Beneath A Photoraph
Phoebus, who taught me art divine,
Here tried his hand where I did mine;
And his white fingers in this face
Set my Fair's sigh-suggesting grace.
O sweetness past profaning guess,
Grievous with its own exquisiteness!
Vesper-like face, its shadows bright
With meanings of sequestered light;
Drooped with shamefast sanctities
She purely fears eyes cannot miss,
Yet would blush to know she IS.
Ah, who can view with passionless glance
This tear-compelling countenance!
He has cozened it to tell
Almost its own miracle.
Yet I, all-viewing though he be,
Methinks saw further here than he;
And, Master gay! I swear I drew
Something the better of the two!
poem by Francis Thompson
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Rosaline
LIKE to the clear in highest sphere
Where all imperial glory shines,
Of selfsame colour is her hair
Whether unfolded or in twines:
Heigh ho, fair Rosaline!
Her eyes are sapphires set in snow,
Resembling heaven by every wink;
The gods do fear whenas they glow,
And I do tremble when I think
Heigh ho, would she were mine!
Her cheeks are like the blushing cloud
That beautifies Aurora's face,
Or like the silver crimson shroud
That Phoebus' smiling looks doth grace.
Heigh ho, fair Rosaline!
Her lips are like two budded roses
Whom ranks of lilies neighbour nigh,
Within whose bounds she balm encloses
Apt to entice a deity:
Heigh ho, would she were mine!
Her neck like to a stately tower
Where Love himself imprison'd lies,
To watch for glances every hour
From her divine and sacred eyes:
Heigh ho, fair Rosaline!
Her paps are centres of delight,
Her breasts are orbs of heavenly frame,
Where Nature moulds the dew of light
To feed perfection with the same:
Heigh ho, would she were mine!
With orient pearl, with ruby red,
With marble white, with sapphire blue,
Her body every way is fed,
Yet soft to touch and sweet in view:
Heigh ho, fair Rosaline!
Nature herself her shape admires;
The gods are wounded in her sight;
And Love forsakes his heavenly fires
And at her eyes his brand doth light:
Heigh ho, would she were mine!
Then muse not, Nymphs, though I bemoan
The absence of fair Rosaline,
Since for a fair there 's fairer none,
Nor for her virtues so divine:
Heigh ho, fair Rosaline!
Heigh ho, my heart! would God that she were mine!
poem by Thomas Lodge
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After our Likeness.
Before me now a little picture lies—
A little shadow of a childish face,
Childishly sweet, yet with the dawning grace
Of thought and wisdom on her lips and eyes.
Fair, oval, broad-brow'd face—small, delicate head—
Transparent skin, with blue veins shining through—
All the soft outlines, beautiful and true,
Bring me the echo of the words “God said.”
Made “in our image”—sure 'tis that we see,
God's likeness, in the fair face of a child,
By the world's sin and passion undefiled—
Ay, as I look, it seems quite plain to me.
The light wherein the little features shine,
Strange, mystic light, so undefined and faint,
So far too pure for any words to paint—
'Tis a reflection of the Face divine.
Some day the earthly shadows will be cast
Across that sunshine—it may be to dim
A while the visible countenance of Him;
But 'twill be there—the likeness—to the last.
Some day the lucid waters, in which lie
Pictured those glorious lineaments, will be
Stirred up and troubled like a stormy sea;—
But they will yet re-settle—by-and-by.
They will re-settle when the soul is still'd,
Its passions, its wild longings, and its pain;
The pure reflection will shine out again
When earth's hopes are relinquish'd, unfulfill'd.
They will re-settle in those after-years
When life's hard lessons have been conned and learn'd;
Then this child's beauty will have all return'd,
More lovely for the trouble and the tears.
They will re-settle in the calm of death,
When the sweet eyes are laid asleep, and when
The heart is hush'd. Truly God's likeness then—
The mirror clear, unsullied by a breath.
Ah! while I look, and trace each tender line,
I think most of the day when I shall see
The dear face in that perfect purity,
Its mortal features clothed with the divine.
This self-same face, but with the image bright,
Nevermore undefined, and faint, and dim;
This self-same face, yet like the face of Him,
In glory and in beauty infinite.
poem by Ada Cambridge
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Like to the Clear in Highest Sphere
Like to the clear in highest sphere
Where all imperial glory shines,
Of selfsame colour is her hair,
Whether unfolded or in twines:
Heigh ho, fair Rosalind.
Her eyes are sapphires set in snow,
Refining heaven by every wink;
The gods do fear whenas they glow,
And I do tremble when I think:
Heigh ho, would she were mine.
Her cheeks are like the blushing cloud
That beautifies Aurora's face,
Or like the silver crimson shroud
That Ph{oe}bus' smiling looks doth grace:
Heigh ho, fair Rosalind.
Her lips are like two budded roses,
Whom ranks of lilies neighbour nigh,
Within which bounds she balm encloses,
Apt to entice a deity:
Heigh ho, would she were mine.
Her neck, like to a stately tower
Where Love himself imprison'd lies,
To watch for glances every hour
From her divine and sacred eyes:
Heigh ho, fair Rosalind.
Her paps are centres of delight,
Her paps are orbs of heavenly frame,
Where Nature moulds the dew of light,
To feed perfection with the same:
Heigh ho, would she were mine.
With orient pearl, with ruby red,
With marble white, with sapphire blue,
Her body every way is fed,
Yet soft in touch, and sweet in view:
Heigh ho, fair Rosalind.
Nature herself her shape admires,
The gods are wounded in her sight,
And Love forsakes his heavenly fires
And at her eyes his brand doth light:
Heigh ho, would she were mine.
Then muse not, Nymphs, though I bemoan
The absence of fair Rosalind,
Since for her fair there is fairer none,
Nor for her virtues so divine:
Heigh ho, fair Rosalind.
Heigh ho, my heart, would God that she were mine!
poem by Thomas Lodge
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Rosalind: Like to the Clear in Highest Sphere
1 Like to the clear in highest sphere
2 Where all imperial glory shines,
3 Of selfsame colour is her hair,
4 Whether unfolded or in twines:
5 Heigh ho, fair Rosalind.
6 Her eyes are sapphires set in snow,
7 Refining heaven by every wink;
8 The gods do fear whenas they glow,
9 And I do tremble when I think:
10 Heigh ho, would she were mine.
11 Her cheeks are like the blushing cloud
12 That beautifies Aurora's face,
13 Or like the silver crimson shroud
14 That Ph{oe}bus' smiling looks doth grace:
15 Heigh ho, fair Rosalind.
16 Her lips are like two budded roses,
17 Whom ranks of lilies neighbour nigh,
18 Within which bounds she balm encloses,
19 Apt to entice a deity:
20 Heigh ho, would she were mine.
21 Her neck, like to a stately tower
22 Where Love himself imprison'd lies,
23 To watch for glances every hour
24 From her divine and sacred eyes:
25 Heigh ho, fair Rosalind.
26 Her paps are centres of delight,
27 Her paps are orbs of heavenly frame,
28 Where Nature moulds the dew of light,
29 To feed perfection with the same:
30 Heigh ho, would she were mine.
31 With orient pearl, with ruby red,
32 With marble white, with sapphire blue,
33 Her body every way is fed,
34 Yet soft in touch, and sweet in view:
35 Heigh ho, fair Rosalind.
36 Nature herself her shape admires,
37 The gods are wounded in her sight,
38 And Love forsakes his heavenly fires
39 And at her eyes his brand doth light:
40 Heigh ho, would she were mine.
41 Then muse not, Nymphs, though I bemoan
42 The absence of fair Rosalind,
43 Since for her fair there is fairer none,
44 Nor for her virtues so divine:
45 Heigh ho, fair Rosalind.
46 Heigh ho, my heart, would God that she were mine!
poem by Thomas Lodge
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Nobody nowhere
He sleeps with her now, he kisses her brow,
they chatter and laugh and linger at day break
but when old fears awaken, making him scream
there's nobody nowhere who knows him like me.
I know from a look, from a sigh, from a stir,
I can see in his heart and I know much, much more
For I lived his nightmares and suffered his schemes
and there's nobody nowhere who knows him like me.
She looks kind of lost, kind of foxed, kind of scared
as she scurries about sifting through his affairs
and as sunshine makes shadows and moonlight appears
she'll look in my eyes to decipher his fears.
A touch of my hand, a glance at my face,
he catches my eyes as his nightmares give chase
and I watch and I wait and my heart aches to know
if he needs me more now than he ever dare show.
For I know from a look, form a sigh, from a stir
and I see very clearly, far clearer than her
and though they make love and he thinks that he's free
there's nobody nowhere who knows him like me.
poem by Ruth Walters
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The Proposal
Now, pledge to me your love so sweet
And I will do the same with mine
My mind could never soon forget
Just what my heart came to enshrine
Now, cast a glance upon my face
Just so your eyes would meet with mine
Your soul came wafting in like breeze
Like spirits from a cask of wine
Now, leave your touch upon my cheeks
As tender as a kiss divine
Or hug me with a warmth that peaks
At times that our arms entwine
Now, rest your hand on top of mine
Your fingers curled as though a vine
Just like your life you chose to spend
Along with mine as hearts could blend.
.
poem by Reyvrex Questor Reyes
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To Minette
With your lovely face
and bright blue eyes
at any time you could disrupt my life
and a single word made me believe in your love
and your soft lips, the blush on your cheek
and bright blue eyes
really caught me
and the sound of your voice
and your soft lips, the blush on your cheek
grasped my heart
and your soft hand folding around mine
and the sound of your voice
leaves me now only with mourning
and the remembering of how wonderful you were
and your soft hand folding around mine
has been extinguished by destiny, changed to ash.
With your lovely face
and the remembering of how wonderful you were
at any time you could disrupt my life.
poem by Gert Strydom
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The Judgement Of Venus
When Kneller's works, of various grace,
Were to fair Venus shown,
The Goddess spied in every face
Some features of her own.
Just so, (and pointing with her hand)
So shone, says she, my eyes,
When from two goddesses I gain'd
An apple for a prize.
When in the glass and river too
My face I lately view'd,
Such was I, if the glass be true,
If true the crystal flood.
In colours of this glorious kind
Apelles painted me;
My hair, thus flowing with the wind
Sprung from my native sea.
Like this disorder'd, wild, forlorn,
Big with ten thousand fears,
Thee, my Adonis, did I mourn
E'en beautiful in tears.
But viewing Myra placed apart,
I fear, says she, I fear,
Appelles, that Sir Godfrey's art
Has far surpass'd thine here:
Or I, a goddess of the skies,
By Mary am undone,
And must resign to her the prize,
The apple, which I won.
But soon as she had Myra seen,
Majestically fair,
The sparkling eye, the look serene,
The gay and easy air.
With fiery emulation fill'd
The wondering goddess cried,
Apelles must to Kneller yield,
Or Venus must to Hyde.
poem by Matthew Prior
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A Man's Repentance
To-night when I came from the club at eleven,
Under the gaslight I saw a face-
A woman's face! and I swear to heaven
It looked like the ghastly ghost of-Grace!
And Grace? why, Grace was fair; and I tarried,
And loved her a season as we men do.
And then-but pshaw! why, of course, she is married,
Has a husband, and doubtless, a babe or two.
She was perfectly calm on the day we parted;
She spared me a scene, to my great surprise.
She wasn't the kind to be broken-hearted,
I remember she said, with a spark in her eyes.
I was tempted, I know, by her proud defiance,
To make good my promises there and then.
But the world would have called it a mésalliance!
I dreaded the comments and sneers of men.
So I left her to grieve for a faithless lover,
And to hide her heart from the cold world's sight
As women do hide them, the wide earth over;
My God! was it Grace that I saw to-night?
I thought of her married, and often with pity,
A poor man's wife in some dull place.
And now to know she is here in the city,
Under the gaslight, and with that face!
Yet I knew it at once, in spite of the daubing
Of paint and powder, and she knew me;
She drew a quick breath that was almost sobbing,
And shrank in the shade so I should not see.
There was hell in her eyes! She was worn and jaded;
Her soul is at war with the life she has led.
As I looked on that face so strangely faded,
I wonder God did not strike me dead.
While I have been happy and gay and jolly,
Received by the very best people in town,
That girl whom I led in the way to folly,
Has gone on recklessly down and down.
Two o'clock, and no sleep has found me.
That face I saw in the street-lamp's light
Peers everywhere out from the shadows around me-
I know how a murderer feels to-night!
poem by Ella Wheeler Wilcox
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Aeroplane
Say you'll write your story -
Pictures, dreams and letters
Get your past existence
Off your mind
Life is such a miracle
Every day brings changes
Into your life
You could easily
Tell her you know the melody
You could get over her
You keep consoling her
Like a black and white movie
If you miss your aeroplane
Then you've got nowhere else to call
Just hearing your romantic schemes
Can set my heart to thundering
I long to see your bright and smiling eyes
Babe, the stars are sparkling
In your tears
You'd better take my handkerchief
And dry your eyes
Love is such a miracle
Every day brings brings brand new life
Why hesitate?
Why compromise?
You're a friend of mine
Suddenly I am here with you
I won't get over you -
I want control of you
You'll have to make your own move
Once I get hold of you
I won't let go of you
I'll miss my aeroplane too
song performed by by Robert Palmer
Submitted by Lucian Velea
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Raphael
I shall not soon forget that sight
The glow of Autumn's westering day,
A hazy warmth, a dreamy light,
On Raphael's picture lay.
It was a simple print I saw,
The fair face of a musing boy;
Yet, while I gazed, a sense of awe
Seemed blending with my joy.
A simple print,--the graceful flow
Of boyhood's soft and wavy hair,
And fresh young lip and cheek, and brow
Unmarked and clear, were there.
Yet through its sweet and calm repose
I saw the inward spirit shine;
It was as if before me rose
The white veil of a shrine.
As if, as Gothland's sage has told,
The hidden life, the man within,
Dissevered from its frame and mould,
By mortal eye were seen.
Was it the lifting of that eye,
The waving of that pictured hand?
Loose as a cloud-wreath on the sky,
I saw the walls expand.
The narrow room had vanished,--space,
Broad, luminous, remained alone,
Through which all hues and shapes of grace
And beauty looked or shone.
Around the mighty master came
The marvels which his pencil wrought,
Those miracles of power whose fame
Is wide as human thought.
There drooped thy more than mortal face,
O Mother, beautiful and mild
Enfolding in one dear embrace
Thy Saviour and thy Child!
The rapt brow of the Desert John;
The awful glory of that day
When all the Father's brightness shone
Through manhood's veil of clay.
And, midst gray prophet forms, and wild
Dark visions of the days of old,
How sweetly woman's beauty smiled
Through locks of brown and gold!
There Fornarina's fair young face
Once more upon her lover shone,
Whose model of an angel's grace
He borrowed from her own.
Slow passed that vision from my view,
But not the lesson which it taught;
The soft, calm shadows which it threw
Still rested on my thought:
The truth, that painter, bard, and sage,
Even in Earth's cold and changeful clime,
Plant for their deathless heritage
The fruits and flowers of time.
We shape ourselves the joy or fear
Of which the coming life is made,
And fill our Future's atmosphere
With sunshine or with shade.
The tissue of the Life to be
We weave with colors all our own,
And in the field of Destiny
We reap as we have sown.
Still shall the soul around it call
The shadows which it gathered here,
And, painted on the eternal wall,
The Past shall reappear.
Think ye the notes of holy song
On Milton's tuneful ear have died?
Think ye that Raphael's angel throng
Has vanished from his side?
Oh no!--We live our life again;
Or warmly touched, or coldly dim,
The pictures of the Past remain,---
Man's works shall follow him!
poem by John Greenleaf Whittier
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Dark the shadows haunt the night
If I began to cry
The tears would never end
If I lowered my guard
Then how could I defend?
From every side the walls close in
And there is no place that you could stand
That would hide you from this world
And all that it demands
Whoever said that life was fair
Has not lived long enough
When the path takes you along the edge
You'll see them fall off the bluff
But the problem is
If your guard is high
You will wither away
And begin to die
How could something so small
Cast such a shadow on the land?
How was it that it stood so tall
Yet it was just a grain of sand?
I made my way through this world
With the Sun forever at my back
And the shadows went before me
And the shadow it was black
One grain of sand in my eye
Tormented me for many years
And I could never hope to fly
For I was blinded by my fears
Then Jesus came and turned me round
To face the rising Sun
His light it shone upon my face
And my journey had begun
When you walk into the Son
The shadows fall behind
The Sun removes the grain of sand
Now you're no longer blind
Who is your grain of sand my child
That made you stumble, made you fall?
In the light of Christ perhaps you'll find
That persons not so very tall
Dark the shadows haunt the night
That cause you to run and hide
Look to the Son that shines so bright
And He will shine that light inside
O to be filled with the light of Christ
And see the shadows disappear
To lift my eyes to heavens heights
And finally to shed a tear
poem by Frank McEleny
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I have learnt to love beyond the beauty...
I have learnt to love beyond the beauty...
Face to face...
My eyes wonder...
Art shone in magnificence of range...
Merry face, fair and bright...
Solemn, serene, earnest eyes...
Long and crafted nose leaning down like a tower on the face
Yet some with charm and royal grace...
Ponder I faces that change...
Could restless heart connect to those beauties, to those charms?
Captivating to eyes so, leaves a fade impression on my heart...
My senses and sensibilities shall fall to praise to thy craft fine...
Finished with perfection…
Your brush that sways on the divinity of souls
Brushed off some divine dust at your last stroke...
poem by Lama Abbas
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Licia Sonnets 18
I swear, fair Licia, still for to be thine,
By heart, by eyes, by what I held most dear;
Thou checked mine oath, and said: these were not mine,
And that I had no right by them to swear.
Then by my sighs, my passions, and my tears,
My vows, my prayers, my sorrow, and my love,
My grief, my joy, my hope, and hopeless fears,
My heart is thine, and never shall remove.
These are not thine, though sent unto thy view,
All else I grant, by right they are thine own;
Let these suffice that what I swear is true,
And more than this if that it could be known.
So shall all these though troubles ease my grief;
If that they serve to work in thee belief.
poem by Giles Fletcher The Elder
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Sargent's Portrait of Edwin Booth
That face which no man ever saw
And from his memory banished quite,
With eyes in which are Hamlet's awe
And Cardinal Richelieu's subtle light,
Looks from this frame. A master's hand
Has set the master player here,
In the fair temple that he planned
Not for himself. To us most dear
This image of him! "It was thus
He looked; such pallor touched his cheek;
With that same grace he greeted us--
Nay, 't is the man, could it but speak!"
Sad words that shall be said some day--
Far fall the day! O cruel Time,
Whose breath sweeps mortal things away,
Spare long this image of his prime,
That others standing in the place
Where, save as ghosts, we come no more,
May know what sweet majestic face
The gentle Prince of Players wore!
poem by Thomas Bailey Aldrich
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Master
Master went a-hunting,
When the leaves were falling;
We saw him on the bridle path,
We heard him gaily calling.
'Oh master, master, come you back,
For I have dreamed a dream so black!'
A glint of steel from bit and heel,
The chestnut cantered faster;
A red flash seen amid the green,
And so good-bye to master.
Master came from hunting,
Two silent comrades bore him;
His eyes were dim, his face was white,
The mare was led before him.
'Oh, master, master, is it thus
That you have come again to us?'
I held my lady's ice-cold hand,
They bore the hurdle past her;
Why should they go so soft and slow?
It matters not to master.
poem by Arthur Conan Doyle
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Sharing Eve's Apple
1.
O Blush not so! O blush not so!
Or I shall think you knowing;
And if you smile the blushing while,
Then maidenheads are going.
2.
There's a blush for want, and a blush for shan't,
And a blush for having done it;
There's a blush for thought, and a blush for nought,
And a blush for just begun it.
3.
O sigh not so! O sigh not so!
For it sounds of Eve's sweet pippin;
By these loosen'd lips you have tasted the pips
And fought in an amorous nipping.
4.
Will you play once more at nice-cut-core,
For it only will last our youth out,
And we have the prime of the kissing time,
We have not one sweet tooth out.
5.
There's a sigh for aye, and a sigh for nay,
And a sigh for 'I can't bear it!'
O what can be done, shall we stay or run?
O cut the sweet apple and share it!
poem by John Keats
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Faith II
THROUGH the long night, the deathlong night,
Along the dark and haunted way,
I knew your hidden face was bright--
More bright than any day.
And when the faint, insistent moan
Rose from some weed-grown wayside grave,
I said, 'I do not walk alone;
'Tis easy to be brave.
I never turned to speak with you,
For all the way was dark and long,
But all the shadows' menace through
Your silence was my song.
I never sought to take your hand,
For all the way was long and rough;
I taught my soul to understand
That love was strength enough.
Then, suddenly, the ghosts drew near,
A ghastly, gliding, tomb-white band;
I called aloud for you to hear,
My hand besought your hand.
No voice, no touch--the thin ghosts glide
Where in my dream I dreamed you were--
Night, night, you are not by my side,
You never have been there!
poem by Edith Nesbit
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The First of May ( A Memory)
THE WATERS make a music low:
The river reeds
Are trembling to the tunes of long ago—
Dead days and deeds
Become alive again, as on
I float, and float,
Through shadows of the golden summers gone
And springs remote.
Above my head the trees bloom out
In white and red
Great blossoms, that make glad the air about;
And old suns shed
Their rays athwart them. Ah, the light
Is bright and fair!
No suns that shine upon me now are bright
As those suns were.
And, gazing down into the stream,
I see a face,
As sweet as buds that blossom in a dream,
Ere sorrows chase
Fair dreams from men, and send in lieu
Sad thoughts. A wreath
Of blue-bells binds the head—a bluer blue
The eyes beneath.
This is my little Annie’s face;
My child-sweetheart
Whom long ago I lost in that dark place
Where all lives part.
Beside me still I see her stand,
Who is no more.
She walked with me through childhood, hand in hand,
But at the door
Of youth departed from me. Fain
Was I that day
To go with her. Ah, sweetheart, come again
This First of May!
poem by Victor James Daley
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Gunface
Gonna go downtown
Gonna get my gun
Gonna dress real sharp
Gonna beat my drum
I ain't gonna lie
Gonna walk so slow
Gonna talk just right
And my diamond ring
Gonna shine so bright
I ain't gonna lie
I've got a debt to repay
I ain't gonna cry
I put a gun in your face
You'll pay with your life
And I got my ears
And I got my eyes
And I got my narks
And my alibis
I won't waste your time
You made one false move
You made one mistake
When the juice is squeezed
That's the way it breaks
You'll pay for your crime
Your tongue lickin' way out of place
I'll rip it out
I'll stick a gun in your face
You'll pay with your life
I taught her everything I taught her how to dream
I taught her everything
I'm gonna teach her how to scream
I taught her all she knows
I taught her how to lie
I taught her everything
I'm gonna teach her how to cry
And you cause me hurt
And you cause me pain
And you turned the tap
On my burning rage
And I can't put it out
Gonna leave no sign
Gonna leave no trace
Gonna leave this town
In a state of grace
Give me the power
I got a debt to repay
I ain't gonna lie
I put a gun in your face
You'll pay for the crime
I taught her everything
I taught her how to speak
I taught her all she knows
I taught her how to eat
I half invented her
And now she acts so chic
I taught her everything
But now she's obselete
I taught her everything
How to read and write
I taught her all she knows
She was a neophyte
I taught her everything
I loved to watch her grow
I taught her everything
And now I want to see her go
I taught her everything
I got a debt to repay
I ain't gonna cry
I'll put a gun in your face
You're playing with your life
I taught her everything
I taught her how to cheat
I taught her all she knows
She was so indiscreet
I taught her everything
I taught her how to lie
I taught her everything
I'm gonna teach her how to cry
song performed by by Rolling Stones from Bridges To Babylon
Submitted by Lucian Velea
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