Graveyard [2]

(after Jean Pierre Rawie)

In a whirlpool of emotions
I stand at the grave,
half full of grief with the tender remembering
of things that went wrong,
somewhat ashamed that things had not been different
and the strangeness is startling,

I am astonished by other persons
for whom tears come so easily,
about how meaningless life is,
about how death touches caring,
about how the final farewell
drives love to its limit.

[Reference: "Kerkhof" (Graveyard) by the Dutch poet Jean Pierre Rawie.]

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Moment

Maybe only once in life
somebody comes
that halts your world
at the moment that you meet,

where how she looks, the way
that she looks at you,
the sound of her voice,
the words that she does say

makes that moment perfect
and through the commonplace
a magic moment unfolds
that a person will maybe
remember for the rest of life.

[Reference: "Moment" by die Dutch poet Jean Pierre Rawie.]

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At the graveyard (in answer to T.T. Cloete)

It's exhausting, painful with tears
there at the grave,
old ladies blow their noses and cry, old men
pass away all of the time
with surreptitiously a big argument about who
will inherit everything,
when cousins glance at each other
sometimes kiss, embrace and reach out hands.

[Reference: "Ballade van die kerkhof" (Ballade of the graveyard) by T.T. Cloete.]

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Dark Trinity

Said I to Pain: "You would not dare
Do ill to me."
Said Pain: "Poor fool! Why should I care
Whom you may be?
To clown and king alike I bring
My meed of bane;
Why should you shirk my chastening?"
Said Pain.

Said I to Grief: "No tears have I,
Go on your way."
Said Grief: "Why should I pass you by,
While others pay?
All men must know the way of woe,
From saint to thief,
And tears were meant to overflow,"
Said Grief.

Said I to Death: "From ail and fret
Grant me relief."
Said Death: "I know you are beset
By Pain and Grief.
But my good will you must await
Since human breath
To suffering is consecrate,"
Said Death.

Said I to God: "Pale Sister Grief,
Bleak Brother Pain,
Bedevil me beyond belief,
And Death's unfain . . ."
Said God: "Curse not that blessed Three,
Poor human clod!
Have faith! Believe the One with Me,"
Said God.

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Emily Dickinson

You're right—

234

You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—

'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!

And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—

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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

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The Australian Slanguage

"Tis the everyday Australian
Has a language of his own,
Has a language, or a slanguage,
Which can simply stand alone.
And a "dickon pitch to kid us"
Is a synonym for "lie",
And to "nark it" means to stop it,
And to "nit it" means to fly.

And a bosom friend's a "cobber,"
And a horse a "prad" or "moke,"
While a casual acquaintance
Is a "joker" or a "bloke."
And his lady-love's his "donah"
or his "clinah" or his "tart"
Or his "little bit o' muslin,"
As it used to be his "bart."

And his naming of the coinage
Is a mystery to some,
With his "quid" and "half-a-caser"
And his "deener" and his "scrum".
And a "tin-back" is a party
Who's remarkable for luck,
And his food is called his "tucker"
Or his "panem" or his "chuck".

A policeman is a "johnny"
Or a "copman" or a "trap",
And a thing obtained on credit
Is invariably "strap".
A conviction"s known as "trouble",
And a gaol is called a "jug",
And a sharper is a "spieler"
And a simpleton's a "tug".

If he hits a man in fighting
That is what he calls a "plug",
If he borrows money from you
He will say he "bit your lug."
And to "shake it" is to steal it,
And to "strike it" is to beg;
And a jest is "poking borac",
And a jester "pulls your leg".

Things are "cronk" when they go wrongly
In the language of the "push",
But when things go as he wants 'em
He declares it is "all cush".
When he's bright he's got a "napper",
And he's "ratty" when he's daft,
And when looking for employment
He is "out o' blooming graft".

And his clothes he calls his "clobber"
Or his "togs", but what of that
When a "castor" or a "kady"
Is the name he gives his hat!
And our undiluted English
Is a fad to which we cling,
But the great Australian slanguage
Is a truly awful thing!

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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That our love must be lost (in answer to N. P. van Wyk Louw)

That our love must be lost,
at a time will have to end
that there is an end to all things,
is something that I find sorrowful and amazing
that no one can stop the coming of the night,
when sometimes I see your sunny glances
tags at my mind as I do know
that nothing, nobody can stop death
when at times I hold you tenderly
as if love can last eternally.

[Reference: "Dat alle liefde" ("That all love") by N. P. van Wyk Louw.]

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Katherine Mansfield

Grown-Up Talk

Half-Past-Six and I were talking
In a very grown-up way;
We had got so tired with running
That we did not want to play.

"How do babies come, I wonder,"
He said, looking at the sky,
"Does God mix the things together
An' just make it-like a pie?"

I was really not quite certain,
But it sounded very nice;
It was all that we could think of,
Besides a book said "sugar and spice."

Half-Past-Six said--He's so clever--
Cleverer than me, I mean...
"I suppose God makes the black ones
When the saucepan isn't clean."

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Thomas Hardy

The Subalterns

I

"Poor wanderer," said the leaden sky,
"I fain would lighten thee,
But there are laws in force on high
Which say it must not be."

II

--"I would not freeze thee, shorn one," cried
The North, "knew I but how
To warm my breath, to slack my stride;
But I am ruled as thou."

III

--"To-morrow I attack thee, wight,"
Said Sickness. "Yet I swear
I bear thy little ark no spite,
But am bid enter there."

IV

--"Come hither, Son," I heard Death say;
"I did not will a grave
Should end thy pilgrimage to-day,
But I, too, am a slave!"

V

We smiled upon each other then,
And life to me had less
Of that fell look it wore ere when
They owned their passiveness.

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An incomplete soul of a woman

Often you have called me
"Complete"
Often you have called me
"A full woman"
And today you ask me
What in life I lack?
Love…
If you had ever guessed
You would have known
How very "incomplete" I am.
Half my life I have spent
Waiting for you....
Searching for you...
In every passing strangers eyes.
Now when you finally are here
You stand a stranger
Closest to the heart,
Like the shadow of the dusk
Very much my own,
Yet distant, like a dream.
I know you are mine
Just as am i
solely yours,
Yet will always stand apart as
"we" are nobodies nobody.
The feeling is so pure,
Pristine like the dawn
And its dew.
Yet wrapped in ugly sheets of guilt
it will always lie buried
in deep caverns of shame.
And like thieves two,
We will always hide,
What is so beautiful,
So serene, so true.
I am not complete…
How can i?
When I am destined to live
This life with you
Yet without you.
I am not a full woman…
How can i?
When I am to wither away and die..
Somewhere very close to you
Yet far away from your sight.
Yes, I will always remain
"in-complete".
An incomplete soul of a woman.

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The Wedding

O marriage-bells, your clamor tells
Two weddings in one breath.
SHE marries whom her love compels:
-- And I wed Goodman Death!
My brain is blank, my tears are red;
Listen, O God: -- "I will," he said: --
And I would that I were dead.
Come groomsman Grief and bridesmaid Pain
Come and stand with a ghastly twain.
My Bridegroom Death is come o'er the meres
To wed a bride with bloody tears.
Ring, ring, O bells, full merrily:
Life-bells to her, death-bells to me:
O Death, I am true wife to thee!

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Alfred Lord Tennyson

In Memoriam A. H. H.: 45. The baby new to earth and sky

The baby new to earth and sky,
What time his tender palm is prest
Against the circle of the breast,
Has never thought that "this is I":
But as he grows he gathers much,
And learns the use of "I," and "me,"
And finds "I am not what I see,
And other than the things I touch."
So rounds he to a separate mind
From whence clear memory may begin,
As thro' the frame that binds him in
His isolation grows defined.

This use may lie in blood and breath
Which else were fruitless of their due,
Had man to learn himself anew
Beyond the second birth of Death.

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Thomas Hardy

Ah, Are You Digging on My Grave?

"Ah, are you digging on my grave,
My loved one? -- planting rue?"
-- "No: yesterday he went to wed
One of the brightest wealth has bred.
'It cannot hurt her now,' he said,
'That I should not be true.'"

"Then who is digging on my grave,
My nearest dearest kin?"
-- "Ah, no: they sit and think, 'What use!
What good will planting flowers produce?
No tendance of her mound can loose
Her spirit from Death's gin.'"

"But someone digs upon my grave?
My enemy? -- prodding sly?"
-- "Nay: when she heard you had passed the Gate
That shuts on all flesh soon or late,
She thought you no more worth her hate,
And cares not where you lie.

"Then, who is digging on my grave?
Say -- since I have not guessed!"
-- "O it is I, my mistress dear,
Your little dog , who still lives near,
And much I hope my movements here
Have not disturbed your rest?"

"Ah yes! You dig upon my grave...
Why flashed it not to me
That one true heart was left behind!
What feeling do we ever find
To equal among human kind
A dog's fidelity!"

"Mistress, I dug upon your grave
To bury a bone, in case
I should be hungry near this spot
When passing on my daily trot.
I am sorry, but I quite forgot
It was your resting place."

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The Ghost Machine

Wittgenstein took a sip from his tea.

"You're wrong Descartes, I can tell you,

because body and mind are one".

"Wittgenstein is right", seconded Ryle.

He looked very angry

and shook his head as he continued:

"In claiming that your thoughts are separated

from your body you created a dogma

of the ghost in the machine."

"Gentlemen", Descartes said, "relax.

Where were you when I talked about these things?

You were not even born then".

"Wait a minute", said Bohm. "You're all wrong."

"What? " snapped out Ryle.

"You heard it correctly. You're all wrong", insisted Bohm.

"You have to explain", Wittgenstein said.

Descartes looked to be perplexed.

"Well", explained Bohm,

"since everything in the universe is information,

the existence of matter is nothing but a myth.

The universe is an enormous thought, a giant computer.

It is the machine, which is the ghost."

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Thomas Hardy

In The Moonlight

"O lonely workman, standing there
In a dream, why do you stare and stare
At her grave, as no other grave where there?"

"If your great gaunt eyes so importune
Her soul by the shine of this corpse-cold moon,
Maybe you'll raise her phantom soon!"

"Why, fool, it is what I would rather see
Than all the living folk there be;
But alas, there is no such joy for me!"

"Ah - she was one you loved, no doubt,
Through good and evil, through rain and drought,
And when she passed, all your sun went out?"

"Nay: she was the woman I did not love,
Whom all the other were ranked above,
Whom during her life I thought nothing of."

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The Ballad

Jean did her best
Denny worked hard
And so together made him a star
And he loved her
Money changed hands
Denny must start
Tallying up things close to his heart
And he loved her so
But we don't always know what to say
When they ask you, what do you say?
No one can tell what's in a heart
People just drift apart
Jean lost her head
Denny got mad
"how, jean," he said, "can things be so bad
Right before my eyes"
Jean told a lie, denny deceived
Jean packed her bags to leave
"jean, if you must go
Before you do
Tell me you know i did it for you
And i loved you so.

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Intimacy

I hear people say, "I love my iPhone, "
Or, "I love drinking a Starbucks coffee."
Sometimes: "I love my Versace cologne, "
And also: "I love having this money."
I hear people say, "I love my Walmart, "
Or, "I love the drive-thru at Taco Bell."
"I love my TV. It's state of the art."
"I love the shoes that Nike has to sell."
I hear this: "I love American Idol, "
And, "I love a nice, cold Budweiser."
"I love medicines such as Demerol."
And, "I love my internet provider."
Yet, one thing I don't hear is, "I love you."
Saying that is too intimate to do.

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Victor Hugo

The Grave and The Rose

The Grave said to the Rose,
"What of the dews of dawn,
Love's flower, what end is theirs?"
"And what of spirits flown,
The souls whereon doth close
The tomb's mouth unawares?"
The Rose said to the Grave.

The Rose said, "In the shade
From the dawn's tears is made
A perfume faint and strange,
Amber and honey sweet."
"And all the spirits fleet
Do suffer a sky-change,
More strangely than the dew,
To God's own angels new,"
The Grave said to the Rose.

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Rabindranath Tagore

The Gardener XXVI: What Comes From Your Willing Hands

"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."

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