On the Marriage of a Beauteous Young Gentlewoman with an Ancient Man
Fondly, too curious Nature, to adorn
Aurora with the blushes of the morn:
Why do her rosy lips breath gums and spice;
Unto the East, and sweet to Paradise?
Why do her eyes open the day? her hand
And voice intrance the panther, and command
Incensed winds; her breasts, the tents of love,
Smooth as the godded swan, or Venus' dove;
Soft as the balmy dew whose every touch
Is pregnant; but why those rich spoils, when such
Wonder and perfection must be led
A bridal captive unto Tithon's bed?
Ag'd, and deformed Tithon! must thy twine
Circle and blast at once what care and time
Had made for wonder? must pure beauty have
No other foil but ruin and a grave?
So have I seen the pride of Nature's store,
The orient pearl chained to the sooty Moor;
So hath the diamond's bright ray been set
In night, and wedded to the negro jet.
See, see, how thick those showers of pearl do fall
To weep her ransom, or her funeral,
Whose every treasured drop, congealed, might bring,
Freedom and ransom to a fettered kin,
While tyrant Wealth stands by, and laughs to see
How he can wed love and antipathy.
Hymen, thy pine burns with adulterate fire;
Thou and thy quivered boy did once conspire
To mingle equal flames, and then no shine
Of gold, but beauty, dressed the Paphian shrine;
Roses and lilies kiss'd; the amorous vine
Did with the fair and straight-limb'd elm entwine.
poem by Francis Beaumont
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Summons To Love
Phoebus, arise!
And paint the sable skies
With azure, white, and red:
Rouse Memnon's mother from her Tithon's bed
That she may thy career with roses spread:
The nightingales thy coming each-where sing:
Make an eternal spring!
Give life to this dark world which lieth dead;
Spread forth thy golden hair
In larger locks than thou wast wont before,
And emperor-like decore
With diadem of pearl thy temples fair:
Chase hence the ugly night
Which serves but to make dear thy glorious light.
This is that happy morn,
That day, long-wished day,
Of all my life so dark,
(If cruel stars have not my ruin sworn,
And fates my hopes betray),
Which, purely white, deserves
An everlasting diamond should it mark.
This is the morn should bring unto this grove
My Love, to hear and recompense my love.
Fair King, who all preserves,
But show thy blushing beams
And thou two sweeter eyes
Shalt see than those which by Peneus' streams
Did once thy heart surprise.
Now, Flora, deck thyself in fairest guise:
If that ye winds would hear
A voice surpassing far Amphion's lyre,
Your furious chiding stay;
Let Zephyr only breathe,
And with her tresses play.
The winds all silent are,
And Phoebus in his chair
Ensaffroning sea and air
Makes vanish every star:
Night like a drunkard reels
Beyond the hills, to shun his flaming wheels:
The fields with flowers are decked in every hue,
The clouds with orient gold spangle their blue;
Here is the pleasant place,
And nothing wanting is, save She, alas!
poem by William Henry Drummond
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Invocation
PHOEBUS, arise!
And paint the sable skies
With azure, white, and red;
Rouse Memnon's mother from her Tithon's bed,
That she thy career may with roses spread;
The nightingales thy coming each-where sing;
Make an eternal spring!
Give life to this dark world which lieth dead;
Spread forth thy golden hair
In larger locks than thou wast wont before,
And emperor-like decore
With diadem of pearl thy temples fair:
Chase hence the ugly night
Which serves but to make dear thy glorious light.
This is that happy morn,
That day, long wished day
Of all my life so dark
(If cruel stars have not my ruin sworn
And fates not hope betray),
Which, only white, deserves
A diamond for ever should it mark:
This is the morn should bring into this grove
My Love, to hear and recompense my love.
Fair King, who all preserves,
But show thy blushing beams,
And thou two sweeter eyes
Shalt see than those which by Peneus' streams
Did once thy heart surprise:
Nay, suns, which shine as clear
As thou when two thou did to Rome appear.
Now, Flora, deck thyself in fairest guise:
If that ye, winds, would hear
A voice surpassing far Amphion's lyre,
Your stormy chiding stay;
Let zephyr only breathe
And with her tresses play,
Kissing sometimes these purple ports of death.
The winds all silent are;
And Phoebus in his chair
Ensaffroning sea and air
Makes vanish every star:
Night like a drunkard reels
Beyond the hills to shun his flaming wheels:
The fields with flowers are deck'd in every hue,
The clouds bespangle with bright gold their blue:
Here is the pleasant place--
And everything, save Her, who all should grace.
poem by William Henry Drummond
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The Ruby And The Pearl
Can love be as warm as the ruby,
Can love be as pure as the pearl?
Just look in the heart of my love for you.
You'll find the ruby and the pearl.
My love will endure as the diamond;
And shine with the shimmer of gold.
It glows like a bright star above for you,
A thing of beauty to behold.
(Bridge:)
Come close and cling to my kiss;
Come close and share the passion of this.
Yes, love is as warm as the ruby
And love is as pure as the pearl.
Just look in the heart of my love for you.
You'll find the ruby and the pearl.
(Return to bridge:)
Come close and cling to my kiss;
Come close and share the passion of this.
Yes, love is as warm as the ruby
And love is as pure as the pearl.
Just look in the heart of my love for you.
You'll find the ruby and the pearl.
Tag:
You'll find the ruby and the pearl.
song performed by by Nat King Cole
Submitted by Lucian Velea
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Fragoletta
O LOVE! what shall be said of thee?
The son of grief begot by joy?
Being sightless, wilt thou see?
Being sexless, wilt thou be
Maiden or boy?
I dreamed of strange lips yesterday
And cheeks wherein the ambiguous blood
Was like a rose’s—yea,
A rose’s when it lay
Within the bud.
What fields have bred thee, or what groves
Concealed thee, O mysterious flower,
O double rose of Love’s,
With leaves that lure the doves
From bud to bower?
I dare not kiss it, lest my lip
Press harder than an indrawn breath,
And all the sweet life slip
Forth, and the sweet leaves drip,
Bloodlike, in death.
O sole desire of my delight!
O sole delight of my desire!
Mine eyelids and eyesight
Feed on thee day and night
Like lips of fire.
Lean back thy throat of carven pearl,
Let thy mouth murmur like the dove’s;
Say, Venus hath no girl,
No front of female curl,
Among her Loves.
Thy sweet low bosom, thy close hair,
Thy strait soft flanks and slenderer feet,
Thy virginal strange air,
Are these not over fair
For Love to greet?
How should he greet thee? what new name,
Fit to move all men’s hearts, could move
Thee, deaf to love or shame,
Love’s sister, by the same
Mother as Love?
Ah sweet, the maiden’s mouth is cold,
Her breast-blossoms are simply red,
Her hair mere brown or gold,
Fold over simple fold
Binding her head.
Thy mouth is made of fire and wine,
Thy barren bosom takes my kiss
And turns my soul to thine
And turns thy lip to mine,
And mine it is.
Thou hast a serpent in thine hair,
In all the curls that close and cling;
And ah, thy breast-flower!
Ah love, thy mouth too fair
To kiss and sting!
Cleave to me, love me, kiss mine eyes,
Satiate thy lips with loving me;
Nay, for thou shalt not rise;
Lie still as Love that dies
For love of thee.
Mine arms are close about thine head,
My lips are fervent on thy face,
And where my kiss hath fed
Thy flower-like blood leaps red
To the kissed place.
O bitterness of things too sweet!
O broken singing of the dove!
Love’s wings are over fleet,
And like the panther’s feet
The feet of Love.
poem by Algernon Charles Swinburne
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Rosaline
LIKE to the clear in highest sphere
Where all imperial glory shines,
Of selfsame colour is her hair
Whether unfolded or in twines:
Heigh ho, fair Rosaline!
Her eyes are sapphires set in snow,
Resembling heaven by every wink;
The gods do fear whenas they glow,
And I do tremble when I think
Heigh ho, would she were mine!
Her cheeks are like the blushing cloud
That beautifies Aurora's face,
Or like the silver crimson shroud
That Phoebus' smiling looks doth grace.
Heigh ho, fair Rosaline!
Her lips are like two budded roses
Whom ranks of lilies neighbour nigh,
Within whose bounds she balm encloses
Apt to entice a deity:
Heigh ho, would she were mine!
Her neck like to a stately tower
Where Love himself imprison'd lies,
To watch for glances every hour
From her divine and sacred eyes:
Heigh ho, fair Rosaline!
Her paps are centres of delight,
Her breasts are orbs of heavenly frame,
Where Nature moulds the dew of light
To feed perfection with the same:
Heigh ho, would she were mine!
With orient pearl, with ruby red,
With marble white, with sapphire blue,
Her body every way is fed,
Yet soft to touch and sweet in view:
Heigh ho, fair Rosaline!
Nature herself her shape admires;
The gods are wounded in her sight;
And Love forsakes his heavenly fires
And at her eyes his brand doth light:
Heigh ho, would she were mine!
Then muse not, Nymphs, though I bemoan
The absence of fair Rosaline,
Since for a fair there 's fairer none,
Nor for her virtues so divine:
Heigh ho, fair Rosaline!
Heigh ho, my heart! would God that she were mine!
poem by Thomas Lodge
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Mary
Sweet Mary the first time she ever was there
Came into the Ball room among the Fair
The young Men and Maidens around her throng
And these are the words upon every tongue
An Angel is here from the heavenly Climes
Or again does return the Golden times
Her eyes outshine every brilliant ray
She opens her lips tis the Month of May
Mary moves in soft beauty and conscious delight
To augment with sweet smiles all the joys of the Night
Nor once blushes to own to the rest of the Fair
That sweet Love and Beauty are worthy our care
In the Morning the Villagers rose with delight
And repeated with pleasure the joys of the night
And Mary arose among Friends to be free
But no Friend from henceforward thou Mary shalt see
Some said she was proud some calld her a whore
And some when she passed by shut to the door
A damp cold came oer her her blushes all fled
Her lillies and roses are blighted and shed
O why was I born with a different Face
Why was I not born like this Envious Racet
Why did Heaven adorn me with bountiful hand
And then set me down in an envious Land
To be weak as a Lamb and smooth as a Dove
And not to raise Envy is calld Christian Love
But if you raise Envy your Merits to blame
For planting such spite in the weak and the tame
I will humble my Beauty I will not dress fine
I will keep from the Ball and my Eyes shall not shine
And if any Girls Lover forsakes her for me
I'll refuse him my hand and from Envy be freet
She went out in Morning attird plain and neat
Proud Marys gone Mad said the Child in the Street
She went out in Morning in plain neat attire
And came home in Evening bespatterd with mire
She trembled and wept sitting on the Bed side
She forgot it was Night & she trembled and cried
She forgot it was Night she forgot it was Morn
Her soft Memory imprinted with Faces of Scorn
With Faces of Scorn and with Eyes of disdain
Like foul Fiends inhabiting Marys mild Brain
She remembers no Face like the Human Divine
All Faces have Envy sweet Mary but thine
And thine is a Face of sweet Love in Despair
And thine is a Face of mild sorrow and care
And thine is a Face of wild terror and fear
That shall never be quiet till laid on its bier
poem by William Blake from Songs and Ballads (1794)
Submitted by Veronica Serbanoiu
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Like to the Clear in Highest Sphere
Like to the clear in highest sphere
Where all imperial glory shines,
Of selfsame colour is her hair,
Whether unfolded or in twines:
Heigh ho, fair Rosalind.
Her eyes are sapphires set in snow,
Refining heaven by every wink;
The gods do fear whenas they glow,
And I do tremble when I think:
Heigh ho, would she were mine.
Her cheeks are like the blushing cloud
That beautifies Aurora's face,
Or like the silver crimson shroud
That Ph{oe}bus' smiling looks doth grace:
Heigh ho, fair Rosalind.
Her lips are like two budded roses,
Whom ranks of lilies neighbour nigh,
Within which bounds she balm encloses,
Apt to entice a deity:
Heigh ho, would she were mine.
Her neck, like to a stately tower
Where Love himself imprison'd lies,
To watch for glances every hour
From her divine and sacred eyes:
Heigh ho, fair Rosalind.
Her paps are centres of delight,
Her paps are orbs of heavenly frame,
Where Nature moulds the dew of light,
To feed perfection with the same:
Heigh ho, would she were mine.
With orient pearl, with ruby red,
With marble white, with sapphire blue,
Her body every way is fed,
Yet soft in touch, and sweet in view:
Heigh ho, fair Rosalind.
Nature herself her shape admires,
The gods are wounded in her sight,
And Love forsakes his heavenly fires
And at her eyes his brand doth light:
Heigh ho, would she were mine.
Then muse not, Nymphs, though I bemoan
The absence of fair Rosalind,
Since for her fair there is fairer none,
Nor for her virtues so divine:
Heigh ho, fair Rosalind.
Heigh ho, my heart, would God that she were mine!
poem by Thomas Lodge
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Rosalind: Like to the Clear in Highest Sphere
1 Like to the clear in highest sphere
2 Where all imperial glory shines,
3 Of selfsame colour is her hair,
4 Whether unfolded or in twines:
5 Heigh ho, fair Rosalind.
6 Her eyes are sapphires set in snow,
7 Refining heaven by every wink;
8 The gods do fear whenas they glow,
9 And I do tremble when I think:
10 Heigh ho, would she were mine.
11 Her cheeks are like the blushing cloud
12 That beautifies Aurora's face,
13 Or like the silver crimson shroud
14 That Ph{oe}bus' smiling looks doth grace:
15 Heigh ho, fair Rosalind.
16 Her lips are like two budded roses,
17 Whom ranks of lilies neighbour nigh,
18 Within which bounds she balm encloses,
19 Apt to entice a deity:
20 Heigh ho, would she were mine.
21 Her neck, like to a stately tower
22 Where Love himself imprison'd lies,
23 To watch for glances every hour
24 From her divine and sacred eyes:
25 Heigh ho, fair Rosalind.
26 Her paps are centres of delight,
27 Her paps are orbs of heavenly frame,
28 Where Nature moulds the dew of light,
29 To feed perfection with the same:
30 Heigh ho, would she were mine.
31 With orient pearl, with ruby red,
32 With marble white, with sapphire blue,
33 Her body every way is fed,
34 Yet soft in touch, and sweet in view:
35 Heigh ho, fair Rosalind.
36 Nature herself her shape admires,
37 The gods are wounded in her sight,
38 And Love forsakes his heavenly fires
39 And at her eyes his brand doth light:
40 Heigh ho, would she were mine.
41 Then muse not, Nymphs, though I bemoan
42 The absence of fair Rosalind,
43 Since for her fair there is fairer none,
44 Nor for her virtues so divine:
45 Heigh ho, fair Rosalind.
46 Heigh ho, my heart, would God that she were mine!
poem by Thomas Lodge
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Elegy XVIII: Love's Progress
Who ever loves, if he do not propose
The right true end of love, he's one that goes
To sea for nothing but to make him sick.
Love is a bear-whelp born: if we o'erlick
Our love, and force it new strange shapes to take,
We err, and of a lump a monster make.
Were not a calf a monster that were grown
Faced like a man, though better than his own?
Perfection is in unity: prefer
One woman first, and then one thing in her.
I, when I value gold, may think upon
The ductileness, the application,
The wholsomeness, the ingenuity,
From rust, from soil, from fire ever free;
But if I love it, 'tis because 'tis made
By our new nature (Use) the soul of trade.
All these in women we might think upon
(If women had them) and yet love but one.
Can men more injure women than to say
They love them for that by which they're not they?
Makes virtue woman? Must I cool my blood
Till I both be, and find one, wise and good?
May barren angels love so! But if we
Make love to woman, virtue is not she,
As beauty's not, nor wealth. He that strays thus
From her to hers is more adulterous
Than if he took her maid. Search every sphere
And firmament, our Cupid is not there;
He's an infernal god, and under ground
With Pluto dwells, where gold and fire abound:
Men to such gods their sacrificing coals
Did not in altars lay, but pits and holes.
Although we see celestial bodies move
Above the earth, the earth we till and love:
So we her airs contemplate, words and heart
And virtues, but we love the centric part.
Nor is the soul more worthy, or more fit,
For love than this, as infinite is it.
But in attaining this desired place
How much they err that set out at the face.
The hair a forest is of ambushes,
Of springs, snares, fetters and manacles;
The brow becalms us when 'tis smooth and plain,
And when 'tis wrinkled shipwrecks us again—
Smooth, 'tis a paradise where we would have
Immortal stay, and wrinkled 'tis our grave.
The nose (like to the first meridian) runs
Not 'twixt an East and West, but 'twixt two suns;
It leaves a cheek, a rosy hemisphere,
On either side, and then directs us where
Upon the Islands Fortunate we fall,
(Not faint Canaries, but Ambrosial)
Her swelling lips; to which when we are come,
We anchor there, and think ourselves at home,
For they seem all: there Sirens' songs, and there
Wise Delphic oracles do fill the ear;
There in a creek where chosen pearls do swell,
The remora, her cleaving tongue doth dwell.
These, and the glorious promontory, her chin,
O'erpassed, and the straight Hellespont between
The Sestos and Abydos of her breasts,
(Not of two lovers, but two loves the nests)
Succeeds a boundless sea, but yet thine eye
Some island moles may scattered there descry;
And sailing towards her India, in that way
Shall at her fair Atlantic navel stay;
Though thence the current be thy pilot made,
Yet ere thou be where thou wouldst be embayed
Thou shalt upon another forest set,
Where many shipwreck and no further get.
When thou art there, consider what this chase
Misspent by thy beginning at the face.
Rather set out below; practise my art.
Some symetry the foot hath with that part
Which thou dost seek, and is thy map for that,
Lovely enough to stop, but not stay at;
Least subject to disguise and change it is—
Men say the devil never can change his.
It is the emblem that hath figured
Firmness; 'tis the first part that comes to bed.
Civility we see refined; the kiss
Which at the face began, transplanted is,
Since to the hand, since to the imperial knee,
Now at the papal foot delights to be:
If kings think that the nearer way, and do
Rise from the foot, lovers may do so too;
For as free spheres move faster far than can
Birds, whom the air resists, so may that man
Which goes this empty and ethereal way,
Than if at beauty's elements he stay.
Rich nature hath in women wisely made
Two purses, and their mouths aversely laid:
They then which to the lower tribute owe
That way which that exchequer looks must go:
He which doth not, his error is as great
As who by clyster gave the stomach meat.
poem by John Donne
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Licia Sonnets 05
Love with her hair my love by force hath tied,
To serve her lips, her eyes, her voice, her hand;
I smiled for joy, when I the boy espied
To lie unchained and live at her command.
She if she look, or kiss, or sing, or smile,
Cupid withal doth smile, doth sing, doth kiss,
Lips, hands, voice, eyes, all hearts that may beguile,
Because she scorns all hearts but only this.
Venus for this in pride began to frown
That Cupid, born a god, enthralled should be.
She in disdain her pretty son threw down,
And in his place, with love she chainéd me.
So now, sweet love, though I myself be thrall,
Not her a goddess, but thyself I call.
poem by Giles Fletcher The Elder
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To His Sleeping Mistress
Oh, fair sweet face! oh, eyes, celestial bright,
Twin stars in heaven, that now adorn the night!
Oh, fruitful lips, where cherries ever grow,
And damask cheeks, where all sweet beauties blow!
Oh, thou, from head to foot divinely fair!
Cupid's most cunning net's made of that hair;
And, as he weaves himself for curious eyes,
'Oh me, oh me, I'm caught myself!' he cries:
Sweet rest about thee, sweet and golden sleep,
Soft peaceful thoughts, your hourly watches keep,
Whilst I in wonder sing this sacrifice,
To beauty sacred, and those angel eyes!
poem by John Fletcher
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Shall I compare thee to a romantic night?
Shall I compare thee to a romantic night?
Thou art more glorious and more stunning:
Rough winds do shake thy beauty and thy loveliness,
And romantic night hath all too short of a date:
Sometimes too cold for the lovers to enjoy,
And often it amorous beauty has gone un-notice;
And from fair to fair its passion is dimmed,
By chance or nature’s changing course thy tender beauty is eternal;
But thy eternal loveliness shall not diminish;
Nor lose thy possession on thy loving heart;
Nor shall romance destroy thy relation;
When in undying lines thou beaming beauty are shown
So long as human can love and eyes can grasp,
So long live this and this gives life to thee
poem by Jeffrey Liminsang
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Saint Mar Magdelene; or, The Weeper
Hail, sister springs,
Parents of silver-footed rills!
Ever bubbling things,
Thawing crystal, snowy hills!
Still spending, never spent; I mean
Thy fair eyes, sweet Magdalene.
Heavens thy fair eyes be;
Heavens of ever-falling stars;
'Tis seed-time still with thee,
And stars thou sow'st whose harvest dares
Promise the earth to countershine
Whatever makes Heaven's forehead fine.
But we're deceived all.
Stars indeed they are, too true,
For they but seem to fall,
As heav'n's other spangles do.
It is not for our earth and us
To shine in things so precious.
Upwards thou dost weep;
Heavn's bosom drinks the gentle stream;
Where the milky rivers creep,
Thine floats above, and is the cream.
Waters above th' heav'n's, what they be
We're taught best by thy tears and thee.
Every morn from hence
A brisk cherub something sips
Whose soft influence
Adds sweetness to his sweetest lips;
Then to his music: and his song
Tastes of this breakfast all day long.
Not in the evening's eyes,
When they red with weeping are
For the sun that dies,
Sits sorrow with a face so fair;
Nowhere but here did ever meet
Sweetness so sad, sadness so sweet.
When sorrow would be seen
In her brightest majesty,
For she is a queen,
Then is she dressed by none but thee;
Then, and only then, she wears
Her proudest pearls; I mean thy tears.
The dew no more will weep
The primrose's pale cheek to deck;
The dew no more will sleep,
Nuzzled in the lily's neck;
Much rather would it be thy tear,
And leave them both to tremble here.
There's no need at all
That the balsam-sweating bough
So coyly should let fall
His med'cinable tears, for now
Nature hath learn't extract a dew
More sovereign and sweet from you.
You let the poor drops weep,
Weeping is the ease of woe;
Softly let them creep,
Sad that they are vanquished so;
They, though to others no relief,
Balsam may be for their own grief.
Such the maiden gem
By the purpling vine put on,
Peeps from her parent stem
And blushes at the bridegroom sun;
This wat'ry blossom of thy eyne,
Ripe, will make the richer wine.
When some new bright guest
Takes up among the stars a room,
And Heav'n will make a feast,
Angels with crystal vials come
And draw from these full eyes of thine
Their Master's water, their own wine.
Golden though he be,
Golden Tagus murmurs though;
Were his way by thee,
Content and quiet he would go;
So much more rich would he esteem
Thy silver, than his golden stream.
Well does the May that lies
Smiling in thy cheeks confess
The April in thine eyes;
Mutual sweetness they express;
No April e'er lent kinder showers,
Nor May returned more faithful flowers.
O cheeks! beds of chaste loves
By your own showers seasonably dashed;
Eyes! nests of milky doves
In your own wells decently washed;
O wit of Love! that thus could place
Fountain and garden in one face.
O sweet contest, of woes
With loves, of tears with smiles disputing!
O fair and friendly foes,
Each other kissing and confuting!
While rain and sunshine, cheeks and eyes,
Close in kind contrarieties.
But can these fair floods be
Friends with the bosom fires that fill thee?
Can so great flames agree
Eternal tears should thus distill thee?
O floods, O fires, O suns, O showers!
Mixed and made friends by Love's sweet powers.
'Twas his well-pointed dart
That digged these wells and dressed this vine;
And taught the wounded heart
The way into these weeping eyne.
Vain loves, avaunt! bold hands, forbear!
The Lamb hath dipped His white foot here.
And now where'er He strays
Among the Galilean mountains,
Or more unwelcome ways,
He's followed by two faithful fountains,
Two walking baths, two weeping motions,
Portable and compendious oceans.
O thou, thy Lord's fair store!
In thy so rich and rare expenses,
Even when He showed most poor,
He might provoke the wealth of princes;
What prince's wanton'st pride e'er could
Wash with silver, wipe with gold?
Who is that King, but He
Who call'st His crown to be called thine,
That thus can boast to be
Waited on by a wand'ring mine,
A voluntary mint, that strows
Warm silver showers where'er He goes!
O precious prodigal!
Fair spendthrift of thyself! thy measure,
Merciless love, is all,
Even to the last pearl in thy treasure;
All places, times, and objects be
Thy tears' sweet opportunity.
Does the day-star rise?
Still thy tears do fall and fall.
Does day close his eyes?
Still the fountain weeps for all.
Let night or day do what they will,
Thou hast thy task, thou weepest still.
Does thy song lull the air?
Thy falling tears keep faithful time.
Does thy sweet-breathed prayer
Up in clouds in incense climb?
Still at each sigh, that is, each stop,
A bead, that is, a tear, does drop.
At these thy weeping gates,
Watching their wat'ry motion,
Each winged moment waits,
Takes his tear and gets him gone;
By thine eye's tinct ennobled thus,
Time lays him up, he's precious.
Not, 'So long she lived,'
Shall thy tomb report of thee;
But, 'So long she grieved,'
Thus must we date thy memory.
Others by moments, months and years,
Measure their ages, thou by tears.
So do perfumes expire;
So sigh tormented sweets, oppressed
With proud unpitying fire;
Such tears the suff'ring rose that's vexed
With ungentle flames does shed,
Sweating in a too warm bed.
Say, ye bright brothers,
The fugitive sons of those fair eyes,
Your faithful mothers,
What make you here? What hopes can 'tice
You to be born? What cause can borrow
You from those nests of noble sorrow?
Whither away so fast?
For sure the sordid earth
Your sweetness cannot taste,
Nor does the dust deserve your birth.
Sweet, whiter haste you then? O say
Why you trip so fast away!
'We go not to seek
The darlings of Aurora's bed,
The rose's modest cheek,
Nor the violet's humble head;
Though the field's eyes, too, weepers be
Because they want such tears as we.
'Much less mean we to trace
The fortune of inferior gems,
Preferred to some proud face,
Or perched upon feared diadems:
Crowned heads are toys. We go to meet
A worthy object, our Lord's feet.'
poem by Richard Crashaw
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Unprofitableness
How rich, O Lord! how fresh thy visits are!
'Twas but just now my bleak leaves hopeless hung
Sullied with dust and mud;
Each snarling blast shot through me, and did share
Their youth, and beauty, cold showers nipt, and wrung
Their spiciness and blood;
But since thou didst in one sweet glance survey
Their sad decays, I flourish, and once more
Breath all perfumes, and spice;
I smell a dew like myrrh, and all the day
Wear in my bosom a full sun; such store
Hath one beam from thy eyes.
But, ah, my God! what fruit hast thou of this?
What one poor leaf did ever I yet fall
To wait upon thy wreath?
Thus thou all day a thankless weed dost dress,
And when th'hast done, a stench or fog is all
The odor I bequeath.
poem by Henry Vaughan
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Nature & Its Beauty
beauty is nature in all it's glory,
preaching us a lot of story.
fall, winter, summer & spring,
the site of the nature is a beautiful thing.
as the sun sets my heart did rise,
the stars shined within the skies.
my soul glowed as the wind stirred,
my breath caught at a sound of a bear.
little animals moving through in night,
climbing, slithering, roaring in flight.
darkness en wrapped me with a comforting touch,
oh i love this nature so much.
filled with happiness & desperate love,
nature has adorn this beautiful earth.
helping us as a gift of god,
nature provided us love of all sort.
for all it's goodness we have altered it by & by,
so much so that the nature would cry.
it's time for us to pay nature's dew,
not for me & not for you.
just do your bit to regain the beauty of nature,
so let us save this huge creature...!
poem by Rajat chandra
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Shamrock Song
O, the red rose may be fair,
And the lily statelier;
But my shamrock, one in three,
Takes the very heart of me!
Many a lover hath the rose
When june's musk-wind breathes and blows:
And in many a bower is heard
Her sweet praise from bee and bird.
Through the gold hours dreameth she,
In her warm heart passionately,
Her fair face hung languid-wise:
O, her breath of honey and spice!
Like a fair saint virginal
Stands your lily, silver and tall;
Over all the flowers that be
Is my shamrock dear to me.
Shines the lily like the sun,
Crystal-pure, a cold, sweet nun;
With her austere lip she sings
To her heart of heavenly things.
Gazeth through a night of June
To her sister-saint, the moon;
With the stars communeth long
Of the angels and their song.
But when summer died last year
Rose and lily died with her;
Shamrock stayeth every day,
Be the winds or gold or grey.
Irish hills, as grey as the dove,
Know the little plant I love;
Warm and fair it mantles them
Stretching down from throat to hem.
And it laughs o'er many a vale,
Sheltered safe from storm and gale;
Sky and sun and stars thereof
Love the gentle plant I love.
Soft it clothes the ruined floor
Of many an abbey, grey and hoar,
And the still home of the dead
With its green is carpeted.
Roses for an hour of love,
With the joy and pain thereof:
Stand my lilies white to see
All for prayer and purity.
These are white as the harvest moon,
Roses flush like the heart of June;
But my shamrock, brave and gay,
Glads the tired eyes every day.
O, the red rose shineth rare,
And the lily saintly fair;
But my shamrock, one in three,
Takes the inmost heart of me!
poem by Katharine Tynan
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Wishes To His (Supposed) Mistress
Whoe'er she be,
That not impossible she
That shall command my heart and me;
Where'er she lie,
Locked up from mortal eye
In shady leaves of destiny:
Till that ripe birth
Of studied fate stand forth,
And teach her fair steps to our earth;
Till that divine
Idea take a shrine
Of crystal flesh, through which to shine:
Meet you her, my wishes,
Bespeak her to my blisses,
And be ye called my absent kisses.
I wish her beauty,
That owes not all its duty
To gaudy tire, or glist'ring shoe-tie;
Something more than
Taffata or tissue can,
Or rampant feather, or rich fan;
More than the spoil
Of shop, or silkworm's toil,
Or a bought blush, or a set smile.
A face that's best
By its own beauty drest,
And can alone commend the rest:
A face made up
Out of no other shop
Than what nature's white hand sets ope.
A cheek where youth
And blood with pen of truth
Write what the reader sweetly ru'th.
A cheek where grows
More than a morning rose,
Which to no box his being owes.
Lips, where all day
A lovers kiss may play,
Yet carry nothing thence away.
Looks that oppress
Their richest tires, but dress
And clothe their simplest nakedness.
Eyes, that displaces
The neighbour diamond, and outfaces
That sunshine by their own sweet graces.
Tresses, that wear
Jewels, but to declare
How much themselves more precious are;
Whose native ray
Can tame the wanton day
Of gems that in their bright shades play.
Each ruby there,
Or pearl that dare appear,
Be its own blush, be its own tear.
A well-tamed heart,
For whose more noble smart
Love may be long choosing a dart.
Eyes, that bestow
Full quivers on Love's bow,
Yet pay less arrows than they owe.
Smiles, that can warm
The blood, yet teach a charm,
That chastity shall take no harm.
Blushes, that bin
The burnish of no sin,
Nor flames of aught too hot within.
Joyes, that confess
Virtue their mistress,
And have no other head to dress.
Fears, fond and flight
As the coy bride's when night
First does the longing lover right.
Tears, quickly fled
And vain as those are shed
For a dying maidenhead.
Days, that need borrow
No part of their good morrow
From a forspent night of sorrow.
Days, that, in spite
Of darkness, by the light
Of a clear mind are day all night.
Nights, sweet as they,
Made short by lovers' play,
Yet long by th' absence of the day.
Life, that dares send
A challenge to its end,
And when it comes say Welcome Friend.
Sydneian showers
Of sweet discourse, whose powers
Can crown old winter's head with flowers.
Soft silken hours,
Open suns, shady bowers
'Bove all; nothing within that lours.
Whate'er delight
Can make day's forehead bright,
Or give down to the wings of night.
In her whole frame
Have nature all the name,
Art and ornament the shame.
Her flattery
Picture and poesy,
Her counsel her own virtue be.
I wish her store
Of worth may leave her poor
Of wishes; and I wish—no more.
Now, if Time knows
That Her, whose radiant brows
Weave them a garland of my vows;
Her, whose just bays
My future hopes can raise,
A trophy to her present praise;
Her, that dares be
What these lines wish to see:
I seek no further, it is she.
'Tis she, and here
Lo! I unclothe and clear
My wishes' cloudy character.
May she enjoy it,
Whose merit dare apply it,
But modesty dares still deny it!
Such worth as this is
Shall fix my flying wishes,
And determine them to kisses.
Let her full glory,
My fancies, fly before ye;
Be ye my fictions, but her story.
poem by Richard Crashaw
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Choriambics
Love, what ailed thee to leave life that was made lovely, we thought, with love?
What sweet visions of sleep lured thee away, down from the light above?
What strange faces of dreams, voices that called, hands that were raised to wave,
Lured or led thee, alas, out of the sun, down to the sunless grave?
Ah, thy luminous eyes! once was their light fed with the fire of day;
Now their shadowy lids cover them close, hush them and hide away.
Ah, thy snow-coloured hands! once were they chains, mighty to bind me fast;
Now no blood in them burns, mindless of love, senseless of passion past.
Ah, thy beautiful hair! so was it once braided for me, for me;
Now for death is it crowned, only for death, lover and lord of thee.
Sweet, the kisses of death set on thy lips, colder are they than mine;
Colder surely than past kisses that love poured for thy lips as wine.
Lov'st thou death? is his face fairer than love's, brighter to look upon?
Seest thou light in his eyes, light by which love's pales and is overshone?
Lo the roses of death, grey as the dust, chiller of leaf than snow!
Why let fall from thy hand love's that were thine, roses that loved thee so?
Large red lilies of love, sceptral and tall, lovely for eyes to see;
Thornless blossom of love, full of the sun, fruits that were reared for thee.
Now death's poppies alone circle thy hair, girdle thy breasts as white;
Bloodless blossoms of death, leaves that have sprung never against the light.
Nay then, sleep if thou wilt; love is content; what should he do to weep?
Sweet was love to thee once; now in thine eyes sweeter than love is sleep.
poem by Algernon Charles Swinburne
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The Choice Of Sweet Shy Clare
Fair as a wreath of fresh spring flowers, a band of maidens lay
On the velvet sward—enjoying the golden summer day;
And many a ringing silv’ry laugh on the calm air clearly fell,
With fancies sweet, which their rosy lips, half unwilling, seemed to tell.
They spoke, as maidens often speak, of that ideal one
By whom the wealth of their warm young hearts will at length be wooed and won—
Fond girlish dreams! and half in jest and half in serious strain,
Each told of the gifts that could alone the prize of her love obtain.
The first who spoke was a bright-eyed girl, with a form of airy grace,
Mirth beaming in every dimple sweet of her joyous smiling face:
“I ask not much in the favor’d one who this dainty hand would gain;—
No ordeal long would I ask of him—no hours of mental pain.
“Let him but come in the pomp of rank, endowed with wealth and pride,
To woo to a lofty palace home his youthful, worshipped bride,
Heaping my path with presents rare, with radiant jewels and gold,—
Love’s flame ’neath poverty’s breath, ’tis said, soon waxes faint and cold.”
Outspoke another, with proud dark eye, and a stately, regal mien:
“Thou saidst thou wast easily pleased, May, and so thou art, I ween,
Thou askest paltry rank and wealth—aim higher would be mine!
Rare mental gold—the priceless fire of genius divine.”
“And I,” said a third, with soft sweet voice, “would exact still less than ye,
No need for glitter of lofty state, no gold or jewels for me;
Nor ask I that genius’ lofty power in his ardent soul should dwell,
Enough, if he love but me alone, and love me only well!”
Another said that her choice would fall on manly beauty and grace,
That he she would love must matchless stand, the noblest of his race,
Excelling in sports of flood and field, and as lion brave in war,
Yet, with hand and voice, in lady’s bower, attuned to light guitar.
And now, with one accord, they turned to a dove-like maiden mild,
With a seraph’s purity of look, and soft graces of a child;
“Speak out, speak out now, sweet shy Clare, we anxious wait for thee,
Coy, gentle one! fear not to say what thy heart’s young choice will be.”
A moment paused she, and then a flush, like sunset, dyed her brow,
And softly she murmured “Sisters, dear, I have made my choice ere now,
And the rarest gifts that you could name, be they earthly or divine.
In strange perfection—God like grace—will be found all, all in mine.”
She ceased, and a thoughtful silence stole o’er those youthful brows of mirth,
They knew she spoke of the Bridegroom King—the Lord of Heaven and earth;
And e’er fleet time of another year had sounded the passing knell,
The maiden Clare and her Bridegroom fair were wedded in convent cell.
poem by Rosanna Eleanor Leprohon
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Licia Sonnets 09
Love was laid down, all weary fast asleep,
Whereas my love his armor took away;
The boy awaked, and straight began to weep,
But stood amazed, and knew not what to say.
"Weep not, my boy," said Venus to her son,
"Thy weapons none can wield, but thou alone;
Licia the fair, this harm to thee hath done,
I saw her here, and presently was gone;
She will restore them, for she hath no need
To take thy weapons where thy valour lies;
For men to wound the Fates have her decreed,
With favour, hands, with beauty, and with eyes."
No, Venus, no: she scorns them, credit me;
But robbed thy son that none might care for thee
poem by Giles Fletcher The Elder
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