A Lover's Lullaby

SING lullaby, as women do,
   Wherewith they bring their babes to rest;
And lullaby can I sing too,
   As womanly as can the best.
With lullaby they still the child;
And if I be not much beguiled,
Full many a wanton babe have I,
Which must be still'd with lullaby.

First lullaby my youthful years,
   It is now time to go to bed:
For crooked age and hoary hairs
   Have won the haven within my head.
With lullaby, then, youth be still;
With lullaby content thy will;
Since courage quails and comes behind,
Go sleep, and so beguile thy mind!

Next lullaby my gazing eyes,
   Which wonted were to glance apace;
For every glass may now suffice
   To show the furrows in thy face.
With lullaby then wink awhile;
With lullaby your looks beguile;
Let no fair face, nor beauty bright,
Entice you eft with vain delight.

And lullaby my wanton will;
   Let reason's rule now reign thy thought;
Since all too late I find by skill
   How dear I have thy fancies bought;
With lullaby now take thine ease,
With lullaby thy doubts appease;
For trust to this, if thou be still,
My body shall obey thy will.

Thus lullaby my youth, mine eyes,
   My will, my ware, and all that was:
I can no more delays devise;
   But welcome pain, let pleasure pass.
With lullaby now take your leave;
With lullaby your dreams deceive;
And when you rise with waking eye,
Remember then this lullaby.

poem by George GascoigneReport problemRelated quotes
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People at Night

A night that cuts between you and you
and you and you and you
and me : jostles us apart, a man elbowing
through a crowd.       & nbsp;  We won't
      &nbs p;         ;     look for each other, either-
wander off, each alone, not looking
in the slow crowd. Among sideshows
               & nbsp;     under movie signs,
      &nb sp;       &nbs p;     pictures made of a million lights,
      &n bsp;       &nb sp;     giants that move and again move
        ;              again, above a cloud of thick smells,
      &n bsp;       &nb sp;     franks, roasted nutmeats-

Or going up to some apartment, yours
      &nbs p;         ;     or yours, finding
someone sitting in the dark:
who is it really? So you switch the
light on to see: you know the name but
who is it ?
       &n bsp;  But you won't see.

The fluorescent light flickers sullenly, a
pause. But you command. It grabs
each face and holds it up
by the hair for you, mask after mask.
      &nbs p;         ;     You  &nb sp;and   you and I   repeat
   &n bsp;       &nb sp;       &nbs p;gestures that make do when speech
      &nb sp;       &nbs p;     has failed       & nbsp;  and talk
        ;              and talk, laughing, saying
      &nb sp;       &nbs p;     'I', and 'I',
meaning 'Anybody'.
       ;                 & nbsp;       No one.

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William Shakespeare

Fairy Land ii

YOU spotted snakes with double tongue,
   Thorny hedgehogs, be not seen;
Newts and blind-worms, do no wrong;
   Come not near our fairy queen.

   Philomel, with melody,
   Sing in our sweet lullaby;
   Lulla, lulla, lullaby; lulla, lulla, lullaby!
   Never harm,
   Nor spell nor charm,
   Come our lovely lady nigh;
   So, good night, with lullaby.

Weaving spiders, come not here;
   Hence, you long-legg'd spinners, hence!
Beetles black, approach not near;
   Worm nor snail, do no offence.

   Philomel, with melody,
   Sing in our sweet lullaby;
   Lulla, lulla, lullaby; lulla, lulla, lullaby!
   Never harm,
   Nor spell nor charm,
   Come our lovely lady nigh;
   So, good night, with lullaby.

poem by William ShakespeareReport problemRelated quotes
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The Words

Clouds scattered across the sky       &nbs p;all so far away
and then the space between         this strange 'distance'
What does 'normal' mean, after all?       &nb sp;you move
toward the window       & nbsp;lights marking the headland
and the night becomes a milestone      &nbs p; though
I         the fog rolls up the hill from the sea
in waves the town       &nb sp;desperate?
Whichever way we look       &nb sp;though so much at hand
only held back by obsessions
but 'home' is so long ago       &nbs p;don't cry
the light's a very pale blue       &nb sp;then maybe       &n bsp;the next time too
a faint glimmer across the bay       &nbs p;neither moon
nor stars
and your letter making signs       &n bsp;concerning 'understanding'
and 'the magic tortoise'      &nbs p; what then?       &n bsp;or just tiredness

At each alternative      &n bsp; the colours in the sky
gradually changing        ; until you're lulled into believing
you've seen this before       & nbsp;but not quite
The wood-cut of a lone horseman
riding through a deathly countryside      &n bsp; raped

'You're very brave'       & nbsp;I clean the table-top
and you sat in that chair       &n bsp;two red poppies
in the garden below       &n bsp;at dawn
This apparent clumsiness is far from true

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A Revocation

WHAT should I say?
   --Since Faith is dead,
And Truth away
   From you is fled?
   Should I be led
   With doubleness?
   Nay! nay! mistress.

I promised you,
   And you promised me,
To be as true
   As I would be.
   But since I see
   Your double heart,
   Farewell my part!

Thought for to take
   'Tis not my mind;
But to forsake
   One so unkind;
   And as I find
   So will I trust.
   Farewell, unjust!

Can ye say nay
   But that you said
That I alway
   Should be obeyed?
   And--thus betrayed
   Or that I wist!
   Farewell, unkist!

poem by Sir Thomas WyattReport problemRelated quotes
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Old Woman

I see Senora Sanchez
along the river.
Black catfish
pop the silver
water surface,
waves unroll
as the gnarled
bronze face and
black eyes
remember
cool sea shells
and warm turquoise,
the turkey gobbling
behind bushes,
and the red skirt
hanging on boughs
as she bathed….
She pulls her black sweater
snug around her, folded arms
across her stomach.
She who remembers
cannot say amen
but smiles to sunrise
as she walks through the grass,
      &nb sp;       &nbs p;         ;       the tall,
      &nbs p;         ;                green grass,
grass that does not listen to
       & nbsp;       &n bsp;       &nb sp;      the priest
in black robes, blooms green
as she walks through the grass
and talks with them.

poem by Jimmy Santiago BacaReport problemRelated quotes
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Music in an Empty House

The house was empty and
      the people of the house
      gone many months

Months for the weevil
      for the patient worm
      timbe r-mole softly tunnelling
       ;for the parliament of rats

Footsteps slink past
      damp walls
      down
      long
& nbsp;     corridors

Slow feet
      warily scuff
      bare boards
The much-bitten
     &nbs p;tapestry
       ;  holds
    &nb sp;     many
 &n bsp;    moths

In a certain curtain'd room
      the halting steps evade
      chai rs white shrouded

To twitch the winding-sheet
     &n bsp;around a grand piano
      thin phalanx of sound
      sharp rat's teeth edge yellow
      with decay

The much-bitten
     &nbs p;tapestry
       ;holds
      man y
      moths

On rat's teeth-edge
       ;fingers preparate
       hesitate

Then falling send
  as tenantry
    darnp-muffied chords
      rus ting strings
  a still-born song

Their fortissimoThe tattered   scarcetapestry   stirsholds   nearmany   cobwebsmoths

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William Shakespeare

Fairy Land i

OVER hill, over dale,
   Thorough bush, thorough brier,
   Over park, over pale,
   Thorough flood, thorough fire,
   I do wander everywhere,
   Swifter than the moone's sphere;
   And I serve the fairy queen,
   To dew her orbs upon the green:
   The cowslips tall her pensioners be;
   In their gold coats spots you see;
   Those be rubies, fairy favours,
   In those freckles live their savours:
   I must go seek some dew-drops here,
And hang a pearl in every cowslip's ear.

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Thomas Hardy

A Spot

In years defaced and lost,
   Two sat here, transport-tossed,
   Lit by a living love
The wilted world knew nothing of:
   Scared momently
   By gaingivings,
   Then hoping things
   That could not be.

   Of love and us no trace
   Abides upon the place;
   The sun and shadows wheel,
Season and season sereward steal;
   Foul days and fair
   Here, too, prevail,
   And gust and gale
   As everywhere.

   But lonely shepherd souls
   Who bask amid these knolls
   May catch a faery sound
On sleepy noontides from the ground:
   "O not again
   Till Earth outwears
   Shall love like theirs
   Suffuse this glen!"

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Amy Lowell

Apology

Be not angry with me that I bear
   Your colours everywhere,
   All through each crowded street,
   And meet
   The wonder-light in every eye,
   As I go by.

Each plodding wayfarer looks up to gaze,
   Blinded by rainbow haze,
   The stuff of happiness,
   No less,
   Which wraps me in its glad-hued folds
   Of peacock golds.

Before my feet the dusty, rough-paved way
   Flushes beneath its gray.
   My steps fall ringed with light,
   So bright,
   It seems a myriad suns are strown
   About the town.

Around me is the sound of steepled bells,
   And rich perfumed smells
   Hang like a wind-forgotten cloud,
   And shroud
   Me from close contact with the world.
   I dwell impearled.

You blazon me with jewelled insignia.
   A flaming nebula
   Rims in my life. And yet
   You set
   The word upon me, unconfessed
   To go unguessed.

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To Mistress Margaret Hussey

MERRY Margaret
   As midsummer flower,
   Gentle as falcon
   Or hawk of the tower:
With solace and gladness,
Much mirth and no madness,
All good and no badness;
   So joyously,
   So maidenly,
   So womanly
   Her demeaning
   In every thing,
   Far, far passing
   That I can indite,
   Or suffice to write
   Of Merry Margaret
   As midsummer flower,
   Gentle as falcon
   Or hawk of the tower.
   As patient and still
   And as full of good will
   As fair Isaphill,
   Coliander,
   Sweet pomander,
   Good Cassander;
   Steadfast of thought,
   Well made, well wrought,
   Far may be sought,
   Ere that ye can find
   So courteous, so kind
   As merry Margaret,
   This midsummer flower,
   Gentle as falcon
   Or hawk of the tower.

poem by John SkeltonReport problemRelated quotes
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Soft White

When the sea is as grey as her eyes
On these days for sure       &nb sp;the soft white
mist blown in from the ocean       &n bsp;the town dissolving
It all adds up         ;her bare shoulders

Nakedness     ;    rolling in from the sea
on winter afternoons - a fine rain
looking down on the sand       &nb sp;& shingle
the waves breaking on the shore       &n bsp;& white

It is impossible to deny what
taken by surprise        ; then wonder
the many details of her body
to be held first now       &nbs p;then later

In body & mind       &nb sp;the fine rain outside
on winter afternoons      &nb sp; the nakedness
of her bare shoulders      &nbs p; as grey as her eyes
the sea rushing up the beach as white as

The whole outline called 'geography'
meeting at a set of erotic points
lips    shoulders&n bsp;   breasts   &n bsp;stomach
the town dissolves      &nbs p; sex    thighs &n bsp;  legs

Outside  &n bsp;     then across her nakedness
it rains in the afternoon      &nbs p; then the wonder
her body so young & firm       &nb sp;dissolves the town
in winter       & nbsp;grey as her eyes

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Thomas Hardy

To Life

O life with the sad seared face,
   I weary of seeing thee,
And thy draggled cloak, and thy hobbling pace,
   And thy too-forced pleasantry!

   I know what thou would'st tell
   Of Death, Time, Destiny -
I have known it long, and know, too, well
   What it all means for me.

   But canst thou not array
   Thyself in rare disguise,
And feign like truth, for one mad day,
   That Earth is Paradise?

   I'll tune me to the mood,
   And mumm with thee till eve;
And maybe what as interlude
   I feign, I shall believe!

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John Bunyan

The Shepherd Boy sings in the Valley of Humiliation

HE that is down needs fear no fall,
   He that is low, no pride;
He that is humble ever shall
   Have God to be his guide.

I am content with what I have,
   Little be it or much:
And, Lord, contentment still I crave,
   Because Thou savest such.

Fullness to such a burden is
   That go on pilgrimage:
Here little, and hereafter bliss,
   Is best from age to age.

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Wedding-Ring

My wedding-ring lies in a basket
as if at the bottom of a well.
Nothing will come to fish it back up
and onto my finger again.
       &nb sp;       &nbs p;    It lies
among keys to abandoned houses,
nails waiting to be needed and hammered
into some wall,
telephone numbers with no names attached,
idle paperclips.
       &nb sp;  It can't be given away
for fear of bringing ill-luck.
       &nb sp;  It can't be sold
for the marriage was good in its own
time, though that time is gone.
       &nb sp;  Could some artificer
beat into it bright stones, transform it
into a dazzling circlet no one could take
for solemn betrothal or to make promises
living will not let them keep? Change it
into a simple gift I could give in friendship?

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William Shakespeare

Fairy Land iii

COME unto these yellow sands,
   And then take hands:
Court'sied when you have, and kiss'd,--
   The wild waves whist,--
Foot it featly here and there;
And, sweet sprites, the burthen bear.
   Hark, hark!
   Bow, wow,
   The watch-dogs bark:
   Bow, wow.
   Hark, hark! I hear
   The strain of strutting chanticleer
   Cry, Cock-a-diddle-dow!

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Thomas Hardy

The Superseded

I

As newer comers crowd the fore,
   We drop behind.
- We who have laboured long and sore
   Times out of mind,
And keen are yet, must not regret
   To drop behind.

II

Yet there are of us some who grieve
   To go behind;
Staunch, strenuous souls who scarce believe
   Their fires declined,
And know none cares, remembers, spares
   Who go behind.

III

'Tis not that we have unforetold
   The drop behind;
We feel the new must oust the old
   In every kind;
But yet we think, must we, must WE,
   Too, drop behind?

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Beauty Clear and Fair

BEAUTY clear and fair,
   Where the air
Rather like a perfume dwells;
   Where the violet and the rose
   Their blue veins and blush disclose,
And come to honour nothing else:

   Where to live near
   And planted there
Is to live, and still live new;
   Where to gain a favour is
   More than light, perpetual bliss--
Make me live by serving you!

Dear, again back recall
   To this light,
A stranger to himself and all!
   Both the wonder and the story
   Shall be yours, and eke the glory;
I am your servant, and your thrall.

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Thomas Hardy

Rome at the Pyramid of Cestius Near the Graves of Shelley and Keats (1887)

Who, then, was Cestius,
   And what is he to me? -
Amid thick thoughts and memories multitudinous
   One thought alone brings he.

   I can recall no word
   Of anything he did;
For me he is a man who died and was interred
   To leave a pyramid

   Whose purpose was exprest
   Not with its first design,
Nor till, far down in Time, beside it found their rest
   Two countrymen of mine.

   Cestius in life, maybe,
   Slew, breathed out threatening;
I know not. This I know: in death all silently
   He does a kindlier thing,

   In beckoning pilgrim feet
   With marble finger high
To where, by shadowy wall and history-haunted street,
   Those matchless singers lie . . .

   --Say, then, he lived and died
   That stones which bear his name
Should mark, through Time, where two immortal Shades abide;
   It is an ample fame.

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Thomas Hardy

Wives in the Sere

I

Never a careworn wife but shows,
   If a joy suffuse her,
Something beautiful to those
   Patient to peruse her,
Some one charm the world unknows
   Precious to a muser,
Haply what, ere years were foes,
   Moved her mate to choose her.

II

But, be it a hint of rose
   That an instant hues her,
Or some early light or pose
   Wherewith thought renews her -
Seen by him at full, ere woes
   Practised to abuse her -
Sparely comes it, swiftly goes,
   Time again subdues her.

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To Chloris

AH, Chloris! that I now could sit
   As unconcern'd as when
Your infant beauty could beget
   No pleasure, nor no pain!
When I the dawn used to admire,
   And praised the coming day,
I little thought the growing fire
   Must take my rest away.

Your charms in harmless childhood lay
   Like metals in the mine;
Age from no face took more away
   Than youth conceal'd in thine.
But as your charms insensibly
   To their perfection prest,
Fond love as unperceived did fly,
   And in my bosom rest.

My passion with your beauty grew,
   And Cupid at my heart,
Still as his mother favour'd you,
   Threw a new flaming dart:
Each gloried in their wanton part;
   To make a lover, he
Employ'd the utmost of his art--
   To make a beauty, she.

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