The art of poetry (cavatina sequence) (in answer to Archibald Macleish)

A poem should touch, should palpable belong,
it should reach out,
with a kind of eternal caring truth;
it should scream, shout
of each injustice and pain that do remain
and be about
almost anything or each happening,
as something that is truly worth saying.

Not silent or dumb it falls on the ear,
as it's profound,
in a great symphony of the purest
kind of clear sound,
its rhythms do ring with every line
it is not bound
by politics, machinations of men
and can be a blessing or an omen.

[Reference: "Ars poetica" by Archibald Macleish.]

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On science (cavatina sequence)

(after Archibald MacLeish)

She does not worry about why things are;
that they exist
to be contemplated or observed,
how they persist,
is far enough for her own simple reasoning,
she does resist
their reason, in rote produces answers,
perfect to devotions of her followers.

She thinks she knows where all things do come from,
far beyond her
kind of scope is metaphysics, physical
she does gather,
she is protected in her own dungeon,
nothing further
she knows about love, joy, fear and sorrow,
as she proclaims things for each tomorrow.

Beyond the stars, the sheer utter darkness,
shines a true light,
beyond the unknown, beyond a ocean,
out of her sight
are things like life to which He answers know,
to her its night
to comprehend the very soul of man,
as mechanical she does what she can.

[Reference: "Dr. Sigmund Freud Discovers the Sea Shell" by Archibald MacLeish.]

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She Does Not Need Any Praise (Cavatina Sequence)

(after Archibald MacLeish)

The greatest happiness she have given
today to me,
in the ways that together our lives is,
tranquillity
is in each smile, like a hot summer day,
totally free
she does her duty in words and her ways,
she acts unhindered like the sun's rays.

Fresh loaves of bread, lovely food she spreads,
great joy she finds
in her selfless acts that brings happiness,
free like the winds
her feet run while she lights candles, sometimes sings;
one of her kind
my wife is, she does not need any praise
as she loves with an amazing true grace.

[Reference: 'Poem in Prose' by Archibald MacLeish.]

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Graduate (cavatina sequence) (in answer to Archibald Macleish)

In three years or four, holy beliefs are slain,
He did not make
either man or the earth, Charles Darwin's
theory does take
centre stage at great universities,
nonsense do rake
as mere myth the Bible into the ground,
learned men sound to themselves profound;

like gods they toss and play with all their students,
as memories
of God and His great things they cause to dwindle;
flowers and bees
as lust become simple chemical yearning,
they teach duties,
to be like gods in self actualization;
they destroy God and his creation

while magic things like the force of life
stays beyond science,
while man is bound to facts and to his own
experience,
cannot measure to an almighty being;
with patience
God and His character of love remains,
mere man struggle on in his life of pains

while still is lingering the truths of youth,
love is beyond
the bounds of man's mere own observations,
the simple bond
to survive on earth, bound by time and space,
does correspond
with a higher intelligent being
whose selfless power sustains everything.

[Reference: "Baccalaureate" by Archibald Macleish.]

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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I like your books

In the betting line the other
day
man behind me asked,
"are you Henry
Chinaski?"

"uh huh," I answered.

"I like your books," he went
on.

"thanks," I answered.

"who do you like in this
race?" he asked.

"uh uh," I answered.

"I like the 4 horse," he
told me.

I made my bet and went back
to my seat....

the next race I am standing in
line and here is this same man
standing behind me
again.
there are at least 50 lines at
the windows but
he has to find mine
again.

"I think this race favors the
closers," he said to the back of
my neck. "the track looks
heavy."

"listen," I said, not looking
around, "it's the kiss of death to
talk about horses at the
track..."

"what kind of rule is that?"
he asked. "God doesn't make
rules..."

I turned around and looked at him:
"maybe not, but I
do."

after the next race
I got in line, glanced behind
me:
he was not there:

lost another reader.

I lose 2 or 3 each
week.

fine.

let 'em go back to
Kafka.

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The impact of a hammer on your thumb

despite the sign
"No peddlers here"
a woman rang at my door
"I only want to ask you just one simple question"

normally I would say
'No"
'I don't socialize with interviewers'
I am never the reason
they will have a rise
of completed inquiries
usually I tell them polite
the right thing to do
from my kind of view
'Go''

however
somehow
today
this woman
looked right inside of me
telling
with her sparkling eyes
"No
YOU should go for this"

I have a survey called
"the impact of a hammer however not on a brad …"
and she waited briefly
while I was thinking
"is this happening"
"this is really weird"
asking a question that dumb

then
she finished her line
" but on your thumb"

after listening
and realizing
what she said
intuitively I thought
"No way"
I wanted to decline
my cooperation to this survey

however
somehow
today
this woman
looked right inside of me
telling
with her sparkling eyes
"Let me continue,
'You know I am not mad'

"Let me please surprise YOU"

I asked her
"What is this all about? "

"Later"
she said completing her sentence
"for the sake of this survey
I have to ask you first"

"Would you please describe to me
the feeling
just after your thumb
has been beaten
by a hammer? "

Now I knew
for sure
no more questions I would answer
not even a few
this woman
with her sparkling eyes
is really crazy.
how do I get rid of this her.

she was persistent
she explained
what the survey was really about
and I found out she wasn't
telling a "trained" story

"a hammer can hit you
or someone else
and it might look the same
it is not the hitting
causing the difference
it is that feeling of yours
which is
of course the reason
for feeling and dealing
your way with your pain"

somehow
today
this woman
looked right inside of me
telling
with her sparkling eyes

" Now you know
all the how's and why's
you are obliged to yourself
to finds ways
to recover from your pain
your life will never be the same
again'

she was a wise woman
telling me
what a fool I was
for a short
but allowed
amount of time

Or not?
I was wise enough
to answer the door
and find out more….

©Ellie Daphne van Stralen 2012.

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There was one I met upon the road

There was one I met upon the road
Who looked at me with kind eyes.
He said, "Show me of your wares."
And this I did,
Holding forth one.
He said, "It is a sin."
Then held I forth another;
He said, "It is a sin."
Then held I forth another;
He said, "It is a sin."
And so to the end;
Always he said, "It is a sin."
And, finally, I cried out,
"But I have none other."
Then did he look at me
With kinder eyes.
"Poor soul!" he said.

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Will Nature At A Time Be Really Lost? (Cavatina Sequence)

(after Archibald MacLeish)

Will nature at a time be really lost,
no snowflake fall
as the world becomes extremely hot,
while big and small
live in a man-made kind of sheer hot hell?
If man kills all;
the fish, each bird, each animal and tree,
what's living will at a time, no more be.

No bird will sing, or even be flying,
tranquility
will be gone in a world as stark as stone,
each thing lovely,
each leaping fish, diving crying great eagle
will die slowly,
when all of the ozone layer is gone
and the greenhouse effect just lingers on.

[Reference: 'The Snowflake Which Is Now And Hence Forever' by Archibald MacLeish.}

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Hero Worship

Said he: "You saw the Master clear;
By Rushy Pond alone he sat,
Serene and silent as a seer,
in tweedy coat and seedy hat.
you tell me you did not intrude,
(Although his book was in your hand,)
Upon his melancholy mood . . .
I do not understand.

"You did not tell him: 'I have come
From o'er the sea to speak to you.'
You did not dare, your lips were dumb . . .
You thought a little zephyr blew
From Rushy Pond a touch of him
You'll cherish to your dying day,
Perhaps with tears your eyes were dim . . .
And then - you went away.

"And down the years you will proclaim:
'O call me dullard, dub me dunce!
But let this be my meed of fame:
I looked on Thomas Hardy once.
Aye, by a stile I stood a span
And with these eyes did plainly see
A little, shrinking, shabby man . . .
But Oh a god to me!'"

Said I: "'Tis true, I scarce dared look,
yet he would have been kind, I'm sure;
But though I clutched his precious book
I feared to beg his signature.
Ah yes, my friend, I merit mirth.
You're bold, you have the right to laugh,
And if Christ came again to earth
You'd cadge his autograph."

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Ars Poetica

A poem should be palpable and mute
As a globed fruit

Dumb
As old medallions to the thumb

Silent as the sleeve-worn stone
Of casement ledges where the moss has grown -

A poem should be wordless
As the flight of birds

A poem should be motionless in time
As the moon climbs

Leaving, as the moon releases
Twig by twig the night-entangled trees,

Leaving, as the moon behind the winter leaves,
Memory by memory the mind -

A poem should be motionless in time
As the moon climbs

A poem should be equal to:
Not true

For all the history of grief
An empty doorway and a maple leaf

For love
The leaning grasses and two lights above the sea -

A poem should not mean
But be

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Emily Dickinson

Is it dead—Find it

417

Is it dead—Find it—
Out of sound—Out of sight—
"Happy"? Which is wiser—
You, or the Wind?
"Conscious"? Won't you ask that—
Of the low Ground?

"Homesick"? Many met it—
Even through them—This
Cannot testify—
Themself—as dumb—

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Khalil Gibran

Self-Knowledge XVII

And a man said, "Speak to us of Self-Knowledge."

And he answered, saying:

Your hearts know in silence the secrets of the days and the nights.

But your ears thirst for the sound of your heart's knowledge.

You would know in words that which you have always know in thought.

You would touch with your fingers the naked body of your dreams.

And it is well you should.

The hidden well-spring of your soul must needs rise and run murmuring to the sea;

And the treasure of your infinite depths would be revealed to your eyes.

But let there be no scales to weigh your unknown treasure;

And seek not the depths of your knowledge with staff or sounding line.

For self is a sea boundless and measureless.

Say not, "I have found the truth," but rather, "I have found a truth."

Say not, "I have found the path of the soul." Say rather, "I have met the soul walking upon my path."

For the soul walks upon all paths.

The soul walks not upon a line, neither does it grow like a reed.

The soul unfolds itself, like a lotus of countless petals.

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At times it might look (in answer to W. B. Yeats)

At times it might look and feel if the young
are truly living, are really happy,
as if to them the whole world does belong
in their bliss, even in iniquity;

some call ageing trifling, even paltry,
but in the eyes of the honest true love,
age brings a kind of great maturity
and nothing can the loveliness remove

which in each word and deed selfless express
the greatest kind of sheer loving kindness
when a heart does unwavering love possess
and love has a own unique blindness

that does overreach everything else,
a deep thing about which any poet tells.

[Reference: "Sailing to Byzantium" by W.B. Yeats.]

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The Night Dream (Cavatina Sequence)

(after Archibald MacLeish)

It had been a dream but seemed much too real;
her eyes, her voice,
had a quiet kind of lovely quality,
even her poise
had maturity, some kind of gentleness,
with no noise
but the buzzing of bees at a flower
while we lay down in fields of white clover.

The sun fell hot on our skins, her smile was
very dazzling,
while her soft hand gently touched my face,
there was something
known in the way that she did speak with me,
how she did fling
her hair back, while my head did gently rest,
on her soft heaving perfect naked breast.

Love I do not know she said and smiled,
but she was mine,
while we kissed in moments of pure bliss,
drank some white wine,
talked about some things close to the heart,
the curving line
I traced of her bended lovely back
while the greatest pure joy we did not lack.

It had only been a rapturous dream,
that was fading
but her skin, her smile was kind of special;
away wading
into the vast ocean of memory
until reading
from the magazine you looked up at me,
I could not pass when your face I did see.

[Reference: 'The Night Dream' by Archibald MacLeish.]

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On The End Of The World (Cavatina Sequence)

(after Archibald MacLeish)

Behind the scenes they act, while on the stage
life is a dance
and we fall for the show and laugh and play
in romance,
as in quick-time we are very smitten,
are in a trance
as some Bee-bee Bob the clown laughs and cries;
men go off to war to kill and some dies

and then still lurking are unseen beings,
in sheer darkness;
they poise, do mislead and cover their tracks,
with great aloofness
they turn all beliefs in nothing at all,
bring lawlessness,
try to drag most of humanity down
to wait on great disaster as their own.

[Reference: 'The End of the World' by Archibald MacLeish.]

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Emily Dickinson

I'm

199

I'm "wife"—I've finished that—
That other state—
I'm Czar—I'm "Woman" now—
It's safer so—

How odd the Girl's life looks
Behind this soft Eclipse—
I think that Earth feels so
To folks in Heaven—now—

This being comfort—then
That other kind—was pain—
But why compare?
I'm "Wife"! Stop there!

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My Friend, The Parking Lot Attendant

—he's a dandy
—small moustache
—usually sucking on a cigar

he tends to lean into cars as he
transacts business

first time I met him, he said,
"hey! ya gonna make a
killin'?"

"maybe," I answered.

next meeting it was:
"hey, Ramrod! what's
happening?"

"very little," I told
him.

next time I had my girlfriend with me
and he just
grinned.

next time I was
alone.

"hey," he asked, "where's the young
chick?"

"I left her at home...."

"Bullshit! I'll bet she dumped
you!"

and the next time
he really leaned into the car:

"what's a guy like you doing driving a
BMW! I'll bet you inherited your
money, you didn't get this car with your
brains!"

"how'd you guess?" I
answered.

that was some weeks ago.
I haven't seen him lately.
feIlow like that, chances are he just moved on
to better
things.

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Ring the Bell, Watchman!

High is the belfry the old sexton stands,
Grasping the rope with his thin bony hands;
Fix'd is his gaze, as by some magic spell,
Till he hears the distant murmmer,
Ring, ring the bell.

"Ring the bell, watchman! ring! ring! ring!
Yes, yes! the good news is now on the wing;
Yes, yes! they come, and with tidings to tell --
Glorious and blessed tidings --
Ring, ring the bell!"

Baring his long silver locks to the breeze,
First for a moment he drops on his knees;
Then with a rigor that few could excel,
Answers the welcome bidding,
Ring, ring the bell.

Hear! from the hilltop, the first signal gun
Thunders the word that some great deed is done;
Hear! thru' the valley the long echoes swell,
Ever and anon repeating,
Ring, ring the bell.

Bonfires are blazing and rockets ascend --
No meager triumphs such tokens portend;
Shout, shout! my brothers, for "all, all is well!"
'Tis the universal chorus,
Ring, ring the bell.

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Edgar Lee Masters

Richard Bone

When I first came to Spoon River
I did not know whether what they told me
Was true or false.
They would bring me an epitaph
And stand around the shop while I worked
And say "He was so kind," "He was wonderful,"
"She was the sweetest woman," "He was a consistent Christian."
And I chiseled for them whatever they wished,
All in ignorance of its truth.
But later, as I lived among the people here,
I knew how near to the life
Were the epitaphs that were ordered for them when they died.
But still I chiseled whatever they paid me to chisel
And made myself party to the false chronicles
Of the stones,
Even as the historian does who writes
Without knowing the truth,
Or because he is influenced to hide it.

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Rudyard Kipling

The New Knighthood

Who gives him the Bath?
"I," said the wet,
Rank-Jungle-sweat,
"I'll give him the Bath!"

Who'll sing the psalms?
"We," said the Palms.
"Ere the hot wind becalms,
"We'll sing the psalms."

Who lays on the sword ?
"I," said the Sun,
Before he has done,
"I'll lay on the sword."

"Who fastens his belt?
"I," said Short-Rations,
" I know all the fashions
"Of tightening a belt!"

Who gives him his spur?
"I," said his Chief,
Exacting and brief,
"I'll give him the spur."

Who'll shake his hand?
"I," said the Fever,
"And I'm no deceiver,
"I'll shake his hand."

Who brings him the wine?
"I," said Quinine,
"It's a habit of mine.
"I'11 come with his wine."

Who'll put him to proof?
"I," said All Earth.
"Whatever he's worth,
"I'll put to the proof."

Who'll choose him for Knight?
"I," said his Mother,
"Before any other,
"My very own Knight."

And after this fashion, adventure to seek,
Sir Galahad was made--as it might be last week!

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