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Pittypat and Tippytoe

All day long they come and go--
Pittypat and Tippytoe;
Footprints up and down the hall,
Playthings scattered on the floor,
Finger-marks along the wall,
Tell-tale smudges on the door--
By these presents you shall know
Pittypat and Tippytoe.
How they riot at their play!
And a dozen times a day
In they troop, demanding bread--
Only buttered bread will do,
And the butter must be spread
Inches thick with sugar too!
And I never can say "No,
Pittypat and Tippytoe!"
Sometimes there are griefs to soothe,
Sometimes ruffled brows to smooth;
For (I much regret to say)
Tippytoe and Pittypat
Sometimes interrupt their play
With an internecine spat;
Fie, for shame! to quarrel so--
Pittypat and Tippytoe!
Oh the thousand worrying things
Every day recurrent brings!
Hands to scrub and hair to brush,
Search for playthings gone amiss,
Many a wee complaint to hush,
Many a little bump to kiss;
Life seems one vain, fleeting show
To Pittypat and Tippytoe!
And when day is at an end,
There are little duds to mend;
Little frocks are strangely torn,
Little shows great holes reveal,
Little hose, but one day worn,
Rudely yawn at toe and heel!
Who but you could work such woe,
Pittypat and Tippytoe!
On the floor and down the hall,
Rudely smutched upon the wall,
There are proofs in every kind
Of the havoc they have wrought,
And upon my heart you'd find
Just such trade-marks, if you sought;
Oh, how glad I am 'tis so,
Pittypat and Tippytoe!

poem by Eugene Field
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Related quotes

The King's Breakfast

The King's Breakfast
The King asked
The Queen, and
The Queen asked
The Dairymaid:
"Could we have some butter for
The Royal slice of bread?"
The Queen asked the Dairymaid,
The Dairymaid
Said, "Certainly,
I'll go and tell the cow
Now
Before she goes to bed."

The Dairymaid
She curtsied,
And went and told
The Alderney:
"Don't forget the butter for
The Royal slice of bread."
The Alderney
Said sleepily:
"You'd better tell
His Majesty
That many people nowadays
Like marmalade
Instead."

The Dairymaid
Said, "Fancy!"
And went to
Her Majesty.
She curtsied to the Queen, and
She turned a little red:
"Excuse me,
Your Majesty,
For taking of
The liberty,
But marmalade is tasty, if
It's very
Thickly
Spread."

The Queen said
"Oh!:
And went to
His Majesty:
"Talking of the butter for
The royal slice of bread,
Many people
Think that
Marmalade
Is nicer.
Would you like to try a little
Marmalade
Instead?"

The King said,
"Bother!"
And then he said,
"Oh, deary me!"
The King sobbed, "Oh, deary me!"
And went back to bed.
"Nobody,"
He whimpered,
"Could call me
A fussy man;
I only want
A little bit
Of butter for
My bread!"

The Queen said,
"There, there!"
And went to
The Dairymaid.
The Dairymaid
Said, "There, there!"
And went to the shed.
The cow said,
"There, there!
I didn't really
Mean it;
Here's milk for his porringer,
And butter for his bread."

The Queen took
The butter
And brought it to
His Majesty;
The King said,
"Butter, eh?"
And bounced out of bed.
"Nobody," he said,
As he kissed her
Tenderly,
"Nobody," he said,
As he slid down the banisters,
"Nobody,
My darling,
Could call me
A fussy man -
BUT
I do like a little bit of butter to my bread!"

poem by Alan Alexander Milne
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Cold Iron

Gold is for the mistress -- silver for the maid --
Copper for the craftsman cunning at his trade.
"Good!" said the Baron, sitting in his hall,
"But Iron -- Cold Iron -- is master of them all."

So he made rebellion 'gainst the King his liege,
Camped before his citadel and summoned it to siege.
"Nay!" said the cannoneer on the castle wall,
"But Iron -- Cold Iron -- shall be master of you all!"

Woe for the Baron and his knights so strong,
When the cruel cannon-balls laid 'em all along;
He was taken prisoner, he was cast in thrall,
And Iron -- Cold Iron -- was master of it all!

Yet his King spake kindly (ah, how kind a Lord!)
"What if I release thee now and give thee back thy sword?"
"Nay!" said the Baron, "mock not at my fall,
For Iron -- Cold Iron -- is master of men all."

Tears are for the craven, prayers are for the clown --
Halters for the silly neck that cannot keep a crown.
"As my loss is grievous, so my hope is small,
For Iron -- Cold Iron -- must be master of men all!"

Yet his King made answer (few such Kings there be!)
"Here is Bread and here is Wine -- sit and sup with me.
Eat and drink in Mary's Name, the whiles I do recall
How Iron -- Cold Iron -- can be master of men all!"

He took the Wine and blessed it. He blessed and brake the Bread,
With His own Hands He served Them, and presently He said:
"See! These Hands they pierced with nails, outside My city wall,
Show Iron -- Cold Iron -- to be master of men all."

"Wounds are for the desperate, blows are for the strong.
Balm and oil for weary hearts all cut and bruised with wrong.
I forgive thy treason -- I redeem thy fall --
For Iron -- Cold Iron -- must be master of men all!"

Crowns are for the valiant -- sceptres for the bold!
Thrones and powers for mighty men who dare to take and hold.
"Nay!" said the Baron, kneeling in his hall,
"But Iron -- Cold Iron -- is master of men all!
Iron out of Calvary is master of men all!"

poem by Rudyard Kipling
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Shadows on the Floor

Saturday night! Saturday night!
The hope that lingered has taken to flight;
From morning till evening, the weary week through,
In vain has he battled for something to do.
Poor man! emptyhanded, how can he return
To those whose fate hangs on the pence he may earn?
How can he reply to his questioner sweet --
"Did Papa bring Papa's girl somethin' to eat?"

Out of employ! out of employ!
Distress in the cottage where once there was joy;
How frightful the shadows that fall on the floor
When Want and Starvation appear at the door!

Wasting away! Wasting away!
His poor wife grows paler each sorrowful day,
Yet suffers in silence, and never complains, --
Reserving for others the crust that remains.
His fearful forebodings he seeks to disguise;
But now the child's prattle brings tears to his eyes;
"If Ma doze to Heaven den I mus' do, too;
But Pa, I'll frow down bread and butter for you."

Struggling for life! Struggling for life!
In spite of his courage bourne down in the strife;
Had not he the wife and the baby to save,
How willingly would be he down in the grave!
Reflections more later creep into his mind --
The promise is false, "If ye seek ye shall find."
What was it his dear little innocent said?
"Does Dod fordits us when He takes daily bread!"

poem by Henry Clay Work
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The House of Clay

THERE was a house, a house of clay,
Wherein the inmate sat all day,
Merry and poor;
For Hope sat with her, heart to heart,
Fond and kind, fond and kind,
Vowing he never would depart, --
Till all at once he changed his mind:
"Sweetheart, good by!" He slipped away
And shut the door.
But Love came past, and, looking in,
With smile that pierced like sunbeam thin
Through wall, roof, floor,
Stood in the midst of that poor room,
Grand and fair, grand and fair,
Making a glory out of gloom: --
Till at the window mocked cruel Care:
Love sighed; "All lose, and nothing win?" --
He shut the door.
Then o'er the close-barred house of clay
Kind clematis and woodbine gay
Crept more and more;
And bees hummed merrily outside,
Loud and strong, loud and strong,
The inner silentness to hide,
The patient silence all day long;
Till evening touched with finger gray
The bolted door.
Most like, the next step passing by
Will be the Angel's, whose calm eye
Marks rich, marks poor:
Who, fearing not, at any gate
Stands and calls, stands and calls;
At which the inmate opens straight, --
Whom, ere the crumbling clay-house falls,
He takes in kind arms silently,
And shuts the door.

poem by Dinah Maria Mulock Craik
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It Happens in the B.R. Families

'Twas on the shores that round our coast
From Deal to Newport lie
That I roused from sleep in a huddled heap
An elderly wealthy guy.

His hair was graying, his hair was long,
And graying and long was he;
And I heard this grouch on the shore avouch,
In a singular jazzless key:

"Oh, I am a cook and a waitress trim
And a maid of the second floor,
And a strong chauffeur and a housekeeper,
And the man who tends the door!"

And he shook his fists and he tore his hair,
And he started to frisk and play,
Till I couldn't help thinking the man had been drinking,
So I said (in the Gilbert way):

"Oh, elderly man, I don't know much
Of the ways of societee,
But I'll eat my friend if I comprehend
However you can be

"At once a cook and a waitress trim
And the maid of the second floor,
And a strong chauffeur and a housekeeper,
And the man who tends the door."

Then he smooths his hair with a nervous air,
And a gulp in his throat he swallows,
And that elderly guy he then lets fly
Substantially as follows:

"We had a house down Newport way,
And we led a simple life;
There was only I," said the elderly guy,
And my daughter and my wife.

"And of course the cook and a waitress trim
And the maid of the second floor,
And a strong chauffeur and a housekeeper,
And the man who tends the door."

"One day the cook she up and left,
She up and left us flat.
She was getting a hundred and ten a mon-
Th, but she couldn't work for that.

"And the waitress trim was her bosom friend,
And she wouldn't stay no more;
And our strong chauffeur eloped with her
Who was the maid of the second floor.

"And we couldn't get no other help,
So I had to cook and wait.
It was quite absurd," wept the elderly bird.
"I deserve a better fate.

"And I drove the car and I made the beds
Till the housekeeper up and quit;
And the man at the door found that a bore,
Which is why I am, to wit:

"At once a cook and a waitress trim
And the maid of the second floor,
And a strong chauffeur and a housekeeper,
And the man who tends the door."

poem by Franklin P. Adams
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If Trees Could Talk

If trees could talk, what would they say?
That would definitely be question of the day.
They'd say, "Help us! Help us! We're being chopped down! "
That wouldn't help as our oxygen would frown.
They'd say, "Help us! We're being turned into furniture! "
That doesn't sound like much of an adventure.
They'd say, "Help us! Our branches are losing leaves! "
That shouldn't be the case until Christmas Eve.

If trees could talk, what would they say?
They'd say, "We watch the children who like to play."
There are some nice things too that trees would utter,
Like, "We're as important to life as bread is to butter."
Sadly, trees are like some of us; they speak in silence.
But do they really deserve to be treated with violence?

poem by Stephen Cahill Furlong
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At play

Play that you are mother dear,
And play that papa is your beau;
Play that we sit in the corner here,
Just as we used to, long ago.
Playing so, we lovers two
Are just as happy as we can be,
And I'll say "I love you" to you,
And you say "I love you" to me!
"I love you" we both shall say,
All in earnest and all in play.

Or, play that you are that other one
That some time came, and went away;
And play that the light of years agone
Stole into my heart again to-day!
Playing that you are the one I knew
In the days that never again may be,
I'll say "I love you" to you,
And you say "I love you" to me!
I love you!" my heart shall say
To the ghost of the past come back to-day!

Or, play that you sought this nestling-place
For your own sweet self, with that dual guise
Of your pretty mother in your face
And the look of that other in your eyes!
So the dear old loves shall live anew
As I hold my darling on my knee,
And I'll say "I love you" to you,
And you say "I love you" to me!
Oh, many a strange, true thing we say
And do when we pretend to play!

poem by Eugene Field
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Sequel to Grandfather's Clock

Once again have I roamed thro' the old-fashioned house,
Where my grandfather spent his ninety years.
There are strangers in charge, and the change they have wrought--
Oh! it saddens me, even to tears.
Dear old clock! when they found you were speechless from grief,
Then they went and swapped you off, case and all.
For that vain, stuck-up thing
(tick, tick, tick, tick, tick, tick, tick, tick),
For that vain, stuck-up thing on the wall.

Grandfather sleeps in his grave;
Strange steps resound in the hall!
And there's that vain, stuck-up thing
(tick, tick, tick, tick, tick, tick, tick, tick),
There's that vain, stuck-up thing on the wall.

While we talked of the old clock they all ran it down.
Tho' they claimed that it couldn't be made to run.
It was useless they said-- it was quite out of style;
Built, no doubt, just about the year One.
And the words echoed round, with a faint, mocking sound,
As if some one gave assent to it all;
'Twas that vain, stuck-up thing
(tick, tick, tick, tick, tick, tick, tick, tick),
'Twas that vain, stuck-up thing on the wall.

From the clock-peddler's cart in the junk-shop it went,
Where its cog-wheels were sundered one be one;
And the brass-founder joked as they writhed in the flames--
"Melt'em up," says he; "then they will run."
There is grief in my heart, there are tears in my eyes.
Yet indignantly the sight I recall
Of that vain, stuck-up thing
(tick, tick, tick, tick, tick, tick, tick, tick),
For that vain, stuck-up thing on the wall.

"An extremely hard case!" said the junk-dealer's wife,
As she carried it for kindling wood and sighed--
That mahogany case, with its quaint, figured face,
Which so long was my grandfather's pride.
"There is hope for the small; there's a change for us all;
For the mighty ones of Time, they must fall!"
Says that vain, stuck-up thing
(tick, tick, tick, tick, tick, tick, tick, tick),
Says that vain, stuck-up thing on the wall.

poem by Henry Clay Work
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Distorted Beauty

She was a small girl, the proof being the tiny soccer cleats
lying on the floor, and the low down marks on the wall
marking her height; and the pictures on her wall show
she is the only brunette in a family of blondes; the belts
lying on her floor had extra holes poked in them
to accommodate for her unnatural skinniness;
her clothes consisted of dark colors meant to keep
her constantly hidden in the background.

Her room was always messy, she was never
organized enough to keep it clean; and pictures
had been painted onto the walls as proof of
her artistic talent; she did not have any clothes
with horizontal stripes, she was too afraid
they might make her look fat; Her school
books are scattered on her desk, all with many
dog-eared and well-worn pages.

In the morning she sleeps in just long enough
to rush out the door without breakfast; at lunch
she claims she isn’t feeling well enough to eat;
when time for dinner comes she hides herself in
her room; everyday she wastes away a little more,
and yet she is still not happy with her weight;
however, she refuses to admit her problem and
that she needs help.

poem by Ashley Flock
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The Gamblers

Life's a jail where men have common lot.
Gaunt the one who has, and who has not.
All our treasures neither less nor more,
Bread alone comes thro' the guarded door.
Cards are foolish in this jail, I think,
Yet they play for shoes, for drabs and drink.
She, my lawless, sharp-tongued gypsy maid
Will not scorn with me this jail-bird trade,
Pets some fox-eyed boy who turns the trick,
Tho' he win a button or a stick,
Pencil, garter, ribbon, corset-lace —
His the glory, mine is the disgrace.

Sweet, I'd rather lose than win despite
Love of hearty words and maids polite.
"Love's a gamble," say you. I deny.
Love's a gift. I love you till I die.
Gamblers fight like rats. I will not play.
All I ever had I gave away.
All I ever coveted was peace
Such as comes if we have jail release.
Cards are puzzles, tho' the prize be gold,
Cards help not the bread that tastes of mold,
Cards dye not your hair to black more deep,
Cards make not the children cease to weep.

Scorned, I sit with half shut eyes all day —
Watch the cataract of sunshine play
Down the wall, and dance upon the floor.
Sun, come down and break the dungeon door!
Of such gold dust could I make a key, —
Turn the bolt — how soon we would be free!
Over borders we would hurry on
Safe by sunrise farms, and springs of dawn,
Wash our wounds and jail stains there at last,
Azure rivers flowing, flowing past.
God has great estates just past the line,
Green farms for all, and meat and corn and wine.

poem by Vachel Lindsay
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On Tsunami in Japan

Tongue is mum,
Words are scattered
The whole existence seems to be melting
Into nothingness,
Who are we?
Nothing but playthings,
Objects of derision for Nature.
Our achievments,
Our profitability,
Our whole life is under Her heavy feet,
She exercises Her might on us
Whenever, wherever she wishes,
She does everything upsidedown
In an instant.
Who are we?
What significance we bear?
We are like dew drops scattered on the leaves
Until the sun shows his visage.
Who cares for us?
Certainly none.
We are the messiah of our own pain,
Our hopes are false,
Our dreams are false,
Our whole being is a heap of falsehood.
Our age long labour is spoiled in an instant,
The marks of our glory are raised to ground,
Our whole success is mingled in the dust
When Nature frowns at us.
Then why should we invite Her wrath?
Why should we interrupt Her course?
We should mind our business
And let Her mind Her own.

poem by Mohammad Akmal Nazir
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No Lilies For Lisette

Said the Door: "She came in
With no shadow of sin;
Turned the key in the lock,
Slipped out of her frock,
The robe she liked best
When for supper she dressed.
Then a letter she tore . . .
What a wan look she wore!"
Said the Door.

Said the Chair: "She sat down
With a pitiful frown,
And then (oh, it's queer)
Just one lonely tear
Rolled down her pale cheek.
How I hoped she would speak
As she let down her hair,"
Said the Chair.

Said the Glass: "Then she gazed
Into me like one dazed;
As with delicate grace
She made up her face,
Her cheeks and her lips
With rose finger-tips,
So lovely - alas!
Then she turned on the gas."
Said the Glass.

Said the Bed: "Down she lay
In a weariful way,
Like an innocent child,
To her fate reconciled;
Hands clasped to her breast,
In prayer or in rest:
'Dear Mother,' she said,
Then pillowed her head,"
Said the Bed.

Said the Room: "Then the gleam
Of the moon like a dream,
Soft silvered my space,
And it fell on her face
That was never so sweet
As her heart ceased to beat . . .
Then the moon fled and gloom
Fell like funeral plume,"
Said the Room.

"Just a whore,"
Said the Door;
"Yet so fair,"
Said the Chair;
"Frail, alas!"
Said the Glass;
"Now she's dead,"
Said the Bed;
"Sorry doom,"
Said the Room. . . .

Then they all,
Floor and wall,
Quiet grew,
Ceiling too;
Like a tomb
Was the room;
With hushed breath
Hailing Death:
Soul's release,
Silence, Peace.

poem by Robert William Service
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The Oldest Song

For before Eve was Lilith. -- Old Tale.

"These were never your true love's eyes.
Why do you feign that you love them?
You that broke from their constancies,
And the wide calm brows above them!

This was never your true love's speech.
Why do you thrill when you hear it?
You that have ridden out of its reach
The width of the world or near it!

This was never your true love's hair, --
You that chafed when it bound you
Screened from knowledge or shame or care,
In the night that it made around you!"

"All these things I know, I know.
And that's why my heart is breaking!"
"Then what do you gain by pretending so?"
"The joy of an old wound waking."

poem by Rudyard Kipling
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The Masked Face

I found me in a great surging space,
At either end a door,
And I said: "What is this giddying place,
With no firm-fixéd floor,
That I knew not of before?"
"It is Life," said a mask-clad face.

I asked: "But how do I come here,
Who never wished to come;
Can the light and air be made more clear,
The floor more quietsome,
And the doors set wide? They numb
Fast-locked, and fill with fear."

The mask put on a bleak smile then,
And said, "O vassal-wight,
There once complained a goosequill pen
To the scribe of the Infinite
Of the words it had to write
Because they were past its ken."

poem by Thomas Hardy
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Crying For Bread

"Please, lady! please pay my Ma for her sewing;
The suit fits you splendidly--that you'll allow.
Oh! don't say tomorrow! I see you are going;
But this will not hinder long--please pay me now.
Ma work'd all night for you! ev'ry minute;
Now she lies groaning with pain in her head;
And there by the pantry (with not a thing in it),
Sits poor little Theodore crying for bread!
Poor little Theodore crying for bread!"

"On! driver, on! they have all gone before us,
And I will not be late at the ball," Beauty said;
And wintry winds echoed her answer in chorus
With poor little Theodore crying for bread!
Poor little Theodore crying for bread!

"Please lady! please pay my Ma for her sewing;
I'll run and get change for you. Don't call me bold--
But how could you dance tonight all the time knowing
That we were left suffering, hungry and cold?
Ma looks so wild! she keeps calling for Daisy;
That was the name of my sister that's dead.
Oh! what shall I do, with my Ma going crazy,
And poor little Theodore cryiing for bread?
Poor little Theodore crying for bread!"

"Please lady! please pay my Ma for her sewing;
She must have some medicine--that let me buy.
Now, don't speak of beggars! 'tis money you're owing:
Do please, pay me part of it--else we must die."
On the wheels roll'd, and Fidele returned weeping;
Ah! in her absence a spirit had fled,
And morning light found her a weary watch keeping,
With poor little Theodore crying for bread!
Poor little Theodore crying for bread!"

poem by Henry Clay Work
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The Old Clock on the Stairs

Somewhat back from the village street
Stands the old-fashioned country-seat.
Across its antique portico
Tall poplar-trees their shadows throw;
And from its station in the hall
An ancient timepiece says to all, --
"Forever -- never!
Never -- forever!"
Half-way up the stairs it stands,
And points and beckons with its hands
From its case of massive oak,
Like a monk, who, under his cloak,
Crosses himself, and sighs, alas!
With sorrowful voice to all who pass, --
"Forever -- never!
Never -- forever!"

By day its voice is low and light;
But in the silent dead of night,
Distinct as a passing footstep's fall,
It echoes along the vacant hall,
Along the ceiling, along the floor,
And seems to say, at each chamber-door, --
"Forever -- never!
Never -- forever!"

Through days of sorrow and of mirth,
Through days of death and days of birth,
Through every swift vicissitude
Of changeful time, unchanged it has stood,
And as if, like God, it all things saw,
It calmly repeats those words of awe, --
"Forever -- never!
Never -- forever!"

In that mansion used to be
Free-hearted Hospitality;
His great fires up the chimney roared;
The stranger feasted at his board;
But, like the skeleton at the feast,
That warning timepiece never ceased, --
"Forever -- never!
Never -- forever!"

There groups of merry children played,
There youths and maidens dreaming strayed;
O precious hours! O golden prime,
And affluence of love and time!
Even as a miser counts his gold,
Those hours the ancient timepiece told, --
"Forever -- never!
Never -- forever!"

From that chamber, clothed in white,
The bride came forth on her wedding night;
There, in that silent room below,
The dead lay in his shroud of snow;
And in the hush that followed the prayer,
Was heard the old clock on the stair, --
"Forever -- never!
Never -- forever!"

All are scattered now and fled,
Some are married, some are dead;
And when I ask, with throbs of pain,
"Ah! when shall they all meet again?"
As in the days long since gone by,
The ancient timepiece makes reply, --
"Forever -- never!
Never -- forever!"

Never here, forever there,
Where all parting, pain, and care,
And death, and time shall disappear, --
Forever there, but never here!
The horologe of Eternity
Sayeth this incessantly, --
"Forever -- never!
Never -- forever!"

poem by Henry Wadsworth Longfellow
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Our Daily Bread

"Give me my daily bread.
It seems so odd,
When all is done and said,
This plea to God.
To pray for cake might be
The thing to do;
But bread, it seems to me,
Is just our due.

"Give me my daily toil,"
I ought to say -
(If from life's cursed coil
I'd time to pray.)
Give me my daily sweat,
My body sore,
So that bread I may get
To toil for more.

"Give me my daily breath,"
Through half a sob,
Until untimely death
Shall end my job.
A crust for my award,
I cry in dread:

"Grant unto me. Oh Lord,
My daily bread!"

poem by Robert William Service
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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

poem by Michael Drayton
Submitted by Poetry Lover
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The Sexy Ginger Bread Man

On his body is a ginger bread thong
To soften you up he sings a sweet sugar song
If you hit on him he’ll play along