Eugene O'Neill

A Regular Sort of a Guy

He fights where the fighting is thickest
And keeps his high honor clean;
From finish to start, he is sturdy of heart,
Shunning the petty and mean;
With his friends in their travail and sorrow,
He is ever there to stand by,
And hark to their plea, for they all know that he
Is a regular sort of a guy.

He cheers up the sinner repentant
And sets him again on his feet;
He is there with a slap, and a pat on the back,
For the lowliest bum on the street;
He smiles when the going is hardest,
With a spirit no money can buy;
And take it from me, we all love him 'cause he
Is a regular sort of a guy.

I don't care for the praise of the nations,
Or a niche in the great hall of fame,
Or that posterity should remember me
When my dust and the dust are the same;
But my soul will be glad if my friends say
As they turn from my bier with a sigh
"Though he left no great name, yet he played out the game
Like a regular sort of a guy."

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The Lost Master

"And when I come to die," he said,
"Ye shall not lay me out in state,
Nor leave your laurels at my head,
Nor cause your men of speech orate;
No monument your gift shall be,
No column in the Hall of Fame;
But just this line ye grave for me:
`He played the game.'"

So when his glorious task was done,
It was not of his fame we thought;
It was not of his battles won,
But of the pride with which he fought;
But of his zest, his ringing laugh,
His trenchant scorn of praise or blame:
And so we graved his epitaph,
"He played the game."

And so we, too, in humbler ways
Went forth to fight the fight anew,
And heeding neither blame nor praise,
We held the course he set us true.
And we, too, find the fighting sweet;
And we, too, fight for fighting's sake;
And though we go down in defeat,
And though our stormy hearts may break,
We will not do our Master shame:
We'll play the game, please God,
We'll play the game.

poem by Robert William ServiceReport problemRelated quotes
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Regular Guy

Im the kind of guy a girl takes home to mom
Pleated khaki pants, and cologne thats the bomb
(you sure smell perty)
Shake her dads hand
Look him in the eye
And tell him straight up Im just a regular guy (ill have her home by 9 sir)
Im a regular guy who stays out of trouble( let me get that for you mam)
A regular guy says mam on the double( Im on it)
Im a regular guy just like dawsons creek
A regular guy just dont call me a geek, a geek yeah
But sometimes I remember what got me here
It was friday and cussing
Back off Im in a boy band
And showing no fear
I watch jay leno (hes funny) 7th heaven too
And I ask myself sometimes what would jesus do
Grab me the serenity to accept the things I cannot change
Im buds with my mom
And I hang out with my dad..hes my buddy
I play everything safe so Ill never be sad (boo hoo)
Im a regular guy who stays out of trouble( let me get that for you mam)
A regular guy says mam on the double( Im on it)
Im a regular guy just like dawsons creek
A regular guy just dont call me a geek, a geek yeah
Dont push me.
Damnt sometimes I wanna smash things up
Jacked up and wrapped upIm in a boy band.. a boyband
And have to pee in a cup
Im a regular guy who stays out of trouble( let me get that for you mam)
A regular guy says mam on the double( Im on it)
Im a regular guy just like dawsons creek
A regular guy just dont call me a geek, a geek yeah

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The Golden Moon

The money is the Planet’s Wheel.
Into the mud the money binds the human’s Will. The money is Survival's drill.
The money diggs in our heart relations dirt, or Separation, which is "emotion's bill." The money is the dust.
With money covered our Life and Path. Sometimes, the money serves (in stead of oil) as "Diplomatic honey."
The money gives the Power to sinner and to swami. The money is the NEED.
Without money we are the Soul's zero, "Human's meat" indeed. We wish the money night and day.
The whisper ‘money’ make us forget the smile; blessing of pundit, the pray. The money is the Dream: "The Golden Moon"
Without money we are in Life useless wave: "balloon." Conclusion:
"Without money, I am the sand on Ocean's shore,"
concluded Poem "Golden Moon"- the Poet Lebishor.

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The Ballad of G. R. Dibbs

This is the story of G.R.D.,
Who went on a mission across the sea
To borrow some money for you and me.

This G. R. Dibbs was a stalwart man
Who was built on a most extensive plan,
And a regular staunch Republican.

But he fell in the hands of the Tory crew
Who said, "It's a shame that a man like you
Should teach Australia this nasty view.

"From her mother's side she should ne'er be gone,
And she ought to be glad to be smiled upon,
And proud to be known as our hanger-on."

And G. R. Dibbs, he went off his peg
At the swells who came for his smiles to beg
And the Prince of Wales -- who was pulling his leg

And he told them all when the wine had flown,
"The Australian has got no land of his own,
His home is England, and there alone."

So he strutted along with the titled band
And he sold the pride of his native land
For a bow and a smile and a shake of the hand.

And the Tory drummers they sit and call:
"Send over your leaders great and small;
For the price is low, and we'll buy them all

"With a tinsel title, a tawdry star
Of a lower grade than our titles are,
And a puff at a prince's big cigar."

And the Tories laugh till they crack their ribs
When they think how they purchased G. R. Dibbs.

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The Squatter's Man

Come, all ye lads an' list to me,
That's left your homes an' crossed the sea,
To try your fortune, bound or free,
All in this golden land.
For twelve long months I had to pace,
Humping my swag with a cadging face,
Sleeping in the bush, like the sable race,
As in my song you'll understand.

Unto this country I did come,
A regular out-and-out new chum.
I then abhorred the sight of rum
Teetotal was my plan.
But soon I learned to wet one eye
Misfortune oft-times made me sigh.
To raise fresh funds I was forced to fly,
And be a squatter's man.

Soon at a station I appeared.
I saw the squatter with his beard,
And up to him I boldly steered,
With my swag and billy-can.

I said, "Kind sir, I want a job!"
Said he, "Do you know how to snob
Or can you break in a bucking cob?"
Whilst my figure he well did scan.

"'Tis now I want a useful cove
To stop at home and not to rove.
The scamps go about—a regular drove
I 'spose you're one of the clan?
But I'll give ten—ten, sugar an' tea;
Ten bob a week, if you'll suit me,
And very soon I hope you'll be
A handy squatter's man.

"At daylight you must milk the cows,
Make butter, cheese, an' feed the sows,
Put on the kettle, the cook arouse,
And clean the family shoes.
The stable an' sheep yard clean out,
And always answer when we shout,
With ‘Yes, ma'am,' and ‘No, sir,' mind your mouth;
And my youngsters don't abuse.

"You must fetch wood an' water, bake an' boil,
Act as butcher when we kill;
The corn an' taters you must hill,
Keep the garden spick and span.

You must not scruple in the rain
To take to market all the grain.
Be sure you come sober back again
To be a squatter's man."

He sent me to an old bark hut,
Inhabited by a greyhound slut,
Who put her fangs through my poor fut,
And, snarling, off she ran.
So once more I'm looking for a job,
Without a copper in my fob.
With Ben Hall or Gardiner I'd rather rob,
Than be a squatter's man.

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Rudyard Kipling

Three Friends

There were three friends that buried the fourth,
The mould in his mouth and the dust in his eyes,
And they went south and east and north—
The strong man fights but the sick man dies.

There were three friends that spoke of the dead—
The strong man fights but the sick man dies—
"And would he were here with us now," they said,
"The sun in our face and the wind in our eyes."

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The Great Australian Adjective

The sunburnt ---- stockman stood
And, in a dismal ---- mood,
Apostrophized his ---- cuddy;
"The ---- nag's no ---- good,
He couldn't earn his ---- food -
A regular ---- brumby,
----!"

He jumped across the ---- horse
And cantered off, of ---- course!
The roads were bad and ---- muddy;
Said he, "Well, spare me ---- days
The ---- Government's ---- ways
Are screamin' ---- funny,
----!"

He rode up hill, down ---- dale,
The wind it blew a ---- gale,
The creek was high and ---- floody.
Said he, "The ---- horse must swim,
The same for ---- me and him,
Is something ---- sickenin',
----!"

He plunged into the ---- creek,
The ---- horse was ---- weak,
The stockman's face a ---- study!
And though the ---- horse was drowned
The ---- rider reached the ground
Ejaculating, "----!"
"----!"


This poem was originally published under the title "----!" (The Great Australian Adjective).
C.J. Dennis borrowed the style for his poem 'The Australaise.'

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Sometimes you get caught up in what's going on around you. The reality is that you are just a regular person. At some point, the career will be over, the bright lights turn off. That can come back to haunt you if you're not just a regular guy.

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Dust

(I'm not trying to make this thing rhyme
But, at the same time,
A little interlude like this
Is not amiss).
We interviewed a Mayor and asked gently, 'Dost
Think, my lord, that thy great city is a pleasant place wherein to dwell? For, if
not, why not?' And he answered, 'Dust!'
Just,
'Dust!'
He seemed perturbed. Something was on his mind. He could not talk. He could not
say one word excepting
Just
'Dust!'
We fear that the interview was a bit of a frost. We wanted to ask him all sort of
things about markets, and the letting of the Town Hall, and jay-walking
regulations; but all he would answer was just
'DUST!!!'
And when outside into the street we went
We knew just
What he meant.

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I have to say that flying on Air Force One sort of spoils you for coach on a regular airline.

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Wraith

"Thin Rain, whom are you haunting,
That you haunt my door?"
—Surely it is not I she's wanting;
Someone living here before—
"Nobody's in the house but me:
You may come in if you like and see."

Thin as thread, with exquisite fingers,—
Have you seen her, any of you?—
Grey shawl, and leaning on the wind,
And the garden showing through?

Glimmering eyes,—and silent, mostly,
Sort of a whisper, sort of a purr,
Asking something, asking it over,
If you get a sound from her.—

Ever see her, any of you?—
Strangest thing I've ever known,—
Every night since I moved in,
And I came to be alone.

"Thin Rain, hush with your knocking!
You may not come in!
This is I that you hear rocking;
Nobody's with me, nor has been!"

Curious, how she tried the window,—
Odd, the way she tries the door,—
Wonder just what sort of people
Could have had this house before . . .

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Thomas Hardy

I have lived with Shades

I

I have lived with Shades so long,
So long have talked to them,
I sped to street and throng,
That sometimes they
In their dim style
Will pause awhile
To hear my say;

II

And take me by the hand,
And lead me through their rooms
In the To-Be, where Dooms
Half-wove and shapeless stand:
And show from there
The dwindled dust
And rot and rust
Of things that were.

III

"Now turn," they said to me
One day: "Look whence we came,
And signify his name
Who gazes thence at thee" --
-- "Nor name nor race
Know I, or can,"
I said, "Of man
So commonplace."

IV

"He moves me not at all:
I note no ray or jot
Of rareness in his lot,
Or star exceptional.
Into the dim
Dead throngs around
He'll sink, nor sound
Be left of him."

V

"Yet," said they, "his frail speech,
Hath accents pitched like thine --
Thy mould and his define
A likeness each to each --
But go! Deep pain
Alas, would be
His name to thee,
And told in vain!"

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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Sonnet XXIV: I Hear Some Say

I hear some say, "This man is not in love."
"What? Can he love? A likely thing," they say;
"Read but his verse, and it will easily prove."
O judge not rashly, gentle Sir, I pray.
Because I trifle loosely in this sort,
As one that fain his sorrows would beguile,
You now suppose me all this time in sport,
And please yourself with this conceit the while.
Ye shallow censors, sometime see ye not
In greatest perils some men pleasant be?
Where fame by death is only to be got,
They resolute? So stands the case with me.
Where other men in depth of passion cry,
I laugh at Fortune, as in jest to die.

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Isaac Watts

Psalm 69 part 2

v.14-21,26,29,32
C. M.
The passion and exaltation of Christ.

Now let our lips with holy fear
And mournful pleasure sing
The suff'rings of our great High Priest,
The sorrows of our King.

He sinks in floods of deep distress;
How high the waters rise!
While to his heav'nly Father's ear
He sends perpetual cries.

"Hear me, O Lord, and save thy Son,
Nor hide thy shining face;
Why should thy fav'rite look like one
Forsaken of thy grace?

"With rage they persecute the man
That groans beneath thy wound,
While for a sacrifice I pour
My life upon the ground.

"They tread my honor to the dust,
And laugh when I complain;
Their sharp insulting slanders add
Fresh anguish to my pain.

"All my reproach is known to thee,
The scandal and the shame
Reproach has broke my bleeding heart,
And lies defiled my name.

"I looked for pity, but in vain;
My kindred are my grief:
I ask my friends for comfort round,
But meet with no relief.

"With vinegar they mock my thirst,
They give me gall for food;
And sporting with my dying groans,
They triumph in my blood.

"Shine into my distressed soul,
Let thy compassions save;
And though my flesh sink down to death,
Redeem it from the grave.

"I shall arise to praise thy name,
Shall reign in worlds unknown;
And thy salvation, O my God,
Shall seat me on thy throne."

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Little Boy Blue

The little toy dog is covered with dust,
But sturdy and stanch he stands;
And the little toy soldier is red with rust,
And his musket molds in his hands.
Time was when the little toy dog was new
And the soldier was passing fair,
And that was the time when our Little Boy Blue
Kissed them and put them there.

"Now, don't you go till I come," he said,
"And don't you make any noise!"
So toddling off to his trundle-bed
He dreamed of the pretty toys.
And as he was dreaming, an angel song
Awakened our Little Boy Blue,--
Oh, the years are many, the years are long,
But the little toy friends are true.

Ay, faithful to Little Boy Blue they stand,
Each in the same old place,
Awaiting the touch of a little hand,
The smile of a little face.
And they wonder, as waiting these long years through,
In the dust of that little chair,
What has become of our Little Boy Blue
Since he kissed them and put them there.

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The Australian Slanguage

"Tis the everyday Australian
Has a language of his own,
Has a language, or a slanguage,
Which can simply stand alone.
And a "dickon pitch to kid us"
Is a synonym for "lie",
And to "nark it" means to stop it,
And to "nit it" means to fly.

And a bosom friend's a "cobber,"
And a horse a "prad" or "moke,"
While a casual acquaintance
Is a "joker" or a "bloke."
And his lady-love's his "donah"
or his "clinah" or his "tart"
Or his "little bit o' muslin,"
As it used to be his "bart."

And his naming of the coinage
Is a mystery to some,
With his "quid" and "half-a-caser"
And his "deener" and his "scrum".
And a "tin-back" is a party
Who's remarkable for luck,
And his food is called his "tucker"
Or his "panem" or his "chuck".

A policeman is a "johnny"
Or a "copman" or a "trap",
And a thing obtained on credit
Is invariably "strap".
A conviction"s known as "trouble",
And a gaol is called a "jug",
And a sharper is a "spieler"
And a simpleton's a "tug".

If he hits a man in fighting
That is what he calls a "plug",
If he borrows money from you
He will say he "bit your lug."
And to "shake it" is to steal it,
And to "strike it" is to beg;
And a jest is "poking borac",
And a jester "pulls your leg".

Things are "cronk" when they go wrongly
In the language of the "push",
But when things go as he wants 'em
He declares it is "all cush".
When he's bright he's got a "napper",
And he's "ratty" when he's daft,
And when looking for employment
He is "out o' blooming graft".

And his clothes he calls his "clobber"
Or his "togs", but what of that
When a "castor" or a "kady"
Is the name he gives his hat!
And our undiluted English
Is a fad to which we cling,
But the great Australian slanguage
Is a truly awful thing!

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Saltbush Bill's Gamecock

'Twas Saltbush Bill, with his travelling sheep, was making his way to town;
He crossed them over the Hard Times Run, and he came to the Take 'Em Down;
He counted through at the boundary gate, and camped at the drafting yard:
For Stingy Smith, of the Hard Times Run, had hunted him rather hard.
He bore no malice to Stingy Smith -- 'twas simply the hand of Fate
That caused his waggon to swerve aside and shatter old Stingy's gate;
And being only the hand of Fate, it follows, without a doubt,
It wasn't the fault of Saltbush Bill that Stingy's sheep got out.
So Saltbush Bill, with an easy heart, prepared for what might befall,
Commenced his stages on Take 'Em Down, the station of Roostr Hall.
'Tis strange how often the men out back will take to some curious craft,
Some ruling passion to keep their thoughts away from the overdraft:
And Rooster Hall, of the Take 'Em Down, was widely known to fame
As breeder of champion fighting cocks -- his forte was the British Game.

The passing stranger within his gates that camped with old Rooster Hall
Was forced to talk about fowls all noght, or else not talk at all.
Though droughts should come, and though sheep should die, his fowls were his sole delight;
He left his shed in the flood of work to watch two game-cocks fight.
He held in scorn the Australian Game, that long-legged child of sin;
In a desperate fight, with the steel-tipped spurs, the British Game must win!
The Australian bird was a mongrel bird, with a touch of the jungle cock;
The want of breeding must find him out, when facing the English stock;
For British breeding, and British pluck, must triumph it over all --
And that was the root of the simple creed that governed old Rooster Hall.

'Twas Saltbush Bill to the station rode ahead of his travelling sheep,
And sent a message to Rooster Hall that wakened him out of his sleep --
A crafty message that fetched him out, and hurried him as he came --
"A drover has an Australian bird to match with your British Game."
'Twas done, and done in half a trice; a five-pound note a side;
Old Rooster Hall, with his champion bird, and the drover's bird untried.

"Steel spurs, of course?" said old Rooster Hall; "you'll need 'em, without a doubt!"
"You stick the spurs on your bird!" said Bill, "but mine fights best without."
"Fights best without?" said old Rooster Hall; "he can't fight best unspurred!
You must be crazy!" But Saltbush Bill said, "Wait till you see my bird!"
So Rooster Hall to his fowl-yard went, and quickly back he came,
Bearing a clipt and a shaven cock, the pride of his English Game;
With an eye as fierce as an eaglehawk, and a crow like a trumbet call,
He strutted about on the garden walk, and cackled at Rooster Hall.
Then Rooster Hall sent off a boy with a word to his cronies two,
McCrae (the boss of the Black Police) and Father Donahoo.

Full many a cockfight old McCrae had held in his empty Court,
With Father D. as the picker-up -- a regular all-round Sport!
They got the message of Rooster Hall, and down to his run they came,
Prepared to scoff at the drover's bird, and to bet on the English Game;
They hied them off to the drover's camp, while Saltbush rode before --
Old Rooster Hall was a blithsome man, when he thought of the treat in store.
They reached the camp, where the drover's cook, with countenance all serene,
Was boiling beef in an iron pot, but never a fowl was seen.

"Take off the beef from the fire," said Bill, "and wait till you see the fight;
There's something fresh for the bill-of-fare -- there's game-fowl stew tonight!
For Mister Hall has a fighting cock, all feathered and clipped and spurred;
And he's fetched him here, for a bit of sport, to fight our Australian bird.
I've made a match for our pet will win, though he's hardly a fighting cock,
But he's game enough, and it's many a mile that he's tramped with the travelling stock."
The cook he banged on a saucepan lid; and, soon as the sound was heard,
Under the dray, in the shallow hid, a something moved and stirred:
A great tame emu strutted out. Said Saltbush, "Here's our bird!"
Bur Rooster Hall, and his cronies two, drove home without a word.

The passing stranger within his gates that camps with old Rooster Hall
Must talk about something else than fowls, if he wishes to talk at all.
For the record lies in the local Court, and filed in its deepest vault,
That Peter Hall, of the Take 'Em Down, was tried for a fierce assault
On a stranger man, who, in all good faith, and prompted by what he heard,
Had asked old Hall if a British Game could beat an Australian bird;
And Old McCrae, who was on the bench, as soon as the case was tried,
Remarked, "Discharged with a clean discharge -- the assault was justified!"

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It's nice to be in a situation where the two books that I write for a sort of regular monthly income are also works that I enjoy immensely, rather than them being some kind of bread and butter, do it because you have to do it.

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William Cowper

Lovest Thou Me?

(John, xxi.16)

Hark my soul! it is the Lord;
'Tis Thy Saviour, hear His word;
Jesus speaks and speaks to thee,
"Say poor sinner, lovst thou me?

"I deliver'd thee when bound,
And when bleeding, heal'd thy wound;
Sought thee wandering, set thee right,
Turn'd thy darkness into light.

"Can a woman's tender care
Cease towards the child she bare?
Yes, she may forgetful be,
Yet will I remember thee.

"Mine is an unchanging love,
Higher than the heights above,
Deeper than the depths beneath,
Free and faithful, strong as death.

"Thou shalt see my glory soon,
When the work of grace is done;
Partner of my throne shalt be;
Say, poor sinner, lovst thou me?"

Lord it is my chief complaint,
That my love is weak and faint;
Yet I love Thee and adore, --
Oh! for grace to love Thee more!

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