Georg Trakl

To Johnanna

Often I hear your steps

Ring through the alley.

In the small brown garden

The blueness of your shadow.

In the dawning bower

I sat in silence with the wine.

A dropp of blood

Sank from your temple

Into the singing glass

Hour of unending gloom.

From stars a snowy wind

Blows through the foliage.

Any death, the night

The pale man suffers.

Your purple mouth

Dwells a wound in me.

As if I came from the green

Fir hills and legends

Of our homeland,

Which we long forgot -

Who are we? Blue lament

Of a mossy forest spring,

Where the violets

Secretly scent in spring.

A peaceful village in summer

Once sheltered the childhood

Of our race,

Dying off now at the evening-

Hill the white grandchildren

We dream the terror

Of our nightly blood

Shadows in stony city.

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Georg Trakl

Kaspar Hauser's Song

He truly loved the purple sun, descending from the hills,
The ways through the woods, the singing blackbird
And the joys of green.

Sombre was his dwelling in the shadows of the tree
And his face undefiled.
God, a tender flame, spoke to his heart:
Oh son of man!

Silently his step turned to the city in the evening;
A mysterious complaint fell from his lips:
“I shall become a horseman.”

But bush and beast did follow his ways
To the pale people’s house and garden at dusk,
And his murderer sought after him.

Spring and summer and – oh so beautiful – the fall
Of the righteous. His silent steps
Passed by the dark rooms of the dreamers.

At night he and his star dwelled alone.
He saw the snow fall on bare branches
And in the murky doorway the assassin’s shadow.
Silvern sank the unborne’s head.

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Georg Trakl

Justice

Huts of childhood are in autumn,

Decayed hamlet; dark shapes,

Singing mothers in the evening wind;

At windows Angelus and hands fold.

Still birth; on green ground

Mystery and stillness of blue flowers.

Insanity opens the purple mouth:

Dies irae - grave and stillness.

Groping along green thorns;

In the sleep: blood-vomit, hunger and laughter;

Fire in the village, awakening in the green;

Fear and swaying on gurgling boat.

Or in wooden staircase again

The white shadow of the strange woman leans.-

Poor sinner longing away in the blueness

Left his putrefaction behind for lilies and rats.

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Georg Trakl

Untitled: The stillness of the deceased loves the old garden,

The stillness of the deceased loves the old garden,

The madwoman who dwelled in blue rooms,

In the evening the still shape appears in the window

She, however, closes the yellowed curtain -

The trickling of the glass beads reminded of our childhood,

At night we found a black moon in the forest

The soft sonata sounds in a mirror's blueness

Long embraces

Her smile glides over the dying one's mouth.

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Georg Trakl

Psalm

Stillness; as if blind people sank down by autumnal wall,

Listening with rotten temples to the flight of the ravens;

Golden stillness of autumn, the countenance of the father in the flickering sun

At evening the old village decays in the peace of brown oaks,

The red hammering of the smithy, a pounding heart.

Stillness; in slow hands the maid hides the hyacinthine forehead

Under fluttering sunflowers. Fear and silence

Of extinguishing eyes fulfills the dusking room, the halting steps

Of old women, the escape of the purple mouth which slowly expires in the darkness.

Taciturn evening in vine. From the low rafters

A nocturnal moth fell, nymph buried into bluish sleep.

In the courtyard the farm boy slaughters a lamb, the sweet smell of the blood

Clouds our foreheads, the dark coolness of the fountain.

The gloom of dying asters regrets, golden voices in the wind.

When it becomes night you look at me from moldered eyes,

In blue stillness your cheeks decayed to dust.

So quietly a weed's fire expires, the black hamlet in the ground falls silent

As if the cross climbed down the blue hill of Calvary,

The silent earth ejected its dead.

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Dawendine

There's a spirit on the river, there's a ghost upon the shore,
They are chanting, they are singing through the starlight evermore,
As they steal amid the silence,
And the shadows of the shore.

You can hear them when the Northern candles light the Northern sky,
Those pale, uncertain candle flames, that shiver, dart and die,
Those dead men's icy finger tips,
Athwart the Northern sky.

You can hear the ringing war-cry of a long-forgotten brave
Echo through the midnight forest, echo o'er the midnight wave,
And the Northern lanterns tremble
At the war-cry of that brave.

And you hear a voice responding, but in soft and tender song;
It is Dawendine's spirit singing, singing all night long;
And the whisper of the night wind
Bears afar her Spirit song.

And the wailing pine trees murmur with their voice attuned to hers,
Murmur when they 'rouse from slumber as the night wind through them stirs;
And you listen to their legend,
And their voices blend with hers.

There was feud and there was bloodshed near the river by the hill;
And Dawendine listened, while her very heart stood still:
Would her kinsman or her lover
Be the victim by the hill?

Who would be the great unconquered? who come boasting how he dealt
Death? and show his rival's scalplock fresh and bleeding at his belt.
Who would say, "O Dawendine!
Look upon the death I dealt?"

And she listens, listens, listens--till a war-cry rends the night,
Cry of her victorious lover, monarch he of all the height;
And his triumph wakes the horrors,
Kills the silence of the night.

Heart of her! it throbs so madly, then lies freezing in her breast,
For the icy hand of death has chilled the brother she loved best;
And her lover dealt the death-blow;
And her heart dies in her breast.

And she hears her mother saying, "Take thy belt of wampum white;
Go unto yon evil savage while he glories on the height;
Sing and sue for peace between us:
At his feet lay wampum white.

"Lest thy kinsmen all may perish, all thy brothers and thy sire
Fall before his mighty hatred as the forest falls to fire;
Take thy wampum pale and peaceful,
Save thy brothers, save thy sire."

And the girl arises softly, softly slips toward the shore;
Loves she well the murdered brother, loves his hated foeman more,
Loves, and longs to give the wampum;
And she meets him on the shore.

"Peace," she sings, "O mighty victor, Peace! I bring thee wampum white.
Sheathe thy knife whose blade has tasted my young kinsman's blood to-night
Ere it drink to slake its thirsting,
I have brought thee wampum white."

Answers he, "O Dawendine! I will let thy kinsmen be,
I accept thy belt of wampum; but my hate demands for me
That they give their fairest treasure,
Ere I let thy kinsmen be.

"Dawendine, for thy singing, for thy suing, war shall cease;
For thy name, which speaks of dawning, Thou shalt be the dawn of peace;
For thine eyes whose purple shadows tell of dawn,
My hate shall cease.

"Dawendine, Child of Dawning, hateful are thy kin to me;
Red my fingers with their heart blood, but my heart is red for thee:
Dawendine, Child of Dawning,
Wilt thou fail or follow me?"

And her kinsmen still are waiting her returning from the night,
Waiting, waiting for her coming with her belt of wampum white;
But forgetting all, she follows,
Where he leads through day or night.

There's a spirit on the river, there's a ghost upon the shore,
And they sing of love and loving through the starlight evermore,
As they steal amid the silence,
And the shadows of the shore.

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Robert Louis Stevenson

Over The Land Is April

OVER the land is April,
Over my heart a rose;
Over the high, brown mountain
The sound of singing goes.
Say, love, do you hear me,
Hear my sonnets ring?
Over the high, brown mountain,
Love, do you hear me sing?

By highway, love, and byway
The snows succeed the rose.
Over the high, brown mountain
The wind of winter blows.
Say, love, do you hear me,
Hear my sonnets ring?
Over the high, brown mountain
I sound the song of spring,
I throw the flowers of spring.
Do you hear the song of spring?
Hear you the songs of spring?

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Walt Whitman

By Broad Potomac's Shore

BY broad Potomac's shore--again, old tongue!
(Still uttering--still ejaculating--canst never cease this babble?)
Again, old heart so gay--again to you, your sense, the full flush
spring returning;
Again the freshness and the odors--again Virginia's summer sky,
pellucid blue and silver,
Again the forenoon purple of the hills,
Again the deathless grass, so noiseless, soft and green,
Again the blood-red roses blooming.


Perfume this book of mine, O blood-red roses!
Lave subtly with your waters every line, Potomac!
Give me of you, O spring, before I close, to put between its
pages! 10
O forenoon purple of the hills, before I close, of you!
O smiling earth--O summer sun, give me of you!
O deathless grass, of you!

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Georg Trakl

Untitled: Figure which has long dwelt in the coolness of sinister stone

Figure which has long dwelt in the coolness of sinister stone

Opens the pale mouth sounding

Round owl's eyes - sounding gold.

Those found the cave of the forest decayed and empty

The shadow of a doe in the rotten branches

At the border of the spring the darkness of his childhood.

Long at the forest border a bird sings your decline

The anxious showers of your brown coat;

The shadow of the owl appears in the rotten branches.

Long at the forest border a bird sings your decline

The anxious showers of your blue coat

The shadow of the mother appears in the spiky grass.

Long at the forest border a bird sings your decline

The anxious showers of your black coat

The shadow of the black horse appears in the mirror of the spring.

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Wish

I'd like to show your eyes the plains
And a forest green and ruddy,
Far off and soft
Under clear skies on the horizon,
Or some hills
With lovely slopes
So changing and supple and misty,
Seeming to melt in the sweetness of the air,
Either hills
Or forest.
I'd like
For you to hear
Strong, vast, deep, and tender,
The great dull voice of the sea
That moans
Like Love;
And once in a while
Right next to you,
In the interval,
I'd like you to hear
Right next to you
A dove
In the silence
Both soft and weak
Like Love a trifle in the shadows,
I'd like you to hear
The gushing of a spring
For your hands I'd like some flowers,
And for your steps
I'd like a little path, grassy and sandy
Going up a bit and coming down,
Turning and seeming
To approach the limits of silence.
A very little sandy path
Where your steps would leave faint marks,
Our steps
Together.

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Spring

Spring, with that nameless pathos in the air
Which dwells with all things fair,
Spring, with her golden suns and silver rain,
Is with us once again.

Out in the lonely woods the jasmine burns
Its fragrant lamps, and turns
Into a royal court with green festoons
The banks of dark lagoons.

In the deep heart of every forest tree
The blood is all aglee,
And there's a look about the leafless bowers
As if they dreamed of flowers.

Yet still on every side we trace the hand
Of Winter in the land,
Save where the maple reddens on the lawn,
Flushed by the season's dawn;

Or where, like those strange semblances we find
That age to childhood bind,
The elm puts on, as if in Nature's scorn,
The brown of Autumn corn.

As yet the turf is dark, although you know
That, not a span below,
A thousand germs are groping through the gloom,
And soon will burst their tomb.

Already, here and there, on frailest stems
Appear some azure gems,
Small as might deck, upon a gala day,
The forehead of a fay.

In gardens you may note amid the dearth
The crocus breaking earth;
And near the snowdrop's tender white and green,
The violet in its screen.

But many gleams and shadows need must pass
Along the budding grass,
And weeks go by, before the enamored South
Shall kiss the rose's mouth.

Still there's a sense of blossoms yet unborn
In the sweet airs of morn;
One almost looks to see the very street
Grow purple at his feet.

At times a fragrant breeze comes floating by,
And brings, you know not why,
A feeling as when eager crowds await
Before a palace gate

Some wondrous pageant; and you scarce would start,
If from a beech's heart,
A blue-eyed Dryad, stepping forth, should say,
"Behold me! I am May!"

Ah! who would couple thoughts of war and crime
With such a bless|"ed time!
Who in the west wind's aromatic breath
Could hear the call of Death!

Yet not more surely shall the Spring awake
The voice of wood and brake,
Than she shall rouse, for all her tranquil charms,
A million men to arms.

There shall be deeper hues upon her plains
Than all her sunlit rains,
And every gladdening influence around,
Can summon from the ground.

Oh! standing on this desecrated mould,
Methinks that I behold,
Lifting her bloody daisies up to God,
Spring kneeling on the sod,

And calling, with the voice of all her rills,
Upon the ancient hills
To fall and crush the tyrants and the slaves
Who turn her meads to graves.

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Georg Trakl

In Hellbrun

Once more following the blue grief of the evening
Down the hill, to the springtime fishpond—
As if the shadows of those dead for a long time were
hovering above,
The shadows of church dignitaries, of noble ladies—
Their flowers bloom so soon, the earnest violets
In the earth at evening, and the clear water washes
From the blue spring. The oaks turn green
In such a ghostly way over the forgotten footsteps
of the dead
The golden clouds over the fishpond.

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Georg Trakl

Nocturnal Lament

The night has risen over the rumpled forehead

With beautiful stars

By the hill, where you lay petrified by pain,

A wild animal in the garden rankled your heart.

A fiery angel,

You lie with broken breast on stony field,

Or in the forest a nocturnal bird's

Unending lament

Always repeating in thorny night branches.

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Georg Trakl

Song of The Western Countries

Oh the nighttime beating of the soul’s wings:
Herders of sheep once, we walked along the forests
that were growing dark,
And the red deer, the green flower and the speaking
river followed us
In humility. Oh the old old note of the cricket,
Blood blooming on the altarstone,
And the cry of the lonely bird over the green silence
of the pool.
And you Crusades, and glowing punishment
Of the flesh, purple fruits that fell to earth
In the garden at dusk, where young and holy men
walked,
Enlisted men of war now, waking up out of wounds
and dreams about stars.
Oh the soft cornflowers of the night.
And you long ages of tranquillity and golden
harvests,
When as peaceful monks we pressed out the purple
grapes;
And around us the hill and forest shone strangely.
The hunts for wild beasts, the castles, and at night,
the rest,
When man in his room sat thinking justice,
And in noiseless prayer fought for the living head
of God.
And this bitter hour of defeat,
When we behold a stony face in the black waters.
But radiating light, the lovers lift their silver eyelids:
They are one body. Incense streams from rosecolored pillows
And the sweet song of those risen from the dead

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Thèlus Wood

I came by night to Thèlus wood,
And though in dark and desperate places
Stubborned with wire and brown with blood
Undaunted April crept and sewed
Her violets in dead men's faces,
And in a soft and snowy shroud
Drew the scarred fields with gentle stitch;
Though in the valley where the ditch
Was hoarse with nettles, blind with mud,
She stroked the golden-headed bud,
And loosed the fern, she dared not here
To touch nor tend this murdered thing;
The wind went wide of it, the year
Upon this breast stopped short of Spring:
Beauty turned back from Thèlus Wood.

From broken brows the dim eyes stared,
Blistered and maimed the wide stumps grinned
From the black mouth of Thèlus bared
In laughter at some monstrous jest.
No creature moved there, weed nor wind.
Huge arms, half-torn from savage breast,
Hung wide, and tangled limbs and faces
Lay, as if giants blind and stark
With violent, with perverse embraces
Groped for each other in the dark.
A moaning rose — not of the wind,
— There was no wind, but hollowly
From its dim bed of mud each tree
Gave forth a sound, till trees and mud
Seemed but a single, sighing mouth,
A wound that spoke with lips uncouth,
And cried to me from Thèlus Wood.

I heard one tree say: 'This was I
Who drew great clouds across the sky
To weep against me.' This one said:
'I made a gloom where love might lie
All day and dream it night, a bed
Secret and soft, the birds' song had
A twilight sound the whole day there.'
One said: 'Last night I shook my hair
Before the mirror of the moon.'
'I saw a corpse to-day,' said one
'That was but buried yester-year.'
And one, the smallest, sweetest thing —
A fair child-tree made never stir,
Dead before God had tended her
In the green nurseries of Spring.
She lay, the loveliest, loneliest,
Among the old and ruined trees,
And at each small and broken wrist
The white flowers grew like bandages.

Then from the ruined churchyard where
Old vaults and graves lay turned and tossed
And earth from earth was shaken bare,
Came murmurings of a tongueless host
That to each ghastly brother said:
'Who raised us from our sleep? Is this
The resurrection of the dead?
Upon our bodies no flesh grows,
No bright blood through our temples springs,
No glory spreads, no trumpet blows,
The air is not white and blind with wings.
And yet dragged up before us lie
The woods of Thèlus at our feet,
And strange hills sentinel the sky,
And where the road went yawns a pit.
The world is finished: let us sleep.
God has forgotten: we shall keep
Here a sweet, safe Eternity.
There is no other end than this,
And this is death, and that is peace.'
But even as they ceased the stones
Were loosed, the earth shook where I stood,
And from far off the crouching guns
Swung slowly round on Thèlus Wood.

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Georg Trakl

Homecoming

When the evening breathes golden rest

Forest and dark meadow before which

Man is a looker,

A shepherd, dwelling in the flocks' dusking stillness,

The patience of the red beeches;

So clearly since it has become autumn. By the hill

The lonely one listens to the flight of birds,

To dark meaning and the shadows of the dead

Have gathered more seriously around him;

Cool mignonette scent fulfills him with shudders,

The huts of the villagers the elder,

Where in former times the child dwelled.

Memory, buried hope

Is preserved by these brown rafters,

Over which dahlias hang

So that the hands strive after them,

In the brown garden the shimmering step

Forbidden loving, dark year,

That from blue eyelids the tears

Of the stranger fell irresistibly.

From brown treetops dew drips,

When that one, a blue deer, awakes on the hill,

Listening to the loud calls of the fishermen

By the evening pond

To the amorphous cry of the bats;

But in golden stillness

The drunken heart dwells

Full of its noble death.

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Trapped Dingo

So here, twisted in steel, and spoiled with red
your sunlight hide, smelling of death and fear,
they crushed out your throat the terrible song
you sang in the dark ranges. With what crying
you mourned him! - the drinker of blood, the swift death-bringer
who ran with you so many a night; and the night was long.
I heard you, desperate poet, Did you hear
my silent voice take up the cry? - replying:
Achilles is overcome, and Hector dead,
and clay stops many a warrior's mouth, wild singer.

Voice from the hills and the river drunken with rain,
for your lament the long night was too brief.
Hurling your woes at the moon, that old cleaned bone,
till the white shorn mobs of stars on the hill of the sky
huddled and trembled, you tolled him, the rebel one.
Insane Andromache, pacing your towers alone,
death ends the verse you chanted; here you lie.
The lover, the maker of elegies is slain,
and veiled with blood her body's stealthy sun.

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Spring's Bower

Spring’s Bower

Ah! Woe is me the veil I see
The veil of death hangs lower.
And e’re my spirit passes from me
I will see again Spring’s Bower.

Awaiting death must stay his hand
For my life has one more hour.
And tho’ I close my eyes this day
I will again see Spring’s Bower.

“Tis tho’ my life were but a thread
Of what life had to shower.
There is still just time before I’m dead,
Time enough to see Spring’s Bower

Take me I pray to the window seat,
Clutch to thy breast the flower
Which I plucked when last we did meet,
'Neath our beautiful Spring Bower.

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Without You

sometimes - times I can't think cause your face it lies
it lies in my eyes
nor can I stand one day again when we're lost in lies
no lives can breathe no air at a time
when noone's fine
yes, I'm afraid, yes, I'm afraid, I'm afraid I was too late
can't hear the leaves of the spring
can't feel no warmth in me
can't smell the scent of the summer
cause without you
whohowow
without you
tonights a night I can't feel no warmth
no warmth in my blood
I can't dream a dream nor can I scream
I see your eyes cry
and I see your pic all night long - noone's strong
to promise one the sky but we all - all we wish to fly
can't hear the leaves of the spring
can't feel no warmth in me
can't smell the scent of the summer
cause without you
whohowow
without you
(without you)
cause without you
whohowow
without you
(without you)
(without you)

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A Country Path in Late Spring

The path of mossy ground nestled
In between maternal hedgerows,
That overgrew atop, dimming down
The brilliance of the day.
Embosomed, a calm-cool vision –
Abstract takes of nature, in
Leaf-spattered green shades;
Stem-speckled brown hues;
Shards of sunlight percolating
Through the random flaws to
Up glittering sprites upon the leaves.

And avian chatter bounced along the burrow,
Smattered by the crosstalk
Of busybody insects;
But outside the green comfort zone,
Other worlds of other sounds of other life
Otherwise gave a hint of
Other dozy goings on.

Hawthorn filled the air,
Filled the nose,
Filled the head –
Pungency had overpowered all –
Gave the late-spring-early-summer haze.

Here and there a break of colour:
Odd bluebells – escapees from nearby woods –
Blue-blushing bell faces glancing down,
Aware of their erectness in the stem;
The flaming wing of red admirals
Broke through a hedge hole to
Break up the calm backdrop,
While flitting blue tits gave
To greater-bodied animation.

Nature’s warm narration –
The undertones of life.

Copyright © Mark R Slaughter 2010



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The Death-Bed

He drowsed and was aware of silence heaped
Round him, unshaken as the steadfast walls;
Aqueous like floating rays of amber light,
Soaring and quivering in the wings of sleep.
Silence and safety; and his mortal shore
Lipped by the inward, moonless waves of death.

Someone was holding water to his mouth.
He swallowed, unresisting; moaned and dropped
Through crimson gloom to darkness; and forgot
The opiate throb and ache that was his wound.
Water—calm, sliding green above the weir.
Water—a sky-lit alley for his boat,
Bird- voiced, and bordered with reflected flowers
And shaken hues of summer; drifting down,
He dipped contented oars, and sighed, and slept.

Night, with a gust of wind, was in the ward,
Blowing the curtain to a glimmering curve.
Night. He was blind; he could not see the stars
Glinting among the wraiths of wandering cloud;
Queer blots of colour, purple, scarlet, green,
Flickered and faded in his drowning eyes.

Rain—he could hear it rustling through the dark;
Fragrance and passionless music woven as one;
Warm rain on drooping roses; pattering showers
That soak the woods; not the harsh rain that sweeps
Behind the thunder, but a trickling peace,
Gently and slowly washing life away.

He stirred, shifting his body; then the pain
Leapt like a prowling beast, and gripped and tore
His groping dreams with grinding claws and fangs.
But someone was beside him; soon he lay
Shuddering because that evil thing had passed.
And death, who'd stepped toward him, paused and stared.

Light many lamps and gather round his bed.
Lend him your eyes, warm blood, and will to live.
Speak to him; rouse him; you may save him yet.
He's young; he hated War; how should he die
When cruel old campaigners win safe through?

But death replied: 'I choose him.' So he went,
And there was silence in the summer night;
Silence and safety; and the veils of sleep.
Then, far away, the thudding of the guns.

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