was true,
But the white fire of moonlight,
And a white dream of you.

poem by Rupert Brooke (1909)
Submitted by Veronica Serbanoiu
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There Is A New Door In My House

There is a new 'door' in the little boy's house,
Where there was not one before,
A new 'cat shaped' hole' in the kitchen,
a new 'cat sized' hole in the door.

'But what about locks and bolts? ' the little boy asked,
Tugging at his my mum's loose apron strings.
'To keep out ghosts and scary monsters',
'and all those horrible night time things.'

'We don't need locks' the boy's mum said,
'Its only cats that can get through'.
'But what about 'cat' sized monsters,
or ghosts of that size too? '
'Go to bed now', the boy's mum said,
'What are you worrying for? '
'It's ghosts and scary monsters mum
that would fit nicely through that door? '

He went up the stairs to his room,
And tried to get to sleep,
But was thinking of ghosts and scary monsters,
Not happy jumping sheep.

'Tap, Tap', he woke, that noise (he thought) ,
It came up from the ground floor! ,
A tap, tap, tap, at the cat flap,
A noise from the cat shaped door.

A shiver ran stright down the little boy's spine,
Is it monster or a ghost?
Shaking, he crept straight down the stairs thinking 'what would scare me most? '

He crawled right up to the cat flap,
To see what was at the door,
Was it the ghosts or scary monsters,
The boy was thinking of before?

He peered into the gloom of the flap,
He strained his eyes to see,
'What might it have been that made that Tap, ,
Waiting out there for me? '.

'Tap, Tap... Tap, Tap...
Again, the noise from the flap,
Tap, Tap from the cat sized door,
Two green and bulbous eyes were there,
That were not there before.

The boy sat still, afraid to move,
Chilled straight down to his core,
The eyes began to peer at him,
Straight through the cat shaped door.

Tap.. Tap.., Tap, Tap..
That sound again, just like the tap before.
What if this thing, can fit straight through,
The cat sized and unlocked door?

Slowly, the cat flap began to open,
Sweat rolled off the boy's cold brow,
Those round green eyes were now inside,
When a sound was heard....
'Meoooow'

poem by Alexander Johnson
Submitted by Poetry Lover
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Cuckoo Clock

We knew it must have been late
(tick-tock, tick-tock)
We had no time to wait
(tick-tock, tick-tock)
I went to light the fireplace
(tick-tock, tick-tock)
I planned it all this way, and
(tick-tock, tick-tock)
I snuggled close to her
(tick-tock, tick-tock)
Her heart began to purr
(tick-tock, tick-tock)
I held my breath inside, and then
(tick-tock, tick-tock)
I put my arms around her
(tick-tock)
Cuckoo, cuckoo (go away silly bird)
Cuckoo, cuckoo (go away silly bird)
Cuckoo, cuckoo (go away silly bird)
Cuckoo, cuckoo
I put that birdie away
(tick-tock, tick-tock)
His cuckoo was gone to stay
(tick-tock, tick-tock)
We both apologized for why
(tick-tock, tick-tock)
Forgave that doggone cuckoo
I went back to her side
(tick-tock, tick-tock)
I had to swallow my pride
(tick-tock, tick-tock)
The fire had almost died away
(tick-tock, tick-tock)
We just got situated
(tick-tock)
Cuckoo, cuckoo (go away silly bird)
Cuckoo, cuckoo (go away silly bird)
Cuckoo, cuckoo (go away silly bird)
Cuckoo, cuckoo
I took that clock apart
(tick-tock, tick-tock)
I broke the cuckoos heart
(tick-tock, tick-tock)
Hell never bother us again
(tick-tock, tick-tock)
We just forgot about him
(tick-tock)
Cuckoo, cuckoo (go away silly bird)
Cuckoo, cuckoo (go away silly bird)
Cuckoo, cuckoo (go away silly bird)
Cuckoo, cuckoo

song performed by by Beach Boys
Submitted by Lucian Velea
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