Ezra Pound

The River-Merchant's Wife: A Letter

After Li Po

While my hair was still cut straight
across my forehead
I played at the front gate, pulling
flowers.
You came by on bamboo stilts, playing
horse,
You walked about my seat, playing with
blue plums.
And we went on living in the village of
Chokan:
Two small people, without dislike or
suspicion.

At fourteen I married My Lord you.
I never laughed, being bashful.
Lowering my head, I looked at the wall.
Called to, a thousand times, I never
looked back.

At fifteen I stopped scowling,
I desired my dust to be mingled with
yours
Forever and forever and forever.
Why should I climb the lookout?

At sixteen you departed,
You went into far Ku-to-en, by the river
of swirling eddies,
And you have been gone five months.
The monkeys make sorrowful noise
overhead.

You dragged your feet when you went
out,
By the gate now, the moss is grown,
the different mosses,
Too deep to clear them away!
The leaves fall early this autumn, in
wind.
The paired butterflies are already
yellow with August
Over the grass in the West garden;
They hurt me. I grow older.
If you are coming down through the
narrows of the river Kiang,
Please let me know beforehand,
And I will come out to meet you
As far as Cho-fu-sa.

Translated by Ezra Pound


Anonymous submission.

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Li Po

The River-Merchant's Wife

While my hair was still cut straight across my forehead
I played about the front gate, pulling flowers.
You came by on bamboo stilts, playing horse,
You walked about my seat, playing with blue plums.
And we went on living in the village of Chokan:
Two small people, without dislike or suspicion.
At fourteen I married My Lord you.
I never laughed, being bashful.
Lowering my head, I looked at the wall.
Called to, a thousand times, I never looked back.

At fifteen I stopped scowling,
I desired my dust to be mingled with yours
Forever and forever and forever.
Why should I climb the look out?

At sixteen you departed,
You went into far Ku-to-en, by the river of swirling eddies,
And you have been gone five months.
The monkeys make sorrowful noise overhead.

You dragged your feet when you went out.
By the gate now, the moss is grown, the different mosses,
Too deep to clear them away!
The leaves fall early this autumn, in wind.
The paired butterflies are already yellow with August
Over the grass in the West garden;
They hurt me. I grow older.
If you are coming down through the narrows of the river Kiang,
Please let me know beforehand,
And I will come out to meet you
As far as Cho-fu-Sa.

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Li Po

Changgan Memories

When first my hair began to cover my forehead,
I picked and played with flowers before the gate.
You came riding on a bamboo horse,
And circled the walkway, playing with green plums.
We lived together, here in Changgan county,
Two children, without the least suspicion.
When I was fourteen, I became your wife,
So shy that still my face remained unopened.
I bowed my head towards the shadowed wall,
And called one thousand times, I turned not once.
At 15 I began to lift my brows,
And wished to be with you as dust with ashes.
You always kept your massive pillar faith,
I had no need to climb the lookout hill.
When I was sixteen, you went far away,
To Yanyudui, within the Qutang gorge.
You should not risk the dangerous floods of May,
Now from the sky, the monkeys cry in mourning.
Before the gate, my pacing's left a mark,
Little by little, the green moss has grown.
The moss is now too deep to sweep away,
And leaves fall in the autumn's early winds.
This August, all the butterflies are yellow,
A pair fly over the western garden's grass.
I feel that they are damaging my heart,
Through worrying, my rosy face grows old.
When you come down the river from Sanba,
Beforehand, send a letter to your home.
We'll go to meet each other, however far,
I'll come up to Changfengsha.

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Li Po

The River-Captain’s Wife – A Letter

I with my hair in its first fringe
Romped outside breaking flower-heads.
You galloped by on bamboo horses.
We juggled green plums round the well.
Living in Chang-kan village,
Two small people without guile.

At fourteen I married you sir,
So bashful I could only hide,
My frowning face turned to the wall.
Called after - never looking back.

Fifteen before I learnt to smile.
Yearned to be one with you forever.
You to be the Ever-Faithful.
I to not sit lonely, waiting.

At sixteen you sir went away,
Through White King’s Gorge, by Yen Rock’s rapids,
When the Yangtze’s at its highest,
Where the gibbons cried above you.

Here by the door your last footprints,
Slowly growing green mosses,
So deep I cannot sweep them,
Leaves so thick from winds of autumn.

September’s yellow butterflies
Twine together in our west garden.
What I feel – it hurts the heart.
Sadness makes my beauty vanish.

When you come down from far places,
Please will you write me a letter?
As far as the farthest reaches,
I’ll come out to welcome you.

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Li Po

A Song Of Changgan

My hair had hardly covered my forehead.
I was picking flowers, paying by my door,
When you, my lover, on a bamboo horse,
Came trotting in circles and throwing green plums.
We lived near together on a lane in Ch'ang-kan,
Both of us young and happy-hearted.

...At fourteen I became your wife,
So bashful that I dared not smile,
And I lowered my head toward a dark corner
And would not turn to your thousand calls;
But at fifteen I straightened my brows and laughed,
Learning that no dust could ever seal our love,
That even unto death I would await you by my post
And would never lose heart in the tower of silent watching.

...Then when I was sixteen, you left on a long journey
Through the Gorges of Ch'u-t'ang, of rock and whirling water.
And then came the Fifth-month, more than I could bear,
And I tried to hear the monkeys in your lofty far-off sky.
Your footprints by our door, where I had watched you go,
Were hidden, every one of them, under green moss,
Hidden under moss too deep to sweep away.
And the first autumn wind added fallen leaves.
And now, in the Eighth-month, yellowing butterflies
Hover, two by two, in our west-garden grasses
And, because of all this, my heart is breaking
And I fear for my bright cheeks, lest they fade.

...Oh, at last, when you return through the three Pa districts,
Send me a message home ahead!
And I will come and meet you and will never mind the distance,
All the way to Chang-feng Sha.

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Ezra Pound

Separation On The River Kiang

Ko-Jin goes west from Ko-kaku-ro,
The smoke-flowers are blurred over the river.
His lone sail blots the far sky.
And now I see only the river,
The long Kiang, reaching heaven.

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Early one afternoon

Early one afternoon
I walked through the streets
of a small village
and it had to be in Italy
and was probably in Corona
or Tuscany.

a Baker with a white overcoat
and white hat on his head
rang on his bike’s bell for me
and pedalled pass,
with an old green bike
at the Pizza Palour.

There were long white breads
and green wine bottles,
in the baskets of his bicycle
and he had a big bush
of red blue lanvender flowers in one hand.

Across from me there were three small tables
with white table-covers,
at the Villa Toscana
and I could read some dishes
from the menu on the wall.

At the wall a young woman
with dark hair and an indigo dress
laughed sharp and bright,
while she waited
that a well built waitress
pour some more wine.

The image of the beautiful waitress
with black hair and deep dark eyes,
that bends forward
still stays with me.

In front of me at Le Art
there were a row of paintings,
depicting nudes to the finest detail
on painter’s easels.

I walked nearer
and I could see rows of violet lavender bushes
against the ridge in the distance
and Villa’s, that stand yellow gold
up on the hill
and looked impressive
against the deep blue sky.

When I got back to myself
I was at the fountain
in front of the mural
in our garden
and the golden Persian cat,
watched me from the top of the wall
with a woolly tail that curled down
and it looked with golden eyes at me.

[Reference: Tuscan mural by Mandi. See the painting at my webpage: http: //www.mabooki.com/poems/display/1417_Early_one_af ternoon.htm]

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Can Can Dancer Gran.

I used to be a dancer
during World War 1
your paternal grandmother said

as she sat next to you
on the seat in her
back garden in London

and your grandfather
would come and watch
with his army friends

and afterwards
he'd come
to the stage door

with flowers or chocolates
or just stand there
with that awestruck look

on his face
and she looked
at the flowers

that your grandfather grew
along both sides
of the garden

and she smiled and said
Look at him now
sits in the same room

and says nothing
or moans about the bills
or how the country is run

or the noise of the traffic
by the front gate
and you sat there

on the seat
in the back garden
in your new suit

and with your hair
cropped short
and that fifteen year old

I'm bored as hell look
on your face and you said
Why did you give up dancing

you must have been good at it?
and as you looked
at your grandmother

with her white frizzy hair
and stocky build
you couldn't imagine her

as a dancer on a stage
with men gawping at her
especially not your soft spoken

quiet grandfather
who sat in his armchair
by the fireside

in a silent mood
occasionally reading a book
or giving that

I've seen too much
of mankind's foolery
kind of look

and your grandmother said
Well after we got married
I fell for your uncle Fred

and beside I wasn't that good
a dancer and your
grandfather didn't want

a wife of his
to be peered at
or have her legs

gawked at
by other men
and then she was silent

and watched
a white butterfly
go by

fluttering its wings
but
she said softly

getting up
from the seat
and doing a small

Can Can dance
the shows not over
until the fat lady sings.

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Ezra Pound

Poem By The Bridge At Ten-Shin

March has come to the bridge head,
Peach boughs and apricot boughs hang over a thousand
gates,
At morning there are flowers to cut the heart,
And evening drives them on the eastward-flowing
waters.
Petals are on the gone waters and on the going,
And on the back-swirling eddies,
But to-day's men are not the men of the old days,
Though they hang in the same way over the bridge-rail.

The sea's colour moves at the dawn
And the princes still stand in rows, about the throne,
And the moon falls over the portals of Sei-go-yo,
And clings to the walls and the gate-top.
With head gear glittering against the cloud and sun,
The lords go forth from the court, and into far borders.
They ride upon dragon-like horses,
Upon horses with head-trappings of yellow metal,
And the streets make way for their passage.
Haughty their passing,
Haughty their steps as they go in to great banquets,
To high halls and curious food,
To the perfumed air and girls dancing,
To clear flutes and clear singing;
To the dance of the seventy couples;
To the mad chase through the gardens.
Night and day are given over to pleasure
And they think it will last a thousand autumns,
Unwearying autumns.
For them the yellow dogs howl portents in vain,
And what are they compared to the lady Riokushu,
That was cause of hate!
Who among them is a man like Han-rei
Who departed alone with his mistress,
With her hair unbound, and he his own skiffsman!

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Ezra Pound

Lament of the Frontier Guard

By the North Gate, the wind blows full of sand,
Lonely from the beginning of time until now!
Trees fall, the grass goes yellow with autumn.
I climb the towers and towers
to watch out the barbarous land:
Desolate castle, the sky, the wide desert.
There is no wall left to this village.
Bones white with a thousand frosts,
High heaps, covered with trees and grass;
Who brought this to pass?
Who has brought the flaming imperial anger?
Who has brought the army with drums and with kettle-drums?
Barbarous kings.
A gracious spring, turned to blood-ravenous autumn,
A turmoil of wars - men, spread over the middle kingdom,
Three hundred and sixty thousand,
And sorrow, sorrow like rain.
Sorrow to go, and sorrow, sorrow returning,
Desolate, desolate fields,
And no children of warfare upon them,
No longer the men for offence and defence.
Ah, how shall you know the dreary sorrow at the North Gate,
With Rihoku's name forgotten,
And we guardsmen fed to the tigers.

By Rihaku. [Li Po?]

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Back up the Hill

As I walked down to the river today
I met a man with no legs in a chair
we spoke about life and he stood tall in a way
as I walked down to the river

As I walked on I met a blind girl
who gave me directions just over the hill
for someone like me who was lost she could see
as I walked on to the river

Down by the banks I met a small child
whose mother and father had recently died
and he splashed around with a heartful of life
down by the banks of the river

As I looked in the river I saw a young man
a reflection of me if you understand
who thought he would end it as he coudn't cope
as I looked into the river

Considering the people I met on the way
they didn't give up I heard myself say
and though I believed that I'd been through the mill
I laughed at the river, and walked back up the hill.

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Blue For You

I was born by the river
So I know where the river runs dry
I couldnt last forever
Accused just for living
But I know that the living was right
I couldnt last forever
Look at me making movies
Making living like Ive never lived before
And the people wanting out of the river
Like a poor boy really should
Now I can sit and stand it
Like other people do
What you do for me Ill do for you, yeah
Now I can sit and stand it
Like other people do
What is blue for me, is blue for you
Theres a man who I know
You know hes got a fist full of dirty dollars
And I know they wont last forever
Does he really know what people are saying
Always feeling sure what he is there saying
But the others disappear he was alone
Now I can sit and stand it
Like other people do
What you do for me Ill do for you
Now I can sit and stand it
Like other people do
What is blue for me, is blue for you
I go back to the river
Cause I know where the river runs dry
I couldnt last forever
Take the night making movies
Like a villain never ever seen the night of day
Dont you know that I cant last forever
Now I can sit and stand it
Like other people do
What you do for me Ill do for you
Now I can sit and stand it
Like other people do
What is blue for me, is blue for you
Now I can sit and stand it
Like other people do
What is blue for me, is kind of blue for you, yeah
Hello Im going down
You know I dont want to wear no pretty crown
Help people Im going down

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Deep River Woman

Deep river woman
Lord Im coming home to you
Deep river woman
Lord I know shes waiting
Just anticipating all my love
I spent a night
Just another chance to see you
Just you and i
Wanted you to know
That my playing days are over
Cause all I do is think of you
The writings on the wall
Ive been out in the world
Yes, the fast life had me going
Now all thats changed
I finally make up my mind
About the one thing
Ive been knowing
Youre the only girl
Ive ever crying for in this world
You kind of love is forever
It took me a long time to realize
That Ive come so far
And end up going nowhere
Oh, girl, I need you by my side

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I Looked in a River

I looked in a river from a bridge I was on
The river and bridge both small yet so strong
The water so clear you could see river bed
Yet what I saw cast around made me feel sad

A concrete pylon about two meters long
An old sack and Iron Gate and a cycle half gone
Then a blue plastic bag and a tyre yet no wheel
A place in seems for discarded items people steal

It’s a shame a disgrace as this debris is strewn
As around it all river plants and reeds fight for room
Yet again it’s a puzzle as the waters so clear
That’s despite this mess on the riverbed here


Copyright © 2008 Ray Feasey

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Daughter Of Frank (Fun Poem 14)

She was seven feet tall,
with a seventeen shoe.
One eye was brown and the other blue.
Her hair was all the colours of the rainbow.
She had ruby red lips,
and a waxy complexion.
She looked like something,
the cat had dragged in,
after a bad night on the tiles.
She had a double chin,
that wobbled a bit.
Her nose looked like,
it was glued into place.
She had a pin in her ear
with a bell on the end.
It played a tune
whenever she did a whirl,
while doing the twist.
She was some girl and unfortunately for me.
She was my blind date you see.
I was glad when the evening was over,
and the band played the last tune.
I walked her home,
and watched her climb into her tomb.
We had so much fun,
scaring everyone out of their wits.
Next week we are going to do it all again.
Me and that girl, the daughter of Frank-enstein.


9 August 1995

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The Wild Horse

(r. stewart/a. taylor)
Born and raised
In a motel in new orleans
I ran away
With a hobo and his gypsy friends
We rode a freight train up to cleveland
Across the utah plains
Proud men, troubadours torn and frayed
Sleeping under the stars
While gently strumming guitars
Played the songs of woddy guthrie
And the open road
I knew right then I could never go home
Cause the wild horse runs free forever
Oh yeah, a wild horse runs free forever
And ever and ever
I met a girl
From a family of position and wealth
What a hand
This rambler had been finally dealt
A beauty six years and ten
I felt the walls closing in
Like a swollen river
Bout to overflow
Like a losing gambler I kept on rolling
And a wild horse runs free forever
Yeah yeah yeah
A wild horse runs free forever
The wild horse runs free forever
Yeah yeah yeah
A wild horse runs free forever
Play the guitar
So understand I must go
But Ill drink you one last toast
Oh heres to the heart
And the hands of a man
That come with the dust
And are gone with the wind
May the wild horse run free forever
Yeah the wild horse runs free forever
The wild horse runs free forever
Yeah the wild horse run free forever
Wild guitar, baby, come on, wild
I know, I know, I know, I know
Play it for me, come on.
Yeah, hit it. yeah yeah. let me hear it, yeah.
The wild horse run free ...

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Down in the deep water..

Down in the deep water
By the edge of the river
Where I ponder my life
Just how did I get to this

Down in the deep water
By the edge of the river
Where the waterfall of dreams
Sweeps away what’s left to the abyss

Down in the deep water
By the edge of the river
Where time stands still
just only forever.

Down in the deep water
By the edge of the river
Where I buried all
That was ever my childhood

Where I let it go,
Where it bends and meanders,
Twisting along as the years went past.
Seemingly calm, but screaming beneath the surface
Were its hidden whirlpools, a sweeping current

Down in the deep water,
I left the edge of the river,
As I looked down
For my soul at the bottom.

Deep in the deep water
Swept away by the river

I drowned in life,

......Sinking forever.

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Ezra Pound

The Beautiful Toilet

Blue, blue is the grass about the river
And the willows have overfilled the close garden.
And within, the mistress, in the midmost of her youth.
White, white of face, hesitates, passing the door.
Slender, she puts forth a slender hand;

And she was a courtezan in the old days,
And she has married a sot,
Who now goes drunkenly out
And leaves her too much alone.

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Forever Young

May God bless and keep you always
May your wishes all come true
May you always do for others
And let others do for you
May you build a ladder to the stars
And climb on every rung
And may you stay forever young
Forever young
Forever young
May you stay forever young
May you grow up to be righteous
May you grow up to be true
May you always know the truth
And see the light that's surrounding you
May you always be courageous
Stand upright and be strong
May you stay forever young
Forever young
Forever young
May you always stay forever young
May your hands always be busy
And your feet always be swift
May you have a strong foundation
When the wind of changes shift
May your heart always be joyful
And your song may it be sung
And may you stay forever young
Forever young
Forever young
May you stay forever young

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Elegy to the Old Man Hokuju

You left in the morning, at evening my heart is in a
thousand pieces.
Why is it so far away?

Thinking of you, I go up on the hill and wander.
Around the hill, why is it such a sadness?

Dandelions yellow and shepherds-purse blooming white --
not anyone to look at them.

I hear a pheasant, calling and calling fervently.
Once a friend was there across the river, living.

Ghostly smoke rises and fades away with a west wind
strong in fields of small bamboo grasses and reedy fields.
Nowhere to leave for.

Once a friend was there across the river, living, but today
not even a bird sings a song.

You left in the morning, at evening my heart is in a
thousand pieces.
Why is it so far away?

In my grass hut by the Amida image I light no candle,
offer no flowers, and only sit here alone.
This evening, how invaluable it is.

Priest Buson
with a thousand bowings

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Piece By Piece

Sitting on a corner street
Children playing at my feet
See the smiles on ice cream faces
Feel myself begin to sink
As the wind blows though my skin
Leaves me open to temptation
Cause nothing ever lasts forever
Were like flowers in this vase together
You and me its pulling me down
Tearing me down piece by piece
And you cant see that its like a disease
Killing me now its so hard to breathe
Sucking back a cigarret
Thinking about new regrets
Trying to be someone youd like to be
Passing faces on the road
Where the hell can we still go
Leaves us open to temptation
Cause nothing ever lasts forever
Were like flowers in this vase together
You and me its pulling me down
Tearing me down piece by piece
And you cant see that its like a disease
Killing me now its so hard to breathe
Its so hard to breathe
But its worth fighting for, its still worth fighting for
Its worth fighting for
Cause nothing ever lasts forever
Were like flowers in this vase together, you....
You and me its pulling me down
Tearing me down piece by piece
And you cant see that its like a disease
Its killing me now its so hard to breathe
You and me its pulling me down
Tearing me down piece by piece
And you cant see that its like a disease
Its killing me now its so hard to breathe

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