
Melampus
I
With love exceeding a simple love of the things
That glide in grasses and rubble of woody wreck;
Or change their perch on a beat of quivering wings
From branch to branch, only restful to pipe and peck;
Or, bristled, curl at a touch their snouts in a ball;
Or cast their web between bramble and thorny hook;
The good physician Melampus, loving them all,
Among them walked, as a scholar who reads a book.
II
For him the woods were a home and gave him the key
Of knowledge, thirst for their treasures in herbs and flowers.
The secrets held by the creatures nearer than we
To earth he sought, and the link of their life with ours:
And where alike we are, unlike where, and the veined
Division, veined parallel, of a blood that flows
In them, in us, from the source by man unattained
Save marks he well what the mystical woods disclose.
III
And this he deemed might be boon of love to a breast
Embracing tenderly each little motive shape,
The prone, the flitting, who seek their food whither best
Their wits direct, whither best from their foes escape.
For closer drawn to our mother's natural milk,
As babes they learn where her motherly help is great:
They know the juice for the honey, juice for the silk,
And need they medical antidotes, find them straight.
IV
Of earth and sun they are wise, they nourish their broods,
Weave, build, hive, burrow and battle, take joy and pain
Like swimmers varying billows: never in woods
Runs white insanity fleeing itself: all sane
The woods revolve: as the tree its shadowing limns
To some resemblance in motion, the rooted life
Restrains disorder: you hear the primitive hymns
Of earth in woods issue wild of the web of strife.
V
Now sleeping once on a day of marvellous fire,
A brood of snakes he had cherished in grave regret
That death his people had dealt their dam and their sire,
Through savage dread of them, crept to his neck, and set
Their tongues to lick him: the swift affectionate tongue
Of each ran licking the slumberer: then his ears
A forked red tongue tickled shrewdly: sudden upsprung,
He heard a voice piping: Ay, for he has no fears!
VI
A bird said that, in the notes of birds, and the speech
Of men, it seemed: and another renewed: He moves
To learn and not to pursue, he gathers to teach;
He feeds his young as do we, and as we love loves.
No fears have I of a man who goes with his head
To earth, chance looking aloft at us, kind of hand:
I feel to him as to earth of whom we are fed;
I pipe him much for his good could he understand.
VII
Melampus touched at his ears, laid finger on wrist
He was not dreaming, he sensibly felt and heard.
Above, through leaves, where the tree-twigs inter-twist,
He spied the birds and the bill of the speaking bird.
His cushion mosses in shades of various green,
The lumped, the antlered, he pressed, while the sunny snake
Slipped under: draughts he had drunk of clear Hippocrene,
It seemed, and sat with a gift of the Gods awake.
VIII
Divinely thrilled was the man, exultingly full,
As quick well-waters that come of the heart of earth,
Ere yet they dart in a brook are one bubble-pool
To light and sound, wedding both at the leap of birth.
The soul of light vivid shone, a stream within stream;
The soul of sound from a musical shell outflew;
Where others hear but a hum and see but a beam,
The tongue and eye of the fountain of life he knew.
IX
He knew the Hours: they were round him, laden with seed
Of hours bestrewn upon vapour, and one by one
They winged as ripened in fruit the burden decreed
For each to scatter; they flushed like the buds in sun,
Bequeathing seed to successive similar rings,
Their sisters, bearers to men of what men have earned:
He knew them, talked with the yet unreddened; the stings,
The sweets, they warmed at their bosoms divined, discerned.
X
Not unsolicited, sought by diligent feet,
By riddling fingers expanded, oft watched in growth
With brooding deep as the noon-ray's quickening wheat,
Ere touch'd, the pendulous flower of the plants of sloth,
The plants of rigidness, answered question and squeeze,
Revealing wherefore it bloomed, uninviting, bent,
Yet making harmony breathe of life and disease,
The deeper chord of a wonderful instrument.
XI
So passed he luminous-eyed for earth and the fates
We arm to bruise or caress us: his ears were charged
With tones of love in a whirl of voluble hates,
With music wrought of distraction his heart enlarged.
Celestial-shining, though mortal, singer, though mute,
He drew the Master of harmonies, voiced or stilled,
To seek him; heard at the silent medicine-root
A song, beheld in fulfilment the unfulfilled.
XII
Him Phoebus, lending to darkness colour and form
Of light's excess, many lessons and counsels gave,
Showed Wisdom lord of the human intricate swarm,
And whence prophetic it looks on the hives that rave,
And how acquired, of the zeal of love to acquire,
And where it stands, in the centre of life a sphere;
And Measure, mood of the lyre, the rapturous lyre,
He said was Wisdom, and struck him the notes to hear.
XIII
Sweet, sweet: 'twas glory of vision, honey, the breeze
In heat, the run of the river on root and stone,
All senses joined, as the sister Pierides
Are one, uplifting their chorus, the Nine, his own.
In stately order, evolved of sound into sight,
From sight to sound intershifting, the man descried
The growths of earth, his adored, like day out of night,
Ascend in song, seeing nature and song allied.
XIV
And there vitality, there, there solely in song,
Resides, where earth and her uses to men, their needs,
Their forceful cravings, the theme are: there is it strong,
The Master said: and the studious eye that reads,
(Yea, even as earth to the crown of Gods on the mount),
In links divine with the lyrical tongue is bound.
Pursue thy craft: it is music drawn of a fount
To spring perennial; well-spring is common ground.
XV
Melampus dwelt among men: physician and sage,
He served them, loving them, healing them; sick or maimed,
Or them that frenzied in some delirious rage
Outran the measure, his juice of the woods reclaimed.
He played on men, as his master, Phoebus, on strings
Melodious: as the God did he drive and check,
Through love exceeding a simple love of the things
That glide in grasses and rubble of woody wreck.
poem by George Meredith

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A Child's Laughter
ALL the bells of heaven may ring,
All the birds of heaven may sing,
All the wells on earth may spring,
All the winds on earth may bring
All sweet sounds together---
Sweeter far than all things heard,
Hand of harper, tone of bird,
Sound of woods at sundawn stirred,
Welling water's winsome word,
Wind in warm wan weather,
One thing yet there is, that none
Hearing ere its chime be done
Knows not well the sweetest one
Heard of man beneath the sun,
Hoped in heaven hereafter;
Soft and strong and loud and light,
Very sound of very light
Heard from morning's rosiest height,
When the soul of all delight
Fills a child's clear laughter.
Golden bells of welcome rolled
Never forth such notes, nor told
Hours so blithe in tones so bold,
As the radiant mouth of gold
Here that rings forth heaven.
If the golden-crested wren
Were a nightingale---why, then,
Something seen and heard of men
Might be half as sweet as when
Laughs a child of seven.
poem by Algernon Charles Swinburne

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The Voice of Love
After a long solitary confinement
In deep love for someone
I heard a song
A song in the woods
Where I stood
The woods which stood in the solitude
There was nobody
Nobody except me
Nobody heard the song
Which rapped in the woods
Somewhere, but I didn't know where
The song I heard wasn't raspy
Neither soft nor melodious
The song I heard was heart-strucken'd
There was a tone
A tune where you can find
A rapt of love.
The song has given pathogen in me
Who's that guy?
Singing in love
Crying and dying in love?
I listened to the song carefully
Now I found
The lonely woods are in me
And the song I heard
was the voice
The voice of love in me.
poem by D'menz Veen

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Genesis
In the outer world that was before this earth,
That was before all shape or space was born,
Before the blind first hour of time had birth,
Before night knew the moonlight or the morn;
Yea, before any world had any light,
Or anything called God or man drew breath,
Slowly the strong sides of the heaving night
Moved, and brought forth the strength of life and death.
And the sad shapeless horror increate
That was all things and one thing, without fruit,
Limit, or law; where love was none, nor hate,
Where no leaf came to blossom from no root;
The very darkness that time knew not of,
Nor God laid hand on, nor was man found there,
Ceased, and was cloven in several shapes; above
Light, and night under, and fire, earth, water, and air.
Sunbeams and starbeams, and all coloured things,
All forms and all similitudes began;
And death, the shadow cast by life's wide wings,
And God, the shade cast by the soul of man.
Then between shadow and substance, night and light,
Then between birth and death, and deeds and days,
The illimitable embrace and the amorous fight
That of itself begets, bears, rears, and slays,
The immortal war of mortal things that is
Labour and life and growth and good and ill,
The mild antiphonies that melt and kiss,
The violent symphonies that meet and kill,
All nature of all things began to be.
But chiefliest in the spirit (beast or man,
Planet of heaven or blossom of earth or sea)
The divine contraries of life began.
For the great labour of growth, being many, is one;
One thing the white death and the ruddy birth;
The invisible air and the all-beholden sun,
And barren water and many-childed earth.
And these things are made manifest in men
From the beginning forth unto this day:
Time writes and life records them, and again
Death seals them lest the record pass away.
For if death were not, then should growth not be,
Change, nor the life of good nor evil things;
Nor were there night at all nor light to see,
Nor water of sweet nor water of bitter springs.
For in each man and each year that is born
Are sown the twin seeds of the strong twin powers;
The white seed of the fruitful helpful morn,
The black seed of the barren hurtful hours.
And he that of the black seed eateth fruit,
To him the savour as honey shall be sweet;
And he in whom the white seed hath struck root,
He shall have sorrow and trouble and tears for meat.
And him whose lips the sweet fruit hath made red
In the end men loathe and make his name a rod;
And him whose mouth on the unsweet fruit hath fed
In the end men follow and know for very God.
And of these twain, the black seed and the white,
All things come forth, endured of men and done;
And still the day is great with child of night,
And still the black night labours with the sun.
And each man and each year that lives on earth
Turns hither or thither, and hence or thence is fed;
And as a man before was from his birth,
So shall a man be after among the dead.
poem by Algernon Charles Swinburne

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The Frogs
I1.
Breathers of wisdom won without a quest,
.
Quaint uncouth dreamers, voices high and strange;
.
Flutists of lands where beauty hath no change,
.
And wintry grief is a forgotten guest,
.
Sweet murmurers of everlasting rest,
.
For whom glad days have ever yet to run,
.
And moments are as aeons, and the sun
.
But ever sunken half-way toward the west.1.
Often to me who heard you in your day,
.
With close rapt ears, it could not choose but seem
.
That earth, our mother, searching in what way
.
Men's hearts might know her spirit's inmost-dream;
.
Ever at rest beneath life's change and stir,
.
Made you her soul, and bade you pipe for her.II2.
In those mute days when spring was in her glee,
.
And hope was strong, we knew not why or how,
.
And earth, the mother, dreamed with brooding brow,
.
Musing on life, and what the hours might be,
.
When love should ripen to maternity,
.
Then like high flutes in silvery interchange
.
Ye piped with voices still and sweet and strange,
.
And ever as ye piped, on every tree2.
The great buds swelled; among the pensive woods
.
The spirits of first flowers awoke and flung
.
From buried faces the close-fitting hoods,
.
And listened to your piping till they fell,
.
The frail spring-beauty with her perfumed bell,
.
The wind-flower, and the spotted adder-tongue.III3.
All the day long, wherever pools might be
.
Among the golden meadows, where the air
.
Stood in a dream, as it were moorèd there
.
For ever in a noon-tide reverie,
.
Or where the birds made riot of their glee
.
In the still woods, and the hot sun shone down,
.
Crossed with warm lucent shadows on the brown
.
Leaf-paven pools, that bubbled dreamily, 3.
Or far away in whispering river meads
.
And watery marshes where the brooding noon,
.
Full with the wonder of its own sweet boon,
.
Nestled and slept among the noiseless reeds,
.
Ye sat and murmured, motionless as they,
.
With eyes that dreamed beyond the night and day.IV4.
And when day passed and over heaven's height,
.
Thin with the many stars and cool with dew,
.
The fingers of the deep hours slowly drew
.
The wonder of the ever-healing night,
.
No grief or loneliness or rapt delight
.
Or weight of silence ever brought to you
.
Slumber or rest; only your voices grew
.
More high and solemn; slowly with hushed flight4.
Ye saw the echoing hours go by, long-drawn,
.
Nor ever stirred, watching with fathomless eyes,
.
And with your countless clear antiphonies
.
Filling the earth and heaven, even till dawn,
.
Last-risen, found you with its first pale gleam,
.
Still with soft throats unaltered in your dream.V5.
And slowly as we heard you, day by day,
.
The stillness of enchanted reveries
.
Bound brain and spirit and half-closèd eyes,
.
In some divine sweet wonder-dream astray;
.
To us no sorrow or upreared dismay
.
Nor any discord came, but evermore
.
The voices of mankind, the outer roar,
.
Grew strange and murmurous, faint and far away. 5.
Morning and noon and midnight exquisitely,
.
Rapt with your voices, this alone we knew,
.
Cities might change and fall, and men might die,
.
Secure were we, content to dream with you
.
That change and pain are shadows faint and fleet,
.
And dreams are real, and life is only sweet.
poem by Archibald Lampman

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The Lark Ascending
He rises and begins to round,
He drops the silver chain of sound
Of many links without a break,
In chirrup, whistle, slur and shake,
All intervolv’d and spreading wide,
Like water-dimples down a tide
Where ripple ripple overcurls
And eddy into eddy whirls;
A press of hurried notes that run
So fleet they scarce are more than one,
Yet changingly the trills repeat
And linger ringing while they fleet,
Sweet to the quick o’ the ear, and dear
To her beyond the handmaid ear,
Who sits beside our inner springs,
Too often dry for this he brings,
Which seems the very jet of earth
At sight of sun, her musci’s mirth,
As up he wings the spiral stair,
A song of light, and pierces air
With fountain ardor, fountain play,
To reach the shining tops of day,
And drink in everything discern’d
An ecstasy to music turn’d,
Impell’d by what his happy bill
Disperses; drinking, showering still,
Unthinking save that he may give
His voice the outlet, there to live
Renew’d in endless notes of glee,
So thirsty of his voice is he,
For all to hear and all to know
That he is joy, awake, aglow,
The tumult of the heart to hear
Through pureness filter’d crystal-clear,
And know the pleasure sprinkled bright
By simple singing of delight,
Shrill, irreflective, unrestrain’d,
Rapt, ringing, on the jet sustain’d
Without a break, without a fall,
Sweet-silvery, sheer lyrical,
Perennial, quavering up the chord
Like myriad dews of sunny sward
That trembling into fulness shine,
And sparkle dropping argentine;
Such wooing as the ear receives
From zephyr caught in choric leaves
Of aspens when their chattering net
Is flush’d to white with shivers wet;
And such the water-spirit’s chime
On mountain heights in morning’s prime,
Too freshly sweet to seem excess,
Too animate to need a stress;
But wider over many heads
The starry voice ascending spreads,
Awakening, as it waxes thin,
The best in us to him akin;
And every face to watch him rais’d,
Puts on the light of children prais’d,
So rich our human pleasure ripes
When sweetness on sincereness pipes,
Though nought be promis’d from the seas,
But only a soft-ruffling breeze
Sweep glittering on a still content,
Serenity in ravishment.
For singing till his heaven fills,
’T is love of earth that he instils,
And ever winging up and up,
Our valley is his golden cup,
And he the wine which overflows
To lift us with him as he goes:
The woods and brooks, the sheep and kine
He is, the hills, the human line,
The meadows green, the fallows brown,
The dreams of labor in the town;
He sings the sap, the quicken’d veins;
The wedding song of sun and rains
He is, the dance of children, thanks
Of sowers, shout of primrose-banks,
And eye of violets while they breathe;
All these the circling song will wreathe,
And you shall hear the herb and tree,
The better heart of men shall see,
Shall feel celestially, as long
As you crave nothing save the song.
Was never voice of ours could say
Our inmost in the sweetest way,
Like yonder voice aloft, and link
All hearers in the song they drink:
Our wisdom speaks from failing blood,
Our passion is too full in flood,
We want the key of his wild note
Of truthful in a tuneful throat,
The song seraphically free
Of taint of personality,
So pure that it salutes the suns
The voice of one for millions,
In whom the millions rejoice
For giving their one spirit voice.
Yet men have we, whom we revere,
Now names, and men still housing here,
Whose lives, by many a battle-dint
Defaced, and grinding wheels on flint,
Yield substance, though they sing not, sweet
For song our highest heaven to greet:
Whom heavenly singing gives us new,
Enspheres them brilliant in our blue,
From firmest base to farthest leap,
Because their love of Earth is deep,
And they are warriors in accord
With life to serve and pass reward,
So touching purest and so heard
In the brain’s reflex of yon bird;
Wherefore their soul in me, or mine,
Through self-forgetfulness divine,
In them, that song aloft maintains,
To fill the sky and thrill the plains
With showerings drawn from human stores,
As he to silence nearer soars,
Extends the world at wings and dome,
More spacious making more our home,
Till lost on his aërial rings
In light, and then the fancy sings.
poem by George Meredith

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A Bird and flower upon the tree
A bird and flower upon the tree,
Sweet peony and oriole,
Each of them a perfect soul,
Song and sweetness manifest
The bird and flower we love the best
Side by side on the tall tree.
'Flower who art sunlight and fire, flower who art perfume and joy,
Sweetest of sweet,
Ah for the gift withheld!
Ah for the given gift's alloy!
Why must thy spirit exhale only in beauty and breath?
Ah for the voice thou hast not! I by thy side on the tree,
Telling the world of love, pain, and all raptures that be,
Raptures of laughter and life, raptures of tears and death,
Singing my heart to heaven, singing to earth at my feet;
Silence in thee.'
'Bird who art dew-drops and flame, bird who art rapture and song,
Sweetest of sweet,
Lo there's a voice part mine, songs that to me too belong,
Songs that grew of my growth, voice that has breathed my breath.
Bird that while I sit mute singest beside on the tree,
Hast thou ever a song taking no perfume of me?
Give forth my sweetness in song; bird, thou art singing for both,
Singing our hearts to heaven, singing to earth at our feet;
My voice in thee.'
On the tree-top side by side,
Sweet oriole and peony;
Music rings through earth and sky,
Sweet and sweet in sweetness lost
The flower and bird we love the most,
On the tree-top side by side.
poem by Augusta Davies Webster

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The Death Of Richard Wagner
Mourning on earth, as when dark hours descend,
Wide-winged with plagues, from heaven; when hope and mirth
Wane, and no lips rebuke or reprehend
Mourning on earth.
The soul wherein her songs of death and birth,
Darkness and light, were wont to sound and blend,
Now silent, leaves the whole world less in worth.
Winds that make moan and triumph, skies that bend,
Thunders, and sound of tides in gulf and firth,
Spake through his spirit of speech, whose death should send
Mourning on earth.
The world's great heart, whence all things strange and rare
Take form and sound, that each inseparate part
May bear its burden in all tuned thoughts that share
The world's great heart -
The fountain forces, whence like steeds that start
Leap forth the powers of earth and fire and air,
Seas that revolve and rivers that depart -
Spake, and were turned to song: yea, all they were,
With all their works, found in his mastering art
Speech as of powers whose uttered word laid bare
The world's great heart.
From the depths of the sea, from the wellsprings of earth, from the wastes of the midmost night,
From the fountains of darkness and tempest and thunder, from heights where the soul would be,
The spell of the mage of music evoked their sense, as an unknown light
From the depths of the sea.
As a vision of heaven from the hollows of ocean, that none but a god might see,
Rose out of the silence of things unknown of a presence, a form, a might,
And we heard as a prophet that hears God's message against him, and may not flee.
Eye might not endure it, but ear and heart with a rapture of dark delight,
With a terror and wonder whose core was joy, and a passion of thought set free,
Felt inly the rising of doom divine as a sundawn risen to sight
From the depths of the sea.
poem by Algernon Charles Swinburne

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Lincoln
Hurt was the nation with a mighty wound,
And all her ways were filled with clam'rous sound.
Wailed loud the South with unremitting grief,
And wept the North that could not find relief.
Then madness joined its harshest tone to strife:
A minor note swelled in the song of life.
'Till, stirring with the love that filled his breast,
But still, unflinching at the right's behest,
Grave Lincoln came, strong handed, from afar,
The mighty Homer of the lyre of war.
'T was he who bade the raging tempest cease,
Wrenched from his harp the harmony of peace,
Muted the strings, that made the discord,--Wrong,
And gave his spirit up in thund'rous song.
Oh mighty Master of the mighty lyre,
Earth heard and trembled at thy strains of fire:
Earth learned of thee what Heav'n already knew,
And wrote thee down among her treasured few.
poem by Paul Laurence Dunbar

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The Call Of April
April calling, April calling,
April calling me!
I hear the voice of April there
In each old apple tree:
Bee-boom and wild perfume,
And wood-brook melody,
O hark, my heart, and hear, my heart,
The April Ecstasy!
Hark to the hills, the oldtime hills,
That talk with sea and sky!
Or speak in murmurs with God's winds
Who on their bosoms lie:
Bird-call and waterfall
And white clouds blowing by,
O hark, my heart, O hear, my heart,
The April's cosmic cry!
There runs a whisper through the woods,
The word of bough to bough,
A sound of dead things donning green,
Of Beauty waking now:
Fern-bower and wilding flower,
Each like a prayer or vow,
O see, my heart, O look, my heart,
Where Earth crowns white her brow!
And far away, and far away,
Yet nearer than she seems,
Look where she takes the oldtime trail
And walks again with dreams:
Bird note and blue remote
And laughter of wild streams,
O hark, my heart, O hear, my heart,
And follow where she gleams!
Earth has put off her winter garb
Of gray and drab and dun,
And robes herself in raiment green
Of love and laughter spun:
Wood-bloom and wood-perfume
And colors of the sun,
O hark, my heart, O hear, my heart,
Where her wild footsteps run!
O April, mother of my soul,
Take to your heart your child:
And let him lie a little while
Upon its rapture wild:
Lean close and near, and let him hear
The words that once beguiled,
And on his eyes the kiss again
Of longing reconciled.
O kiss, that fills the fields with flowers
And thrills with green each grove,
Dream down into this heart again
And grow to songs thereof:
Wild songs in singing throngs,
That swift shall mount above,
And, like to birds, with lyric words,
Take Earth and Heaven with love.
poem by Madison Julius Cawein

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Through the branch net [Prin a ramurilor mreajă]
Through the branch net, all along,
One can hear a charming song
Fondling all the ears that lie
By the linden old and high...
Through the leaves, when dies the day,
Tries the moon to make its way,
It's so beautiful and bright
And sheds down its gleams of light.
Start the trumpets to sound soon;
As the disk of the sweet moon
Passes over glades and trees,
Trumpet notes flow with much ease.
The green woods will answer then
And my soul gets lost again,
Grieved, but also filled with grace,
When I think of your nice face.
And the birds will sing above
Showing all their care and love,
Chirping in the woods and thus
Laughing at or... pitying us.
poem by Mihai Eminescu, translated by Octavian Cocoş

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Life
Oh Life! I breathe thee in the breeze,
I feel thee bounding in my veins,
I see thee in these stretching trees,
These flowers, this still rock's mossy stains.
This stream of odours flowing by
From clover-field and clumps of pine,
This music, thrilling all the sky,
From all the morning birds, are thine.
Thou fill'st with joy this little one,
That leaps and shouts beside me here,
Where Isar's clay-white rivulets run
Through the dark woods like frighted deer.
Ah! must thy mighty breath, that wakes
Insect and bird, and flower and tree,
From the low trodden dust, and makes
Their daily gladness, pass from me--
Pass, pulse by pulse, till o'er the ground
These limbs, now strong, shall creep with pain,
And this fair world of sight and sound
Seem fading into night again?
The things, oh LIFE! thou quickenest, all
Strive upwards toward the broad bright sky,
Upward and outward, and they fall
Back to earth's bosom when they die.
All that have borne the touch of death,
All that shall live, lie mingled there,
Beneath that veil of bloom and breath,
That living zone 'twixt earth and air.
There lies my chamber dark and still,
The atoms trampled by my feet,
There wait, to take the place I fill
In the sweet air and sunshine sweet.
Well, I have had my turn, have been
Raised from the darkness of the clod,
And for a glorious moment seen
The brightness of the skirts of God;
And knew the light within my breast,
Though wavering oftentimes and dim,
The power, the will, that never rest,
And cannot die, were all from him.
Dear child! I know that thou wilt grieve
To see me taken from thy love,
Wilt seek my grave at Sabbath eve,
And weep, and scatter flowers above.
Thy little heart will soon be healed,
And being shall be bliss, till thou
To younger forms of life must yield
The place thou fill'st with beauty now.
When we descend to dust again,
Where will the final dwelling be
Of Thought and all its memories then,
My love for thee, and thine for me?
poem by William Cullen Bryant

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Wahonomin
GREAT mother! from the depths of forest wilds,
From mountain pass and burning sunset plain,
We, thine unlettered children of the woods,
Upraise to thee the everlasting hymn
Of nature, language of the skies and seas,
5
Voice of the birds and sighing of the pine
In wintry wastes. We know none other tongue,
Nor the smooth speech that, like the shining leaves,
Hides the rough stems beneath. We bring our song,
Wood-fragrant, rough, yet autumn-streaked with love,
10
And lay it as a tribute at thy feet.
But should it vex thee thus to hear us sing,
Sad in the universal joy that crowns
This year of years, and shouldst thou deem our voice
But death-cry of the ages that are past,
15
Bear with us—say, "My children of the woods,
In language learnt from bird and wood and stream,
From changing moons and stars and misty lakes,
Pour forth their love, and lay it at my feet;
The voice is wild and strange, untuned to ear
20
Of majesty, ill-timed to fevered pulse
Of this young age, and meteor-souls that flash
New paths upon night's dome; yet will I hear
This singing of my children ere they die."
Great mother! thou art wise, they say, and good,
25
And reignest like the moon in autumn skies,
The world about thy feet. We have not seen
Thy face, nor the wild seas of life that surge
Around thy throne; but we have stood by falls,
Deep-shadowed in the silence of the woods,
30
And heard the water-thunders, and have said,
Thus is the voice of men about our Queen.
What is the red man but the forest stream,
The cry of screech-owl in the desert wilds?
This flood that overflows the hills and plains
35
Is not for us. Back, Westward, Northward, ay,
Up to eternal winter 'neath the stars,
Our path must be in silence, till the snows
And sun and wind have bleached our children's bones.
The red must go; the axe and plough and plane
40
Are not for him. We perish with the pine,
We vanish in the silence of the woods;
Our footsteps, like the war-trail in the snow,
Grow fainter while the new spring buds with life.
Great mother! the white faces came with words
45
Of love and hope, and pointed to the skies,
And in the sunrise splendour set the throne
Of the Great Spirit, and upon the cross
Showed us His Son, and asked a throne for Him.
Their speech was music; but in camp at night
50
We brooded o'er the matter round the fire,
The shadowy pines about us, and the stars,
Set in the silent heavens, looking down.
We brooded o'er the matter days and years,
For thus each thought and thus each spake in words:
55
"We children of the woods have lived and died
In these our forests, since the first moon tipped
Their thousand lakes and rivers with her beams,
Pale silver in the fading sky of even.
Our fathers' faces kindled in the glow
60
Of setting suns; they read the starlit sky;
They heard the Spirit's breathing on the storm,
And on the quaking earth they felt His tread;
But never yet the story of His Son
Was wafted to them from the sighing woods,
65
Or bird or stream. Our fathers' God is ours;
And as for these new words, we watch and wait."
Great mother! we have waited days and years,
Thro' spring and summer—summer, autumn, spring;
Brooding in silence, for anon we dreamed
70
A bird's voice in our hearts half sung, "'Tis true."
We listened and we watched the pale face come,
When, lo! new gods came with them—gods of iron
And fire, that shook the forests as they rushed,
Filling with thunder and loud screeching, plains,
75
Mountains, and woods, and dimming with their breath
The shining skies. These new gods, who were they,
That came devouring all, and blackening earth
And sky with smoke and thunder? We knew not,
But fled in terror further from the face
80
Of these white children and their gods of iron;
We heard no more their story of the Son,
And words of love. Their own lives were not love,
But war concealed and fire beneath the ash.
Thus ever now the burden of our speech—
85
We perish with the pine tree and the bird,
We vanish in the silence of the woods,
The white man's hunting-ground, it is not ours;
We care not for his gods of iron and fire;
Our home is in the trackless wilds, the depths
90
Of mountain solitudes, by starlit lakes,
By noise of waters in the unchanging woods.
Great mother! we have wondered that thy sons,
Thy pale sons, should have left thy side and come
To these wild plains, and sought the haunts of bears
95
And red men. Why their battle with the woods?
Whither they go upon their gods of iron,
Out of the golden sunrise to the mists
Of purple evening in the setting west?
Their lives have scarce as many moons as ours,
100
Nor happier are. We know not what they seek;
For death's cold finger chills their fevered life,
As in the wilds he stills the meanest worm,
And death flies with them over all their paths,
And waits them in the heart of wildest waste;
105
They cannot break his power. Forgive these thoughts
If, as they rise like mists, they dim the gold
That zones thy brow. They came to us at night,
As we have sat in council round the fire;
They seemed the echo of the sighing pines
110
Far in our soul. One evening rose a chief,
White-headed, bowed with years, one hand on staff,
One on death's arm, preparing for the way.
"My sons," he said, "these people are not wise.
We bide our time, and they will pass away;
115
Then shall the red man come like bird in spring,
And build the broken camp, and hunt and fish
In his old woods. These people pass away;
Then shall the red man come like bird in spring,
And build the broken camp, and hunt and fish
120
In his old woods. These people pass away;
For I have thought through many nights and days,
And wondered what they seek; and now I know,
And knowing, say these people are not wise.
They found these plains beneath the burning west,
125
And westward, ever westward, still they press,
Seeking the shining meadows of the land
Where the sun sleeps, and, folded 'neath his wings,
The happy spirits breathe eternal day.
But I have lived thro' five score changing years,
130
And I have talked with wintry-headed chiefs,
And I have heard that kingdom is not reached
Thro' woods and plains, but by the bridge of death.
This people is not wise; we bide our time."
Great mother! they have told us that the snows
135
Of fifty winters sleep about thy throne,
And buds of spring now blossom with sweet breath
Beneath thy tread. They tell us of the sea,
And other lands, where other children dwell;
Of mighty cities and the gleam of gold,
140
Of empires wider than the shining plains
Viewed from giant hill, that lift thy throne above
The clouded mountain-tops. They tell us, too,
Of wonders in the home of man; of gods
Of iron and fire made servants, and of fire
145
Snatched from the clouds to flash man's swiftest thought;
But these are not for us. The forest flower
Droops in the haunts of man; it needs the sky,
And smokeless air, and glances of the sun
Thro' rustling leaves. We perish with the woods;
150
The plains are all before thee. Send thy sons
To plant and build, and drive their flashing gods,
Startling the forests, till, like ocean's bounds,
Thine empire rolls in splendour from wide east
To widest west, broad fields of gold for thee
155
And thy white children; but our spirits wait
Amid the silent ages, and we pass
To where our fathers dwell, by silent streams,
And hunt in trackless wilds through cloudless days.
The wheels of thy great empire, as it moves
160
From east to west, from south to icy north,
Crush us to earth. We perish with the woods.
Great mother; if the changing moons have brought
Thee nearer to the darksome bridge that spans
The gulf between this and the eternal day,
165
If thy path and thy children's be the same,
And thy feet follow where thy fathers went,
Perchance thy soul upon earth's utmost verge,
The eternal sky about thee, and the deeps
Unfathomable beyond—perchance thy soul,
170
Grown weary with the fever of thy life,
May yearn for song of bird, and sighing pine,
And silent meditation of the woods;
Perchance, when, looking back from infinite skies
To restless man, thy soul, too, echoes, "Why?"
175
"Where?" and "Whither?" and thy heart may love
This death-song of thy children, ere they pass
With birds and forests to the silent land.
Perchance the white face told us what was true,
And love and hope wait by the throne of God.
180
The ruffled lake gives out but broken gleams
Of the clear stars above; so, restless life
May be the troubled reflex of the skies.
The world rolls onward, ever on and on,
Through clouded vast and moans of dying years,
185
Into the depths of sunset; but the light
Blinds our dim eyes, we cannot see the goal.
The spirit of the world is not for us;
We perish with the pine tree and the bird;
We bow our heads in silence. We must die.
poem by Frederick George Scott

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Clara Morris (Written for a Benefit Given Mrs. Morris)
The Radiant Ruler of Mystic Regions
Where souls of artists are fitted for birth,
Gathered together their lovely legions
And fashioned a woman to shine on earth.
They bathed her in splendor
They made her tender:
They gave her a nature both sweet and wild.
They gave her emotions
Like storm stirred oceans,
And they gave her the heart of a little child.
These Radiant Rulers (who are not human
Nor yet divine like the gods above)
Poured all their gifts in the soul of a woman
That fragile vessel meant only for love.
Still more they taught her,
Still more they brought her-
Till they gave her the world for a harp one day,
And they bade her string it-
They bade her ring it,
While the stars all wondered to hear her play.
She touched the strings in a master fashion,
She uttered the cry of a world's despair.
Its long-hid secret, its pent-up passion,
She gave to the winds in a vibrant air.
For ah! the heart of her,
That was the art of her,
Great with the feeling that makes men kin.
Art unapproachable,
Art all uncoachable,
Fragrance and flame from the spirit within.
The earth turns ever an ear unheeding
To the sorrows of art, as it cries for more:
And she played on the harp till her hands were bleeding
And her brow was bruised by the laurels she wore.
She knew the trend of it,
She knew the end of it.
Men heard the music and men felt the thrill.
Bound to the altar
Of art, could she falter?
Then came a silence-the music was still.
And yet in the echoes we seem to hear it
In waves unbroken it circles the earth:
And we catch in the light of her dauntless spirit
A gleam from the center that gave her birth.
Still is the fame of her
Felt in the name of her.
But low lies the harp that once thrilled to her strain.
No hand has taken it,
No hand can waken it-
For the soul of her art was her secret of pain.
poem by Ella Wheeler Wilcox

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At Dawn and Dusk
At Dawn and Dusk
Love-Laurel
IN MEMORY OF HENRY KENDALL
AH! that God once would touch my lips with song
To pierce, as prayer doth heaven, earth’s breast of iron,
So that with sweet mouth I might sing to thee,
O sweet dead singer buried by the sea,
A song, to woo thee, as a wooing siren,
Out of that silent sleep which seals too long
Thy mouth of melody.
For, if live lips might speak awhile to dead,
Or any speech could reach the sad world under
This world of ours, song surely should awake
Thee who didst dwell in shadow for song’s sake!
Alas! thou canst not hear the voice of thunder,
Nor low dirge over thy low-lying head
The winds of morning make.
Down through the clay there comes no sound of these;
Down in the grave there is no sign of Summer,
Nor any knowledge of the soft-eyed Spring;
But Death sits there, with outspread ebon wing,
Closing with dust the mouth of each new-comer
To that mute land, where never sound of seas
Is heard, and no birds sing.
Now thou hast found the end of all thy days
Hast thou found any heart a vigil keeping
For thee among the dead—some heart that heard
Thy singing when thou wert a brown, sweet bird
Gray Æons gone, in some old forest sleeping
Beneath the seas long since? in Death’s dim ways
Has thy heart any word?
For surely those in whom the deathless spark
Of song is kindled, sang from the beginning
If life were always? But the old desires—
Do they exist when sad-eyed Hope expires?
How live the dead? what crowns have they for winning?
Have they, to warm them in the dreamless dark,
For sun earth’s central fires?
Are the dead dead indeed whom we call dead?
Has God no life but this of ours for giving?—
When that they took thee by each well-known place,
Stark in thy coffin with a cold white face,
What thought, O Brother, hadst thou of the living?
What of the sun that round thee glory shed?
What of the fair day’s grace?
Is thy new life made up of memories
Or dreams that lull the dead, bright visions bringing
Of Spring above! Are thy days short or long?
Thou who wert master of our singing throng
Mayhap in death thou hast not lost thy singing,
But chauntst unheard, beside the moaning sea,
A solitary song.
The chance spade turns up skulls. God help the dead
And thee whose singing days have all passed over—
Thee, whom the gold-haired Spring shall seek in vain
When at the glad year’s doors she stands again,
Remembering the song-garlands thou hast wove her
In years gone by: but all these years have fled
With all their joy and pain.
. . . . .
My soul laughed out to hear my heart speak so,
And sprang forth skyward, as an eagle, hoping
To look upon thy soul with living eyes,
Until it came to where our dim life dies,
And dead suns darkly for a grave are groping
Through cycles of immeasurable woe,
Stone-blind in the blind skies.
The stars walk shuddering on that awful verge
From which my soul, with swift and fearless motion,
Clove the black depths, and sought for God and thee;
But God dwells where nor stars nor suns there be—
No shore there is to His Eternal Ocean;
A thousand systems are a fringe of surge
On that great starless sea.
And thou wert not. So that, with weary plumes,
My soul through the great void its way came winging
To earth again. “What hope for him who sings
Is there?” it sighed. “Death ends all sweetest things.”
When lo! there came a swell of mighty singing,
Flooding all space, and swift athwart the glooms
A flash of sudden wings.
. . . . .
Dreamer of dreams, thy songs and dreams are done.
Down where thou sleepest in earth’s secret bosom
There is no sorrow and no joy for thee,
Who canst not see what stars at eve there be,
Nor evermore at morn the green dawn blossom
Into the golden king-flower of the sun
Across the golden sea.
But haply there shall come in days to be
One who shall hear his own heart beating faster,
Plucking a rose sprung from thy heart beneath,
And from his soul, as sword from out its sheath,
Song shall leap forth where now, O silent master,
On thy lone grave beside the sounding sea,
I lay this laurel-wreath.
poem by Victor James Daley

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Music: An Ode
WAS it light that spake from the darkness,
or music that shone from the word,
When the night was enkindled with sound
of the sun or the first-born bird?
Souls enthralled and entrammelled in bondage
of seasons that fall and rise,
Bound fast round with the fetters of flesh,
and blinded with light that dies,
Lived not surely till music spake,
and the spirit of life was heard.
Music, sister of sunrise, and herald of life to be,
Smiled as dawn on the spirit of man,
and the thrall was free.
Slave of nature and serf of time,
the bondman of life and death,
Dumb with passionless patience that breathed
but forlorn and reluctant breath,
Heard, beheld, and his soul made answer,
and communed aloud with the sea.
Morning spake, and he heard:
and the passionate silent noon
Kept for him not silence:
and soft from the mounting moon
Fell the sound of her splendour,
heard as dawn's in the breathless night,
Not of men but of birds whose note
bade man's soul quicken and leap to light:
And the song of it spake, and the light and the darkness
of earth were as chords in tune.
poem by Algernon Charles Swinburne

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The Grave Of A Poetess
I stood beside thy lowly grave;
Spring-odours breath'd around,
And music, in the river-wave,
Pass'd with a lulling sound.
All happy things that love the sun,
In the bright air glanc'd by,
And a glad murmur seem'd to run
Thro' the soft azure sky.
Fresh leaves were on the ivy-bough
That fring'd the ruins near;
Young voices were abroad–but thou
Their sweetness couldst not hear.
And mournful grew my heart for thee,
Thou in whose woman's mind
The ray that brightens earth and sea,
The light of song was shrined.
Mournful, that thou wert slumbering low,
With a dread curtain drawn
Between thee and the golden glow
Of this world's vernal dawn.
Parted from all the song and bloom
Thou wouldst have lov'd so well,
To thee the sunshine round thy tomb
Was but a broken spell.
The bird, the insect on the wing,
In their bright reckless play,
Might feel the flush and life of spring,–
And thou wert pass'd away!
But then, ev'n then, a nobler thought
O'er my vain sadness came;
Th' immortal spirit woke, and wrought
Within my thrilling frame.
Surely on lovelier things, I said,
Thou must have look'd ere now,
Than all that round our pathway shed
Odours and hues below.
The shadows of the tomb are here,
Yet beautiful is earth!
What see'st thou then where no dim fear,
No haunting dream hath birth?
Here a vain love to passing flowers
Thou gav'st–but where thou art,
The sway is not with changeful hours,
There love and death must part.
Thou hast left sorrow in thy song,
A voice not loud, but deep!
The glorious bowers of earth among,
How often didst thou weep!
Where couldst thou fix on mortal ground
Thy tender thoughts and high?–
Now peace the woman's heart hath found,
And joy the poet's eye.
poem by Felicia Dorothea Hemans

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Love-Laurel
Ah! that God once would touch my lips with song
To pierce, as prayer doth heaven, earth’s breast of iron,
So that with sweet mouth I might sing to thee,
O sweet dead singer buried by the sea,
A song, to woo thee, as a wooing siren,
Out of that silent sleep which seals too long
Thy mouth of melody.
For, if live lips might speak awhile to dead,
Or any speech could reach the sad world under
This world of ours, song surely should awake
Thee who didst dwell in shadow for song’s sake!
Alas! thou canst not hear the voice of thunder,
Nor low dirge over thy low-lying head
The winds of morning make.
Down through the clay there comes no sound of these;
Down in the grave there is no sign of Summer,
Nor any knowledge of the soft-eyed Spring;
But Death sits there, with outspread ebon wing,
Closing with dust the mouth of each new-comer
To that mute land, where never sound of seas
Is heard, and no birds sing.
Now thou hast found the end of all thy days
Hast thou found any heart a vigil keeping
For thee among the dead—some heart that heard
Thy singing when thou wert a brown, sweet bird
Gray Æons gone, in some old forest sleeping
Beneath the seas long since? in Death’s dim ways
Has thy heart any word?
For surely those in whom the deathless spark
Of song is kindled, sang from the beginning
If life were always? But the old desires—
Do they exist when sad-eyed Hope expires?
How live the dead? what crowns have they for winning?
Have they, to warm them in the dreamless dark,
For sun earth’s central fires?
Are the dead dead indeed whom we call dead?
Has God no life but this of ours for giving?—
When that they took thee by each well-known place,
Stark in thy coffin with a cold white face,
What thought, O Brother, hadst thou of the living?
What of the sun that round thee glory shed?
What of the fair day’s grace?
Is thy new life made up of memories
Or dreams that lull the dead, bright visions bringing
Of Spring above! Are thy days short or long?
Thou who wert master of our singing throng
Mayhap in death thou hast not lost thy singing,
But chauntst unheard, beside the moaning sea,
A solitary song.
The chance spade turns up skulls. God help the dead
And thee whose singing days have all passed over—
Thee, whom the gold-haired Spring shall seek in vain
When at the glad year’s doors she stands again,
Remembering the song-garlands thou hast wove her
In years gone by: but all these years have fled
With all their joy and pain.
My soul laughed out to hear my heart speak so,
And sprang forth skyward, as an eagle, hoping
To look upon thy soul with living eyes,
Until it came to where our dim life dies,
And dead suns darkly for a grave are groping
Through cycles of immeasurable woe,
Stone-blind in the blind skies.
The stars walk shuddering on that awful verge
From which my soul, with swift and fearless motion,
Clove the black depths, and sought for God and thee;
But God dwells where nor stars nor suns there be—
No shore there is to His Eternal Ocean;
A thousand systems are a fringe of surge
On that great starless sea.
And thou wert not. So that, with weary plumes,
My soul through the great void its way came winging
To earth again. “What hope for him who sings
Is there?” it sighed. “Death ends all sweetest things.”
When lo! there came a swell of mighty singing,
Flooding all space, and swift athwart the glooms
A flash of sudden wings.
Dreamer of dreams, thy songs and dreams are done.
Down where thou sleepest in earth’s secret bosom
There is no sorrow and no joy for thee,
Who canst not see what stars at eve there be,
Nor evermore at morn the green dawn blossom
Into the golden king-flower of the sun
Across the golden sea.
But haply there shall come in days to be
One who shall hear his own heart beating faster,
Plucking a rose sprung from thy heart beneath,
And from his soul, as sword from out its sheath,
Song shall leap forth where now, O silent master,
On thy lone grave beside the sounding sea,
I lay this laurel-wreath.
poem by Victor James Daley

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Carolan's Prophecy
A sound of music, from amidst the hills,
Came suddenly, and died; a fitful sound
Of mirth, soon lost in wail.–Again it rose,
And sank in mournfulness.–There sat a bard,
By a blue stream of Erin, where it swept
Flashing thro' rock and wood; the sunset's light
Was on his wavy, silver-gleaming hair,
And the wind's whisper in the mountain-ash,
Whose clusters droop'd above. His head was bow'd,
His hand was on his harp, yet thence its touch
Had drawn but broken strains; and many stood,
Waiting around, in silent earnestness,
Th' unchaining of his soul, the gush of song,–
Many, and graceful forms! yet one alone
Seem'd present to his dream; and she indeed,
With her pale, virgin brow, and changeful cheek,
And the clear starlight of her serious eyes,
Lovely amidst the flowing of dark locks
And pallid braiding flowers, was beautiful,
Ev'n painfully!–a creature to behold
With trembling midst our joy, lest aught unseen
Should waft the vision from us, leaving earth
Too dim without its brightness!–Did such fear
O'ershadow, in that hour, the gifted one,
By his own rushing stream?–Once more he gaz'd
Upon the radiant girl, and yet once more
From the deep chords his wandering hand brought out
A few short festive notes, an opening strain
Of bridal melody, soon dash'd with grief,
As if some wailing spirit in the strings
Met and o'ermaster'd him: but yielding then
To the strong prophet-impulse, mournfully,
Like moaning waters o'er the harp he pour'd
The trouble of his haunted soul, and sang–
Voice of the grave!
I hear thy thrilling call;
It comes in the dash of the foaming wave,
In the sear leaf's trembling fall!
In the shiver of the tree,
I hear thee, O thou voice!
And I would thy warning were but for me,
That my spirit might rejoice.
But thou art sent
For the sad earth's young and fair,
For the graceful heads that have not bent
To the wintry hand of care!
They hear the wind's low sigh,
And the river sweeping free,
And the green reeds murmuring heavily,
And the woods–but they hear not thee!
Long have I striven
With my deep foreboding soul,
But the full tide now its bounds hath riven,
And darkly on must roll.
There's a young brow smiling near,
With a bridal white-rose wreath,–
Unto me it smiles from a flowery bier,
Touch'd solemnly by death!
Fair art thou, Morna!
The sadness of thine eye
Is beautiful as silvery clouds
On the dark-blue summer sky!
And thy voice comes like the sound
Of a sweet and hidden rill,
That makes the dim woods tuneful round–
But soon it must be still!
Silence and dust
On thy sunny lips must lie,
Make not the strength of love thy trust,
A stronger yet is nigh!
No strain of festal flow
That my hand for thee hath tried,
But into dirge-notes wild and low
Its ringing tones have died.
Young art thou, Morna!
Yet on thy gentle head,
Like heavy dew on the lily's leaves,
A spirit hath been shed!
And the glance is thine which sees
Thro' nature's awful heart–
But bright things go with the summer-breeze,
And thou too, must depart!
Yet shall I weep?
I know that in thy breast
There swells a fount of song too deep,
Too powerful for thy rest!
And the bitterness I know,
And the chill of this world's breath–
Go, all undimm'd, in thy glory go!
Young and crown'd bride of death!
Take hence to heaven
Thy holy thoughts and bright,
And soaring hopes, that were not given
For the touch of mortal blight!
Might we follow in thy track,
This parting should not be!
But the spring shall give us violets back,
And every flower but thee!
There was a burst of tears around the bard:
All wept but one, and she serenely stood,
With her clear brow and dark religious eye,
Rais'd to the first faint star above the hills,
And cloudless; though it might be that her cheek
Was paler than before.–So Morna heard
The minstrel's prophecy.
And spring return'd,
Bringing the earth her lovely things again,
All, save the loveliest far! A voice, a smile,
A young sweet spirit gone.
poem by Felicia Dorothea Hemans

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The Memory Of Burns
How sweetly come the holy psalms
From saints and martyrs down,
The waving of triumphal palms
Above the thorny crown
The choral praise, the chanted prayers
From harps by angels strung,
The hunted Cameron's mountain airs,
The hymns that Luther sung!
Yet, jarring not the heavenly notes,
The sounds of earth are heard,
As through the open minster floats
The song of breeze and bird
Not less the wonder of the sky
That daisies bloom below;
The brook sings on, though loud and high
The cloudy organs blow!
And, if the tender ear be jarred
That, haply, hears by turns
The saintly harp of Olney's bard,
The pastoral pipe of Burns,
No discord mars His perfect plan
Who gave them both a tongue;
For he who sings the love of man
The love of God hath sung!
To-day be every fault forgiven
Of him in whom we joy
We take, with thanks, the gold of Heaven
And leave the earth's alloy.
Be ours his music as of spring,
His sweetness as of flowers,
The songs the bard himself might sing
In holier ears than ours.
Sweet airs of love and home, the hum
Of household melodies,
Come singing, as the robins come
To sing in door-yard trees.
And, heart to heart, two nations lean,
No rival wreaths to twine,
But blending in eternal green
The holly and the pine!
poem by John Greenleaf Whittier

Submitted by Poetry Lover
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Blind, Deaf, Dumb and Dead
Lord, I was blind and could not see
the full extent of Your love for me.
Lord, I was deaf and could not hear
the words of life You spoke so clear.
My heart was cold and unaware
of all the wounds You had to bear.
I was dead in trespasses and sin
when You came to earth my love to win.
Then my Lord You reached out to me
and touched my eyes and made me see.
Unstopped my ears to hear Your word
to hear what You were saying Lord.
You unloosed my tongue so I could speak
of the One Who came my soul to seek.
My heart renewed and began to beat
and in Christ alone I stood complete.